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  <title>Contributions of the group New Flickr Survivors</title>
  <link>https://www.ipernity.com/group/nfs/doc</link>
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    <title>Contributions of the group New Flickr Survivors</title>
    <link>https://www.ipernity.com/group/nfs/doc</link>
  </image>
  <description>A group for all the Flickr Members who left for Ipernity and of course the other also   This is a general Group, but PLEASE NO NUDITY     Banner by YaensArt from DeviantArt  Stocks : Autumncheshire, Hyenacub-Stock, SolStock &amp; LittleWhiteWitch, all from DA</description>
  <pubDate>Sun, 17 May 2026 06:02:42 +0000</pubDate>
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    <title>Parapat</title>
    <link>https://www.ipernity.com/doc/296949/53326386/in/group/286519</link>
    <guid isPermaLink="false">tag:ipernity.com,2026-05-16,doc-53326386</guid>
    <pubDate>Sat, 16 May 2026 20:46:11 +0000</pubDate>
    <dc:date.created>1974-05-16T14:11:00-07:00</dc:date.created>
    <author>nobody@ipernity.com (Scott Holcomb)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/296949"&gt;Scott Holcomb&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/296949/53326386/in/group/286519"&gt;&lt;img src="https://cdn.ipernity.com/200/63/86/53326386.03a43639.240.jpg?r2" width="240" height="171" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;In north-central Sumatra on the shores of Lake Toba is the town of Parapat where there was a transit center with a fascinating assortment of animal-drawn vehicles, bicycles and even an occasional car.  I stopped here a lifetime ago to take a ferry to the island of Samosir frequented by international overland travelers.&lt;br /&gt;
&lt;br /&gt;
This photo was taken by a Yashica Electro 35CC film camera and COLOR-YASHINON DX 1:1.8 f=35mm lens using Kodak Daylight 135 negative film, the negative scanned by an HP Scanjet G4050 and digitally rendered with Photoshop.&lt;/div&gt;</description>
    <media:title>Parapat</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/296949"&gt;Scott Holcomb&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/296949/53326386/in/group/286519"&gt;&lt;img src="https://cdn.ipernity.com/200/63/86/53326386.03a43639.240.jpg?r2" width="240" height="171" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;In north-central Sumatra on the shores of Lake Toba is the town of Parapat where there was a transit center with a fascinating assortment of animal-drawn vehicles, bicycles and even an occasional car.  I stopped here a lifetime ago to take a ferry to the island of Samosir frequented by international overland travelers.&lt;br /&gt;
&lt;br /&gt;
This photo was taken by a Yashica Electro 35CC film camera and COLOR-YASHINON DX 1:1.8 f=35mm lens using Kodak Daylight 135 negative film, the negative scanned by an HP Scanjet G4050 and digitally rendered with Photoshop.&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/200/63/86/53326386.9bd7986a.1024.jpg?r2" type="image/jpeg" width="1024" height="729" duration="0" isDefault="true"  />
    <media:thumbnail url="https://cdn.ipernity.com/200/63/86/53326386.03a43639.240.jpg?r2" width="240" height="171"/>
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    <media:credit role="author">Scott Holcomb</media:credit>
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  <item>
    <title>Vista</title>
    <link>https://www.ipernity.com/doc/296949/53325390/in/group/286519</link>
    <guid isPermaLink="false">tag:ipernity.com,2026-05-15,doc-53325390</guid>
    <pubDate>Fri, 15 May 2026 15:38:27 +0000</pubDate>
    <dc:date.created>2026-03-16T12:46:00-07:00</dc:date.created>
    <author>nobody@ipernity.com (Scott Holcomb)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/296949"&gt;Scott Holcomb&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/296949/53325390/in/group/286519"&gt;&lt;img src="https://cdn.ipernity.com/200/53/90/53325390.ca855df9.240.jpg?r2" width="240" height="238" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;A view from the Presidio of San Francisco.&lt;br /&gt;
&lt;br /&gt;
This photo was taken by a Minolta Autocord Seikosha-MX (Chiyoko) TLR using Chiyoko Rokkor 75mm f/3.2 &amp; 3.5 lenses with a HOYA HMC 49mm O[G] filter attached to a 30mm to 49mm bayonet TLR adapter using Bergger Pancro 400 film, the negative scanned by an Epson Perfection V600 and digitalized by Photoshop.&lt;/div&gt;</description>
    <media:title>Vista</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/296949"&gt;Scott Holcomb&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/296949/53325390/in/group/286519"&gt;&lt;img src="https://cdn.ipernity.com/200/53/90/53325390.ca855df9.240.jpg?r2" width="240" height="238" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;A view from the Presidio of San Francisco.&lt;br /&gt;
&lt;br /&gt;
This photo was taken by a Minolta Autocord Seikosha-MX (Chiyoko) TLR using Chiyoko Rokkor 75mm f/3.2 &amp; 3.5 lenses with a HOYA HMC 49mm O[G] filter attached to a 30mm to 49mm bayonet TLR adapter using Bergger Pancro 400 film, the negative scanned by an Epson Perfection V600 and digitalized by Photoshop.&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/200/53/90/53325390.b40dfc3c.1024.jpg?r2" type="image/jpeg" width="1024" height="1012" duration="0" isDefault="true"  />
    <media:thumbnail url="https://cdn.ipernity.com/200/53/90/53325390.ca855df9.240.jpg?r2" width="240" height="238"/>
    <media:thumbnail url="https://cdn.ipernity.com/200/53/90/53325390.ca855df9.100.jpg?r2" width="100" height="99"/>
    <media:credit role="author">Scott Holcomb</media:credit>
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  <item>
    <title>Rope changing</title>
    <link>https://www.ipernity.com/doc/302581/53322596/in/group/286519</link>
    <guid isPermaLink="false">tag:ipernity.com,2026-05-13,doc-53322596</guid>
    <pubDate>Wed, 13 May 2026 05:50:49 +0000</pubDate>
    <dc:date.created>2025-03-29T16:11:29+01:00</dc:date.created>
    <author>nobody@ipernity.com (tarboat)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/302581"&gt;tarboat&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/302581/53322596/in/group/286519"&gt;&lt;img src="https://cdn.ipernity.com/200/25/96/53322596.043565c6.240.jpg?r2" width="240" height="174" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;The former shaft rope changing engine ex Agecroft No 4 pit now resides at the Lancashire Mining Museum at Astley Green. It was always run on compressed air at Agecroft.&lt;/div&gt;</description>
    <media:title>Rope changing</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/302581"&gt;tarboat&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/302581/53322596/in/group/286519"&gt;&lt;img src="https://cdn.ipernity.com/200/25/96/53322596.043565c6.240.jpg?r2" width="240" height="174" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;The former shaft rope changing engine ex Agecroft No 4 pit now resides at the Lancashire Mining Museum at Astley Green. It was always run on compressed air at Agecroft.&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/200/25/96/53322596.a9e8f19a.1024.jpg?r2" type="image/jpeg" width="1024" height="742" duration="0" isDefault="true"  />
    <media:thumbnail url="https://cdn.ipernity.com/200/25/96/53322596.043565c6.240.jpg?r2" width="240" height="174"/>
    <media:thumbnail url="https://cdn.ipernity.com/200/25/96/53322596.043565c6.100.jpg?r2" width="100" height="73"/>
    <media:credit role="author">tarboat</media:credit>
  </item>
  <item>
    <title>Skulduggery</title>
    <link>https://www.ipernity.com/doc/296949/53322454/in/group/286519</link>
    <guid isPermaLink="false">tag:ipernity.com,2026-05-13,doc-53322454</guid>
    <pubDate>Wed, 13 May 2026 02:48:24 +0000</pubDate>
    <dc:date.created>2026-03-23T14:05:00-07:00</dc:date.created>
    <author>nobody@ipernity.com (Scott Holcomb)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/296949"&gt;Scott Holcomb&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/296949/53322454/in/group/286519"&gt;&lt;img src="https://cdn.ipernity.com/200/24/54/53322454.e11b6540.240.jpg?r2" width="240" height="240" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;An horrific display of pinniped skulls disguised as art.&lt;br /&gt;
&lt;br /&gt;
This photo was taken by a Hasselblad 500C medium format film camera and Carl Zeiss Distagon 1:4 f=50mm T* lens with a Hasselblad/63 1xHz-0 drop in filter using Kodak Portra 800 film, the negative scanned by an Epson Perfection V600 and digitalized with Photoshop.&lt;/div&gt;</description>
    <media:title>Skulduggery</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/296949"&gt;Scott Holcomb&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/296949/53322454/in/group/286519"&gt;&lt;img src="https://cdn.ipernity.com/200/24/54/53322454.e11b6540.240.jpg?r2" width="240" height="240" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;An horrific display of pinniped skulls disguised as art.&lt;br /&gt;
&lt;br /&gt;
This photo was taken by a Hasselblad 500C medium format film camera and Carl Zeiss Distagon 1:4 f=50mm T* lens with a Hasselblad/63 1xHz-0 drop in filter using Kodak Portra 800 film, the negative scanned by an Epson Perfection V600 and digitalized with Photoshop.&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/200/24/54/53322454.1a0845f6.1024.jpg?r2" type="image/jpeg" width="1024" height="1024" duration="0" isDefault="true"  />
    <media:thumbnail url="https://cdn.ipernity.com/200/24/54/53322454.e11b6540.240.jpg?r2" width="240" height="240"/>
    <media:thumbnail url="https://cdn.ipernity.com/200/24/54/53322454.e11b6540.100.jpg?r2" width="100" height="100"/>
    <media:credit role="author">Scott Holcomb</media:credit>
  </item>
  <item>
    <title>Shunting</title>
    <link>https://www.ipernity.com/doc/302581/53321518/in/group/286519</link>
    <guid isPermaLink="false">tag:ipernity.com,2026-05-12,doc-53321518</guid>
    <pubDate>Tue, 12 May 2026 05:33:09 +0000</pubDate>
    <dc:date.created>2004-04-16T16:36:37+01:00</dc:date.created>
    <author>nobody@ipernity.com (tarboat)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/302581"&gt;tarboat&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/302581/53321518/in/group/286519"&gt;&lt;img src="https://cdn.ipernity.com/200/15/18/53321518.fab4cb45.240.jpg?r2" width="240" height="167" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;SY 1092 shunts at the Zaojiatun coal mine on the northern branch of the Nanpiao Coal Railway.&lt;/div&gt;</description>
    <media:title>Shunting</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/302581"&gt;tarboat&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/302581/53321518/in/group/286519"&gt;&lt;img src="https://cdn.ipernity.com/200/15/18/53321518.fab4cb45.240.jpg?r2" width="240" height="167" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;SY 1092 shunts at the Zaojiatun coal mine on the northern branch of the Nanpiao Coal Railway.&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/200/15/18/53321518.0c6d4f61.1024.jpg?r2" type="image/jpeg" width="1024" height="710" duration="0" isDefault="true"  />
    <media:thumbnail url="https://cdn.ipernity.com/200/15/18/53321518.fab4cb45.240.jpg?r2" width="240" height="167"/>
    <media:thumbnail url="https://cdn.ipernity.com/200/15/18/53321518.fab4cb45.100.jpg?r2" width="100" height="70"/>
    <media:credit role="author">tarboat</media:credit>
  </item>
  <item>
    <title>Slag plant</title>
    <link>https://www.ipernity.com/doc/302581/53319374/in/group/286519</link>
    <guid isPermaLink="false">tag:ipernity.com,2026-05-11,doc-53319374</guid>
    <pubDate>Mon, 11 May 2026 06:39:39 +0000</pubDate>
    <dc:date.created>2018-04-21T11:14:13+01:00</dc:date.created>
    <author>nobody@ipernity.com (tarboat)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/302581"&gt;tarboat&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/302581/53319374/in/group/286519"&gt;&lt;img src="https://cdn.ipernity.com/200/93/74/53319374.d75e9348.240.jpg?r2" width="240" height="129" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Slag processing plant at Scunthorpe steelworks with the Four Queens blast furnaces in the background.&lt;br /&gt;
&lt;br /&gt;
Luossavaara-Kiirunavaara Aktiebolag (LKAB) is a Swedish mining company. The company mines iron ore at Kiruna and at Malmberget in northern Sweden. The company was established in 1890, and has been 100% state-owned since the 1950s. In 1918 the company purchased the Francis Flower business in the UK which included the GBSS processing plant at Scunthorpe steelworks.&lt;br /&gt;
&lt;br /&gt;
Ground Granulated Blast furnace Slag (GGBS) is produced by quenching molten iron slag from a blast furnace in water or steam, to produce a glassy, granular product that is then dried and ground into a fine powder. It replaces up to 70% of the Portland Cement in concrete, and can significantly reduce CO2-emissions. Francis Flower produced GGBS in Scunthorpe on the grounds of British Steel upgrading their blast furnace slag. LKAB is also a significant supplier of highly upgraded iron ore products to British Steel, the first deliveries were made in the 1930’s. Francis Flower was the second largest supplier of GGBS in the UK.&lt;/div&gt;</description>
    <media:title>Slag plant</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/302581"&gt;tarboat&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/302581/53319374/in/group/286519"&gt;&lt;img src="https://cdn.ipernity.com/200/93/74/53319374.d75e9348.240.jpg?r2" width="240" height="129" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Slag processing plant at Scunthorpe steelworks with the Four Queens blast furnaces in the background.&lt;br /&gt;
&lt;br /&gt;
Luossavaara-Kiirunavaara Aktiebolag (LKAB) is a Swedish mining company. The company mines iron ore at Kiruna and at Malmberget in northern Sweden. The company was established in 1890, and has been 100% state-owned since the 1950s. In 1918 the company purchased the Francis Flower business in the UK which included the GBSS processing plant at Scunthorpe steelworks.&lt;br /&gt;
&lt;br /&gt;
Ground Granulated Blast furnace Slag (GGBS) is produced by quenching molten iron slag from a blast furnace in water or steam, to produce a glassy, granular product that is then dried and ground into a fine powder. It replaces up to 70% of the Portland Cement in concrete, and can significantly reduce CO2-emissions. Francis Flower produced GGBS in Scunthorpe on the grounds of British Steel upgrading their blast furnace slag. LKAB is also a significant supplier of highly upgraded iron ore products to British Steel, the first deliveries were made in the 1930’s. Francis Flower was the second largest supplier of GGBS in the UK.&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/200/93/74/53319374.72841cec.1024.jpg?r2" type="image/jpeg" width="1024" height="548" duration="0" isDefault="true"  />
    <media:thumbnail url="https://cdn.ipernity.com/200/93/74/53319374.d75e9348.240.jpg?r2" width="240" height="129"/>
    <media:thumbnail url="https://cdn.ipernity.com/200/93/74/53319374.d75e9348.100.jpg?r2" width="100" height="54"/>
    <media:credit role="author">tarboat</media:credit>
  </item>
  <item>
    <title>Hidden</title>
    <link>https://www.ipernity.com/doc/296949/53319306/in/group/286519</link>
    <guid isPermaLink="false">tag:ipernity.com,2026-05-11,doc-53319306</guid>
    <pubDate>Mon, 11 May 2026 04:08:02 +0000</pubDate>
    <dc:date.created>2026-03-27T14:13:00-07:00</dc:date.created>
    <author>nobody@ipernity.com (Scott Holcomb)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/296949"&gt;Scott Holcomb&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/296949/53319306/in/group/286519"&gt;&lt;img src="https://cdn.ipernity.com/200/93/06/53319306.475a65a8.240.jpg?r2" width="240" height="240" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;A secret bench in a secluded sequoia grove meant for those who seek to quietly commune with nature.&lt;br /&gt;
&lt;br /&gt;
This photo was taken by a Hasselblad 500C medium format film camera and Carl Zeiss Distagon 1:4 f=50mm T* lens with a Hasselblad/63 1xHz-0 drop in filter using Fuji Pro 400-H film, the negative scanned by an Epson Perfection V600 and digitalized with Photoshop.&lt;/div&gt;</description>
    <media:title>Hidden</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/296949"&gt;Scott Holcomb&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/296949/53319306/in/group/286519"&gt;&lt;img src="https://cdn.ipernity.com/200/93/06/53319306.475a65a8.240.jpg?r2" width="240" height="240" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;A secret bench in a secluded sequoia grove meant for those who seek to quietly commune with nature.&lt;br /&gt;
&lt;br /&gt;
This photo was taken by a Hasselblad 500C medium format film camera and Carl Zeiss Distagon 1:4 f=50mm T* lens with a Hasselblad/63 1xHz-0 drop in filter using Fuji Pro 400-H film, the negative scanned by an Epson Perfection V600 and digitalized with Photoshop.&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/200/93/06/53319306.cf18e72c.1024.jpg?r2" type="image/jpeg" width="1024" height="1024" duration="0" isDefault="true"  />
    <media:thumbnail url="https://cdn.ipernity.com/200/93/06/53319306.475a65a8.240.jpg?r2" width="240" height="240"/>
    <media:thumbnail url="https://cdn.ipernity.com/200/93/06/53319306.475a65a8.100.jpg?r2" width="100" height="100"/>
    <media:credit role="author">Scott Holcomb</media:credit>
  </item>
  <item>
    <title>Morning at Biligou</title>
    <link>https://www.ipernity.com/doc/302581/53318516/in/group/286519</link>
    <guid isPermaLink="false">tag:ipernity.com,2026-05-10,doc-53318516</guid>
    <pubDate>Sun, 10 May 2026 06:09:18 +0000</pubDate>
    <dc:date.created>2004-04-24T07:43:01+01:00</dc:date.created>
    <author>nobody@ipernity.com (tarboat)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/302581"&gt;tarboat&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/302581/53318516/in/group/286519"&gt;&lt;img src="https://cdn.ipernity.com/200/85/16/53318516.0f7ee40e.240.jpg?r2" width="240" height="180" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Early morning light as consecutively numbered QJs 7038 and 7037 storm up the west side of the Jinpeng Pass. It was always worth getting up early on the Jitong Railway.&lt;/div&gt;</description>
    <media:title>Morning at Biligou</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/302581"&gt;tarboat&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/302581/53318516/in/group/286519"&gt;&lt;img src="https://cdn.ipernity.com/200/85/16/53318516.0f7ee40e.240.jpg?r2" width="240" height="180" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Early morning light as consecutively numbered QJs 7038 and 7037 storm up the west side of the Jinpeng Pass. It was always worth getting up early on the Jitong Railway.&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/200/85/16/53318516.9bc165f2.1024.jpg?r2" type="image/jpeg" width="1024" height="768" duration="0" isDefault="true"  />
    <media:thumbnail url="https://cdn.ipernity.com/200/85/16/53318516.0f7ee40e.240.jpg?r2" width="240" height="180"/>
    <media:thumbnail url="https://cdn.ipernity.com/200/85/16/53318516.0f7ee40e.100.jpg?r2" width="100" height="75"/>
    <media:credit role="author">tarboat</media:credit>
  </item>
  <item>
    <title>Dare Not</title>
    <link>https://www.ipernity.com/doc/296949/53318174/in/group/286519</link>
    <guid isPermaLink="false">tag:ipernity.com,2026-05-09,doc-53318174</guid>
    <pubDate>Sat, 09 May 2026 15:39:50 +0000</pubDate>
    <dc:date.created>2026-03-27T13:34:00-07:00</dc:date.created>
    <author>nobody@ipernity.com (Scott Holcomb)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/296949"&gt;Scott Holcomb&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/296949/53318174/in/group/286519"&gt;&lt;img src="https://cdn.ipernity.com/200/81/74/53318174.3d2d0b21.240.jpg?r2" width="240" height="240" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;But he who dares not grasp the thorn&lt;br /&gt;
Should never crave the rose.”&lt;br /&gt;
&lt;i&gt;―Anne Bronte&lt;/i&gt;&lt;br /&gt;
&lt;br /&gt;
This photo was taken by a Hasselblad 500C medium format film camera and Carl Zeiss S-Planar 1:5.6 f=120mm lens mounted on a 10mm Extension Tube with a Kowa L1A ø67 filter + adapter using Kodak Portra 160 film, the negative scanned by an Epson Perfection V600 and digitalized with Photoshop.&lt;/div&gt;</description>
    <media:title>Dare Not</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/296949"&gt;Scott Holcomb&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/296949/53318174/in/group/286519"&gt;&lt;img src="https://cdn.ipernity.com/200/81/74/53318174.3d2d0b21.240.jpg?r2" width="240" height="240" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;But he who dares not grasp the thorn&lt;br /&gt;
Should never crave the rose.”&lt;br /&gt;
&lt;i&gt;―Anne Bronte&lt;/i&gt;&lt;br /&gt;
&lt;br /&gt;
This photo was taken by a Hasselblad 500C medium format film camera and Carl Zeiss S-Planar 1:5.6 f=120mm lens mounted on a 10mm Extension Tube with a Kowa L1A ø67 filter + adapter using Kodak Portra 160 film, the negative scanned by an Epson Perfection V600 and digitalized with Photoshop.&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/200/81/74/53318174.9f6e5083.1024.jpg?r2" type="image/jpeg" width="1024" height="1024" duration="0" isDefault="true"  />
    <media:thumbnail url="https://cdn.ipernity.com/200/81/74/53318174.3d2d0b21.240.jpg?r2" width="240" height="240"/>
    <media:thumbnail url="https://cdn.ipernity.com/200/81/74/53318174.3d2d0b21.100.jpg?r2" width="100" height="100"/>
    <media:credit role="author">Scott Holcomb</media:credit>
  </item>
  <item>
    <title>Old Halifax</title>
    <link>https://www.ipernity.com/doc/302581/53318120/in/group/286519</link>
    <guid isPermaLink="false">tag:ipernity.com,2026-05-09,doc-53318120</guid>
    <pubDate>Sat, 09 May 2026 14:08:20 +0000</pubDate>
    <dc:date.created>2017-03-07T11:33:46+01:00</dc:date.created>
    <author>nobody@ipernity.com (tarboat)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/302581"&gt;tarboat&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/302581/53318120/in/group/286519"&gt;&lt;img src="https://cdn.ipernity.com/200/81/20/53318120.896e518f.240.jpg?r2" width="240" height="170" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;This steep setted road links Old Lane with the Woodside area of Halifax. Used mainly for car parking these days the scene is dominated by the chimney of Crossley's former carpet mills at Dean Clough.&lt;/div&gt;</description>
    <media:title>Old Halifax</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/302581"&gt;tarboat&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/302581/53318120/in/group/286519"&gt;&lt;img src="https://cdn.ipernity.com/200/81/20/53318120.896e518f.240.jpg?r2" width="240" height="170" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;This steep setted road links Old Lane with the Woodside area of Halifax. Used mainly for car parking these days the scene is dominated by the chimney of Crossley's former carpet mills at Dean Clough.&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/200/81/20/53318120.a0384692.1024.jpg?r2" type="image/jpeg" width="1024" height="725" duration="0" isDefault="true"  />
    <media:thumbnail url="https://cdn.ipernity.com/200/81/20/53318120.896e518f.240.jpg?r2" width="240" height="170"/>
    <media:thumbnail url="https://cdn.ipernity.com/200/81/20/53318120.896e518f.100.jpg?r2" width="100" height="71"/>
    <media:credit role="author">tarboat</media:credit>
  </item>
  <item>
    <title>Wide-open spaces</title>
    <link>https://www.ipernity.com/doc/302581/53317092/in/group/286519</link>
    <guid isPermaLink="false">tag:ipernity.com,2026-05-08,doc-53317092</guid>
    <pubDate>Fri, 08 May 2026 05:44:51 +0000</pubDate>
    <dc:date.created>2005-04-22T06:21:10+01:00</dc:date.created>
    <author>nobody@ipernity.com (tarboat)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/302581"&gt;tarboat&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/302581/53317092/in/group/286519"&gt;&lt;img src="https://cdn.ipernity.com/200/70/92/53317092.c80cf3d3.240.jpg?r2" width="240" height="149" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;A pair of QJ class locomotives head west towards Lindong with a short freight on the Jitong Railway. This sort of open vista is typical of this section of the line.&lt;/div&gt;</description>
    <media:title>Wide-open spaces</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/302581"&gt;tarboat&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/302581/53317092/in/group/286519"&gt;&lt;img src="https://cdn.ipernity.com/200/70/92/53317092.c80cf3d3.240.jpg?r2" width="240" height="149" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;A pair of QJ class locomotives head west towards Lindong with a short freight on the Jitong Railway. This sort of open vista is typical of this section of the line.&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/200/70/92/53317092.f73b4681.1024.jpg?r2" type="image/jpeg" width="1024" height="632" duration="0" isDefault="true"  />
    <media:thumbnail url="https://cdn.ipernity.com/200/70/92/53317092.c80cf3d3.240.jpg?r2" width="240" height="149"/>
    <media:thumbnail url="https://cdn.ipernity.com/200/70/92/53317092.c80cf3d3.100.jpg?r2" width="100" height="62"/>
    <media:credit role="author">tarboat</media:credit>
  </item>
  <item>
    <title>The Pendulum</title>
    <link>https://www.ipernity.com/doc/296949/53316804/in/group/286519</link>
    <guid isPermaLink="false">tag:ipernity.com,2026-05-07,doc-53316804</guid>
    <pubDate>Thu, 07 May 2026 19:03:53 +0000</pubDate>
    <dc:date.created>2026-03-23T13:48:00-07:00</dc:date.created>
    <author>nobody@ipernity.com (Scott Holcomb)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/296949"&gt;Scott Holcomb&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/296949/53316804/in/group/286519"&gt;&lt;img src="https://cdn.ipernity.com/200/68/04/53316804.c1e1a620.240.jpg?r2" width="240" height="240" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Moving back and forth like clockwork, the pendulum swings relentlessly.&lt;br /&gt;
&lt;br /&gt;
This photo was taken by a Hasselblad 500C medium format film camera and Carl Zeiss Distagon 1:4 f=50mm T* lens with a Hasselblad/63 1xHz-0 drop in filter using Kodak Portra 800 film, the negative scanned by an Epson Perfection V600 and digitalized with Photoshop.&lt;/div&gt;</description>
    <media:title>The Pendulum</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/296949"&gt;Scott Holcomb&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/296949/53316804/in/group/286519"&gt;&lt;img src="https://cdn.ipernity.com/200/68/04/53316804.c1e1a620.240.jpg?r2" width="240" height="240" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Moving back and forth like clockwork, the pendulum swings relentlessly.&lt;br /&gt;
&lt;br /&gt;
This photo was taken by a Hasselblad 500C medium format film camera and Carl Zeiss Distagon 1:4 f=50mm T* lens with a Hasselblad/63 1xHz-0 drop in filter using Kodak Portra 800 film, the negative scanned by an Epson Perfection V600 and digitalized with Photoshop.&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/200/68/04/53316804.19d35580.1024.jpg?r2" type="image/jpeg" width="1024" height="1024" duration="0" isDefault="true"  />
    <media:thumbnail url="https://cdn.ipernity.com/200/68/04/53316804.c1e1a620.240.jpg?r2" width="240" height="240"/>
    <media:thumbnail url="https://cdn.ipernity.com/200/68/04/53316804.c1e1a620.100.jpg?r2" width="100" height="100"/>
    <media:credit role="author">Scott Holcomb</media:credit>
  </item>
  <item>
    <title>Tobacco warehouse</title>
    <link>https://www.ipernity.com/doc/302581/53316502/in/group/286519</link>
    <guid isPermaLink="false">tag:ipernity.com,2026-05-07,doc-53316502</guid>
    <pubDate>Thu, 07 May 2026 10:57:05 +0000</pubDate>
    <dc:date.created>2014-07-13T12:20:41+01:00</dc:date.created>
    <author>nobody@ipernity.com (tarboat)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/302581"&gt;tarboat&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/302581/53316502/in/group/286519"&gt;&lt;img src="https://cdn.ipernity.com/200/65/02/53316502.f22e44af.240.jpg?r2" width="240" height="182" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;The Stanley Dock Tobacco Warehouse is a grade II listed building and is the world's largest brick warehouse, with a net floor area of 1.6 million square feet. It stands 125 feet high, and at the time of its construction in 1900-01, claimed to be the world's largest building in terms of area. The 14 storey building spans across 36 acres and its construction used 27 million bricks, 30,000 panes of glass and 8,000 tons of steel. The overall design was by A. G. Lyster, the Dock Engineer, but Arthur Berrington almost certainly played a part. The warehouse was a late addition to the Stanley Dock complex and was built on land reclaimed from the dock. It has now been converted to apartments with retail and commercial uses on the ground floor.&lt;/div&gt;</description>
    <media:title>Tobacco warehouse</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/302581"&gt;tarboat&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/302581/53316502/in/group/286519"&gt;&lt;img src="https://cdn.ipernity.com/200/65/02/53316502.f22e44af.240.jpg?r2" width="240" height="182" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;The Stanley Dock Tobacco Warehouse is a grade II listed building and is the world's largest brick warehouse, with a net floor area of 1.6 million square feet. It stands 125 feet high, and at the time of its construction in 1900-01, claimed to be the world's largest building in terms of area. The 14 storey building spans across 36 acres and its construction used 27 million bricks, 30,000 panes of glass and 8,000 tons of steel. The overall design was by A. G. Lyster, the Dock Engineer, but Arthur Berrington almost certainly played a part. The warehouse was a late addition to the Stanley Dock complex and was built on land reclaimed from the dock. It has now been converted to apartments with retail and commercial uses on the ground floor.&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/200/65/02/53316502.3ad9d7c8.1024.jpg?r2" type="image/jpeg" width="1024" height="773" duration="0" isDefault="true"  />
    <media:thumbnail url="https://cdn.ipernity.com/200/65/02/53316502.f22e44af.240.jpg?r2" width="240" height="182"/>
    <media:thumbnail url="https://cdn.ipernity.com/200/65/02/53316502.f22e44af.100.jpg?r2" width="100" height="76"/>
    <media:credit role="author">tarboat</media:credit>
  </item>
  <item>
    <title>QJ 3522</title>
    <link>https://www.ipernity.com/doc/302581/53315230/in/group/286519</link>
    <guid isPermaLink="false">tag:ipernity.com,2026-05-06,doc-53315230</guid>
    <pubDate>Wed, 06 May 2026 05:21:43 +0000</pubDate>
    <dc:date.created>2017-10-28T00:21:10+01:00</dc:date.created>
    <author>nobody@ipernity.com (tarboat)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/302581"&gt;tarboat&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/302581/53315230/in/group/286519"&gt;&lt;img src="https://cdn.ipernity.com/200/52/30/53315230.1b286a00.240.jpg?r2" width="240" height="150" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;A study of a QJ after preparation for work at the junction depot at Suihua in Heilongjiang, China. This was a very busy location with locomotives being changed on most of the trains passing here. The QJs in the area were coupled with eight wheel tenders rather than the twelve wheel version used for longer distance services.&lt;/div&gt;</description>
    <media:title>QJ 3522</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/302581"&gt;tarboat&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/302581/53315230/in/group/286519"&gt;&lt;img src="https://cdn.ipernity.com/200/52/30/53315230.1b286a00.240.jpg?r2" width="240" height="150" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;A study of a QJ after preparation for work at the junction depot at Suihua in Heilongjiang, China. This was a very busy location with locomotives being changed on most of the trains passing here. The QJs in the area were coupled with eight wheel tenders rather than the twelve wheel version used for longer distance services.&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/200/52/30/53315230.a9297e36.1024.jpg?r2" type="image/jpeg" width="1024" height="637" duration="0" isDefault="true"  />
    <media:thumbnail url="https://cdn.ipernity.com/200/52/30/53315230.1b286a00.240.jpg?r2" width="240" height="150"/>
    <media:thumbnail url="https://cdn.ipernity.com/200/52/30/53315230.1b286a00.100.jpg?r2" width="100" height="63"/>
    <media:credit role="author">tarboat</media:credit>
  </item>
  <item>
    <title>Open for Business</title>
    <link>https://www.ipernity.com/doc/296949/53315188/in/group/286519</link>
    <guid isPermaLink="false">tag:ipernity.com,2026-05-06,doc-53315188</guid>
    <pubDate>Wed, 06 May 2026 04:05:38 +0000</pubDate>
    <dc:date.created>2026-03-23T11:25:00-07:00</dc:date.created>
    <author>nobody@ipernity.com (Scott Holcomb)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/296949"&gt;Scott Holcomb&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/296949/53315188/in/group/286519"&gt;&lt;img src="https://cdn.ipernity.com/200/51/88/53315188.631fc598.240.jpg?r2" width="240" height="240" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Enter at your own risk!&lt;br /&gt;
&lt;br /&gt;
This photo was taken by a Hasselblad 500C medium format film camera and Carl Zeiss Planar 1:2.8 f=80 lens with a Kowa L39•3C(UV) ø67 filter + adapter using Kodak Portra 800 film, the negative scanned by an Epson Perfection V600 and digitalized with Photoshop.&lt;/div&gt;</description>
    <media:title>Open for Business</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/296949"&gt;Scott Holcomb&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/296949/53315188/in/group/286519"&gt;&lt;img src="https://cdn.ipernity.com/200/51/88/53315188.631fc598.240.jpg?r2" width="240" height="240" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Enter at your own risk!&lt;br /&gt;
&lt;br /&gt;
This photo was taken by a Hasselblad 500C medium format film camera and Carl Zeiss Planar 1:2.8 f=80 lens with a Kowa L39•3C(UV) ø67 filter + adapter using Kodak Portra 800 film, the negative scanned by an Epson Perfection V600 and digitalized with Photoshop.&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/200/51/88/53315188.5b710463.1024.jpg?r2" type="image/jpeg" width="1024" height="1024" duration="0" isDefault="true"  />
    <media:thumbnail url="https://cdn.ipernity.com/200/51/88/53315188.631fc598.240.jpg?r2" width="240" height="240"/>
    <media:thumbnail url="https://cdn.ipernity.com/200/51/88/53315188.631fc598.100.jpg?r2" width="100" height="100"/>
    <media:credit role="author">Scott Holcomb</media:credit>
  </item>
  <item>
    <title>North to South and In Between</title>
    <link>https://www.ipernity.com/doc/tiabunna/53314714/in/group/286519</link>
    <guid isPermaLink="false">tag:ipernity.com,2026-05-05,doc-53314714</guid>
    <pubDate>Tue, 05 May 2026 10:54:51 +0000</pubDate>
    <dc:date.created>2026-05-05T10:27:29+10:00</dc:date.created>
    <author>nobody@ipernity.com (tiabunna)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/tiabunna"&gt;tiabunna&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/tiabunna/53314714/in/group/286519"&gt;&lt;img src="https://cdn.ipernity.com/200/47/14/53314714.e9e79ea2.240.jpg?r2" width="240" height="159" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;I've been pre-occupied recently with preparing my input to a display of paintings and photos called &lt;i&gt;"North to South and In-Between".&lt;/i&gt;  Two friends who have travelled extensively in the north polar area entered cyanotypes, photos and paintings.  I provided some "In-between" photos from Australia and my talented daughter entered four Australian paintings.  The "south" section (in the foreground here) was from my old Antarctic slides and a more recent digital image. The display opened yesterday and will run through May.  Best viewed large.  Happy Wednesday Wall, everyone.&lt;/div&gt;</description>
    <media:title>North to South and In Between</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/tiabunna"&gt;tiabunna&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/tiabunna/53314714/in/group/286519"&gt;&lt;img src="https://cdn.ipernity.com/200/47/14/53314714.e9e79ea2.240.jpg?r2" width="240" height="159" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;I've been pre-occupied recently with preparing my input to a display of paintings and photos called &lt;i&gt;"North to South and In-Between".&lt;/i&gt;  Two friends who have travelled extensively in the north polar area entered cyanotypes, photos and paintings.  I provided some "In-between" photos from Australia and my talented daughter entered four Australian paintings.  The "south" section (in the foreground here) was from my old Antarctic slides and a more recent digital image. The display opened yesterday and will run through May.  Best viewed large.  Happy Wednesday Wall, everyone.&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/200/47/14/53314714.25145c29.1024.jpg?r2" type="image/jpeg" width="1024" height="678" duration="0" isDefault="true"  />
    <media:thumbnail url="https://cdn.ipernity.com/200/47/14/53314714.e9e79ea2.240.jpg?r2" width="240" height="159"/>
    <media:thumbnail url="https://cdn.ipernity.com/200/47/14/53314714.e9e79ea2.100.jpg?r2" width="100" height="67"/>
    <media:credit role="author">tiabunna</media:credit>
  </item>
  <item>
    <title>Mountsorrel</title>
    <link>https://www.ipernity.com/doc/302581/53314422/in/group/286519</link>
    <guid isPermaLink="false">tag:ipernity.com,2026-05-05,doc-53314422</guid>
    <pubDate>Tue, 05 May 2026 04:47:38 +0000</pubDate>
    <dc:date.created>2006-07-09T15:14:02+01:00</dc:date.created>
    <author>nobody@ipernity.com (tarboat)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/302581"&gt;tarboat&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/302581/53314422/in/group/286519"&gt;&lt;img src="https://cdn.ipernity.com/200/44/22/53314422.f9a00f8a.240.jpg?r2" width="240" height="180" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Primary stone processing buildings at the Lafarge (now Tarmac) granite quarry at Mountsorrel.&lt;/div&gt;</description>
    <media:title>Mountsorrel</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/302581"&gt;tarboat&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/302581/53314422/in/group/286519"&gt;&lt;img src="https://cdn.ipernity.com/200/44/22/53314422.f9a00f8a.240.jpg?r2" width="240" height="180" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Primary stone processing buildings at the Lafarge (now Tarmac) granite quarry at Mountsorrel.&lt;/div&gt;</media:text>
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  <item>
    <title>Seeking Shade</title>
    <link>https://www.ipernity.com/doc/296949/53313978/in/group/286519</link>
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    <pubDate>Mon, 04 May 2026 15:58:19 +0000</pubDate>
    <dc:date.created>2026-03-19T14:56:00-07:00</dc:date.created>
    <author>nobody@ipernity.com (Scott Holcomb)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/296949"&gt;Scott Holcomb&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/296949/53313978/in/group/286519"&gt;&lt;img src="https://cdn.ipernity.com/200/39/78/53313978.67730b98.240.jpg?r2" width="240" height="237" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Ahhhhh . . . .&lt;br /&gt;
&lt;br /&gt;
This photo was taken by a Hasselblad 500C medium format film camera and Carl Zeiss Distagon 1:4 f=50mm T* lens with a Zenza Bronica 67mm SY44•2C(Y1) filter using Adox CHS 100II film, the negative scanned by an Epson Perfection V600 and digitally rendered with Photoshop.&lt;/div&gt;</description>
    <media:title>Seeking Shade</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/296949"&gt;Scott Holcomb&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/296949/53313978/in/group/286519"&gt;&lt;img src="https://cdn.ipernity.com/200/39/78/53313978.67730b98.240.jpg?r2" width="240" height="237" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Ahhhhh . . . .&lt;br /&gt;
&lt;br /&gt;
This photo was taken by a Hasselblad 500C medium format film camera and Carl Zeiss Distagon 1:4 f=50mm T* lens with a Zenza Bronica 67mm SY44•2C(Y1) filter using Adox CHS 100II film, the negative scanned by an Epson Perfection V600 and digitally rendered with Photoshop.&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/200/39/78/53313978.2820c175.1024.jpg?r2" type="image/jpeg" width="1024" height="1009" duration="0" isDefault="true"  />
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    <media:thumbnail url="https://cdn.ipernity.com/200/39/78/53313978.67730b98.100.jpg?r2" width="100" height="99"/>
    <media:credit role="author">Scott Holcomb</media:credit>
  </item>
  <item>
    <title>Weizigou shunt</title>
    <link>https://www.ipernity.com/doc/302581/53313784/in/group/286519</link>
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    <pubDate>Mon, 04 May 2026 10:46:09 +0000</pubDate>
    <dc:date.created>2008-01-21T08:16:09+01:00</dc:date.created>
    <author>nobody@ipernity.com (tarboat)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/302581"&gt;tarboat&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/302581/53313784/in/group/286519"&gt;&lt;img src="https://cdn.ipernity.com/200/37/84/53313784.e67cf4fc.240.jpg?r2" width="240" height="186" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;SY 1299 shunts at the Weizigou coal mine and washery on the Nanpiao Coal Railway.&lt;/div&gt;</description>
    <media:title>Weizigou shunt</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/302581"&gt;tarboat&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/302581/53313784/in/group/286519"&gt;&lt;img src="https://cdn.ipernity.com/200/37/84/53313784.e67cf4fc.240.jpg?r2" width="240" height="186" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;SY 1299 shunts at the Weizigou coal mine and washery on the Nanpiao Coal Railway.&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/200/37/84/53313784.8b8479c1.1024.jpg?r2" type="image/jpeg" width="1024" height="793" duration="0" isDefault="true"  />
    <media:thumbnail url="https://cdn.ipernity.com/200/37/84/53313784.e67cf4fc.240.jpg?r2" width="240" height="186"/>
    <media:thumbnail url="https://cdn.ipernity.com/200/37/84/53313784.e67cf4fc.100.jpg?r2" width="100" height="78"/>
    <media:credit role="author">tarboat</media:credit>
  </item>
  <item>
    <title>Companionship</title>
    <link>https://www.ipernity.com/doc/296949/53313106/in/group/286519</link>
    <guid isPermaLink="false">tag:ipernity.com,2026-05-03,doc-53313106</guid>
    <pubDate>Sun, 03 May 2026 17:34:29 +0000</pubDate>
    <dc:date.created>2026-03-23T13:21:00-07:00</dc:date.created>
    <author>nobody@ipernity.com (Scott Holcomb)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/296949"&gt;Scott Holcomb&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/296949/53313106/in/group/286519"&gt;&lt;img src="https://cdn.ipernity.com/200/31/06/53313106.15fdb715.240.jpg?r2" width="240" height="240" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Closeness is reassuring.&lt;br /&gt;
&lt;br /&gt;
This photo was taken by a Hasselblad 500C medium format film camera and Carl Zeiss Distagon 1:4 f=50mm T* lens with a Hasselblad/63 1xHz-0 drop in filter using Kodak Portra 800 film, the negative scanned by an Epson Perfection V600 and digitalized with Photoshop.&lt;/div&gt;</description>
    <media:title>Companionship</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/296949"&gt;Scott Holcomb&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/296949/53313106/in/group/286519"&gt;&lt;img src="https://cdn.ipernity.com/200/31/06/53313106.15fdb715.240.jpg?r2" width="240" height="240" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Closeness is reassuring.&lt;br /&gt;
&lt;br /&gt;
This photo was taken by a Hasselblad 500C medium format film camera and Carl Zeiss Distagon 1:4 f=50mm T* lens with a Hasselblad/63 1xHz-0 drop in filter using Kodak Portra 800 film, the negative scanned by an Epson Perfection V600 and digitalized with Photoshop.&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/200/31/06/53313106.7a6037c9.1024.jpg?r2" type="image/jpeg" width="1024" height="1024" duration="0" isDefault="true"  />
    <media:thumbnail url="https://cdn.ipernity.com/200/31/06/53313106.15fdb715.240.jpg?r2" width="240" height="240"/>
    <media:thumbnail url="https://cdn.ipernity.com/200/31/06/53313106.15fdb715.100.jpg?r2" width="100" height="100"/>
    <media:credit role="author">Scott Holcomb</media:credit>
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