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  <title>Album Not Now from J. Gafarot</title>
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  <pubDate>Tue, 25 Aug 2026 00:21:00 +0000</pubDate>
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    <title>Both</title>
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    <pubDate>Thu, 15 Aug 2024 04:09:29 +0000</pubDate>
    <dc:date.created>2024-07-27T08:42:56+01:00</dc:date.created>
    <author>nobody@ipernity.com (J. Gafarot)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/j.gafarot"&gt;J. Gafarot&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/j.gafarot/52595718/in/album/626899"&gt;&lt;img src="https://cdn.ipernity.com/200/57/18/52595718.b987963a.240.jpg?r2" width="240" height="181" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;One Bridge too far.&lt;/div&gt;</description>
    <media:title>Both</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/j.gafarot"&gt;J. Gafarot&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/j.gafarot/52595718/in/album/626899"&gt;&lt;img src="https://cdn.ipernity.com/200/57/18/52595718.b987963a.240.jpg?r2" width="240" height="181" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;One Bridge too far.&lt;/div&gt;</media:text>
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    <title>Not Now . . .</title>
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    <pubDate>Thu, 29 Feb 2024 04:50:46 +0000</pubDate>
    <dc:date.created>2023-09-01T09:14:21+01:00</dc:date.created>
    <author>nobody@ipernity.com (J. Gafarot)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/j.gafarot"&gt;J. Gafarot&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/j.gafarot/52130824/in/album/626899"&gt;&lt;img src="https://cdn.ipernity.com/200/08/24/52130824.acc62341.240.jpg?r2" width="156" height="240" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;When old means neglect . . .&lt;br /&gt;
Even in Lisbon.&lt;/div&gt;</description>
    <media:title>Not Now . . .</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/j.gafarot"&gt;J. Gafarot&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/j.gafarot/52130824/in/album/626899"&gt;&lt;img src="https://cdn.ipernity.com/200/08/24/52130824.acc62341.240.jpg?r2" width="156" height="240" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;When old means neglect . . .&lt;br /&gt;
Even in Lisbon.&lt;/div&gt;</media:text>
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    <title>Palamós</title>
    <link>https://www.ipernity.com/doc/j.gafarot/51712730/in/album/626899</link>
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    <pubDate>Wed, 04 Jan 2023 06:56:41 +0000</pubDate>
    <dc:date.created>2007-01-02T14:56:54+00:00</dc:date.created>
    <author>nobody@ipernity.com (J. Gafarot)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/j.gafarot"&gt;J. Gafarot&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/j.gafarot/51712730/in/album/626899"&gt;&lt;img src="https://cdn.ipernity.com/200/27/30/51712730.72a90d77.240.jpg?r2" width="240" height="180" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Before.&lt;br /&gt;
The soft spot you always feel for your original corner of the world . . .&lt;/div&gt;</description>
    <media:title>Palamós</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/j.gafarot"&gt;J. Gafarot&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/j.gafarot/51712730/in/album/626899"&gt;&lt;img src="https://cdn.ipernity.com/200/27/30/51712730.72a90d77.240.jpg?r2" width="240" height="180" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Before.&lt;br /&gt;
The soft spot you always feel for your original corner of the world . . .&lt;/div&gt;</media:text>
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    <title>I am sure you will like it . . .</title>
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    <pubDate>Tue, 11 Jan 2022 05:39:51 +0000</pubDate>
    <dc:date.created>2022-01-09T11:55:00+00:00</dc:date.created>
    <author>nobody@ipernity.com (J. Gafarot)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/j.gafarot"&gt;J. Gafarot&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/j.gafarot/51144280/in/album/626899"&gt;&lt;img src="https://cdn.ipernity.com/200/42/80/51144280.d07dcfc1.240.jpg?r2" width="240" height="118" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;It is very sweet, believe me !&lt;/div&gt;</description>
    <media:title>I am sure you will like it . . .</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/j.gafarot"&gt;J. Gafarot&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/j.gafarot/51144280/in/album/626899"&gt;&lt;img src="https://cdn.ipernity.com/200/42/80/51144280.d07dcfc1.240.jpg?r2" width="240" height="118" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;It is very sweet, believe me !&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/200/42/80/51144280.d07dcfc1.560.jpg?r2" type="image/jpeg" width="560" height="275" duration="0" isDefault="true"  />
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    <title>Le Rouge et le Noir</title>
    <link>https://www.ipernity.com/doc/j.gafarot/51086150/in/album/626899</link>
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    <pubDate>Wed, 01 Dec 2021 05:01:21 +0000</pubDate>
    <dc:date.created>2007-08-21T20:04:36+00:00</dc:date.created>
    <author>nobody@ipernity.com (J. Gafarot)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/j.gafarot"&gt;J. Gafarot&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/j.gafarot/51086150/in/album/626899"&gt;&lt;img src="https://cdn.ipernity.com/200/61/50/51086150.ffed3678.240.jpg?r2" width="240" height="230" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;A virtuous priest without intrigue is a Providence for the village.&lt;br /&gt;
 - Fleury&lt;/div&gt;</description>
    <media:title>Le Rouge et le Noir</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/j.gafarot"&gt;J. Gafarot&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/j.gafarot/51086150/in/album/626899"&gt;&lt;img src="https://cdn.ipernity.com/200/61/50/51086150.ffed3678.240.jpg?r2" width="240" height="230" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;A virtuous priest without intrigue is a Providence for the village.&lt;br /&gt;
 - Fleury&lt;/div&gt;</media:text>
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    <title>The waves of Copacabana</title>
    <link>https://www.ipernity.com/doc/j.gafarot/50736996/in/album/626899</link>
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    <pubDate>Wed, 28 Apr 2021 04:33:15 +0000</pubDate>
    <dc:date.created>2011-04-15T21:49:24+01:00</dc:date.created>
    <author>nobody@ipernity.com (J. Gafarot)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/j.gafarot"&gt;J. Gafarot&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/j.gafarot/50736996/in/album/626899"&gt;&lt;img src="https://cdn.ipernity.com/200/69/96/50736996.f2f7206e.240.jpg?r2" width="240" height="154" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Portuguese pavement, known in Portuguese as calçada portuguesa or simply calçada is a traditional-style pavement used for many pedestrian areas in Portugal. It consists of small flat pieces of stones arranged in a pattern or image, like a mosaic. It can also be found in Olivença (a disputed territory administered by Spain) and throughout former Portuguese territories. Portuguese workers are also hired for their skill in creating these pavements in places such as Gibraltar and, specially Brasil.&lt;/div&gt;</description>
    <media:title>The waves of Copacabana</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/j.gafarot"&gt;J. Gafarot&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/j.gafarot/50736996/in/album/626899"&gt;&lt;img src="https://cdn.ipernity.com/200/69/96/50736996.f2f7206e.240.jpg?r2" width="240" height="154" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Portuguese pavement, known in Portuguese as calçada portuguesa or simply calçada is a traditional-style pavement used for many pedestrian areas in Portugal. It consists of small flat pieces of stones arranged in a pattern or image, like a mosaic. It can also be found in Olivença (a disputed territory administered by Spain) and throughout former Portuguese territories. Portuguese workers are also hired for their skill in creating these pavements in places such as Gibraltar and, specially Brasil.&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/200/69/96/50736996.f2f7206e.560.jpg?r2" type="image/jpeg" width="560" height="358" duration="0" isDefault="true"  />
    <media:thumbnail url="https://cdn.ipernity.com/200/69/96/50736996.f2f7206e.240.jpg?r2" width="240" height="154"/>
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    <title>Two wheels</title>
    <link>https://www.ipernity.com/doc/j.gafarot/50734666/in/album/626899</link>
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    <pubDate>Mon, 26 Apr 2021 05:17:59 +0000</pubDate>
    <dc:date.created>2011-04-15T21:27:54+01:00</dc:date.created>
    <author>nobody@ipernity.com (J. Gafarot)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/j.gafarot"&gt;J. Gafarot&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/j.gafarot/50734666/in/album/626899"&gt;&lt;img src="https://cdn.ipernity.com/200/46/66/50734666.2b9b8f00.240.jpg?r2" width="240" height="154" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Copacabana classic, 1978.&lt;/div&gt;</description>
    <media:title>Two wheels</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/j.gafarot"&gt;J. Gafarot&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/j.gafarot/50734666/in/album/626899"&gt;&lt;img src="https://cdn.ipernity.com/200/46/66/50734666.2b9b8f00.240.jpg?r2" width="240" height="154" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Copacabana classic, 1978.&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/200/46/66/50734666.2b9b8f00.560.jpg?r2" type="image/jpeg" width="560" height="359" duration="0" isDefault="true"  />
    <media:thumbnail url="https://cdn.ipernity.com/200/46/66/50734666.2b9b8f00.240.jpg?r2" width="240" height="154"/>
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    <media:credit role="author">J. Gafarot</media:credit>
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    <title>São Paulo</title>
    <link>https://www.ipernity.com/doc/j.gafarot/50733032/in/album/626899</link>
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    <pubDate>Thu, 20 May 2021 04:39:58 +0000</pubDate>
    <dc:date.created>2011-04-15T22:15:38+01:00</dc:date.created>
    <author>nobody@ipernity.com (J. Gafarot)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/j.gafarot"&gt;J. Gafarot&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/j.gafarot/50733032/in/album/626899"&gt;&lt;img src="https://cdn.ipernity.com/200/30/32/50733032.363c3ff0.240.jpg?r2" width="240" height="159" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Sunday from the Hotel room . . . 1975&lt;br /&gt;
"A man's rule of conduct and his scale of value have no meaning except through the quantity and variety of experiences he has been in a position to accumulate".&lt;br /&gt;
- Albert Camus&lt;/div&gt;</description>
    <media:title>São Paulo</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/j.gafarot"&gt;J. Gafarot&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/j.gafarot/50733032/in/album/626899"&gt;&lt;img src="https://cdn.ipernity.com/200/30/32/50733032.363c3ff0.240.jpg?r2" width="240" height="159" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Sunday from the Hotel room . . . 1975&lt;br /&gt;
"A man's rule of conduct and his scale of value have no meaning except through the quantity and variety of experiences he has been in a position to accumulate".&lt;br /&gt;
- Albert Camus&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/200/30/32/50733032.363c3ff0.560.jpg?r2" type="image/jpeg" width="560" height="370" duration="0" isDefault="true"  />
    <media:thumbnail url="https://cdn.ipernity.com/200/30/32/50733032.363c3ff0.240.jpg?r2" width="240" height="159"/>
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    <media:credit role="author">J. Gafarot</media:credit>
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    <title>Cable car by Nardi, Italy</title>
    <link>https://www.ipernity.com/doc/j.gafarot/50732998/in/album/626899</link>
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    <pubDate>Sat, 29 May 2021 04:27:32 +0000</pubDate>
    <dc:date.created>2011-04-15T21:52:33+01:00</dc:date.created>
    <author>nobody@ipernity.com (J. Gafarot)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/j.gafarot"&gt;J. Gafarot&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/j.gafarot/50732998/in/album/626899"&gt;&lt;img src="https://cdn.ipernity.com/200/29/98/50732998.f2c6feef.240.jpg?r2" width="167" height="240" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Rio de Janeiro.&lt;br /&gt;
Going down from Pão de Açúcar to street level, 1975.&lt;/div&gt;</description>
    <media:title>Cable car by Nardi, Italy</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/j.gafarot"&gt;J. Gafarot&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/j.gafarot/50732998/in/album/626899"&gt;&lt;img src="https://cdn.ipernity.com/200/29/98/50732998.f2c6feef.240.jpg?r2" width="167" height="240" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Rio de Janeiro.&lt;br /&gt;
Going down from Pão de Açúcar to street level, 1975.&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/200/29/98/50732998.f2c6feef.560.jpg?r2" type="image/jpeg" width="388" height="560" duration="0" isDefault="true"  />
    <media:thumbnail url="https://cdn.ipernity.com/200/29/98/50732998.f2c6feef.240.jpg?r2" width="167" height="240"/>
    <media:thumbnail url="https://cdn.ipernity.com/200/29/98/50732998.f2c6feef.100.jpg?r2" width="70" height="100"/>
    <media:credit role="author">J. Gafarot</media:credit>
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    <title>Berimbau viola</title>
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    <pubDate>Sat, 27 Nov 2021 05:49:40 +0000</pubDate>
    <dc:date.created>1976-04-08T23:52:38+01:00</dc:date.created>
    <author>nobody@ipernity.com (J. Gafarot)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/j.gafarot"&gt;J. Gafarot&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/j.gafarot/50732996/in/album/626899"&gt;&lt;img src="https://cdn.ipernity.com/200/29/96/50732996.78590ecc.240.jpg?r2" width="158" height="240" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Sunday sale in main street . . .&lt;br /&gt;
The berimbau (Portuguese pronunciation) is a single-string percussion instrument, a musical bow, originally from Africa, that is now commonly used in Brazil.&lt;br /&gt;
The berimbau would eventually be incorporated into the practice of the Afro-Brazilian martial art capoeira, the berimbau leads the capoeiristas movement in the roda—the faster the berimbau is playing the faster the capoeirista moves in the game. The instrument is known for being the subject matter of a popular song by Brazilian guitarist Baden Powell, with lyrics by Vinicius de Moraes. The instrument is also a part of Candomblé-de-caboclo tradition.&lt;br /&gt;
Scanned from Kodachrome II dia film of 1975.&lt;/div&gt;</description>
    <media:title>Berimbau viola</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/j.gafarot"&gt;J. Gafarot&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/j.gafarot/50732996/in/album/626899"&gt;&lt;img src="https://cdn.ipernity.com/200/29/96/50732996.78590ecc.240.jpg?r2" width="158" height="240" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Sunday sale in main street . . .&lt;br /&gt;
The berimbau (Portuguese pronunciation) is a single-string percussion instrument, a musical bow, originally from Africa, that is now commonly used in Brazil.&lt;br /&gt;
The berimbau would eventually be incorporated into the practice of the Afro-Brazilian martial art capoeira, the berimbau leads the capoeiristas movement in the roda—the faster the berimbau is playing the faster the capoeirista moves in the game. The instrument is known for being the subject matter of a popular song by Brazilian guitarist Baden Powell, with lyrics by Vinicius de Moraes. The instrument is also a part of Candomblé-de-caboclo tradition.&lt;br /&gt;
Scanned from Kodachrome II dia film of 1975.&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/200/29/96/50732996.78590ecc.560.jpg?r2" type="image/jpeg" width="369" height="560" duration="0" isDefault="true"  />
    <media:thumbnail url="https://cdn.ipernity.com/200/29/96/50732996.78590ecc.240.jpg?r2" width="158" height="240"/>
    <media:thumbnail url="https://cdn.ipernity.com/200/29/96/50732996.78590ecc.100.jpg?r2" width="66" height="100"/>
    <media:credit role="author">J. Gafarot</media:credit>
  </item>
  <item>
    <title>Copacabana</title>
    <link>https://www.ipernity.com/doc/j.gafarot/50733006/in/album/626899</link>
    <guid isPermaLink="false">tag:ipernity.com,2021-05-11,doc-50733006</guid>
    <pubDate>Tue, 11 May 2021 04:24:09 +0000</pubDate>
    <dc:date.created>2011-04-15T23:49:47+01:00</dc:date.created>
    <author>nobody@ipernity.com (J. Gafarot)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/j.gafarot"&gt;J. Gafarot&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/j.gafarot/50733006/in/album/626899"&gt;&lt;img src="https://cdn.ipernity.com/200/30/06/50733006.47092cea.240.jpg?r2" width="240" height="154" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;The most famous of all the Brasilian beaches . . .1975.&lt;/div&gt;</description>
    <media:title>Copacabana</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/j.gafarot"&gt;J. Gafarot&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/j.gafarot/50733006/in/album/626899"&gt;&lt;img src="https://cdn.ipernity.com/200/30/06/50733006.47092cea.240.jpg?r2" width="240" height="154" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;The most famous of all the Brasilian beaches . . .1975.&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/200/30/06/50733006.47092cea.560.jpg?r2" type="image/jpeg" width="560" height="360" duration="0" isDefault="true"  />
    <media:thumbnail url="https://cdn.ipernity.com/200/30/06/50733006.47092cea.240.jpg?r2" width="240" height="154"/>
    <media:thumbnail url="https://cdn.ipernity.com/200/30/06/50733006.47092cea.100.jpg?r2" width="100" height="65"/>
    <media:credit role="author">J. Gafarot</media:credit>
  </item>
  <item>
    <title>Life</title>
    <link>https://www.ipernity.com/doc/j.gafarot/50733002/in/album/626899</link>
    <guid isPermaLink="false">tag:ipernity.com,2021-05-12,doc-50733002</guid>
    <pubDate>Wed, 12 May 2021 04:32:37 +0000</pubDate>
    <dc:date.created>2011-04-15T22:27:35+01:00</dc:date.created>
    <author>nobody@ipernity.com (J. Gafarot)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/j.gafarot"&gt;J. Gafarot&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/j.gafarot/50733002/in/album/626899"&gt;&lt;img src="https://cdn.ipernity.com/200/30/02/50733002.54fa7a33.240.jpg?r2" width="167" height="240" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;He was there, 1200 meters from the fashion.&lt;br /&gt;
"You shall know the truth and the truth shall make you mad". - Huxley&lt;br /&gt;
1975&lt;/div&gt;</description>
    <media:title>Life</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/j.gafarot"&gt;J. Gafarot&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/j.gafarot/50733002/in/album/626899"&gt;&lt;img src="https://cdn.ipernity.com/200/30/02/50733002.54fa7a33.240.jpg?r2" width="167" height="240" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;He was there, 1200 meters from the fashion.&lt;br /&gt;
"You shall know the truth and the truth shall make you mad". - Huxley&lt;br /&gt;
1975&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/200/30/02/50733002.54fa7a33.560.jpg?r2" type="image/jpeg" width="389" height="560" duration="0" isDefault="true"  />
    <media:thumbnail url="https://cdn.ipernity.com/200/30/02/50733002.54fa7a33.240.jpg?r2" width="167" height="240"/>
    <media:thumbnail url="https://cdn.ipernity.com/200/30/02/50733002.54fa7a33.100.jpg?r2" width="70" height="100"/>
    <media:credit role="author">J. Gafarot</media:credit>
  </item>
  <item>
    <title>Brasil</title>
    <link>https://www.ipernity.com/doc/j.gafarot/50733004/in/album/626899</link>
    <guid isPermaLink="false">tag:ipernity.com,2021-08-01,doc-50733004</guid>
    <pubDate>Sun, 01 Aug 2021 09:39:49 +0000</pubDate>
    <dc:date.created>2011-04-15T21:38:24+01:00</dc:date.created>
    <author>nobody@ipernity.com (J. Gafarot)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/j.gafarot"&gt;J. Gafarot&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/j.gafarot/50733004/in/album/626899"&gt;&lt;img src="https://cdn.ipernity.com/200/30/04/50733004.026bd3f7.240.jpg?r2" width="240" height="151" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Copacabana new day.&lt;br /&gt;
1976.&lt;/div&gt;</description>
    <media:title>Brasil</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/j.gafarot"&gt;J. Gafarot&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/j.gafarot/50733004/in/album/626899"&gt;&lt;img src="https://cdn.ipernity.com/200/30/04/50733004.026bd3f7.240.jpg?r2" width="240" height="151" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Copacabana new day.&lt;br /&gt;
1976.&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/200/30/04/50733004.026bd3f7.560.jpg?r2" type="image/jpeg" width="560" height="351" duration="0" isDefault="true"  />
    <media:thumbnail url="https://cdn.ipernity.com/200/30/04/50733004.026bd3f7.240.jpg?r2" width="240" height="151"/>
    <media:thumbnail url="https://cdn.ipernity.com/200/30/04/50733004.026bd3f7.100.jpg?r2" width="100" height="63"/>
    <media:credit role="author">J. Gafarot</media:credit>
  </item>
  <item>
    <title>Godess of the South Seas</title>
    <link>https://www.ipernity.com/doc/j.gafarot/50733008/in/album/626899</link>
    <guid isPermaLink="false">tag:ipernity.com,2021-05-23,doc-50733008</guid>
    <pubDate>Sun, 23 May 2021 04:36:38 +0000</pubDate>
    <dc:date.created>2011-04-15T22:23:28+01:00</dc:date.created>
    <author>nobody@ipernity.com (J. Gafarot)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/j.gafarot"&gt;J. Gafarot&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/j.gafarot/50733008/in/album/626899"&gt;&lt;img src="https://cdn.ipernity.com/200/30/08/50733008.836dca98.240.jpg?r2" width="151" height="240" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Brasil 1978&lt;/div&gt;</description>
    <media:title>Godess of the South Seas</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/j.gafarot"&gt;J. Gafarot&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/j.gafarot/50733008/in/album/626899"&gt;&lt;img src="https://cdn.ipernity.com/200/30/08/50733008.836dca98.240.jpg?r2" width="151" height="240" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Brasil 1978&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/200/30/08/50733008.836dca98.560.jpg?r2" type="image/jpeg" width="352" height="560" duration="0" isDefault="true"  />
    <media:thumbnail url="https://cdn.ipernity.com/200/30/08/50733008.836dca98.240.jpg?r2" width="151" height="240"/>
    <media:thumbnail url="https://cdn.ipernity.com/200/30/08/50733008.836dca98.100.jpg?r2" width="63" height="100"/>
    <media:credit role="author">J. Gafarot</media:credit>
  </item>
  <item>
    <title>Panni stesi</title>
    <link>https://www.ipernity.com/doc/j.gafarot/50019484/in/album/626899</link>
    <guid isPermaLink="false">tag:ipernity.com,2020-06-15,doc-50019484</guid>
    <pubDate>Mon, 15 Jun 2020 06:40:06 +0000</pubDate>
    <dc:date.created>2017-02-22T13:40:21+01:00</dc:date.created>
    <author>nobody@ipernity.com (J. Gafarot)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/j.gafarot"&gt;J. Gafarot&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/j.gafarot/50019484/in/album/626899"&gt;&lt;img src="https://cdn.ipernity.com/200/94/84/50019484.ff0b6272.240.jpg?r2" width="240" height="161" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Guimarães.&lt;/div&gt;</description>
    <media:title>Panni stesi</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/j.gafarot"&gt;J. Gafarot&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/j.gafarot/50019484/in/album/626899"&gt;&lt;img src="https://cdn.ipernity.com/200/94/84/50019484.ff0b6272.240.jpg?r2" width="240" height="161" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Guimarães.&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/200/94/84/50019484.ff0b6272.560.jpg?r2" type="image/jpeg" width="560" height="374" duration="0" isDefault="true"  />
    <media:thumbnail url="https://cdn.ipernity.com/200/94/84/50019484.ff0b6272.240.jpg?r2" width="240" height="161"/>
    <media:thumbnail url="https://cdn.ipernity.com/200/94/84/50019484.ff0b6272.100.jpg?r2" width="100" height="67"/>
    <media:credit role="author">J. Gafarot</media:credit>
  </item>
  <item>
    <title>Acetylsalicylic acid</title>
    <link>https://www.ipernity.com/doc/j.gafarot/47848110/in/album/626899</link>
    <guid isPermaLink="false">tag:ipernity.com,2019-01-01,doc-47848110</guid>
    <pubDate>Tue, 01 Jan 2019 06:03:24 +0000</pubDate>
    <dc:date.created>2018-12-01T20:18:25+00:00</dc:date.created>
    <author>nobody@ipernity.com (J. Gafarot)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/j.gafarot"&gt;J. Gafarot&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/j.gafarot/47848110/in/album/626899"&gt;&lt;img src="https://cdn.ipernity.com/200/81/10/47848110.7d8d77d2.240.jpg?r2" width="240" height="180" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Joana Vasconcelos - author&lt;/div&gt;</description>
    <media:title>Acetylsalicylic acid</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/j.gafarot"&gt;J. Gafarot&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/j.gafarot/47848110/in/album/626899"&gt;&lt;img src="https://cdn.ipernity.com/200/81/10/47848110.7d8d77d2.240.jpg?r2" width="240" height="180" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Joana Vasconcelos - author&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/200/81/10/47848110.7d8d77d2.560.jpg?r2" type="image/jpeg" width="560" height="420" duration="0" isDefault="true"  />
    <media:thumbnail url="https://cdn.ipernity.com/200/81/10/47848110.7d8d77d2.240.jpg?r2" width="240" height="180"/>
    <media:thumbnail url="https://cdn.ipernity.com/200/81/10/47848110.7d8d77d2.100.jpg?r2" width="100" height="75"/>
    <media:credit role="author">J. Gafarot</media:credit>
  </item>
  <item>
    <title>Singer machine ...</title>
    <link>https://www.ipernity.com/doc/j.gafarot/46206502/in/album/626899</link>
    <guid isPermaLink="false">tag:ipernity.com,2018-02-03,doc-46206502</guid>
    <pubDate>Sat, 03 Feb 2018 07:21:01 +0000</pubDate>
    <dc:date.created>2006-07-18T08:33:47+00:00</dc:date.created>
    <author>nobody@ipernity.com (J. Gafarot)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/j.gafarot"&gt;J. Gafarot&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/j.gafarot/46206502/in/album/626899"&gt;&lt;img src="https://cdn.ipernity.com/200/65/02/46206502.e6bce286.240.jpg?r2" width="240" height="181" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Yesterday was in every home.&lt;/div&gt;</description>
    <media:title>Singer machine ...</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/j.gafarot"&gt;J. Gafarot&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/j.gafarot/46206502/in/album/626899"&gt;&lt;img src="https://cdn.ipernity.com/200/65/02/46206502.e6bce286.240.jpg?r2" width="240" height="181" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Yesterday was in every home.&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/200/65/02/46206502.e6bce286.560.jpg?r2" type="image/jpeg" width="560" height="422" duration="0" isDefault="true"  />
    <media:thumbnail url="https://cdn.ipernity.com/200/65/02/46206502.e6bce286.240.jpg?r2" width="240" height="181"/>
    <media:thumbnail url="https://cdn.ipernity.com/200/65/02/46206502.e6bce286.100.jpg?r2" width="100" height="76"/>
    <media:credit role="author">J. Gafarot</media:credit>
  </item>
  <item>
    <title>On foot, 8 hours to reach that water line...the lake.</title>
    <link>https://www.ipernity.com/doc/j.gafarot/46105274/in/album/626899</link>
    <guid isPermaLink="false">tag:ipernity.com,2018-01-10,doc-46105274</guid>
    <pubDate>Wed, 10 Jan 2018 08:49:47 +0000</pubDate>
    <dc:date.created>1965-10-22T00:00:00+00:00</dc:date.created>
    <author>nobody@ipernity.com (J. Gafarot)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/j.gafarot"&gt;J. Gafarot&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/j.gafarot/46105274/in/album/626899"&gt;&lt;img src="https://cdn.ipernity.com/200/52/74/46105274.a1de97a5.240.jpg?r2" width="240" height="161" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Subtropical oceanic highland climate – Cwb, after the Köppen climate classification.&lt;br /&gt;
The climate of Africa is a range of climates such as the equatorial climate, the tropical wet and dry climate, the tropical monsoon climate, the semi-desert climate (semi-arid), the desert climate (hyper-arid and arid), the subtropical highland climate etc. Temperate climates are rare across the continent except at very high elevations and along the fringes. In fact, the climate of Africa is more variable by rainfall amount than by temperatures, which are consistently high. African deserts are the sunniest and the driest parts of the continent, owing to the prevailing presence of the subtropical ridge with subsiding, hot, dry air masses&lt;/div&gt;</description>
    <media:title>On foot, 8 hours to reach that water line...the lake.</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/j.gafarot"&gt;J. Gafarot&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/j.gafarot/46105274/in/album/626899"&gt;&lt;img src="https://cdn.ipernity.com/200/52/74/46105274.a1de97a5.240.jpg?r2" width="240" height="161" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Subtropical oceanic highland climate – Cwb, after the Köppen climate classification.&lt;br /&gt;
The climate of Africa is a range of climates such as the equatorial climate, the tropical wet and dry climate, the tropical monsoon climate, the semi-desert climate (semi-arid), the desert climate (hyper-arid and arid), the subtropical highland climate etc. Temperate climates are rare across the continent except at very high elevations and along the fringes. In fact, the climate of Africa is more variable by rainfall amount than by temperatures, which are consistently high. African deserts are the sunniest and the driest parts of the continent, owing to the prevailing presence of the subtropical ridge with subsiding, hot, dry air masses&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/200/52/74/46105274.a1de97a5.560.jpg?r2" type="image/jpeg" width="560" height="375" duration="0" isDefault="true"  />
    <media:thumbnail url="https://cdn.ipernity.com/200/52/74/46105274.a1de97a5.240.jpg?r2" width="240" height="161"/>
    <media:thumbnail url="https://cdn.ipernity.com/200/52/74/46105274.a1de97a5.100.jpg?r2" width="100" height="67"/>
    <media:credit role="author">J. Gafarot</media:credit>
  </item>
  <item>
    <title>Finland</title>
    <link>https://www.ipernity.com/doc/j.gafarot/45871952/in/album/626899</link>
    <guid isPermaLink="false">tag:ipernity.com,2017-11-22,doc-45871952</guid>
    <pubDate>Wed, 22 Nov 2017 06:33:35 +0000</pubDate>
    <dc:date.created>2006-08-03T15:43:10+00:00</dc:date.created>
    <author>nobody@ipernity.com (J. Gafarot)</author>
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Friends gift.&lt;/div&gt;</description>
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Friends gift.&lt;/div&gt;</media:text>
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    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/j.gafarot"&gt;J. Gafarot&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/j.gafarot/45842196/in/album/626899"&gt;&lt;img src="https://cdn.ipernity.com/200/21/96/45842196.a6c30fd2.240.jpg?r2" width="240" height="160" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;&lt;/div&gt;</description>
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