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  <title>Docs from Armando Taborda, tagged "art"</title>
  <link>http://www.ipernity.com/tag/armando.taborda/keyword/10090</link>
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    <title>Docs from Armando Taborda, tagged "art"</title>
    <link>http://www.ipernity.com/tag/armando.taborda/keyword/10090</link>
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  <pubDate>Sun, 20 Dec 2009 01:58:37 +0000</pubDate>
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    <title>Alcobaça, Cistercian Monk (sculpture)</title>
    <link>http://www.ipernity.com/doc/armando.taborda/6594852</link>
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    <pubDate>Wed, 18 Nov 2009 12:41:03 +0000</pubDate>
    <dc:date.created>2009-11-01T16:20:21+00:00</dc:date.created>
    <author>nobody@ipernity.com (Armando Taborda)</author>
    <description>&lt;p class="who"&gt;&lt;a href="http://www.ipernity.com/home/armando.taborda"&gt;Armando Taborda&lt;/a&gt; has posted a doc:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="http://www.ipernity.com/doc/armando.taborda/6594852"&gt;&lt;img src="http://u1.ipernity.com/13/48/52/6594852.344eff51.240.jpg" width="135" height="240" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;&lt;/div&gt;</description>
    <media:title>Alcobaça, Cistercian Monk (sculpture)</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="http://www.ipernity.com/home/armando.taborda"&gt;Armando Taborda&lt;/a&gt; has posted a doc:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="http://www.ipernity.com/doc/armando.taborda/6594852"&gt;&lt;img src="http://u1.ipernity.com/13/48/52/6594852.344eff51.240.jpg" width="135" height="240" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;&lt;/div&gt;</media:text>
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    <media:credit role="author">Armando Taborda</media:credit>
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    <title>Symphony of Silence (illustration)</title>
    <link>http://www.ipernity.com/doc/armando.taborda/6334480</link>
    <guid isPermaLink="false">tag:ipernity.com,2009-10-22,doc-6334480</guid>
    <pubDate>Thu, 22 Oct 2009 11:52:42 +0000</pubDate>
    <dc:date.created>2009-05-20T16:10:04+01:00</dc:date.created>
    <author>nobody@ipernity.com (Armando Taborda)</author>
    <description>&lt;p class="who"&gt;&lt;a href="http://www.ipernity.com/home/armando.taborda"&gt;Armando Taborda&lt;/a&gt; has posted a doc:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="http://www.ipernity.com/doc/armando.taborda/6334480"&gt;&lt;img src="http://u1.ipernity.com/13/44/80/6334480.61c90b12.240.jpg" width="240" height="175" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;by Carlos Alexandre, in my book "Sinfonia em Dor Menor", Edição da Escola de Mar, 2007&lt;br /&gt;
&lt;br /&gt;
&lt;a href="http://www.ipernity.com/blog/armando.taborda/195741"&gt;http://www.ipernity.com/blog/armando.taborda/195741&lt;/a&gt;&lt;/div&gt;</description>
    <media:title>Symphony of Silence (illustration)</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="http://www.ipernity.com/home/armando.taborda"&gt;Armando Taborda&lt;/a&gt; has posted a doc:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="http://www.ipernity.com/doc/armando.taborda/6334480"&gt;&lt;img src="http://u1.ipernity.com/13/44/80/6334480.61c90b12.240.jpg" width="240" height="175" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;by Carlos Alexandre, in my book "Sinfonia em Dor Menor", Edição da Escola de Mar, 2007&lt;br /&gt;
&lt;br /&gt;
&lt;a href="http://www.ipernity.com/blog/armando.taborda/195741"&gt;http://www.ipernity.com/blog/armando.taborda/195741&lt;/a&gt;&lt;/div&gt;</media:text>
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    <media:credit role="author">Armando Taborda</media:credit>
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    <title>Matrix for the raising of the Work of Art (3D painting)</title>
    <link>http://www.ipernity.com/doc/armando.taborda/6152196</link>
    <guid isPermaLink="false">tag:ipernity.com,2009-10-01,doc-6152196</guid>
    <pubDate>Thu, 01 Oct 2009 12:01:12 +0000</pubDate>
    <dc:date.created>2009-10-01T13:01:12+01:00</dc:date.created>
    <author>nobody@ipernity.com (Armando Taborda)</author>
    <description>&lt;p class="who"&gt;&lt;a href="http://www.ipernity.com/home/armando.taborda"&gt;Armando Taborda&lt;/a&gt; has posted a doc:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="http://www.ipernity.com/doc/armando.taborda/6152196"&gt;&lt;img src="http://u1.ipernity.com/12/21/96/6152196.4e2c61b2.240.jpg" width="240" height="180" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;photographed by the artist&lt;br /&gt;
&lt;br /&gt;
by José Neto (represented at the Art Gallery / Espaço AmArte), mixed technique on 3D object&lt;br /&gt;
&lt;br /&gt;
Please see / read more at &lt;a href="http://www.ipernity.com/blog/armando.taborda/53421"&gt;http://www.ipernity.com/blog/armando.taborda/53421&lt;/a&gt;&lt;/div&gt;</description>
    <media:title>Matrix for the raising of the Work of Art (3D painting)</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="http://www.ipernity.com/home/armando.taborda"&gt;Armando Taborda&lt;/a&gt; has posted a doc:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="http://www.ipernity.com/doc/armando.taborda/6152196"&gt;&lt;img src="http://u1.ipernity.com/12/21/96/6152196.4e2c61b2.240.jpg" width="240" height="180" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;photographed by the artist&lt;br /&gt;
&lt;br /&gt;
by José Neto (represented at the Art Gallery / Espaço AmArte), mixed technique on 3D object&lt;br /&gt;
&lt;br /&gt;
Please see / read more at &lt;a href="http://www.ipernity.com/blog/armando.taborda/53421"&gt;http://www.ipernity.com/blog/armando.taborda/53421&lt;/a&gt;&lt;/div&gt;</media:text>
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    <media:credit role="author">Armando Taborda</media:credit>
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    <title>Dante Alighiere, PURGATORIO, Canto XXXIII (Finale)</title>
    <link>http://www.ipernity.com/doc/armando.taborda/5999393</link>
    <guid isPermaLink="false">tag:ipernity.com,2009-09-16,doc-5999393</guid>
    <pubDate>Wed, 16 Sep 2009 12:01:37 +0000</pubDate>
    <dc:date.created>2009-05-28T13:36:42+01:00</dc:date.created>
    <author>nobody@ipernity.com (Armando Taborda)</author>
    <description>&lt;p class="who"&gt;&lt;a href="http://www.ipernity.com/home/armando.taborda"&gt;Armando Taborda&lt;/a&gt; has posted a doc:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="http://www.ipernity.com/doc/armando.taborda/5999393"&gt;&lt;img src="http://u1.ipernity.com/12/93/93/5999393.25479201.240.jpg" width="186" height="240" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Illustration by Salvador Dali&lt;br /&gt;
................................................&lt;br /&gt;
After a hymn sung, Beatrice leaves the tree, and takes with her the seven virgins, Matilda, Statius, and Dante. She then darkly predicts to our Poets some future events. Lastly, the whole band arrive at the fountain, from whence the two streams, Lethe and Eunoe, separating, flow different ways; and Matilda, at the desire of Beatrice, causes our Poet to drink of the latter stream.&lt;/div&gt;</description>
    <media:title>Dante Alighiere, PURGATORIO, Canto XXXIII (Finale)</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="http://www.ipernity.com/home/armando.taborda"&gt;Armando Taborda&lt;/a&gt; has posted a doc:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="http://www.ipernity.com/doc/armando.taborda/5999393"&gt;&lt;img src="http://u1.ipernity.com/12/93/93/5999393.25479201.240.jpg" width="186" height="240" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Illustration by Salvador Dali&lt;br /&gt;
................................................&lt;br /&gt;
After a hymn sung, Beatrice leaves the tree, and takes with her the seven virgins, Matilda, Statius, and Dante. She then darkly predicts to our Poets some future events. Lastly, the whole band arrive at the fountain, from whence the two streams, Lethe and Eunoe, separating, flow different ways; and Matilda, at the desire of Beatrice, causes our Poet to drink of the latter stream.&lt;/div&gt;</media:text>
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    <media:credit role="author">Armando Taborda</media:credit>
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    <title>Dante Alighiere, PURGATORIO, Canto XXXII</title>
    <link>http://www.ipernity.com/doc/armando.taborda/5919120</link>
    <guid isPermaLink="false">tag:ipernity.com,2009-09-08,doc-5919120</guid>
    <pubDate>Tue, 08 Sep 2009 11:24:40 +0000</pubDate>
    <dc:date.created>2009-05-28T13:36:05+01:00</dc:date.created>
    <author>nobody@ipernity.com (Armando Taborda)</author>
    <description>&lt;p class="who"&gt;&lt;a href="http://www.ipernity.com/home/armando.taborda"&gt;Armando Taborda&lt;/a&gt; has posted a doc:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="http://www.ipernity.com/doc/armando.taborda/5919120"&gt;&lt;img src="http://u1.ipernity.com/12/91/20/5919120.58861358.240.jpg" width="149" height="240" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Illustration by Salvador Dali&lt;br /&gt;
................................................&lt;br /&gt;
Dante is warned not to gaze too fixedly on Beatrice.The procession moves on, accompanied by Matilda, Statius, and Dante, till they reach an exceeding lofty tree, where divers strange chances befall.&lt;/div&gt;</description>
    <media:title>Dante Alighiere, PURGATORIO, Canto XXXII</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="http://www.ipernity.com/home/armando.taborda"&gt;Armando Taborda&lt;/a&gt; has posted a doc:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="http://www.ipernity.com/doc/armando.taborda/5919120"&gt;&lt;img src="http://u1.ipernity.com/12/91/20/5919120.58861358.240.jpg" width="149" height="240" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Illustration by Salvador Dali&lt;br /&gt;
................................................&lt;br /&gt;
Dante is warned not to gaze too fixedly on Beatrice.The procession moves on, accompanied by Matilda, Statius, and Dante, till they reach an exceeding lofty tree, where divers strange chances befall.&lt;/div&gt;</media:text>
    <media:content url="http://u1.ipernity.com/12/91/20/5919120.434097d6.1024.jpg" type="image/jpeg" width="632" height="1024" duration="0" isDefault="true"  />
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    <media:thumbnail url="http://u1.ipernity.com/12/91/20/5919120.58861358.100.jpg" width="62" height="100"/>
    <media:credit role="author">Armando Taborda</media:credit>
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  <item>
    <title>Dante Alighiere, PURGATORIO, Canto XXXI</title>
    <link>http://www.ipernity.com/doc/armando.taborda/5835282</link>
    <guid isPermaLink="false">tag:ipernity.com,2009-08-31,doc-5835282</guid>
    <pubDate>Mon, 31 Aug 2009 11:52:03 +0000</pubDate>
    <dc:date.created>2009-05-28T16:42:54+01:00</dc:date.created>
    <author>nobody@ipernity.com (Armando Taborda)</author>
    <description>&lt;p class="who"&gt;&lt;a href="http://www.ipernity.com/home/armando.taborda"&gt;Armando Taborda&lt;/a&gt; has posted a doc:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="http://www.ipernity.com/doc/armando.taborda/5835282"&gt;&lt;img src="http://u1.ipernity.com/12/52/82/5835282.34048624.240.jpg" width="170" height="240" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Illustration by Salvador Dali&lt;br /&gt;
................................................&lt;br /&gt;
Beatrice continues her reprehension of Dante, who confesses his error, and falls to the ground: coming to himself again, he is by Matilda drawn through the waters of Lethe, and presented first to the four virgins who figure the cardinal virtues; this in their turn lead him to the Gryphon, a simbol of our Saviour; and the three virgins, representing the evangelical virtues, intercede for him with Beatrice, that she would display to him her second beauty.&lt;/div&gt;</description>
    <media:title>Dante Alighiere, PURGATORIO, Canto XXXI</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="http://www.ipernity.com/home/armando.taborda"&gt;Armando Taborda&lt;/a&gt; has posted a doc:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="http://www.ipernity.com/doc/armando.taborda/5835282"&gt;&lt;img src="http://u1.ipernity.com/12/52/82/5835282.34048624.240.jpg" width="170" height="240" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Illustration by Salvador Dali&lt;br /&gt;
................................................&lt;br /&gt;
Beatrice continues her reprehension of Dante, who confesses his error, and falls to the ground: coming to himself again, he is by Matilda drawn through the waters of Lethe, and presented first to the four virgins who figure the cardinal virtues; this in their turn lead him to the Gryphon, a simbol of our Saviour; and the three virgins, representing the evangelical virtues, intercede for him with Beatrice, that she would display to him her second beauty.&lt;/div&gt;</media:text>
    <media:content url="http://u1.ipernity.com/12/52/82/5835282.835a5d9b.1024.jpg" type="image/jpeg" width="725" height="1024" duration="0" isDefault="true"  />
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    <media:credit role="author">Armando Taborda</media:credit>
  </item>
  <item>
    <title>VIOLA DELTA, Volume XLVI, Mic Editors and Authors, February, 2009</title>
    <link>http://www.ipernity.com/doc/armando.taborda/5730697</link>
    <guid isPermaLink="false">tag:ipernity.com,2009-08-20,doc-5730697</guid>
    <pubDate>Thu, 20 Aug 2009 16:06:28 +0000</pubDate>
    <dc:date.created>2009-05-06T16:10:30+01:00</dc:date.created>
    <author>nobody@ipernity.com (Armando Taborda)</author>
    <description>&lt;p class="who"&gt;&lt;a href="http://www.ipernity.com/home/armando.taborda"&gt;Armando Taborda&lt;/a&gt; has posted a doc:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="http://www.ipernity.com/doc/armando.taborda/5730697"&gt;&lt;img src="http://u1.ipernity.com/12/06/97/5730697.5b11d90e.240.jpg" width="169" height="240" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Dedicated to Mona Lisa for her previous appreciation on this same text&lt;br /&gt;
&lt;br /&gt;
This is the oldest "Poetry Notebook" published in Portugal, since 1977, co-ordinated by Fernando Grade, poet and painter&lt;br /&gt;
&lt;br /&gt;
&lt;a href="http://www.ipernity.com/blog/armando.taborda/176604"&gt;http://www.ipernity.com/blog/armando.taborda/176604&lt;/a&gt;&lt;/div&gt;</description>
    <media:title>VIOLA DELTA, Volume XLVI, Mic Editors and Authors, February, 2009</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="http://www.ipernity.com/home/armando.taborda"&gt;Armando Taborda&lt;/a&gt; has posted a doc:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="http://www.ipernity.com/doc/armando.taborda/5730697"&gt;&lt;img src="http://u1.ipernity.com/12/06/97/5730697.5b11d90e.240.jpg" width="169" height="240" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Dedicated to Mona Lisa for her previous appreciation on this same text&lt;br /&gt;
&lt;br /&gt;
This is the oldest "Poetry Notebook" published in Portugal, since 1977, co-ordinated by Fernando Grade, poet and painter&lt;br /&gt;
&lt;br /&gt;
&lt;a href="http://www.ipernity.com/blog/armando.taborda/176604"&gt;http://www.ipernity.com/blog/armando.taborda/176604&lt;/a&gt;&lt;/div&gt;</media:text>
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    <media:thumbnail url="http://u1.ipernity.com/12/06/97/5730697.5b11d90e.240.jpg" width="169" height="240"/>
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    <media:credit role="author">Armando Taborda</media:credit>
  </item>
  <item>
    <title>Dante Alighiere, PURGATORIO, Canto XXX</title>
    <link>http://www.ipernity.com/doc/armando.taborda/5730573</link>
    <guid isPermaLink="false">tag:ipernity.com,2009-08-20,doc-5730573</guid>
    <pubDate>Thu, 20 Aug 2009 15:46:35 +0000</pubDate>
    <dc:date.created>2009-05-28T13:34:17+01:00</dc:date.created>
    <author>nobody@ipernity.com (Armando Taborda)</author>
    <description>&lt;p class="who"&gt;&lt;a href="http://www.ipernity.com/home/armando.taborda"&gt;Armando Taborda&lt;/a&gt; has posted a doc:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="http://www.ipernity.com/doc/armando.taborda/5730573"&gt;&lt;img src="http://u1.ipernity.com/12/05/73/5730573.888e5dfb.240.jpg" width="172" height="240" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Illustration by Salvador Dali&lt;br /&gt;
................................................&lt;br /&gt;
Beatrice descends from heaven, and rebukes the Poet.&lt;/div&gt;</description>
    <media:title>Dante Alighiere, PURGATORIO, Canto XXX</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="http://www.ipernity.com/home/armando.taborda"&gt;Armando Taborda&lt;/a&gt; has posted a doc:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="http://www.ipernity.com/doc/armando.taborda/5730573"&gt;&lt;img src="http://u1.ipernity.com/12/05/73/5730573.888e5dfb.240.jpg" width="172" height="240" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Illustration by Salvador Dali&lt;br /&gt;
................................................&lt;br /&gt;
Beatrice descends from heaven, and rebukes the Poet.&lt;/div&gt;</media:text>
    <media:content url="http://u1.ipernity.com/12/05/73/5730573.b4355cda.1024.jpg" type="image/jpeg" width="732" height="1024" duration="0" isDefault="true"  />
    <media:thumbnail url="http://u1.ipernity.com/12/05/73/5730573.888e5dfb.240.jpg" width="172" height="240"/>
    <media:thumbnail url="http://u1.ipernity.com/12/05/73/5730573.888e5dfb.100.jpg" width="72" height="100"/>
    <media:credit role="author">Armando Taborda</media:credit>
  </item>
  <item>
    <title>Dante Alighiere, PURGATORIO, Canto XXIX</title>
    <link>http://www.ipernity.com/doc/armando.taborda/5609130</link>
    <guid isPermaLink="false">tag:ipernity.com,2009-08-07,doc-5609130</guid>
    <pubDate>Fri, 07 Aug 2009 11:34:47 +0000</pubDate>
    <dc:date.created>2009-05-28T13:33:31+01:00</dc:date.created>
    <author>nobody@ipernity.com (Armando Taborda)</author>
    <description>&lt;p class="who"&gt;&lt;a href="http://www.ipernity.com/home/armando.taborda"&gt;Armando Taborda&lt;/a&gt; has posted a doc:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="http://www.ipernity.com/doc/armando.taborda/5609130"&gt;&lt;img src="http://u1.ipernity.com/12/91/30/5609130.ef31c7ad.240.jpg" width="174" height="240" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Illustration by Salvador Dali&lt;br /&gt;
................................................&lt;br /&gt;
The lady, who in a following canto is called Matilda, moves along the side of the stream in a contrary direction to the current, and Dante keeps equal pace with her on the opposite bank. A marvellous sight, preceded by music, appears in view.&lt;/div&gt;</description>
    <media:title>Dante Alighiere, PURGATORIO, Canto XXIX</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="http://www.ipernity.com/home/armando.taborda"&gt;Armando Taborda&lt;/a&gt; has posted a doc:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="http://www.ipernity.com/doc/armando.taborda/5609130"&gt;&lt;img src="http://u1.ipernity.com/12/91/30/5609130.ef31c7ad.240.jpg" width="174" height="240" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Illustration by Salvador Dali&lt;br /&gt;
................................................&lt;br /&gt;
The lady, who in a following canto is called Matilda, moves along the side of the stream in a contrary direction to the current, and Dante keeps equal pace with her on the opposite bank. A marvellous sight, preceded by music, appears in view.&lt;/div&gt;</media:text>
    <media:content url="http://u1.ipernity.com/12/91/30/5609130.361bc73d.1024.jpg" type="image/jpeg" width="740" height="1024" duration="0" isDefault="true"  />
    <media:thumbnail url="http://u1.ipernity.com/12/91/30/5609130.ef31c7ad.240.jpg" width="174" height="240"/>
    <media:thumbnail url="http://u1.ipernity.com/12/91/30/5609130.ef31c7ad.100.jpg" width="73" height="100"/>
    <media:credit role="author">Armando Taborda</media:credit>
  </item>
  <item>
    <title>Dante Alighiere, PURGATORIO, Canto XXVIII</title>
    <link>http://www.ipernity.com/doc/armando.taborda/5510322</link>
    <guid isPermaLink="false">tag:ipernity.com,2009-07-29,doc-5510322</guid>
    <pubDate>Wed, 29 Jul 2009 11:57:17 +0000</pubDate>
    <dc:date.created>2009-05-28T13:32:45+01:00</dc:date.created>
    <author>nobody@ipernity.com (Armando Taborda)</author>
    <description>&lt;p class="who"&gt;&lt;a href="http://www.ipernity.com/home/armando.taborda"&gt;Armando Taborda&lt;/a&gt; has posted a doc:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="http://www.ipernity.com/doc/armando.taborda/5510322"&gt;&lt;img src="http://u1.ipernity.com/12/03/22/5510322.241befdf.240.jpg" width="172" height="240" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Illustration by Salvador Dali&lt;br /&gt;
................................................&lt;br /&gt;
Dante wanders through the forest of the terrestrial paradise, till he is stopped by a stream, on the other side of which he beholds a fair lady, culling flowers. He speaks to her; and she, in reply, explains to him certain things touching the nature of that place, and tells that the water, which flows between them, is here called Lethe, and in another place has the name of Eunoe.&lt;/div&gt;</description>
    <media:title>Dante Alighiere, PURGATORIO, Canto XXVIII</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="http://www.ipernity.com/home/armando.taborda"&gt;Armando Taborda&lt;/a&gt; has posted a doc:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="http://www.ipernity.com/doc/armando.taborda/5510322"&gt;&lt;img src="http://u1.ipernity.com/12/03/22/5510322.241befdf.240.jpg" width="172" height="240" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Illustration by Salvador Dali&lt;br /&gt;
................................................&lt;br /&gt;
Dante wanders through the forest of the terrestrial paradise, till he is stopped by a stream, on the other side of which he beholds a fair lady, culling flowers. He speaks to her; and she, in reply, explains to him certain things touching the nature of that place, and tells that the water, which flows between them, is here called Lethe, and in another place has the name of Eunoe.&lt;/div&gt;</media:text>
    <media:content url="http://u1.ipernity.com/12/03/22/5510322.5b309125.1024.jpg" type="image/jpeg" width="731" height="1024" duration="0" isDefault="true"  />
    <media:thumbnail url="http://u1.ipernity.com/12/03/22/5510322.241befdf.240.jpg" width="172" height="240"/>
    <media:thumbnail url="http://u1.ipernity.com/12/03/22/5510322.241befdf.100.jpg" width="72" height="100"/>
    <media:credit role="author">Armando Taborda</media:credit>
  </item>
  <item>
    <title>Fire of Life (illustration)</title>
    <link>http://www.ipernity.com/doc/armando.taborda/5490943</link>
    <guid isPermaLink="false">tag:ipernity.com,2009-07-27,doc-5490943</guid>
    <pubDate>Mon, 27 Jul 2009 12:00:11 +0000</pubDate>
    <dc:date.created>2009-05-20T16:10:39+01:00</dc:date.created>
    <author>nobody@ipernity.com (Armando Taborda)</author>
    <description>&lt;p class="who"&gt;&lt;a href="http://www.ipernity.com/home/armando.taborda"&gt;Armando Taborda&lt;/a&gt; has posted a doc:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="http://www.ipernity.com/doc/armando.taborda/5490943"&gt;&lt;img src="http://u1.ipernity.com/12/09/43/5490943.9d75fdac.240.jpg" width="240" height="179" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;by Carlos Alexandre, in my book "Sinfonia em Dor Menor, Edição da Escola de Mar, 2007&lt;br /&gt;
&lt;br /&gt;
&lt;a href="http://www.ipernity.com/blog/armando.taborda/170201"&gt;http://www.ipernity.com/blog/armando.taborda/170201&lt;/a&gt;&lt;/div&gt;</description>
    <media:title>Fire of Life (illustration)</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="http://www.ipernity.com/home/armando.taborda"&gt;Armando Taborda&lt;/a&gt; has posted a doc:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="http://www.ipernity.com/doc/armando.taborda/5490943"&gt;&lt;img src="http://u1.ipernity.com/12/09/43/5490943.9d75fdac.240.jpg" width="240" height="179" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;by Carlos Alexandre, in my book "Sinfonia em Dor Menor, Edição da Escola de Mar, 2007&lt;br /&gt;
&lt;br /&gt;
&lt;a href="http://www.ipernity.com/blog/armando.taborda/170201"&gt;http://www.ipernity.com/blog/armando.taborda/170201&lt;/a&gt;&lt;/div&gt;</media:text>
    <media:content url="http://u1.ipernity.com/12/09/43/5490943.733c6644.1024.jpg" type="image/jpeg" width="1024" height="762" duration="0" isDefault="true"  />
    <media:thumbnail url="http://u1.ipernity.com/12/09/43/5490943.9d75fdac.240.jpg" width="240" height="179"/>
    <media:thumbnail url="http://u1.ipernity.com/12/09/43/5490943.9d75fdac.100.jpg" width="100" height="75"/>
    <media:credit role="author">Armando Taborda</media:credit>
  </item>
  <item>
    <title>VIOLA DELTA, Volume XLVI, Mic Editors &amp; Authors, February, 2009</title>
    <link>http://www.ipernity.com/doc/armando.taborda/4836559</link>
    <guid isPermaLink="false">tag:ipernity.com,2009-05-13,doc-4836559</guid>
    <pubDate>Wed, 13 May 2009 11:33:01 +0000</pubDate>
    <dc:date.created>2009-05-06T16:10:17+01:00</dc:date.created>
    <author>nobody@ipernity.com (Armando Taborda)</author>
    <description>&lt;p class="who"&gt;&lt;a href="http://www.ipernity.com/home/armando.taborda"&gt;Armando Taborda&lt;/a&gt; has posted a doc:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="http://www.ipernity.com/doc/armando.taborda/4836559"&gt;&lt;img src="http://u1.ipernity.com/11/65/59/4836559.a38159df.240.jpg" width="161" height="240" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;This is the oldest "Poetry Notebook" published in Portugal, since 1977, co-ordinated by Fernando Grade, poet and painter&lt;br /&gt;
&lt;br /&gt;
&lt;a href="http://www.ipernity.com/blog/armando.taborda/150970"&gt;www.ipernity.com/blog/armando.taborda/150970&lt;/a&gt;&lt;/div&gt;</description>
    <media:title>VIOLA DELTA, Volume XLVI, Mic Editors &amp; Authors, February, 2009</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="http://www.ipernity.com/home/armando.taborda"&gt;Armando Taborda&lt;/a&gt; has posted a doc:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="http://www.ipernity.com/doc/armando.taborda/4836559"&gt;&lt;img src="http://u1.ipernity.com/11/65/59/4836559.a38159df.240.jpg" width="161" height="240" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;This is the oldest "Poetry Notebook" published in Portugal, since 1977, co-ordinated by Fernando Grade, poet and painter&lt;br /&gt;
&lt;br /&gt;
&lt;a href="http://www.ipernity.com/blog/armando.taborda/150970"&gt;www.ipernity.com/blog/armando.taborda/150970&lt;/a&gt;&lt;/div&gt;</media:text>
    <media:content url="http://u1.ipernity.com/11/65/59/4836559.0c69767d.1024.jpg" type="image/jpeg" width="685" height="1024" duration="0" isDefault="true"  />
    <media:thumbnail url="http://u1.ipernity.com/11/65/59/4836559.a38159df.240.jpg" width="161" height="240"/>
    <media:thumbnail url="http://u1.ipernity.com/11/65/59/4836559.a38159df.100.jpg" width="67" height="100"/>
    <media:credit role="author">Armando Taborda</media:credit>
  </item>
  <item>
    <title>VIOLA DELTA, Volume XXXIII, Mic Editors and Authors, May, 2002</title>
    <link>http://www.ipernity.com/doc/armando.taborda/5408662</link>
    <guid isPermaLink="false">tag:ipernity.com,2009-07-17,doc-5408662</guid>
    <pubDate>Fri, 17 Jul 2009 14:21:08 +0000</pubDate>
    <dc:date.created>2009-04-20T17:13:44+01:00</dc:date.created>
    <author>nobody@ipernity.com (Armando Taborda)</author>
    <description>&lt;p class="who"&gt;&lt;a href="http://www.ipernity.com/home/armando.taborda"&gt;Armando Taborda&lt;/a&gt; has posted a doc:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="http://www.ipernity.com/doc/armando.taborda/5408662"&gt;&lt;img src="http://u1.ipernity.com/11/86/62/5408662.1ff5c130.240.jpg" width="155" height="240" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;This is the oldest "Poetry Notebook" published in Portugal, since 1977, co-ordinated by Fernando Grade, poet and painter&lt;br /&gt;
&lt;br /&gt;
&lt;a href="http://www.ipernity.com/blog/armando.taborda/167349"&gt;http://www.ipernity.com/blog/armando.taborda/167349&lt;/a&gt;&lt;/div&gt;</description>
    <media:title>VIOLA DELTA, Volume XXXIII, Mic Editors and Authors, May, 2002</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="http://www.ipernity.com/home/armando.taborda"&gt;Armando Taborda&lt;/a&gt; has posted a doc:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="http://www.ipernity.com/doc/armando.taborda/5408662"&gt;&lt;img src="http://u1.ipernity.com/11/86/62/5408662.1ff5c130.240.jpg" width="155" height="240" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;This is the oldest "Poetry Notebook" published in Portugal, since 1977, co-ordinated by Fernando Grade, poet and painter&lt;br /&gt;
&lt;br /&gt;
&lt;a href="http://www.ipernity.com/blog/armando.taborda/167349"&gt;http://www.ipernity.com/blog/armando.taborda/167349&lt;/a&gt;&lt;/div&gt;</media:text>
    <media:content url="http://u1.ipernity.com/11/86/62/5408662.8822cf3b.1024.jpg" type="image/jpeg" width="658" height="1024" duration="0" isDefault="true"  />
    <media:thumbnail url="http://u1.ipernity.com/11/86/62/5408662.1ff5c130.240.jpg" width="155" height="240"/>
    <media:thumbnail url="http://u1.ipernity.com/11/86/62/5408662.1ff5c130.100.jpg" width="65" height="100"/>
    <media:credit role="author">Armando Taborda</media:credit>
  </item>
  <item>
    <title>Dante Alighiere, PURGATORIO, Canto XXIII</title>
    <link>http://www.ipernity.com/doc/armando.taborda/5163299</link>
    <guid isPermaLink="false">tag:ipernity.com,2009-06-18,doc-5163299</guid>
    <pubDate>Thu, 18 Jun 2009 11:29:02 +0000</pubDate>
    <dc:date.created>2009-05-28T16:41:10+01:00</dc:date.created>
    <author>nobody@ipernity.com (Armando Taborda)</author>
    <description>&lt;p class="who"&gt;&lt;a href="http://www.ipernity.com/home/armando.taborda"&gt;Armando Taborda&lt;/a&gt; has posted a doc:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="http://www.ipernity.com/doc/armando.taborda/5163299"&gt;&lt;img src="http://u1.ipernity.com/11/32/99/5163299.effcc24d.240.jpg" width="159" height="240" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Illustration by Salvador Dali&lt;br /&gt;
................................................&lt;br /&gt;
They are overtaken by the spirit of Forese, who had been a friend of our Poet's on earth, and who now inveighs bitterly against the immodest dress of their country women at Florence.&lt;/div&gt;</description>
    <media:title>Dante Alighiere, PURGATORIO, Canto XXIII</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="http://www.ipernity.com/home/armando.taborda"&gt;Armando Taborda&lt;/a&gt; has posted a doc:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="http://www.ipernity.com/doc/armando.taborda/5163299"&gt;&lt;img src="http://u1.ipernity.com/11/32/99/5163299.effcc24d.240.jpg" width="159" height="240" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Illustration by Salvador Dali&lt;br /&gt;
................................................&lt;br /&gt;
They are overtaken by the spirit of Forese, who had been a friend of our Poet's on earth, and who now inveighs bitterly against the immodest dress of their country women at Florence.&lt;/div&gt;</media:text>
    <media:content url="http://u1.ipernity.com/11/32/99/5163299.2a9f3cf4.1024.jpg" type="image/jpeg" width="676" height="1024" duration="0" isDefault="true"  />
    <media:thumbnail url="http://u1.ipernity.com/11/32/99/5163299.effcc24d.240.jpg" width="159" height="240"/>
    <media:thumbnail url="http://u1.ipernity.com/11/32/99/5163299.effcc24d.100.jpg" width="67" height="100"/>
    <media:credit role="author">Armando Taborda</media:credit>
  </item>
  <item>
    <title>Dante Alighiere, PURGATORIO, Canto XXIV</title>
    <link>http://www.ipernity.com/doc/armando.taborda/5229172</link>
    <guid isPermaLink="false">tag:ipernity.com,2009-06-26,doc-5229172</guid>
    <pubDate>Fri, 26 Jun 2009 11:30:15 +0000</pubDate>
    <dc:date.created>2009-05-28T13:29:01+01:00</dc:date.created>
    <author>nobody@ipernity.com (Armando Taborda)</author>
    <description>&lt;p class="who"&gt;&lt;a href="http://www.ipernity.com/home/armando.taborda"&gt;Armando Taborda&lt;/a&gt; has posted a doc:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="http://www.ipernity.com/doc/armando.taborda/5229172"&gt;&lt;img src="http://u1.ipernity.com/11/91/72/5229172.560d1436.240.jpg" width="169" height="240" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Illustration by Salvador Dali&lt;br /&gt;
.................................................&lt;br /&gt;
Forese points out several others by name who are here, like himself, purifying themselves from the vice of gluttony; and, amongst the rest, Buonaggiunta of Lucca, with whom our Poet converses. Forese then predicts the violent end of Dante's political enemy, Corso Donati; and, when he has quitted them, the Poet, in company with Statius and Virgil, arrives at another tree, from whence issue voices that record ancient  examples of gluttony; and proceeding forwards, they are directed by an angel which way to ascend to the next cornice of the mountain.&lt;/div&gt;</description>
    <media:title>Dante Alighiere, PURGATORIO, Canto XXIV</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="http://www.ipernity.com/home/armando.taborda"&gt;Armando Taborda&lt;/a&gt; has posted a doc:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="http://www.ipernity.com/doc/armando.taborda/5229172"&gt;&lt;img src="http://u1.ipernity.com/11/91/72/5229172.560d1436.240.jpg" width="169" height="240" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Illustration by Salvador Dali&lt;br /&gt;
.................................................&lt;br /&gt;
Forese points out several others by name who are here, like himself, purifying themselves from the vice of gluttony; and, amongst the rest, Buonaggiunta of Lucca, with whom our Poet converses. Forese then predicts the violent end of Dante's political enemy, Corso Donati; and, when he has quitted them, the Poet, in company with Statius and Virgil, arrives at another tree, from whence issue voices that record ancient  examples of gluttony; and proceeding forwards, they are directed by an angel which way to ascend to the next cornice of the mountain.&lt;/div&gt;</media:text>
    <media:content url="http://u1.ipernity.com/11/91/72/5229172.90540934.1024.jpg" type="image/jpeg" width="719" height="1024" duration="0" isDefault="true"  />
    <media:thumbnail url="http://u1.ipernity.com/11/91/72/5229172.560d1436.240.jpg" width="169" height="240"/>
    <media:thumbnail url="http://u1.ipernity.com/11/91/72/5229172.560d1436.100.jpg" width="71" height="100"/>
    <media:credit role="author">Armando Taborda</media:credit>
  </item>
  <item>
    <title>Dante Alighiere, PURGATORIO, Canto XXV</title>
    <link>http://www.ipernity.com/doc/armando.taborda/5272990</link>
    <guid isPermaLink="false">tag:ipernity.com,2009-07-01,doc-5272990</guid>
    <pubDate>Wed, 01 Jul 2009 12:10:25 +0000</pubDate>
    <dc:date.created>2009-05-28T16:42:02+01:00</dc:date.created>
    <author>nobody@ipernity.com (Armando Taborda)</author>
    <description>&lt;p class="who"&gt;&lt;a href="http://www.ipernity.com/home/armando.taborda"&gt;Armando Taborda&lt;/a&gt; has posted a doc:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="http://www.ipernity.com/doc/armando.taborda/5272990"&gt;&lt;img src="http://u1.ipernity.com/11/29/90/5272990.85ff9d7e.240.jpg" width="175" height="240" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Illustration by Salvador Dali&lt;br /&gt;
................................................&lt;br /&gt;
Virgil and Statius resolve some doubts that have arisen in the mind of Dante from what he had just seen. They all arrive on the seventh and last cornice, where the sin of incontinence is purged in fire; and the spirits of those suffering therein are heard to record illustrious instances of chastity.&lt;/div&gt;</description>
    <media:title>Dante Alighiere, PURGATORIO, Canto XXV</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="http://www.ipernity.com/home/armando.taborda"&gt;Armando Taborda&lt;/a&gt; has posted a doc:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="http://www.ipernity.com/doc/armando.taborda/5272990"&gt;&lt;img src="http://u1.ipernity.com/11/29/90/5272990.85ff9d7e.240.jpg" width="175" height="240" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Illustration by Salvador Dali&lt;br /&gt;
................................................&lt;br /&gt;
Virgil and Statius resolve some doubts that have arisen in the mind of Dante from what he had just seen. They all arrive on the seventh and last cornice, where the sin of incontinence is purged in fire; and the spirits of those suffering therein are heard to record illustrious instances of chastity.&lt;/div&gt;</media:text>
    <media:content url="http://u1.ipernity.com/11/29/90/5272990.558cc50e.1024.jpg" type="image/jpeg" width="746" height="1024" duration="0" isDefault="true"  />
    <media:thumbnail url="http://u1.ipernity.com/11/29/90/5272990.85ff9d7e.240.jpg" width="175" height="240"/>
    <media:thumbnail url="http://u1.ipernity.com/11/29/90/5272990.85ff9d7e.100.jpg" width="73" height="100"/>
    <media:credit role="author">Armando Taborda</media:credit>
  </item>
  <item>
    <title>Dante Alighiere, PURGATORIO, Canto XXVI</title>
    <link>http://www.ipernity.com/doc/armando.taborda/5337187</link>
    <guid isPermaLink="false">tag:ipernity.com,2009-07-08,doc-5337187</guid>
    <pubDate>Wed, 08 Jul 2009 11:15:07 +0000</pubDate>
    <dc:date.created>2009-05-28T13:31:12+01:00</dc:date.created>
    <author>nobody@ipernity.com (Armando Taborda)</author>
    <description>&lt;p class="who"&gt;&lt;a href="http://www.ipernity.com/home/armando.taborda"&gt;Armando Taborda&lt;/a&gt; has posted a doc:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="http://www.ipernity.com/doc/armando.taborda/5337187"&gt;&lt;img src="http://u1.ipernity.com/11/71/87/5337187.a2b78cf9.240.jpg" width="175" height="240" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Illustration by Salvador Dali&lt;br /&gt;
................................................&lt;br /&gt;
The spirits wonder at seing the shadow cast by the body of Dante on the flame as he passes it. This moves one of them to address him. It proves to be Guido Guinicelli, the Italian poet, who points out to him the spirit of Arnault Daniel, the Provençal, with whom he also speaks.&lt;/div&gt;</description>
    <media:title>Dante Alighiere, PURGATORIO, Canto XXVI</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="http://www.ipernity.com/home/armando.taborda"&gt;Armando Taborda&lt;/a&gt; has posted a doc:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="http://www.ipernity.com/doc/armando.taborda/5337187"&gt;&lt;img src="http://u1.ipernity.com/11/71/87/5337187.a2b78cf9.240.jpg" width="175" height="240" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Illustration by Salvador Dali&lt;br /&gt;
................................................&lt;br /&gt;
The spirits wonder at seing the shadow cast by the body of Dante on the flame as he passes it. This moves one of them to address him. It proves to be Guido Guinicelli, the Italian poet, who points out to him the spirit of Arnault Daniel, the Provençal, with whom he also speaks.&lt;/div&gt;</media:text>
    <media:content url="http://u1.ipernity.com/11/71/87/5337187.fc5b00bd.1024.jpg" type="image/jpeg" width="745" height="1024" duration="0" isDefault="true"  />
    <media:thumbnail url="http://u1.ipernity.com/11/71/87/5337187.a2b78cf9.240.jpg" width="175" height="240"/>
    <media:thumbnail url="http://u1.ipernity.com/11/71/87/5337187.a2b78cf9.100.jpg" width="73" height="100"/>
    <media:credit role="author">Armando Taborda</media:credit>
  </item>
  <item>
    <title>Dante Alighiere, PURGATORIO, Canto XXVII</title>
    <link>http://www.ipernity.com/doc/armando.taborda/5399012</link>
    <guid isPermaLink="false">tag:ipernity.com,2009-07-16,doc-5399012</guid>
    <pubDate>Thu, 16 Jul 2009 11:32:39 +0000</pubDate>
    <dc:date.created>2009-05-28T13:32:01+01:00</dc:date.created>
    <author>nobody@ipernity.com (Armando Taborda)</author>
    <description>&lt;p class="who"&gt;&lt;a href="http://www.ipernity.com/home/armando.taborda"&gt;Armando Taborda&lt;/a&gt; has posted a doc:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="http://www.ipernity.com/doc/armando.taborda/5399012"&gt;&lt;img src="http://u1.ipernity.com/11/90/12/5399012.e0a3b99d.240.jpg" width="180" height="240" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Illustration by Salvador Dali&lt;br /&gt;
................................................&lt;br /&gt;
An angel sends them forward through the fire to the last ascent, which leads to the terrestrial paradise, situated on the summit of the mountain. They have not proceeded many steps on their way upward, when the fall of night hinders them from going further; and our Poet, who has lain down with Virgil and Statius to rest, beholds in a dream two females, figuring the active and contemplative life. With the return of morning, they reach the height; and here Virgil gives Dante full liberty to use his own pleasure and judgement in the choice of his way till the shall meet with Beatrice.&lt;/div&gt;</description>
    <media:title>Dante Alighiere, PURGATORIO, Canto XXVII</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="http://www.ipernity.com/home/armando.taborda"&gt;Armando Taborda&lt;/a&gt; has posted a doc:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="http://www.ipernity.com/doc/armando.taborda/5399012"&gt;&lt;img src="http://u1.ipernity.com/11/90/12/5399012.e0a3b99d.240.jpg" width="180" height="240" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Illustration by Salvador Dali&lt;br /&gt;
................................................&lt;br /&gt;
An angel sends them forward through the fire to the last ascent, which leads to the terrestrial paradise, situated on the summit of the mountain. They have not proceeded many steps on their way upward, when the fall of night hinders them from going further; and our Poet, who has lain down with Virgil and Statius to rest, beholds in a dream two females, figuring the active and contemplative life. With the return of morning, they reach the height; and here Virgil gives Dante full liberty to use his own pleasure and judgement in the choice of his way till the shall meet with Beatrice.&lt;/div&gt;</media:text>
    <media:content url="http://u1.ipernity.com/11/90/12/5399012.4299f2ad.1024.jpg" type="image/jpeg" width="766" height="1024" duration="0" isDefault="true"  />
    <media:thumbnail url="http://u1.ipernity.com/11/90/12/5399012.e0a3b99d.240.jpg" width="180" height="240"/>
    <media:thumbnail url="http://u1.ipernity.com/11/90/12/5399012.e0a3b99d.100.jpg" width="75" height="100"/>
    <media:credit role="author">Armando Taborda</media:credit>
  </item>
  <item>
    <title>Looking for a Seaport (illustration)</title>
    <link>http://www.ipernity.com/doc/armando.taborda/5326845</link>
    <guid isPermaLink="false">tag:ipernity.com,2009-07-07,doc-5326845</guid>
    <pubDate>Tue, 07 Jul 2009 12:21:49 +0000</pubDate>
    <dc:date.created>2009-05-20T16:11:02+01:00</dc:date.created>
    <author>nobody@ipernity.com (Armando Taborda)</author>
    <description>&lt;p class="who"&gt;&lt;a href="http://www.ipernity.com/home/armando.taborda"&gt;Armando Taborda&lt;/a&gt; has posted a doc:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="http://www.ipernity.com/doc/armando.taborda/5326845"&gt;&lt;img src="http://u1.ipernity.com/11/68/45/5326845.2071d291.240.jpg" width="240" height="175" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;by Carlos Alexandre, in my book "Sinfonia em Dor Menor", Edição da Escola de Mar, 2007&lt;br /&gt;
&lt;br /&gt;
&lt;a href="http://www.ipernity.com/blog/armando.taborda/164835"&gt;http://www.ipernity.com/blog/armando.taborda/164835&lt;/a&gt;&lt;/div&gt;</description>
    <media:title>Looking for a Seaport (illustration)</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="http://www.ipernity.com/home/armando.taborda"&gt;Armando Taborda&lt;/a&gt; has posted a doc:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="http://www.ipernity.com/doc/armando.taborda/5326845"&gt;&lt;img src="http://u1.ipernity.com/11/68/45/5326845.2071d291.240.jpg" width="240" height="175" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;by Carlos Alexandre, in my book "Sinfonia em Dor Menor", Edição da Escola de Mar, 2007&lt;br /&gt;
&lt;br /&gt;
&lt;a href="http://www.ipernity.com/blog/armando.taborda/164835"&gt;http://www.ipernity.com/blog/armando.taborda/164835&lt;/a&gt;&lt;/div&gt;</media:text>
    <media:content url="http://u1.ipernity.com/11/68/45/5326845.af54e999.1024.jpg" type="image/jpeg" width="1024" height="745" duration="0" isDefault="true"  />
    <media:thumbnail url="http://u1.ipernity.com/11/68/45/5326845.2071d291.240.jpg" width="240" height="175"/>
    <media:thumbnail url="http://u1.ipernity.com/11/68/45/5326845.2071d291.100.jpg" width="100" height="73"/>
    <media:credit role="author">Armando Taborda</media:credit>
  </item>
  <item>
    <title>Dom Sebastião, King of Portugal, 1554-1578 (sculpture)</title>
    <link>http://www.ipernity.com/doc/armando.taborda/5222651</link>
    <guid isPermaLink="false">tag:ipernity.com,2009-06-25,doc-5222651</guid>
    <pubDate>Thu, 25 Jun 2009 12:02:50 +0000</pubDate>
    <dc:date.created>2009-04-06T12:10:04+01:00</dc:date.created>
    <author>nobody@ipernity.com (Armando Taborda)</author>
    <description>&lt;p class="who"&gt;&lt;a href="http://www.ipernity.com/home/armando.taborda"&gt;Armando Taborda&lt;/a&gt; has posted a doc:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="http://www.ipernity.com/doc/armando.taborda/5222651"&gt;&lt;img src="http://u1.ipernity.com/11/26/51/5222651.ad9854ce.240.jpg" width="79" height="240" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;by Master João Cutileiro, stone, public sculpture at the historical centre of Lagos (Algarve)&lt;br /&gt;
.................................................................................................................................................................&lt;br /&gt;
Dom Sebastião was King of Portugal since 3 years old. Dead in combat at the Battle of Alcácer-Quibir (Morocco).&lt;br /&gt;
&lt;br /&gt;
When this controversial sculpture was inaugurated, 1973, Master Cutileiro was a target for violent critics and frank praises as well.&lt;/div&gt;</description>
    <media:title>Dom Sebastião, King of Portugal, 1554-1578 (sculpture)</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="http://www.ipernity.com/home/armando.taborda"&gt;Armando Taborda&lt;/a&gt; has posted a doc:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="http://www.ipernity.com/doc/armando.taborda/5222651"&gt;&lt;img src="http://u1.ipernity.com/11/26/51/5222651.ad9854ce.240.jpg" width="79" height="240" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;by Master João Cutileiro, stone, public sculpture at the historical centre of Lagos (Algarve)&lt;br /&gt;
.................................................................................................................................................................&lt;br /&gt;
Dom Sebastião was King of Portugal since 3 years old. Dead in combat at the Battle of Alcácer-Quibir (Morocco).&lt;br /&gt;
&lt;br /&gt;
When this controversial sculpture was inaugurated, 1973, Master Cutileiro was a target for violent critics and frank praises as well.&lt;/div&gt;</media:text>
    <media:content url="http://u1.ipernity.com/11/26/51/5222651.10ce21ad.1024.jpg" type="image/jpeg" width="336" height="1024" duration="0" isDefault="true"  />
    <media:thumbnail url="http://u1.ipernity.com/11/26/51/5222651.ad9854ce.240.jpg" width="79" height="240"/>
    <media:thumbnail url="http://u1.ipernity.com/11/26/51/5222651.ad9854ce.100.jpg" width="33" height="100"/>
    <media:credit role="author">Armando Taborda</media:credit>
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