https://www.ipernity.com/group/314023/doc https://cdn.ipernity.com/p/101/A7/CA/314023.buddy.jpg https://www.ipernity.com/group/314023/doc If you have a Hasselblad 500 series, be it a 500/501/503 or any incarnation of the 500's then this is the group for you. Mono or colour film or Polaroid but no Digi backs I'm afraid, and if we can avoid watermarks and borders this shall be a better place. Tue, 04 Aug 2026 10:38:10 +0000 Tue, 04 Aug 2026 10:38:10 +0000 https://www.ipernity.com https://www.ipernity.com/doc/296949/53392872/in/group/314023 tag:ipernity.com,2026-07-27,doc-53392872 Mon, 27 Jul 2026 16:48:28 +0000 2022-09-13T10:21:00-07:00 nobody@ipernity.com (Scott Holcomb) <p class="who"><a href="https://www.ipernity.com/home/296949">Scott Holcomb</a> has posted:</p><p class="preview"><a href="https://www.ipernity.com/doc/296949/53392872/in/group/314023"><img src="https://cdn.ipernity.com/200/28/72/53392872.ef129892.240.jpg?r2" width="240" height="240" alt=""/></a></p><div class="description">Summoning my courage, I take a deep breath as I prepare to enter the abyss. Horrific sounds of tortured souls emanate from from the depths, or is it my heightened imagination playing tricks on my mind? What is in store for me as I enter this dark realm?<br /> <br /> This photo was taken by a Hasselblad 500C medium format film camera with a Carl Zeiss Distagon 1:4 f=50mm lens and Zenza Bronica 67mm SY44•2C(Y1) filter using Ilford FP4 Plus 125 film, the negative scanned by an Epson Perfection V600 and digitally rendered with Photoshop.</div> Chamber of Horrors <p class="who"><a href="https://www.ipernity.com/home/296949">Scott Holcomb</a> has posted:</p><p class="preview"><a href="https://www.ipernity.com/doc/296949/53392872/in/group/314023"><img src="https://cdn.ipernity.com/200/28/72/53392872.ef129892.240.jpg?r2" width="240" height="240" alt=""/></a></p><div class="description">Summoning my courage, I take a deep breath as I prepare to enter the abyss. Horrific sounds of tortured souls emanate from from the depths, or is it my heightened imagination playing tricks on my mind? What is in store for me as I enter this dark realm?<br /> <br /> This photo was taken by a Hasselblad 500C medium format film camera with a Carl Zeiss Distagon 1:4 f=50mm lens and Zenza Bronica 67mm SY44•2C(Y1) filter using Ilford FP4 Plus 125 film, the negative scanned by an Epson Perfection V600 and digitally rendered with Photoshop.</div> Scott Holcomb https://www.ipernity.com/doc/296949/53392870/in/group/314023 tag:ipernity.com,2026-07-27,doc-53392870 Mon, 27 Jul 2026 16:48:17 +0000 2022-09-13T10:45:00-07:00 nobody@ipernity.com (Scott Holcomb) <p class="who"><a href="https://www.ipernity.com/home/296949">Scott Holcomb</a> has posted:</p><p class="preview"><a href="https://www.ipernity.com/doc/296949/53392870/in/group/314023"><img src="https://cdn.ipernity.com/200/28/70/53392870.5d352767.240.jpg?r2" width="240" height="240" alt=""/></a></p><div class="description">After decades of searching I have at last discovered the fabled entrance into the underworld. I feel an overwhelming urge to discover the secrets that lie in the abyss. As I write this account in my journal there is anticipation, and yes, the expectation that I may never again see the light of day. Let it be known that I have lived a full life before I take the plunge into the depths of darkness. With good fortune and provenance from above I may some day surface to tell the world of my discoveries.<br /> With wavering courage and feelings of trepidation, I forge ahead.<br /> <br /> This photo was taken by a Hasselblad 500C medium format film camera with a Carl Zeiss Distagon 1:4 f=50mm lens and Zenza Bronica 67mm SY44•2C(Y1) filter using Ilford FP4 Plus 125 film, the negative scanned by an Epson Perfection V600 and digitally rendered with Photoshop.</div> Entry into the Underworld <p class="who"><a href="https://www.ipernity.com/home/296949">Scott Holcomb</a> has posted:</p><p class="preview"><a href="https://www.ipernity.com/doc/296949/53392870/in/group/314023"><img src="https://cdn.ipernity.com/200/28/70/53392870.5d352767.240.jpg?r2" width="240" height="240" alt=""/></a></p><div class="description">After decades of searching I have at last discovered the fabled entrance into the underworld. I feel an overwhelming urge to discover the secrets that lie in the abyss. As I write this account in my journal there is anticipation, and yes, the expectation that I may never again see the light of day. Let it be known that I have lived a full life before I take the plunge into the depths of darkness. With good fortune and provenance from above I may some day surface to tell the world of my discoveries.<br /> With wavering courage and feelings of trepidation, I forge ahead.<br /> <br /> This photo was taken by a Hasselblad 500C medium format film camera with a Carl Zeiss Distagon 1:4 f=50mm lens and Zenza Bronica 67mm SY44•2C(Y1) filter using Ilford FP4 Plus 125 film, the negative scanned by an Epson Perfection V600 and digitally rendered with Photoshop.</div> Scott Holcomb https://www.ipernity.com/doc/296949/53373786/in/group/314023 tag:ipernity.com,2026-07-10,doc-53373786 Fri, 10 Jul 2026 02:36:49 +0000 2013-06-18T13:21:00-07:00 nobody@ipernity.com (Scott Holcomb) <p class="who"><a href="https://www.ipernity.com/home/296949">Scott Holcomb</a> has posted:</p><p class="preview"><a href="https://www.ipernity.com/doc/296949/53373786/in/group/314023"><img src="https://cdn.ipernity.com/200/37/86/53373786.cd4efb35.240.jpg?r2" width="240" height="240" alt=""/></a></p><div class="description">Set Piece . . .<br /> <br /> This photo was taken by a Hasselblad 500C medium format film camera and Carl Zeiss Distagon 1:4 f=50mm T* lens with a Kowa Y2 ø67 filter using Kodak T-MAX 100 film, the negative scanned by an Epson Perfection V600 and digitally rendered with Photoshop.</div> Corner Shot <p class="who"><a href="https://www.ipernity.com/home/296949">Scott Holcomb</a> has posted:</p><p class="preview"><a href="https://www.ipernity.com/doc/296949/53373786/in/group/314023"><img src="https://cdn.ipernity.com/200/37/86/53373786.cd4efb35.240.jpg?r2" width="240" height="240" alt=""/></a></p><div class="description">Set Piece . . .<br /> <br /> This photo was taken by a Hasselblad 500C medium format film camera and Carl Zeiss Distagon 1:4 f=50mm T* lens with a Kowa Y2 ø67 filter using Kodak T-MAX 100 film, the negative scanned by an Epson Perfection V600 and digitally rendered with Photoshop.</div> Scott Holcomb https://www.ipernity.com/doc/296949/53371822/in/group/314023 tag:ipernity.com,2026-07-08,doc-53371822 Wed, 08 Jul 2026 04:09:47 +0000 2013-06-18T13:17:00-07:00 nobody@ipernity.com (Scott Holcomb) <p class="who"><a href="https://www.ipernity.com/home/296949">Scott Holcomb</a> has posted:</p><p class="preview"><a href="https://www.ipernity.com/doc/296949/53371822/in/group/314023"><img src="https://cdn.ipernity.com/200/18/22/53371822.c2a0cf65.240.jpg?r2" width="240" height="240" alt=""/></a></p><div class="description">Solid as a rock!<br /> <br /> This photo was taken by a Hasselblad 500C medium format film camera and Carl Zeiss Distagon 1:4 f=50mm T* lens with a Kowa Y2 ø67 filter using Kodak T-MAX 100 film, the negative scanned by an Epson Perfection V600 and digitally rendered with Photoshop.</div> Stone Wall <p class="who"><a href="https://www.ipernity.com/home/296949">Scott Holcomb</a> has posted:</p><p class="preview"><a href="https://www.ipernity.com/doc/296949/53371822/in/group/314023"><img src="https://cdn.ipernity.com/200/18/22/53371822.c2a0cf65.240.jpg?r2" width="240" height="240" alt=""/></a></p><div class="description">Solid as a rock!<br /> <br /> This photo was taken by a Hasselblad 500C medium format film camera and Carl Zeiss Distagon 1:4 f=50mm T* lens with a Kowa Y2 ø67 filter using Kodak T-MAX 100 film, the negative scanned by an Epson Perfection V600 and digitally rendered with Photoshop.</div> Scott Holcomb https://www.ipernity.com/doc/296949/53360484/in/group/314023 tag:ipernity.com,2026-06-26,doc-53360484 Fri, 26 Jun 2026 05:52:27 +0000 2026-03-27T00:00:00-07:00 nobody@ipernity.com (Scott Holcomb) <p class="who"><a href="https://www.ipernity.com/home/296949">Scott Holcomb</a> has posted:</p><p class="preview"><a href="https://www.ipernity.com/doc/296949/53360484/in/group/314023"><img src="https://cdn.ipernity.com/200/04/84/53360484.7e9c5e4b.240.jpg?r2" width="240" height="240" alt=""/></a></p><div class="description">Stay on the designated path.<br /> <br /> This photo was taken by a Hasselblad 500C medium format film camera and Carl Zeiss Distagon 1:4 f=50mm T* lens with a Hasselblad/63 1xHz-0 drop in filter using Fuji Pro 400-H film, the negative scanned by an Epson Perfection V600 and digitalized with Photoshop.</div> Fancy <p class="who"><a href="https://www.ipernity.com/home/296949">Scott Holcomb</a> has posted:</p><p class="preview"><a href="https://www.ipernity.com/doc/296949/53360484/in/group/314023"><img src="https://cdn.ipernity.com/200/04/84/53360484.7e9c5e4b.240.jpg?r2" width="240" height="240" alt=""/></a></p><div class="description">Stay on the designated path.<br /> <br /> This photo was taken by a Hasselblad 500C medium format film camera and Carl Zeiss Distagon 1:4 f=50mm T* lens with a Hasselblad/63 1xHz-0 drop in filter using Fuji Pro 400-H film, the negative scanned by an Epson Perfection V600 and digitalized with Photoshop.</div> Scott Holcomb https://www.ipernity.com/doc/296949/53358318/in/group/314023 tag:ipernity.com,2026-06-24,doc-53358318 Wed, 24 Jun 2026 04:38:06 +0000 2026-03-23T12:04:00-07:00 nobody@ipernity.com (Scott Holcomb) <p class="who"><a href="https://www.ipernity.com/home/296949">Scott Holcomb</a> has posted:</p><p class="preview"><a href="https://www.ipernity.com/doc/296949/53358318/in/group/314023"><img src="https://cdn.ipernity.com/200/83/18/53358318.1a199156.240.jpg?r2" width="240" height="240" alt=""/></a></p><div class="description">How could they refuse . . .<br /> <br /> This photo was taken by a Hasselblad 500C medium format film camera and Carl Zeiss Planar 1:2.8 f=80 lens with a Kowa L39•3C(UV) ø67 filter + adapter using Kodak Portra 800 film, the negative scanned by an Epson Perfection V600 and digitalized with Photoshop.</div> Last Dance <p class="who"><a href="https://www.ipernity.com/home/296949">Scott Holcomb</a> has posted:</p><p class="preview"><a href="https://www.ipernity.com/doc/296949/53358318/in/group/314023"><img src="https://cdn.ipernity.com/200/83/18/53358318.1a199156.240.jpg?r2" width="240" height="240" alt=""/></a></p><div class="description">How could they refuse . . .<br /> <br /> This photo was taken by a Hasselblad 500C medium format film camera and Carl Zeiss Planar 1:2.8 f=80 lens with a Kowa L39•3C(UV) ø67 filter + adapter using Kodak Portra 800 film, the negative scanned by an Epson Perfection V600 and digitalized with Photoshop.</div> Scott Holcomb https://www.ipernity.com/doc/296949/53356574/in/group/314023 tag:ipernity.com,2026-06-21,doc-53356574 Sun, 21 Jun 2026 19:02:04 +0000 2026-03-19T14:36:00-07:00 nobody@ipernity.com (Scott Holcomb) <p class="who"><a href="https://www.ipernity.com/home/296949">Scott Holcomb</a> has posted:</p><p class="preview"><a href="https://www.ipernity.com/doc/296949/53356574/in/group/314023"><img src="https://cdn.ipernity.com/200/65/74/53356574.2d96ac3a.240.jpg?r2" width="240" height="240" alt=""/></a></p><div class="description">Ahhhh . . .<br /> I thought you didn’t care!<br /> <br /> This photo was taken by a Hasselblad 500C medium format film camera and Carl Zeiss Distagon 1:4 f=50mm T* lens with a Hasselblad/63 1xHz-0 drop in filter using Kodak Ektar 100 film, the negative scanned by an Epson Perfection V600 and digitalized with Photoshop.</div> Spring Bouquet <p class="who"><a href="https://www.ipernity.com/home/296949">Scott Holcomb</a> has posted:</p><p class="preview"><a href="https://www.ipernity.com/doc/296949/53356574/in/group/314023"><img src="https://cdn.ipernity.com/200/65/74/53356574.2d96ac3a.240.jpg?r2" width="240" height="240" alt=""/></a></p><div class="description">Ahhhh . . .<br /> I thought you didn’t care!<br /> <br /> This photo was taken by a Hasselblad 500C medium format film camera and Carl Zeiss Distagon 1:4 f=50mm T* lens with a Hasselblad/63 1xHz-0 drop in filter using Kodak Ektar 100 film, the negative scanned by an Epson Perfection V600 and digitalized with Photoshop.</div> Scott Holcomb https://www.ipernity.com/doc/296949/53353870/in/group/314023 tag:ipernity.com,2026-06-18,doc-53353870 Thu, 18 Jun 2026 18:49:57 +0000 2026-03-27T13:18:00-07:00 nobody@ipernity.com (Scott Holcomb) <p class="who"><a href="https://www.ipernity.com/home/296949">Scott Holcomb</a> has posted:</p><p class="preview"><a href="https://www.ipernity.com/doc/296949/53353870/in/group/314023"><img src="https://cdn.ipernity.com/200/38/70/53353870.972b2308.240.jpg?r2" width="240" height="240" alt=""/></a></p><div class="description">Come not between the dragon, and his wrath.”<br /> <i>― William Shakespeare, King Lear</i><br /> <br /> This photo was taken by a Hasselblad 500C medium format film camera and Carl Zeiss S-Planar 1:5.6 f=120mm lens mounted on a 10mm Extension Tube with a Kowa L1A ø67 filter + adapter using Kodak Portra 160 film, the negative scanned by an Epson Perfection V600 and digitalized with Photoshop.</div> Dragon&#039;s Lair <p class="who"><a href="https://www.ipernity.com/home/296949">Scott Holcomb</a> has posted:</p><p class="preview"><a href="https://www.ipernity.com/doc/296949/53353870/in/group/314023"><img src="https://cdn.ipernity.com/200/38/70/53353870.972b2308.240.jpg?r2" width="240" height="240" alt=""/></a></p><div class="description">Come not between the dragon, and his wrath.”<br /> <i>― William Shakespeare, King Lear</i><br /> <br /> This photo was taken by a Hasselblad 500C medium format film camera and Carl Zeiss S-Planar 1:5.6 f=120mm lens mounted on a 10mm Extension Tube with a Kowa L1A ø67 filter + adapter using Kodak Portra 160 film, the negative scanned by an Epson Perfection V600 and digitalized with Photoshop.</div> Scott Holcomb https://www.ipernity.com/doc/296949/53349056/in/group/314023 tag:ipernity.com,2026-06-13,doc-53349056 Sat, 13 Jun 2026 05:06:04 +0000 2026-05-26T13:25:00-07:00 nobody@ipernity.com (Scott Holcomb) <p class="who"><a href="https://www.ipernity.com/home/296949">Scott Holcomb</a> has posted:</p><p class="preview"><a href="https://www.ipernity.com/doc/296949/53349056/in/group/314023"><img src="https://cdn.ipernity.com/200/90/56/53349056.12dd83ab.240.jpg?r2" width="240" height="240" alt=""/></a></p><div class="description">Occasionally, in the most ordinary circumstances, you find a real gem.<br /> <br /> This photo was taken by a Hasselblad 500C medium format film camera and Carl Zeiss S-Planar 1:5.6 f=120mm lens mounted on a 10mm extension tube using Kodak Ektar 100 film, the negative scanned by an Epson Perfection V600 and digitalized with Photoshop.</div> Diamond in the Rough <p class="who"><a href="https://www.ipernity.com/home/296949">Scott Holcomb</a> has posted:</p><p class="preview"><a href="https://www.ipernity.com/doc/296949/53349056/in/group/314023"><img src="https://cdn.ipernity.com/200/90/56/53349056.12dd83ab.240.jpg?r2" width="240" height="240" alt=""/></a></p><div class="description">Occasionally, in the most ordinary circumstances, you find a real gem.<br /> <br /> This photo was taken by a Hasselblad 500C medium format film camera and Carl Zeiss S-Planar 1:5.6 f=120mm lens mounted on a 10mm extension tube using Kodak Ektar 100 film, the negative scanned by an Epson Perfection V600 and digitalized with Photoshop.</div> Scott Holcomb https://www.ipernity.com/doc/296949/53344258/in/group/314023 tag:ipernity.com,2026-06-06,doc-53344258 Sat, 06 Jun 2026 18:00:54 +0000 2014-02-17T12:22:00-07:00 nobody@ipernity.com (Scott Holcomb) <p class="who"><a href="https://www.ipernity.com/home/296949">Scott Holcomb</a> has posted:</p><p class="preview"><a href="https://www.ipernity.com/doc/296949/53344258/in/group/314023"><img src="https://cdn.ipernity.com/200/42/58/53344258.97b87167.240.jpg?r2" width="240" height="240" alt=""/></a></p><div class="description">Pre-flight check<br /> <br /> This photo was taken by a Hasselblad 500C medium format film camera and Carl Zeiss Distagon 1:4 f=50mm lens using Rollei Retro 400S film, the negative scanned by an Epson Perfection V600 and digitalized with Photoshop.</div> Control Panel <p class="who"><a href="https://www.ipernity.com/home/296949">Scott Holcomb</a> has posted:</p><p class="preview"><a href="https://www.ipernity.com/doc/296949/53344258/in/group/314023"><img src="https://cdn.ipernity.com/200/42/58/53344258.97b87167.240.jpg?r2" width="240" height="240" alt=""/></a></p><div class="description">Pre-flight check<br /> <br /> This photo was taken by a Hasselblad 500C medium format film camera and Carl Zeiss Distagon 1:4 f=50mm lens using Rollei Retro 400S film, the negative scanned by an Epson Perfection V600 and digitalized with Photoshop.</div> Scott Holcomb https://www.ipernity.com/doc/296949/53344256/in/group/314023 tag:ipernity.com,2026-06-06,doc-53344256 Sat, 06 Jun 2026 18:00:46 +0000 2014-02-17T12:29:00-07:00 nobody@ipernity.com (Scott Holcomb) <p class="who"><a href="https://www.ipernity.com/home/296949">Scott Holcomb</a> has posted:</p><p class="preview"><a href="https://www.ipernity.com/doc/296949/53344256/in/group/314023"><img src="https://cdn.ipernity.com/200/42/56/53344256.f493bb4a.240.jpg?r2" width="240" height="240" alt=""/></a></p><div class="description">Pre-flight check<br /> <br /> This photo was taken by a Hasselblad 500C medium format film camera and Carl Zeiss Distagon 1:4 f=50mm lens using Rollei Retro 400S film, the negative scanned by an Epson Perfection V600 and digitalized with Photoshop.</div> Overhead Controls <p class="who"><a href="https://www.ipernity.com/home/296949">Scott Holcomb</a> has posted:</p><p class="preview"><a href="https://www.ipernity.com/doc/296949/53344256/in/group/314023"><img src="https://cdn.ipernity.com/200/42/56/53344256.f493bb4a.240.jpg?r2" width="240" height="240" alt=""/></a></p><div class="description">Pre-flight check<br /> <br /> This photo was taken by a Hasselblad 500C medium format film camera and Carl Zeiss Distagon 1:4 f=50mm lens using Rollei Retro 400S film, the negative scanned by an Epson Perfection V600 and digitalized with Photoshop.</div> Scott Holcomb https://www.ipernity.com/doc/296949/53342276/in/group/314023 tag:ipernity.com,2026-06-04,doc-53342276 Thu, 04 Jun 2026 16:20:25 +0000 2026-03-23T13:19:00-07:00 nobody@ipernity.com (Scott Holcomb) <p class="who"><a href="https://www.ipernity.com/home/296949">Scott Holcomb</a> has posted:</p><p class="preview"><a href="https://www.ipernity.com/doc/296949/53342276/in/group/314023"><img src="https://cdn.ipernity.com/200/22/76/53342276.30449a83.240.jpg?r2" width="240" height="240" alt=""/></a></p><div class="description">Life beneath the waves.<br /> <br /> This photo was taken by a Hasselblad 500C medium format film camera and Carl Zeiss Distagon 1:4 f=50mm T* lens with a Hasselblad/63 1xHz-0 drop in filter using Kodak Portra 800 film, the negative scanned by an Epson Perfection V600 and digitalized with Photoshop.</div> Colorful Life on the Reef <p class="who"><a href="https://www.ipernity.com/home/296949">Scott Holcomb</a> has posted:</p><p class="preview"><a href="https://www.ipernity.com/doc/296949/53342276/in/group/314023"><img src="https://cdn.ipernity.com/200/22/76/53342276.30449a83.240.jpg?r2" width="240" height="240" alt=""/></a></p><div class="description">Life beneath the waves.<br /> <br /> This photo was taken by a Hasselblad 500C medium format film camera and Carl Zeiss Distagon 1:4 f=50mm T* lens with a Hasselblad/63 1xHz-0 drop in filter using Kodak Portra 800 film, the negative scanned by an Epson Perfection V600 and digitalized with Photoshop.</div> Scott Holcomb https://www.ipernity.com/doc/296949/53337356/in/group/314023 tag:ipernity.com,2026-05-30,doc-53337356 Sat, 30 May 2026 17:27:10 +0000 2026-03-23T14:43:00-07:00 nobody@ipernity.com (Scott Holcomb) <p class="who"><a href="https://www.ipernity.com/home/296949">Scott Holcomb</a> has posted:</p><p class="preview"><a href="https://www.ipernity.com/doc/296949/53337356/in/group/314023"><img src="https://cdn.ipernity.com/200/73/56/53337356.1de49a27.240.jpg?r2" width="240" height="240" alt=""/></a></p><div class="description">Hidden within all of us are traces of our genesis as a species.<br /> <br /> This photo was taken by a Hasselblad 500C medium format film camera and Carl Zeiss Distagon 1:4 f=50mm T* lens with a Hasselblad/63 1xHz-0 drop in filter using Ilford Delta 3200 film, the negative scanned by an Epson Perfection V600 and digitally rendered with Photoshop.</div> Origins <p class="who"><a href="https://www.ipernity.com/home/296949">Scott Holcomb</a> has posted:</p><p class="preview"><a href="https://www.ipernity.com/doc/296949/53337356/in/group/314023"><img src="https://cdn.ipernity.com/200/73/56/53337356.1de49a27.240.jpg?r2" width="240" height="240" alt=""/></a></p><div class="description">Hidden within all of us are traces of our genesis as a species.<br /> <br /> This photo was taken by a Hasselblad 500C medium format film camera and Carl Zeiss Distagon 1:4 f=50mm T* lens with a Hasselblad/63 1xHz-0 drop in filter using Ilford Delta 3200 film, the negative scanned by an Epson Perfection V600 and digitally rendered with Photoshop.</div> Scott Holcomb https://www.ipernity.com/doc/296949/53322454/in/group/314023 tag:ipernity.com,2026-05-13,doc-53322454 Wed, 13 May 2026 02:48:24 +0000 2026-03-23T14:05:00-07:00 nobody@ipernity.com (Scott Holcomb) <p class="who"><a href="https://www.ipernity.com/home/296949">Scott Holcomb</a> has posted:</p><p class="preview"><a href="https://www.ipernity.com/doc/296949/53322454/in/group/314023"><img src="https://cdn.ipernity.com/200/24/54/53322454.e11b6540.240.jpg?r2" width="240" height="240" alt=""/></a></p><div class="description">An horrific display of pinniped skulls disguised as art.<br /> <br /> This photo was taken by a Hasselblad 500C medium format film camera and Carl Zeiss Distagon 1:4 f=50mm T* lens with a Hasselblad/63 1xHz-0 drop in filter using Kodak Portra 800 film, the negative scanned by an Epson Perfection V600 and digitalized with Photoshop.</div> Skulduggery <p class="who"><a href="https://www.ipernity.com/home/296949">Scott Holcomb</a> has posted:</p><p class="preview"><a href="https://www.ipernity.com/doc/296949/53322454/in/group/314023"><img src="https://cdn.ipernity.com/200/24/54/53322454.e11b6540.240.jpg?r2" width="240" height="240" alt=""/></a></p><div class="description">An horrific display of pinniped skulls disguised as art.<br /> <br /> This photo was taken by a Hasselblad 500C medium format film camera and Carl Zeiss Distagon 1:4 f=50mm T* lens with a Hasselblad/63 1xHz-0 drop in filter using Kodak Portra 800 film, the negative scanned by an Epson Perfection V600 and digitalized with Photoshop.</div> Scott Holcomb https://www.ipernity.com/doc/296949/53319306/in/group/314023 tag:ipernity.com,2026-05-11,doc-53319306 Mon, 11 May 2026 04:08:02 +0000 2026-03-27T14:13:00-07:00 nobody@ipernity.com (Scott Holcomb) <p class="who"><a href="https://www.ipernity.com/home/296949">Scott Holcomb</a> has posted:</p><p class="preview"><a href="https://www.ipernity.com/doc/296949/53319306/in/group/314023"><img src="https://cdn.ipernity.com/200/93/06/53319306.475a65a8.240.jpg?r2" width="240" height="240" alt=""/></a></p><div class="description">A secret bench in a secluded sequoia grove meant for those who seek to quietly commune with nature.<br /> <br /> This photo was taken by a Hasselblad 500C medium format film camera and Carl Zeiss Distagon 1:4 f=50mm T* lens with a Hasselblad/63 1xHz-0 drop in filter using Fuji Pro 400-H film, the negative scanned by an Epson Perfection V600 and digitalized with Photoshop.</div> Hidden <p class="who"><a href="https://www.ipernity.com/home/296949">Scott Holcomb</a> has posted:</p><p class="preview"><a href="https://www.ipernity.com/doc/296949/53319306/in/group/314023"><img src="https://cdn.ipernity.com/200/93/06/53319306.475a65a8.240.jpg?r2" width="240" height="240" alt=""/></a></p><div class="description">A secret bench in a secluded sequoia grove meant for those who seek to quietly commune with nature.<br /> <br /> This photo was taken by a Hasselblad 500C medium format film camera and Carl Zeiss Distagon 1:4 f=50mm T* lens with a Hasselblad/63 1xHz-0 drop in filter using Fuji Pro 400-H film, the negative scanned by an Epson Perfection V600 and digitalized with Photoshop.</div> Scott Holcomb https://www.ipernity.com/doc/296949/53318174/in/group/314023 tag:ipernity.com,2026-05-09,doc-53318174 Sat, 09 May 2026 15:39:50 +0000 2026-03-27T13:34:00-07:00 nobody@ipernity.com (Scott Holcomb) <p class="who"><a href="https://www.ipernity.com/home/296949">Scott Holcomb</a> has posted:</p><p class="preview"><a href="https://www.ipernity.com/doc/296949/53318174/in/group/314023"><img src="https://cdn.ipernity.com/200/81/74/53318174.3d2d0b21.240.jpg?r2" width="240" height="240" alt=""/></a></p><div class="description">But he who dares not grasp the thorn<br /> Should never crave the rose.”<br /> <i>―Anne Bronte</i><br /> <br /> This photo was taken by a Hasselblad 500C medium format film camera and Carl Zeiss S-Planar 1:5.6 f=120mm lens mounted on a 10mm Extension Tube with a Kowa L1A ø67 filter + adapter using Kodak Portra 160 film, the negative scanned by an Epson Perfection V600 and digitalized with Photoshop.</div> Dare Not <p class="who"><a href="https://www.ipernity.com/home/296949">Scott Holcomb</a> has posted:</p><p class="preview"><a href="https://www.ipernity.com/doc/296949/53318174/in/group/314023"><img src="https://cdn.ipernity.com/200/81/74/53318174.3d2d0b21.240.jpg?r2" width="240" height="240" alt=""/></a></p><div class="description">But he who dares not grasp the thorn<br /> Should never crave the rose.”<br /> <i>―Anne Bronte</i><br /> <br /> This photo was taken by a Hasselblad 500C medium format film camera and Carl Zeiss S-Planar 1:5.6 f=120mm lens mounted on a 10mm Extension Tube with a Kowa L1A ø67 filter + adapter using Kodak Portra 160 film, the negative scanned by an Epson Perfection V600 and digitalized with Photoshop.</div> Scott Holcomb https://www.ipernity.com/doc/296949/53316804/in/group/314023 tag:ipernity.com,2026-05-07,doc-53316804 Thu, 07 May 2026 19:03:53 +0000 2026-03-23T13:48:00-07:00 nobody@ipernity.com (Scott Holcomb) <p class="who"><a href="https://www.ipernity.com/home/296949">Scott Holcomb</a> has posted:</p><p class="preview"><a href="https://www.ipernity.com/doc/296949/53316804/in/group/314023"><img src="https://cdn.ipernity.com/200/68/04/53316804.c1e1a620.240.jpg?r2" width="240" height="240" alt=""/></a></p><div class="description">Moving back and forth like clockwork, the pendulum swings relentlessly.<br /> <br /> This photo was taken by a Hasselblad 500C medium format film camera and Carl Zeiss Distagon 1:4 f=50mm T* lens with a Hasselblad/63 1xHz-0 drop in filter using Kodak Portra 800 film, the negative scanned by an Epson Perfection V600 and digitalized with Photoshop.</div> The Pendulum <p class="who"><a href="https://www.ipernity.com/home/296949">Scott Holcomb</a> has posted:</p><p class="preview"><a href="https://www.ipernity.com/doc/296949/53316804/in/group/314023"><img src="https://cdn.ipernity.com/200/68/04/53316804.c1e1a620.240.jpg?r2" width="240" height="240" alt=""/></a></p><div class="description">Moving back and forth like clockwork, the pendulum swings relentlessly.<br /> <br /> This photo was taken by a Hasselblad 500C medium format film camera and Carl Zeiss Distagon 1:4 f=50mm T* lens with a Hasselblad/63 1xHz-0 drop in filter using Kodak Portra 800 film, the negative scanned by an Epson Perfection V600 and digitalized with Photoshop.</div> Scott Holcomb https://www.ipernity.com/doc/296949/53315188/in/group/314023 tag:ipernity.com,2026-05-06,doc-53315188 Wed, 06 May 2026 04:05:38 +0000 2026-03-23T11:25:00-07:00 nobody@ipernity.com (Scott Holcomb) <p class="who"><a href="https://www.ipernity.com/home/296949">Scott Holcomb</a> has posted:</p><p class="preview"><a href="https://www.ipernity.com/doc/296949/53315188/in/group/314023"><img src="https://cdn.ipernity.com/200/51/88/53315188.631fc598.240.jpg?r2" width="240" height="240" alt=""/></a></p><div class="description">Enter at your own risk!<br /> <br /> This photo was taken by a Hasselblad 500C medium format film camera and Carl Zeiss Planar 1:2.8 f=80 lens with a Kowa L39•3C(UV) ø67 filter + adapter using Kodak Portra 800 film, the negative scanned by an Epson Perfection V600 and digitalized with Photoshop.</div> Open for Business <p class="who"><a href="https://www.ipernity.com/home/296949">Scott Holcomb</a> has posted:</p><p class="preview"><a href="https://www.ipernity.com/doc/296949/53315188/in/group/314023"><img src="https://cdn.ipernity.com/200/51/88/53315188.631fc598.240.jpg?r2" width="240" height="240" alt=""/></a></p><div class="description">Enter at your own risk!<br /> <br /> This photo was taken by a Hasselblad 500C medium format film camera and Carl Zeiss Planar 1:2.8 f=80 lens with a Kowa L39•3C(UV) ø67 filter + adapter using Kodak Portra 800 film, the negative scanned by an Epson Perfection V600 and digitalized with Photoshop.</div> Scott Holcomb https://www.ipernity.com/doc/296949/53313978/in/group/314023 tag:ipernity.com,2026-05-04,doc-53313978 Mon, 04 May 2026 15:58:19 +0000 2026-03-19T14:56:00-07:00 nobody@ipernity.com (Scott Holcomb) <p class="who"><a href="https://www.ipernity.com/home/296949">Scott Holcomb</a> has posted:</p><p class="preview"><a href="https://www.ipernity.com/doc/296949/53313978/in/group/314023"><img src="https://cdn.ipernity.com/200/39/78/53313978.67730b98.240.jpg?r2" width="240" height="237" alt=""/></a></p><div class="description">Ahhhhh . . . .<br /> <br /> This photo was taken by a Hasselblad 500C medium format film camera and Carl Zeiss Distagon 1:4 f=50mm T* lens with a Zenza Bronica 67mm SY44•2C(Y1) filter using Adox CHS 100II film, the negative scanned by an Epson Perfection V600 and digitally rendered with Photoshop.</div> Seeking Shade <p class="who"><a href="https://www.ipernity.com/home/296949">Scott Holcomb</a> has posted:</p><p class="preview"><a href="https://www.ipernity.com/doc/296949/53313978/in/group/314023"><img src="https://cdn.ipernity.com/200/39/78/53313978.67730b98.240.jpg?r2" width="240" height="237" alt=""/></a></p><div class="description">Ahhhhh . . . .<br /> <br /> This photo was taken by a Hasselblad 500C medium format film camera and Carl Zeiss Distagon 1:4 f=50mm T* lens with a Zenza Bronica 67mm SY44•2C(Y1) filter using Adox CHS 100II film, the negative scanned by an Epson Perfection V600 and digitally rendered with Photoshop.</div> Scott Holcomb https://www.ipernity.com/doc/296949/53313106/in/group/314023 tag:ipernity.com,2026-05-03,doc-53313106 Sun, 03 May 2026 17:34:29 +0000 2026-03-23T13:21:00-07:00 nobody@ipernity.com (Scott Holcomb) <p class="who"><a href="https://www.ipernity.com/home/296949">Scott Holcomb</a> has posted:</p><p class="preview"><a href="https://www.ipernity.com/doc/296949/53313106/in/group/314023"><img src="https://cdn.ipernity.com/200/31/06/53313106.15fdb715.240.jpg?r2" width="240" height="240" alt=""/></a></p><div class="description">Closeness is reassuring.<br /> <br /> This photo was taken by a Hasselblad 500C medium format film camera and Carl Zeiss Distagon 1:4 f=50mm T* lens with a Hasselblad/63 1xHz-0 drop in filter using Kodak Portra 800 film, the negative scanned by an Epson Perfection V600 and digitalized with Photoshop.</div> Companionship <p class="who"><a href="https://www.ipernity.com/home/296949">Scott Holcomb</a> has posted:</p><p class="preview"><a href="https://www.ipernity.com/doc/296949/53313106/in/group/314023"><img src="https://cdn.ipernity.com/200/31/06/53313106.15fdb715.240.jpg?r2" width="240" height="240" alt=""/></a></p><div class="description">Closeness is reassuring.<br /> <br /> This photo was taken by a Hasselblad 500C medium format film camera and Carl Zeiss Distagon 1:4 f=50mm T* lens with a Hasselblad/63 1xHz-0 drop in filter using Kodak Portra 800 film, the negative scanned by an Epson Perfection V600 and digitalized with Photoshop.</div> Scott Holcomb