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  <title>Contributions of the group San Francisco</title>
  <link>https://www.ipernity.com/group/25608/doc</link>
  <image>
    <url>https://cdn.ipernity.com/p/102/08/64/25608.buddy.jpg</url>
    <title>Contributions of the group San Francisco</title>
    <link>https://www.ipernity.com/group/25608/doc</link>
  </image>
  <description>Photos from the beautiful city of San Francisco, USA</description>
  <pubDate>Tue, 13 Oct 2026 01:29:44 +0000</pubDate>
  <lastBuildDate>Tue, 13 Oct 2026 01:29:44 +0000</lastBuildDate>
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  <item>
    <title>Twin Peaks Vista - Sept. 1978  (045°) - PIP</title>
    <link>https://www.ipernity.com/doc/lutzp/53460402/in/group/25608</link>
    <guid isPermaLink="false">tag:ipernity.com,2026-10-12,doc-53460402</guid>
    <pubDate>Mon, 12 Oct 2026 17:38:54 +0000</pubDate>
    <dc:date.created>1978-09-10T19:38:54+02:00</dc:date.created>
    <author>nobody@ipernity.com (LutzP)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/lutzp"&gt;LutzP&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/lutzp/53460402/in/group/25608"&gt;&lt;img src="https://cdn.ipernity.com/200/04/02/53460402.48b11e54.240.jpg?r2" width="240" height="160" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;AI improved&lt;br /&gt;
&lt;br /&gt;
Leider haluziniert die KI. Hier sind Gebäude "South of Market" (recht von der Market Street) im Bild, die 1978 noch nicht existierten (und vielleicht auch heute nicht). Die Bay Bridge müsste eigentlich in Verlängerung der Market Street oder etwas rechts davon zu sehen sein und die Schleierwolken sind ebenfalls eine Eigenmächtigkeit. Da bleibt die Frage, welche Bits sind eigentlich noch von meinem Foto? Trotzdem gefällt mir das Ergebnis irgendwie ...&lt;br /&gt;
&lt;br /&gt;
Im PIP mein Original von 1978&lt;/div&gt;</description>
    <media:title>Twin Peaks Vista - Sept. 1978  (045°) - PIP</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/lutzp"&gt;LutzP&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/lutzp/53460402/in/group/25608"&gt;&lt;img src="https://cdn.ipernity.com/200/04/02/53460402.48b11e54.240.jpg?r2" width="240" height="160" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;AI improved&lt;br /&gt;
&lt;br /&gt;
Leider haluziniert die KI. Hier sind Gebäude "South of Market" (recht von der Market Street) im Bild, die 1978 noch nicht existierten (und vielleicht auch heute nicht). Die Bay Bridge müsste eigentlich in Verlängerung der Market Street oder etwas rechts davon zu sehen sein und die Schleierwolken sind ebenfalls eine Eigenmächtigkeit. Da bleibt die Frage, welche Bits sind eigentlich noch von meinem Foto? Trotzdem gefällt mir das Ergebnis irgendwie ...&lt;br /&gt;
&lt;br /&gt;
Im PIP mein Original von 1978&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/200/04/02/53460402.b809045b.1024.jpg?r2" type="image/jpeg" width="1024" height="683" duration="0" isDefault="true"  />
    <media:thumbnail url="https://cdn.ipernity.com/200/04/02/53460402.48b11e54.240.jpg?r2" width="240" height="160"/>
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    <media:credit role="author">LutzP</media:credit>
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  <item>
    <title>Hunter Gatherers</title>
    <link>https://www.ipernity.com/doc/296949/53458584/in/group/25608</link>
    <guid isPermaLink="false">tag:ipernity.com,2026-10-10,doc-53458584</guid>
    <pubDate>Sat, 10 Oct 2026 18:29:30 +0000</pubDate>
    <dc:date.created>2026-03-23T13:58:00-07:00</dc:date.created>
    <author>nobody@ipernity.com (Scott Holcomb)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/296949"&gt;Scott Holcomb&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/296949/53458584/in/group/25608"&gt;&lt;img src="https://cdn.ipernity.com/200/85/84/53458584.6e36db52.240.jpg?r2" width="240" height="240" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Making ends meet in the wild.&lt;br /&gt;
&lt;br /&gt;
This photo was taken by a Hasselblad 500C medium format film camera and Carl Zeiss Distagon 1:4 f=50mm T* lens with a Hasselblad/63 1xHz-0 drop in filter using Ilford Delta 3200 film, the negative scanned by an Epson Perfection V600 and digitally rendered with Photoshop.&lt;/div&gt;</description>
    <media:title>Hunter Gatherers</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/296949"&gt;Scott Holcomb&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/296949/53458584/in/group/25608"&gt;&lt;img src="https://cdn.ipernity.com/200/85/84/53458584.6e36db52.240.jpg?r2" width="240" height="240" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Making ends meet in the wild.&lt;br /&gt;
&lt;br /&gt;
This photo was taken by a Hasselblad 500C medium format film camera and Carl Zeiss Distagon 1:4 f=50mm T* lens with a Hasselblad/63 1xHz-0 drop in filter using Ilford Delta 3200 film, the negative scanned by an Epson Perfection V600 and digitally rendered with Photoshop.&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/200/85/84/53458584.a56dfc94.1024.jpg?r2" type="image/jpeg" width="1024" height="1024" duration="0" isDefault="true"  />
    <media:thumbnail url="https://cdn.ipernity.com/200/85/84/53458584.6e36db52.240.jpg?r2" width="240" height="240"/>
    <media:thumbnail url="https://cdn.ipernity.com/200/85/84/53458584.6e36db52.100.jpg?r2" width="100" height="100"/>
    <media:credit role="author">Scott Holcomb</media:credit>
  </item>
  <item>
    <title>Colony</title>
    <link>https://www.ipernity.com/doc/296949/53447230/in/group/25608</link>
    <guid isPermaLink="false">tag:ipernity.com,2026-09-27,doc-53447230</guid>
    <pubDate>Sun, 27 Sep 2026 18:28:01 +0000</pubDate>
    <dc:date.created>2026-03-23T12:17:00-07:00</dc:date.created>
    <author>nobody@ipernity.com (Scott Holcomb)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/296949"&gt;Scott Holcomb&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/296949/53447230/in/group/25608"&gt;&lt;img src="https://cdn.ipernity.com/200/72/30/53447230.bb66c0b5.240.jpg?r2" width="240" height="240" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;In a secret location on the California coast a small colony of African penguins have established a foothold.  It is hoped that they can escape the persecution they experienced in their distant homeland and make a new life on new continent.&lt;br /&gt;
&lt;br /&gt;
This photo was taken by a Hasselblad 500C medium format film camera and Carl Zeiss Distagon 1:4 f=50mm T* lens with a Hasselblad/63 1xHz-0 drop in filter using Kodak Portra 800 film, the negative scanned by an Epson Perfection V600 and digitalized with Photoshop.&lt;/div&gt;</description>
    <media:title>Colony</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/296949"&gt;Scott Holcomb&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/296949/53447230/in/group/25608"&gt;&lt;img src="https://cdn.ipernity.com/200/72/30/53447230.bb66c0b5.240.jpg?r2" width="240" height="240" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;In a secret location on the California coast a small colony of African penguins have established a foothold.  It is hoped that they can escape the persecution they experienced in their distant homeland and make a new life on new continent.&lt;br /&gt;
&lt;br /&gt;
This photo was taken by a Hasselblad 500C medium format film camera and Carl Zeiss Distagon 1:4 f=50mm T* lens with a Hasselblad/63 1xHz-0 drop in filter using Kodak Portra 800 film, the negative scanned by an Epson Perfection V600 and digitalized with Photoshop.&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/200/72/30/53447230.d22c7cd4.1024.jpg?r2" type="image/jpeg" width="1024" height="1024" duration="0" isDefault="true"  />
    <media:thumbnail url="https://cdn.ipernity.com/200/72/30/53447230.bb66c0b5.240.jpg?r2" width="240" height="240"/>
    <media:thumbnail url="https://cdn.ipernity.com/200/72/30/53447230.bb66c0b5.100.jpg?r2" width="100" height="100"/>
    <media:credit role="author">Scott Holcomb</media:credit>
  </item>
  <item>
    <title>Rasputin Records</title>
    <link>https://www.ipernity.com/doc/296949/53444192/in/group/25608</link>
    <guid isPermaLink="false">tag:ipernity.com,2026-09-23,doc-53444192</guid>
    <pubDate>Wed, 23 Sep 2026 01:31:37 +0000</pubDate>
    <dc:date.created>2026-02-04T08:55:00-07:00</dc:date.created>
    <author>nobody@ipernity.com (Scott Holcomb)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/296949"&gt;Scott Holcomb&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/296949/53444192/in/group/25608"&gt;&lt;img src="https://cdn.ipernity.com/200/41/92/53444192.454e84a7.240.jpg?r2" width="240" height="192" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;When this shop opens, prepare for a &lt;b&gt;WALL OF SOUND&lt;/b&gt;&lt;br /&gt;
&lt;br /&gt;
This photo was taken by an Asahi Pentax 6 X 7 medium format film camera and Super-Mult-Coated Takumar/6X7 1:4.5/75mm lens with a Asahi Pentax 6 X 7 82ø L39(UV) filter using Kodak Portra 160 film, the negative scanned by an Epson Perfection V600 and digitally rendered with Photoshop.&lt;/div&gt;</description>
    <media:title>Rasputin Records</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/296949"&gt;Scott Holcomb&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/296949/53444192/in/group/25608"&gt;&lt;img src="https://cdn.ipernity.com/200/41/92/53444192.454e84a7.240.jpg?r2" width="240" height="192" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;When this shop opens, prepare for a &lt;b&gt;WALL OF SOUND&lt;/b&gt;&lt;br /&gt;
&lt;br /&gt;
This photo was taken by an Asahi Pentax 6 X 7 medium format film camera and Super-Mult-Coated Takumar/6X7 1:4.5/75mm lens with a Asahi Pentax 6 X 7 82ø L39(UV) filter using Kodak Portra 160 film, the negative scanned by an Epson Perfection V600 and digitally rendered with Photoshop.&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/200/41/92/53444192.712bc84e.1024.jpg?r2" type="image/jpeg" width="1024" height="816" duration="0" isDefault="true"  />
    <media:thumbnail url="https://cdn.ipernity.com/200/41/92/53444192.454e84a7.240.jpg?r2" width="240" height="192"/>
    <media:thumbnail url="https://cdn.ipernity.com/200/41/92/53444192.454e84a7.100.jpg?r2" width="100" height="80"/>
    <media:credit role="author">Scott Holcomb</media:credit>
  </item>
  <item>
    <title>Night Stalker</title>
    <link>https://www.ipernity.com/doc/296949/53440924/in/group/25608</link>
    <guid isPermaLink="false">tag:ipernity.com,2026-09-18,doc-53440924</guid>
    <pubDate>Fri, 18 Sep 2026 17:36:46 +0000</pubDate>
    <dc:date.created>2026-03-23T13:25:00-07:00</dc:date.created>
    <author>nobody@ipernity.com (Scott Holcomb)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/296949"&gt;Scott Holcomb&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/296949/53440924/in/group/25608"&gt;&lt;img src="https://cdn.ipernity.com/200/09/24/53440924.4a86d82c.240.jpg?r2" width="240" height="240" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Warning . . . Grrrrr . . . &lt;b&gt;Keep Away !!!&lt;/b&gt;&lt;br /&gt;
&lt;br /&gt;
This photo was taken by a Hasselblad 500C medium format film camera and Carl Zeiss Distagon 1:4 f=50mm T* lens with a Hasselblad/63 1xHz-0 drop in filter using Ilford Delta 3200 film, the negative scanned by an Epson Perfection V600 and digitally rendered with Photoshop.&lt;/div&gt;</description>
    <media:title>Night Stalker</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/296949"&gt;Scott Holcomb&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/296949/53440924/in/group/25608"&gt;&lt;img src="https://cdn.ipernity.com/200/09/24/53440924.4a86d82c.240.jpg?r2" width="240" height="240" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Warning . . . Grrrrr . . . &lt;b&gt;Keep Away !!!&lt;/b&gt;&lt;br /&gt;
&lt;br /&gt;
This photo was taken by a Hasselblad 500C medium format film camera and Carl Zeiss Distagon 1:4 f=50mm T* lens with a Hasselblad/63 1xHz-0 drop in filter using Ilford Delta 3200 film, the negative scanned by an Epson Perfection V600 and digitally rendered with Photoshop.&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/200/09/24/53440924.ac10a108.1024.jpg?r2" type="image/jpeg" width="1024" height="1024" duration="0" isDefault="true"  />
    <media:thumbnail url="https://cdn.ipernity.com/200/09/24/53440924.4a86d82c.240.jpg?r2" width="240" height="240"/>
    <media:thumbnail url="https://cdn.ipernity.com/200/09/24/53440924.4a86d82c.100.jpg?r2" width="100" height="100"/>
    <media:credit role="author">Scott Holcomb</media:credit>
  </item>
  <item>
    <title>Terror</title>
    <link>https://www.ipernity.com/doc/296949/53439114/in/group/25608</link>
    <guid isPermaLink="false">tag:ipernity.com,2026-09-16,doc-53439114</guid>
    <pubDate>Wed, 16 Sep 2026 16:36:07 +0000</pubDate>
    <dc:date.created>2026-03-23T11:32:00-07:00</dc:date.created>
    <author>nobody@ipernity.com (Scott Holcomb)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/296949"&gt;Scott Holcomb&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/296949/53439114/in/group/25608"&gt;&lt;img src="https://cdn.ipernity.com/200/91/14/53439114.92a1e885.240.jpg?r2" width="240" height="240" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;The nightmare of Cetaceans and Pinnipeds.&lt;br /&gt;
&lt;br /&gt;
This photo was taken by a Hasselblad 500C medium format film camera and Carl Zeiss Planar 1:2.8 f=80 lens with a Kowa L39•3C(UV) ø67 filter + adapter using Kodak Portra 800 film, the negative scanned by an Epson Perfection V600 and digitalized with Photoshop.&lt;/div&gt;</description>
    <media:title>Terror</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/296949"&gt;Scott Holcomb&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/296949/53439114/in/group/25608"&gt;&lt;img src="https://cdn.ipernity.com/200/91/14/53439114.92a1e885.240.jpg?r2" width="240" height="240" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;The nightmare of Cetaceans and Pinnipeds.&lt;br /&gt;
&lt;br /&gt;
This photo was taken by a Hasselblad 500C medium format film camera and Carl Zeiss Planar 1:2.8 f=80 lens with a Kowa L39•3C(UV) ø67 filter + adapter using Kodak Portra 800 film, the negative scanned by an Epson Perfection V600 and digitalized with Photoshop.&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/200/91/14/53439114.f7ddf62f.1024.jpg?r2" type="image/jpeg" width="1024" height="1024" duration="0" isDefault="true"  />
    <media:thumbnail url="https://cdn.ipernity.com/200/91/14/53439114.92a1e885.240.jpg?r2" width="240" height="240"/>
    <media:thumbnail url="https://cdn.ipernity.com/200/91/14/53439114.92a1e885.100.jpg?r2" width="100" height="100"/>
    <media:credit role="author">Scott Holcomb</media:credit>
  </item>
  <item>
    <title>Apparitions</title>
    <link>https://www.ipernity.com/doc/296949/53427040/in/group/25608</link>
    <guid isPermaLink="false">tag:ipernity.com,2026-09-02,doc-53427040</guid>
    <pubDate>Wed, 02 Sep 2026 04:52:48 +0000</pubDate>
    <dc:date.created>2026-03-23T13:26:00-07:00</dc:date.created>
    <author>nobody@ipernity.com (Scott Holcomb)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/296949"&gt;Scott Holcomb&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/296949/53427040/in/group/25608"&gt;&lt;img src="https://cdn.ipernity.com/200/70/40/53427040.321db4d7.240.jpg?r2" width="240" height="240" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Hunted for millennia, the ghosts of sea mammals brought to extinction haunt humanity.&lt;br /&gt;
&lt;br /&gt;
This photo was taken by a Hasselblad 500C medium format film camera and Carl Zeiss Planar 1:2.8 f=80 lens with a Kowa L39•3C(UV) ø67 filter + adapter using Kodak Portra 800 film, the negative scanned by an Epson Perfection V600 and digitalized with Photoshop.&lt;/div&gt;</description>
    <media:title>Apparitions</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/296949"&gt;Scott Holcomb&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/296949/53427040/in/group/25608"&gt;&lt;img src="https://cdn.ipernity.com/200/70/40/53427040.321db4d7.240.jpg?r2" width="240" height="240" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Hunted for millennia, the ghosts of sea mammals brought to extinction haunt humanity.&lt;br /&gt;
&lt;br /&gt;
This photo was taken by a Hasselblad 500C medium format film camera and Carl Zeiss Planar 1:2.8 f=80 lens with a Kowa L39•3C(UV) ø67 filter + adapter using Kodak Portra 800 film, the negative scanned by an Epson Perfection V600 and digitalized with Photoshop.&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/200/70/40/53427040.cf43c5f7.1024.jpg?r2" type="image/jpeg" width="1024" height="1024" duration="0" isDefault="true"  />
    <media:thumbnail url="https://cdn.ipernity.com/200/70/40/53427040.321db4d7.240.jpg?r2" width="240" height="240"/>
    <media:thumbnail url="https://cdn.ipernity.com/200/70/40/53427040.321db4d7.100.jpg?r2" width="100" height="100"/>
    <media:credit role="author">Scott Holcomb</media:credit>
  </item>
  <item>
    <title>Elusive</title>
    <link>https://www.ipernity.com/doc/296949/53425870/in/group/25608</link>
    <guid isPermaLink="false">tag:ipernity.com,2026-08-31,doc-53425870</guid>
    <pubDate>Mon, 31 Aug 2026 16:52:20 +0000</pubDate>
    <dc:date.created>2026-03-23T13:43:00-07:00</dc:date.created>
    <author>nobody@ipernity.com (Scott Holcomb)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/296949"&gt;Scott Holcomb&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/296949/53425870/in/group/25608"&gt;&lt;img src="https://cdn.ipernity.com/200/58/70/53425870.0d4a3847.240.jpg?r2" width="240" height="240" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Fragile grazers of the twilight.&lt;br /&gt;
&lt;br /&gt;
This photo was taken by a Hasselblad 500C medium format film camera and Carl Zeiss Distagon 1:4 f=50mm T* lens with a Hasselblad/63 1xHz-0 drop in filter using Ilford Delta 3200 film, the negative scanned by an Epson Perfection V600 and digitally rendered with Photoshop.&lt;/div&gt;</description>
    <media:title>Elusive</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/296949"&gt;Scott Holcomb&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/296949/53425870/in/group/25608"&gt;&lt;img src="https://cdn.ipernity.com/200/58/70/53425870.0d4a3847.240.jpg?r2" width="240" height="240" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Fragile grazers of the twilight.&lt;br /&gt;
&lt;br /&gt;
This photo was taken by a Hasselblad 500C medium format film camera and Carl Zeiss Distagon 1:4 f=50mm T* lens with a Hasselblad/63 1xHz-0 drop in filter using Ilford Delta 3200 film, the negative scanned by an Epson Perfection V600 and digitally rendered with Photoshop.&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/200/58/70/53425870.d286ef57.1024.jpg?r2" type="image/jpeg" width="1024" height="1024" duration="0" isDefault="true"  />
    <media:thumbnail url="https://cdn.ipernity.com/200/58/70/53425870.0d4a3847.240.jpg?r2" width="240" height="240"/>
    <media:thumbnail url="https://cdn.ipernity.com/200/58/70/53425870.0d4a3847.100.jpg?r2" width="100" height="100"/>
    <media:credit role="author">Scott Holcomb</media:credit>
  </item>
  <item>
    <title>Ohlone House Reconstruction</title>
    <link>https://www.ipernity.com/doc/296949/53411924/in/group/25608</link>
    <guid isPermaLink="false">tag:ipernity.com,2026-08-16,doc-53411924</guid>
    <pubDate>Sun, 16 Aug 2026 21:47:27 +0000</pubDate>
    <dc:date.created>2012-06-17T15:06:00-07:00</dc:date.created>
    <author>nobody@ipernity.com (Scott Holcomb)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/296949"&gt;Scott Holcomb&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/296949/53411924/in/group/25608"&gt;&lt;img src="https://cdn.ipernity.com/200/19/24/53411924.bb379068.240.jpg?r2" width="180" height="240" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;The Ohlone culture was relatively stable until the first Spanish soldiers and missionaries arrived with the double-purpose of Christianizing the Native Americans by building a series of missions and of expanding Spanish territorial claims.&lt;br /&gt;
Spanish mission culture soon disrupted and undermined the Ohlone social structures and way of life. Under Father Serra's leadership, the Spanish Franciscans erected seven missions inside the Ohlone region and brought most of the Ohlone into these missions to live and work.  The Ohlone who went to live at the missions were called Mission Indians, and also neophytes. They were blended with other Native American ethnicities such as the Coast Miwok transported from the North Bay into the Mission San Francisco and Mission San José.&lt;br /&gt;
&lt;br /&gt;
This photo was taken by a Mamiya 645 ProTL medium format film camera with a Mamiya-Sekor Zoom C 55~110 1:4.5 N lens using Kodak Portra 400 film, the negative scanned by an HP Scanjet G4050 and digitally rendered with Photoshop.&lt;/div&gt;</description>
    <media:title>Ohlone House Reconstruction</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/296949"&gt;Scott Holcomb&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/296949/53411924/in/group/25608"&gt;&lt;img src="https://cdn.ipernity.com/200/19/24/53411924.bb379068.240.jpg?r2" width="180" height="240" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;The Ohlone culture was relatively stable until the first Spanish soldiers and missionaries arrived with the double-purpose of Christianizing the Native Americans by building a series of missions and of expanding Spanish territorial claims.&lt;br /&gt;
Spanish mission culture soon disrupted and undermined the Ohlone social structures and way of life. Under Father Serra's leadership, the Spanish Franciscans erected seven missions inside the Ohlone region and brought most of the Ohlone into these missions to live and work.  The Ohlone who went to live at the missions were called Mission Indians, and also neophytes. They were blended with other Native American ethnicities such as the Coast Miwok transported from the North Bay into the Mission San Francisco and Mission San José.&lt;br /&gt;
&lt;br /&gt;
This photo was taken by a Mamiya 645 ProTL medium format film camera with a Mamiya-Sekor Zoom C 55~110 1:4.5 N lens using Kodak Portra 400 film, the negative scanned by an HP Scanjet G4050 and digitally rendered with Photoshop.&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/200/19/24/53411924.4435ec2d.1024.jpg?r2" type="image/jpeg" width="768" height="1024" duration="0" isDefault="true"  />
    <media:thumbnail url="https://cdn.ipernity.com/200/19/24/53411924.bb379068.240.jpg?r2" width="180" height="240"/>
    <media:thumbnail url="https://cdn.ipernity.com/200/19/24/53411924.bb379068.100.jpg?r2" width="75" height="100"/>
    <media:credit role="author">Scott Holcomb</media:credit>
  </item>
  <item>
    <title>Misión San Francisco de Asís</title>
    <link>https://www.ipernity.com/doc/296949/53411038/in/group/25608</link>
    <guid isPermaLink="false">tag:ipernity.com,2026-08-15,doc-53411038</guid>
    <pubDate>Sat, 15 Aug 2026 20:38:37 +0000</pubDate>
    <dc:date.created>2012-06-17T14:14:00-07:00</dc:date.created>
    <author>nobody@ipernity.com (Scott Holcomb)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/296949"&gt;Scott Holcomb&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/296949/53411038/in/group/25608"&gt;&lt;img src="https://cdn.ipernity.com/200/10/38/53411038.508d1fdc.240.jpg?r2" width="180" height="240" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Mission San Francisco de Asís, or Mission Dolores, is the oldest surviving structure in San Francisco and the sixth religious settlement established as part of the California Chain of Missions. The Mission was founded on June 29, 1776, by Lieutenant José Joaquin Moraga and Father Francisco Palóu (a companion of Father Junípero Serra), both members of the de Anza Expedition, which had been charged with bringing Spanish settlers to Alta (upper) California, and evangelizing the local natives, the Ohlone.&lt;br /&gt;
&lt;br /&gt;
This photo was taken by a Mamiya 645 ProTL medium format film camera with a Mamiya-Sekor Zoom C 55~110 1:4.5 N lens using Kodak Portra 400 film, the negative scanned by an HP Scanjet G4050 and digitally rendered with Photoshop.&lt;/div&gt;</description>
    <media:title>Misión San Francisco de Asís</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/296949"&gt;Scott Holcomb&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/296949/53411038/in/group/25608"&gt;&lt;img src="https://cdn.ipernity.com/200/10/38/53411038.508d1fdc.240.jpg?r2" width="180" height="240" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Mission San Francisco de Asís, or Mission Dolores, is the oldest surviving structure in San Francisco and the sixth religious settlement established as part of the California Chain of Missions. The Mission was founded on June 29, 1776, by Lieutenant José Joaquin Moraga and Father Francisco Palóu (a companion of Father Junípero Serra), both members of the de Anza Expedition, which had been charged with bringing Spanish settlers to Alta (upper) California, and evangelizing the local natives, the Ohlone.&lt;br /&gt;
&lt;br /&gt;
This photo was taken by a Mamiya 645 ProTL medium format film camera with a Mamiya-Sekor Zoom C 55~110 1:4.5 N lens using Kodak Portra 400 film, the negative scanned by an HP Scanjet G4050 and digitally rendered with Photoshop.&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/200/10/38/53411038.498d45c0.1024.jpg?r2" type="image/jpeg" width="765" height="1024" duration="0" isDefault="true"  />
    <media:thumbnail url="https://cdn.ipernity.com/200/10/38/53411038.508d1fdc.240.jpg?r2" width="180" height="240"/>
    <media:thumbnail url="https://cdn.ipernity.com/200/10/38/53411038.508d1fdc.100.jpg?r2" width="75" height="100"/>
    <media:credit role="author">Scott Holcomb</media:credit>
  </item>
  <item>
    <title>Japanese Lantern</title>
    <link>https://www.ipernity.com/doc/296949/53408440/in/group/25608</link>
    <guid isPermaLink="false">tag:ipernity.com,2026-08-12,doc-53408440</guid>
    <pubDate>Wed, 12 Aug 2026 19:34:18 +0000</pubDate>
    <dc:date.created>2012-05-23T14:18:00-07:00</dc:date.created>
    <author>nobody@ipernity.com (Scott Holcomb)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/296949"&gt;Scott Holcomb&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/296949/53408440/in/group/25608"&gt;&lt;img src="https://cdn.ipernity.com/200/84/40/53408440.8febe9b2.240.jpg?r2" width="240" height="237" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;An enlightened garden.&lt;br /&gt;
&lt;br /&gt;
This photo was taken by a Mamiya C 330 TLR medium format film camera and Mamiya-Sekor 1:2.8 f=80mm lens using Kodak Ektar 100 film, the negative scanned by an HP Scanjet G4050 and digitally rendered with Photoshop.&lt;/div&gt;</description>
    <media:title>Japanese Lantern</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/296949"&gt;Scott Holcomb&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/296949/53408440/in/group/25608"&gt;&lt;img src="https://cdn.ipernity.com/200/84/40/53408440.8febe9b2.240.jpg?r2" width="240" height="237" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;An enlightened garden.&lt;br /&gt;
&lt;br /&gt;
This photo was taken by a Mamiya C 330 TLR medium format film camera and Mamiya-Sekor 1:2.8 f=80mm lens using Kodak Ektar 100 film, the negative scanned by an HP Scanjet G4050 and digitally rendered with Photoshop.&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/200/84/40/53408440.5e7e15bd.1024.jpg?r2" type="image/jpeg" width="1024" height="1010" duration="0" isDefault="true"  />
    <media:thumbnail url="https://cdn.ipernity.com/200/84/40/53408440.8febe9b2.240.jpg?r2" width="240" height="237"/>
    <media:thumbnail url="https://cdn.ipernity.com/200/84/40/53408440.8febe9b2.100.jpg?r2" width="100" height="99"/>
    <media:credit role="author">Scott Holcomb</media:credit>
  </item>
  <item>
    <title>Tea Garden Entry</title>
    <link>https://www.ipernity.com/doc/296949/53408438/in/group/25608</link>
    <guid isPermaLink="false">tag:ipernity.com,2026-08-12,doc-53408438</guid>
    <pubDate>Wed, 12 Aug 2026 19:34:02 +0000</pubDate>
    <dc:date.created>2012-05-23T14:11:00-07:00</dc:date.created>
    <author>nobody@ipernity.com (Scott Holcomb)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/296949"&gt;Scott Holcomb&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/296949/53408438/in/group/25608"&gt;&lt;img src="https://cdn.ipernity.com/200/84/38/53408438.fb7d187a.240.jpg?r2" width="237" height="240" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;More than a cup of tea awaits visitors.&lt;br /&gt;
&lt;br /&gt;
This photo was taken by a Mamiya C 330 TLR medium format film camera and Mamiya-Sekor 1:2.8 f=80mm lens using Kodak Ektar 100 film, the negative scanned by an HP Scanjet G4050 and digitally rendered with Photoshop.&lt;/div&gt;</description>
    <media:title>Tea Garden Entry</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/296949"&gt;Scott Holcomb&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/296949/53408438/in/group/25608"&gt;&lt;img src="https://cdn.ipernity.com/200/84/38/53408438.fb7d187a.240.jpg?r2" width="237" height="240" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;More than a cup of tea awaits visitors.&lt;br /&gt;
&lt;br /&gt;
This photo was taken by a Mamiya C 330 TLR medium format film camera and Mamiya-Sekor 1:2.8 f=80mm lens using Kodak Ektar 100 film, the negative scanned by an HP Scanjet G4050 and digitally rendered with Photoshop.&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/200/84/38/53408438.76ad53f1.1024.jpg?r2" type="image/jpeg" width="1009" height="1024" duration="0" isDefault="true"  />
    <media:thumbnail url="https://cdn.ipernity.com/200/84/38/53408438.fb7d187a.240.jpg?r2" width="237" height="240"/>
    <media:thumbnail url="https://cdn.ipernity.com/200/84/38/53408438.fb7d187a.100.jpg?r2" width="99" height="100"/>
    <media:credit role="author">Scott Holcomb</media:credit>
  </item>
  <item>
    <title>F CASTRO</title>
    <link>https://www.ipernity.com/doc/296949/53407776/in/group/25608</link>
    <guid isPermaLink="false">tag:ipernity.com,2026-08-11,doc-53407776</guid>
    <pubDate>Tue, 11 Aug 2026 19:23:19 +0000</pubDate>
    <dc:date.created>2012-04-08T11:23:00-07:00</dc:date.created>
    <author>nobody@ipernity.com (Scott Holcomb)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/296949"&gt;Scott Holcomb&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/296949/53407776/in/group/25608"&gt;&lt;img src="https://cdn.ipernity.com/200/77/76/53407776.53cd62b6.240.jpg?r2" width="240" height="179" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;The streetcar system of San Francisco, California includes many antique renovated cars adopted from around the United States and the world such as this car, originally from Milan, Italy - a Peter Witt tram built in 1928.&lt;br /&gt;
&lt;br /&gt;
This photo was taken by a Mamiya 645 ProTL medium format film camera with a Mamiya-Sekor C 80mm 1:2.8 N lens using Kodak Portra 400 film, the negative scanned by an HP Scanjet G4050 and digitally rendered with Photoshop.&lt;/div&gt;</description>
    <media:title>F CASTRO</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/296949"&gt;Scott Holcomb&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/296949/53407776/in/group/25608"&gt;&lt;img src="https://cdn.ipernity.com/200/77/76/53407776.53cd62b6.240.jpg?r2" width="240" height="179" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;The streetcar system of San Francisco, California includes many antique renovated cars adopted from around the United States and the world such as this car, originally from Milan, Italy - a Peter Witt tram built in 1928.&lt;br /&gt;
&lt;br /&gt;
This photo was taken by a Mamiya 645 ProTL medium format film camera with a Mamiya-Sekor C 80mm 1:2.8 N lens using Kodak Portra 400 film, the negative scanned by an HP Scanjet G4050 and digitally rendered with Photoshop.&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/200/77/76/53407776.a5f57d3e.1024.jpg?r2" type="image/jpeg" width="1024" height="764" duration="0" isDefault="true"  />
    <media:thumbnail url="https://cdn.ipernity.com/200/77/76/53407776.53cd62b6.240.jpg?r2" width="240" height="179"/>
    <media:thumbnail url="https://cdn.ipernity.com/200/77/76/53407776.53cd62b6.100.jpg?r2" width="100" height="75"/>
    <media:credit role="author">Scott Holcomb</media:credit>
  </item>
  <item>
    <title>Shaded Entry</title>
    <link>https://www.ipernity.com/doc/296949/53406646/in/group/25608</link>
    <guid isPermaLink="false">tag:ipernity.com,2026-08-10,doc-53406646</guid>
    <pubDate>Mon, 10 Aug 2026 08:24:53 +0000</pubDate>
    <dc:date.created>2012-10-18T13:21:00-07:00</dc:date.created>
    <author>nobody@ipernity.com (Scott Holcomb)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/296949"&gt;Scott Holcomb&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/296949/53406646/in/group/25608"&gt;&lt;img src="https://cdn.ipernity.com/200/66/46/53406646.6fd89f94.240.jpg?r2" width="240" height="240" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Have a seat and rest your feet!&lt;br /&gt;
&lt;br /&gt;
This photo was taken by a a KИEB-88C medium format film camera and MИP-26B 3.5/45mm lens using Kodak Portra 160 film, the negative scanned by an HP Scanjet G4050 and digitalized using Photoshop.&lt;/div&gt;</description>
    <media:title>Shaded Entry</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/296949"&gt;Scott Holcomb&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/296949/53406646/in/group/25608"&gt;&lt;img src="https://cdn.ipernity.com/200/66/46/53406646.6fd89f94.240.jpg?r2" width="240" height="240" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Have a seat and rest your feet!&lt;br /&gt;
&lt;br /&gt;
This photo was taken by a a KИEB-88C medium format film camera and MИP-26B 3.5/45mm lens using Kodak Portra 160 film, the negative scanned by an HP Scanjet G4050 and digitalized using Photoshop.&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/200/66/46/53406646.98d53d21.1024.jpg?r2" type="image/jpeg" width="1024" height="1024" duration="0" isDefault="true"  />
    <media:thumbnail url="https://cdn.ipernity.com/200/66/46/53406646.6fd89f94.240.jpg?r2" width="240" height="240"/>
    <media:thumbnail url="https://cdn.ipernity.com/200/66/46/53406646.6fd89f94.100.jpg?r2" width="100" height="100"/>
    <media:credit role="author">Scott Holcomb</media:credit>
  </item>
  <item>
    <title>My Ship Has Come In</title>
    <link>https://www.ipernity.com/doc/296949/53394150/in/group/25608</link>
    <guid isPermaLink="false">tag:ipernity.com,2026-07-28,doc-53394150</guid>
    <pubDate>Tue, 28 Jul 2026 16:31:10 +0000</pubDate>
    <dc:date.created>2012-04-22T11:24:00-07:00</dc:date.created>
    <author>nobody@ipernity.com (Scott Holcomb)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/296949"&gt;Scott Holcomb&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/296949/53394150/in/group/25608"&gt;&lt;img src="https://cdn.ipernity.com/200/41/50/53394150.44b376f1.240.jpg?r2" width="240" height="157" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;On Terra Firma, at last!&lt;br /&gt;
&lt;br /&gt;
This photo was taken by a Nikon FE SLR film camera and Zoom-Nikkor 43~86mm lens using Kodak Portra 160 135 film, the negative scanned by an HP Scanjet G4050 and digitally rendered with Photoshop.&lt;/div&gt;</description>
    <media:title>My Ship Has Come In</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/296949"&gt;Scott Holcomb&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/296949/53394150/in/group/25608"&gt;&lt;img src="https://cdn.ipernity.com/200/41/50/53394150.44b376f1.240.jpg?r2" width="240" height="157" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;On Terra Firma, at last!&lt;br /&gt;
&lt;br /&gt;
This photo was taken by a Nikon FE SLR film camera and Zoom-Nikkor 43~86mm lens using Kodak Portra 160 135 film, the negative scanned by an HP Scanjet G4050 and digitally rendered with Photoshop.&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/200/41/50/53394150.b51aca3f.1024.jpg?r2" type="image/jpeg" width="1024" height="670" duration="0" isDefault="true"  />
    <media:thumbnail url="https://cdn.ipernity.com/200/41/50/53394150.44b376f1.240.jpg?r2" width="240" height="157"/>
    <media:thumbnail url="https://cdn.ipernity.com/200/41/50/53394150.44b376f1.100.jpg?r2" width="100" height="66"/>
    <media:credit role="author">Scott Holcomb</media:credit>
  </item>
  <item>
    <title>Gated Entry</title>
    <link>https://www.ipernity.com/doc/296949/53367568/in/group/25608</link>
    <guid isPermaLink="false">tag:ipernity.com,2026-07-03,doc-53367568</guid>
    <pubDate>Fri, 03 Jul 2026 04:58:49 +0000</pubDate>
    <dc:date.created>2012-07-18T14:12:00-07:00</dc:date.created>
    <author>nobody@ipernity.com (Scott Holcomb)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/296949"&gt;Scott Holcomb&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/296949/53367568/in/group/25608"&gt;&lt;img src="https://cdn.ipernity.com/200/75/68/53367568.fb20cd10.240.jpg?r2" width="240" height="240" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;The San Francisco Civic Center was rebuilt in a neoclassical theme after it's destruction in the 1906 earthquake.  The detail is exquisite.&lt;br /&gt;
&lt;br /&gt;
This photo was taken by a KИEB-88C medium format film camera with a MC BOЛHA-3 2.8/80mm lens and Чф-1x 62x0.75 filter using Fuji 160NS film, the negative scanned by an HP Scanjet G4050 and digitalized with Photoshop.&lt;/div&gt;</description>
    <media:title>Gated Entry</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/296949"&gt;Scott Holcomb&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/296949/53367568/in/group/25608"&gt;&lt;img src="https://cdn.ipernity.com/200/75/68/53367568.fb20cd10.240.jpg?r2" width="240" height="240" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;The San Francisco Civic Center was rebuilt in a neoclassical theme after it's destruction in the 1906 earthquake.  The detail is exquisite.&lt;br /&gt;
&lt;br /&gt;
This photo was taken by a KИEB-88C medium format film camera with a MC BOЛHA-3 2.8/80mm lens and Чф-1x 62x0.75 filter using Fuji 160NS film, the negative scanned by an HP Scanjet G4050 and digitalized with Photoshop.&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/200/75/68/53367568.3949f1ba.1024.jpg?r2" type="image/jpeg" width="1024" height="1024" duration="0" isDefault="true"  />
    <media:thumbnail url="https://cdn.ipernity.com/200/75/68/53367568.fb20cd10.240.jpg?r2" width="240" height="240"/>
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    <media:credit role="author">Scott Holcomb</media:credit>
  </item>
  <item>
    <title>Tortoise</title>
    <link>https://www.ipernity.com/doc/296949/53360050/in/group/25608</link>
    <guid isPermaLink="false">tag:ipernity.com,2026-06-25,doc-53360050</guid>
    <pubDate>Thu, 25 Jun 2026 16:41:22 +0000</pubDate>
    <dc:date.created>2026-03-23T13:52:00-07:00</dc:date.created>
    <author>nobody@ipernity.com (Scott Holcomb)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/296949"&gt;Scott Holcomb&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/296949/53360050/in/group/25608"&gt;&lt;img src="https://cdn.ipernity.com/200/00/50/53360050.14f92e9b.240.jpg?r2" width="240" height="240" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;A 1998 patinated bronze sculpture of a Galapagos Tortoise by Eric Berg.&lt;br /&gt;
&lt;br /&gt;
This photo was taken by a Hasselblad 500C medium format film camera and Carl Zeiss Distagon 1:4 f=50mm T* lens with a Hasselblad/63 1xHz-0 drop in filter using Kodak Portra 800 film, the negative scanned by an Epson Perfection V600 and digitalized with Photoshop.&lt;/div&gt;</description>
    <media:title>Tortoise</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/296949"&gt;Scott Holcomb&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/296949/53360050/in/group/25608"&gt;&lt;img src="https://cdn.ipernity.com/200/00/50/53360050.14f92e9b.240.jpg?r2" width="240" height="240" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;A 1998 patinated bronze sculpture of a Galapagos Tortoise by Eric Berg.&lt;br /&gt;
&lt;br /&gt;
This photo was taken by a Hasselblad 500C medium format film camera and Carl Zeiss Distagon 1:4 f=50mm T* lens with a Hasselblad/63 1xHz-0 drop in filter using Kodak Portra 800 film, the negative scanned by an Epson Perfection V600 and digitalized with Photoshop.&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/200/00/50/53360050.3c69cf42.1024.jpg?r2" type="image/jpeg" width="1024" height="1024" duration="0" isDefault="true"  />
    <media:thumbnail url="https://cdn.ipernity.com/200/00/50/53360050.14f92e9b.240.jpg?r2" width="240" height="240"/>
    <media:thumbnail url="https://cdn.ipernity.com/200/00/50/53360050.14f92e9b.100.jpg?r2" width="100" height="100"/>
    <media:credit role="author">Scott Holcomb</media:credit>
  </item>
  <item>
    <title>Last Dance</title>
    <link>https://www.ipernity.com/doc/296949/53358318/in/group/25608</link>
    <guid isPermaLink="false">tag:ipernity.com,2026-06-24,doc-53358318</guid>
    <pubDate>Wed, 24 Jun 2026 04:38:06 +0000</pubDate>
    <dc:date.created>2026-03-23T12:04:00-07:00</dc:date.created>
    <author>nobody@ipernity.com (Scott Holcomb)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/296949"&gt;Scott Holcomb&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/296949/53358318/in/group/25608"&gt;&lt;img src="https://cdn.ipernity.com/200/83/18/53358318.1a199156.240.jpg?r2" width="240" height="240" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;How could they refuse . . .&lt;br /&gt;
&lt;br /&gt;
This photo was taken by a Hasselblad 500C medium format film camera and Carl Zeiss Planar 1:2.8 f=80 lens with a Kowa L39•3C(UV) ø67 filter + adapter using Kodak Portra 800 film, the negative scanned by an Epson Perfection V600 and digitalized with Photoshop.&lt;/div&gt;</description>
    <media:title>Last Dance</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/296949"&gt;Scott Holcomb&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/296949/53358318/in/group/25608"&gt;&lt;img src="https://cdn.ipernity.com/200/83/18/53358318.1a199156.240.jpg?r2" width="240" height="240" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;How could they refuse . . .&lt;br /&gt;
&lt;br /&gt;
This photo was taken by a Hasselblad 500C medium format film camera and Carl Zeiss Planar 1:2.8 f=80 lens with a Kowa L39•3C(UV) ø67 filter + adapter using Kodak Portra 800 film, the negative scanned by an Epson Perfection V600 and digitalized with Photoshop.&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/200/83/18/53358318.b7b5a16c.1024.jpg?r2" type="image/jpeg" width="1024" height="1024" duration="0" isDefault="true"  />
    <media:thumbnail url="https://cdn.ipernity.com/200/83/18/53358318.1a199156.240.jpg?r2" width="240" height="240"/>
    <media:thumbnail url="https://cdn.ipernity.com/200/83/18/53358318.1a199156.100.jpg?r2" width="100" height="100"/>
    <media:credit role="author">Scott Holcomb</media:credit>
  </item>
  <item>
    <title>Spring Bouquet</title>
    <link>https://www.ipernity.com/doc/296949/53356574/in/group/25608</link>
    <guid isPermaLink="false">tag:ipernity.com,2026-06-21,doc-53356574</guid>
    <pubDate>Sun, 21 Jun 2026 19:02:04 +0000</pubDate>
    <dc:date.created>2026-03-19T14:36:00-07:00</dc:date.created>
    <author>nobody@ipernity.com (Scott Holcomb)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/296949"&gt;Scott Holcomb&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/296949/53356574/in/group/25608"&gt;&lt;img src="https://cdn.ipernity.com/200/65/74/53356574.2d96ac3a.240.jpg?r2" width="240" height="240" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Ahhhh . . .&lt;br /&gt;
I thought you didn’t care!&lt;br /&gt;
&lt;br /&gt;
This photo was taken by a Hasselblad 500C medium format film camera and Carl Zeiss Distagon 1:4 f=50mm T* lens with a Hasselblad/63 1xHz-0 drop in filter using Kodak Ektar 100 film, the negative scanned by an Epson Perfection V600 and digitalized with Photoshop.&lt;/div&gt;</description>
    <media:title>Spring Bouquet</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/296949"&gt;Scott Holcomb&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/296949/53356574/in/group/25608"&gt;&lt;img src="https://cdn.ipernity.com/200/65/74/53356574.2d96ac3a.240.jpg?r2" width="240" height="240" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Ahhhh . . .&lt;br /&gt;
I thought you didn’t care!&lt;br /&gt;
&lt;br /&gt;
This photo was taken by a Hasselblad 500C medium format film camera and Carl Zeiss Distagon 1:4 f=50mm T* lens with a Hasselblad/63 1xHz-0 drop in filter using Kodak Ektar 100 film, the negative scanned by an Epson Perfection V600 and digitalized with Photoshop.&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/200/65/74/53356574.573ac9d6.1024.jpg?r2" type="image/jpeg" width="1024" height="1024" duration="0" isDefault="true"  />
    <media:thumbnail url="https://cdn.ipernity.com/200/65/74/53356574.2d96ac3a.240.jpg?r2" width="240" height="240"/>
    <media:thumbnail url="https://cdn.ipernity.com/200/65/74/53356574.2d96ac3a.100.jpg?r2" width="100" height="100"/>
    <media:credit role="author">Scott Holcomb</media:credit>
  </item>
  <item>
    <title>Defense</title>
    <link>https://www.ipernity.com/doc/296949/53351442/in/group/25608</link>
    <guid isPermaLink="false">tag:ipernity.com,2026-06-15,doc-53351442</guid>
    <pubDate>Mon, 15 Jun 2026 19:29:15 +0000</pubDate>
    <dc:date.created>2026-03-16T14:49:00-07:00</dc:date.created>
    <author>nobody@ipernity.com (Scott Holcomb)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/296949"&gt;Scott Holcomb&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/296949/53351442/in/group/25608"&gt;&lt;img src="https://cdn.ipernity.com/200/14/42/53351442.727103e7.240.jpg?r2" width="240" height="240" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;One of the added safety measures for picnickers to ensure peace and tranquility at the Presidio Parade Grounds is an effective defense against all intruders such as dogs, birds, insects and noisy children.&lt;br /&gt;
&lt;br /&gt;
This photo was taken by a Minolta Autocord Seikosha-MX (Chiyoko) TLR using Chiyoko Rokkor 75mm f/3.2 &amp; 3.5 lenses with a HOYA HMC 49mm O[G] filter attached to a 30mm to 49mm bayonet TLR adapter using Bergger Pancro 400 film, the negative scanned by an Epson Perfection V600 and digitalized by Photoshop.&lt;/div&gt;</description>
    <media:title>Defense</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/296949"&gt;Scott Holcomb&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/296949/53351442/in/group/25608"&gt;&lt;img src="https://cdn.ipernity.com/200/14/42/53351442.727103e7.240.jpg?r2" width="240" height="240" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;One of the added safety measures for picnickers to ensure peace and tranquility at the Presidio Parade Grounds is an effective defense against all intruders such as dogs, birds, insects and noisy children.&lt;br /&gt;
&lt;br /&gt;
This photo was taken by a Minolta Autocord Seikosha-MX (Chiyoko) TLR using Chiyoko Rokkor 75mm f/3.2 &amp; 3.5 lenses with a HOYA HMC 49mm O[G] filter attached to a 30mm to 49mm bayonet TLR adapter using Bergger Pancro 400 film, the negative scanned by an Epson Perfection V600 and digitalized by Photoshop.&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/200/14/42/53351442.2482fb53.1024.jpg?r2" type="image/jpeg" width="1024" height="1021" duration="0" isDefault="true"  />
    <media:thumbnail url="https://cdn.ipernity.com/200/14/42/53351442.727103e7.240.jpg?r2" width="240" height="240"/>
    <media:thumbnail url="https://cdn.ipernity.com/200/14/42/53351442.727103e7.100.jpg?r2" width="100" height="100"/>
    <media:credit role="author">Scott Holcomb</media:credit>
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