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  <title>Contributions of the group color</title>
  <link>https://www.ipernity.com/group/color/doc</link>
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    <title>Contributions of the group color</title>
    <link>https://www.ipernity.com/group/color/doc</link>
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  <description>color</description>
  <pubDate>Tue, 19 May 2026 12:26:44 +0000</pubDate>
  <lastBuildDate>Tue, 19 May 2026 12:26:44 +0000</lastBuildDate>
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    <title>Saine occupation vu la météo annoncée... [EXPLORER]</title>
    <link>https://www.ipernity.com/doc/franck-b-chabal/53325878/in/group/44935</link>
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    <pubDate>Sat, 16 May 2026 06:35:34 +0000</pubDate>
    <dc:date.created>2026-05-16T08:35:34+02:00</dc:date.created>
    <author>nobody@ipernity.com (Franck Chabal)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/franck-b-chabal"&gt;Franck Chabal&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/franck-b-chabal/53325878/in/group/44935"&gt;&lt;img src="https://cdn.ipernity.com/200/58/78/53325878.5cfdacb0.240.jpg?r2" width="180" height="240" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;&lt;/div&gt;</description>
    <media:title>Saine occupation vu la météo annoncée... [EXPLORER]</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/franck-b-chabal"&gt;Franck Chabal&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/franck-b-chabal/53325878/in/group/44935"&gt;&lt;img src="https://cdn.ipernity.com/200/58/78/53325878.5cfdacb0.240.jpg?r2" width="180" height="240" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;&lt;/div&gt;</media:text>
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    <media:credit role="author">Franck Chabal</media:credit>
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    <title>Ein bißchen Licht mal eingesetzt für das Detail der Glühbirne :)) A little light was used to highlight the detail of the lightbulb :)) Un peu de lumière a été utilisée pour mettre en valeur les détails de l&amp;#039;ampoule :))</title>
    <link>https://www.ipernity.com/doc/guenter.klaus/53317908/in/group/44935</link>
    <guid isPermaLink="false">tag:ipernity.com,2026-05-09,doc-53317908</guid>
    <pubDate>Sat, 09 May 2026 10:01:21 +0000</pubDate>
    <dc:date.created>2026-04-29T10:51:40+02:00</dc:date.created>
    <author>nobody@ipernity.com (Günter Klaus)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/guenter.klaus"&gt;Günter Klaus&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/guenter.klaus/53317908/in/group/44935"&gt;&lt;img src="https://cdn.ipernity.com/200/79/08/53317908.31b5292c.240.jpg?r2" width="240" height="155" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Licht und Farben ist für einen Fotografen immer wichtig und verwandelt so die Motive in ganz andere Ansichten,hier habe ich mir das Schraubteil einer Glühbirne ausgesucht und es mit 3 Farblichtern,Rot,Grün und Blau angestrahlt und dass sind die Ergebnisse,in meinen letzten Pip 5 sieht man das Teil ohne Licht,was so irgendwie fade rüberkommt :))&lt;br /&gt;
Pip1-5: Nahaufnahmen der Glühbirne mit Farblichtern&lt;br /&gt;
&lt;br /&gt;
Light and color are always important for a photographer, transforming subjects into completely different perspectives. Here, I chose the screw base of a lightbulb and illuminated it with three colored lights: red, green, and blue. These are the results. In my last five photos, you can see the bulb without light, which looks rather bland. :))&lt;br /&gt;
Photos 1-5: Close-ups of the lightbulb with colored lights&lt;br /&gt;
&lt;br /&gt;
La lumière et la couleur sont essentielles pour un photographe, car elles transforment les sujets et leur offrent des perspectives totalement différentes. Ici, j'ai choisi le culot à vis d'une ampoule et je l'ai illuminé avec trois lumières colorées : rouge, verte et bleue. Voici le résultat. Sur mes cinq dernières photos, vous pouvez voir l'ampoule sans lumière, ce qui la rend plutôt fade. :))&lt;br /&gt;
Photos 1 à 5 : Gros plans de l'ampoule illuminée.&lt;/div&gt;</description>
    <media:title>Ein bißchen Licht mal eingesetzt für das Detail der Glühbirne :)) A little light was used to highlight the detail of the lightbulb :)) Un peu de lumière a été utilisée pour mettre en valeur les détails de l&amp;#039;ampoule :))</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/guenter.klaus"&gt;Günter Klaus&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/guenter.klaus/53317908/in/group/44935"&gt;&lt;img src="https://cdn.ipernity.com/200/79/08/53317908.31b5292c.240.jpg?r2" width="240" height="155" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Licht und Farben ist für einen Fotografen immer wichtig und verwandelt so die Motive in ganz andere Ansichten,hier habe ich mir das Schraubteil einer Glühbirne ausgesucht und es mit 3 Farblichtern,Rot,Grün und Blau angestrahlt und dass sind die Ergebnisse,in meinen letzten Pip 5 sieht man das Teil ohne Licht,was so irgendwie fade rüberkommt :))&lt;br /&gt;
Pip1-5: Nahaufnahmen der Glühbirne mit Farblichtern&lt;br /&gt;
&lt;br /&gt;
Light and color are always important for a photographer, transforming subjects into completely different perspectives. Here, I chose the screw base of a lightbulb and illuminated it with three colored lights: red, green, and blue. These are the results. In my last five photos, you can see the bulb without light, which looks rather bland. :))&lt;br /&gt;
Photos 1-5: Close-ups of the lightbulb with colored lights&lt;br /&gt;
&lt;br /&gt;
La lumière et la couleur sont essentielles pour un photographe, car elles transforment les sujets et leur offrent des perspectives totalement différentes. Ici, j'ai choisi le culot à vis d'une ampoule et je l'ai illuminé avec trois lumières colorées : rouge, verte et bleue. Voici le résultat. Sur mes cinq dernières photos, vous pouvez voir l'ampoule sans lumière, ce qui la rend plutôt fade. :))&lt;br /&gt;
Photos 1 à 5 : Gros plans de l'ampoule illuminée.&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/200/79/08/53317908.9f72e8af.1024.jpg?r2" type="image/jpeg" width="1024" height="658" duration="0" isDefault="true"  />
    <media:thumbnail url="https://cdn.ipernity.com/200/79/08/53317908.31b5292c.240.jpg?r2" width="240" height="155"/>
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    <media:credit role="author">Günter Klaus</media:credit>
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    <title>ARC - I/S Amager Ressourcecenter</title>
    <link>https://www.ipernity.com/doc/havran/53322100/in/group/44935</link>
    <guid isPermaLink="false">tag:ipernity.com,2026-05-12,doc-53322100</guid>
    <pubDate>Tue, 12 May 2026 19:07:28 +0000</pubDate>
    <dc:date.created>2025-08-15T22:45:21+02:00</dc:date.created>
    <author>nobody@ipernity.com (m̌ ḫ)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/havran"&gt;m̌ ḫ&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/havran/53322100/in/group/44935"&gt;&lt;img src="https://cdn.ipernity.com/200/21/00/53322100.2bc0f002.240.jpg?r2" width="240" height="164" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Amager Bakke (Copenhill) is a striking, angular building whose entire mass is wrapped in a shimmering “brick” façade of stacked aluminum panels, giving it an almost pixelated, industrial sculpture look. Its most famous feature is the sloping roof that becomes a full‑length artificial ski slope with green surface in summer and snow in winter, flanked by walking paths and a dramatic outdoor climbing wall on one side. Large, square openings and a clean, minimalistic profile make the plant read more like a contemporary cultural venue or art museum than a conventional incinerator, especially when illuminated at night. Behind this expressive architecture, the facility works as a combined heat‑and‑power plant, turning the city’s non‑recyclable waste into both district heating and electricity for surrounding households.&lt;/div&gt;</description>
    <media:title>ARC - I/S Amager Ressourcecenter</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/havran"&gt;m̌ ḫ&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/havran/53322100/in/group/44935"&gt;&lt;img src="https://cdn.ipernity.com/200/21/00/53322100.2bc0f002.240.jpg?r2" width="240" height="164" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Amager Bakke (Copenhill) is a striking, angular building whose entire mass is wrapped in a shimmering “brick” façade of stacked aluminum panels, giving it an almost pixelated, industrial sculpture look. Its most famous feature is the sloping roof that becomes a full‑length artificial ski slope with green surface in summer and snow in winter, flanked by walking paths and a dramatic outdoor climbing wall on one side. Large, square openings and a clean, minimalistic profile make the plant read more like a contemporary cultural venue or art museum than a conventional incinerator, especially when illuminated at night. Behind this expressive architecture, the facility works as a combined heat‑and‑power plant, turning the city’s non‑recyclable waste into both district heating and electricity for surrounding households.&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/200/21/00/53322100.e18fbf83.1024.jpg?r2" type="image/jpeg" width="1024" height="697" duration="0" isDefault="true"  />
    <media:thumbnail url="https://cdn.ipernity.com/200/21/00/53322100.2bc0f002.240.jpg?r2" width="240" height="164"/>
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    <media:credit role="author">m̌ ḫ</media:credit>
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  <item>
    <title>Solitude Under Jomolhari</title>
    <link>https://www.ipernity.com/doc/havran/45178832/in/group/44935</link>
    <guid isPermaLink="false">tag:ipernity.com,2026-05-07,doc-45178832</guid>
    <pubDate>Thu, 07 May 2026 10:44:29 +0000</pubDate>
    <dc:date.created>2017-07-02T23:38:59+05:30</dc:date.created>
    <author>nobody@ipernity.com (m̌ ḫ)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/havran"&gt;m̌ ḫ&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/havran/45178832/in/group/44935"&gt;&lt;img src="https://cdn.ipernity.com/200/88/32/45178832.46550b67.240.jpg?r2" width="240" height="160" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Bhutan is often overlooked — its carefully managed tourism and mandatory daily fees push many travelers toward the “free” alternatives across the Himalayas. But those who skip it miss something rare. This journey was one of those quiet rewards.&lt;br /&gt;
&lt;br /&gt;
We spent six days trekking across high terrain, crossing three passes above 4,000 meters, moving through landscapes that feel both vast and deeply personal. Nights were spent under the shadow of Jomolhari (7,326 m), Bhutan’s second-highest peak, rising with a presence that is both imposing and serene.&lt;br /&gt;
&lt;br /&gt;
What stayed with us just as much as the mountains was the absence of crowds. Over those days, we encountered almost no tourists—just a few solitary trekkers here and there—leaving long stretches of silence and a rare sense of solitude.&lt;br /&gt;
&lt;br /&gt;
There is a certain stillness in Bhutan—not just in its mountains, but in its approach to the world. This trek was not only about altitude or distance, but about stepping, briefly, into that different rhythm.&lt;/div&gt;</description>
    <media:title>Solitude Under Jomolhari</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/havran"&gt;m̌ ḫ&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/havran/45178832/in/group/44935"&gt;&lt;img src="https://cdn.ipernity.com/200/88/32/45178832.46550b67.240.jpg?r2" width="240" height="160" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Bhutan is often overlooked — its carefully managed tourism and mandatory daily fees push many travelers toward the “free” alternatives across the Himalayas. But those who skip it miss something rare. This journey was one of those quiet rewards.&lt;br /&gt;
&lt;br /&gt;
We spent six days trekking across high terrain, crossing three passes above 4,000 meters, moving through landscapes that feel both vast and deeply personal. Nights were spent under the shadow of Jomolhari (7,326 m), Bhutan’s second-highest peak, rising with a presence that is both imposing and serene.&lt;br /&gt;
&lt;br /&gt;
What stayed with us just as much as the mountains was the absence of crowds. Over those days, we encountered almost no tourists—just a few solitary trekkers here and there—leaving long stretches of silence and a rare sense of solitude.&lt;br /&gt;
&lt;br /&gt;
There is a certain stillness in Bhutan—not just in its mountains, but in its approach to the world. This trek was not only about altitude or distance, but about stepping, briefly, into that different rhythm.&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/200/88/32/45178832.94515847.1024.jpg?r2" type="image/jpeg" width="1024" height="683" duration="0" isDefault="true"  />
    <media:thumbnail url="https://cdn.ipernity.com/200/88/32/45178832.46550b67.240.jpg?r2" width="240" height="160"/>
    <media:thumbnail url="https://cdn.ipernity.com/200/88/32/45178832.46550b67.100.jpg?r2" width="100" height="67"/>
    <media:credit role="author">m̌ ḫ</media:credit>
  </item>
  <item>
    <title>Buntes Allerlei</title>
    <link>https://www.ipernity.com/doc/2808430/53315820/in/group/44935</link>
    <guid isPermaLink="false">tag:ipernity.com,2026-05-06,doc-53315820</guid>
    <pubDate>Wed, 06 May 2026 15:25:49 +0000</pubDate>
    <dc:date.created>2023-07-19T10:04:34+02:00</dc:date.created>
    <author>nobody@ipernity.com (Jo WaLo)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/2808430"&gt;Jo WaLo&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/2808430/53315820/in/group/44935"&gt;&lt;img src="https://cdn.ipernity.com/200/58/20/53315820.c4d7eb48.240.jpg?r2" width="240" height="160" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Entdeckt bei einem sommerlichen Fotospaziergang durch Lingen. Sony RX100III, Zeiss Vario-Sonnar T 8,8-25,7mm f1.8-2.8, Juli 2023&lt;/div&gt;</description>
    <media:title>Buntes Allerlei</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/2808430"&gt;Jo WaLo&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/2808430/53315820/in/group/44935"&gt;&lt;img src="https://cdn.ipernity.com/200/58/20/53315820.c4d7eb48.240.jpg?r2" width="240" height="160" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Entdeckt bei einem sommerlichen Fotospaziergang durch Lingen. Sony RX100III, Zeiss Vario-Sonnar T 8,8-25,7mm f1.8-2.8, Juli 2023&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/200/58/20/53315820.fac625c4.1024.jpg?r2" type="image/jpeg" width="1024" height="683" duration="0" isDefault="true"  />
    <media:thumbnail url="https://cdn.ipernity.com/200/58/20/53315820.c4d7eb48.240.jpg?r2" width="240" height="160"/>
    <media:thumbnail url="https://cdn.ipernity.com/200/58/20/53315820.c4d7eb48.100.jpg?r2" width="100" height="67"/>
    <media:credit role="author">Jo WaLo</media:credit>
  </item>
  <item>
    <title>Under The Umbrella</title>
    <link>https://www.ipernity.com/doc/edletts/53312818/in/group/44935</link>
    <guid isPermaLink="false">tag:ipernity.com,2026-05-03,doc-53312818</guid>
    <pubDate>Sun, 03 May 2026 13:10:33 +0000</pubDate>
    <dc:date.created>2026-05-01T02:28:45-04:00</dc:date.created>
    <author>nobody@ipernity.com (Ed Letts)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/edletts"&gt;Ed Letts&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/edletts/53312818/in/group/44935"&gt;&lt;img src="https://cdn.ipernity.com/200/28/18/53312818.17f8b9d1.240.jpg?r2" width="240" height="183" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;I was sitting on the beach disappointed that there were no good photos to take when I looked up and saw this.&lt;/div&gt;</description>
    <media:title>Under The Umbrella</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/edletts"&gt;Ed Letts&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/edletts/53312818/in/group/44935"&gt;&lt;img src="https://cdn.ipernity.com/200/28/18/53312818.17f8b9d1.240.jpg?r2" width="240" height="183" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;I was sitting on the beach disappointed that there were no good photos to take when I looked up and saw this.&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/200/28/18/53312818.1dde9886.1024.jpg?r2" type="image/jpeg" width="1024" height="780" duration="0" isDefault="true"  />
    <media:thumbnail url="https://cdn.ipernity.com/200/28/18/53312818.17f8b9d1.240.jpg?r2" width="240" height="183"/>
    <media:thumbnail url="https://cdn.ipernity.com/200/28/18/53312818.17f8b9d1.100.jpg?r2" width="100" height="77"/>
    <media:credit role="author">Ed Letts</media:credit>
  </item>
  <item>
    <title>Wassertropfen auf Smartphone Display I</title>
    <link>https://www.ipernity.com/doc/lainesforcoffee/53312432/in/group/44935</link>
    <guid isPermaLink="false">tag:ipernity.com,2026-05-03,doc-53312432</guid>
    <pubDate>Sun, 03 May 2026 06:10:37 +0000</pubDate>
    <dc:date.created>2026-05-03T07:50:12+02:00</dc:date.created>
    <author>nobody@ipernity.com (Thomas Heizmann)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/lainesforcoffee"&gt;Thomas Heizmann&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/lainesforcoffee/53312432/in/group/44935"&gt;&lt;img src="https://cdn.ipernity.com/200/24/32/53312432.b7cc9396.240.jpg?r2" width="240" height="180" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;&lt;/div&gt;</description>
    <media:title>Wassertropfen auf Smartphone Display I</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/lainesforcoffee"&gt;Thomas Heizmann&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/lainesforcoffee/53312432/in/group/44935"&gt;&lt;img src="https://cdn.ipernity.com/200/24/32/53312432.b7cc9396.240.jpg?r2" width="240" height="180" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/200/24/32/53312432.0e864210.1024.jpg?r2" type="image/jpeg" width="1024" height="768" duration="0" isDefault="true"  />
    <media:thumbnail url="https://cdn.ipernity.com/200/24/32/53312432.b7cc9396.240.jpg?r2" width="240" height="180"/>
    <media:thumbnail url="https://cdn.ipernity.com/200/24/32/53312432.b7cc9396.100.jpg?r2" width="100" height="75"/>
    <media:credit role="author">Thomas Heizmann</media:credit>
  </item>
  <item>
    <title>Life on the water</title>
    <link>https://www.ipernity.com/doc/havran/53308446/in/group/44935</link>
    <guid isPermaLink="false">tag:ipernity.com,2026-04-28,doc-53308446</guid>
    <pubDate>Tue, 28 Apr 2026 17:17:15 +0000</pubDate>
    <dc:date.created>2026-04-17T16:37:02+02:00</dc:date.created>
    <author>nobody@ipernity.com (m̌ ḫ)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/havran"&gt;m̌ ḫ&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/havran/53308446/in/group/44935"&gt;&lt;img src="https://cdn.ipernity.com/200/84/46/53308446.93310e46.240.jpg?r2" width="240" height="159" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;How lovely how this feels like a memory from Vietnam itself: the nón lá silhouettes, the river and the soft haze are kept intact, while the gentle scars of expired film and age give the scene an almost dreamlike authenticity rather than a ‘perfect’ digital look.&lt;/div&gt;</description>
    <media:title>Life on the water</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/havran"&gt;m̌ ḫ&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/havran/53308446/in/group/44935"&gt;&lt;img src="https://cdn.ipernity.com/200/84/46/53308446.93310e46.240.jpg?r2" width="240" height="159" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;How lovely how this feels like a memory from Vietnam itself: the nón lá silhouettes, the river and the soft haze are kept intact, while the gentle scars of expired film and age give the scene an almost dreamlike authenticity rather than a ‘perfect’ digital look.&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/200/84/46/53308446.08b4525d.1024.jpg?r2" type="image/jpeg" width="1024" height="679" duration="0" isDefault="true"  />
    <media:thumbnail url="https://cdn.ipernity.com/200/84/46/53308446.93310e46.240.jpg?r2" width="240" height="159"/>
    <media:thumbnail url="https://cdn.ipernity.com/200/84/46/53308446.93310e46.100.jpg?r2" width="100" height="67"/>
    <media:credit role="author">m̌ ḫ</media:credit>
  </item>
  <item>
    <title>Iz mog cvijetnjaka</title>
    <link>https://www.ipernity.com/doc/1074033/53307690/in/group/44935</link>
    <guid isPermaLink="false">tag:ipernity.com,2026-04-27,doc-53307690</guid>
    <pubDate>Mon, 27 Apr 2026 18:02:38 +0000</pubDate>
    <dc:date.created>2014-04-26T10:42:45+02:00</dc:date.created>
    <author>nobody@ipernity.com (Petar Bojić)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/1074033"&gt;Petar Bojić&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/1074033/53307690/in/group/44935"&gt;&lt;img src="https://cdn.ipernity.com/200/76/90/53307690.eb275520.240.jpg?r2" width="240" height="211" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;&lt;/div&gt;</description>
    <media:title>Iz mog cvijetnjaka</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/1074033"&gt;Petar Bojić&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/1074033/53307690/in/group/44935"&gt;&lt;img src="https://cdn.ipernity.com/200/76/90/53307690.eb275520.240.jpg?r2" width="240" height="211" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/200/76/90/53307690.d2423578.1024.jpg?r2" type="image/jpeg" width="1024" height="898" duration="0" isDefault="true"  />
    <media:thumbnail url="https://cdn.ipernity.com/200/76/90/53307690.eb275520.240.jpg?r2" width="240" height="211"/>
    <media:thumbnail url="https://cdn.ipernity.com/200/76/90/53307690.eb275520.100.jpg?r2" width="100" height="88"/>
    <media:credit role="author">Petar Bojić</media:credit>
  </item>
  <item>
    <title>What you can spot from a ship</title>
    <link>https://www.ipernity.com/doc/havran/53306832/in/group/44935</link>
    <guid isPermaLink="false">tag:ipernity.com,2026-04-26,doc-53306832</guid>
    <pubDate>Sun, 26 Apr 2026 17:56:43 +0000</pubDate>
    <dc:date.created>2026-04-17T16:36:36+02:00</dc:date.created>
    <author>nobody@ipernity.com (m̌ ḫ)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/havran"&gt;m̌ ḫ&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/havran/53306832/in/group/44935"&gt;&lt;img src="https://cdn.ipernity.com/200/68/32/53306832.c51e910b.240.jpg?r2" width="240" height="159" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Different perspective from my previous post—this time focusing on a single karst formation's sculptural presence. Shot on expired stock, which adds those characteristic color shifts and grain that somehow fit these ancient limestone pillars. The film's chemical degradation creates unpredictable results frame-to-frame, making each shot unique. Love how the waterline erosion patterns show clearly here, while background formations fade into atmospheric haze.&lt;/div&gt;</description>
    <media:title>What you can spot from a ship</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/havran"&gt;m̌ ḫ&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/havran/53306832/in/group/44935"&gt;&lt;img src="https://cdn.ipernity.com/200/68/32/53306832.c51e910b.240.jpg?r2" width="240" height="159" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Different perspective from my previous post—this time focusing on a single karst formation's sculptural presence. Shot on expired stock, which adds those characteristic color shifts and grain that somehow fit these ancient limestone pillars. The film's chemical degradation creates unpredictable results frame-to-frame, making each shot unique. Love how the waterline erosion patterns show clearly here, while background formations fade into atmospheric haze.&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/200/68/32/53306832.25b1cb16.1024.jpg?r2" type="image/jpeg" width="1024" height="679" duration="0" isDefault="true"  />
    <media:thumbnail url="https://cdn.ipernity.com/200/68/32/53306832.c51e910b.240.jpg?r2" width="240" height="159"/>
    <media:thumbnail url="https://cdn.ipernity.com/200/68/32/53306832.c51e910b.100.jpg?r2" width="100" height="67"/>
    <media:credit role="author">m̌ ḫ</media:credit>
  </item>
  <item>
    <title>Je quitte Ipernity, I am leaving Ipernity</title>
    <link>https://www.ipernity.com/doc/1922040/53306764/in/group/44935</link>
    <guid isPermaLink="false">tag:ipernity.com,2026-04-26,doc-53306764</guid>
    <pubDate>Sun, 26 Apr 2026 14:10:53 +0000</pubDate>
    <dc:date.created>2026-04-17T11:41:23+02:00</dc:date.created>
    <author>nobody@ipernity.com (Jean-luc Drouin)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/1922040"&gt;Jean-luc Drouin&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/1922040/53306764/in/group/44935"&gt;&lt;img src="https://cdn.ipernity.com/200/67/64/53306764.076ad17b.240.jpg?r2" width="240" height="180" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;GOOD BYE IPERNITY&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Mon abonnement est arrivé à expiration. En raison d'un important désaccord avec certains administrateurs du site, sur l'attitude à avoir avec l'IA . Je ne renouvèlerai pas mon abonnement. Je rappelle juste que l'utilisation de l'IA est néfaste pour l'environnement (60 centilitres d'eau potable, afin de refroidir la machine pour une simple requête, beaucoup plus pour générer une photo). Sans parler des droits d'auteurs qui sont pillés. Si l'IA peut être utile à la médecine, elle transforme la photographie en plagiat. &lt;br /&gt;
&lt;br /&gt;
J'étais membre d'IP depuis 2018. Je suis désolé que les administrateurs aient décidé de ne pas se soucier des problèmes éthiques liés à la photographie.&lt;/div&gt;</description>
    <media:title>Je quitte Ipernity, I am leaving Ipernity</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/1922040"&gt;Jean-luc Drouin&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/1922040/53306764/in/group/44935"&gt;&lt;img src="https://cdn.ipernity.com/200/67/64/53306764.076ad17b.240.jpg?r2" width="240" height="180" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;GOOD BYE IPERNITY&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Mon abonnement est arrivé à expiration. En raison d'un important désaccord avec certains administrateurs du site, sur l'attitude à avoir avec l'IA . Je ne renouvèlerai pas mon abonnement. Je rappelle juste que l'utilisation de l'IA est néfaste pour l'environnement (60 centilitres d'eau potable, afin de refroidir la machine pour une simple requête, beaucoup plus pour générer une photo). Sans parler des droits d'auteurs qui sont pillés. Si l'IA peut être utile à la médecine, elle transforme la photographie en plagiat. &lt;br /&gt;
&lt;br /&gt;
J'étais membre d'IP depuis 2018. Je suis désolé que les administrateurs aient décidé de ne pas se soucier des problèmes éthiques liés à la photographie.&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/200/67/64/53306764.0b665bf6.1024.jpg?r2" type="image/jpeg" width="1024" height="768" duration="0" isDefault="true"  />
    <media:thumbnail url="https://cdn.ipernity.com/200/67/64/53306764.076ad17b.240.jpg?r2" width="240" height="180"/>
    <media:thumbnail url="https://cdn.ipernity.com/200/67/64/53306764.076ad17b.100.jpg?r2" width="100" height="75"/>
    <media:credit role="author">Jean-luc Drouin</media:credit>
  </item>
  <item>
    <title>Chioggia</title>
    <link>https://www.ipernity.com/doc/anna.schramm/53304354/in/group/44935</link>
    <guid isPermaLink="false">tag:ipernity.com,2026-04-22,doc-53304354</guid>
    <pubDate>Wed, 22 Apr 2026 12:52:12 +0000</pubDate>
    <dc:date.created>2015-06-27T10:38:10+02:00</dc:date.created>
    <author>nobody@ipernity.com (aNNa schramm)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/anna.schramm"&gt;aNNa schramm&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/anna.schramm/53304354/in/group/44935"&gt;&lt;img src="https://cdn.ipernity.com/200/43/54/53304354.e55a8cd3.240.jpg?r2" width="240" height="180" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Chioggia (venezian. Cióxa) ist eine Hafenstadt an der Adria in der italienischen Region Venetien.&lt;br /&gt;
Die auf Holzpfählen errichtete Stadt liegt am Südende der Lagune von Venedig, etwa 25 Kilometer Seeweg von Venedig entfernt. Sie trägt wegen ihrer Ähnlichkeit mit der Metropolitanstadt den Beinamen „Klein-Venedig“. Chioggia ist über eine Steinbrücke mit dem Festland verbunden. Der Vena-Kanal teilt die Stadt und wird von neun Brücken gekreuzt.&lt;br /&gt;
Chioggia hat den größten Fischereihafen an der italienischen Adriaküste (gefolgt etwa neunzig Kilometer weiter südlich von Porto Garibaldi) und den größten Fischmarkt Italiens.&lt;br /&gt;
&lt;br /&gt;
Über den Ursprung von Chioggia berichtet die Legende, dass Antenor, Aquil und Clodio, flüchtig aus dem Trojanischen Krieg, sich an der oberen Adriaküste niederließen. Aquil soll Aquileia, Antenor Padua und Clodio Clodia gegründet haben. Schon Plinius beschrieb die Hafenstadt Edron, die später Fossa Clodia genannt wurde. Der Name Clodia änderte sich im Laufe der Zeit zu Cluza und Clugia, um sich schließlich zu Chioggia zu wandeln. Erste Nennungen der Stadt sind in byzantinischen Schriften aus dem fünften Jahrhundert zu finden.&lt;br /&gt;
&lt;a href="https://www.ipernity.com/doc/anna.schramm/53304354" target="_blank" rel="nofollow"&gt;www.ipernity.com/doc/anna.schramm/53304354&lt;/a&gt;&lt;br /&gt;
_____&lt;br /&gt;
HWW&lt;br /&gt;
_____&lt;br /&gt;
press Z see on black&lt;/div&gt;</description>
    <media:title>Chioggia</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/anna.schramm"&gt;aNNa schramm&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/anna.schramm/53304354/in/group/44935"&gt;&lt;img src="https://cdn.ipernity.com/200/43/54/53304354.e55a8cd3.240.jpg?r2" width="240" height="180" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Chioggia (venezian. Cióxa) ist eine Hafenstadt an der Adria in der italienischen Region Venetien.&lt;br /&gt;
Die auf Holzpfählen errichtete Stadt liegt am Südende der Lagune von Venedig, etwa 25 Kilometer Seeweg von Venedig entfernt. Sie trägt wegen ihrer Ähnlichkeit mit der Metropolitanstadt den Beinamen „Klein-Venedig“. Chioggia ist über eine Steinbrücke mit dem Festland verbunden. Der Vena-Kanal teilt die Stadt und wird von neun Brücken gekreuzt.&lt;br /&gt;
Chioggia hat den größten Fischereihafen an der italienischen Adriaküste (gefolgt etwa neunzig Kilometer weiter südlich von Porto Garibaldi) und den größten Fischmarkt Italiens.&lt;br /&gt;
&lt;br /&gt;
Über den Ursprung von Chioggia berichtet die Legende, dass Antenor, Aquil und Clodio, flüchtig aus dem Trojanischen Krieg, sich an der oberen Adriaküste niederließen. Aquil soll Aquileia, Antenor Padua und Clodio Clodia gegründet haben. Schon Plinius beschrieb die Hafenstadt Edron, die später Fossa Clodia genannt wurde. Der Name Clodia änderte sich im Laufe der Zeit zu Cluza und Clugia, um sich schließlich zu Chioggia zu wandeln. Erste Nennungen der Stadt sind in byzantinischen Schriften aus dem fünften Jahrhundert zu finden.&lt;br /&gt;
&lt;a href="https://www.ipernity.com/doc/anna.schramm/53304354" target="_blank" rel="nofollow"&gt;www.ipernity.com/doc/anna.schramm/53304354&lt;/a&gt;&lt;br /&gt;
_____&lt;br /&gt;
HWW&lt;br /&gt;
_____&lt;br /&gt;
press Z see on black&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/200/43/54/53304354.0a31d00b.1024.jpg?r2" type="image/jpeg" width="1024" height="768" duration="0" isDefault="true"  />
    <media:thumbnail url="https://cdn.ipernity.com/200/43/54/53304354.e55a8cd3.240.jpg?r2" width="240" height="180"/>
    <media:thumbnail url="https://cdn.ipernity.com/200/43/54/53304354.e55a8cd3.100.jpg?r2" width="100" height="75"/>
    <media:credit role="author">aNNa schramm</media:credit>
  </item>
  <item>
    <title>showing sunglasses</title>
    <link>https://www.ipernity.com/doc/gabi-lombardo/53304470/in/group/44935</link>
    <guid isPermaLink="false">tag:ipernity.com,2026-04-22,doc-53304470</guid>
    <pubDate>Wed, 22 Apr 2026 16:43:41 +0000</pubDate>
    <dc:date.created>2026-03-21T12:18:13+02:00</dc:date.created>
    <author>nobody@ipernity.com (Gabi Lombardo)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/gabi-lombardo"&gt;Gabi Lombardo&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/gabi-lombardo/53304470/in/group/44935"&gt;&lt;img src="https://cdn.ipernity.com/200/44/70/53304470.f692e388.240.jpg?r2" width="144" height="240" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;&lt;/div&gt;</description>
    <media:title>showing sunglasses</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/gabi-lombardo"&gt;Gabi Lombardo&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/gabi-lombardo/53304470/in/group/44935"&gt;&lt;img src="https://cdn.ipernity.com/200/44/70/53304470.f692e388.240.jpg?r2" width="144" height="240" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/200/44/70/53304470.2dcdd183.1024.jpg?r2" type="image/jpeg" width="612" height="1024" duration="0" isDefault="true"  />
    <media:thumbnail url="https://cdn.ipernity.com/200/44/70/53304470.f692e388.240.jpg?r2" width="144" height="240"/>
    <media:thumbnail url="https://cdn.ipernity.com/200/44/70/53304470.f692e388.100.jpg?r2" width="60" height="100"/>
    <media:credit role="author">Gabi Lombardo</media:credit>
  </item>
  <item>
    <title>Bottles of Bokeh</title>
    <link>https://www.ipernity.com/doc/keithburton/53257364/in/group/44935</link>
    <guid isPermaLink="false">tag:ipernity.com,2026-02-26,doc-53257364</guid>
    <pubDate>Thu, 26 Feb 2026 15:32:38 +0000</pubDate>
    <dc:date.created>2026-02-26T15:34:23+00:00</dc:date.created>
    <author>nobody@ipernity.com (Keith Burton)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/keithburton"&gt;Keith Burton&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/keithburton/53257364/in/group/44935"&gt;&lt;img src="https://cdn.ipernity.com/200/73/64/53257364.12835635.240.jpg?r2" width="240" height="180" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;On the last day of 2025 I posted a shot of some of the spare bokeh I had left over from my photos that year, and said I would save it for use in 2026.&lt;br /&gt;
&lt;br /&gt;
This photo is me doing just that..!!&lt;br /&gt;
&lt;br /&gt;
The background is one of my favourite pieces of card and the foreground is a sheet of black acrylic.  Natural window light and a piece of white card as a reflector.&lt;br /&gt;
&lt;br /&gt;
Try viewing large if you have time :-)&lt;/div&gt;</description>
    <media:title>Bottles of Bokeh</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/keithburton"&gt;Keith Burton&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/keithburton/53257364/in/group/44935"&gt;&lt;img src="https://cdn.ipernity.com/200/73/64/53257364.12835635.240.jpg?r2" width="240" height="180" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;On the last day of 2025 I posted a shot of some of the spare bokeh I had left over from my photos that year, and said I would save it for use in 2026.&lt;br /&gt;
&lt;br /&gt;
This photo is me doing just that..!!&lt;br /&gt;
&lt;br /&gt;
The background is one of my favourite pieces of card and the foreground is a sheet of black acrylic.  Natural window light and a piece of white card as a reflector.&lt;br /&gt;
&lt;br /&gt;
Try viewing large if you have time :-)&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/200/73/64/53257364.df87ec6b.1024.jpg?r2" type="image/jpeg" width="1024" height="768" duration="0" isDefault="true"  />
    <media:thumbnail url="https://cdn.ipernity.com/200/73/64/53257364.12835635.240.jpg?r2" width="240" height="180"/>
    <media:thumbnail url="https://cdn.ipernity.com/200/73/64/53257364.12835635.100.jpg?r2" width="100" height="75"/>
    <media:credit role="author">Keith Burton</media:credit>
  </item>
  <item>
    <title>Green Filaments: Carpathian Grove</title>
    <link>https://www.ipernity.com/doc/havran/53157492/in/group/44935</link>
    <guid isPermaLink="false">tag:ipernity.com,2026-03-27,doc-53157492</guid>
    <pubDate>Fri, 27 Mar 2026 15:17:21 +0000</pubDate>
    <dc:date.created>2025-01-09T19:13:15+01:00</dc:date.created>
    <author>nobody@ipernity.com (m̌ ḫ)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/havran"&gt;m̌ ḫ&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/havran/53157492/in/group/44935"&gt;&lt;img src="https://cdn.ipernity.com/200/74/92/53157492.05085fb0.240.jpg?r2" width="240" height="161" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;&lt;img alt="tree" src="https://cdn.ipernity.com/200/74/94/53157494.2f14c2be.jpg" height="2433" width="3637" /&gt;&lt;/div&gt;</description>
    <media:title>Green Filaments: Carpathian Grove</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/havran"&gt;m̌ ḫ&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/havran/53157492/in/group/44935"&gt;&lt;img src="https://cdn.ipernity.com/200/74/92/53157492.05085fb0.240.jpg?r2" width="240" height="161" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;&lt;img alt="tree" src="https://cdn.ipernity.com/200/74/94/53157494.2f14c2be.jpg" height="2433" width="3637" /&gt;&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/200/74/92/53157492.eb9538dc.1024.jpg?r2" type="image/jpeg" width="1024" height="686" duration="0" isDefault="true"  />
    <media:thumbnail url="https://cdn.ipernity.com/200/74/92/53157492.05085fb0.240.jpg?r2" width="240" height="161"/>
    <media:thumbnail url="https://cdn.ipernity.com/200/74/92/53157492.05085fb0.100.jpg?r2" width="100" height="67"/>
    <media:credit role="author">m̌ ḫ</media:credit>
  </item>
  <item>
    <title>Lotus flower seed head</title>
    <link>https://www.ipernity.com/doc/2818116/53300804/in/group/44935</link>
    <guid isPermaLink="false">tag:ipernity.com,2026-04-17,doc-53300804</guid>
    <pubDate>Fri, 17 Apr 2026 12:08:17 +0000</pubDate>
    <dc:date.created>2026-04-17T13:08:17+01:00</dc:date.created>
    <author>nobody@ipernity.com (James)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/2818116"&gt;James&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/2818116/53300804/in/group/44935"&gt;&lt;img src="https://cdn.ipernity.com/200/08/04/53300804.9a0f74b1.240.jpg?r2" width="240" height="240" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Just for fun I thought I would paint this :-)&lt;/div&gt;</description>
    <media:title>Lotus flower seed head</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/2818116"&gt;James&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/2818116/53300804/in/group/44935"&gt;&lt;img src="https://cdn.ipernity.com/200/08/04/53300804.9a0f74b1.240.jpg?r2" width="240" height="240" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Just for fun I thought I would paint this :-)&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/200/08/04/53300804.c267c14d.1024.jpg?r2" type="image/jpeg" width="1024" height="1024" duration="0" isDefault="true"  />
    <media:thumbnail url="https://cdn.ipernity.com/200/08/04/53300804.9a0f74b1.240.jpg?r2" width="240" height="240"/>
    <media:thumbnail url="https://cdn.ipernity.com/200/08/04/53300804.9a0f74b1.100.jpg?r2" width="100" height="100"/>
    <media:credit role="author">James</media:credit>
  </item>
  <item>
    <title>italian cat</title>
    <link>https://www.ipernity.com/doc/anna.schramm/53301502/in/group/44935</link>
    <guid isPermaLink="false">tag:ipernity.com,2026-04-18,doc-53301502</guid>
    <pubDate>Sat, 18 Apr 2026 11:47:04 +0000</pubDate>
    <dc:date.created>2015-06-28T09:27:29+02:00</dc:date.created>
    <author>nobody@ipernity.com (aNNa schramm)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/anna.schramm"&gt;aNNa schramm&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/anna.schramm/53301502/in/group/44935"&gt;&lt;img src="https://cdn.ipernity.com/200/15/02/53301502.63f66798.240.jpg?r2" width="180" height="240" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Im Herzen von Arquà Petrarca, eingebettet in das Grün der Euganeischen Hügels, finden Sie die Casa del Petrarca, die Residenz, in der der berühmte Dichter die letzten Jahre seines Lebens verbrachte. Dieser stimmungsvolle Ort bewahrt noch immer den Charme und die Dieser stimmungsvolle Ort bewahrt noch immer den Charme und die Atmosphäre vergangener Tage und bietet dem Besucher eine Reise in das Leben und die Leidenschaften eines der größten Literaten Italiens.&lt;br /&gt;
&lt;br /&gt;
Die Residenz wurde dem Dichter im Jahr 1369 von Francesco I da Carrara, dem Herrscher von Padua, geschenkt. Francesco Petrarca ließ sich dort mit seiner Tochter Francesca, seinem Schwiegersohn und seiner Enkelin Eletta und widmete sich seinen Studien und der Pflege des Gartens, in einem Umfeld der Ruhe und Inspiration. Hier starb er am 19. Juli 1374 und hinterließ ein zeitloses kulturelles Erbe.&lt;br /&gt;
&lt;br /&gt;
Das Haus weist noch typische Elemente aus dem Mittelalter auf, wie die Fenster im gotischen Stil und die Bogentüren. Während seines Aufenthalts fügte Petrarca zwei Balkone und drei Kamine hinzu und passte das Haus an seine Bedürfnisse an.&lt;br /&gt;
Zu den wichtigsten Besitzern gehört Pietro Valdezocco, der die Außentreppe und die Loggia anbrachte, die heute den Zugang zu den Räumen im ersten Stock ermöglicht.&lt;br /&gt;
&lt;a href="https://www.visitarquapetrarca.com/de/villen/petrarcas-haus/" target="_blank" rel="nofollow"&gt;www.visitarquapetrarca.com/de/villen/petrarcas-haus&lt;/a&gt;&lt;/div&gt;</description>
    <media:title>italian cat</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/anna.schramm"&gt;aNNa schramm&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/anna.schramm/53301502/in/group/44935"&gt;&lt;img src="https://cdn.ipernity.com/200/15/02/53301502.63f66798.240.jpg?r2" width="180" height="240" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Im Herzen von Arquà Petrarca, eingebettet in das Grün der Euganeischen Hügels, finden Sie die Casa del Petrarca, die Residenz, in der der berühmte Dichter die letzten Jahre seines Lebens verbrachte. Dieser stimmungsvolle Ort bewahrt noch immer den Charme und die Dieser stimmungsvolle Ort bewahrt noch immer den Charme und die Atmosphäre vergangener Tage und bietet dem Besucher eine Reise in das Leben und die Leidenschaften eines der größten Literaten Italiens.&lt;br /&gt;
&lt;br /&gt;
Die Residenz wurde dem Dichter im Jahr 1369 von Francesco I da Carrara, dem Herrscher von Padua, geschenkt. Francesco Petrarca ließ sich dort mit seiner Tochter Francesca, seinem Schwiegersohn und seiner Enkelin Eletta und widmete sich seinen Studien und der Pflege des Gartens, in einem Umfeld der Ruhe und Inspiration. Hier starb er am 19. Juli 1374 und hinterließ ein zeitloses kulturelles Erbe.&lt;br /&gt;
&lt;br /&gt;
Das Haus weist noch typische Elemente aus dem Mittelalter auf, wie die Fenster im gotischen Stil und die Bogentüren. Während seines Aufenthalts fügte Petrarca zwei Balkone und drei Kamine hinzu und passte das Haus an seine Bedürfnisse an.&lt;br /&gt;
Zu den wichtigsten Besitzern gehört Pietro Valdezocco, der die Außentreppe und die Loggia anbrachte, die heute den Zugang zu den Räumen im ersten Stock ermöglicht.&lt;br /&gt;
&lt;a href="https://www.visitarquapetrarca.com/de/villen/petrarcas-haus/" target="_blank" rel="nofollow"&gt;www.visitarquapetrarca.com/de/villen/petrarcas-haus&lt;/a&gt;&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/200/15/02/53301502.355c1ecc.1024.jpg?r2" type="image/jpeg" width="768" height="1024" duration="0" isDefault="true"  />
    <media:thumbnail url="https://cdn.ipernity.com/200/15/02/53301502.63f66798.240.jpg?r2" width="180" height="240"/>
    <media:thumbnail url="https://cdn.ipernity.com/200/15/02/53301502.63f66798.100.jpg?r2" width="75" height="100"/>
    <media:credit role="author">aNNa schramm</media:credit>
  </item>
  <item>
    <title>6 bunte Reisszwecken</title>
    <link>https://www.ipernity.com/doc/anna.schramm/53297654/in/group/44935</link>
    <guid isPermaLink="false">tag:ipernity.com,2026-04-13,doc-53297654</guid>
    <pubDate>Mon, 13 Apr 2026 10:46:02 +0000</pubDate>
    <dc:date.created>2026-04-13T12:46:02+02:00</dc:date.created>
    <author>nobody@ipernity.com (aNNa schramm)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/anna.schramm"&gt;aNNa schramm&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/anna.schramm/53297654/in/group/44935"&gt;&lt;img src="https://cdn.ipernity.com/200/76/54/53297654.f031f3df.240.jpg?r2" width="240" height="231" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;&lt;/div&gt;</description>
    <media:title>6 bunte Reisszwecken</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/anna.schramm"&gt;aNNa schramm&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/anna.schramm/53297654/in/group/44935"&gt;&lt;img src="https://cdn.ipernity.com/200/76/54/53297654.f031f3df.240.jpg?r2" width="240" height="231" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/200/76/54/53297654.07b02015.1024.jpg?r2" type="image/jpeg" width="1024" height="986" duration="0" isDefault="true"  />
    <media:thumbnail url="https://cdn.ipernity.com/200/76/54/53297654.f031f3df.240.jpg?r2" width="240" height="231"/>
    <media:thumbnail url="https://cdn.ipernity.com/200/76/54/53297654.f031f3df.100.jpg?r2" width="100" height="97"/>
    <media:credit role="author">aNNa schramm</media:credit>
  </item>
  <item>
    <title>Sechseinser</title>
    <link>https://www.ipernity.com/doc/lainesforcoffee/53296560/in/group/44935</link>
    <guid isPermaLink="false">tag:ipernity.com,2026-04-11,doc-53296560</guid>
    <pubDate>Sat, 11 Apr 2026 18:18:08 +0000</pubDate>
    <dc:date.created>2026-04-11T19:52:30+02:00</dc:date.created>
    <author>nobody@ipernity.com (Thomas Heizmann)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/lainesforcoffee"&gt;Thomas Heizmann&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/lainesforcoffee/53296560/in/group/44935"&gt;&lt;img src="https://cdn.ipernity.com/200/65/60/53296560.fcafd295.240.jpg?r2" width="240" height="238" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;&lt;/div&gt;</description>
    <media:title>Sechseinser</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/lainesforcoffee"&gt;Thomas Heizmann&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/lainesforcoffee/53296560/in/group/44935"&gt;&lt;img src="https://cdn.ipernity.com/200/65/60/53296560.fcafd295.240.jpg?r2" width="240" height="238" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/200/65/60/53296560.6f9cd5fd.1024.jpg?r2" type="image/jpeg" width="1024" height="1014" duration="0" isDefault="true"  />
    <media:thumbnail url="https://cdn.ipernity.com/200/65/60/53296560.fcafd295.240.jpg?r2" width="240" height="238"/>
    <media:thumbnail url="https://cdn.ipernity.com/200/65/60/53296560.fcafd295.100.jpg?r2" width="100" height="99"/>
    <media:credit role="author">Thomas Heizmann</media:credit>
  </item>
  <item>
    <title>Sechs Holzmalstifte</title>
    <link>https://www.ipernity.com/doc/lainesforcoffee/53293170/in/group/44935</link>
    <guid isPermaLink="false">tag:ipernity.com,2026-04-08,doc-53293170</guid>
    <pubDate>Wed, 08 Apr 2026 17:48:30 +0000</pubDate>
    <dc:date.created>2026-04-08T19:30:59+02:00</dc:date.created>
    <author>nobody@ipernity.com (Thomas Heizmann)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/lainesforcoffee"&gt;Thomas Heizmann&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/lainesforcoffee/53293170/in/group/44935"&gt;&lt;img src="https://cdn.ipernity.com/200/31/70/53293170.7eacf379.240.jpg?r2" width="240" height="180" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;so sehen die also aus,,,, unbedingt vergrößern!&lt;br /&gt;
6 an der Zahl und jeder mit 6 Ecken/Kanten&lt;/div&gt;</description>
    <media:title>Sechs Holzmalstifte</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/lainesforcoffee"&gt;Thomas Heizmann&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/lainesforcoffee/53293170/in/group/44935"&gt;&lt;img src="https://cdn.ipernity.com/200/31/70/53293170.7eacf379.240.jpg?r2" width="240" height="180" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;so sehen die also aus,,,, unbedingt vergrößern!&lt;br /&gt;
6 an der Zahl und jeder mit 6 Ecken/Kanten&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/200/31/70/53293170.88242520.1024.jpg?r2" type="image/jpeg" width="1024" height="767" duration="0" isDefault="true"  />
    <media:thumbnail url="https://cdn.ipernity.com/200/31/70/53293170.7eacf379.240.jpg?r2" width="240" height="180"/>
    <media:thumbnail url="https://cdn.ipernity.com/200/31/70/53293170.7eacf379.100.jpg?r2" width="100" height="75"/>
    <media:credit role="author">Thomas Heizmann</media:credit>
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