<?xml version="1.0" encoding="utf-8"?>
<rss version="2.0" xmlns:media="http://search.yahoo.com/mrss/" xmlns:dc="http://purl.org/dc/elements/1.1/">
<channel>
  <title>Contributions of the group Illustrations for the Bible</title>
  <link>https://www.ipernity.com/group/illustrations_for_the_bible/doc</link>
  <image>
    <url>https://cdn.ipernity.com/p/101/EB/D2/119531.buddy.jpg</url>
    <title>Contributions of the group Illustrations for the Bible</title>
    <link>https://www.ipernity.com/group/illustrations_for_the_bible/doc</link>
  </image>
  <description>The purpose of this group to draw attention to the variety of technical, stylistic and semantic solutions to the biblical images</description>
  <pubDate>Thu, 20 Aug 2026 12:11:12 +0000</pubDate>
  <lastBuildDate>Thu, 20 Aug 2026 12:11:12 +0000</lastBuildDate>
  <generator>https://www.ipernity.com</generator>
  <item>
    <title>His Eye is on the Sparrow</title>
    <link>https://www.ipernity.com/doc/821673/53289966/in/group/119531</link>
    <guid isPermaLink="false">tag:ipernity.com,2026-04-05,doc-53289966</guid>
    <pubDate>Sun, 05 Apr 2026 01:44:19 +0000</pubDate>
    <dc:date.created>2026-04-04T16:33:01-07:00</dc:date.created>
    <author>nobody@ipernity.com (Bruce Dean (Puchinpappy))</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/821673"&gt;Bruce Dean (Puchinpappy)&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/821673/53289966/in/group/119531"&gt;&lt;img src="https://cdn.ipernity.com/200/99/66/53289966.08f2b98a.240.jpg?r2" width="240" height="186" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;SSC This week's challenge, a triptych.&lt;br /&gt;
&lt;br /&gt;
A triptych of a Song Sparrow's eyes.&lt;br /&gt;
&lt;br /&gt;
Larnell Harris sings “His Eye is on the Sparrow.” &lt;a href="https://youtu.be/n3OdGDzyFV8?si=Q4rYXQP7Co3Zn8Fz" target="_blank" rel="nofollow"&gt;youtu.be/n3OdGDzyFV8?si=Q4rYXQP7Co3Zn8Fz&lt;/a&gt;&lt;br /&gt;
&lt;br /&gt;
“Are not two sparrows sold for a penny? Yet not one of them will fall to the ground apart from the will of your Father. 30 And even the very hairs of your head are all numbered. 31 So don’t be afraid; you are worth more than many sparrows. (Matthew 10:29–31)&lt;/div&gt;</description>
    <media:title>His Eye is on the Sparrow</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/821673"&gt;Bruce Dean (Puchinpappy)&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/821673/53289966/in/group/119531"&gt;&lt;img src="https://cdn.ipernity.com/200/99/66/53289966.08f2b98a.240.jpg?r2" width="240" height="186" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;SSC This week's challenge, a triptych.&lt;br /&gt;
&lt;br /&gt;
A triptych of a Song Sparrow's eyes.&lt;br /&gt;
&lt;br /&gt;
Larnell Harris sings “His Eye is on the Sparrow.” &lt;a href="https://youtu.be/n3OdGDzyFV8?si=Q4rYXQP7Co3Zn8Fz" target="_blank" rel="nofollow"&gt;youtu.be/n3OdGDzyFV8?si=Q4rYXQP7Co3Zn8Fz&lt;/a&gt;&lt;br /&gt;
&lt;br /&gt;
“Are not two sparrows sold for a penny? Yet not one of them will fall to the ground apart from the will of your Father. 30 And even the very hairs of your head are all numbered. 31 So don’t be afraid; you are worth more than many sparrows. (Matthew 10:29–31)&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/200/99/66/53289966.91b34de1.1024.jpg?r2" type="image/jpeg" width="1024" height="792" duration="0" isDefault="true"  />
    <media:thumbnail url="https://cdn.ipernity.com/200/99/66/53289966.08f2b98a.240.jpg?r2" width="240" height="186"/>
    <media:thumbnail url="https://cdn.ipernity.com/200/99/66/53289966.08f2b98a.100.jpg?r2" width="100" height="78"/>
    <media:credit role="author">Bruce Dean (Puchinpappy)</media:credit>
  </item>
  <item>
    <title>Matene</title>
    <link>https://www.ipernity.com/doc/104693/52645466/in/group/119531</link>
    <guid isPermaLink="false">tag:ipernity.com,2024-09-26,doc-52645466</guid>
    <pubDate>Thu, 26 Sep 2024 20:23:12 +0000</pubDate>
    <dc:date.created>2024-09-25T22:23:12+02:00</dc:date.created>
    <author>nobody@ipernity.com (Maria W.)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/104693"&gt;Maria W.&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/104693/52645466/in/group/119531"&gt;&lt;img src="https://cdn.ipernity.com/200/54/66/52645466.7066915a.240.jpg?r2" width="240" height="174" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Explore - 27.09.2024&lt;br /&gt;
p. 8&lt;/div&gt;</description>
    <media:title>Matene</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/104693"&gt;Maria W.&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/104693/52645466/in/group/119531"&gt;&lt;img src="https://cdn.ipernity.com/200/54/66/52645466.7066915a.240.jpg?r2" width="240" height="174" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Explore - 27.09.2024&lt;br /&gt;
p. 8&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/200/54/66/52645466.55f44fc0.1024.jpg?r2" type="image/jpeg" width="800" height="580" duration="0" isDefault="true"  />
    <media:thumbnail url="https://cdn.ipernity.com/200/54/66/52645466.7066915a.240.jpg?r2" width="240" height="174"/>
    <media:thumbnail url="https://cdn.ipernity.com/200/54/66/52645466.7066915a.100.jpg?r2" width="100" height="73"/>
    <media:credit role="author">Maria W.</media:credit>
  </item>
  <item>
    <title>Felicxan Kristnaskon:)</title>
    <link>https://www.ipernity.com/doc/104693/51123360/in/group/119531</link>
    <guid isPermaLink="false">tag:ipernity.com,2021-12-24,doc-51123360</guid>
    <pubDate>Fri, 24 Dec 2021 12:50:02 +0000</pubDate>
    <dc:date.created>2021-12-13T13:50:02+01:00</dc:date.created>
    <author>nobody@ipernity.com (Maria W.)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/104693"&gt;Maria W.&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/104693/51123360/in/group/119531"&gt;&lt;img src="https://cdn.ipernity.com/200/33/60/51123360.48d896a9.240.jpg?r2" width="240" height="180" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Explore - 24.12.2021r.&lt;br /&gt;
p. 6&lt;/div&gt;</description>
    <media:title>Felicxan Kristnaskon:)</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/104693"&gt;Maria W.&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/104693/51123360/in/group/119531"&gt;&lt;img src="https://cdn.ipernity.com/200/33/60/51123360.48d896a9.240.jpg?r2" width="240" height="180" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Explore - 24.12.2021r.&lt;br /&gt;
p. 6&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/200/33/60/51123360.7c905550.1024.jpg?r2" type="image/jpeg" width="800" height="600" duration="0" isDefault="true"  />
    <media:thumbnail url="https://cdn.ipernity.com/200/33/60/51123360.48d896a9.240.jpg?r2" width="240" height="180"/>
    <media:thumbnail url="https://cdn.ipernity.com/200/33/60/51123360.48d896a9.100.jpg?r2" width="100" height="75"/>
    <media:credit role="author">Maria W.</media:credit>
  </item>
  <item>
    <title>Foxtail</title>
    <link>https://www.ipernity.com/doc/821673/44457654/in/group/119531</link>
    <guid isPermaLink="false">tag:ipernity.com,2017-03-13,doc-44457654</guid>
    <pubDate>Mon, 13 Mar 2017 10:15:50 +0000</pubDate>
    <dc:date.created>2015-10-02T10:13:48-06:00</dc:date.created>
    <author>nobody@ipernity.com (Bruce Dean (Puchinpappy))</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/821673"&gt;Bruce Dean (Puchinpappy)&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/821673/44457654/in/group/119531"&gt;&lt;img src="https://cdn.ipernity.com/200/76/54/44457654.bbdcc7c5.240.jpg?r2" width="160" height="240" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Macro Monday: Transient&lt;br /&gt;
&lt;br /&gt;
         As for man, his days are like grass, &lt;br /&gt;
         he flourishes like a flower of the field; &lt;br /&gt;
         the wind blows over it and it is gone, &lt;br /&gt;
         and its place remembers it no more. &lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
The Holy Bible: New International Version (Grand Rapids, MI: Zondervan, 1984), Ps 103:15–16.&lt;/div&gt;</description>
    <media:title>Foxtail</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/821673"&gt;Bruce Dean (Puchinpappy)&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/821673/44457654/in/group/119531"&gt;&lt;img src="https://cdn.ipernity.com/200/76/54/44457654.bbdcc7c5.240.jpg?r2" width="160" height="240" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Macro Monday: Transient&lt;br /&gt;
&lt;br /&gt;
         As for man, his days are like grass, &lt;br /&gt;
         he flourishes like a flower of the field; &lt;br /&gt;
         the wind blows over it and it is gone, &lt;br /&gt;
         and its place remembers it no more. &lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
The Holy Bible: New International Version (Grand Rapids, MI: Zondervan, 1984), Ps 103:15–16.&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/200/76/54/44457654.01b39790.1024.jpg?r2" type="image/jpeg" width="683" height="1024" duration="0" isDefault="true"  />
    <media:thumbnail url="https://cdn.ipernity.com/200/76/54/44457654.bbdcc7c5.240.jpg?r2" width="160" height="240"/>
    <media:thumbnail url="https://cdn.ipernity.com/200/76/54/44457654.bbdcc7c5.100.jpg?r2" width="67" height="100"/>
    <media:credit role="author">Bruce Dean (Puchinpappy)</media:credit>
  </item>
  <item>
    <title>Stroll through Turin / Torino  Piemont Tour 2019  2x PiP</title>
    <link>https://www.ipernity.com/doc/aschi.rusterholz.freestone/49717542/in/group/119531</link>
    <guid isPermaLink="false">tag:ipernity.com,2020-02-17,doc-49717542</guid>
    <pubDate>Mon, 17 Feb 2020 07:54:29 +0000</pubDate>
    <dc:date.created>2019-09-20T14:25:33+01:00</dc:date.created>
    <author>nobody@ipernity.com (Aschi "Freestone")</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/aschi.rusterholz.freestone"&gt;Aschi &amp;quot;Freestone&amp;quot;&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/aschi.rusterholz.freestone/49717542/in/group/119531"&gt;&lt;img src="https://cdn.ipernity.com/200/75/42/49717542.e0b5da24.240.jpg?r2" width="170" height="240" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;The interior, with a Latin cross floor plan, is decorated with three naves and many Gothic elements. The side chapels contain devotional altars and art treasures of great richness.&lt;/div&gt;</description>
    <media:title>Stroll through Turin / Torino  Piemont Tour 2019  2x PiP</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/aschi.rusterholz.freestone"&gt;Aschi &amp;quot;Freestone&amp;quot;&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/aschi.rusterholz.freestone/49717542/in/group/119531"&gt;&lt;img src="https://cdn.ipernity.com/200/75/42/49717542.e0b5da24.240.jpg?r2" width="170" height="240" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;The interior, with a Latin cross floor plan, is decorated with three naves and many Gothic elements. The side chapels contain devotional altars and art treasures of great richness.&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/200/75/42/49717542.d7b3fd09.1024.jpg?r2" type="image/jpeg" width="723" height="1024" duration="0" isDefault="true"  />
    <media:thumbnail url="https://cdn.ipernity.com/200/75/42/49717542.e0b5da24.240.jpg?r2" width="170" height="240"/>
    <media:thumbnail url="https://cdn.ipernity.com/200/75/42/49717542.e0b5da24.100.jpg?r2" width="71" height="100"/>
    <media:credit role="author">Aschi "Freestone"</media:credit>
  </item>
  <item>
    <title>Frohe Weihnachten ... Merry Christmas ... Joyeux Noël ...</title>
    <link>https://www.ipernity.com/doc/cammino/49569156/in/group/119531</link>
    <guid isPermaLink="false">tag:ipernity.com,2019-12-24,doc-49569156</guid>
    <pubDate>Tue, 24 Dec 2019 09:37:37 +0000</pubDate>
    <dc:date.created>2018-09-06T09:16:06+01:00</dc:date.created>
    <author>nobody@ipernity.com (cammino)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/cammino"&gt;cammino&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/cammino/49569156/in/group/119531"&gt;&lt;img src="https://cdn.ipernity.com/200/91/56/49569156.62ca941a.240.jpg?r2" width="240" height="202" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;... wünsche ich allen Iperianern!&lt;br /&gt;
&lt;br /&gt;
Im Bild das Taufbecken im Mittelgang des Würzburger Kiliansdoms, das 1279 von Meister Eckard aus Worms aus Bronze gegossen wurde. &lt;br /&gt;
Durch architektonische Elemente gegliedert zeigt das Taufbecken acht Szenen des Lebens und Wirkens Jesu: Verkündigung, Geburt (hier im Bild), Taufe im Jordan, Kreuzigung, Auferstehung, Himmelfahrt, Pfingsten und Jüngestes Gericht. &lt;br /&gt;
Mehr Informationen zu diesem altehrwürdigen Kunstwerk: &lt;br /&gt;
&lt;a href="https://wuerzburgwiki.de/wiki/Dom_St._Kilian" target="_blank" rel="nofollow"&gt;wuerzburgwiki.de/wiki/Dom_St._Kilian&lt;/a&gt;&lt;br /&gt;
&lt;br /&gt;
... My wish for all Iperians!&lt;br /&gt;
&lt;br /&gt;
The picture shows the baptismal font in the central aisle of the Würzburg Kilian Cathedral, which was cast in bronze by Master Eckard from Worms in 1279. &lt;br /&gt;
Structured by architectural elements, the baptismal font shows eight scenes of Jesus' life and work: Annunciation, Birth, Baptism in the Jordan, Crucifixion, Resurrection, Ascension, Pentecost and the Last Judgement. &lt;br /&gt;
More information about this time-honoured work of art can be found at the above internet address.&lt;/div&gt;</description>
    <media:title>Frohe Weihnachten ... Merry Christmas ... Joyeux Noël ...</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/cammino"&gt;cammino&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/cammino/49569156/in/group/119531"&gt;&lt;img src="https://cdn.ipernity.com/200/91/56/49569156.62ca941a.240.jpg?r2" width="240" height="202" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;... wünsche ich allen Iperianern!&lt;br /&gt;
&lt;br /&gt;
Im Bild das Taufbecken im Mittelgang des Würzburger Kiliansdoms, das 1279 von Meister Eckard aus Worms aus Bronze gegossen wurde. &lt;br /&gt;
Durch architektonische Elemente gegliedert zeigt das Taufbecken acht Szenen des Lebens und Wirkens Jesu: Verkündigung, Geburt (hier im Bild), Taufe im Jordan, Kreuzigung, Auferstehung, Himmelfahrt, Pfingsten und Jüngestes Gericht. &lt;br /&gt;
Mehr Informationen zu diesem altehrwürdigen Kunstwerk: &lt;br /&gt;
&lt;a href="https://wuerzburgwiki.de/wiki/Dom_St._Kilian" target="_blank" rel="nofollow"&gt;wuerzburgwiki.de/wiki/Dom_St._Kilian&lt;/a&gt;&lt;br /&gt;
&lt;br /&gt;
... My wish for all Iperians!&lt;br /&gt;
&lt;br /&gt;
The picture shows the baptismal font in the central aisle of the Würzburg Kilian Cathedral, which was cast in bronze by Master Eckard from Worms in 1279. &lt;br /&gt;
Structured by architectural elements, the baptismal font shows eight scenes of Jesus' life and work: Annunciation, Birth, Baptism in the Jordan, Crucifixion, Resurrection, Ascension, Pentecost and the Last Judgement. &lt;br /&gt;
More information about this time-honoured work of art can be found at the above internet address.&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/200/91/56/49569156.cd5753f0.1024.jpg?r2" type="image/jpeg" width="1024" height="858" duration="0" isDefault="true"  />
    <media:thumbnail url="https://cdn.ipernity.com/200/91/56/49569156.62ca941a.240.jpg?r2" width="240" height="202"/>
    <media:thumbnail url="https://cdn.ipernity.com/200/91/56/49569156.62ca941a.100.jpg?r2" width="100" height="84"/>
    <media:credit role="author">cammino</media:credit>
  </item>
  <item>
    <title>The Strasbourg Cathedral</title>
    <link>https://www.ipernity.com/doc/aschi.rusterholz.freestone/49597922/in/group/119531</link>
    <guid isPermaLink="false">tag:ipernity.com,2020-01-02,doc-49597922</guid>
    <pubDate>Thu, 02 Jan 2020 10:42:02 +0000</pubDate>
    <dc:date.created>2019-07-28T12:55:10+01:00</dc:date.created>
    <author>nobody@ipernity.com (Aschi "Freestone")</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/aschi.rusterholz.freestone"&gt;Aschi &amp;quot;Freestone&amp;quot;&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/aschi.rusterholz.freestone/49597922/in/group/119531"&gt;&lt;img src="https://cdn.ipernity.com/200/79/22/49597922.2b88e72f.240.jpg?r2" width="240" height="163" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;here another rarity from one of the chapels in the cathedral&lt;/div&gt;</description>
    <media:title>The Strasbourg Cathedral</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/aschi.rusterholz.freestone"&gt;Aschi &amp;quot;Freestone&amp;quot;&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/aschi.rusterholz.freestone/49597922/in/group/119531"&gt;&lt;img src="https://cdn.ipernity.com/200/79/22/49597922.2b88e72f.240.jpg?r2" width="240" height="163" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;here another rarity from one of the chapels in the cathedral&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/200/79/22/49597922.7984a991.1024.jpg?r2" type="image/jpeg" width="1024" height="694" duration="0" isDefault="true"  />
    <media:thumbnail url="https://cdn.ipernity.com/200/79/22/49597922.2b88e72f.240.jpg?r2" width="240" height="163"/>
    <media:thumbnail url="https://cdn.ipernity.com/200/79/22/49597922.2b88e72f.100.jpg?r2" width="100" height="68"/>
    <media:credit role="author">Aschi "Freestone"</media:credit>
  </item>
  <item>
    <title>Buon Natale! "Venite, cantiamo al Signore, acclamiamo la roccia della nostra salvezza." (Sal. 95)</title>
    <link>https://www.ipernity.com/doc/2262308/49569022/in/group/119531</link>
    <guid isPermaLink="false">tag:ipernity.com,2019-12-24,doc-49569022</guid>
    <pubDate>Tue, 24 Dec 2019 08:27:14 +0000</pubDate>
    <dc:date.created>2012-01-04T12:26:42+01:00</dc:date.created>
    <author>nobody@ipernity.com (Silvana -Silvy 51)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/2262308"&gt;Silvana -Silvy 51&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/2262308/49569022/in/group/119531"&gt;&lt;img src="https://cdn.ipernity.com/200/90/22/49569022.8b7e94f2.240.jpg?r2" width="183" height="240" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Buon Natale! &lt;br /&gt;
"Venite, cantiamo al Signore, acclamiamo la roccia della nostra salvezza." (Sal. 95)&lt;/div&gt;</description>
    <media:title>Buon Natale! "Venite, cantiamo al Signore, acclamiamo la roccia della nostra salvezza." (Sal. 95)</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/2262308"&gt;Silvana -Silvy 51&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/2262308/49569022/in/group/119531"&gt;&lt;img src="https://cdn.ipernity.com/200/90/22/49569022.8b7e94f2.240.jpg?r2" width="183" height="240" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Buon Natale! &lt;br /&gt;
"Venite, cantiamo al Signore, acclamiamo la roccia della nostra salvezza." (Sal. 95)&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/200/90/22/49569022.c2b3abc9.1024.jpg?r2" type="image/jpeg" width="780" height="1024" duration="0" isDefault="true"  />
    <media:thumbnail url="https://cdn.ipernity.com/200/90/22/49569022.8b7e94f2.240.jpg?r2" width="183" height="240"/>
    <media:thumbnail url="https://cdn.ipernity.com/200/90/22/49569022.8b7e94f2.100.jpg?r2" width="77" height="100"/>
    <media:credit role="author">Silvana -Silvy 51</media:credit>
  </item>
  <item>
    <title>Basilica of Our Lady, Maastricht</title>
    <link>https://www.ipernity.com/doc/2247998/49563806/in/group/119531</link>
    <guid isPermaLink="false">tag:ipernity.com,2019-12-21,doc-49563806</guid>
    <pubDate>Sat, 21 Dec 2019 22:39:15 +0000</pubDate>
    <dc:date.created>2019-12-12T11:53:42+00:00</dc:date.created>
    <author>nobody@ipernity.com (Peter_Private_Box)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/2247998"&gt;Peter_Private_Box&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/2247998/49563806/in/group/119531"&gt;&lt;img src="https://cdn.ipernity.com/200/38/06/49563806.81c7fd3a.240.jpg?r2" width="240" height="160" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Nadolig llawen a Blwyddyn Newydd dda&lt;br /&gt;
Mutlu Noeller ve mutlu yıllar&lt;br /&gt;
Frohe Weihnachten und ein glückliches Neues Jahr&lt;br /&gt;
Joyeux Noel et bonne année.               &lt;br /&gt;
&lt;br /&gt;
Merry Christmas and Happy New Year&lt;/div&gt;</description>
    <media:title>Basilica of Our Lady, Maastricht</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/2247998"&gt;Peter_Private_Box&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/2247998/49563806/in/group/119531"&gt;&lt;img src="https://cdn.ipernity.com/200/38/06/49563806.81c7fd3a.240.jpg?r2" width="240" height="160" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Nadolig llawen a Blwyddyn Newydd dda&lt;br /&gt;
Mutlu Noeller ve mutlu yıllar&lt;br /&gt;
Frohe Weihnachten und ein glückliches Neues Jahr&lt;br /&gt;
Joyeux Noel et bonne année.               &lt;br /&gt;
&lt;br /&gt;
Merry Christmas and Happy New Year&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/200/38/06/49563806.a594598c.1024.jpg?r2" type="image/jpeg" width="1024" height="683" duration="0" isDefault="true"  />
    <media:thumbnail url="https://cdn.ipernity.com/200/38/06/49563806.81c7fd3a.240.jpg?r2" width="240" height="160"/>
    <media:thumbnail url="https://cdn.ipernity.com/200/38/06/49563806.81c7fd3a.100.jpg?r2" width="100" height="67"/>
    <media:credit role="author">Peter_Private_Box</media:credit>
  </item>
  <item>
    <title>Die Beweinung Christi - The Lamentation of Christ</title>
    <link>https://www.ipernity.com/doc/cammino/48493158/in/group/119531</link>
    <guid isPermaLink="false">tag:ipernity.com,2019-04-18,doc-48493158</guid>
    <pubDate>Thu, 18 Apr 2019 15:43:22 +0000</pubDate>
    <dc:date.created>2016-08-14T17:21:32+02:00</dc:date.created>
    <author>nobody@ipernity.com (cammino)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/cammino"&gt;cammino&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/cammino/48493158/in/group/119531"&gt;&lt;img src="https://cdn.ipernity.com/200/31/58/48493158.070ee2bc.240.jpg?r2" width="240" height="180" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;In der ehemaligne Klosterkirche der Zisterzienserinnen St. Afra im kleinen Dörfchen Maidbronn befindet sich dieses große eindrucksvolle Relief aus grauem Sandstein, ein Meisterwerk des berühmten Würzburger Bildhauers Tilman Riemenschneider (geschaffen um 1520). Es zeigt die Beweinung Christi nach der Abnahme seines Leichnams vom Kreuz. Es ist ein Motiv, das in der Malerei und Bildhauerei  vom Spätmittelalter bis zum Barock vielfach dargestellt wurde. Das Foto ist eine Detailaufnahme.&lt;br /&gt;
&lt;a href="https://de.wikipedia.org/wiki/Kloster_Maidbronn" target="_blank" rel="nofollow"&gt;de.wikipedia.org/wiki/Kloster_Maidbronn&lt;/a&gt;&lt;br /&gt;
&lt;a href="https://de.wikipedia.org/wiki/Tilman_Riemenschneider" target="_blank" rel="nofollow"&gt;de.wikipedia.org/wiki/Tilman_Riemenschneider&lt;/a&gt;&lt;br /&gt;
&lt;a href="https://en.wikipedia.org/wiki/Lamentation_of_Christ" target="_blank" rel="nofollow"&gt;en.wikipedia.org/wiki/Lamentation_of_Christ&lt;/a&gt;&lt;br /&gt;
In the former monastery church of the Cistercian nuns St. Afra in the small village of Maidbronn you can find this large impressive relief of grey sandstone, a masterpiece of the famous sculptor Tilman Riemenschneider (created around 1520). It shows the mourning of Christ after the removal of his body from the cross. It is a motif that has been widely represented in painting and sculpture from the Late Middle Ages to the Baroque.&lt;br /&gt;
&lt;br /&gt;
&lt;a href="https://www.youtube.com/watch?v=pYhySafAt6A" target="_blank" rel="nofollow"&gt;♪♫ Und hier die passende Musik: Karl Jenkins: Stabat Mater♫♪&lt;/a&gt;&lt;/div&gt;</description>
    <media:title>Die Beweinung Christi - The Lamentation of Christ</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/cammino"&gt;cammino&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/cammino/48493158/in/group/119531"&gt;&lt;img src="https://cdn.ipernity.com/200/31/58/48493158.070ee2bc.240.jpg?r2" width="240" height="180" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;In der ehemaligne Klosterkirche der Zisterzienserinnen St. Afra im kleinen Dörfchen Maidbronn befindet sich dieses große eindrucksvolle Relief aus grauem Sandstein, ein Meisterwerk des berühmten Würzburger Bildhauers Tilman Riemenschneider (geschaffen um 1520). Es zeigt die Beweinung Christi nach der Abnahme seines Leichnams vom Kreuz. Es ist ein Motiv, das in der Malerei und Bildhauerei  vom Spätmittelalter bis zum Barock vielfach dargestellt wurde. Das Foto ist eine Detailaufnahme.&lt;br /&gt;
&lt;a href="https://de.wikipedia.org/wiki/Kloster_Maidbronn" target="_blank" rel="nofollow"&gt;de.wikipedia.org/wiki/Kloster_Maidbronn&lt;/a&gt;&lt;br /&gt;
&lt;a href="https://de.wikipedia.org/wiki/Tilman_Riemenschneider" target="_blank" rel="nofollow"&gt;de.wikipedia.org/wiki/Tilman_Riemenschneider&lt;/a&gt;&lt;br /&gt;
&lt;a href="https://en.wikipedia.org/wiki/Lamentation_of_Christ" target="_blank" rel="nofollow"&gt;en.wikipedia.org/wiki/Lamentation_of_Christ&lt;/a&gt;&lt;br /&gt;
In the former monastery church of the Cistercian nuns St. Afra in the small village of Maidbronn you can find this large impressive relief of grey sandstone, a masterpiece of the famous sculptor Tilman Riemenschneider (created around 1520). It shows the mourning of Christ after the removal of his body from the cross. It is a motif that has been widely represented in painting and sculpture from the Late Middle Ages to the Baroque.&lt;br /&gt;
&lt;br /&gt;
&lt;a href="https://www.youtube.com/watch?v=pYhySafAt6A" target="_blank" rel="nofollow"&gt;♪♫ Und hier die passende Musik: Karl Jenkins: Stabat Mater♫♪&lt;/a&gt;&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/200/31/58/48493158.a43b392c.1024.jpg?r2" type="image/jpeg" width="1024" height="768" duration="0" isDefault="true"  />
    <media:thumbnail url="https://cdn.ipernity.com/200/31/58/48493158.070ee2bc.240.jpg?r2" width="240" height="180"/>
    <media:thumbnail url="https://cdn.ipernity.com/200/31/58/48493158.070ee2bc.100.jpg?r2" width="100" height="75"/>
    <media:credit role="author">cammino</media:credit>
  </item>
  <item>
    <title>Jesus Washing Disciple&amp;#039;s Foot 03</title>
    <link>https://www.ipernity.com/doc/821673/48364854/in/group/119531</link>
    <guid isPermaLink="false">tag:ipernity.com,2019-03-24,doc-48364854</guid>
    <pubDate>Sun, 24 Mar 2019 00:29:32 +0000</pubDate>
    <dc:date.created>2019-03-23T13:46:25-06:00</dc:date.created>
    <author>nobody@ipernity.com (Bruce Dean (Puchinpappy))</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/821673"&gt;Bruce Dean (Puchinpappy)&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/821673/48364854/in/group/119531"&gt;&lt;img src="https://cdn.ipernity.com/200/48/54/48364854.1d437e2a.240.jpg?r2" width="240" height="156" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;John 13:1-17&lt;/div&gt;</description>
    <media:title>Jesus Washing Disciple&amp;#039;s Foot 03</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/821673"&gt;Bruce Dean (Puchinpappy)&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/821673/48364854/in/group/119531"&gt;&lt;img src="https://cdn.ipernity.com/200/48/54/48364854.1d437e2a.240.jpg?r2" width="240" height="156" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;John 13:1-17&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/200/48/54/48364854.68ed5157.1024.jpg?r2" type="image/jpeg" width="1024" height="665" duration="0" isDefault="true"  />
    <media:thumbnail url="https://cdn.ipernity.com/200/48/54/48364854.1d437e2a.240.jpg?r2" width="240" height="156"/>
    <media:thumbnail url="https://cdn.ipernity.com/200/48/54/48364854.1d437e2a.100.jpg?r2" width="100" height="65"/>
    <media:credit role="author">Bruce Dean (Puchinpappy)</media:credit>
  </item>
  <item>
    <title>ROUMANIE</title>
    <link>https://www.ipernity.com/doc/1459578/47942918/in/group/119531</link>
    <guid isPermaLink="false">tag:ipernity.com,2019-01-04,doc-47942918</guid>
    <pubDate>Fri, 04 Jan 2019 21:19:52 +0000</pubDate>
    <dc:date.created>1972-08-27T01:00:00+01:00</dc:date.created>
    <author>nobody@ipernity.com (Ernest CH)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/1459578"&gt;Ernest CH&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/1459578/47942918/in/group/119531"&gt;&lt;img src="https://cdn.ipernity.com/200/29/18/47942918.c3d4459e.240.jpg?r2" width="240" height="160" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Roumanie, vacances 1972&lt;br /&gt;
&lt;br /&gt;
Dans une église orthodoxe à Bucarest&lt;br /&gt;
&lt;br /&gt;
PICT0008&lt;/div&gt;</description>
    <media:title>ROUMANIE</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/1459578"&gt;Ernest CH&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/1459578/47942918/in/group/119531"&gt;&lt;img src="https://cdn.ipernity.com/200/29/18/47942918.c3d4459e.240.jpg?r2" width="240" height="160" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Roumanie, vacances 1972&lt;br /&gt;
&lt;br /&gt;
Dans une église orthodoxe à Bucarest&lt;br /&gt;
&lt;br /&gt;
PICT0008&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/200/29/18/47942918.5b19b537.1024.jpg?r2" type="image/jpeg" width="1024" height="683" duration="0" isDefault="true"  />
    <media:thumbnail url="https://cdn.ipernity.com/200/29/18/47942918.c3d4459e.240.jpg?r2" width="240" height="160"/>
    <media:thumbnail url="https://cdn.ipernity.com/200/29/18/47942918.c3d4459e.100.jpg?r2" width="100" height="67"/>
    <media:credit role="author">Ernest CH</media:credit>
  </item>
  <item>
    <title>Kripo</title>
    <link>https://www.ipernity.com/doc/104693/47952654/in/group/119531</link>
    <guid isPermaLink="false">tag:ipernity.com,2019-01-08,doc-47952654</guid>
    <pubDate>Tue, 08 Jan 2019 09:13:01 +0000</pubDate>
    <dc:date.created>2019-01-07T13:00:14+01:00</dc:date.created>
    <author>nobody@ipernity.com (Maria W.)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/104693"&gt;Maria W.&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/104693/47952654/in/group/119531"&gt;&lt;img src="https://cdn.ipernity.com/200/26/54/47952654.0e263669.240.jpg?r2" width="240" height="180" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Explore - 8.01.2019&lt;br /&gt;
p. 7&lt;/div&gt;</description>
    <media:title>Kripo</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/104693"&gt;Maria W.&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/104693/47952654/in/group/119531"&gt;&lt;img src="https://cdn.ipernity.com/200/26/54/47952654.0e263669.240.jpg?r2" width="240" height="180" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Explore - 8.01.2019&lt;br /&gt;
p. 7&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/200/26/54/47952654.7661d825.1024.jpg?r2" type="image/jpeg" width="800" height="600" duration="0" isDefault="true"  />
    <media:thumbnail url="https://cdn.ipernity.com/200/26/54/47952654.0e263669.240.jpg?r2" width="240" height="180"/>
    <media:thumbnail url="https://cdn.ipernity.com/200/26/54/47952654.0e263669.100.jpg?r2" width="100" height="75"/>
    <media:credit role="author">Maria W.</media:credit>
  </item>
  <item>
    <title>Bavarian Da Vinci Code - oder, das Geheimnis im Braukeller! (◕‿-)</title>
    <link>https://www.ipernity.com/doc/1091631/47473798/in/group/119531</link>
    <guid isPermaLink="false">tag:ipernity.com,2018-10-14,doc-47473798</guid>
    <pubDate>Sun, 14 Oct 2018 13:02:43 +0000</pubDate>
    <dc:date.created>2018-09-09T14:12:36+02:00</dc:date.created>
    <author>nobody@ipernity.com (Dida From Augsburg)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/1091631"&gt;Dida From Augsburg&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/1091631/47473798/in/group/119531"&gt;&lt;img src="https://cdn.ipernity.com/200/37/98/47473798.b5043e90.240.jpg?r2" width="240" height="165" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;&lt;b&gt;➽&lt;/b&gt; Im Keller der &lt;a href="https://de.wikipedia.org/wiki/Brauerei_zum_Kuchlbauerhttps://de.wikipedia.org/wiki/Brauerei_zum_Kuchlbauer" target="_blank" rel="nofollow"&gt;&lt;b&gt;Brauerei zum Kuchlbauer&lt;/b&gt;&lt;/a&gt; wird eine Kopie des Abendmahls von Leonardo da Vinci in Originalgröße ausgestellt. Hierzu veröffentlichte der Brauereichef Leonhard Salleck das Buch "Der Schlüssel zu Leonardo da Vincis Abendmahl".&lt;br /&gt;
Er will in Da Vincis Gemälde Aussagen entdeckt haben, die er als Sensation zum Verständnis des Bildes wertete. Dies wird aber von Wissenschaftlern bislang geflissentlich ignoriert! &lt;br /&gt;
&lt;a href="https://www.mittelbayerische.de/region/kelheim/freizeit-nachrichten/geheimnis-im-brauereikeller-aufgedeckt-23498-art1508135.html" target="_blank" rel="nofollow"&gt;&lt;b&gt;➽ Quelle und mehr Info&lt;/b&gt;&lt;/a&gt;&lt;br /&gt;
______________________&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;➽&lt;/b&gt; In the cellar of the &lt;a href="https://de.wikipedia.org/wiki/Brauerei_zum_Kuchlbauerhttps://de.wikipedia.org/wiki/Brauerei_zum_Kuchlbauer" target="_blank" rel="nofollow"&gt;&lt;b&gt;Kuchlbauer brewery&lt;/b&gt;&lt;/a&gt; is issued a copy of the Last Supper by Leonardo da Vinci in original size. CEO of the brewery Leonhard Salleck published the book "The key to Leonardo da Vinci's Last Supper". &lt;br /&gt;
He wants to have discovered in Da Vinci's painting statements, which he evaluated as a sensation to understand the image. This has been studiously ignored by scientists so far!&lt;br /&gt;
&lt;a href="https://www.mittelbayerische.de/region/kelheim/freizeit-nachrichten/geheimnis-im-brauereikeller-aufgedeckt-23498-art1508135.html" target="_blank" rel="nofollow"&gt;&lt;b&gt;➽ Source and more information&lt;/b&gt;&lt;/a&gt;&lt;/div&gt;</description>
    <media:title>Bavarian Da Vinci Code - oder, das Geheimnis im Braukeller! (◕‿-)</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/1091631"&gt;Dida From Augsburg&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/1091631/47473798/in/group/119531"&gt;&lt;img src="https://cdn.ipernity.com/200/37/98/47473798.b5043e90.240.jpg?r2" width="240" height="165" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;&lt;b&gt;➽&lt;/b&gt; Im Keller der &lt;a href="https://de.wikipedia.org/wiki/Brauerei_zum_Kuchlbauerhttps://de.wikipedia.org/wiki/Brauerei_zum_Kuchlbauer" target="_blank" rel="nofollow"&gt;&lt;b&gt;Brauerei zum Kuchlbauer&lt;/b&gt;&lt;/a&gt; wird eine Kopie des Abendmahls von Leonardo da Vinci in Originalgröße ausgestellt. Hierzu veröffentlichte der Brauereichef Leonhard Salleck das Buch "Der Schlüssel zu Leonardo da Vincis Abendmahl".&lt;br /&gt;
Er will in Da Vincis Gemälde Aussagen entdeckt haben, die er als Sensation zum Verständnis des Bildes wertete. Dies wird aber von Wissenschaftlern bislang geflissentlich ignoriert! &lt;br /&gt;
&lt;a href="https://www.mittelbayerische.de/region/kelheim/freizeit-nachrichten/geheimnis-im-brauereikeller-aufgedeckt-23498-art1508135.html" target="_blank" rel="nofollow"&gt;&lt;b&gt;➽ Quelle und mehr Info&lt;/b&gt;&lt;/a&gt;&lt;br /&gt;
______________________&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;➽&lt;/b&gt; In the cellar of the &lt;a href="https://de.wikipedia.org/wiki/Brauerei_zum_Kuchlbauerhttps://de.wikipedia.org/wiki/Brauerei_zum_Kuchlbauer" target="_blank" rel="nofollow"&gt;&lt;b&gt;Kuchlbauer brewery&lt;/b&gt;&lt;/a&gt; is issued a copy of the Last Supper by Leonardo da Vinci in original size. CEO of the brewery Leonhard Salleck published the book "The key to Leonardo da Vinci's Last Supper". &lt;br /&gt;
He wants to have discovered in Da Vinci's painting statements, which he evaluated as a sensation to understand the image. This has been studiously ignored by scientists so far!&lt;br /&gt;
&lt;a href="https://www.mittelbayerische.de/region/kelheim/freizeit-nachrichten/geheimnis-im-brauereikeller-aufgedeckt-23498-art1508135.html" target="_blank" rel="nofollow"&gt;&lt;b&gt;➽ Source and more information&lt;/b&gt;&lt;/a&gt;&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/200/37/98/47473798.6f7aa93b.1024.jpg?r2" type="image/jpeg" width="1024" height="701" duration="0" isDefault="true"  />
    <media:thumbnail url="https://cdn.ipernity.com/200/37/98/47473798.b5043e90.240.jpg?r2" width="240" height="165"/>
    <media:thumbnail url="https://cdn.ipernity.com/200/37/98/47473798.b5043e90.100.jpg?r2" width="100" height="69"/>
    <media:credit role="author">Dida From Augsburg</media:credit>
  </item>
  <item>
    <title>Il Sepolcro Vuoto/Anastasis  "Perchè cercate tra i morti colui che è vivo? Non è qui, é risuscitato"(Lc. 24,5b-6a)</title>
    <link>https://www.ipernity.com/doc/2262308/46455400/in/group/119531</link>
    <guid isPermaLink="false">tag:ipernity.com,2018-03-31,doc-46455400</guid>
    <pubDate>Sat, 31 Mar 2018 15:02:41 +0000</pubDate>
    <dc:date.created>2013-01-03T08:45:55+02:00</dc:date.created>
    <author>nobody@ipernity.com (Silvana -Silvy 51)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/2262308"&gt;Silvana -Silvy 51&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/2262308/46455400/in/group/119531"&gt;&lt;img src="https://cdn.ipernity.com/200/54/00/46455400.ea9c71df.240.jpg?r2" width="160" height="240" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Rotonda o Anastasis&lt;br /&gt;
"Il primo giorno della settimana, al mattino presto esse si recarono al sepolcro, portando con sé gli aromi che avevano preparato. Trovarono che la pietra era stata rimossa dal sepolcro e, entrate, non trovarono il corpo del Signore Gesù". (Lc 24, 1-2)&lt;/div&gt;</description>
    <media:title>Il Sepolcro Vuoto/Anastasis  "Perchè cercate tra i morti colui che è vivo? Non è qui, é risuscitato"(Lc. 24,5b-6a)</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/2262308"&gt;Silvana -Silvy 51&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/2262308/46455400/in/group/119531"&gt;&lt;img src="https://cdn.ipernity.com/200/54/00/46455400.ea9c71df.240.jpg?r2" width="160" height="240" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Rotonda o Anastasis&lt;br /&gt;
"Il primo giorno della settimana, al mattino presto esse si recarono al sepolcro, portando con sé gli aromi che avevano preparato. Trovarono che la pietra era stata rimossa dal sepolcro e, entrate, non trovarono il corpo del Signore Gesù". (Lc 24, 1-2)&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/200/54/00/46455400.00a3bc3b.1024.jpg?r2" type="image/jpeg" width="683" height="1024" duration="0" isDefault="true"  />
    <media:thumbnail url="https://cdn.ipernity.com/200/54/00/46455400.ea9c71df.240.jpg?r2" width="160" height="240"/>
    <media:thumbnail url="https://cdn.ipernity.com/200/54/00/46455400.ea9c71df.100.jpg?r2" width="67" height="100"/>
    <media:credit role="author">Silvana -Silvy 51</media:credit>
  </item>
  <item>
    <title>Basilica del Santo Sepolcro</title>
    <link>https://www.ipernity.com/doc/2262308/46437332/in/group/119531</link>
    <guid isPermaLink="false">tag:ipernity.com,2018-03-27,doc-46437332</guid>
    <pubDate>Tue, 27 Mar 2018 18:37:34 +0000</pubDate>
    <dc:date.created>2013-01-03T08:01:37+02:00</dc:date.created>
    <author>nobody@ipernity.com (Silvana -Silvy 51)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/2262308"&gt;Silvana -Silvy 51&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/2262308/46437332/in/group/119531"&gt;&lt;img src="https://cdn.ipernity.com/200/73/32/46437332.d91a544b.240.jpg?r2" width="177" height="240" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Il Santo Sepolcro&lt;br /&gt;
il Calvario e il S.Sepolcro erano situati fuori delle mura antiche di Gerusalemme a poca distanza l'uno dall'altro così da poter essere inglobati in un unico edificio. Le nuove mura di Erode Agrippa (41-44) inserirono il Calvario e il Sepolcro nel complesso cittadino risultante. Nel 135 l'imperatore Adriano fa cancellare anche i luoghi venerati dai giudeo-cristiani: li sommerge con tonnellate di terra, poi sul terrapieno fa erigere il campidoglio e un tempio dedicato alla triade capitolina. Fu proprio grazie a questa usanza, che se ne preservò la memoria. Nel 325 Elena , madre di Costantino, e il vescovo Macario individuano il luogo e fa innalzare sul sepolcro un'Anastasis rotonda, a cui fa seguire un atrio e una Basilica a cinque navate aperta sul cardo maximum di Gerusalemme. Nel 614 ci fu l'invasione persiana e nel 1009 la demolizione della basilica ad opera del califfo Hakim. L'imperatore Costantino Monomaco restaura tutto il complesso nel 1048. Il 15 luglio 1099 i crociati entrano nel S.Sepolcro e iniziano i lavori per una basilica orientata in senso inverso. La consacrazione avviene nel 1149 e da allora, sia pure con alterne vicende, la basilica resterà più o meno uguale.&lt;/div&gt;</description>
    <media:title>Basilica del Santo Sepolcro</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/2262308"&gt;Silvana -Silvy 51&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/2262308/46437332/in/group/119531"&gt;&lt;img src="https://cdn.ipernity.com/200/73/32/46437332.d91a544b.240.jpg?r2" width="177" height="240" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Il Santo Sepolcro&lt;br /&gt;
il Calvario e il S.Sepolcro erano situati fuori delle mura antiche di Gerusalemme a poca distanza l'uno dall'altro così da poter essere inglobati in un unico edificio. Le nuove mura di Erode Agrippa (41-44) inserirono il Calvario e il Sepolcro nel complesso cittadino risultante. Nel 135 l'imperatore Adriano fa cancellare anche i luoghi venerati dai giudeo-cristiani: li sommerge con tonnellate di terra, poi sul terrapieno fa erigere il campidoglio e un tempio dedicato alla triade capitolina. Fu proprio grazie a questa usanza, che se ne preservò la memoria. Nel 325 Elena , madre di Costantino, e il vescovo Macario individuano il luogo e fa innalzare sul sepolcro un'Anastasis rotonda, a cui fa seguire un atrio e una Basilica a cinque navate aperta sul cardo maximum di Gerusalemme. Nel 614 ci fu l'invasione persiana e nel 1009 la demolizione della basilica ad opera del califfo Hakim. L'imperatore Costantino Monomaco restaura tutto il complesso nel 1048. Il 15 luglio 1099 i crociati entrano nel S.Sepolcro e iniziano i lavori per una basilica orientata in senso inverso. La consacrazione avviene nel 1149 e da allora, sia pure con alterne vicende, la basilica resterà più o meno uguale.&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/200/73/32/46437332.bf6fed0d.1024.jpg?r2" type="image/jpeg" width="756" height="1024" duration="0" isDefault="true"  />
    <media:thumbnail url="https://cdn.ipernity.com/200/73/32/46437332.d91a544b.240.jpg?r2" width="177" height="240"/>
    <media:thumbnail url="https://cdn.ipernity.com/200/73/32/46437332.d91a544b.100.jpg?r2" width="74" height="100"/>
    <media:credit role="author">Silvana -Silvy 51</media:credit>
  </item>
  <item>
    <title>Cupola del Santo Sepolcro</title>
    <link>https://www.ipernity.com/doc/2262308/46437324/in/group/119531</link>
    <guid isPermaLink="false">tag:ipernity.com,2018-03-27,doc-46437324</guid>
    <pubDate>Tue, 27 Mar 2018 18:31:02 +0000</pubDate>
    <dc:date.created>2013-01-02T16:06:06+02:00</dc:date.created>
    <author>nobody@ipernity.com (Silvana -Silvy 51)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/2262308"&gt;Silvana -Silvy 51&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/2262308/46437324/in/group/119531"&gt;&lt;img src="https://cdn.ipernity.com/200/73/24/46437324.2aeb6a31.240.jpg?r2" width="160" height="240" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Il Santo Sepolcro&lt;br /&gt;
il Calvario e il S.Sepolcro erano situati fuori delle mura antiche di Gerusalemme a poca distanza l'uno dall'altro così da poter essere inglobati in un unico edificio. Le nuove mura di Erode Agrippa (41-44) inserirono il Calvario e il Sepolcro nel complesso cittadino risultante. Nel 135 l'imperatore Adriano fa cancellare anche i luoghi venerati dai giudeo-cristiani: li sommerge con tonnellate di terra, poi sul terrapieno fa erigere il campidoglio e un tempio dedicato alla triade capitolina. Fu proprio grazie a questa usanza, che se ne preservò la memoria. Nel 325 Elena , madre di Costantino, e il vescovo Macario individuano il luogo e fa innalzare sul sepolcro un'Anastasis rotonda, a cui fa seguire un atrio e una Basilica a cinque navate aperta sul cardo maximum di Gerusalemme. Nel 614 ci fu l'invasione persiana e nel 1009 la demolizione della basilica ad opera del califfo Hakim. L'imperatore Costantino Monomaco restaura tutto il complesso nel 1048. Il 15 luglio 1099 i crociati entrano nel S.Sepolcro e iniziano i lavori per una basilica orientata in senso inverso. La consacrazione avviene nel 1149 e da allora, sia pure con alterne vicende, la basilica resterà più o meno uguale.&lt;/div&gt;</description>
    <media:title>Cupola del Santo Sepolcro</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/2262308"&gt;Silvana -Silvy 51&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/2262308/46437324/in/group/119531"&gt;&lt;img src="https://cdn.ipernity.com/200/73/24/46437324.2aeb6a31.240.jpg?r2" width="160" height="240" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Il Santo Sepolcro&lt;br /&gt;
il Calvario e il S.Sepolcro erano situati fuori delle mura antiche di Gerusalemme a poca distanza l'uno dall'altro così da poter essere inglobati in un unico edificio. Le nuove mura di Erode Agrippa (41-44) inserirono il Calvario e il Sepolcro nel complesso cittadino risultante. Nel 135 l'imperatore Adriano fa cancellare anche i luoghi venerati dai giudeo-cristiani: li sommerge con tonnellate di terra, poi sul terrapieno fa erigere il campidoglio e un tempio dedicato alla triade capitolina. Fu proprio grazie a questa usanza, che se ne preservò la memoria. Nel 325 Elena , madre di Costantino, e il vescovo Macario individuano il luogo e fa innalzare sul sepolcro un'Anastasis rotonda, a cui fa seguire un atrio e una Basilica a cinque navate aperta sul cardo maximum di Gerusalemme. Nel 614 ci fu l'invasione persiana e nel 1009 la demolizione della basilica ad opera del califfo Hakim. L'imperatore Costantino Monomaco restaura tutto il complesso nel 1048. Il 15 luglio 1099 i crociati entrano nel S.Sepolcro e iniziano i lavori per una basilica orientata in senso inverso. La consacrazione avviene nel 1149 e da allora, sia pure con alterne vicende, la basilica resterà più o meno uguale.&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/200/73/24/46437324.580a5758.1024.jpg?r2" type="image/jpeg" width="683" height="1024" duration="0" isDefault="true"  />
    <media:thumbnail url="https://cdn.ipernity.com/200/73/24/46437324.2aeb6a31.240.jpg?r2" width="160" height="240"/>
    <media:thumbnail url="https://cdn.ipernity.com/200/73/24/46437324.2aeb6a31.100.jpg?r2" width="67" height="100"/>
    <media:credit role="author">Silvana -Silvy 51</media:credit>
  </item>
  <item>
    <title>la Crocefissione di Gesù « Quando giunsero al luogo detto Cranio, là crocifissero lui e i due malfattori, uno a destra e l&amp;#039;altro a sinistra. »   (Luca 23,33)</title>
    <link>https://www.ipernity.com/doc/2262308/46428836/in/group/119531</link>
    <guid isPermaLink="false">tag:ipernity.com,2018-03-26,doc-46428836</guid>
    <pubDate>Mon, 26 Mar 2018 08:05:10 +0000</pubDate>
    <dc:date.created>2013-01-02T18:11:38+02:00</dc:date.created>
    <author>nobody@ipernity.com (Silvana -Silvy 51)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/2262308"&gt;Silvana -Silvy 51&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/2262308/46428836/in/group/119531"&gt;&lt;img src="https://cdn.ipernity.com/200/88/36/46428836.f9c962b3.240.jpg?r2" width="240" height="160" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;il Calvario (o Golgota)&lt;br /&gt;
il Calvario e il S.Sepolcro erano situati fuori delle mura antiche di Gerusalemme a poca distanza l'uno dall'altro così da poter essere inglobati in un unico edificio. Le nuove mura di Erode Agrippa (41-44) inserirono il Calvario e il Sepolcro nel complesso cittadino risultante. Nel 135 l'imperatore Adriano fa cancellare anche i luoghi venerati dai giudeo-cristiani: li sommerge con tonnellate di terra, poi sul terrapieno fa erigere il campidoglio e un tempio dedicato alla triade capitolina. Fu proprio grazie a questa usanza, che se ne preservò la memoria.&lt;/div&gt;</description>
    <media:title>la Crocefissione di Gesù « Quando giunsero al luogo detto Cranio, là crocifissero lui e i due malfattori, uno a destra e l&amp;#039;altro a sinistra. »   (Luca 23,33)</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/2262308"&gt;Silvana -Silvy 51&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/2262308/46428836/in/group/119531"&gt;&lt;img src="https://cdn.ipernity.com/200/88/36/46428836.f9c962b3.240.jpg?r2" width="240" height="160" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;il Calvario (o Golgota)&lt;br /&gt;
il Calvario e il S.Sepolcro erano situati fuori delle mura antiche di Gerusalemme a poca distanza l'uno dall'altro così da poter essere inglobati in un unico edificio. Le nuove mura di Erode Agrippa (41-44) inserirono il Calvario e il Sepolcro nel complesso cittadino risultante. Nel 135 l'imperatore Adriano fa cancellare anche i luoghi venerati dai giudeo-cristiani: li sommerge con tonnellate di terra, poi sul terrapieno fa erigere il campidoglio e un tempio dedicato alla triade capitolina. Fu proprio grazie a questa usanza, che se ne preservò la memoria.&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/200/88/36/46428836.0d81c1be.1024.jpg?r2" type="image/jpeg" width="1024" height="683" duration="0" isDefault="true"  />
    <media:thumbnail url="https://cdn.ipernity.com/200/88/36/46428836.f9c962b3.240.jpg?r2" width="240" height="160"/>
    <media:thumbnail url="https://cdn.ipernity.com/200/88/36/46428836.f9c962b3.100.jpg?r2" width="100" height="67"/>
    <media:credit role="author">Silvana -Silvy 51</media:credit>
  </item>
  <item>
    <title>Dominus Flevit - vicino all&amp;#039;Orto degli Ulivi</title>
    <link>https://www.ipernity.com/doc/2262308/46380158/in/group/119531</link>
    <guid isPermaLink="false">tag:ipernity.com,2018-03-15,doc-46380158</guid>
    <pubDate>Thu, 15 Mar 2018 17:44:57 +0000</pubDate>
    <dc:date.created>2013-01-02T09:40:04+01:00</dc:date.created>
    <author>nobody@ipernity.com (Silvana -Silvy 51)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/2262308"&gt;Silvana -Silvy 51&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/2262308/46380158/in/group/119531"&gt;&lt;img src="https://cdn.ipernity.com/200/01/58/46380158.cce5598e.240.jpg?r2" width="160" height="240" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;La Chiesa di Dominus Flevit&lt;br /&gt;
&lt;br /&gt;
La piccola Chiesa di Dominus Flevit, con una cappella a forma di lacrima, situata a metà strada lungo il versante occidentale del Monte degli Ulivi, ricorda l’episodio evangelico in cui Gesù pianse per il destino futuro di Gerusalemme.(Luca 19:37-44)  - (Arch.A. Barluzzi)&lt;/div&gt;</description>
    <media:title>Dominus Flevit - vicino all&amp;#039;Orto degli Ulivi</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/2262308"&gt;Silvana -Silvy 51&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/2262308/46380158/in/group/119531"&gt;&lt;img src="https://cdn.ipernity.com/200/01/58/46380158.cce5598e.240.jpg?r2" width="160" height="240" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;La Chiesa di Dominus Flevit&lt;br /&gt;
&lt;br /&gt;
La piccola Chiesa di Dominus Flevit, con una cappella a forma di lacrima, situata a metà strada lungo il versante occidentale del Monte degli Ulivi, ricorda l’episodio evangelico in cui Gesù pianse per il destino futuro di Gerusalemme.(Luca 19:37-44)  - (Arch.A. Barluzzi)&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/200/01/58/46380158.bc7cdcd3.1024.jpg?r2" type="image/jpeg" width="683" height="1024" duration="0" isDefault="true"  />
    <media:thumbnail url="https://cdn.ipernity.com/200/01/58/46380158.cce5598e.240.jpg?r2" width="160" height="240"/>
    <media:thumbnail url="https://cdn.ipernity.com/200/01/58/46380158.cce5598e.100.jpg?r2" width="67" height="100"/>
    <media:credit role="author">Silvana -Silvy 51</media:credit>
  </item>
  <item>
    <title>dal Monte Sion all&amp;#039;Orto degli Ulivi</title>
    <link>https://www.ipernity.com/doc/2262308/46380148/in/group/119531</link>
    <guid isPermaLink="false">tag:ipernity.com,2018-03-15,doc-46380148</guid>
    <pubDate>Thu, 15 Mar 2018 17:42:55 +0000</pubDate>
    <dc:date.created>2013-01-02T13:55:18+01:00</dc:date.created>
    <author>nobody@ipernity.com (Silvana -Silvy 51)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/2262308"&gt;Silvana -Silvy 51&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/2262308/46380148/in/group/119531"&gt;&lt;img src="https://cdn.ipernity.com/200/01/48/46380148.e0f66f87.240.jpg?r2" width="160" height="240" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;questa strada , stretta, modesta, selciata di pietre antiche come la storia, che Gesù ha percorso dopo l'ultima cena al Cenacolo, poco qui sopra, sul Monte Sion, per andare al Getzemani con i discepoli. dove venne arrestato e riportato, proprio per la stessa strada alla casa del Sacerdote Caifa, che era qui di fianco.&lt;/div&gt;</description>
    <media:title>dal Monte Sion all&amp;#039;Orto degli Ulivi</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/2262308"&gt;Silvana -Silvy 51&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/2262308/46380148/in/group/119531"&gt;&lt;img src="https://cdn.ipernity.com/200/01/48/46380148.e0f66f87.240.jpg?r2" width="160" height="240" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;questa strada , stretta, modesta, selciata di pietre antiche come la storia, che Gesù ha percorso dopo l'ultima cena al Cenacolo, poco qui sopra, sul Monte Sion, per andare al Getzemani con i discepoli. dove venne arrestato e riportato, proprio per la stessa strada alla casa del Sacerdote Caifa, che era qui di fianco.&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/200/01/48/46380148.8bed01ba.1024.jpg?r2" type="image/jpeg" width="683" height="1024" duration="0" isDefault="true"  />
    <media:thumbnail url="https://cdn.ipernity.com/200/01/48/46380148.e0f66f87.240.jpg?r2" width="160" height="240"/>
    <media:thumbnail url="https://cdn.ipernity.com/200/01/48/46380148.e0f66f87.100.jpg?r2" width="67" height="100"/>
    <media:credit role="author">Silvana -Silvy 51</media:credit>
  </item>
</channel>
</rss>