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  <title>Contributions of the group Film Forward!</title>
  <link>https://www.ipernity.com/group/filmfw/doc</link>
  <image>
    <url>https://cdn.ipernity.com/p/102/E5/83/295909.buddy.jpg</url>
    <title>Contributions of the group Film Forward!</title>
    <link>https://www.ipernity.com/group/filmfw/doc</link>
  </image>
  <description>This group is for analog photographers, new or experienced. Our goal is to promote the survival of film in the digital jungle. Experimenting and classicism welcome. Your photography should have a "felt" feeling or personal point of view — subtle or striking. Your way of seeing with a camera matters. Not for contests or excellence, but for analog photographers willing to discuss, exchange, experiment and share impressions via photos.</description>
  <pubDate>Sun, 24 May 2026 11:35:12 +0000</pubDate>
  <lastBuildDate>Sun, 24 May 2026 11:35:12 +0000</lastBuildDate>
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  <item>
    <title>Laubwald - experimentell</title>
    <link>https://www.ipernity.com/doc/2808430/53330128/in/group/295909</link>
    <guid isPermaLink="false">tag:ipernity.com,2026-05-21,doc-53330128</guid>
    <pubDate>Thu, 21 May 2026 16:56:57 +0000</pubDate>
    <dc:date.created>2026-03-20T18:56:57+02:00</dc:date.created>
    <author>nobody@ipernity.com (Jo WaLo)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/2808430"&gt;Jo WaLo&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/2808430/53330128/in/group/295909"&gt;&lt;img src="https://cdn.ipernity.com/200/01/28/53330128.dd6fef51.240.jpg?r2" width="240" height="161" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Hier habe ich etwas mit der Bildbearbeitung gespielt ;-)&lt;br /&gt;
Revueflex AC1, Auto Mamiya-Sekor 35mm f2.8, Kodak 100 TMX, Negativscan, März 2026&lt;/div&gt;</description>
    <media:title>Laubwald - experimentell</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/2808430"&gt;Jo WaLo&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/2808430/53330128/in/group/295909"&gt;&lt;img src="https://cdn.ipernity.com/200/01/28/53330128.dd6fef51.240.jpg?r2" width="240" height="161" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Hier habe ich etwas mit der Bildbearbeitung gespielt ;-)&lt;br /&gt;
Revueflex AC1, Auto Mamiya-Sekor 35mm f2.8, Kodak 100 TMX, Negativscan, März 2026&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/200/01/28/53330128.1e8966b6.1024.jpg?r2" type="image/jpeg" width="1024" height="685" duration="0" isDefault="true"  />
    <media:thumbnail url="https://cdn.ipernity.com/200/01/28/53330128.dd6fef51.240.jpg?r2" width="240" height="161"/>
    <media:thumbnail url="https://cdn.ipernity.com/200/01/28/53330128.dd6fef51.100.jpg?r2" width="100" height="67"/>
    <media:credit role="author">Jo WaLo</media:credit>
  </item>
  <item>
    <title>Luminous</title>
    <link>https://www.ipernity.com/doc/296949/53328482/in/group/295909</link>
    <guid isPermaLink="false">tag:ipernity.com,2026-05-19,doc-53328482</guid>
    <pubDate>Tue, 19 May 2026 16:05:39 +0000</pubDate>
    <dc:date.created>2026-03-19T12:27:00-07:00</dc:date.created>
    <author>nobody@ipernity.com (Scott Holcomb)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/296949"&gt;Scott Holcomb&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/296949/53328482/in/group/295909"&gt;&lt;img src="https://cdn.ipernity.com/200/84/82/53328482.557a4fa2.240.jpg?r2" width="240" height="240" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Sunny side up!&lt;br /&gt;
&lt;br /&gt;
This photo was taken by a Hasselblad 500C medium format film camera and Carl Zeiss S-Planar 1:5.6 f=120mm lens mounted on a 10mm Extension Tube with a Kowa L39•3C(UV) ø67 filter + adapter using Kodak Portra 160 film, the negative scanned by an Epson Perfection V600 and digitalized with Photoshop.&lt;/div&gt;</description>
    <media:title>Luminous</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/296949"&gt;Scott Holcomb&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/296949/53328482/in/group/295909"&gt;&lt;img src="https://cdn.ipernity.com/200/84/82/53328482.557a4fa2.240.jpg?r2" width="240" height="240" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Sunny side up!&lt;br /&gt;
&lt;br /&gt;
This photo was taken by a Hasselblad 500C medium format film camera and Carl Zeiss S-Planar 1:5.6 f=120mm lens mounted on a 10mm Extension Tube with a Kowa L39•3C(UV) ø67 filter + adapter using Kodak Portra 160 film, the negative scanned by an Epson Perfection V600 and digitalized with Photoshop.&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/200/84/82/53328482.db570fc6.1024.jpg?r2" type="image/jpeg" width="1024" height="1023" duration="0" isDefault="true"  />
    <media:thumbnail url="https://cdn.ipernity.com/200/84/82/53328482.557a4fa2.240.jpg?r2" width="240" height="240"/>
    <media:thumbnail url="https://cdn.ipernity.com/200/84/82/53328482.557a4fa2.100.jpg?r2" width="100" height="100"/>
    <media:credit role="author">Scott Holcomb</media:credit>
  </item>
  <item>
    <title>White Fence - HFF</title>
    <link>https://www.ipernity.com/doc/2808430/53317244/in/group/295909</link>
    <guid isPermaLink="false">tag:ipernity.com,2026-05-08,doc-53317244</guid>
    <pubDate>Fri, 08 May 2026 09:34:37 +0000</pubDate>
    <dc:date.created>2026-03-23T11:34:37+02:00</dc:date.created>
    <author>nobody@ipernity.com (Jo WaLo)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/2808430"&gt;Jo WaLo&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/2808430/53317244/in/group/295909"&gt;&lt;img src="https://cdn.ipernity.com/200/72/44/53317244.da8a4602.240.jpg?r2" width="240" height="161" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Vor einer Windmühle in der Grafschaft Bentheim. HFF und euch allen ein schönes Wochenende! Agfa Super Silette, Agfa Solagon 50mm f2, Fomapan 200, Negativscan, März 2026&lt;/div&gt;</description>
    <media:title>White Fence - HFF</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/2808430"&gt;Jo WaLo&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/2808430/53317244/in/group/295909"&gt;&lt;img src="https://cdn.ipernity.com/200/72/44/53317244.da8a4602.240.jpg?r2" width="240" height="161" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Vor einer Windmühle in der Grafschaft Bentheim. HFF und euch allen ein schönes Wochenende! Agfa Super Silette, Agfa Solagon 50mm f2, Fomapan 200, Negativscan, März 2026&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/200/72/44/53317244.2d333a20.1024.jpg?r2" type="image/jpeg" width="1024" height="685" duration="0" isDefault="true"  />
    <media:thumbnail url="https://cdn.ipernity.com/200/72/44/53317244.da8a4602.240.jpg?r2" width="240" height="161"/>
    <media:thumbnail url="https://cdn.ipernity.com/200/72/44/53317244.da8a4602.100.jpg?r2" width="100" height="67"/>
    <media:credit role="author">Jo WaLo</media:credit>
  </item>
  <item>
    <title>Granite Pantheon</title>
    <link>https://www.ipernity.com/doc/296949/51464336/in/group/295909</link>
    <guid isPermaLink="false">tag:ipernity.com,2022-07-23,doc-51464336</guid>
    <pubDate>Sat, 23 Jul 2022 18:49:51 +0000</pubDate>
    <dc:date.created>2019-04-10T13:38:00-07:00</dc:date.created>
    <author>nobody@ipernity.com (Scott Holcomb)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/296949"&gt;Scott Holcomb&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/296949/51464336/in/group/295909"&gt;&lt;img src="https://cdn.ipernity.com/200/43/36/51464336.6459a27d.240.jpg?r2" width="240" height="160" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;High in a secret location in a mountainous region of the Mojave Desert is a sanctuary where the Tribe of Mojave once reigned.  Although these ancient people have been lost in time, their Pantheon of Gods remain, solid as granite, assuring that the memory of the Mojave people will never die.&lt;br /&gt;
I pause for a moment of respect and reflection.&lt;br /&gt;
&lt;br /&gt;
This photo was taken by a Yashica Electro 35CC and COLOR-YASHINON DX 1:1.8 f=35mm lens with a Pro 52mm (UV) Japan filter using Kodak Ektachrome E100 film, the positive transparency scanned by an Epson Perfection V600 (6400dpi) and digitally rendered with Photoshop.&lt;/div&gt;</description>
    <media:title>Granite Pantheon</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/296949"&gt;Scott Holcomb&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/296949/51464336/in/group/295909"&gt;&lt;img src="https://cdn.ipernity.com/200/43/36/51464336.6459a27d.240.jpg?r2" width="240" height="160" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;High in a secret location in a mountainous region of the Mojave Desert is a sanctuary where the Tribe of Mojave once reigned.  Although these ancient people have been lost in time, their Pantheon of Gods remain, solid as granite, assuring that the memory of the Mojave people will never die.&lt;br /&gt;
I pause for a moment of respect and reflection.&lt;br /&gt;
&lt;br /&gt;
This photo was taken by a Yashica Electro 35CC and COLOR-YASHINON DX 1:1.8 f=35mm lens with a Pro 52mm (UV) Japan filter using Kodak Ektachrome E100 film, the positive transparency scanned by an Epson Perfection V600 (6400dpi) and digitally rendered with Photoshop.&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/200/43/36/51464336.a0921ea9.1024.jpg?r2" type="image/jpeg" width="1024" height="681" duration="0" isDefault="true"  />
    <media:thumbnail url="https://cdn.ipernity.com/200/43/36/51464336.6459a27d.240.jpg?r2" width="240" height="160"/>
    <media:thumbnail url="https://cdn.ipernity.com/200/43/36/51464336.6459a27d.100.jpg?r2" width="100" height="67"/>
    <media:credit role="author">Scott Holcomb</media:credit>
  </item>
  <item>
    <title>Evening Tennis with the India Habitat Centre architecture</title>
    <link>https://www.ipernity.com/doc/havran/53328006/in/group/295909</link>
    <guid isPermaLink="false">tag:ipernity.com,2026-05-18,doc-53328006</guid>
    <pubDate>Mon, 18 May 2026 17:59:54 +0000</pubDate>
    <dc:date.created>2025-08-15T22:55:31+02:00</dc:date.created>
    <author>nobody@ipernity.com (m̌ ḫ)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/havran"&gt;m̌ ḫ&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/havran/53328006/in/group/295909"&gt;&lt;img src="https://cdn.ipernity.com/200/80/06/53328006.4d9bc8f2.240.jpg?r2" width="240" height="164" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Air Force Bal Bharati School is in a small institutional pocket of central Delhi where embassies, colleges and cultural centres sit close together. In the evenings its courts often fill with the sound of tennis balls from outside coaching groups, especially Team Tennis India on Lodhi Road, which runs organised sessions here for different ages and levels.&lt;br /&gt;
&lt;br /&gt;
Right next door is the India Habitat Centre, the main cultural hub of the area, easy to spot with its red‑brick buildings. It was planned in the late 1980s and finished in the early 1990s as a modern complex designed to stay cooler, with shaded walkways, courtyards and terraces that still offer some relief in Delhi’s heat. Some parts now look a bit shabby and worn, but that also shows how much people actually use the place: posters on the boards, busy cafés, and regulars who seem to treat it almost like a second home.&lt;/div&gt;</description>
    <media:title>Evening Tennis with the India Habitat Centre architecture</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/havran"&gt;m̌ ḫ&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/havran/53328006/in/group/295909"&gt;&lt;img src="https://cdn.ipernity.com/200/80/06/53328006.4d9bc8f2.240.jpg?r2" width="240" height="164" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Air Force Bal Bharati School is in a small institutional pocket of central Delhi where embassies, colleges and cultural centres sit close together. In the evenings its courts often fill with the sound of tennis balls from outside coaching groups, especially Team Tennis India on Lodhi Road, which runs organised sessions here for different ages and levels.&lt;br /&gt;
&lt;br /&gt;
Right next door is the India Habitat Centre, the main cultural hub of the area, easy to spot with its red‑brick buildings. It was planned in the late 1980s and finished in the early 1990s as a modern complex designed to stay cooler, with shaded walkways, courtyards and terraces that still offer some relief in Delhi’s heat. Some parts now look a bit shabby and worn, but that also shows how much people actually use the place: posters on the boards, busy cafés, and regulars who seem to treat it almost like a second home.&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/200/80/06/53328006.6017ff64.1024.jpg?r2" type="image/jpeg" width="1024" height="696" duration="0" isDefault="true"  />
    <media:thumbnail url="https://cdn.ipernity.com/200/80/06/53328006.4d9bc8f2.240.jpg?r2" width="240" height="164"/>
    <media:thumbnail url="https://cdn.ipernity.com/200/80/06/53328006.4d9bc8f2.100.jpg?r2" width="100" height="68"/>
    <media:credit role="author">m̌ ḫ</media:credit>
  </item>
  <item>
    <title>Parapat</title>
    <link>https://www.ipernity.com/doc/296949/53326386/in/group/295909</link>
    <guid isPermaLink="false">tag:ipernity.com,2026-05-16,doc-53326386</guid>
    <pubDate>Sat, 16 May 2026 20:46:11 +0000</pubDate>
    <dc:date.created>1974-05-16T14:11:00-07:00</dc:date.created>
    <author>nobody@ipernity.com (Scott Holcomb)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/296949"&gt;Scott Holcomb&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/296949/53326386/in/group/295909"&gt;&lt;img src="https://cdn.ipernity.com/200/63/86/53326386.03a43639.240.jpg?r2" width="240" height="171" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;In north-central Sumatra on the shores of Lake Toba is the town of Parapat where there was a transit center with a fascinating assortment of animal-drawn vehicles, bicycles and even an occasional car.  I stopped here a lifetime ago to take a ferry to the island of Samosir frequented by international overland travelers.&lt;br /&gt;
&lt;br /&gt;
This photo was taken by a Yashica Electro 35CC film camera and COLOR-YASHINON DX 1:1.8 f=35mm lens using Kodak Daylight 135 negative film, the negative scanned by an HP Scanjet G4050 and digitally rendered with Photoshop.&lt;/div&gt;</description>
    <media:title>Parapat</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/296949"&gt;Scott Holcomb&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/296949/53326386/in/group/295909"&gt;&lt;img src="https://cdn.ipernity.com/200/63/86/53326386.03a43639.240.jpg?r2" width="240" height="171" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;In north-central Sumatra on the shores of Lake Toba is the town of Parapat where there was a transit center with a fascinating assortment of animal-drawn vehicles, bicycles and even an occasional car.  I stopped here a lifetime ago to take a ferry to the island of Samosir frequented by international overland travelers.&lt;br /&gt;
&lt;br /&gt;
This photo was taken by a Yashica Electro 35CC film camera and COLOR-YASHINON DX 1:1.8 f=35mm lens using Kodak Daylight 135 negative film, the negative scanned by an HP Scanjet G4050 and digitally rendered with Photoshop.&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/200/63/86/53326386.9bd7986a.1024.jpg?r2" type="image/jpeg" width="1024" height="729" duration="0" isDefault="true"  />
    <media:thumbnail url="https://cdn.ipernity.com/200/63/86/53326386.03a43639.240.jpg?r2" width="240" height="171"/>
    <media:thumbnail url="https://cdn.ipernity.com/200/63/86/53326386.03a43639.100.jpg?r2" width="100" height="72"/>
    <media:credit role="author">Scott Holcomb</media:credit>
  </item>
  <item>
    <title>Onion head</title>
    <link>https://www.ipernity.com/doc/355923/53325806/in/group/295909</link>
    <guid isPermaLink="false">tag:ipernity.com,2026-05-16,doc-53325806</guid>
    <pubDate>Sat, 16 May 2026 00:20:36 +0000</pubDate>
    <dc:date.created>2026-04-25T11:40:58+09:00</dc:date.created>
    <author>nobody@ipernity.com (zumishi)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/355923"&gt;zumishi&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/355923/53325806/in/group/295909"&gt;&lt;img src="https://cdn.ipernity.com/200/58/06/53325806.a59fd81b.240.jpg?r2" width="240" height="156" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Leica M3, Nokton Classic 35mm f1.4, red filter, Kodak 400TX developed in Super Prodol, Epson GT-X830. 1/500, f/5.6.&lt;/div&gt;</description>
    <media:title>Onion head</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/355923"&gt;zumishi&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/355923/53325806/in/group/295909"&gt;&lt;img src="https://cdn.ipernity.com/200/58/06/53325806.a59fd81b.240.jpg?r2" width="240" height="156" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Leica M3, Nokton Classic 35mm f1.4, red filter, Kodak 400TX developed in Super Prodol, Epson GT-X830. 1/500, f/5.6.&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/200/58/06/53325806.c66951aa.1024.jpg?r2" type="image/jpeg" width="1024" height="664" duration="0" isDefault="true"  />
    <media:thumbnail url="https://cdn.ipernity.com/200/58/06/53325806.a59fd81b.240.jpg?r2" width="240" height="156"/>
    <media:thumbnail url="https://cdn.ipernity.com/200/58/06/53325806.a59fd81b.100.jpg?r2" width="100" height="65"/>
    <media:credit role="author">zumishi</media:credit>
  </item>
  <item>
    <title>Candy Bomber (on film)</title>
    <link>https://www.ipernity.com/doc/havran/53322092/in/group/295909</link>
    <guid isPermaLink="false">tag:ipernity.com,2026-05-16,doc-53322092</guid>
    <pubDate>Sat, 16 May 2026 16:47:26 +0000</pubDate>
    <dc:date.created>2025-08-15T22:53:56+02:00</dc:date.created>
    <author>nobody@ipernity.com (m̌ ḫ)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/havran"&gt;m̌ ḫ&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/havran/53322092/in/group/295909"&gt;&lt;img src="https://cdn.ipernity.com/200/20/92/53322092.6a6be36f.240.jpg?r2" width="240" height="165" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;The airplane mounted on the roof of the Deutsches Technikmuseum in Berlin is a Douglas C‑47, the military transport version of the Douglas DC‑3. It is dramatically fixed above the entrance on a steel structure, so it appears to be flying over the city. This placement turns the aircraft into a striking landmark and an immediate visual link to Berlin’s aviation past. &lt;br /&gt;
&lt;br /&gt;
The C‑47 recalls the Berlin Airlift of 1948–1949, when such planes — nicknamed “Raisin Bombers” or “Candy Bombers” — flew supplies into blockaded West Berlin and sometimes dropped sweets for children. As an exhibit, it represents both technological progress and the political history of the Cold War, symbolizing international solidarity during the blockade and the vital role of air transport in sustaining the city.&lt;/div&gt;</description>
    <media:title>Candy Bomber (on film)</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/havran"&gt;m̌ ḫ&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/havran/53322092/in/group/295909"&gt;&lt;img src="https://cdn.ipernity.com/200/20/92/53322092.6a6be36f.240.jpg?r2" width="240" height="165" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;The airplane mounted on the roof of the Deutsches Technikmuseum in Berlin is a Douglas C‑47, the military transport version of the Douglas DC‑3. It is dramatically fixed above the entrance on a steel structure, so it appears to be flying over the city. This placement turns the aircraft into a striking landmark and an immediate visual link to Berlin’s aviation past. &lt;br /&gt;
&lt;br /&gt;
The C‑47 recalls the Berlin Airlift of 1948–1949, when such planes — nicknamed “Raisin Bombers” or “Candy Bombers” — flew supplies into blockaded West Berlin and sometimes dropped sweets for children. As an exhibit, it represents both technological progress and the political history of the Cold War, symbolizing international solidarity during the blockade and the vital role of air transport in sustaining the city.&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/200/20/92/53322092.01d1ae52.1024.jpg?r2" type="image/jpeg" width="1024" height="702" duration="0" isDefault="true"  />
    <media:thumbnail url="https://cdn.ipernity.com/200/20/92/53322092.6a6be36f.240.jpg?r2" width="240" height="165"/>
    <media:thumbnail url="https://cdn.ipernity.com/200/20/92/53322092.6a6be36f.100.jpg?r2" width="100" height="69"/>
    <media:credit role="author">m̌ ḫ</media:credit>
  </item>
  <item>
    <title>Mont Mézenc (1753m). (07 / 43) Juin 1987. (Diapositive numérisée).</title>
    <link>https://www.ipernity.com/doc/j.nouchetdu38/53324150/in/group/295909</link>
    <guid isPermaLink="false">tag:ipernity.com,2026-05-14,doc-53324150</guid>
    <pubDate>Thu, 14 May 2026 08:55:14 +0000</pubDate>
    <dc:date.created>2026-05-13T09:46:01+02:00</dc:date.created>
    <author>nobody@ipernity.com (Nouchetdu38)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/j.nouchetdu38"&gt;Nouchetdu38&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/j.nouchetdu38/53324150/in/group/295909"&gt;&lt;img src="https://cdn.ipernity.com/200/41/50/53324150.b534d742.240.jpg?r2" width="240" height="160" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;3e plus haut sommet du Massif Central.&lt;/div&gt;</description>
    <media:title>Mont Mézenc (1753m). (07 / 43) Juin 1987. (Diapositive numérisée).</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/j.nouchetdu38"&gt;Nouchetdu38&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/j.nouchetdu38/53324150/in/group/295909"&gt;&lt;img src="https://cdn.ipernity.com/200/41/50/53324150.b534d742.240.jpg?r2" width="240" height="160" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;3e plus haut sommet du Massif Central.&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/200/41/50/53324150.09b7a430.1024.jpg?r2" type="image/jpeg" width="1024" height="683" duration="0" isDefault="true"  />
    <media:thumbnail url="https://cdn.ipernity.com/200/41/50/53324150.b534d742.240.jpg?r2" width="240" height="160"/>
    <media:thumbnail url="https://cdn.ipernity.com/200/41/50/53324150.b534d742.100.jpg?r2" width="100" height="67"/>
    <media:credit role="author">Nouchetdu38</media:credit>
  </item>
  <item>
    <title>Spicy ministry</title>
    <link>https://www.ipernity.com/doc/havran/53322084/in/group/295909</link>
    <guid isPermaLink="false">tag:ipernity.com,2026-05-15,doc-53322084</guid>
    <pubDate>Fri, 15 May 2026 15:25:07 +0000</pubDate>
    <dc:date.created>2025-08-15T22:53:54+02:00</dc:date.created>
    <author>nobody@ipernity.com (m̌ ḫ)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/havran"&gt;m̌ ḫ&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/havran/53322084/in/group/295909"&gt;&lt;img src="https://cdn.ipernity.com/200/20/84/53322084.8a3fda8f.240.jpg?r2" width="240" height="164" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;If you've purchased a city card, it buys you a free hour on the canals – and not just for the postcard stuff. As the boat slides past Christianshavn, the guide might not even mention this long, quiet wall of brick, but it is one of the most global pieces of waterfront in Copenhagen. In the 1750s Eigtveds Pakhus was the high‑security warehouse of the Danish Asiatic Company, stacked with tea, pepper, silk and porcelain unloaded from Asia right where your boat now passes. Today the same quay is home to the Ministry of Foreign Affairs, and in those former store rooms and new glass offices above them, Denmark’s ministers and diplomats negotiate climate deals, development aid and EU policy with partners from around the world. One short stretch of harbour, two and a half centuries apart: first spices and silk, now summits and strategy.&lt;/div&gt;</description>
    <media:title>Spicy ministry</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/havran"&gt;m̌ ḫ&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/havran/53322084/in/group/295909"&gt;&lt;img src="https://cdn.ipernity.com/200/20/84/53322084.8a3fda8f.240.jpg?r2" width="240" height="164" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;If you've purchased a city card, it buys you a free hour on the canals – and not just for the postcard stuff. As the boat slides past Christianshavn, the guide might not even mention this long, quiet wall of brick, but it is one of the most global pieces of waterfront in Copenhagen. In the 1750s Eigtveds Pakhus was the high‑security warehouse of the Danish Asiatic Company, stacked with tea, pepper, silk and porcelain unloaded from Asia right where your boat now passes. Today the same quay is home to the Ministry of Foreign Affairs, and in those former store rooms and new glass offices above them, Denmark’s ministers and diplomats negotiate climate deals, development aid and EU policy with partners from around the world. One short stretch of harbour, two and a half centuries apart: first spices and silk, now summits and strategy.&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/200/20/84/53322084.7f6aded1.1024.jpg?r2" type="image/jpeg" width="1024" height="696" duration="0" isDefault="true"  />
    <media:thumbnail url="https://cdn.ipernity.com/200/20/84/53322084.8a3fda8f.240.jpg?r2" width="240" height="164"/>
    <media:thumbnail url="https://cdn.ipernity.com/200/20/84/53322084.8a3fda8f.100.jpg?r2" width="100" height="68"/>
    <media:credit role="author">m̌ ḫ</media:credit>
  </item>
  <item>
    <title>Calm</title>
    <link>https://www.ipernity.com/doc/havran/53157420/in/group/295909</link>
    <guid isPermaLink="false">tag:ipernity.com,2026-05-14,doc-53157420</guid>
    <pubDate>Thu, 14 May 2026 17:46:27 +0000</pubDate>
    <dc:date.created>2025-01-09T19:41:33+01:00</dc:date.created>
    <author>nobody@ipernity.com (m̌ ḫ)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/havran"&gt;m̌ ḫ&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/havran/53157420/in/group/295909"&gt;&lt;img src="https://cdn.ipernity.com/200/74/20/53157420.c3a8a8a9.240.jpg?r2" width="240" height="164" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;&lt;a href="https://www.ipernity.com/doc/havran/53157422" target="_blank" rel="nofollow"&gt;&lt;img alt="FujiFrontierSP3000 006" src="https://cdn.ipernity.com/200/74/22/53157422.385bcc22.1024.jpg?r2" height="698" width="1024" /&gt;&lt;/a&gt;&lt;/div&gt;</description>
    <media:title>Calm</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/havran"&gt;m̌ ḫ&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/havran/53157420/in/group/295909"&gt;&lt;img src="https://cdn.ipernity.com/200/74/20/53157420.c3a8a8a9.240.jpg?r2" width="240" height="164" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;&lt;a href="https://www.ipernity.com/doc/havran/53157422" target="_blank" rel="nofollow"&gt;&lt;img alt="FujiFrontierSP3000 006" src="https://cdn.ipernity.com/200/74/22/53157422.385bcc22.1024.jpg?r2" height="698" width="1024" /&gt;&lt;/a&gt;&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/200/74/20/53157420.0ec60acf.1024.jpg?r2" type="image/jpeg" width="1024" height="698" duration="0" isDefault="true"  />
    <media:thumbnail url="https://cdn.ipernity.com/200/74/20/53157420.c3a8a8a9.240.jpg?r2" width="240" height="164"/>
    <media:thumbnail url="https://cdn.ipernity.com/200/74/20/53157420.c3a8a8a9.100.jpg?r2" width="100" height="69"/>
    <media:credit role="author">m̌ ḫ</media:credit>
  </item>
  <item>
    <title>Face to Face with the Silent Engine</title>
    <link>https://www.ipernity.com/doc/havran/53322096/in/group/295909</link>
    <guid isPermaLink="false">tag:ipernity.com,2026-05-13,doc-53322096</guid>
    <pubDate>Wed, 13 May 2026 18:06:44 +0000</pubDate>
    <dc:date.created>2025-08-15T22:53:57+02:00</dc:date.created>
    <author>nobody@ipernity.com (m̌ ḫ)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/havran"&gt;m̌ ḫ&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/havran/53322096/in/group/295909"&gt;&lt;img src="https://cdn.ipernity.com/200/20/96/53322096.3b72f873.240.jpg?r2" width="163" height="240" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;The Deutsches Technikmuseum’s railway halls feel like stepping into a living locomotive depot: restored 19th‑century roundhouses, wooden beams and turntables set the scene for over 40 full‑size locomotives and carriages you can view closely — a dream for photographers and history lovers. The displays mix engineering marvels (steam, diesel, electric and urban stock) with everyday objects — tickets, dining‑car crockery and uniforms — so you understand how railways changed cities, work and daily life. &lt;br /&gt;
&lt;br /&gt;
Importantly, the museum does something few institutions do so plainly: it faces the darkest chapter of railway history by presenting a freight wagon and contextual exhibits about the Deutsche Reichsbahn’s role in Nazi deportations, placing victims’ stories, timetables and maps alongside the machines. That choice is a bold, responsible stance — it refuses to glamorize technology and instead shows how ordinary systems were used for extraordinary crimes, which educates visitors and strengthens public memory.&lt;/div&gt;</description>
    <media:title>Face to Face with the Silent Engine</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/havran"&gt;m̌ ḫ&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/havran/53322096/in/group/295909"&gt;&lt;img src="https://cdn.ipernity.com/200/20/96/53322096.3b72f873.240.jpg?r2" width="163" height="240" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;The Deutsches Technikmuseum’s railway halls feel like stepping into a living locomotive depot: restored 19th‑century roundhouses, wooden beams and turntables set the scene for over 40 full‑size locomotives and carriages you can view closely — a dream for photographers and history lovers. The displays mix engineering marvels (steam, diesel, electric and urban stock) with everyday objects — tickets, dining‑car crockery and uniforms — so you understand how railways changed cities, work and daily life. &lt;br /&gt;
&lt;br /&gt;
Importantly, the museum does something few institutions do so plainly: it faces the darkest chapter of railway history by presenting a freight wagon and contextual exhibits about the Deutsche Reichsbahn’s role in Nazi deportations, placing victims’ stories, timetables and maps alongside the machines. That choice is a bold, responsible stance — it refuses to glamorize technology and instead shows how ordinary systems were used for extraordinary crimes, which educates visitors and strengthens public memory.&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/200/20/96/53322096.e55d9d05.1024.jpg?r2" type="image/jpeg" width="694" height="1024" duration="0" isDefault="true"  />
    <media:thumbnail url="https://cdn.ipernity.com/200/20/96/53322096.3b72f873.240.jpg?r2" width="163" height="240"/>
    <media:thumbnail url="https://cdn.ipernity.com/200/20/96/53322096.3b72f873.100.jpg?r2" width="68" height="100"/>
    <media:credit role="author">m̌ ḫ</media:credit>
  </item>
  <item>
    <title>Sans  4 G au milieu de rien...</title>
    <link>https://www.ipernity.com/doc/137412/53319818/in/group/295909</link>
    <guid isPermaLink="false">tag:ipernity.com,2026-05-11,doc-53319818</guid>
    <pubDate>Mon, 11 May 2026 09:03:21 +0000</pubDate>
    <dc:date.created>2026-05-11T11:01:41+02:00</dc:date.created>
    <author>nobody@ipernity.com (Le miroir de l&amp;#039;aube)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/137412"&gt;Le miroir de l&amp;#039;aube&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/137412/53319818/in/group/295909"&gt;&lt;img src="https://cdn.ipernity.com/200/98/18/53319818.3d39c65a.240.jpg?r2" width="167" height="240" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Ecosse 1990, (photo argentique scannée)&lt;/div&gt;</description>
    <media:title>Sans  4 G au milieu de rien...</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/137412"&gt;Le miroir de l&amp;#039;aube&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/137412/53319818/in/group/295909"&gt;&lt;img src="https://cdn.ipernity.com/200/98/18/53319818.3d39c65a.240.jpg?r2" width="167" height="240" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Ecosse 1990, (photo argentique scannée)&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/200/98/18/53319818.c6e8e8ff.1024.jpg?r2" type="image/jpeg" width="711" height="1024" duration="0" isDefault="true"  />
    <media:thumbnail url="https://cdn.ipernity.com/200/98/18/53319818.3d39c65a.240.jpg?r2" width="167" height="240"/>
    <media:thumbnail url="https://cdn.ipernity.com/200/98/18/53319818.3d39c65a.100.jpg?r2" width="70" height="100"/>
    <media:credit role="author">Le miroir de l&amp;#039;aube</media:credit>
  </item>
  <item>
    <title>ARC - I/S Amager Ressourcecenter</title>
    <link>https://www.ipernity.com/doc/havran/53322100/in/group/295909</link>
    <guid isPermaLink="false">tag:ipernity.com,2026-05-12,doc-53322100</guid>
    <pubDate>Tue, 12 May 2026 19:07:28 +0000</pubDate>
    <dc:date.created>2025-08-15T22:45:21+02:00</dc:date.created>
    <author>nobody@ipernity.com (m̌ ḫ)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/havran"&gt;m̌ ḫ&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/havran/53322100/in/group/295909"&gt;&lt;img src="https://cdn.ipernity.com/200/21/00/53322100.2bc0f002.240.jpg?r2" width="240" height="164" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Amager Bakke (Copenhill) is a striking, angular building whose entire mass is wrapped in a shimmering “brick” façade of stacked aluminum panels, giving it an almost pixelated, industrial sculpture look. Its most famous feature is the sloping roof that becomes a full‑length artificial ski slope with green surface in summer and snow in winter, flanked by walking paths and a dramatic outdoor climbing wall on one side. Large, square openings and a clean, minimalistic profile make the plant read more like a contemporary cultural venue or art museum than a conventional incinerator, especially when illuminated at night. Behind this expressive architecture, the facility works as a combined heat‑and‑power plant, turning the city’s non‑recyclable waste into both district heating and electricity for surrounding households.&lt;/div&gt;</description>
    <media:title>ARC - I/S Amager Ressourcecenter</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/havran"&gt;m̌ ḫ&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/havran/53322100/in/group/295909"&gt;&lt;img src="https://cdn.ipernity.com/200/21/00/53322100.2bc0f002.240.jpg?r2" width="240" height="164" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Amager Bakke (Copenhill) is a striking, angular building whose entire mass is wrapped in a shimmering “brick” façade of stacked aluminum panels, giving it an almost pixelated, industrial sculpture look. Its most famous feature is the sloping roof that becomes a full‑length artificial ski slope with green surface in summer and snow in winter, flanked by walking paths and a dramatic outdoor climbing wall on one side. Large, square openings and a clean, minimalistic profile make the plant read more like a contemporary cultural venue or art museum than a conventional incinerator, especially when illuminated at night. Behind this expressive architecture, the facility works as a combined heat‑and‑power plant, turning the city’s non‑recyclable waste into both district heating and electricity for surrounding households.&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/200/21/00/53322100.e18fbf83.1024.jpg?r2" type="image/jpeg" width="1024" height="697" duration="0" isDefault="true"  />
    <media:thumbnail url="https://cdn.ipernity.com/200/21/00/53322100.2bc0f002.240.jpg?r2" width="240" height="164"/>
    <media:thumbnail url="https://cdn.ipernity.com/200/21/00/53322100.2bc0f002.100.jpg?r2" width="100" height="68"/>
    <media:credit role="author">m̌ ḫ</media:credit>
  </item>
  <item>
    <title>Am Kraterrand.....</title>
    <link>https://www.ipernity.com/doc/564349/52748406/in/group/295909</link>
    <guid isPermaLink="false">tag:ipernity.com,2025-01-12,doc-52748406</guid>
    <pubDate>Sun, 12 Jan 2025 08:34:52 +0000</pubDate>
    <dc:date.created>1993-12-18T13:47:20+01:00</dc:date.created>
    <author>nobody@ipernity.com (volker_hmbg)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/564349"&gt;volker_hmbg&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/564349/52748406/in/group/295909"&gt;&lt;img src="https://cdn.ipernity.com/200/84/06/52748406.f10aeb83.240.jpg?r2" width="240" height="163" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;&lt;b&gt;....ist man dem kräftigen Passatwind ausgesetzt.&lt;/b&gt;&lt;br /&gt;
Gescannt vom Papierbild.&lt;br /&gt;
&lt;br /&gt;
Domino: Berge an der Küste - mit einer Ortschaft.&lt;br /&gt;
&lt;br /&gt;
Im PiP:&lt;br /&gt;
Blick zurück - auf dem Weg zur nächsten Ortschaft.&lt;br /&gt;
&lt;br /&gt;
&lt;a href="https://www.ipernity.com/doc/564349/52748400" target="_blank" rel="nofollow"&gt;&lt;img alt="24-105814-PiP zu 21" src="https://cdn.ipernity.com/200/84/00/52748400.5ec5f1e0.500.jpg?r2" height="345" width="500" /&gt;&lt;/a&gt;&lt;/div&gt;</description>
    <media:title>Am Kraterrand.....</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/564349"&gt;volker_hmbg&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/564349/52748406/in/group/295909"&gt;&lt;img src="https://cdn.ipernity.com/200/84/06/52748406.f10aeb83.240.jpg?r2" width="240" height="163" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;&lt;b&gt;....ist man dem kräftigen Passatwind ausgesetzt.&lt;/b&gt;&lt;br /&gt;
Gescannt vom Papierbild.&lt;br /&gt;
&lt;br /&gt;
Domino: Berge an der Küste - mit einer Ortschaft.&lt;br /&gt;
&lt;br /&gt;
Im PiP:&lt;br /&gt;
Blick zurück - auf dem Weg zur nächsten Ortschaft.&lt;br /&gt;
&lt;br /&gt;
&lt;a href="https://www.ipernity.com/doc/564349/52748400" target="_blank" rel="nofollow"&gt;&lt;img alt="24-105814-PiP zu 21" src="https://cdn.ipernity.com/200/84/00/52748400.5ec5f1e0.500.jpg?r2" height="345" width="500" /&gt;&lt;/a&gt;&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/200/84/06/52748406.f96fb588.1024.jpg?r2" type="image/jpeg" width="1024" height="693" duration="0" isDefault="true"  />
    <media:thumbnail url="https://cdn.ipernity.com/200/84/06/52748406.f10aeb83.240.jpg?r2" width="240" height="163"/>
    <media:thumbnail url="https://cdn.ipernity.com/200/84/06/52748406.f10aeb83.100.jpg?r2" width="100" height="68"/>
    <media:credit role="author">volker_hmbg</media:credit>
  </item>
  <item>
    <title>Ir de paseo</title>
    <link>https://www.ipernity.com/doc/havran/53316726/in/group/295909</link>
    <guid isPermaLink="false">tag:ipernity.com,2026-05-08,doc-53316726</guid>
    <pubDate>Fri, 08 May 2026 16:26:57 +0000</pubDate>
    <dc:date.created>2026-05-07T19:46:58+02:00</dc:date.created>
    <author>nobody@ipernity.com (m̌ ḫ)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/havran"&gt;m̌ ḫ&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/havran/53316726/in/group/295909"&gt;&lt;img src="https://cdn.ipernity.com/200/67/26/53316726.6e5146f1.240.jpg?r2" width="240" height="161" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;When I leave my front door and start uphill, the city falls away surprisingly fast. After fifteen minutes the concrete and parked cars are behind me and I’m already on the edge of real Little Carpathian woodland, a tangle of oaks, beeches, hornbeam and maples that feels different in every season – bright in spring, deep green in summer, copper and gold in autumn, bare and echoing in winter. &lt;br /&gt;
&lt;br /&gt;
Somewhere in that mosaic of trunks and undergrowth live fallow deer, roe deer, wild boar and foxes; I only seldom see them, but I know they are here. What I enjoy is this strange overlap: the path is clearly made for people, you are still in the capital, yet the forest follows its own rules, continuing day and night whether anyone is watching or not. A simple any time walk becomes a quiet crossing between two worlds – the familiar one of stairwells, tram lines and streetlights, and the older one of hoofprints, feathers and leaves, only a few minutes apart on foot.&lt;/div&gt;</description>
    <media:title>Ir de paseo</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/havran"&gt;m̌ ḫ&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/havran/53316726/in/group/295909"&gt;&lt;img src="https://cdn.ipernity.com/200/67/26/53316726.6e5146f1.240.jpg?r2" width="240" height="161" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;When I leave my front door and start uphill, the city falls away surprisingly fast. After fifteen minutes the concrete and parked cars are behind me and I’m already on the edge of real Little Carpathian woodland, a tangle of oaks, beeches, hornbeam and maples that feels different in every season – bright in spring, deep green in summer, copper and gold in autumn, bare and echoing in winter. &lt;br /&gt;
&lt;br /&gt;
Somewhere in that mosaic of trunks and undergrowth live fallow deer, roe deer, wild boar and foxes; I only seldom see them, but I know they are here. What I enjoy is this strange overlap: the path is clearly made for people, you are still in the capital, yet the forest follows its own rules, continuing day and night whether anyone is watching or not. A simple any time walk becomes a quiet crossing between two worlds – the familiar one of stairwells, tram lines and streetlights, and the older one of hoofprints, feathers and leaves, only a few minutes apart on foot.&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/200/67/26/53316726.1ff000bb.1024.jpg?r2" type="image/jpeg" width="1024" height="683" duration="0" isDefault="true"  />
    <media:thumbnail url="https://cdn.ipernity.com/200/67/26/53316726.6e5146f1.240.jpg?r2" width="240" height="161"/>
    <media:thumbnail url="https://cdn.ipernity.com/200/67/26/53316726.6e5146f1.100.jpg?r2" width="100" height="67"/>
    <media:credit role="author">m̌ ḫ</media:credit>
  </item>
  <item>
    <title>Seeking Shade</title>
    <link>https://www.ipernity.com/doc/296949/53313978/in/group/295909</link>
    <guid isPermaLink="false">tag:ipernity.com,2026-05-04,doc-53313978</guid>
    <pubDate>Mon, 04 May 2026 15:58:19 +0000</pubDate>
    <dc:date.created>2026-03-19T14:56:00-07:00</dc:date.created>
    <author>nobody@ipernity.com (Scott Holcomb)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/296949"&gt;Scott Holcomb&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/296949/53313978/in/group/295909"&gt;&lt;img src="https://cdn.ipernity.com/200/39/78/53313978.67730b98.240.jpg?r2" width="240" height="237" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Ahhhhh . . . .&lt;br /&gt;
&lt;br /&gt;
This photo was taken by a Hasselblad 500C medium format film camera and Carl Zeiss Distagon 1:4 f=50mm T* lens with a Zenza Bronica 67mm SY44•2C(Y1) filter using Adox CHS 100II film, the negative scanned by an Epson Perfection V600 and digitally rendered with Photoshop.&lt;/div&gt;</description>
    <media:title>Seeking Shade</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/296949"&gt;Scott Holcomb&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/296949/53313978/in/group/295909"&gt;&lt;img src="https://cdn.ipernity.com/200/39/78/53313978.67730b98.240.jpg?r2" width="240" height="237" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Ahhhhh . . . .&lt;br /&gt;
&lt;br /&gt;
This photo was taken by a Hasselblad 500C medium format film camera and Carl Zeiss Distagon 1:4 f=50mm T* lens with a Zenza Bronica 67mm SY44•2C(Y1) filter using Adox CHS 100II film, the negative scanned by an Epson Perfection V600 and digitally rendered with Photoshop.&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/200/39/78/53313978.2820c175.1024.jpg?r2" type="image/jpeg" width="1024" height="1009" duration="0" isDefault="true"  />
    <media:thumbnail url="https://cdn.ipernity.com/200/39/78/53313978.67730b98.240.jpg?r2" width="240" height="237"/>
    <media:thumbnail url="https://cdn.ipernity.com/200/39/78/53313978.67730b98.100.jpg?r2" width="100" height="99"/>
    <media:credit role="author">Scott Holcomb</media:credit>
  </item>
  <item>
    <title>Twin Towers</title>
    <link>https://www.ipernity.com/doc/821673/42996634/in/group/295909</link>
    <guid isPermaLink="false">tag:ipernity.com,2016-09-10,doc-42996634</guid>
    <pubDate>Sat, 10 Sep 2016 23:34:36 +0000</pubDate>
    <dc:date.created>1981-12-27T16:00:00-06:00</dc:date.created>
    <author>nobody@ipernity.com (Bruce Dean (Puchinpappy))</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/821673"&gt;Bruce Dean (Puchinpappy)&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/821673/42996634/in/group/295909"&gt;&lt;img src="https://cdn.ipernity.com/200/66/34/42996634.944dc355.240.jpg?r2" width="160" height="240" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;This is a view from the Staten Island Ferry on December 27, 1981. I took it with my brand new Canon AE-1 Program camera and 50mm lens.. Cropped from the original Fuji 400 slide film. &lt;br /&gt;
&lt;br /&gt;
For The Sunday Challenge. Observing 911 with twins, two of the same or an archived picture of the Twin Towers.&lt;/div&gt;</description>
    <media:title>Twin Towers</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/821673"&gt;Bruce Dean (Puchinpappy)&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/821673/42996634/in/group/295909"&gt;&lt;img src="https://cdn.ipernity.com/200/66/34/42996634.944dc355.240.jpg?r2" width="160" height="240" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;This is a view from the Staten Island Ferry on December 27, 1981. I took it with my brand new Canon AE-1 Program camera and 50mm lens.. Cropped from the original Fuji 400 slide film. &lt;br /&gt;
&lt;br /&gt;
For The Sunday Challenge. Observing 911 with twins, two of the same or an archived picture of the Twin Towers.&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/200/66/34/42996634.944dc355.560.jpg?r2" type="image/jpeg" width="272" height="408" duration="0" isDefault="true"  />
    <media:thumbnail url="https://cdn.ipernity.com/200/66/34/42996634.944dc355.240.jpg?r2" width="160" height="240"/>
    <media:thumbnail url="https://cdn.ipernity.com/200/66/34/42996634.944dc355.100.jpg?r2" width="67" height="100"/>
    <media:credit role="author">Bruce Dean (Puchinpappy)</media:credit>
  </item>
  <item>
    <title>Train Ride</title>
    <link>https://www.ipernity.com/doc/289709/53315190/in/group/295909</link>
    <guid isPermaLink="false">tag:ipernity.com,2026-05-06,doc-53315190</guid>
    <pubDate>Wed, 06 May 2026 04:15:54 +0000</pubDate>
    <dc:date.created>2026-05-06T00:15:54-04:00</dc:date.created>
    <author>nobody@ipernity.com (Deborah Lundbech)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/289709"&gt;Deborah Lundbech&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/289709/53315190/in/group/295909"&gt;&lt;img src="https://cdn.ipernity.com/200/51/90/53315190.fa670aea.240.jpg?r2" width="240" height="237" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Not the greatest photo - but a cool memory.&lt;br /&gt;
 My cousin and I had saved up babysitting money and come back to Britain eight years after our families emigrated to the States.&lt;br /&gt;
Somewhere on a train from Cardiff to northern Wales the train driver (engineer?) (conductor?) must have heard that American  teens were on board and asked us if we wanted to come up front to the engine to see as we crossed the viaduct. (I don’t remember exactly where this was.)&lt;br /&gt;
I think he told us he wasn’t really supposed to have passengers up in the front.&lt;br /&gt;
Anyway, while we were up there, loving the experience, he told us that the line would very soon be closed and explained that branch lines were being closed all over Britain.&lt;br /&gt;
It seemed really sad to us, but I’m sure we had no real understanding of how that would affect so many small villages and towns.&lt;br /&gt;
Thank you to that long ago, kind train man!&lt;br /&gt;
&lt;br /&gt;
126/365&lt;/div&gt;</description>
    <media:title>Train Ride</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/289709"&gt;Deborah Lundbech&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/289709/53315190/in/group/295909"&gt;&lt;img src="https://cdn.ipernity.com/200/51/90/53315190.fa670aea.240.jpg?r2" width="240" height="237" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Not the greatest photo - but a cool memory.&lt;br /&gt;
 My cousin and I had saved up babysitting money and come back to Britain eight years after our families emigrated to the States.&lt;br /&gt;
Somewhere on a train from Cardiff to northern Wales the train driver (engineer?) (conductor?) must have heard that American  teens were on board and asked us if we wanted to come up front to the engine to see as we crossed the viaduct. (I don’t remember exactly where this was.)&lt;br /&gt;
I think he told us he wasn’t really supposed to have passengers up in the front.&lt;br /&gt;
Anyway, while we were up there, loving the experience, he told us that the line would very soon be closed and explained that branch lines were being closed all over Britain.&lt;br /&gt;
It seemed really sad to us, but I’m sure we had no real understanding of how that would affect so many small villages and towns.&lt;br /&gt;
Thank you to that long ago, kind train man!&lt;br /&gt;
&lt;br /&gt;
126/365&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/200/51/90/53315190.f1729a72.1024.jpg?r2" type="image/jpeg" width="1024" height="1010" duration="0" isDefault="true"  />
    <media:thumbnail url="https://cdn.ipernity.com/200/51/90/53315190.fa670aea.240.jpg?r2" width="240" height="237"/>
    <media:thumbnail url="https://cdn.ipernity.com/200/51/90/53315190.fa670aea.100.jpg?r2" width="100" height="99"/>
    <media:credit role="author">Deborah Lundbech</media:credit>
  </item>
  <item>
    <title>Mysterious unknown</title>
    <link>https://www.ipernity.com/doc/havran/53316710/in/group/295909</link>
    <guid isPermaLink="false">tag:ipernity.com,2026-05-07,doc-53316710</guid>
    <pubDate>Thu, 07 May 2026 17:46:34 +0000</pubDate>
    <dc:date.created>2026-04-17T16:35:41+02:00</dc:date.created>
    <author>nobody@ipernity.com (m̌ ḫ)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/havran"&gt;m̌ ḫ&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/havran/53316710/in/group/295909"&gt;&lt;img src="https://cdn.ipernity.com/200/67/10/53316710.e75b661e.240.jpg?r2" width="240" height="162" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Has this ever happened to you too? You get a photo back and realize it is an unfamiliar scene, taken by your own camera, yet your memory refuses to attach it to any real place. It is one of those side effects of shooting film while juggling several cameras at once… but the result is strangely fascinating.&lt;/div&gt;</description>
    <media:title>Mysterious unknown</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/havran"&gt;m̌ ḫ&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/havran/53316710/in/group/295909"&gt;&lt;img src="https://cdn.ipernity.com/200/67/10/53316710.e75b661e.240.jpg?r2" width="240" height="162" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Has this ever happened to you too? You get a photo back and realize it is an unfamiliar scene, taken by your own camera, yet your memory refuses to attach it to any real place. It is one of those side effects of shooting film while juggling several cameras at once… but the result is strangely fascinating.&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/200/67/10/53316710.ee01acdc.1024.jpg?r2" type="image/jpeg" width="1024" height="690" duration="0" isDefault="true"  />
    <media:thumbnail url="https://cdn.ipernity.com/200/67/10/53316710.e75b661e.240.jpg?r2" width="240" height="162"/>
    <media:thumbnail url="https://cdn.ipernity.com/200/67/10/53316710.e75b661e.100.jpg?r2" width="100" height="68"/>
    <media:credit role="author">m̌ ḫ</media:credit>
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