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  <title>Contributions of the group Washington DC</title>
  <link>https://www.ipernity.com/group/washington.dc/doc</link>
  <image>
    <url>https://cdn.ipernity.com/p/101/8F/FB/64399.buddy.jpg</url>
    <title>Contributions of the group Washington DC</title>
    <link>https://www.ipernity.com/group/washington.dc/doc</link>
  </image>
  <description>Photos taken in Washington, DC</description>
  <pubDate>Sun, 04 Oct 2026 01:28:53 +0000</pubDate>
  <lastBuildDate>Sun, 04 Oct 2026 01:28:53 +0000</lastBuildDate>
  <generator>https://www.ipernity.com</generator>
  <item>
    <title>The Tomb Of George Washington</title>
    <link>https://www.ipernity.com/doc/haarfager/52995418/in/group/64399</link>
    <guid isPermaLink="false">tag:ipernity.com,2025-07-02,doc-52995418</guid>
    <pubDate>Wed, 02 Jul 2025 00:41:48 +0000</pubDate>
    <dc:date.created>2025-07-01T18:41:48-06:00</dc:date.created>
    <author>nobody@ipernity.com (HaarFager)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/haarfager"&gt;HaarFager&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/haarfager/52995418/in/group/64399"&gt;&lt;img src="https://cdn.ipernity.com/200/54/18/52995418.7924beaa.240.jpg?r2" width="240" height="160" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;This is the tomb and final resting place of George Washington and his wife Martha, and is located at his house in Mount Vernon, Virginia.  He died on December 14th, 1799 and is considered the "Father Of Our Country" - the United States Of America.&lt;br /&gt;
&lt;br /&gt;
Camera - Minolta XD11&lt;br /&gt;
Lens – Minolta MD Rokkor-X 50mm, f/1.2&lt;br /&gt;
Film - Kodak Kodacolor II, 100 ASA 35mm&lt;br /&gt;
Date:  May 1979&lt;br /&gt;
Location:  Mount Vernon, Virginia, U.S.A.&lt;/div&gt;</description>
    <media:title>The Tomb Of George Washington</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/haarfager"&gt;HaarFager&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/haarfager/52995418/in/group/64399"&gt;&lt;img src="https://cdn.ipernity.com/200/54/18/52995418.7924beaa.240.jpg?r2" width="240" height="160" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;This is the tomb and final resting place of George Washington and his wife Martha, and is located at his house in Mount Vernon, Virginia.  He died on December 14th, 1799 and is considered the "Father Of Our Country" - the United States Of America.&lt;br /&gt;
&lt;br /&gt;
Camera - Minolta XD11&lt;br /&gt;
Lens – Minolta MD Rokkor-X 50mm, f/1.2&lt;br /&gt;
Film - Kodak Kodacolor II, 100 ASA 35mm&lt;br /&gt;
Date:  May 1979&lt;br /&gt;
Location:  Mount Vernon, Virginia, U.S.A.&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/200/54/18/52995418.83f7ea0c.1024.jpg?r2" type="image/jpeg" width="1024" height="683" duration="0" isDefault="true"  />
    <media:thumbnail url="https://cdn.ipernity.com/200/54/18/52995418.7924beaa.240.jpg?r2" width="240" height="160"/>
    <media:thumbnail url="https://cdn.ipernity.com/200/54/18/52995418.7924beaa.100.jpg?r2" width="100" height="67"/>
    <media:credit role="author">HaarFager</media:credit>
  </item>
  <item>
    <title>Arlington Memorial Amphitheater</title>
    <link>https://www.ipernity.com/doc/haarfager/52943588/in/group/64399</link>
    <guid isPermaLink="false">tag:ipernity.com,2025-05-25,doc-52943588</guid>
    <pubDate>Sun, 25 May 2025 00:22:48 +0000</pubDate>
    <dc:date.created>2025-05-24T18:22:48-06:00</dc:date.created>
    <author>nobody@ipernity.com (HaarFager)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/haarfager"&gt;HaarFager&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/haarfager/52943588/in/group/64399"&gt;&lt;img src="https://cdn.ipernity.com/200/35/88/52943588.7453f242.240.jpg?r2" width="240" height="159" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Arlington Memorial Amphitheater is an open theater located at Arlington National Cemetery in Arlington County Virginia.  It was completed in 1920.  It is used for Veterans Day and Memorial Day events, as well as memorial services and funerals.&lt;br /&gt;
&lt;br /&gt;
Camera - Minolta XD11&lt;br /&gt;
Lens - Minolta MD Rokkor-X 50mm, f/1.2&lt;br /&gt;
Film - Kodak Kodacolor II, 100 ASA 35mm&lt;br /&gt;
Date:  May 1979&lt;br /&gt;
Location:  Arlington County, Virginia, U.S.A.&lt;br /&gt;
&lt;br /&gt;
Minolta KSF 5075 Washington 1979-G 04gf&lt;/div&gt;</description>
    <media:title>Arlington Memorial Amphitheater</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/haarfager"&gt;HaarFager&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/haarfager/52943588/in/group/64399"&gt;&lt;img src="https://cdn.ipernity.com/200/35/88/52943588.7453f242.240.jpg?r2" width="240" height="159" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Arlington Memorial Amphitheater is an open theater located at Arlington National Cemetery in Arlington County Virginia.  It was completed in 1920.  It is used for Veterans Day and Memorial Day events, as well as memorial services and funerals.&lt;br /&gt;
&lt;br /&gt;
Camera - Minolta XD11&lt;br /&gt;
Lens - Minolta MD Rokkor-X 50mm, f/1.2&lt;br /&gt;
Film - Kodak Kodacolor II, 100 ASA 35mm&lt;br /&gt;
Date:  May 1979&lt;br /&gt;
Location:  Arlington County, Virginia, U.S.A.&lt;br /&gt;
&lt;br /&gt;
Minolta KSF 5075 Washington 1979-G 04gf&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/200/35/88/52943588.594669b3.1024.jpg?r2" type="image/jpeg" width="1024" height="677" duration="0" isDefault="true"  />
    <media:thumbnail url="https://cdn.ipernity.com/200/35/88/52943588.7453f242.240.jpg?r2" width="240" height="159"/>
    <media:thumbnail url="https://cdn.ipernity.com/200/35/88/52943588.7453f242.100.jpg?r2" width="100" height="67"/>
    <media:credit role="author">HaarFager</media:credit>
  </item>
  <item>
    <title>Capital Dome</title>
    <link>https://www.ipernity.com/doc/haarfager/49529736/in/group/64399</link>
    <guid isPermaLink="false">tag:ipernity.com,2019-12-07,doc-49529736</guid>
    <pubDate>Sat, 07 Dec 2019 21:00:56 +0000</pubDate>
    <dc:date.created>2019-12-07T15:00:56-06:00</dc:date.created>
    <author>nobody@ipernity.com (HaarFager)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/haarfager"&gt;HaarFager&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/haarfager/49529736/in/group/64399"&gt;&lt;img src="https://cdn.ipernity.com/200/97/36/49529736.f801a197.240.jpg?r2" width="240" height="159" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Detail inside the dome of the Capital building.&lt;br /&gt;
&lt;br /&gt;
Camera:  Minolta XD11&lt;br /&gt;
Lens:  Minolta MD Rokkor-X 50mm, f/1.2&lt;br /&gt;
Film:  Kodak Kodacolor, 100 ASA 35mm&lt;br /&gt;
Date:  May 1979&lt;br /&gt;
Location:  Washington, D.C., U.S.A.&lt;br /&gt;
&lt;br /&gt;
Minolta KSF 5075 Washington-C 15df&lt;/div&gt;</description>
    <media:title>Capital Dome</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/haarfager"&gt;HaarFager&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/haarfager/49529736/in/group/64399"&gt;&lt;img src="https://cdn.ipernity.com/200/97/36/49529736.f801a197.240.jpg?r2" width="240" height="159" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Detail inside the dome of the Capital building.&lt;br /&gt;
&lt;br /&gt;
Camera:  Minolta XD11&lt;br /&gt;
Lens:  Minolta MD Rokkor-X 50mm, f/1.2&lt;br /&gt;
Film:  Kodak Kodacolor, 100 ASA 35mm&lt;br /&gt;
Date:  May 1979&lt;br /&gt;
Location:  Washington, D.C., U.S.A.&lt;br /&gt;
&lt;br /&gt;
Minolta KSF 5075 Washington-C 15df&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/200/97/36/49529736.37ee8340.1024.jpg?r2" type="image/jpeg" width="1024" height="679" duration="0" isDefault="true"  />
    <media:thumbnail url="https://cdn.ipernity.com/200/97/36/49529736.f801a197.240.jpg?r2" width="240" height="159"/>
    <media:thumbnail url="https://cdn.ipernity.com/200/97/36/49529736.f801a197.100.jpg?r2" width="100" height="67"/>
    <media:credit role="author">HaarFager</media:credit>
  </item>
  <item>
    <title>Veteran&amp;#039;s Day</title>
    <link>https://www.ipernity.com/doc/haarfager/52690960/in/group/64399</link>
    <guid isPermaLink="false">tag:ipernity.com,2024-11-12,doc-52690960</guid>
    <pubDate>Tue, 12 Nov 2024 00:20:13 +0000</pubDate>
    <dc:date.created>2024-11-11T18:20:13-06:00</dc:date.created>
    <author>nobody@ipernity.com (HaarFager)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/haarfager"&gt;HaarFager&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/haarfager/52690960/in/group/64399"&gt;&lt;img src="https://cdn.ipernity.com/200/09/60/52690960.42bc2a52.240.jpg?r2" width="240" height="159" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;November 11th is Veteran's Day here in the United States.  I am a veteran myself and I want to thank every other veteran we've ever had for their service.  This picture is of Arlington Cemetery, located in Washington, D.C.  As you can see, some veterans gave all to keep us free.&lt;br /&gt;
&lt;br /&gt;
Camera - Minolta XD11&lt;br /&gt;
Lens - Minolta MD Rokkor-X 50mm, f/1.2&lt;br /&gt;
Film - Kodak Kodacolor II, 100 ASA 35mm&lt;br /&gt;
Date:  May 1979&lt;br /&gt;
Location:  Washington, D.C., U.S.A.&lt;br /&gt;
&lt;br /&gt;
Minolta KSF 5075 Washington 1979-G 10ef&lt;/div&gt;</description>
    <media:title>Veteran&amp;#039;s Day</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/haarfager"&gt;HaarFager&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/haarfager/52690960/in/group/64399"&gt;&lt;img src="https://cdn.ipernity.com/200/09/60/52690960.42bc2a52.240.jpg?r2" width="240" height="159" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;November 11th is Veteran's Day here in the United States.  I am a veteran myself and I want to thank every other veteran we've ever had for their service.  This picture is of Arlington Cemetery, located in Washington, D.C.  As you can see, some veterans gave all to keep us free.&lt;br /&gt;
&lt;br /&gt;
Camera - Minolta XD11&lt;br /&gt;
Lens - Minolta MD Rokkor-X 50mm, f/1.2&lt;br /&gt;
Film - Kodak Kodacolor II, 100 ASA 35mm&lt;br /&gt;
Date:  May 1979&lt;br /&gt;
Location:  Washington, D.C., U.S.A.&lt;br /&gt;
&lt;br /&gt;
Minolta KSF 5075 Washington 1979-G 10ef&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/200/09/60/52690960.ccd0bccb.1024.jpg?r2" type="image/jpeg" width="1024" height="678" duration="0" isDefault="true"  />
    <media:thumbnail url="https://cdn.ipernity.com/200/09/60/52690960.42bc2a52.240.jpg?r2" width="240" height="159"/>
    <media:thumbnail url="https://cdn.ipernity.com/200/09/60/52690960.42bc2a52.100.jpg?r2" width="100" height="67"/>
    <media:credit role="author">HaarFager</media:credit>
  </item>
  <item>
    <title>Iwo Jima Monument</title>
    <link>https://www.ipernity.com/doc/haarfager/52309228/in/group/64399</link>
    <guid isPermaLink="false">tag:ipernity.com,2024-02-02,doc-52309228</guid>
    <pubDate>Fri, 02 Feb 2024 15:04:05 +0000</pubDate>
    <dc:date.created>2024-02-02T09:08:53-06:00</dc:date.created>
    <author>nobody@ipernity.com (HaarFager)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/haarfager"&gt;HaarFager&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/haarfager/52309228/in/group/64399"&gt;&lt;img src="https://cdn.ipernity.com/200/92/28/52309228.3539d01e.240.jpg?r2" width="160" height="240" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;A truly inspiring monument located at our nation's capital.&lt;br /&gt;
&lt;br /&gt;
Camera - Minolta XD11&lt;br /&gt;
Lens - Minolta MD Rokkor-X 50mm, f/1.2&lt;br /&gt;
Film - Kodak Kodacolor II, 100 ASA 35mm&lt;br /&gt;
Date:  May 1979&lt;br /&gt;
Location:  Washington, D. C., U.S.A.&lt;br /&gt;
&lt;br /&gt;
Minolta KSF 5075 Washington 1979-G 16ff&lt;/div&gt;</description>
    <media:title>Iwo Jima Monument</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/haarfager"&gt;HaarFager&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/haarfager/52309228/in/group/64399"&gt;&lt;img src="https://cdn.ipernity.com/200/92/28/52309228.3539d01e.240.jpg?r2" width="160" height="240" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;A truly inspiring monument located at our nation's capital.&lt;br /&gt;
&lt;br /&gt;
Camera - Minolta XD11&lt;br /&gt;
Lens - Minolta MD Rokkor-X 50mm, f/1.2&lt;br /&gt;
Film - Kodak Kodacolor II, 100 ASA 35mm&lt;br /&gt;
Date:  May 1979&lt;br /&gt;
Location:  Washington, D. C., U.S.A.&lt;br /&gt;
&lt;br /&gt;
Minolta KSF 5075 Washington 1979-G 16ff&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/200/92/28/52309228.666b7178.1024.jpg?r2" type="image/jpeg" width="683" height="1024" duration="0" isDefault="true"  />
    <media:thumbnail url="https://cdn.ipernity.com/200/92/28/52309228.3539d01e.240.jpg?r2" width="160" height="240"/>
    <media:thumbnail url="https://cdn.ipernity.com/200/92/28/52309228.3539d01e.100.jpg?r2" width="67" height="100"/>
    <media:credit role="author">HaarFager</media:credit>
  </item>
  <item>
    <title>Home Of The Whopper</title>
    <link>https://www.ipernity.com/doc/haarfager/51712818/in/group/64399</link>
    <guid isPermaLink="false">tag:ipernity.com,2022-12-19,doc-51712818</guid>
    <pubDate>Mon, 19 Dec 2022 20:59:23 +0000</pubDate>
    <dc:date.created>2022-12-19T14:59:23-06:00</dc:date.created>
    <author>nobody@ipernity.com (HaarFager)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/haarfager"&gt;HaarFager&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/haarfager/51712818/in/group/64399"&gt;&lt;img src="https://cdn.ipernity.com/200/28/18/51712818.3e975c76.240.jpg?r2" width="240" height="167" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;That guy who currently lives there sure tells a lot of (untrue) whoppers!  One of his latest whoppers is that, while he was vice-president, he gave his uncle a Purple Heart medal.  The only problem is, his uncle died 10 years before he became vice-president.  Those kinds of whoppers.&lt;/div&gt;</description>
    <media:title>Home Of The Whopper</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/haarfager"&gt;HaarFager&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/haarfager/51712818/in/group/64399"&gt;&lt;img src="https://cdn.ipernity.com/200/28/18/51712818.3e975c76.240.jpg?r2" width="240" height="167" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;That guy who currently lives there sure tells a lot of (untrue) whoppers!  One of his latest whoppers is that, while he was vice-president, he gave his uncle a Purple Heart medal.  The only problem is, his uncle died 10 years before he became vice-president.  Those kinds of whoppers.&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/200/28/18/51712818.9ee776b6.1024.jpg?r2" type="image/jpeg" width="1024" height="710" duration="0" isDefault="true"  />
    <media:thumbnail url="https://cdn.ipernity.com/200/28/18/51712818.3e975c76.240.jpg?r2" width="240" height="167"/>
    <media:thumbnail url="https://cdn.ipernity.com/200/28/18/51712818.3e975c76.100.jpg?r2" width="100" height="70"/>
    <media:credit role="author">HaarFager</media:credit>
  </item>
  <item>
    <title>Hotel Sunrise 1979</title>
    <link>https://www.ipernity.com/doc/haarfager/51171648/in/group/64399</link>
    <guid isPermaLink="false">tag:ipernity.com,2022-02-04,doc-51171648</guid>
    <pubDate>Fri, 04 Feb 2022 09:24:36 +0000</pubDate>
    <dc:date.created>2022-02-04T03:24:36-06:00</dc:date.created>
    <author>nobody@ipernity.com (HaarFager)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/haarfager"&gt;HaarFager&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/haarfager/51171648/in/group/64399"&gt;&lt;img src="https://cdn.ipernity.com/200/16/48/51171648.5704f39e.240.jpg?r2" width="240" height="159" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;This was the motel I stayed at while on a senior class trip to Washington, D.C. in May 1979.&lt;br /&gt;
&lt;br /&gt;
Camera - Minolta XD11&lt;br /&gt;
Lens - Minolta MD Rokkor-X 50mm, f/1.2&lt;br /&gt;
Film - Kodak Kodacolor II, 100 ASA 35mm&lt;br /&gt;
Date:  May 1979&lt;br /&gt;
Location:  Washington, District of Columbia, U.S.A.&lt;br /&gt;
&lt;br /&gt;
Hotel Sunrise 1979 1df&lt;/div&gt;</description>
    <media:title>Hotel Sunrise 1979</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/haarfager"&gt;HaarFager&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/haarfager/51171648/in/group/64399"&gt;&lt;img src="https://cdn.ipernity.com/200/16/48/51171648.5704f39e.240.jpg?r2" width="240" height="159" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;This was the motel I stayed at while on a senior class trip to Washington, D.C. in May 1979.&lt;br /&gt;
&lt;br /&gt;
Camera - Minolta XD11&lt;br /&gt;
Lens - Minolta MD Rokkor-X 50mm, f/1.2&lt;br /&gt;
Film - Kodak Kodacolor II, 100 ASA 35mm&lt;br /&gt;
Date:  May 1979&lt;br /&gt;
Location:  Washington, District of Columbia, U.S.A.&lt;br /&gt;
&lt;br /&gt;
Hotel Sunrise 1979 1df&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/200/16/48/51171648.fae812b9.1024.jpg?r2" type="image/jpeg" width="1024" height="679" duration="0" isDefault="true"  />
    <media:thumbnail url="https://cdn.ipernity.com/200/16/48/51171648.5704f39e.240.jpg?r2" width="240" height="159"/>
    <media:thumbnail url="https://cdn.ipernity.com/200/16/48/51171648.5704f39e.100.jpg?r2" width="100" height="67"/>
    <media:credit role="author">HaarFager</media:credit>
  </item>
  <item>
    <title>Cactus Flowers</title>
    <link>https://www.ipernity.com/doc/jonathan.cohen/15489453/in/group/64399</link>
    <guid isPermaLink="false">tag:ipernity.com,2009-03-26,doc-15489453</guid>
    <pubDate>Thu, 26 Mar 2009 16:16:55 +0000</pubDate>
    <dc:date.created>2009-02-25T14:51:24-04:00</dc:date.created>
    <author>nobody@ipernity.com (Jonathan Cohen)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/jonathan.cohen"&gt;Jonathan Cohen&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/jonathan.cohen/15489453/in/group/64399"&gt;&lt;img src="https://cdn.ipernity.com/124/94/53/15489453.3476c20e.240.jpg?r2" width="240" height="192" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;SONY DSC&lt;/div&gt;</description>
    <media:title>Cactus Flowers</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/jonathan.cohen"&gt;Jonathan Cohen&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/jonathan.cohen/15489453/in/group/64399"&gt;&lt;img src="https://cdn.ipernity.com/124/94/53/15489453.3476c20e.240.jpg?r2" width="240" height="192" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;SONY DSC&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/124/94/53/15489453.21fbef0c.1024.jpg?r2" type="image/jpeg" width="1024" height="820" duration="0" isDefault="true"  />
    <media:thumbnail url="https://cdn.ipernity.com/124/94/53/15489453.3476c20e.240.jpg?r2" width="240" height="192"/>
    <media:thumbnail url="https://cdn.ipernity.com/124/94/53/15489453.3476c20e.100.jpg?r2" width="100" height="80"/>
    <media:credit role="author">Jonathan Cohen</media:credit>
  </item>
  <item>
    <title>Japanese Stone Pagoda – Tidal Basin, Washington DC</title>
    <link>https://www.ipernity.com/doc/jonathan.cohen/15489207/in/group/64399</link>
    <guid isPermaLink="false">tag:ipernity.com,2009-04-01,doc-15489207</guid>
    <pubDate>Wed, 01 Apr 2009 20:23:04 +0000</pubDate>
    <dc:date.created>2009-03-31T13:22:25-04:00</dc:date.created>
    <author>nobody@ipernity.com (Jonathan Cohen)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/jonathan.cohen"&gt;Jonathan Cohen&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/jonathan.cohen/15489207/in/group/64399"&gt;&lt;img src="https://cdn.ipernity.com/124/92/07/15489207.9ac7e20e.240.jpg?r2" width="240" height="192" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;SONY DSC&lt;/div&gt;</description>
    <media:title>Japanese Stone Pagoda – Tidal Basin, Washington DC</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/jonathan.cohen"&gt;Jonathan Cohen&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/jonathan.cohen/15489207/in/group/64399"&gt;&lt;img src="https://cdn.ipernity.com/124/92/07/15489207.9ac7e20e.240.jpg?r2" width="240" height="192" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;SONY DSC&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/124/92/07/15489207.c51bae5f.1024.jpg?r2" type="image/jpeg" width="1024" height="820" duration="0" isDefault="true"  />
    <media:thumbnail url="https://cdn.ipernity.com/124/92/07/15489207.9ac7e20e.240.jpg?r2" width="240" height="192"/>
    <media:thumbnail url="https://cdn.ipernity.com/124/92/07/15489207.9ac7e20e.100.jpg?r2" width="100" height="80"/>
    <media:credit role="author">Jonathan Cohen</media:credit>
  </item>
  <item>
    <title>Veiled Chameleon – National Zoo, Washington DC</title>
    <link>https://www.ipernity.com/doc/jonathan.cohen/15489211/in/group/64399</link>
    <guid isPermaLink="false">tag:ipernity.com,2009-04-04,doc-15489211</guid>
    <pubDate>Sat, 04 Apr 2009 02:48:02 +0000</pubDate>
    <dc:date.created>2009-03-11T15:12:06-04:00</dc:date.created>
    <author>nobody@ipernity.com (Jonathan Cohen)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/jonathan.cohen"&gt;Jonathan Cohen&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/jonathan.cohen/15489211/in/group/64399"&gt;&lt;img src="https://cdn.ipernity.com/124/92/11/15489211.313243f4.240.jpg?r2" width="240" height="160" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;SONY DSC&lt;/div&gt;</description>
    <media:title>Veiled Chameleon – National Zoo, Washington DC</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/jonathan.cohen"&gt;Jonathan Cohen&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/jonathan.cohen/15489211/in/group/64399"&gt;&lt;img src="https://cdn.ipernity.com/124/92/11/15489211.313243f4.240.jpg?r2" width="240" height="160" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;SONY DSC&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/124/92/11/15489211.831e1238.1024.jpg?r2" type="image/jpeg" width="1024" height="683" duration="0" isDefault="true"  />
    <media:thumbnail url="https://cdn.ipernity.com/124/92/11/15489211.313243f4.240.jpg?r2" width="240" height="160"/>
    <media:thumbnail url="https://cdn.ipernity.com/124/92/11/15489211.313243f4.100.jpg?r2" width="100" height="67"/>
    <media:credit role="author">Jonathan Cohen</media:credit>
  </item>
  <item>
    <title>Washington, D.C. At Night</title>
    <link>https://www.ipernity.com/doc/haarfager/49121306/in/group/64399</link>
    <guid isPermaLink="false">tag:ipernity.com,2019-09-10,doc-49121306</guid>
    <pubDate>Tue, 10 Sep 2019 05:11:03 +0000</pubDate>
    <dc:date.created>2019-09-09T23:11:03-06:00</dc:date.created>
    <author>nobody@ipernity.com (HaarFager)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/haarfager"&gt;HaarFager&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/haarfager/49121306/in/group/64399"&gt;&lt;img src="https://cdn.ipernity.com/200/13/06/49121306.45b02839.240.jpg?r2" width="240" height="160" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Washington, D.C. at night, taken from atop the Washington Monument.  That's the Capitol Building in the center.&lt;br /&gt;
&lt;br /&gt;
Camera - Minolta XD11&lt;br /&gt;
Lens - Minolta MD Rokkor-X 50mm, f/1.2&lt;br /&gt;
Film - Kodak Kodacolor II, 100 ASA 35mm&lt;br /&gt;
Date:  May 1979&lt;br /&gt;
Location:  Washington, District of Columbia, U.S.A.&lt;br /&gt;
&lt;br /&gt;
Minolta KSF 5075 Washington-F 03ff&lt;/div&gt;</description>
    <media:title>Washington, D.C. At Night</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/haarfager"&gt;HaarFager&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/haarfager/49121306/in/group/64399"&gt;&lt;img src="https://cdn.ipernity.com/200/13/06/49121306.45b02839.240.jpg?r2" width="240" height="160" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Washington, D.C. at night, taken from atop the Washington Monument.  That's the Capitol Building in the center.&lt;br /&gt;
&lt;br /&gt;
Camera - Minolta XD11&lt;br /&gt;
Lens - Minolta MD Rokkor-X 50mm, f/1.2&lt;br /&gt;
Film - Kodak Kodacolor II, 100 ASA 35mm&lt;br /&gt;
Date:  May 1979&lt;br /&gt;
Location:  Washington, District of Columbia, U.S.A.&lt;br /&gt;
&lt;br /&gt;
Minolta KSF 5075 Washington-F 03ff&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/200/13/06/49121306.f78e4bc2.1024.jpg?r2" type="image/jpeg" width="1024" height="681" duration="0" isDefault="true"  />
    <media:thumbnail url="https://cdn.ipernity.com/200/13/06/49121306.45b02839.240.jpg?r2" width="240" height="160"/>
    <media:thumbnail url="https://cdn.ipernity.com/200/13/06/49121306.45b02839.100.jpg?r2" width="100" height="67"/>
    <media:credit role="author">HaarFager</media:credit>
  </item>
  <item>
    <title>1979</title>
    <link>https://www.ipernity.com/doc/haarfager/49061304/in/group/64399</link>
    <guid isPermaLink="false">tag:ipernity.com,2019-08-27,doc-49061304</guid>
    <pubDate>Tue, 27 Aug 2019 13:29:05 +0000</pubDate>
    <dc:date.created>2019-08-27T07:29:05-06:00</dc:date.created>
    <author>nobody@ipernity.com (HaarFager)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/haarfager"&gt;HaarFager&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/haarfager/49061304/in/group/64399"&gt;&lt;img src="https://cdn.ipernity.com/200/13/04/49061304.57d769c1.240.jpg?r2" width="240" height="158" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Arlington National Cemetery, located in Washington, D.C.&lt;br /&gt;
&lt;br /&gt;
Camera:  Minolta XD11&lt;br /&gt;
Lens:  Minolta MD Rokkor-X 50mm, f/1.2&lt;br /&gt;
Film:  Kodak Kodacolor II, 100 ASA 35mm&lt;br /&gt;
Date:  May 1979&lt;br /&gt;
Location:  Washington, D.C., U.S.A.&lt;br /&gt;
&lt;br /&gt;
Minolta KSF 5075 Washington 1979-G 11ef&lt;/div&gt;</description>
    <media:title>1979</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/haarfager"&gt;HaarFager&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/haarfager/49061304/in/group/64399"&gt;&lt;img src="https://cdn.ipernity.com/200/13/04/49061304.57d769c1.240.jpg?r2" width="240" height="158" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Arlington National Cemetery, located in Washington, D.C.&lt;br /&gt;
&lt;br /&gt;
Camera:  Minolta XD11&lt;br /&gt;
Lens:  Minolta MD Rokkor-X 50mm, f/1.2&lt;br /&gt;
Film:  Kodak Kodacolor II, 100 ASA 35mm&lt;br /&gt;
Date:  May 1979&lt;br /&gt;
Location:  Washington, D.C., U.S.A.&lt;br /&gt;
&lt;br /&gt;
Minolta KSF 5075 Washington 1979-G 11ef&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/200/13/04/49061304.4458163e.1024.jpg?r2" type="image/jpeg" width="1024" height="672" duration="0" isDefault="true"  />
    <media:thumbnail url="https://cdn.ipernity.com/200/13/04/49061304.57d769c1.240.jpg?r2" width="240" height="158"/>
    <media:thumbnail url="https://cdn.ipernity.com/200/13/04/49061304.57d769c1.100.jpg?r2" width="100" height="66"/>
    <media:credit role="author">HaarFager</media:credit>
  </item>
  <item>
    <title>Unusual plants</title>
    <link>https://www.ipernity.com/doc/esther/48935692/in/group/64399</link>
    <guid isPermaLink="false">tag:ipernity.com,2019-07-31,doc-48935692</guid>
    <pubDate>Wed, 31 Jul 2019 00:39:44 +0000</pubDate>
    <dc:date.created>2019-06-17T11:08:12-04:00</dc:date.created>
    <author>nobody@ipernity.com (Esther)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/esther"&gt;Esther&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/esther/48935692/in/group/64399"&gt;&lt;img src="https://cdn.ipernity.com/200/56/92/48935692.9358c7ec.240.jpg?r2" width="160" height="240" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;U.S. Botanical Gardens in Washington D.C.&lt;br /&gt;
&lt;br /&gt;
BIMG 0109-1&lt;/div&gt;</description>
    <media:title>Unusual plants</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/esther"&gt;Esther&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/esther/48935692/in/group/64399"&gt;&lt;img src="https://cdn.ipernity.com/200/56/92/48935692.9358c7ec.240.jpg?r2" width="160" height="240" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;U.S. Botanical Gardens in Washington D.C.&lt;br /&gt;
&lt;br /&gt;
BIMG 0109-1&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/200/56/92/48935692.9358c7ec.560.jpg?r2" type="image/jpeg" width="374" height="560" duration="0" isDefault="true"  />
    <media:thumbnail url="https://cdn.ipernity.com/200/56/92/48935692.9358c7ec.240.jpg?r2" width="160" height="240"/>
    <media:thumbnail url="https://cdn.ipernity.com/200/56/92/48935692.9358c7ec.100.jpg?r2" width="67" height="100"/>
    <media:credit role="author">Esther</media:credit>
  </item>
  <item>
    <title>Learning by doing</title>
    <link>https://www.ipernity.com/doc/esther/48932868/in/group/64399</link>
    <guid isPermaLink="false">tag:ipernity.com,2019-07-30,doc-48932868</guid>
    <pubDate>Tue, 30 Jul 2019 00:37:00 +0000</pubDate>
    <dc:date.created>2019-06-17T12:02:38-04:00</dc:date.created>
    <author>nobody@ipernity.com (Esther)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/esther"&gt;Esther&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/esther/48932868/in/group/64399"&gt;&lt;img src="https://cdn.ipernity.com/200/28/68/48932868.1b5ae978.240.jpg?r2" width="160" height="240" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;National Gallery of Art&lt;br /&gt;
&lt;br /&gt;
Monet's Bazille and Camille (Study for "Déjeuner sur l'Herbe")&lt;br /&gt;
    1865&lt;br /&gt;
&lt;br /&gt;
BIMG 0130-1&lt;/div&gt;</description>
    <media:title>Learning by doing</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/esther"&gt;Esther&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/esther/48932868/in/group/64399"&gt;&lt;img src="https://cdn.ipernity.com/200/28/68/48932868.1b5ae978.240.jpg?r2" width="160" height="240" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;National Gallery of Art&lt;br /&gt;
&lt;br /&gt;
Monet's Bazille and Camille (Study for "Déjeuner sur l'Herbe")&lt;br /&gt;
    1865&lt;br /&gt;
&lt;br /&gt;
BIMG 0130-1&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/200/28/68/48932868.1b5ae978.560.jpg?r2" type="image/jpeg" width="374" height="560" duration="0" isDefault="true"  />
    <media:thumbnail url="https://cdn.ipernity.com/200/28/68/48932868.1b5ae978.240.jpg?r2" width="160" height="240"/>
    <media:thumbnail url="https://cdn.ipernity.com/200/28/68/48932868.1b5ae978.100.jpg?r2" width="67" height="100"/>
    <media:credit role="author">Esther</media:credit>
  </item>
  <item>
    <title>della Robbia</title>
    <link>https://www.ipernity.com/doc/esther/48932866/in/group/64399</link>
    <guid isPermaLink="false">tag:ipernity.com,2019-07-30,doc-48932866</guid>
    <pubDate>Tue, 30 Jul 2019 00:36:52 +0000</pubDate>
    <dc:date.created>2019-06-17T11:40:17-04:00</dc:date.created>
    <author>nobody@ipernity.com (Esther)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/esther"&gt;Esther&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/esther/48932866/in/group/64399"&gt;&lt;img src="https://cdn.ipernity.com/200/28/66/48932866.d373ebc2.240.jpg?r2" width="160" height="240" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;"In the rich artistic culture of 15th-century Florence, the sculptor Luca della Robbia (1399/1400–1482) won renown for his innovations in the medium of glazed terracotta. Praised as “new, useful, and most beautiful,” this distinctive technique involved the application of colorful, reflective glazes to sculptures in fired clay. Luca’s methods established a durable and shining surface for ceramic sculpture of many kinds, from independent statues in the round to narrative reliefs and architectural ornament. His family workshop specialized in depictions of sacred history and devotional images of the Madonna and Christ child for a variety of settings, including altars and chapels within churches, exterior walls and gates, and the domestic realm. The sculptures’ humble materials expressed the spiritual value of humility, exalted by a luminous surface, while the skill with which they were fashioned and the visual clarity of the medium made them easy to read and understand. Through pure, expressive color and a refreshing simplicity of means, Della Robbia terracottas illuminated themes of salvation through Christian faith.&lt;br /&gt;
&lt;br /&gt;
Luca collaborated closely for decades with his nephew, Andrea (1435–1525), who entered his workshop by 1451 and inherited it in 1482. Five of Andrea’s children joined the enterprise, carrying the family’s art into the 16th century. As their range of commissions grew, the Della Robbia increasingly explored other genres, such as portraiture, still life, landscape, and allegory, alongside canonical religious subjects. Della Robbia sculptures still grace the churches and squares of Florence and other Italian cities, while portable reliefs, statuettes, and busts by the family adorn museums throughout the world. This major loan exhibition is the first devoted to the Della Robbia in the United States, where a newfound appreciation for the beauty and ingenuity of Renaissance glazed ceramics emerged in the 19th century and continues today."&lt;br /&gt;
&lt;br /&gt;
&lt;a href="https://www.nga.gov/features/della-robbia-a-closer-look.html" target="_blank" rel="nofollow"&gt;www.nga.gov/features/della-robbia-a-closer-look.html&lt;/a&gt;&lt;br /&gt;
&lt;br /&gt;
BIMG 0122-1&lt;/div&gt;</description>
    <media:title>della Robbia</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/esther"&gt;Esther&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/esther/48932866/in/group/64399"&gt;&lt;img src="https://cdn.ipernity.com/200/28/66/48932866.d373ebc2.240.jpg?r2" width="160" height="240" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;"In the rich artistic culture of 15th-century Florence, the sculptor Luca della Robbia (1399/1400–1482) won renown for his innovations in the medium of glazed terracotta. Praised as “new, useful, and most beautiful,” this distinctive technique involved the application of colorful, reflective glazes to sculptures in fired clay. Luca’s methods established a durable and shining surface for ceramic sculpture of many kinds, from independent statues in the round to narrative reliefs and architectural ornament. His family workshop specialized in depictions of sacred history and devotional images of the Madonna and Christ child for a variety of settings, including altars and chapels within churches, exterior walls and gates, and the domestic realm. The sculptures’ humble materials expressed the spiritual value of humility, exalted by a luminous surface, while the skill with which they were fashioned and the visual clarity of the medium made them easy to read and understand. Through pure, expressive color and a refreshing simplicity of means, Della Robbia terracottas illuminated themes of salvation through Christian faith.&lt;br /&gt;
&lt;br /&gt;
Luca collaborated closely for decades with his nephew, Andrea (1435–1525), who entered his workshop by 1451 and inherited it in 1482. Five of Andrea’s children joined the enterprise, carrying the family’s art into the 16th century. As their range of commissions grew, the Della Robbia increasingly explored other genres, such as portraiture, still life, landscape, and allegory, alongside canonical religious subjects. Della Robbia sculptures still grace the churches and squares of Florence and other Italian cities, while portable reliefs, statuettes, and busts by the family adorn museums throughout the world. This major loan exhibition is the first devoted to the Della Robbia in the United States, where a newfound appreciation for the beauty and ingenuity of Renaissance glazed ceramics emerged in the 19th century and continues today."&lt;br /&gt;
&lt;br /&gt;
&lt;a href="https://www.nga.gov/features/della-robbia-a-closer-look.html" target="_blank" rel="nofollow"&gt;www.nga.gov/features/della-robbia-a-closer-look.html&lt;/a&gt;&lt;br /&gt;
&lt;br /&gt;
BIMG 0122-1&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/200/28/66/48932866.d373ebc2.560.jpg?r2" type="image/jpeg" width="374" height="560" duration="0" isDefault="true"  />
    <media:thumbnail url="https://cdn.ipernity.com/200/28/66/48932866.d373ebc2.240.jpg?r2" width="160" height="240"/>
    <media:thumbnail url="https://cdn.ipernity.com/200/28/66/48932866.d373ebc2.100.jpg?r2" width="67" height="100"/>
    <media:credit role="author">Esther</media:credit>
  </item>
  <item>
    <title>Ginevra de&amp;#039; Benci</title>
    <link>https://www.ipernity.com/doc/esther/48932864/in/group/64399</link>
    <guid isPermaLink="false">tag:ipernity.com,2019-07-30,doc-48932864</guid>
    <pubDate>Tue, 30 Jul 2019 00:36:42 +0000</pubDate>
    <dc:date.created>2019-06-17T11:38:35-04:00</dc:date.created>
    <author>nobody@ipernity.com (Esther)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/esther"&gt;Esther&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/esther/48932864/in/group/64399"&gt;&lt;img src="https://cdn.ipernity.com/200/28/64/48932864.015e8ef9.240.jpg?r2" width="240" height="160" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;"She was the daughter of a wealthy Florentine banker, and her portrait—the only painting by Leonardo da Vinci in the Americas—was probably commissioned about the time of her marriage at age 16. Leonardo himself was only about six years older. The portrait is among his earliest experiments with the new medium of oil paint; some wrinkling of the surface shows he was still learning to control it. Still, the careful observation of nature and subtle three–dimensionality of Ginevra's face point unmistakably to the new naturalism with which Leonardo would transform Renaissance painting. Ginevra is modeled with gradually deepening veils of smoky shadow—not by line, not by abrupt transitions of color or light.&lt;br /&gt;
&lt;br /&gt;
Other features of Ginevra's portrait reveal young Leonardo as an innovator. He placed her in an open setting at a time when women were still shown carefully sheltered within the walls of their family homes, with landscapes glimpsed only through open windows. The three–quarter pose, which shows her steady reserve, is among the first in Italian portraiture, for either sex."&lt;br /&gt;
&lt;br /&gt;
&lt;a href="https://www.nga.gov/collection/art-object-page.50724.html" target="_blank" rel="nofollow"&gt;www.nga.gov/collection/art-object-page.50724.html&lt;/a&gt;&lt;br /&gt;
&lt;br /&gt;
BIMG 0121-1&lt;/div&gt;</description>
    <media:title>Ginevra de&amp;#039; Benci</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/esther"&gt;Esther&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/esther/48932864/in/group/64399"&gt;&lt;img src="https://cdn.ipernity.com/200/28/64/48932864.015e8ef9.240.jpg?r2" width="240" height="160" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;"She was the daughter of a wealthy Florentine banker, and her portrait—the only painting by Leonardo da Vinci in the Americas—was probably commissioned about the time of her marriage at age 16. Leonardo himself was only about six years older. The portrait is among his earliest experiments with the new medium of oil paint; some wrinkling of the surface shows he was still learning to control it. Still, the careful observation of nature and subtle three–dimensionality of Ginevra's face point unmistakably to the new naturalism with which Leonardo would transform Renaissance painting. Ginevra is modeled with gradually deepening veils of smoky shadow—not by line, not by abrupt transitions of color or light.&lt;br /&gt;
&lt;br /&gt;
Other features of Ginevra's portrait reveal young Leonardo as an innovator. He placed her in an open setting at a time when women were still shown carefully sheltered within the walls of their family homes, with landscapes glimpsed only through open windows. The three–quarter pose, which shows her steady reserve, is among the first in Italian portraiture, for either sex."&lt;br /&gt;
&lt;br /&gt;
&lt;a href="https://www.nga.gov/collection/art-object-page.50724.html" target="_blank" rel="nofollow"&gt;www.nga.gov/collection/art-object-page.50724.html&lt;/a&gt;&lt;br /&gt;
&lt;br /&gt;
BIMG 0121-1&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/200/28/64/48932864.015e8ef9.560.jpg?r2" type="image/jpeg" width="560" height="374" duration="0" isDefault="true"  />
    <media:thumbnail url="https://cdn.ipernity.com/200/28/64/48932864.015e8ef9.240.jpg?r2" width="240" height="160"/>
    <media:thumbnail url="https://cdn.ipernity.com/200/28/64/48932864.015e8ef9.100.jpg?r2" width="100" height="67"/>
    <media:credit role="author">Esther</media:credit>
  </item>
  <item>
    <title>Mercury</title>
    <link>https://www.ipernity.com/doc/esther/48932862/in/group/64399</link>
    <guid isPermaLink="false">tag:ipernity.com,2019-07-30,doc-48932862</guid>
    <pubDate>Tue, 30 Jul 2019 00:36:32 +0000</pubDate>
    <dc:date.created>2019-06-16T16:02:49-04:00</dc:date.created>
    <author>nobody@ipernity.com (Esther)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/esther"&gt;Esther&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/esther/48932862/in/group/64399"&gt;&lt;img src="https://cdn.ipernity.com/200/28/62/48932862.637b3299.240.jpg?r2" width="160" height="240" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;"Andrew Mellon selected American architect John Russell Pope (1874–1937) to design the building for the new museum. This edifice, now known as the West Building, has formal public entrances on all four sides. Its main floor plan is centered on a rotunda that was modeled after the ancient Roman Pantheon. To the east and west of the Rotunda, barrel-vaulted sculpture halls lead to garden courts, where greenery and fountains provide a restful haven for visitors. Interconnected exhibition galleries extend to the north and south of these large public spaces in such a way that, in principle, a visitor can begin in one room and proceed through the collection without backtracking."&lt;br /&gt;
&lt;br /&gt;
&lt;a href="https://www.nga.gov/about.html" target="_blank" rel="nofollow"&gt;www.nga.gov/about.html&lt;/a&gt;&lt;br /&gt;
&lt;br /&gt;
For more about this scupture, see &lt;a href="https://1ufzqimnrfy1m6sw634fqcn7-wpengine.netdna-ssl.com/wp-content/uploads/2016/07/mercury_infosheet.pdf" target="_blank" rel="nofollow"&gt;1ufzqimnrfy1m6sw634fqcn7-wpengine.netdna-ssl.com/wp-content/uploads/2016/07/mercury_infosheet.pdf&lt;/a&gt;.&lt;br /&gt;
&lt;br /&gt;
BIMG 0061-1&lt;/div&gt;</description>
    <media:title>Mercury</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/esther"&gt;Esther&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/esther/48932862/in/group/64399"&gt;&lt;img src="https://cdn.ipernity.com/200/28/62/48932862.637b3299.240.jpg?r2" width="160" height="240" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;"Andrew Mellon selected American architect John Russell Pope (1874–1937) to design the building for the new museum. This edifice, now known as the West Building, has formal public entrances on all four sides. Its main floor plan is centered on a rotunda that was modeled after the ancient Roman Pantheon. To the east and west of the Rotunda, barrel-vaulted sculpture halls lead to garden courts, where greenery and fountains provide a restful haven for visitors. Interconnected exhibition galleries extend to the north and south of these large public spaces in such a way that, in principle, a visitor can begin in one room and proceed through the collection without backtracking."&lt;br /&gt;
&lt;br /&gt;
&lt;a href="https://www.nga.gov/about.html" target="_blank" rel="nofollow"&gt;www.nga.gov/about.html&lt;/a&gt;&lt;br /&gt;
&lt;br /&gt;
For more about this scupture, see &lt;a href="https://1ufzqimnrfy1m6sw634fqcn7-wpengine.netdna-ssl.com/wp-content/uploads/2016/07/mercury_infosheet.pdf" target="_blank" rel="nofollow"&gt;1ufzqimnrfy1m6sw634fqcn7-wpengine.netdna-ssl.com/wp-content/uploads/2016/07/mercury_infosheet.pdf&lt;/a&gt;.&lt;br /&gt;
&lt;br /&gt;
BIMG 0061-1&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/200/28/62/48932862.637b3299.560.jpg?r2" type="image/jpeg" width="374" height="560" duration="0" isDefault="true"  />
    <media:thumbnail url="https://cdn.ipernity.com/200/28/62/48932862.637b3299.240.jpg?r2" width="160" height="240"/>
    <media:thumbnail url="https://cdn.ipernity.com/200/28/62/48932862.637b3299.100.jpg?r2" width="67" height="100"/>
    <media:credit role="author">Esther</media:credit>
  </item>
  <item>
    <title>A day in the art gallery</title>
    <link>https://www.ipernity.com/doc/esther/48932858/in/group/64399</link>
    <guid isPermaLink="false">tag:ipernity.com,2019-07-30,doc-48932858</guid>
    <pubDate>Tue, 30 Jul 2019 00:36:20 +0000</pubDate>
    <dc:date.created>2019-06-16T15:57:06-04:00</dc:date.created>
    <author>nobody@ipernity.com (Esther)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/esther"&gt;Esther&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/esther/48932858/in/group/64399"&gt;&lt;img src="https://cdn.ipernity.com/200/28/58/48932858.0a5834a5.240.jpg?r2" width="240" height="160" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;"Andrew Mellon selected American architect John Russell Pope (1874–1937) to design the building for the new museum. This edifice, now known as the West Building, has formal public entrances on all four sides. Its main floor plan is centered on a rotunda that was modeled after the ancient Roman Pantheon. To the east and west of the Rotunda, barrel-vaulted sculpture halls lead to garden courts, where greenery and fountains provide a restful haven for visitors. Interconnected exhibition galleries extend to the north and south of these large public spaces in such a way that, in principle, a visitor can begin in one room and proceed through the collection without backtracking."&lt;br /&gt;
&lt;br /&gt;
&lt;a href="https://www.nga.gov/about.html" target="_blank" rel="nofollow"&gt;www.nga.gov/about.html&lt;/a&gt;&lt;br /&gt;
&lt;br /&gt;
BIMG 0060-1&lt;/div&gt;</description>
    <media:title>A day in the art gallery</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/esther"&gt;Esther&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/esther/48932858/in/group/64399"&gt;&lt;img src="https://cdn.ipernity.com/200/28/58/48932858.0a5834a5.240.jpg?r2" width="240" height="160" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;"Andrew Mellon selected American architect John Russell Pope (1874–1937) to design the building for the new museum. This edifice, now known as the West Building, has formal public entrances on all four sides. Its main floor plan is centered on a rotunda that was modeled after the ancient Roman Pantheon. To the east and west of the Rotunda, barrel-vaulted sculpture halls lead to garden courts, where greenery and fountains provide a restful haven for visitors. Interconnected exhibition galleries extend to the north and south of these large public spaces in such a way that, in principle, a visitor can begin in one room and proceed through the collection without backtracking."&lt;br /&gt;
&lt;br /&gt;
&lt;a href="https://www.nga.gov/about.html" target="_blank" rel="nofollow"&gt;www.nga.gov/about.html&lt;/a&gt;&lt;br /&gt;
&lt;br /&gt;
BIMG 0060-1&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/200/28/58/48932858.0a5834a5.560.jpg?r2" type="image/jpeg" width="560" height="374" duration="0" isDefault="true"  />
    <media:thumbnail url="https://cdn.ipernity.com/200/28/58/48932858.0a5834a5.240.jpg?r2" width="240" height="160"/>
    <media:thumbnail url="https://cdn.ipernity.com/200/28/58/48932858.0a5834a5.100.jpg?r2" width="100" height="67"/>
    <media:credit role="author">Esther</media:credit>
  </item>
  <item>
    <title>National Gallery of Art</title>
    <link>https://www.ipernity.com/doc/esther/48932856/in/group/64399</link>
    <guid isPermaLink="false">tag:ipernity.com,2019-07-30,doc-48932856</guid>
    <pubDate>Tue, 30 Jul 2019 00:36:16 +0000</pubDate>
    <dc:date.created>2019-06-16T15:55:33-04:00</dc:date.created>
    <author>nobody@ipernity.com (Esther)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/esther"&gt;Esther&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/esther/48932856/in/group/64399"&gt;&lt;img src="https://cdn.ipernity.com/200/28/56/48932856.b89637c0.240.jpg?r2" width="240" height="160" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;BIMG 0059-1&lt;/div&gt;</description>
    <media:title>National Gallery of Art</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/esther"&gt;Esther&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/esther/48932856/in/group/64399"&gt;&lt;img src="https://cdn.ipernity.com/200/28/56/48932856.b89637c0.240.jpg?r2" width="240" height="160" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;BIMG 0059-1&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/200/28/56/48932856.b89637c0.560.jpg?r2" type="image/jpeg" width="560" height="374" duration="0" isDefault="true"  />
    <media:thumbnail url="https://cdn.ipernity.com/200/28/56/48932856.b89637c0.240.jpg?r2" width="240" height="160"/>
    <media:thumbnail url="https://cdn.ipernity.com/200/28/56/48932856.b89637c0.100.jpg?r2" width="100" height="67"/>
    <media:credit role="author">Esther</media:credit>
  </item>
  <item>
    <title>Pennsylvania Avenue</title>
    <link>https://www.ipernity.com/doc/esther/48921890/in/group/64399</link>
    <guid isPermaLink="false">tag:ipernity.com,2019-07-27,doc-48921890</guid>
    <pubDate>Sat, 27 Jul 2019 02:18:04 +0000</pubDate>
    <dc:date.created>2019-06-16T10:59:52-04:00</dc:date.created>
    <author>nobody@ipernity.com (Esther)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/esther"&gt;Esther&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/esther/48921890/in/group/64399"&gt;&lt;img src="https://cdn.ipernity.com/200/18/90/48921890.f129be45.240.jpg?r2" width="160" height="240" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Pierre Charles L'Enfant  (1754 - 1825), laid out  the basic design plan for Washington, D.C. &lt;br /&gt;
&lt;br /&gt;
BIMG 0053-1&lt;/div&gt;</description>
    <media:title>Pennsylvania Avenue</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/esther"&gt;Esther&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/esther/48921890/in/group/64399"&gt;&lt;img src="https://cdn.ipernity.com/200/18/90/48921890.f129be45.240.jpg?r2" width="160" height="240" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Pierre Charles L'Enfant  (1754 - 1825), laid out  the basic design plan for Washington, D.C. &lt;br /&gt;
&lt;br /&gt;
BIMG 0053-1&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/200/18/90/48921890.f129be45.560.jpg?r2" type="image/jpeg" width="374" height="560" duration="0" isDefault="true"  />
    <media:thumbnail url="https://cdn.ipernity.com/200/18/90/48921890.f129be45.240.jpg?r2" width="160" height="240"/>
    <media:thumbnail url="https://cdn.ipernity.com/200/18/90/48921890.f129be45.100.jpg?r2" width="67" height="100"/>
    <media:credit role="author">Esther</media:credit>
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