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  <title>Contributions of the group Asia Travel - Are You ?</title>
  <link>https://www.ipernity.com/group/25920/doc</link>
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    <title>Contributions of the group Asia Travel - Are You ?</title>
    <link>https://www.ipernity.com/group/25920/doc</link>
  </image>
  <description>This is created for Asia travellers and welcome to feel the difference !</description>
  <pubDate>Sun, 17 May 2026 13:22:40 +0000</pubDate>
  <lastBuildDate>Sun, 17 May 2026 13:22:40 +0000</lastBuildDate>
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    <title>auf dem Saturday Market in der &amp;#039;Wua Lai Road&amp;#039;  (© Buelipix)</title>
    <link>https://www.ipernity.com/doc/buelipix/53322538/in/group/25920</link>
    <guid isPermaLink="false">tag:ipernity.com,2026-05-13,doc-53322538</guid>
    <pubDate>Wed, 13 May 2026 04:56:39 +0000</pubDate>
    <dc:date.created>2026-02-21T17:14:46+02:00</dc:date.created>
    <author>nobody@ipernity.com (Buelipix)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/buelipix"&gt;Buelipix&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/buelipix/53322538/in/group/25920"&gt;&lt;img src="https://cdn.ipernity.com/200/25/38/53322538.dfe31191.240.jpg?r2" width="203" height="240" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Der &lt;b&gt;Saturday Market&lt;/b&gt;, einer der bekannten Märkte in Chiang Mai auf der Wua Lai Road, der -wie der Name vermuten lässt-  jedem Samstag von etwa 16 Uhr bis in die Abendstunden stattfindet. &lt;br /&gt;
&lt;br /&gt;
Für Touristen vielleicht etwas ungewohnt: &lt;br /&gt;
Auch auf dem Markt und wie (theoretisch) überall in Thailand in Parks, Bahnhöfen und öffentlichen Plätzen stehen um 18 Uhr alle Besucher still, es ertönt die 'Phleng Chat Thai', das Lied der thailändischen Nation (Nationalhymne).&lt;br /&gt;
&lt;br /&gt;
Mehr dazu unter' &lt;a href="https://thairanked.com/de/blogs/stop-national-anthem-thailand-8am-6pm/" target="_blank" rel="nofollow"&gt;Warum jeder um 8 Uhr und 18 Uhr für die Nationalhymne Thailands anhält?&lt;/a&gt;'.&lt;/div&gt;</description>
    <media:title>auf dem Saturday Market in der &amp;#039;Wua Lai Road&amp;#039;  (© Buelipix)</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/buelipix"&gt;Buelipix&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/buelipix/53322538/in/group/25920"&gt;&lt;img src="https://cdn.ipernity.com/200/25/38/53322538.dfe31191.240.jpg?r2" width="203" height="240" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Der &lt;b&gt;Saturday Market&lt;/b&gt;, einer der bekannten Märkte in Chiang Mai auf der Wua Lai Road, der -wie der Name vermuten lässt-  jedem Samstag von etwa 16 Uhr bis in die Abendstunden stattfindet. &lt;br /&gt;
&lt;br /&gt;
Für Touristen vielleicht etwas ungewohnt: &lt;br /&gt;
Auch auf dem Markt und wie (theoretisch) überall in Thailand in Parks, Bahnhöfen und öffentlichen Plätzen stehen um 18 Uhr alle Besucher still, es ertönt die 'Phleng Chat Thai', das Lied der thailändischen Nation (Nationalhymne).&lt;br /&gt;
&lt;br /&gt;
Mehr dazu unter' &lt;a href="https://thairanked.com/de/blogs/stop-national-anthem-thailand-8am-6pm/" target="_blank" rel="nofollow"&gt;Warum jeder um 8 Uhr und 18 Uhr für die Nationalhymne Thailands anhält?&lt;/a&gt;'.&lt;/div&gt;</media:text>
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    <media:thumbnail url="https://cdn.ipernity.com/200/25/38/53322538.dfe31191.240.jpg?r2" width="203" height="240"/>
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  </item>
  <item>
    <title>Way of Tea 茶道</title>
    <link>https://www.ipernity.com/doc/havran/5344109/in/group/25920</link>
    <guid isPermaLink="false">tag:ipernity.com,2009-07-09,doc-5344109</guid>
    <pubDate>Thu, 09 Jul 2009 10:43:25 +0000</pubDate>
    <dc:date.created>2009-02-06T14:43:36+02:00</dc:date.created>
    <author>nobody@ipernity.com (m̌ ḫ)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/havran"&gt;m̌ ḫ&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/havran/5344109/in/group/25920"&gt;&lt;img src="https://cdn.ipernity.com/111/41/09/5344109.7c3d00b1.240.jpg?r2" width="240" height="135" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Chinese tea ceremony, as evoked by this stage performance, is less a fixed “ritual code” than a theatrical distillation of values that evolved around gongfu cha in South China from the late Ming, and especially the Qing, period. At its core lies the idea that tea reveals character: historically, southern literati used meticulous brewing and tasting sessions to judge not only the leaves but also a host’s refinement, self‑control, and sensitivity to timing, temperature, and social nuance. &lt;br /&gt;
&lt;br /&gt;
Modern tea‑art performances (茶艺表演) turn this ethos into choreography, with schools systematising gestures, cup arrangements, and even hand positions to visually embody harmony, respect, purity, and tranquillity in a way an audience can read at a glance. The music, costume, and stylised slowness are less survivals of a single dynasty than contemporary inventions that compress centuries of practice into a few minutes on stage, making the “Way of Tea” intelligible to tourists, students, and urban Chinese who seldom drink tea this way at home. &lt;br /&gt;
&lt;br /&gt;
In doing so, this performative branch has helped propel gongfu cha into the realm of “intangible cultural heritage” and onto the global stage, turning what began as a regional oolong‑brewing method into a widely recognised emblem of Chinese elegance, often contrasted with the more codified, Zen‑inflected Japanese tea ceremony.&lt;/div&gt;</description>
    <media:title>Way of Tea 茶道</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/havran"&gt;m̌ ḫ&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/havran/5344109/in/group/25920"&gt;&lt;img src="https://cdn.ipernity.com/111/41/09/5344109.7c3d00b1.240.jpg?r2" width="240" height="135" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Chinese tea ceremony, as evoked by this stage performance, is less a fixed “ritual code” than a theatrical distillation of values that evolved around gongfu cha in South China from the late Ming, and especially the Qing, period. At its core lies the idea that tea reveals character: historically, southern literati used meticulous brewing and tasting sessions to judge not only the leaves but also a host’s refinement, self‑control, and sensitivity to timing, temperature, and social nuance. &lt;br /&gt;
&lt;br /&gt;
Modern tea‑art performances (茶艺表演) turn this ethos into choreography, with schools systematising gestures, cup arrangements, and even hand positions to visually embody harmony, respect, purity, and tranquillity in a way an audience can read at a glance. The music, costume, and stylised slowness are less survivals of a single dynasty than contemporary inventions that compress centuries of practice into a few minutes on stage, making the “Way of Tea” intelligible to tourists, students, and urban Chinese who seldom drink tea this way at home. &lt;br /&gt;
&lt;br /&gt;
In doing so, this performative branch has helped propel gongfu cha into the realm of “intangible cultural heritage” and onto the global stage, turning what began as a regional oolong‑brewing method into a widely recognised emblem of Chinese elegance, often contrasted with the more codified, Zen‑inflected Japanese tea ceremony.&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/111/41/09/5344109.3752c303.1024.jpg?r2" type="image/jpeg" width="1024" height="576" duration="0" isDefault="true"  />
    <media:thumbnail url="https://cdn.ipernity.com/111/41/09/5344109.7c3d00b1.240.jpg?r2" width="240" height="135"/>
    <media:thumbnail url="https://cdn.ipernity.com/111/41/09/5344109.7c3d00b1.100.jpg?r2" width="100" height="57"/>
    <media:credit role="author">m̌ ḫ</media:credit>
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  <item>
    <title>unterwegs im Elephant Nature Park (© Buelipix)</title>
    <link>https://www.ipernity.com/doc/buelipix/53317420/in/group/25920</link>
    <guid isPermaLink="false">tag:ipernity.com,2026-05-08,doc-53317420</guid>
    <pubDate>Fri, 08 May 2026 15:01:49 +0000</pubDate>
    <dc:date.created>2026-02-21T10:43:40+02:00</dc:date.created>
    <author>nobody@ipernity.com (Buelipix)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/buelipix"&gt;Buelipix&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/buelipix/53317420/in/group/25920"&gt;&lt;img src="https://cdn.ipernity.com/200/74/20/53317420.101f41b0.240.jpg?r2" width="240" height="135" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Im &lt;b&gt;Elephant Rescue Park&lt;/b&gt; in der Nähe von Chiang Mai.&lt;br /&gt;
In Elephant Rescue Park können sich die Elefanten mehr oder weniger frei bewegen, auf grosse Shows* wird verzichtet. Dafür können Besucher mit den Elefanten spazieren, ein paar Kleinigkeiten zum Fressen zustecken und mit ihnen baden gehen, alles unter Aufsicht von Mahouts (Elefantenbetreuer), die ihre Elefanten genau kennt**.&lt;br /&gt;
&lt;br /&gt;
Hier gehts zur Website vom 'Elephant Rescue Park': &lt;a href="https://elephantrescuepark.com/" target="_blank" rel="nofollow"&gt;https://elephantrescuepark.com/&lt;/a&gt;&lt;br /&gt;
&lt;br /&gt;
Parks werben mit Schlagwörtern wie 'Ethical Elephant Sanctuary' und ähnlichem, da darf man einerseits oft nicht 'hinter die Kulissen' schauen und andererseits ist der Ausdruck 'ethisch/ethical' unter Umständen ein weiter Begriff ...  vergl. dazu auch den Hinweis 'Aber' weiter unten ...&lt;br /&gt;
&lt;br /&gt;
*Vor allem in der Nähe von Touristenzentren wie Chiang Mai oder Phuket werden (leider noch immer) Elefanten-Shows wie Baumstämme schleppen, Fussballspielen mit den Tieren, Malen etc. und als Höhepunkt Elefantenreiten angeboten.&lt;br /&gt;
Die Tiere in solchen Parks leben in der Regel in Ketten und unter schlechten Bedingungen, werden mit Elefantenhaken***, Eisenstangen und Schlägen zu irgendwas gezwungen was sie nicht wollen usw. (vor ein paar Jahren selber in Thailand und auch Nepal gesehen) – da ist schon einiges besser geworden ...&lt;br /&gt;
&lt;br /&gt;
**Mahout: siehe unter &lt;a href="https://de.wikipedia.org/wiki/Mahut" target="_blank" rel="nofollow"&gt;wikipedia ... Mahout&lt;/a&gt;  &lt;br /&gt;
&lt;br /&gt;
***Elefantenhaken: siehe unter &lt;a href="https://www.peta.de/themen/elefantenhaken/" target="_blank" rel="nofollow"&gt;www.peta.de ... Elefantenhaken&lt;/a&gt;        &lt;br /&gt;
______&lt;br /&gt;
&lt;br /&gt;
&lt;red&gt;&lt;i&gt;&lt;b&gt;Aber:&lt;/b&gt;&lt;/i&gt;&lt;/red&gt; &lt;br /&gt;
&lt;i&gt;Wir hatten bereits im Voraus von zu Hause aus den Ausflug zum 'Elephant Nature Park' gebucht: In den Unterlagen der Agentur (mit Sitz in Berlin und guten Bewertungen auf verschiedenen Portalen, keine xy-Agentur) wurde ein Besuch im 'Elephant Nature Park' angeboten ... leider war's dann ein Ausflug in den 'Elephant Rescue Park', der zwar auch interessant, aber eben nicht das Elefantenrettungs- und Rehabilitationszentrum von 'Saengduean Chailert' war, der mich sehr interessiert hätte und einer der wenigen Parks ist, in dem eine ethische Haltung von Elefanten garantiert und durch den Staat und diversen Tierschutzorganisationen kontrolliert wird. Im besuchten Park leben die Elefanten auch unter besseren Bedingungen als früher, aber beim Füttern der Tiere durch und dem Baden mit Touristen muss einfach ein grosses Fragezeichen gemacht werden. Dies entspricht nicht dem natürlichen Umgang den die Elefanten sonst pflegen.&lt;/i&gt; &lt;br /&gt;
&lt;br /&gt;
&lt;i&gt;Hier gehts zur Website des 'Elephant Nature Parks': &lt;br /&gt;
&lt;a href="https://www.elephantnaturepark.org/" target="_blank" rel="nofollow"&gt;https://www.elephantnaturepark.org/&lt;/a&gt;&lt;/i&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;i&gt;Siehe auch unter&lt;/i&gt; &lt;br /&gt;
&lt;i&gt;&lt;a href="https://www.saveelephant.org/our-founder/" target="_blank" rel="nofollow"&gt;https://www.saveelephant.org/our-founder/&lt;/a&gt;&lt;/i&gt;&lt;br /&gt;
&lt;i&gt;und&lt;/i&gt; &lt;br /&gt;
&lt;i&gt;&lt;a href="https://en.wikipedia.org/wiki/Sangduen_Chailert" target="_blank" rel="nofollow"&gt;https://en.wikipedia.org/wiki/Sangduen_Chailert&lt;/a&gt;&lt;/i&gt;&lt;/div&gt;</description>
    <media:title>unterwegs im Elephant Nature Park (© Buelipix)</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/buelipix"&gt;Buelipix&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/buelipix/53317420/in/group/25920"&gt;&lt;img src="https://cdn.ipernity.com/200/74/20/53317420.101f41b0.240.jpg?r2" width="240" height="135" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Im &lt;b&gt;Elephant Rescue Park&lt;/b&gt; in der Nähe von Chiang Mai.&lt;br /&gt;
In Elephant Rescue Park können sich die Elefanten mehr oder weniger frei bewegen, auf grosse Shows* wird verzichtet. Dafür können Besucher mit den Elefanten spazieren, ein paar Kleinigkeiten zum Fressen zustecken und mit ihnen baden gehen, alles unter Aufsicht von Mahouts (Elefantenbetreuer), die ihre Elefanten genau kennt**.&lt;br /&gt;
&lt;br /&gt;
Hier gehts zur Website vom 'Elephant Rescue Park': &lt;a href="https://elephantrescuepark.com/" target="_blank" rel="nofollow"&gt;https://elephantrescuepark.com/&lt;/a&gt;&lt;br /&gt;
&lt;br /&gt;
Parks werben mit Schlagwörtern wie 'Ethical Elephant Sanctuary' und ähnlichem, da darf man einerseits oft nicht 'hinter die Kulissen' schauen und andererseits ist der Ausdruck 'ethisch/ethical' unter Umständen ein weiter Begriff ...  vergl. dazu auch den Hinweis 'Aber' weiter unten ...&lt;br /&gt;
&lt;br /&gt;
*Vor allem in der Nähe von Touristenzentren wie Chiang Mai oder Phuket werden (leider noch immer) Elefanten-Shows wie Baumstämme schleppen, Fussballspielen mit den Tieren, Malen etc. und als Höhepunkt Elefantenreiten angeboten.&lt;br /&gt;
Die Tiere in solchen Parks leben in der Regel in Ketten und unter schlechten Bedingungen, werden mit Elefantenhaken***, Eisenstangen und Schlägen zu irgendwas gezwungen was sie nicht wollen usw. (vor ein paar Jahren selber in Thailand und auch Nepal gesehen) – da ist schon einiges besser geworden ...&lt;br /&gt;
&lt;br /&gt;
**Mahout: siehe unter &lt;a href="https://de.wikipedia.org/wiki/Mahut" target="_blank" rel="nofollow"&gt;wikipedia ... Mahout&lt;/a&gt;  &lt;br /&gt;
&lt;br /&gt;
***Elefantenhaken: siehe unter &lt;a href="https://www.peta.de/themen/elefantenhaken/" target="_blank" rel="nofollow"&gt;www.peta.de ... Elefantenhaken&lt;/a&gt;        &lt;br /&gt;
______&lt;br /&gt;
&lt;br /&gt;
&lt;red&gt;&lt;i&gt;&lt;b&gt;Aber:&lt;/b&gt;&lt;/i&gt;&lt;/red&gt; &lt;br /&gt;
&lt;i&gt;Wir hatten bereits im Voraus von zu Hause aus den Ausflug zum 'Elephant Nature Park' gebucht: In den Unterlagen der Agentur (mit Sitz in Berlin und guten Bewertungen auf verschiedenen Portalen, keine xy-Agentur) wurde ein Besuch im 'Elephant Nature Park' angeboten ... leider war's dann ein Ausflug in den 'Elephant Rescue Park', der zwar auch interessant, aber eben nicht das Elefantenrettungs- und Rehabilitationszentrum von 'Saengduean Chailert' war, der mich sehr interessiert hätte und einer der wenigen Parks ist, in dem eine ethische Haltung von Elefanten garantiert und durch den Staat und diversen Tierschutzorganisationen kontrolliert wird. Im besuchten Park leben die Elefanten auch unter besseren Bedingungen als früher, aber beim Füttern der Tiere durch und dem Baden mit Touristen muss einfach ein grosses Fragezeichen gemacht werden. Dies entspricht nicht dem natürlichen Umgang den die Elefanten sonst pflegen.&lt;/i&gt; &lt;br /&gt;
&lt;br /&gt;
&lt;i&gt;Hier gehts zur Website des 'Elephant Nature Parks': &lt;br /&gt;
&lt;a href="https://www.elephantnaturepark.org/" target="_blank" rel="nofollow"&gt;https://www.elephantnaturepark.org/&lt;/a&gt;&lt;/i&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;i&gt;Siehe auch unter&lt;/i&gt; &lt;br /&gt;
&lt;i&gt;&lt;a href="https://www.saveelephant.org/our-founder/" target="_blank" rel="nofollow"&gt;https://www.saveelephant.org/our-founder/&lt;/a&gt;&lt;/i&gt;&lt;br /&gt;
&lt;i&gt;und&lt;/i&gt; &lt;br /&gt;
&lt;i&gt;&lt;a href="https://en.wikipedia.org/wiki/Sangduen_Chailert" target="_blank" rel="nofollow"&gt;https://en.wikipedia.org/wiki/Sangduen_Chailert&lt;/a&gt;&lt;/i&gt;&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/200/74/20/53317420.8d38f527.1024.jpg?r2" type="image/jpeg" width="1024" height="576" duration="0" isDefault="true"  />
    <media:thumbnail url="https://cdn.ipernity.com/200/74/20/53317420.101f41b0.240.jpg?r2" width="240" height="135"/>
    <media:thumbnail url="https://cdn.ipernity.com/200/74/20/53317420.101f41b0.100.jpg?r2" width="100" height="57"/>
    <media:credit role="author">Buelipix</media:credit>
  </item>
  <item>
    <title>Solitude Under Jomolhari</title>
    <link>https://www.ipernity.com/doc/havran/45178832/in/group/25920</link>
    <guid isPermaLink="false">tag:ipernity.com,2026-05-07,doc-45178832</guid>
    <pubDate>Thu, 07 May 2026 10:44:29 +0000</pubDate>
    <dc:date.created>2017-07-02T23:38:59+05:30</dc:date.created>
    <author>nobody@ipernity.com (m̌ ḫ)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/havran"&gt;m̌ ḫ&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/havran/45178832/in/group/25920"&gt;&lt;img src="https://cdn.ipernity.com/200/88/32/45178832.46550b67.240.jpg?r2" width="240" height="160" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Bhutan is often overlooked — its carefully managed tourism and mandatory daily fees push many travelers toward the “free” alternatives across the Himalayas. But those who skip it miss something rare. This journey was one of those quiet rewards.&lt;br /&gt;
&lt;br /&gt;
We spent six days trekking across high terrain, crossing three passes above 4,000 meters, moving through landscapes that feel both vast and deeply personal. Nights were spent under the shadow of Jomolhari (7,326 m), Bhutan’s second-highest peak, rising with a presence that is both imposing and serene.&lt;br /&gt;
&lt;br /&gt;
What stayed with us just as much as the mountains was the absence of crowds. Over those days, we encountered almost no tourists—just a few solitary trekkers here and there—leaving long stretches of silence and a rare sense of solitude.&lt;br /&gt;
&lt;br /&gt;
There is a certain stillness in Bhutan—not just in its mountains, but in its approach to the world. This trek was not only about altitude or distance, but about stepping, briefly, into that different rhythm.&lt;/div&gt;</description>
    <media:title>Solitude Under Jomolhari</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/havran"&gt;m̌ ḫ&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/havran/45178832/in/group/25920"&gt;&lt;img src="https://cdn.ipernity.com/200/88/32/45178832.46550b67.240.jpg?r2" width="240" height="160" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Bhutan is often overlooked — its carefully managed tourism and mandatory daily fees push many travelers toward the “free” alternatives across the Himalayas. But those who skip it miss something rare. This journey was one of those quiet rewards.&lt;br /&gt;
&lt;br /&gt;
We spent six days trekking across high terrain, crossing three passes above 4,000 meters, moving through landscapes that feel both vast and deeply personal. Nights were spent under the shadow of Jomolhari (7,326 m), Bhutan’s second-highest peak, rising with a presence that is both imposing and serene.&lt;br /&gt;
&lt;br /&gt;
What stayed with us just as much as the mountains was the absence of crowds. Over those days, we encountered almost no tourists—just a few solitary trekkers here and there—leaving long stretches of silence and a rare sense of solitude.&lt;br /&gt;
&lt;br /&gt;
There is a certain stillness in Bhutan—not just in its mountains, but in its approach to the world. This trek was not only about altitude or distance, but about stepping, briefly, into that different rhythm.&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/200/88/32/45178832.94515847.1024.jpg?r2" type="image/jpeg" width="1024" height="683" duration="0" isDefault="true"  />
    <media:thumbnail url="https://cdn.ipernity.com/200/88/32/45178832.46550b67.240.jpg?r2" width="240" height="160"/>
    <media:thumbnail url="https://cdn.ipernity.com/200/88/32/45178832.46550b67.100.jpg?r2" width="100" height="67"/>
    <media:credit role="author">m̌ ḫ</media:credit>
  </item>
  <item>
    <title>nordthailändische Fon-Tänzerin ... P.i.P. (© Buelipix)</title>
    <link>https://www.ipernity.com/doc/buelipix/53312848/in/group/25920</link>
    <guid isPermaLink="false">tag:ipernity.com,2026-05-03,doc-53312848</guid>
    <pubDate>Sun, 03 May 2026 13:14:36 +0000</pubDate>
    <dc:date.created>2026-02-20T19:31:37+02:00</dc:date.created>
    <author>nobody@ipernity.com (Buelipix)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/buelipix"&gt;Buelipix&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/buelipix/53312848/in/group/25920"&gt;&lt;img src="https://cdn.ipernity.com/200/28/48/53312848.068c507a.240.jpg?r2" width="240" height="173" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;&lt;b&gt;Fon&lt;/b&gt;, eine Form des Volkstanzes in Nordthailand, begleitet von der Volksmusik der jeweiligen Region. Der erste Fon entstand in Chiang Mai.&lt;/div&gt;</description>
    <media:title>nordthailändische Fon-Tänzerin ... P.i.P. (© Buelipix)</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/buelipix"&gt;Buelipix&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/buelipix/53312848/in/group/25920"&gt;&lt;img src="https://cdn.ipernity.com/200/28/48/53312848.068c507a.240.jpg?r2" width="240" height="173" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;&lt;b&gt;Fon&lt;/b&gt;, eine Form des Volkstanzes in Nordthailand, begleitet von der Volksmusik der jeweiligen Region. Der erste Fon entstand in Chiang Mai.&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/200/28/48/53312848.8312944d.1024.jpg?r2" type="image/jpeg" width="1024" height="737" duration="0" isDefault="true"  />
    <media:thumbnail url="https://cdn.ipernity.com/200/28/48/53312848.068c507a.240.jpg?r2" width="240" height="173"/>
    <media:thumbnail url="https://cdn.ipernity.com/200/28/48/53312848.068c507a.100.jpg?r2" width="100" height="72"/>
    <media:credit role="author">Buelipix</media:credit>
  </item>
  <item>
    <title>Fon Lep ... P.i.P. (© Buelipix)</title>
    <link>https://www.ipernity.com/doc/buelipix/53312842/in/group/25920</link>
    <guid isPermaLink="false">tag:ipernity.com,2026-05-03,doc-53312842</guid>
    <pubDate>Sun, 03 May 2026 13:14:34 +0000</pubDate>
    <dc:date.created>2026-02-20T19:19:08+02:00</dc:date.created>
    <author>nobody@ipernity.com (Buelipix)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/buelipix"&gt;Buelipix&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/buelipix/53312842/in/group/25920"&gt;&lt;img src="https://cdn.ipernity.com/200/28/42/53312842.1550eebe.240.jpg?r2" width="240" height="160" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;&lt;b&gt;Fon Lep&lt;/b&gt; (dt.: Fingernageltanz), ein nordthailändischer Tanzstil, bei dem die Tänzerinnen etwa 15 cm lange Fingernägel aus Messing tragen. &lt;br /&gt;
Die langen Nägel betonen die Fingerbewegungen, dazu tragen die Tänzerinnen ihr Haar zu einem sog. Chignon hochgesteckt und ein Diadem aus Jasminblüten. &lt;br /&gt;
Es ist ein langsamer, sehr synchroner Tanz, der oft in Gruppen aufgeführt wird.&lt;/div&gt;</description>
    <media:title>Fon Lep ... P.i.P. (© Buelipix)</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/buelipix"&gt;Buelipix&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/buelipix/53312842/in/group/25920"&gt;&lt;img src="https://cdn.ipernity.com/200/28/42/53312842.1550eebe.240.jpg?r2" width="240" height="160" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;&lt;b&gt;Fon Lep&lt;/b&gt; (dt.: Fingernageltanz), ein nordthailändischer Tanzstil, bei dem die Tänzerinnen etwa 15 cm lange Fingernägel aus Messing tragen. &lt;br /&gt;
Die langen Nägel betonen die Fingerbewegungen, dazu tragen die Tänzerinnen ihr Haar zu einem sog. Chignon hochgesteckt und ein Diadem aus Jasminblüten. &lt;br /&gt;
Es ist ein langsamer, sehr synchroner Tanz, der oft in Gruppen aufgeführt wird.&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/200/28/42/53312842.9fdf7862.1024.jpg?r2" type="image/jpeg" width="1024" height="683" duration="0" isDefault="true"  />
    <media:thumbnail url="https://cdn.ipernity.com/200/28/42/53312842.1550eebe.240.jpg?r2" width="240" height="160"/>
    <media:thumbnail url="https://cdn.ipernity.com/200/28/42/53312842.1550eebe.100.jpg?r2" width="100" height="67"/>
    <media:credit role="author">Buelipix</media:credit>
  </item>
  <item>
    <title>Wat Phra That Doi Suthep ... P.i.P. (© Buelipix)</title>
    <link>https://www.ipernity.com/doc/buelipix/53308366/in/group/25920</link>
    <guid isPermaLink="false">tag:ipernity.com,2026-04-28,doc-53308366</guid>
    <pubDate>Tue, 28 Apr 2026 15:04:00 +0000</pubDate>
    <dc:date.created>2026-02-20T09:14:32+02:00</dc:date.created>
    <author>nobody@ipernity.com (Buelipix)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/buelipix"&gt;Buelipix&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/buelipix/53308366/in/group/25920"&gt;&lt;img src="https://cdn.ipernity.com/200/83/66/53308366.c738b5a1.240.jpg?r2" width="240" height="160" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;&lt;/div&gt;</description>
    <media:title>Wat Phra That Doi Suthep ... P.i.P. (© Buelipix)</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/buelipix"&gt;Buelipix&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/buelipix/53308366/in/group/25920"&gt;&lt;img src="https://cdn.ipernity.com/200/83/66/53308366.c738b5a1.240.jpg?r2" width="240" height="160" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/200/83/66/53308366.7695232c.1024.jpg?r2" type="image/jpeg" width="1024" height="683" duration="0" isDefault="true"  />
    <media:thumbnail url="https://cdn.ipernity.com/200/83/66/53308366.c738b5a1.240.jpg?r2" width="240" height="160"/>
    <media:thumbnail url="https://cdn.ipernity.com/200/83/66/53308366.c738b5a1.100.jpg?r2" width="100" height="67"/>
    <media:credit role="author">Buelipix</media:credit>
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  <item>
    <title>Kopflasten XXVI</title>
    <link>https://www.ipernity.com/doc/2665304/53312512/in/group/25920</link>
    <guid isPermaLink="false">tag:ipernity.com,2026-05-03,doc-53312512</guid>
    <pubDate>Sun, 03 May 2026 07:46:29 +0000</pubDate>
    <dc:date.created>2015-10-18T13:00:51+02:00</dc:date.created>
    <author>nobody@ipernity.com (Günter Diel)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/2665304"&gt;Günter Diel&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/2665304/53312512/in/group/25920"&gt;&lt;img src="https://cdn.ipernity.com/200/25/12/53312512.beae7e28.240.jpg?r2" width="175" height="240" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;U Bein Bridge, Amarapura, Myanmar, Oktober 2015&lt;/div&gt;</description>
    <media:title>Kopflasten XXVI</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/2665304"&gt;Günter Diel&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/2665304/53312512/in/group/25920"&gt;&lt;img src="https://cdn.ipernity.com/200/25/12/53312512.beae7e28.240.jpg?r2" width="175" height="240" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;U Bein Bridge, Amarapura, Myanmar, Oktober 2015&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/200/25/12/53312512.69f2c91e.1024.jpg?r2" type="image/jpeg" width="745" height="1024" duration="0" isDefault="true"  />
    <media:thumbnail url="https://cdn.ipernity.com/200/25/12/53312512.beae7e28.240.jpg?r2" width="175" height="240"/>
    <media:thumbnail url="https://cdn.ipernity.com/200/25/12/53312512.beae7e28.100.jpg?r2" width="73" height="100"/>
    <media:credit role="author">Günter Diel</media:credit>
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  <item>
    <title>The joy of a phone</title>
    <link>https://www.ipernity.com/doc/tigerlily5141/53305992/in/group/25920</link>
    <guid isPermaLink="false">tag:ipernity.com,2026-04-25,doc-53305992</guid>
    <pubDate>Sat, 25 Apr 2026 12:57:22 +0000</pubDate>
    <dc:date.created>2026-03-12T19:29:26+10:00</dc:date.created>
    <author>nobody@ipernity.com (Diana Australis)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/tigerlily5141"&gt;Diana Australis&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/tigerlily5141/53305992/in/group/25920"&gt;&lt;img src="https://cdn.ipernity.com/200/59/92/53305992.a981bf36.240.jpg?r2" width="240" height="160" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;In Urumqi, Xinjiang - China, 4 young Uighur food stall attendants are motionless at the tandoor, engrossed in their phones.&lt;br /&gt;
Phones have replaced cash in China and everything is technologically advanced. &lt;br /&gt;
Passport numbers or identity card numbers do all the work of tickets. If you catch a train( tickets are pre-booked) or enter a ticketed tourist spot, your entry is by scanning your passport or identity document.&lt;br /&gt;
It was -17°outside, so I momentarily envied them draped around the hot tandoori oven!&lt;/div&gt;</description>
    <media:title>The joy of a phone</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/tigerlily5141"&gt;Diana Australis&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/tigerlily5141/53305992/in/group/25920"&gt;&lt;img src="https://cdn.ipernity.com/200/59/92/53305992.a981bf36.240.jpg?r2" width="240" height="160" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;In Urumqi, Xinjiang - China, 4 young Uighur food stall attendants are motionless at the tandoor, engrossed in their phones.&lt;br /&gt;
Phones have replaced cash in China and everything is technologically advanced. &lt;br /&gt;
Passport numbers or identity card numbers do all the work of tickets. If you catch a train( tickets are pre-booked) or enter a ticketed tourist spot, your entry is by scanning your passport or identity document.&lt;br /&gt;
It was -17°outside, so I momentarily envied them draped around the hot tandoori oven!&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/200/59/92/53305992.a981bf36.560.jpg?r2" type="image/jpeg" width="560" height="374" duration="0" isDefault="true"  />
    <media:thumbnail url="https://cdn.ipernity.com/200/59/92/53305992.a981bf36.240.jpg?r2" width="240" height="160"/>
    <media:thumbnail url="https://cdn.ipernity.com/200/59/92/53305992.a981bf36.100.jpg?r2" width="100" height="67"/>
    <media:credit role="author">Diana Australis</media:credit>
  </item>
  <item>
    <title>Hanoi, a city on lakes</title>
    <link>https://www.ipernity.com/doc/havran/53310962/in/group/25920</link>
    <guid isPermaLink="false">tag:ipernity.com,2026-05-01,doc-53310962</guid>
    <pubDate>Fri, 01 May 2026 14:06:47 +0000</pubDate>
    <dc:date.created>2026-04-17T16:35:30+02:00</dc:date.created>
    <author>nobody@ipernity.com (m̌ ḫ)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/havran"&gt;m̌ ḫ&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/havran/53310962/in/group/25920"&gt;&lt;img src="https://cdn.ipernity.com/200/09/62/53310962.b28b6d09.240.jpg?r2" width="159" height="240" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;&lt;/div&gt;</description>
    <media:title>Hanoi, a city on lakes</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/havran"&gt;m̌ ḫ&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/havran/53310962/in/group/25920"&gt;&lt;img src="https://cdn.ipernity.com/200/09/62/53310962.b28b6d09.240.jpg?r2" width="159" height="240" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/200/09/62/53310962.cb0c8069.1024.jpg?r2" type="image/jpeg" width="679" height="1024" duration="0" isDefault="true"  />
    <media:thumbnail url="https://cdn.ipernity.com/200/09/62/53310962.b28b6d09.240.jpg?r2" width="159" height="240"/>
    <media:thumbnail url="https://cdn.ipernity.com/200/09/62/53310962.b28b6d09.100.jpg?r2" width="67" height="100"/>
    <media:credit role="author">m̌ ḫ</media:credit>
  </item>
  <item>
    <title>Life on the water</title>
    <link>https://www.ipernity.com/doc/havran/53308446/in/group/25920</link>
    <guid isPermaLink="false">tag:ipernity.com,2026-04-28,doc-53308446</guid>
    <pubDate>Tue, 28 Apr 2026 17:17:15 +0000</pubDate>
    <dc:date.created>2026-04-17T16:37:02+02:00</dc:date.created>
    <author>nobody@ipernity.com (m̌ ḫ)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/havran"&gt;m̌ ḫ&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/havran/53308446/in/group/25920"&gt;&lt;img src="https://cdn.ipernity.com/200/84/46/53308446.93310e46.240.jpg?r2" width="240" height="159" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;How lovely how this feels like a memory from Vietnam itself: the nón lá silhouettes, the river and the soft haze are kept intact, while the gentle scars of expired film and age give the scene an almost dreamlike authenticity rather than a ‘perfect’ digital look.&lt;/div&gt;</description>
    <media:title>Life on the water</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/havran"&gt;m̌ ḫ&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/havran/53308446/in/group/25920"&gt;&lt;img src="https://cdn.ipernity.com/200/84/46/53308446.93310e46.240.jpg?r2" width="240" height="159" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;How lovely how this feels like a memory from Vietnam itself: the nón lá silhouettes, the river and the soft haze are kept intact, while the gentle scars of expired film and age give the scene an almost dreamlike authenticity rather than a ‘perfect’ digital look.&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/200/84/46/53308446.08b4525d.1024.jpg?r2" type="image/jpeg" width="1024" height="679" duration="0" isDefault="true"  />
    <media:thumbnail url="https://cdn.ipernity.com/200/84/46/53308446.93310e46.240.jpg?r2" width="240" height="159"/>
    <media:thumbnail url="https://cdn.ipernity.com/200/84/46/53308446.93310e46.100.jpg?r2" width="100" height="67"/>
    <media:credit role="author">m̌ ḫ</media:credit>
  </item>
  <item>
    <title>... Köpfe bitte einziehen ... (© Buelipix)</title>
    <link>https://www.ipernity.com/doc/buelipix/53290330/in/group/25920</link>
    <guid isPermaLink="false">tag:ipernity.com,2026-04-05,doc-53290330</guid>
    <pubDate>Sun, 05 Apr 2026 15:31:40 +0000</pubDate>
    <dc:date.created>2026-02-16T11:14:05+02:00</dc:date.created>
    <author>nobody@ipernity.com (Buelipix)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/buelipix"&gt;Buelipix&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/buelipix/53290330/in/group/25920"&gt;&lt;img src="https://cdn.ipernity.com/200/03/30/53290330.1d57334f.240.jpg?r2" width="240" height="160" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;&lt;red&gt;please press "z" for large view&lt;/red&gt;&lt;br /&gt;
&lt;br /&gt;
Hier geht's noch zu einem Video betreffend dem 'Mae Klong Eisenbahnmarkt' von 'Great Big Story':&lt;br /&gt;
 &lt;a href="https://www.youtube.com/watch?v=2sxuAm569IY" target="_blank" rel="nofollow"&gt;www.youtube.com ... Watch a Train Run Through Thailand’s Most Dangerous Market&lt;/a&gt;&lt;/div&gt;</description>
    <media:title>... Köpfe bitte einziehen ... (© Buelipix)</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/buelipix"&gt;Buelipix&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/buelipix/53290330/in/group/25920"&gt;&lt;img src="https://cdn.ipernity.com/200/03/30/53290330.1d57334f.240.jpg?r2" width="240" height="160" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;&lt;red&gt;please press "z" for large view&lt;/red&gt;&lt;br /&gt;
&lt;br /&gt;
Hier geht's noch zu einem Video betreffend dem 'Mae Klong Eisenbahnmarkt' von 'Great Big Story':&lt;br /&gt;
 &lt;a href="https://www.youtube.com/watch?v=2sxuAm569IY" target="_blank" rel="nofollow"&gt;www.youtube.com ... Watch a Train Run Through Thailand’s Most Dangerous Market&lt;/a&gt;&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/200/03/30/53290330.7605b009.1024.jpg?r2" type="image/jpeg" width="1024" height="683" duration="0" isDefault="true"  />
    <media:thumbnail url="https://cdn.ipernity.com/200/03/30/53290330.1d57334f.240.jpg?r2" width="240" height="160"/>
    <media:thumbnail url="https://cdn.ipernity.com/200/03/30/53290330.1d57334f.100.jpg?r2" width="100" height="67"/>
    <media:credit role="author">Buelipix</media:credit>
  </item>
  <item>
    <title>What you can spot from a ship</title>
    <link>https://www.ipernity.com/doc/havran/53306832/in/group/25920</link>
    <guid isPermaLink="false">tag:ipernity.com,2026-04-26,doc-53306832</guid>
    <pubDate>Sun, 26 Apr 2026 17:56:43 +0000</pubDate>
    <dc:date.created>2026-04-17T16:36:36+02:00</dc:date.created>
    <author>nobody@ipernity.com (m̌ ḫ)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/havran"&gt;m̌ ḫ&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/havran/53306832/in/group/25920"&gt;&lt;img src="https://cdn.ipernity.com/200/68/32/53306832.c51e910b.240.jpg?r2" width="240" height="159" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Different perspective from my previous post—this time focusing on a single karst formation's sculptural presence. Shot on expired stock, which adds those characteristic color shifts and grain that somehow fit these ancient limestone pillars. The film's chemical degradation creates unpredictable results frame-to-frame, making each shot unique. Love how the waterline erosion patterns show clearly here, while background formations fade into atmospheric haze.&lt;/div&gt;</description>
    <media:title>What you can spot from a ship</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/havran"&gt;m̌ ḫ&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/havran/53306832/in/group/25920"&gt;&lt;img src="https://cdn.ipernity.com/200/68/32/53306832.c51e910b.240.jpg?r2" width="240" height="159" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Different perspective from my previous post—this time focusing on a single karst formation's sculptural presence. Shot on expired stock, which adds those characteristic color shifts and grain that somehow fit these ancient limestone pillars. The film's chemical degradation creates unpredictable results frame-to-frame, making each shot unique. Love how the waterline erosion patterns show clearly here, while background formations fade into atmospheric haze.&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/200/68/32/53306832.25b1cb16.1024.jpg?r2" type="image/jpeg" width="1024" height="679" duration="0" isDefault="true"  />
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  <item>
    <title>Halong Bay</title>
    <link>https://www.ipernity.com/doc/havran/53306718/in/group/25920</link>
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    <pubDate>Sun, 26 Apr 2026 11:32:08 +0000</pubDate>
    <dc:date.created>2026-04-17T16:36:32+02:00</dc:date.created>
    <author>nobody@ipernity.com (m̌ ḫ)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/havran"&gt;m̌ ḫ&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/havran/53306718/in/group/25920"&gt;&lt;img src="https://cdn.ipernity.com/200/67/18/53306718.1d2c7547.240.jpg?r2" width="240" height="159" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Hạ Long Bay, in Quảng Ninh Province and the Gulf of Tonkin, is known for its limestone pillars and islands rising from the sea, forming one of Vietnam’s most distinctive landscapes. A recent image, but exposed on expired film, which gave the scene its muted palette, warm cast, and slightly dreamlike texture. The karst towers and calm water already have a timeless quality; the old film adds another layer, somewhere between travel record and found memory.&lt;/div&gt;</description>
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    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/havran"&gt;m̌ ḫ&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/havran/53306718/in/group/25920"&gt;&lt;img src="https://cdn.ipernity.com/200/67/18/53306718.1d2c7547.240.jpg?r2" width="240" height="159" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Hạ Long Bay, in Quảng Ninh Province and the Gulf of Tonkin, is known for its limestone pillars and islands rising from the sea, forming one of Vietnam’s most distinctive landscapes. A recent image, but exposed on expired film, which gave the scene its muted palette, warm cast, and slightly dreamlike texture. The karst towers and calm water already have a timeless quality; the old film adds another layer, somewhere between travel record and found memory.&lt;/div&gt;</media:text>
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  </item>
  <item>
    <title>abends über dem Ufer des Khwae Noi ... P.i.P. (© Buelipix)</title>
    <link>https://www.ipernity.com/doc/buelipix/53300696/in/group/25920</link>
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    <pubDate>Fri, 17 Apr 2026 08:52:02 +0000</pubDate>
    <dc:date.created>2026-02-17T18:25:13+02:00</dc:date.created>
    <author>nobody@ipernity.com (Buelipix)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/buelipix"&gt;Buelipix&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/buelipix/53300696/in/group/25920"&gt;&lt;img src="https://cdn.ipernity.com/200/06/96/53300696.21560d62.240.jpg?r2" width="240" height="136" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;&lt;red&gt;please press "z" for large view&lt;/red&gt;&lt;/div&gt;</description>
    <media:title>abends über dem Ufer des Khwae Noi ... P.i.P. (© Buelipix)</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/buelipix"&gt;Buelipix&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/buelipix/53300696/in/group/25920"&gt;&lt;img src="https://cdn.ipernity.com/200/06/96/53300696.21560d62.240.jpg?r2" width="240" height="136" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;&lt;red&gt;please press "z" for large view&lt;/red&gt;&lt;/div&gt;</media:text>
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  </item>
  <item>
    <title>Kopflasten XXV</title>
    <link>https://www.ipernity.com/doc/2665304/53300832/in/group/25920</link>
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    <pubDate>Fri, 17 Apr 2026 13:38:16 +0000</pubDate>
    <dc:date.created>2011-01-11T03:54:56+02:00</dc:date.created>
    <author>nobody@ipernity.com (Günter Diel)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/2665304"&gt;Günter Diel&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/2665304/53300832/in/group/25920"&gt;&lt;img src="https://cdn.ipernity.com/200/08/32/53300832.622e4a82.240.jpg?r2" width="160" height="240" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Jodhpur, Indien Januar 2011&lt;/div&gt;</description>
    <media:title>Kopflasten XXV</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/2665304"&gt;Günter Diel&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/2665304/53300832/in/group/25920"&gt;&lt;img src="https://cdn.ipernity.com/200/08/32/53300832.622e4a82.240.jpg?r2" width="160" height="240" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Jodhpur, Indien Januar 2011&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/200/08/32/53300832.1e903efa.1024.jpg?r2" type="image/jpeg" width="683" height="1024" duration="0" isDefault="true"  />
    <media:thumbnail url="https://cdn.ipernity.com/200/08/32/53300832.622e4a82.240.jpg?r2" width="160" height="240"/>
    <media:thumbnail url="https://cdn.ipernity.com/200/08/32/53300832.622e4a82.100.jpg?r2" width="67" height="100"/>
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  </item>
  <item>
    <title>yogi en Inde du nord</title>
    <link>https://www.ipernity.com/doc/clubsupat/52863128/in/group/25920</link>
    <guid isPermaLink="false">tag:ipernity.com,2025-04-09,doc-52863128</guid>
    <pubDate>Wed, 09 Apr 2025 06:35:21 +0000</pubDate>
    <dc:date.created>2025-04-09T08:35:21+02:00</dc:date.created>
    <author>nobody@ipernity.com (le club des 5)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/clubsupat"&gt;le club des 5&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/clubsupat/52863128/in/group/25920"&gt;&lt;img src="https://cdn.ipernity.com/200/31/28/52863128.787718d0.240.jpg?r2" width="180" height="240" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;&lt;/div&gt;</description>
    <media:title>yogi en Inde du nord</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/clubsupat"&gt;le club des 5&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/clubsupat/52863128/in/group/25920"&gt;&lt;img src="https://cdn.ipernity.com/200/31/28/52863128.787718d0.240.jpg?r2" width="180" height="240" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;&lt;/div&gt;</media:text>
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    <media:thumbnail url="https://cdn.ipernity.com/200/31/28/52863128.787718d0.240.jpg?r2" width="180" height="240"/>
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    <media:credit role="author">le club des 5</media:credit>
  </item>
  <item>
    <title>Oser défier et braver le soleil de sa lentille....(Laos)....</title>
    <link>https://www.ipernity.com/doc/64806/50348584/in/group/25920</link>
    <guid isPermaLink="false">tag:ipernity.com,2020-09-13,doc-50348584</guid>
    <pubDate>Sun, 13 Sep 2020 10:58:16 +0000</pubDate>
    <dc:date.created>2020-02-22T16:21:51-04:00</dc:date.created>
    <author>nobody@ipernity.com (Léopold)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/64806"&gt;Léopold&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/64806/50348584/in/group/25920"&gt;&lt;img src="https://cdn.ipernity.com/200/85/84/50348584.601b6e50.240.jpg?r2" width="172" height="240" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Pakse, Laos.&lt;/div&gt;</description>
    <media:title>Oser défier et braver le soleil de sa lentille....(Laos)....</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/64806"&gt;Léopold&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/64806/50348584/in/group/25920"&gt;&lt;img src="https://cdn.ipernity.com/200/85/84/50348584.601b6e50.240.jpg?r2" width="172" height="240" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Pakse, Laos.&lt;/div&gt;</media:text>
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    <media:credit role="author">Léopold</media:credit>
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  <item>
    <title>Dropout triple A motorbike (Laos)</title>
    <link>https://www.ipernity.com/doc/64806/50351100/in/group/25920</link>
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    <pubDate>Wed, 01 Apr 2026 09:19:21 +0000</pubDate>
    <dc:date.created>2020-02-22T10:51:45-04:00</dc:date.created>
    <author>nobody@ipernity.com (Léopold)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/64806"&gt;Léopold&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/64806/50351100/in/group/25920"&gt;&lt;img src="https://cdn.ipernity.com/200/11/00/50351100.f677fce8.240.jpg?r2" width="240" height="180" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Pakse, Laos.&lt;/div&gt;</description>
    <media:title>Dropout triple A motorbike (Laos)</media:title>
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    <media:thumbnail url="https://cdn.ipernity.com/200/11/00/50351100.f677fce8.100.jpg?r2" width="100" height="75"/>
    <media:credit role="author">Léopold</media:credit>
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  <item>
    <title>Découverte à faire vomir.......(Laos)</title>
    <link>https://www.ipernity.com/doc/64806/50348582/in/group/25920</link>
    <guid isPermaLink="false">tag:ipernity.com,2026-04-01,doc-50348582</guid>
    <pubDate>Wed, 01 Apr 2026 09:17:53 +0000</pubDate>
    <dc:date.created>2020-02-22T16:20:57-04:00</dc:date.created>
    <author>nobody@ipernity.com (Léopold)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/64806"&gt;Léopold&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/64806/50348582/in/group/25920"&gt;&lt;img src="https://cdn.ipernity.com/200/85/82/50348582.e84420b8.240.jpg?r2" width="180" height="240" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Pakse, Laos.&lt;/div&gt;</description>
    <media:title>Découverte à faire vomir.......(Laos)</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/64806"&gt;Léopold&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/64806/50348582/in/group/25920"&gt;&lt;img src="https://cdn.ipernity.com/200/85/82/50348582.e84420b8.240.jpg?r2" width="180" height="240" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Pakse, Laos.&lt;/div&gt;</media:text>
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    <media:credit role="author">Léopold</media:credit>
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