Photos, videos and docs of Keith Marshall, with the keywords: "200"

Estuary

nobody@ipernity.com (Keith Marshall) — Sat, 20 Jul 2013 16:40:45 +0000

Lucky Delboy

nobody@ipernity.com (Keith Marshall) — Wed, 19 Oct 2011 22:36:30 +0000

My first attempt at home-development of film, jumping in at the deep end with a C41 film (Ferrania 200) in Adox APH 09 (Rodinal).

This one took a lot of work in PS removing a water streak.. I'm going to try re-washing some of these, actually, as there's a nasty streak running across several of the negatives in this batch, some of them look like good pictures.

See here and here for more details and the recipe I used.

Harbour Huts

nobody@ipernity.com (Keith Marshall) — Wed, 19 Oct 2011 22:37:14 +0000

Keith Marshall has posted:

My first attempt at home-development of film, jumping in at the deep end with a C41 film (Ferrania 200) in Adox APH 09 (Rodinal).

See here and here for more details and the recipe I used.

St Pancras Lock (redscale) 1

nobody@ipernity.com (Keith Marshall) — Sat, 17 Mar 2012 11:49:36 +0000

Keith Marshall has posted:

These two shots, taken in opposite directions, show what different exposures do to redscaled film - the more you over-expose it the yellower it gets (like the other one which is into the sun) - but this one is more normally exposed and looks red.

The artefact in the top right quadrant might be internal reflection in the camera, it's in a few shots on this roll. The anti-halation layer in film is designed to prevent these, but when you turn the film over for redscale I guess you lose the protection. [EDIT: I suspect this is where I must have creased the film, either when redscaling it, or when loading it onto the development reel]

Redscale is a technique where you expose the film from the wrong side. These are all from a roll i took last year, I forgot to upload them!

Golden Streetlight

nobody@ipernity.com (Keith Marshall) — Wed, 14 Nov 2012 23:03:29 +0000

Keith Marshall has posted:

You can probably tell I liked the shape of these lights...

I love the fact that you never quite know what colour you're going to get with redscale, even when shooting at the same ISO throughout the roll.

All these shots were taken with the Trip set to ISO 25.

Think!

nobody@ipernity.com (Keith Marshall) — Tue, 13 Nov 2012 23:27:13 +0000

Keith Marshall has posted:

This cheap Vista Plus 200 film from Poundland makes outstanding redscale film.. more to come from this roll yet!

This whole roll was shot at ISO 25.

More here.

St Pancras Lock (redscale) 2

nobody@ipernity.com (Keith Marshall) — Sat, 17 Mar 2012 11:49:42 +0000

Keith Marshall has posted:

I really must use that Yashica camera more - of all the random cameras I've acquired, it's the one that I get the best out of.

This guy was fishing - no idea what he thought he'd catch in the canal.

Redscale is a technique where you expose the film from the wrong side. These are all from a roll i took last year, I forgot to upload them!

Expired Hazy Sunset

nobody@ipernity.com (Keith Marshall) — Sat, 26 Jan 2013 19:53:02 +0000

Keith Marshall has posted:

From the same night I had a different fault with a different film and a different camera. I guess I was just not destined to get a great shot that night!

This is just old, expired film - sometimes you get nice old-fashioned colours. Sometimes it just goes wrong...

Platform 11

nobody@ipernity.com (Keith Marshall) — Wed, 02 Jan 2013 17:43:09 +0000

Keith Marshall has posted:

Dane John Gardens

nobody@ipernity.com (Keith Marshall) — Mon, 09 Apr 2012 23:17:48 +0000

Keith Marshall has posted:

Looking Out (redscale)

nobody@ipernity.com (Keith Marshall) — Wed, 14 Nov 2012 23:03:31 +0000

Keith Marshall has posted: