Docs of group: Literary References in Pictures

Dresden bewölkt

nobody@ipernity.com (Chaos (カオス)) — Fri, 04 Dec 2009 14:04:11 +0000

Chaos (カオス) has posted a doc:

Ständehaus, Hofkirche, Semperoper & Straßenlaterne in stürzender Linie

UBIQ, in loving memory of my dog

nobody@ipernity.com (Armando Taborda) — Fri, 20 Nov 2009 15:41:32 +0000

Armando Taborda has posted a doc:

a pointer, died in 1994

http://www.ipernity.com/blog/armando.taborda/204696

Silent Smile (16)

nobody@ipernity.com (Armando Taborda) — Tue, 17 Nov 2009 12:53:12 +0000

Armando Taborda has posted a doc:

my wife, Maria da Nazaré

http://www.ipernity.com/blog/armando.taborda/203819

Amazing Lunch

nobody@ipernity.com (Armando Taborda) — Mon, 16 Nov 2009 13:05:31 +0000

Armando Taborda has posted a doc:

photography taken from Internet
.........................................................

Survive in the amazing imobility of this lunch
where adventure has no place at table.

///

Survivre dans l'hallucinant immobilité de ce déjeuner
où l'aventure n'a pas place à la table.

///

Sobreviver na alucinante imobilidade deste almoço
onde a aventura não tem lugar à mesa.

by Armando Taborda, in "Manual do Desperdício", Ceres Editora, 1994

Human Embryo 6 Days Old

nobody@ipernity.com (Armando Taborda) — Thu, 12 Nov 2009 16:13:04 +0000

Armando Taborda has posted a doc:

photographed by "Wellcome Images"
.................................................................

Since the very beginning
I kept memories of life.

Afterwards I decided
the essential of the flower
is the fragrance remaining
soul's
remembrance.

Now I keep memories of soul.

///

Au début
j'ai gardé mémoires de la vie.

Après ça j'ai décidé
que l'essentiel de la fleur
c'est le parfum qui reste
réminiscence
de l'âme.

Maintenant je garde mémoires de l'âme.

///

No começo
guardei memórias da vida.

Depois concluí
que o essencial da flor
é o aroma que fica
reminiscência
da alma.

E passei a guardar memórias da alma.

In "SonhoGrafias", Universitária Editora, 2000

Blood's Coagulum with Leucocyte

nobody@ipernity.com (Armando Taborda) — Tue, 10 Nov 2009 11:35:06 +0000

Armando Taborda has posted a doc:

photographed by "Wellcome Images"
.................................................................

If the death was the continuation of life, the doubt and the mystery were not necessary.

///

Si la mort était la continuation de la vie, le doute et le mystère étaient inutiles.

///

Se a morte fosse a continuação da vida, desnecessários seriam a dúvida e o mistério.

by Armando Taborda, in "Palavras, Músicas e Blasfémias que Envelheço na Cidade", Universitária Editora, 2000

Neurons

nobody@ipernity.com (Armando Taborda) — Wed, 04 Nov 2009 17:30:52 +0000

Armando Taborda has posted a doc:

photographed by "Wellcome Images"
.................................................................

The head is the garret
of the building you live in
is there the body keeps
space for memories.

///

La tête c'est la mansarde
du bâtiment où tu vives
c'est là que le corps garde
espace pour les mémoires.

///

A cabeça é a mansarda
do edifício onde moras
é lá que o corpo guarda
espaço para as memórias.

by Armando Taborda, in "SonhoGrafias", Universitària Editora, 2000

Shadow is a Dream of Light

nobody@ipernity.com (Armando Taborda) — Wed, 28 Oct 2009 16:34:05 +0000

Armando Taborda has posted a doc:

http://www.ipernity.com/blog/armando.taborda/197786

Human Ovule on the Top of a Pin

nobody@ipernity.com (Armando Taborda) — Mon, 26 Oct 2009 16:47:43 +0000

Armando Taborda has posted a doc:

photographed by "Wellcome Images"
.................................................................

There is no bigger joy than the dissastified conscience of our transcendence.

///

Il n'y a pas meilleur joie qui l'insatisfaite conscience de notre transcendance.

///

Não há maior alegria do que a consciência insatisfeita da nossa transcendência.

by Armando Taborda, in "SonhoGrafias", Universitária Editora, 2000

Symphony of Silence (illustration)

nobody@ipernity.com (Armando Taborda) — Thu, 22 Oct 2009 11:52:42 +0000

Armando Taborda has posted a doc:

by Carlos Alexandre, in my book "Sinfonia em Dor Menor", Edição da Escola de Mar, 2007

http://www.ipernity.com/blog/armando.taborda/195741

Why Do You Talk

nobody@ipernity.com (Armando Taborda) — Wed, 21 Oct 2009 20:42:27 +0000

Armando Taborda has posted a doc:

photography taken from Internet
.........................................................

It's the same old thing
You'd like to know why
Who made the earth move
Who made the sky high
Who made the earth move
Who made the sky high
Who made your blood red
Who made you think thoughts
Who made you breathe a
breath
Tell me, why do you talk
Tell me, why do you talk
Tell me, why do you talk
Tell me, why do you talk

Why do you always talk
Why do you make sounds
Why don't you listen
Why do you talk so much
Why don't you listen
Why do you talk so much

Why don't you shut up

by LOU REED, in Pass Through Fire, the Collected Lyrics, Time Rocker, extract from the poem Why Do You Talk

Daybreak

nobody@ipernity.com (Armando Taborda) — Mon, 19 Oct 2009 16:35:56 +0000

Armando Taborda has posted a doc:

photography taken from Internet
........................................................

Daybreak grows
ancient
ruddy
and solemn
morning
the dream comes to an end
in the shade
awaken
by the day.

///

Ancienne
rouge
et solennel
l'aurore gonfle
matin
et termine le rêve
dans l'ombre
qui le jour
réveille.

///

É vetusta
rubra
e solene
a aurora que cresce
manhã
e assim acaba o sonho
na sombra
que o dia
desperta.

by Armando Taborda, in SonhoGrafias, Universitária Editora, 2000

Fleeting Light

nobody@ipernity.com (Armando Taborda) — Mon, 12 Oct 2009 15:02:15 +0000

Armando Taborda has posted a doc:

From the brief light
fleeting
of stars' movement
I apprehend the beauty of fugitive shapes
lost in shade
and sleep.

///

De la brève lumière
fugace
du mouvement des astres
j'appréhende la beauté des formes fugitives
qui se perdrent dans l'ombre
et le sommeil.

///

Pela luz breve
fugaz
do movimento dos astros
apreendo a beleza das formas fugitivas
que se perdem na sombra
e no sono.

by Armando Taborda, in "Palavras, Músicas e Blasfémias que Envelheço na Cidade", Ulmeiro Editores, 1996

HALLELUJAH!

nobody@ipernity.com (Armando Taborda) — Thu, 08 Oct 2009 12:09:37 +0000

Armando Taborda has posted a doc:

photography taken from Internet
.........................................................

Man is the ape towards God.
///
L'Homme c'est le singe en route de Dieu.
///
O Homem é o macaco a caminho de Deus.

by Armando Taborda, in "SonhoGrafias", Universitária Editora, 2000

Beton

nobody@ipernity.com (Hizir) — Sun, 29 Jul 2007 10:23:07 +0000

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Ah, nos nuits . . .

nobody@ipernity.com (Hizir) — Thu, 23 Aug 2007 12:23:47 +0000

Hizir has posted a doc:

Note

nobody@ipernity.com (Hizir) — Sun, 30 Mar 2008 08:15:31 +0000

Hizir has posted a doc:

Roland Barthes: La chambre claire, Paris 1981, Broché, 199 pp.

Wittgenstein-Haus

nobody@ipernity.com (Hizir) — Sun, 17 May 2009 16:51:36 +0000

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Occupied by the embassy of the People's Republic of Bulgaria

Ce que je lis en ce moment

nobody@ipernity.com (Hizir) — Mon, 22 Jun 2009 17:11:19 +0000

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Piper Verlag München, 220 S., 2009

"e;

Obwohl die Adelstitel 1918 per Gesetz abgeschafft wurden, sind von den 19 Titeln, die es 1910 in der öffentlichen Verwaltung gab, nach wie vor 15 in Gebrauch.

&unquote;

Dante Alighiere, PURGATORIO, Canto XXXIII (Finale)

nobody@ipernity.com (Armando Taborda) — Wed, 16 Sep 2009 12:01:37 +0000

Armando Taborda has posted a doc:

Illustration by Salvador Dali
................................................
After a hymn sung, Beatrice leaves the tree, and takes with her the seven virgins, Matilda, Statius, and Dante. She then darkly predicts to our Poets some future events. Lastly, the whole band arrive at the fountain, from whence the two streams, Lethe and Eunoe, separating, flow different ways; and Matilda, at the desire of Beatrice, causes our Poet to drink of the latter stream.