https://www.ipernity.com/group/355357/doc https://cdn.ipernity.com/p/101/1D/6C/355357.buddy.jpg https://www.ipernity.com/group/355357/doc To celebrate, enjoy and have fun with wide-angles and their special way of "seeing" the world. Each focal length lens in the wide angle arena can provide such special perspectives and interesting ways in which one (as a photographer) can relate to her/his sorroundings, people, architecture, nature and sculpture among many other subjects in an intimate, close and dynamic way.Please no digital.Keep it free of porn and enjoy the perspective! Anything goes, from 35mm to 8x10 formats, whatever is considered wide angle, i.e: In 35mm format anything from 15mm to 38mm is a wide angle. In 6x6 anything between 30mm and 65mm is wide angle and so on and so forth. Tue, 28 Jul 2026 11:30:34 +0000 Tue, 28 Jul 2026 11:30:34 +0000 https://www.ipernity.com https://www.ipernity.com/doc/296949/53392872/in/group/355357 tag:ipernity.com,2026-07-27,doc-53392872 Mon, 27 Jul 2026 16:48:28 +0000 2022-09-13T10:21:00-07:00 nobody@ipernity.com (Scott Holcomb) <p class="who"><a href="https://www.ipernity.com/home/296949">Scott Holcomb</a> has posted:</p><p class="preview"><a href="https://www.ipernity.com/doc/296949/53392872/in/group/355357"><img src="https://cdn.ipernity.com/200/28/72/53392872.ef129892.240.jpg?r2" width="240" height="240" alt=""/></a></p><div class="description">Summoning my courage, I take a deep breath as I prepare to enter the abyss. Horrific sounds of tortured souls emanate from from the depths, or is it my heightened imagination playing tricks on my mind? What is in store for me as I enter this dark realm?<br /> <br /> This photo was taken by a Hasselblad 500C medium format film camera with a Carl Zeiss Distagon 1:4 f=50mm lens and Zenza Bronica 67mm SY44•2C(Y1) filter using Ilford FP4 Plus 125 film, the negative scanned by an Epson Perfection V600 and digitally rendered with Photoshop.</div> Chamber of Horrors <p class="who"><a href="https://www.ipernity.com/home/296949">Scott Holcomb</a> has posted:</p><p class="preview"><a href="https://www.ipernity.com/doc/296949/53392872/in/group/355357"><img src="https://cdn.ipernity.com/200/28/72/53392872.ef129892.240.jpg?r2" width="240" height="240" alt=""/></a></p><div class="description">Summoning my courage, I take a deep breath as I prepare to enter the abyss. Horrific sounds of tortured souls emanate from from the depths, or is it my heightened imagination playing tricks on my mind? What is in store for me as I enter this dark realm?<br /> <br /> This photo was taken by a Hasselblad 500C medium format film camera with a Carl Zeiss Distagon 1:4 f=50mm lens and Zenza Bronica 67mm SY44•2C(Y1) filter using Ilford FP4 Plus 125 film, the negative scanned by an Epson Perfection V600 and digitally rendered with Photoshop.</div> Scott Holcomb https://www.ipernity.com/doc/296949/53392870/in/group/355357 tag:ipernity.com,2026-07-27,doc-53392870 Mon, 27 Jul 2026 16:48:17 +0000 2022-09-13T10:45:00-07:00 nobody@ipernity.com (Scott Holcomb) <p class="who"><a href="https://www.ipernity.com/home/296949">Scott Holcomb</a> has posted:</p><p class="preview"><a href="https://www.ipernity.com/doc/296949/53392870/in/group/355357"><img src="https://cdn.ipernity.com/200/28/70/53392870.5d352767.240.jpg?r2" width="240" height="240" alt=""/></a></p><div class="description">After decades of searching I have at last discovered the fabled entrance into the underworld. I feel an overwhelming urge to discover the secrets that lie in the abyss. As I write this account in my journal there is anticipation, and yes, the expectation that I may never again see the light of day. Let it be known that I have lived a full life before I take the plunge into the depths of darkness. With good fortune and provenance from above I may some day surface to tell the world of my discoveries.<br /> With wavering courage and feelings of trepidation, I forge ahead.<br /> <br /> This photo was taken by a Hasselblad 500C medium format film camera with a Carl Zeiss Distagon 1:4 f=50mm lens and Zenza Bronica 67mm SY44•2C(Y1) filter using Ilford FP4 Plus 125 film, the negative scanned by an Epson Perfection V600 and digitally rendered with Photoshop.</div> Entry into the Underworld <p class="who"><a href="https://www.ipernity.com/home/296949">Scott Holcomb</a> has posted:</p><p class="preview"><a href="https://www.ipernity.com/doc/296949/53392870/in/group/355357"><img src="https://cdn.ipernity.com/200/28/70/53392870.5d352767.240.jpg?r2" width="240" height="240" alt=""/></a></p><div class="description">After decades of searching I have at last discovered the fabled entrance into the underworld. I feel an overwhelming urge to discover the secrets that lie in the abyss. As I write this account in my journal there is anticipation, and yes, the expectation that I may never again see the light of day. Let it be known that I have lived a full life before I take the plunge into the depths of darkness. With good fortune and provenance from above I may some day surface to tell the world of my discoveries.<br /> With wavering courage and feelings of trepidation, I forge ahead.<br /> <br /> This photo was taken by a Hasselblad 500C medium format film camera with a Carl Zeiss Distagon 1:4 f=50mm lens and Zenza Bronica 67mm SY44•2C(Y1) filter using Ilford FP4 Plus 125 film, the negative scanned by an Epson Perfection V600 and digitally rendered with Photoshop.</div> Scott Holcomb https://www.ipernity.com/doc/296949/53381000/in/group/355357 tag:ipernity.com,2026-07-17,doc-53381000 Fri, 17 Jul 2026 04:14:00 +0000 2013-08-24T11:25:00-07:00 nobody@ipernity.com (Scott Holcomb) <p class="who"><a href="https://www.ipernity.com/home/296949">Scott Holcomb</a> has posted:</p><p class="preview"><a href="https://www.ipernity.com/doc/296949/53381000/in/group/355357"><img src="https://cdn.ipernity.com/200/10/00/53381000.d3c0f1cb.240.jpg?r2" width="240" height="240" alt=""/></a></p><div class="description">Hidden away.<br /> <br /> This photo was taken by a Kowa/SIX medium format film camera and a KOWA 1:3.5/55mm lens with a Kowa L39•3C(UV) ø67 filter using Fuji Pro 400-H film, the negative scanned by an Epson Perfection V600 and digitally rendered with Photoshop.</div> Enchanted Country House <p class="who"><a href="https://www.ipernity.com/home/296949">Scott Holcomb</a> has posted:</p><p class="preview"><a href="https://www.ipernity.com/doc/296949/53381000/in/group/355357"><img src="https://cdn.ipernity.com/200/10/00/53381000.d3c0f1cb.240.jpg?r2" width="240" height="240" alt=""/></a></p><div class="description">Hidden away.<br /> <br /> This photo was taken by a Kowa/SIX medium format film camera and a KOWA 1:3.5/55mm lens with a Kowa L39•3C(UV) ø67 filter using Fuji Pro 400-H film, the negative scanned by an Epson Perfection V600 and digitally rendered with Photoshop.</div> Scott Holcomb https://www.ipernity.com/doc/296949/53379090/in/group/355357 tag:ipernity.com,2026-07-15,doc-53379090 Wed, 15 Jul 2026 04:51:05 +0000 2021-07-30T14:43:00-07:00 nobody@ipernity.com (Scott Holcomb) <p class="who"><a href="https://www.ipernity.com/home/296949">Scott Holcomb</a> has posted:</p><p class="preview"><a href="https://www.ipernity.com/doc/296949/53379090/in/group/355357"><img src="https://cdn.ipernity.com/200/90/90/53379090.69f1bbb1.240.jpg?r2" width="237" height="240" alt=""/></a></p><div class="description">A re-creation of a centuries-old Roman country villa in the Getty Villa Museum.<br /> <br /> This photo was taken by a Kowa/SIX medium format film camera and a KOWA 1:3.5/55mm lens with a Kowa L1A ø67 filter using Kodak Portra 160 film, the negative scanned by an Epson Perfection V600 and digitally rendered with Photoshop</div> Wall Fresco <p class="who"><a href="https://www.ipernity.com/home/296949">Scott Holcomb</a> has posted:</p><p class="preview"><a href="https://www.ipernity.com/doc/296949/53379090/in/group/355357"><img src="https://cdn.ipernity.com/200/90/90/53379090.69f1bbb1.240.jpg?r2" width="237" height="240" alt=""/></a></p><div class="description">A re-creation of a centuries-old Roman country villa in the Getty Villa Museum.<br /> <br /> This photo was taken by a Kowa/SIX medium format film camera and a KOWA 1:3.5/55mm lens with a Kowa L1A ø67 filter using Kodak Portra 160 film, the negative scanned by an Epson Perfection V600 and digitally rendered with Photoshop</div> Scott Holcomb https://www.ipernity.com/doc/296949/53377274/in/group/355357 tag:ipernity.com,2026-07-13,doc-53377274 Mon, 13 Jul 2026 16:41:59 +0000 2013-08-13T13:43:00-07:00 nobody@ipernity.com (Scott Holcomb) <p class="who"><a href="https://www.ipernity.com/home/296949">Scott Holcomb</a> has posted:</p><p class="preview"><a href="https://www.ipernity.com/doc/296949/53377274/in/group/355357"><img src="https://cdn.ipernity.com/200/72/74/53377274.f8e4ef76.240.jpg?r2" width="240" height="240" alt=""/></a></p><div class="description">Have a seat in front of the repository of knowledge.<br /> <br /> This photo was taken by a Zenza Bronica S2 medium format film camera with a Nikkor-H 1:3.5 f=5 cm lens using Fuji Pro 400-H film, the negative scanned by an Epson Perfection V600 Photo scanner and digitally rendered with Photoshop.</div> THE UNIVERSITY LIBRARY <p class="who"><a href="https://www.ipernity.com/home/296949">Scott Holcomb</a> has posted:</p><p class="preview"><a href="https://www.ipernity.com/doc/296949/53377274/in/group/355357"><img src="https://cdn.ipernity.com/200/72/74/53377274.f8e4ef76.240.jpg?r2" width="240" height="240" alt=""/></a></p><div class="description">Have a seat in front of the repository of knowledge.<br /> <br /> This photo was taken by a Zenza Bronica S2 medium format film camera with a Nikkor-H 1:3.5 f=5 cm lens using Fuji Pro 400-H film, the negative scanned by an Epson Perfection V600 Photo scanner and digitally rendered with Photoshop.</div> Scott Holcomb https://www.ipernity.com/doc/296949/53373786/in/group/355357 tag:ipernity.com,2026-07-10,doc-53373786 Fri, 10 Jul 2026 02:36:49 +0000 2013-06-18T13:21:00-07:00 nobody@ipernity.com (Scott Holcomb) <p class="who"><a href="https://www.ipernity.com/home/296949">Scott Holcomb</a> has posted:</p><p class="preview"><a href="https://www.ipernity.com/doc/296949/53373786/in/group/355357"><img src="https://cdn.ipernity.com/200/37/86/53373786.cd4efb35.240.jpg?r2" width="240" height="240" alt=""/></a></p><div class="description">Set Piece . . .<br /> <br /> This photo was taken by a Hasselblad 500C medium format film camera and Carl Zeiss Distagon 1:4 f=50mm T* lens with a Kowa Y2 ø67 filter using Kodak T-MAX 100 film, the negative scanned by an Epson Perfection V600 and digitally rendered with Photoshop.</div> Corner Shot <p class="who"><a href="https://www.ipernity.com/home/296949">Scott Holcomb</a> has posted:</p><p class="preview"><a href="https://www.ipernity.com/doc/296949/53373786/in/group/355357"><img src="https://cdn.ipernity.com/200/37/86/53373786.cd4efb35.240.jpg?r2" width="240" height="240" alt=""/></a></p><div class="description">Set Piece . . .<br /> <br /> This photo was taken by a Hasselblad 500C medium format film camera and Carl Zeiss Distagon 1:4 f=50mm T* lens with a Kowa Y2 ø67 filter using Kodak T-MAX 100 film, the negative scanned by an Epson Perfection V600 and digitally rendered with Photoshop.</div> Scott Holcomb https://www.ipernity.com/doc/296949/53371822/in/group/355357 tag:ipernity.com,2026-07-08,doc-53371822 Wed, 08 Jul 2026 04:09:47 +0000 2013-06-18T13:17:00-07:00 nobody@ipernity.com (Scott Holcomb) <p class="who"><a href="https://www.ipernity.com/home/296949">Scott Holcomb</a> has posted:</p><p class="preview"><a href="https://www.ipernity.com/doc/296949/53371822/in/group/355357"><img src="https://cdn.ipernity.com/200/18/22/53371822.c2a0cf65.240.jpg?r2" width="240" height="240" alt=""/></a></p><div class="description">Solid as a rock!<br /> <br /> This photo was taken by a Hasselblad 500C medium format film camera and Carl Zeiss Distagon 1:4 f=50mm T* lens with a Kowa Y2 ø67 filter using Kodak T-MAX 100 film, the negative scanned by an Epson Perfection V600 and digitally rendered with Photoshop.</div> Stone Wall <p class="who"><a href="https://www.ipernity.com/home/296949">Scott Holcomb</a> has posted:</p><p class="preview"><a href="https://www.ipernity.com/doc/296949/53371822/in/group/355357"><img src="https://cdn.ipernity.com/200/18/22/53371822.c2a0cf65.240.jpg?r2" width="240" height="240" alt=""/></a></p><div class="description">Solid as a rock!<br /> <br /> This photo was taken by a Hasselblad 500C medium format film camera and Carl Zeiss Distagon 1:4 f=50mm T* lens with a Kowa Y2 ø67 filter using Kodak T-MAX 100 film, the negative scanned by an Epson Perfection V600 and digitally rendered with Photoshop.</div> Scott Holcomb https://www.ipernity.com/doc/43980/53369130/in/group/355357 tag:ipernity.com,2026-07-05,doc-53369130 Sun, 05 Jul 2026 04:35:35 +0000 2014-11-16T12:48:33-04:00 nobody@ipernity.com (honeyj) <p class="who"><a href="https://www.ipernity.com/home/43980">honeyj</a> has posted:</p><p class="preview"><a href="https://www.ipernity.com/doc/43980/53369130/in/group/355357"><img src="https://cdn.ipernity.com/200/91/30/53369130.b583733b.240.jpg?r2" width="240" height="158" alt=""/></a></p><div class="description">C'mon, Garth.<br /> Where to, Levon?<br /> Got something I wanna show you. Take a look.<br /> What am I looking at?<br /> It's our new hideaway man! We can grab a few smokes in here and the boss won't know!<br /> You sure? Looks just like the mess Manuel got buried under last month.<br /> Don't worry! That was on the other side of the plant. It's totally safe here!.<br /> Yeah? Ok, you sit under that beam. I'll be over here.<br /> Ha ha! You're trippin' if you think I'm getting under that thing.<br /> I thought you said it's safe.<br /> That term may have a different meaning around here.<br /> I'd say it has no meaning at all in this place.<br /> You may have a point.</div> Safety First <p class="who"><a href="https://www.ipernity.com/home/43980">honeyj</a> has posted:</p><p class="preview"><a href="https://www.ipernity.com/doc/43980/53369130/in/group/355357"><img src="https://cdn.ipernity.com/200/91/30/53369130.b583733b.240.jpg?r2" width="240" height="158" alt=""/></a></p><div class="description">C'mon, Garth.<br /> Where to, Levon?<br /> Got something I wanna show you. Take a look.<br /> What am I looking at?<br /> It's our new hideaway man! We can grab a few smokes in here and the boss won't know!<br /> You sure? Looks just like the mess Manuel got buried under last month.<br /> Don't worry! That was on the other side of the plant. It's totally safe here!.<br /> Yeah? Ok, you sit under that beam. I'll be over here.<br /> Ha ha! You're trippin' if you think I'm getting under that thing.<br /> I thought you said it's safe.<br /> That term may have a different meaning around here.<br /> I'd say it has no meaning at all in this place.<br /> You may have a point.</div> honeyj https://www.ipernity.com/doc/296949/53360484/in/group/355357 tag:ipernity.com,2026-06-26,doc-53360484 Fri, 26 Jun 2026 05:52:27 +0000 2026-03-27T00:00:00-07:00 nobody@ipernity.com (Scott Holcomb) <p class="who"><a href="https://www.ipernity.com/home/296949">Scott Holcomb</a> has posted:</p><p class="preview"><a href="https://www.ipernity.com/doc/296949/53360484/in/group/355357"><img src="https://cdn.ipernity.com/200/04/84/53360484.7e9c5e4b.240.jpg?r2" width="240" height="240" alt=""/></a></p><div class="description">Stay on the designated path.<br /> <br /> This photo was taken by a Hasselblad 500C medium format film camera and Carl Zeiss Distagon 1:4 f=50mm T* lens with a Hasselblad/63 1xHz-0 drop in filter using Fuji Pro 400-H film, the negative scanned by an Epson Perfection V600 and digitalized with Photoshop.</div> Fancy <p class="who"><a href="https://www.ipernity.com/home/296949">Scott Holcomb</a> has posted:</p><p class="preview"><a href="https://www.ipernity.com/doc/296949/53360484/in/group/355357"><img src="https://cdn.ipernity.com/200/04/84/53360484.7e9c5e4b.240.jpg?r2" width="240" height="240" alt=""/></a></p><div class="description">Stay on the designated path.<br /> <br /> This photo was taken by a Hasselblad 500C medium format film camera and Carl Zeiss Distagon 1:4 f=50mm T* lens with a Hasselblad/63 1xHz-0 drop in filter using Fuji Pro 400-H film, the negative scanned by an Epson Perfection V600 and digitalized with Photoshop.</div> Scott Holcomb https://www.ipernity.com/doc/carol.perren/44032544/in/group/355357 tag:ipernity.com,2016-12-20,doc-44032544 Tue, 20 Dec 2016 15:43:43 +0000 2016-12-16T16:42:16+00:00 nobody@ipernity.com (Ecobird) <p class="who"><a href="https://www.ipernity.com/home/carol.perren">Ecobird</a> has posted:</p><p class="preview"><a href="https://www.ipernity.com/doc/carol.perren/44032544/in/group/355357"><img src="https://cdn.ipernity.com/200/25/44/44032544.5cc33aad.240.jpg?r2" width="240" height="162" alt=""/></a></p><div class="description">December Sunset<br /> <br /> Burnham Pier, the shortest pier in Britain, bathed in golden light. The pier is over 100 years old and was the first to be constructed with reinforced concrete. It is currently up for sale.<br /> <br /> The link is a little tongue in cheek, - here is Kirsty McColl and 'There's A Guy Works Down the Chip Shop Swears He's Elvis'<br /> <br /> <a href="https://www.youtube.com/watch?v=DL2GmaI3Xus" target="_blank" rel="nofollow">www.youtube.com/watch?v=DL2GmaI3Xus</a></div> Golden Fries <p class="who"><a href="https://www.ipernity.com/home/carol.perren">Ecobird</a> has posted:</p><p class="preview"><a href="https://www.ipernity.com/doc/carol.perren/44032544/in/group/355357"><img src="https://cdn.ipernity.com/200/25/44/44032544.5cc33aad.240.jpg?r2" width="240" height="162" alt=""/></a></p><div class="description">December Sunset<br /> <br /> Burnham Pier, the shortest pier in Britain, bathed in golden light. The pier is over 100 years old and was the first to be constructed with reinforced concrete. It is currently up for sale.<br /> <br /> The link is a little tongue in cheek, - here is Kirsty McColl and 'There's A Guy Works Down the Chip Shop Swears He's Elvis'<br /> <br /> <a href="https://www.youtube.com/watch?v=DL2GmaI3Xus" target="_blank" rel="nofollow">www.youtube.com/watch?v=DL2GmaI3Xus</a></div> Ecobird https://www.ipernity.com/doc/296949/53356574/in/group/355357 tag:ipernity.com,2026-06-21,doc-53356574 Sun, 21 Jun 2026 19:02:04 +0000 2026-03-19T14:36:00-07:00 nobody@ipernity.com (Scott Holcomb) <p class="who"><a href="https://www.ipernity.com/home/296949">Scott Holcomb</a> has posted:</p><p class="preview"><a href="https://www.ipernity.com/doc/296949/53356574/in/group/355357"><img src="https://cdn.ipernity.com/200/65/74/53356574.2d96ac3a.240.jpg?r2" width="240" height="240" alt=""/></a></p><div class="description">Ahhhh . . .<br /> I thought you didn’t care!<br /> <br /> This photo was taken by a Hasselblad 500C medium format film camera and Carl Zeiss Distagon 1:4 f=50mm T* lens with a Hasselblad/63 1xHz-0 drop in filter using Kodak Ektar 100 film, the negative scanned by an Epson Perfection V600 and digitalized with Photoshop.</div> Spring Bouquet <p class="who"><a href="https://www.ipernity.com/home/296949">Scott Holcomb</a> has posted:</p><p class="preview"><a href="https://www.ipernity.com/doc/296949/53356574/in/group/355357"><img src="https://cdn.ipernity.com/200/65/74/53356574.2d96ac3a.240.jpg?r2" width="240" height="240" alt=""/></a></p><div class="description">Ahhhh . . .<br /> I thought you didn’t care!<br /> <br /> This photo was taken by a Hasselblad 500C medium format film camera and Carl Zeiss Distagon 1:4 f=50mm T* lens with a Hasselblad/63 1xHz-0 drop in filter using Kodak Ektar 100 film, the negative scanned by an Epson Perfection V600 and digitalized with Photoshop.</div> Scott Holcomb https://www.ipernity.com/doc/43980/53356532/in/group/355357 tag:ipernity.com,2026-06-21,doc-53356532 Sun, 21 Jun 2026 17:25:08 +0000 2020-10-07T13:10:09-04:00 nobody@ipernity.com (honeyj) <p class="who"><a href="https://www.ipernity.com/home/43980">honeyj</a> has posted:</p><p class="preview"><a href="https://www.ipernity.com/doc/43980/53356532/in/group/355357"><img src="https://cdn.ipernity.com/200/65/32/53356532.a5b2365f.240.jpg?r2" width="240" height="103" alt=""/></a></p><div class="description">Great view, right, Egon?<br /> Very impressive, Lars. Such a talent!<br /> Thanks. Some things just come natural. <br /> "Some things. . ."<br /> Not for me, of course.<br /> That's what I thought you meant.</div> Talent Is an Asset <p class="who"><a href="https://www.ipernity.com/home/43980">honeyj</a> has posted:</p><p class="preview"><a href="https://www.ipernity.com/doc/43980/53356532/in/group/355357"><img src="https://cdn.ipernity.com/200/65/32/53356532.a5b2365f.240.jpg?r2" width="240" height="103" alt=""/></a></p><div class="description">Great view, right, Egon?<br /> Very impressive, Lars. Such a talent!<br /> Thanks. Some things just come natural. <br /> "Some things. . ."<br /> Not for me, of course.<br /> That's what I thought you meant.</div> honeyj https://www.ipernity.com/doc/296949/53354010/in/group/355357 tag:ipernity.com,2026-06-19,doc-53354010 Fri, 19 Jun 2026 06:14:47 +0000 2021-07-29T11:21:00-07:00 nobody@ipernity.com (Scott Holcomb) <p class="who"><a href="https://www.ipernity.com/home/296949">Scott Holcomb</a> has posted:</p><p class="preview"><a href="https://www.ipernity.com/doc/296949/53354010/in/group/355357"><img src="https://cdn.ipernity.com/200/40/10/53354010.37a94248.240.jpg?r2" width="240" height="240" alt=""/></a></p><div class="description">Blessed be thine fence . . .<br /> <br /> This photo was taken by a Kowa/SIX medium format film camera and a KOWA 1:3.5/55mm lens with a Kowa L1A ø67 filter using Kodak Portra 160 film, the negative scanned by an Epson Perfection V600 and digitally rendered with Photoshop.</div> Sacred Fence <p class="who"><a href="https://www.ipernity.com/home/296949">Scott Holcomb</a> has posted:</p><p class="preview"><a href="https://www.ipernity.com/doc/296949/53354010/in/group/355357"><img src="https://cdn.ipernity.com/200/40/10/53354010.37a94248.240.jpg?r2" width="240" height="240" alt=""/></a></p><div class="description">Blessed be thine fence . . .<br /> <br /> This photo was taken by a Kowa/SIX medium format film camera and a KOWA 1:3.5/55mm lens with a Kowa L1A ø67 filter using Kodak Portra 160 film, the negative scanned by an Epson Perfection V600 and digitally rendered with Photoshop.</div> Scott Holcomb https://www.ipernity.com/doc/296949/53352598/in/group/355357 tag:ipernity.com,2026-06-17,doc-53352598 Wed, 17 Jun 2026 05:17:44 +0000 2017-05-04T13:29:00-07:00 nobody@ipernity.com (Scott Holcomb) <p class="who"><a href="https://www.ipernity.com/home/296949">Scott Holcomb</a> has posted:</p><p class="preview"><a href="https://www.ipernity.com/doc/296949/53352598/in/group/355357"><img src="https://cdn.ipernity.com/200/25/98/53352598.8804ca62.240.jpg?r2" width="240" height="240" alt=""/></a></p><div class="description">Ansel Adams earned a modest living as a stage performer in the Ahwahnee Hotel in the late 1920s before he became famous for his photography. Ansel was a man of many talents although I am grateful that he found his true calling - photography. His photos of the natural beauty of the West served to garner public support for the preservation of such areas within the National Parks system.<br /> <br /> This photo was taken by a Kowa/SIX medium format film camera and KOWA 1:3.5/55 lens with a Kowa L39•3C(UV) ø67 filter using Kodak Portra 800 film, the negative scanned by an Epson Perfection V600 and digitally rendered in Photoshop.</div> Ahwahnee Dining Room <p class="who"><a href="https://www.ipernity.com/home/296949">Scott Holcomb</a> has posted:</p><p class="preview"><a href="https://www.ipernity.com/doc/296949/53352598/in/group/355357"><img src="https://cdn.ipernity.com/200/25/98/53352598.8804ca62.240.jpg?r2" width="240" height="240" alt=""/></a></p><div class="description">Ansel Adams earned a modest living as a stage performer in the Ahwahnee Hotel in the late 1920s before he became famous for his photography. Ansel was a man of many talents although I am grateful that he found his true calling - photography. His photos of the natural beauty of the West served to garner public support for the preservation of such areas within the National Parks system.<br /> <br /> This photo was taken by a Kowa/SIX medium format film camera and KOWA 1:3.5/55 lens with a Kowa L39•3C(UV) ø67 filter using Kodak Portra 800 film, the negative scanned by an Epson Perfection V600 and digitally rendered in Photoshop.</div> Scott Holcomb https://www.ipernity.com/doc/43980/53348852/in/group/355357 tag:ipernity.com,2026-06-12,doc-53348852 Fri, 12 Jun 2026 18:06:01 +0000 2016-02-28T02:25:57-04:00 nobody@ipernity.com (honeyj) <p class="who"><a href="https://www.ipernity.com/home/43980">honeyj</a> has posted:</p><p class="preview"><a href="https://www.ipernity.com/doc/43980/53348852/in/group/355357"><img src="https://cdn.ipernity.com/200/88/52/53348852.202e1efe.240.jpg?r2" width="240" height="132" alt=""/></a></p><div class="description">What are we doing here, Lou?<br /> We're waiting for the shipment.<br /> Here?<br /> It'll cruise right under that bridge.<br /> And then what?<br /> They'll send a signal.<br /> How?<br /> Over the radio.<br /> What radio?<br /> The one in your. . . where's the radio? I told you to grab it!<br /> That thing was a radio? I thought you meant bring the lunch! <br /> Lunch? The damn radio is still in the car? Are you shitting me?<br /> Look! I made tuna and green onions. Just the way you like it! Cookies too. see?<br /> Gimme that! Now go get the damn radio.<br /> Just don't eat it all, ok?<br /> Get going, doofus! We miss the shipment, you'll be worrying about more than a tuna sandwich.<br /> Ok, but at least leave me a cookie.<br /> Go!<br /> Cookie?<br /> Ok! Jesus!<br /> Awesome.</div> The Digital Age <p class="who"><a href="https://www.ipernity.com/home/43980">honeyj</a> has posted:</p><p class="preview"><a href="https://www.ipernity.com/doc/43980/53348852/in/group/355357"><img src="https://cdn.ipernity.com/200/88/52/53348852.202e1efe.240.jpg?r2" width="240" height="132" alt=""/></a></p><div class="description">What are we doing here, Lou?<br /> We're waiting for the shipment.<br /> Here?<br /> It'll cruise right under that bridge.<br /> And then what?<br /> They'll send a signal.<br /> How?<br /> Over the radio.<br /> What radio?<br /> The one in your. . . where's the radio? I told you to grab it!<br /> That thing was a radio? I thought you meant bring the lunch! <br /> Lunch? The damn radio is still in the car? Are you shitting me?<br /> Look! I made tuna and green onions. Just the way you like it! Cookies too. see?<br /> Gimme that! Now go get the damn radio.<br /> Just don't eat it all, ok?<br /> Get going, doofus! We miss the shipment, you'll be worrying about more than a tuna sandwich.<br /> Ok, but at least leave me a cookie.<br /> Go!<br /> Cookie?<br /> Ok! Jesus!<br /> Awesome.</div> honeyj https://www.ipernity.com/doc/296949/53347342/in/group/355357 tag:ipernity.com,2026-06-10,doc-53347342 Wed, 10 Jun 2026 16:04:59 +0000 2017-05-06T11:44:00-07:00 nobody@ipernity.com (Scott Holcomb) <p class="who"><a href="https://www.ipernity.com/home/296949">Scott Holcomb</a> has posted:</p><p class="preview"><a href="https://www.ipernity.com/doc/296949/53347342/in/group/355357"><img src="https://cdn.ipernity.com/200/73/42/53347342.3a3983a3.240.jpg?r2" width="240" height="240" alt=""/></a></p><div class="description">The Monolith of Mojave has stood here silently for millennia, it's origins cloaked in mystery.<br /> Theories of who erected this stone monument vary - from an unknown ancient civilization to extraterrestrial beings.<br /> Ideas of it's purpose also differ - from religious purposes to a celestial marker.<br /> Naysayers, such as geologists and academics, dismiss this as a mere natural rock formation.<br /> <br /> This photo was taken by a Kowa/SIX medium format film camera and KOWA 1:3.5/55mm lens using Fuji 160NS film, the negative scanned by an Epson Perfection V600 and digitalized using Photoshop.</div> Monolith of Mojave <p class="who"><a href="https://www.ipernity.com/home/296949">Scott Holcomb</a> has posted:</p><p class="preview"><a href="https://www.ipernity.com/doc/296949/53347342/in/group/355357"><img src="https://cdn.ipernity.com/200/73/42/53347342.3a3983a3.240.jpg?r2" width="240" height="240" alt=""/></a></p><div class="description">The Monolith of Mojave has stood here silently for millennia, it's origins cloaked in mystery.<br /> Theories of who erected this stone monument vary - from an unknown ancient civilization to extraterrestrial beings.<br /> Ideas of it's purpose also differ - from religious purposes to a celestial marker.<br /> Naysayers, such as geologists and academics, dismiss this as a mere natural rock formation.<br /> <br /> This photo was taken by a Kowa/SIX medium format film camera and KOWA 1:3.5/55mm lens using Fuji 160NS film, the negative scanned by an Epson Perfection V600 and digitalized using Photoshop.</div> Scott Holcomb https://www.ipernity.com/doc/296949/53344258/in/group/355357 tag:ipernity.com,2026-06-06,doc-53344258 Sat, 06 Jun 2026 18:00:54 +0000 2014-02-17T12:22:00-07:00 nobody@ipernity.com (Scott Holcomb) <p class="who"><a href="https://www.ipernity.com/home/296949">Scott Holcomb</a> has posted:</p><p class="preview"><a href="https://www.ipernity.com/doc/296949/53344258/in/group/355357"><img src="https://cdn.ipernity.com/200/42/58/53344258.97b87167.240.jpg?r2" width="240" height="240" alt=""/></a></p><div class="description">Pre-flight check<br /> <br /> This photo was taken by a Hasselblad 500C medium format film camera and Carl Zeiss Distagon 1:4 f=50mm lens using Rollei Retro 400S film, the negative scanned by an Epson Perfection V600 and digitalized with Photoshop.</div> Control Panel <p class="who"><a href="https://www.ipernity.com/home/296949">Scott Holcomb</a> has posted:</p><p class="preview"><a href="https://www.ipernity.com/doc/296949/53344258/in/group/355357"><img src="https://cdn.ipernity.com/200/42/58/53344258.97b87167.240.jpg?r2" width="240" height="240" alt=""/></a></p><div class="description">Pre-flight check<br /> <br /> This photo was taken by a Hasselblad 500C medium format film camera and Carl Zeiss Distagon 1:4 f=50mm lens using Rollei Retro 400S film, the negative scanned by an Epson Perfection V600 and digitalized with Photoshop.</div> Scott Holcomb https://www.ipernity.com/doc/296949/53344256/in/group/355357 tag:ipernity.com,2026-06-06,doc-53344256 Sat, 06 Jun 2026 18:00:46 +0000 2014-02-17T12:29:00-07:00 nobody@ipernity.com (Scott Holcomb) <p class="who"><a href="https://www.ipernity.com/home/296949">Scott Holcomb</a> has posted:</p><p class="preview"><a href="https://www.ipernity.com/doc/296949/53344256/in/group/355357"><img src="https://cdn.ipernity.com/200/42/56/53344256.f493bb4a.240.jpg?r2" width="240" height="240" alt=""/></a></p><div class="description">Pre-flight check<br /> <br /> This photo was taken by a Hasselblad 500C medium format film camera and Carl Zeiss Distagon 1:4 f=50mm lens using Rollei Retro 400S film, the negative scanned by an Epson Perfection V600 and digitalized with Photoshop.</div> Overhead Controls <p class="who"><a href="https://www.ipernity.com/home/296949">Scott Holcomb</a> has posted:</p><p class="preview"><a href="https://www.ipernity.com/doc/296949/53344256/in/group/355357"><img src="https://cdn.ipernity.com/200/42/56/53344256.f493bb4a.240.jpg?r2" width="240" height="240" alt=""/></a></p><div class="description">Pre-flight check<br /> <br /> This photo was taken by a Hasselblad 500C medium format film camera and Carl Zeiss Distagon 1:4 f=50mm lens using Rollei Retro 400S film, the negative scanned by an Epson Perfection V600 and digitalized with Photoshop.</div> Scott Holcomb https://www.ipernity.com/doc/296949/53342276/in/group/355357 tag:ipernity.com,2026-06-04,doc-53342276 Thu, 04 Jun 2026 16:20:25 +0000 2026-03-23T13:19:00-07:00 nobody@ipernity.com (Scott Holcomb) <p class="who"><a href="https://www.ipernity.com/home/296949">Scott Holcomb</a> has posted:</p><p class="preview"><a href="https://www.ipernity.com/doc/296949/53342276/in/group/355357"><img src="https://cdn.ipernity.com/200/22/76/53342276.30449a83.240.jpg?r2" width="240" height="240" alt=""/></a></p><div class="description">Life beneath the waves.<br /> <br /> This photo was taken by a Hasselblad 500C medium format film camera and Carl Zeiss Distagon 1:4 f=50mm T* lens with a Hasselblad/63 1xHz-0 drop in filter using Kodak Portra 800 film, the negative scanned by an Epson Perfection V600 and digitalized with Photoshop.</div> Colorful Life on the Reef <p class="who"><a href="https://www.ipernity.com/home/296949">Scott Holcomb</a> has posted:</p><p class="preview"><a href="https://www.ipernity.com/doc/296949/53342276/in/group/355357"><img src="https://cdn.ipernity.com/200/22/76/53342276.30449a83.240.jpg?r2" width="240" height="240" alt=""/></a></p><div class="description">Life beneath the waves.<br /> <br /> This photo was taken by a Hasselblad 500C medium format film camera and Carl Zeiss Distagon 1:4 f=50mm T* lens with a Hasselblad/63 1xHz-0 drop in filter using Kodak Portra 800 film, the negative scanned by an Epson Perfection V600 and digitalized with Photoshop.</div> Scott Holcomb https://www.ipernity.com/doc/296949/53337356/in/group/355357 tag:ipernity.com,2026-05-30,doc-53337356 Sat, 30 May 2026 17:27:10 +0000 2026-03-23T14:43:00-07:00 nobody@ipernity.com (Scott Holcomb) <p class="who"><a href="https://www.ipernity.com/home/296949">Scott Holcomb</a> has posted:</p><p class="preview"><a href="https://www.ipernity.com/doc/296949/53337356/in/group/355357"><img src="https://cdn.ipernity.com/200/73/56/53337356.1de49a27.240.jpg?r2" width="240" height="240" alt=""/></a></p><div class="description">Hidden within all of us are traces of our genesis as a species.<br /> <br /> This photo was taken by a Hasselblad 500C medium format film camera and Carl Zeiss Distagon 1:4 f=50mm T* lens with a Hasselblad/63 1xHz-0 drop in filter using Ilford Delta 3200 film, the negative scanned by an Epson Perfection V600 and digitally rendered with Photoshop.</div> Origins <p class="who"><a href="https://www.ipernity.com/home/296949">Scott Holcomb</a> has posted:</p><p class="preview"><a href="https://www.ipernity.com/doc/296949/53337356/in/group/355357"><img src="https://cdn.ipernity.com/200/73/56/53337356.1de49a27.240.jpg?r2" width="240" height="240" alt=""/></a></p><div class="description">Hidden within all of us are traces of our genesis as a species.<br /> <br /> This photo was taken by a Hasselblad 500C medium format film camera and Carl Zeiss Distagon 1:4 f=50mm T* lens with a Hasselblad/63 1xHz-0 drop in filter using Ilford Delta 3200 film, the negative scanned by an Epson Perfection V600 and digitally rendered with Photoshop.</div> Scott Holcomb