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  <title>Everyone's photos, videos and docs, with the keywords: "2011"</title>
  <link>https://www.ipernity.com/explore/keyword/781262</link>
  <image>
    <url>https://www.ipernity.com/T/1/L/cover/face.png</url>
    <title>Everyone's photos, videos and docs, with the keywords: "2011"</title>
    <link>https://www.ipernity.com/explore/keyword/781262</link>
  </image>
  <description></description>
  <pubDate>Mon, 28 Sep 2026 08:51:54 +0000</pubDate>
  <lastBuildDate>Mon, 28 Sep 2026 08:51:54 +0000</lastBuildDate>
  <generator>https://www.ipernity.com</generator>
  <item>
    <title>HWW Pebbles Beach Muscat Oman 3rd December 2011</title>
    <link>https://www.ipernity.com/doc/305337/53430324</link>
    <guid isPermaLink="false">tag:ipernity.com,2026-09-06,doc-53430324</guid>
    <pubDate>Sun, 06 Sep 2026 13:15:39 +0000</pubDate>
    <dc:date.created>2011-12-03T07:25:43+01:00</dc:date.created>
    <author>nobody@ipernity.com (Loose_Grip/Pete)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/305337"&gt;Loose_Grip/Pete&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/305337/53430324"&gt;&lt;img src="https://cdn.ipernity.com/200/03/24/53430324.f12e391c.240.jpg?r2" width="240" height="154" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;About 2 hours drive south of Muscat is this beautiful deserted beach - at least it was at this time - on the northeast coast of the Gulf of Oman.&lt;br /&gt;
&lt;br /&gt;
You have to look for it but there is a white wall at the end of the beach!&lt;br /&gt;
&lt;br /&gt;
HWW to everyone. Enjoy the day.&lt;/div&gt;</description>
    <media:title>HWW Pebbles Beach Muscat Oman 3rd December 2011</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/305337"&gt;Loose_Grip/Pete&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/305337/53430324"&gt;&lt;img src="https://cdn.ipernity.com/200/03/24/53430324.f12e391c.240.jpg?r2" width="240" height="154" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;About 2 hours drive south of Muscat is this beautiful deserted beach - at least it was at this time - on the northeast coast of the Gulf of Oman.&lt;br /&gt;
&lt;br /&gt;
You have to look for it but there is a white wall at the end of the beach!&lt;br /&gt;
&lt;br /&gt;
HWW to everyone. Enjoy the day.&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/200/03/24/53430324.f231e24f.1024.jpg?r2" type="image/jpeg" width="1024" height="656" duration="0" isDefault="true"  />
    <media:thumbnail url="https://cdn.ipernity.com/200/03/24/53430324.f12e391c.240.jpg?r2" width="240" height="154"/>
    <media:thumbnail url="https://cdn.ipernity.com/200/03/24/53430324.f12e391c.100.jpg?r2" width="100" height="65"/>
    <media:credit role="author">Loose_Grip/Pete</media:credit>
  </item>
  <item>
    <title>Toilet Jar in the Shape of a Squatting Monkey in the Metropolitan Museum of Art, May 2011</title>
    <link>https://www.ipernity.com/doc/laurieannie/53429370</link>
    <guid isPermaLink="false">tag:ipernity.com,2025-12-13,doc-53429370</guid>
    <pubDate>Sat, 13 Dec 2025 16:18:24 +0000</pubDate>
    <dc:date.created>2011-05-27T19:29:30-04:00</dc:date.created>
    <author>nobody@ipernity.com (LaurieAnnie)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/laurieannie"&gt;LaurieAnnie&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/laurieannie/53429370"&gt;&lt;img src="https://cdn.ipernity.com/200/93/70/53429370.9852493f.240.jpg?r2" width="142" height="240" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Title: Ointment jar in the shape of a baboon&lt;br /&gt;
&lt;br /&gt;
Period: Middle Kingdom&lt;br /&gt;
&lt;br /&gt;
Dynasty: Dynasty 13–17&lt;br /&gt;
&lt;br /&gt;
Date: ca. 1800–1550 B.C.&lt;br /&gt;
&lt;br /&gt;
Geography: From Egypt; Said to be from Northern Upper Egypt, Girga (Thinis)&lt;br /&gt;
&lt;br /&gt;
Medium: Anhydrite&lt;br /&gt;
&lt;br /&gt;
Dimensions: H. 13.3 cm (5 1/4 in.); W. 5.9 cm (2 5/16 in.); D. 8.2 cm (3 1/4 in.)&lt;br /&gt;
&lt;br /&gt;
Credit Line: Rogers Fund, 1910&lt;br /&gt;
&lt;br /&gt;
Object Number: 10.176.54a, b&lt;br /&gt;
&lt;br /&gt;
Curatorial Department: Egyptian Art&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Text from:  &lt;a href="https://www.metmuseum.org/art/collection/search/544035" target="_blank" rel="nofollow"&gt;www.metmuseum.org/art/collection/search/544035&lt;/a&gt;&lt;/div&gt;</description>
    <media:title>Toilet Jar in the Shape of a Squatting Monkey in the Metropolitan Museum of Art, May 2011</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/laurieannie"&gt;LaurieAnnie&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/laurieannie/53429370"&gt;&lt;img src="https://cdn.ipernity.com/200/93/70/53429370.9852493f.240.jpg?r2" width="142" height="240" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Title: Ointment jar in the shape of a baboon&lt;br /&gt;
&lt;br /&gt;
Period: Middle Kingdom&lt;br /&gt;
&lt;br /&gt;
Dynasty: Dynasty 13–17&lt;br /&gt;
&lt;br /&gt;
Date: ca. 1800–1550 B.C.&lt;br /&gt;
&lt;br /&gt;
Geography: From Egypt; Said to be from Northern Upper Egypt, Girga (Thinis)&lt;br /&gt;
&lt;br /&gt;
Medium: Anhydrite&lt;br /&gt;
&lt;br /&gt;
Dimensions: H. 13.3 cm (5 1/4 in.); W. 5.9 cm (2 5/16 in.); D. 8.2 cm (3 1/4 in.)&lt;br /&gt;
&lt;br /&gt;
Credit Line: Rogers Fund, 1910&lt;br /&gt;
&lt;br /&gt;
Object Number: 10.176.54a, b&lt;br /&gt;
&lt;br /&gt;
Curatorial Department: Egyptian Art&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Text from:  &lt;a href="https://www.metmuseum.org/art/collection/search/544035" target="_blank" rel="nofollow"&gt;www.metmuseum.org/art/collection/search/544035&lt;/a&gt;&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/200/93/70/53429370.9852493f.560.jpg?r2" type="image/jpeg" width="331" height="560" duration="0" isDefault="true"  />
    <media:thumbnail url="https://cdn.ipernity.com/200/93/70/53429370.9852493f.240.jpg?r2" width="142" height="240"/>
    <media:thumbnail url="https://cdn.ipernity.com/200/93/70/53429370.9852493f.100.jpg?r2" width="60" height="100"/>
    <media:credit role="author">LaurieAnnie</media:credit>
  </item>
  <item>
    <title>Unguent Jar in the Shape of Two Plucked Ducklings in the Metropolitan Museum of Art, May 2011</title>
    <link>https://www.ipernity.com/doc/laurieannie/53429372</link>
    <guid isPermaLink="false">tag:ipernity.com,2025-12-13,doc-53429372</guid>
    <pubDate>Sat, 13 Dec 2025 16:18:26 +0000</pubDate>
    <dc:date.created>2011-05-27T19:29:46-04:00</dc:date.created>
    <author>nobody@ipernity.com (LaurieAnnie)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/laurieannie"&gt;LaurieAnnie&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/laurieannie/53429372"&gt;&lt;img src="https://cdn.ipernity.com/200/93/72/53429372.e4b8b900.240.jpg?r2" width="203" height="240" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Title: Perfume Vessel in the Shape of Two Trussed Ducks&lt;br /&gt;
&lt;br /&gt;
Period: Late Second Intermediate Period&lt;br /&gt;
&lt;br /&gt;
Dynasty: Dynasty 17&lt;br /&gt;
&lt;br /&gt;
Date: ca. 1580–1550 B.C.&lt;br /&gt;
&lt;br /&gt;
Geography: From Egypt, Upper Egypt, Thebes, Sheikh Abd el-Qurna, Tomb near the Ramesseum (?), Mond excavations (?), 1902–1925&lt;br /&gt;
&lt;br /&gt;
Medium: Anhydrite, eyes inlaid with a porous material inside copper rims&lt;br /&gt;
&lt;br /&gt;
Dimensions: H. 17.1 × W. 15.4 × D. 9.3 cm (6 3/4 × 6 1/16 × 3 11/16 in.)&lt;br /&gt;
&lt;br /&gt;
Credit Line: Gift of Edward S. Harkness, 1927&lt;br /&gt;
&lt;br /&gt;
Object Number: 27.9.1&lt;br /&gt;
&lt;br /&gt;
Curatorial Department: Egyptian Art&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
The flask - delicately carved from the rare stone material anhydrite - has the form of a pair of trussed ducklings placed back-to-back. Their necks arch far from the bodies and the joints of their legs make four little knuckles for the vessel to stad on. The birds' eyes are inlaid with copper. Trussed duck were a common offering to the dead. It is, therefore, possible that this vessel, although originally without doubt containing a cosmetic substance, was made for the tomb and not to be used in daily life. Vessels of this material were formerly thought to be of Middle Kingdom date. More recent studies have shown that they should be placed into the late Second Intermediate Period.&lt;br /&gt;
&lt;br /&gt;
Text from:  &lt;a href="https://www.metmuseum.org/art/collection/search/544042" target="_blank" rel="nofollow"&gt;www.metmuseum.org/art/collection/search/544042&lt;/a&gt;&lt;/div&gt;</description>
    <media:title>Unguent Jar in the Shape of Two Plucked Ducklings in the Metropolitan Museum of Art, May 2011</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/laurieannie"&gt;LaurieAnnie&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/laurieannie/53429372"&gt;&lt;img src="https://cdn.ipernity.com/200/93/72/53429372.e4b8b900.240.jpg?r2" width="203" height="240" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Title: Perfume Vessel in the Shape of Two Trussed Ducks&lt;br /&gt;
&lt;br /&gt;
Period: Late Second Intermediate Period&lt;br /&gt;
&lt;br /&gt;
Dynasty: Dynasty 17&lt;br /&gt;
&lt;br /&gt;
Date: ca. 1580–1550 B.C.&lt;br /&gt;
&lt;br /&gt;
Geography: From Egypt, Upper Egypt, Thebes, Sheikh Abd el-Qurna, Tomb near the Ramesseum (?), Mond excavations (?), 1902–1925&lt;br /&gt;
&lt;br /&gt;
Medium: Anhydrite, eyes inlaid with a porous material inside copper rims&lt;br /&gt;
&lt;br /&gt;
Dimensions: H. 17.1 × W. 15.4 × D. 9.3 cm (6 3/4 × 6 1/16 × 3 11/16 in.)&lt;br /&gt;
&lt;br /&gt;
Credit Line: Gift of Edward S. Harkness, 1927&lt;br /&gt;
&lt;br /&gt;
Object Number: 27.9.1&lt;br /&gt;
&lt;br /&gt;
Curatorial Department: Egyptian Art&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
The flask - delicately carved from the rare stone material anhydrite - has the form of a pair of trussed ducklings placed back-to-back. Their necks arch far from the bodies and the joints of their legs make four little knuckles for the vessel to stad on. The birds' eyes are inlaid with copper. Trussed duck were a common offering to the dead. It is, therefore, possible that this vessel, although originally without doubt containing a cosmetic substance, was made for the tomb and not to be used in daily life. Vessels of this material were formerly thought to be of Middle Kingdom date. More recent studies have shown that they should be placed into the late Second Intermediate Period.&lt;br /&gt;
&lt;br /&gt;
Text from:  &lt;a href="https://www.metmuseum.org/art/collection/search/544042" target="_blank" rel="nofollow"&gt;www.metmuseum.org/art/collection/search/544042&lt;/a&gt;&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/200/93/72/53429372.e4b8b900.560.jpg?r2" type="image/jpeg" width="474" height="560" duration="0" isDefault="true"  />
    <media:thumbnail url="https://cdn.ipernity.com/200/93/72/53429372.e4b8b900.240.jpg?r2" width="203" height="240"/>
    <media:thumbnail url="https://cdn.ipernity.com/200/93/72/53429372.e4b8b900.100.jpg?r2" width="85" height="100"/>
    <media:credit role="author">LaurieAnnie</media:credit>
  </item>
  <item>
    <title>Detail of a Portrait of a Woman by Pollaiuolo in the Metropolitan Museum of Art, March 2011</title>
    <link>https://www.ipernity.com/doc/laurieannie/53429334</link>
    <guid isPermaLink="false">tag:ipernity.com,2025-12-14,doc-53429334</guid>
    <pubDate>Sun, 14 Dec 2025 04:32:17 +0000</pubDate>
    <dc:date.created>2011-03-04T20:21:05-04:00</dc:date.created>
    <author>nobody@ipernity.com (LaurieAnnie)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/laurieannie"&gt;LaurieAnnie&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/laurieannie/53429334"&gt;&lt;img src="https://cdn.ipernity.com/200/93/34/53429334.aece33af.240.jpg?r2" width="240" height="194" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Title: Portrait of a Woman&lt;br /&gt;
&lt;br /&gt;
Artist: Piero del Pollaiuolo (Piero di Jacopo Benci) (Italian, Florence 1441/42–1485/96 Rome)&lt;br /&gt;
&lt;br /&gt;
Date: ca. 1480&lt;br /&gt;
&lt;br /&gt;
Medium: Tempera on wood&lt;br /&gt;
&lt;br /&gt;
Dimensions: 19 1/4 x 13 7/8 in. (48.9 x 35.2 cm)&lt;br /&gt;
&lt;br /&gt;
Classification: Paintings&lt;br /&gt;
&lt;br /&gt;
Credit Line: Bequest of Edward S. Harkness, 1940&lt;br /&gt;
&lt;br /&gt;
Object Number: 50.135.3&lt;br /&gt;
&lt;br /&gt;
Curatorial Department: European Paintings &lt;br /&gt;
&lt;br /&gt;
Portraits of young women were often made to commemorate their marriages. The profile format was popular for this genre, as it highlighted the beauty of the woman’s features while also keeping her gaze chastely averted from the viewer. Piero and his brother Antonio del Pollaiuolo produced some of the most distinguished portraits of women in fifteenth-century Florence.&lt;br /&gt;
&lt;br /&gt;
The meticulously rendered dress and jewelry of this sitter suggest Piero’s interest in Flemish art and his appreciation of the craft of goldsmithing, which he and his brother also specialized in.&lt;br /&gt;
&lt;br /&gt;
Text from:  &lt;a href="https://www.metmuseum.org/art/collection/search/437322" target="_blank" rel="nofollow"&gt;www.metmuseum.org/art/collection/search/437322&lt;/a&gt;&lt;/div&gt;</description>
    <media:title>Detail of a Portrait of a Woman by Pollaiuolo in the Metropolitan Museum of Art, March 2011</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/laurieannie"&gt;LaurieAnnie&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/laurieannie/53429334"&gt;&lt;img src="https://cdn.ipernity.com/200/93/34/53429334.aece33af.240.jpg?r2" width="240" height="194" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Title: Portrait of a Woman&lt;br /&gt;
&lt;br /&gt;
Artist: Piero del Pollaiuolo (Piero di Jacopo Benci) (Italian, Florence 1441/42–1485/96 Rome)&lt;br /&gt;
&lt;br /&gt;
Date: ca. 1480&lt;br /&gt;
&lt;br /&gt;
Medium: Tempera on wood&lt;br /&gt;
&lt;br /&gt;
Dimensions: 19 1/4 x 13 7/8 in. (48.9 x 35.2 cm)&lt;br /&gt;
&lt;br /&gt;
Classification: Paintings&lt;br /&gt;
&lt;br /&gt;
Credit Line: Bequest of Edward S. Harkness, 1940&lt;br /&gt;
&lt;br /&gt;
Object Number: 50.135.3&lt;br /&gt;
&lt;br /&gt;
Curatorial Department: European Paintings &lt;br /&gt;
&lt;br /&gt;
Portraits of young women were often made to commemorate their marriages. The profile format was popular for this genre, as it highlighted the beauty of the woman’s features while also keeping her gaze chastely averted from the viewer. Piero and his brother Antonio del Pollaiuolo produced some of the most distinguished portraits of women in fifteenth-century Florence.&lt;br /&gt;
&lt;br /&gt;
The meticulously rendered dress and jewelry of this sitter suggest Piero’s interest in Flemish art and his appreciation of the craft of goldsmithing, which he and his brother also specialized in.&lt;br /&gt;
&lt;br /&gt;
Text from:  &lt;a href="https://www.metmuseum.org/art/collection/search/437322" target="_blank" rel="nofollow"&gt;www.metmuseum.org/art/collection/search/437322&lt;/a&gt;&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/200/93/34/53429334.aece33af.560.jpg?r2" type="image/jpeg" width="560" height="452" duration="0" isDefault="true"  />
    <media:thumbnail url="https://cdn.ipernity.com/200/93/34/53429334.aece33af.240.jpg?r2" width="240" height="194"/>
    <media:thumbnail url="https://cdn.ipernity.com/200/93/34/53429334.aece33af.100.jpg?r2" width="100" height="81"/>
    <media:credit role="author">LaurieAnnie</media:credit>
  </item>
  <item>
    <title>Portrait of a Woman by Pollaiuolo in the Metropolitan Museum of Art, March 2011</title>
    <link>https://www.ipernity.com/doc/laurieannie/53429336</link>
    <guid isPermaLink="false">tag:ipernity.com,2025-12-14,doc-53429336</guid>
    <pubDate>Sun, 14 Dec 2025 04:32:00 +0000</pubDate>
    <dc:date.created>2011-03-04T20:20:58-04:00</dc:date.created>
    <author>nobody@ipernity.com (LaurieAnnie)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/laurieannie"&gt;LaurieAnnie&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/laurieannie/53429336"&gt;&lt;img src="https://cdn.ipernity.com/200/93/36/53429336.f0f9c1d9.240.jpg?r2" width="193" height="240" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Title: Portrait of a Woman&lt;br /&gt;
&lt;br /&gt;
Artist: Piero del Pollaiuolo (Piero di Jacopo Benci) (Italian, Florence 1441/42–1485/96 Rome)&lt;br /&gt;
&lt;br /&gt;
Date: ca. 1480&lt;br /&gt;
&lt;br /&gt;
Medium: Tempera on wood&lt;br /&gt;
&lt;br /&gt;
Dimensions: 19 1/4 x 13 7/8 in. (48.9 x 35.2 cm)&lt;br /&gt;
&lt;br /&gt;
Classification: Paintings&lt;br /&gt;
&lt;br /&gt;
Credit Line: Bequest of Edward S. Harkness, 1940&lt;br /&gt;
&lt;br /&gt;
Object Number: 50.135.3&lt;br /&gt;
&lt;br /&gt;
Curatorial Department: European Paintings &lt;br /&gt;
&lt;br /&gt;
Portraits of young women were often made to commemorate their marriages. The profile format was popular for this genre, as it highlighted the beauty of the woman’s features while also keeping her gaze chastely averted from the viewer. Piero and his brother Antonio del Pollaiuolo produced some of the most distinguished portraits of women in fifteenth-century Florence.&lt;br /&gt;
&lt;br /&gt;
The meticulously rendered dress and jewelry of this sitter suggest Piero’s interest in Flemish art and his appreciation of the craft of goldsmithing, which he and his brother also specialized in.&lt;br /&gt;
&lt;br /&gt;
Text from:  &lt;a href="https://www.metmuseum.org/art/collection/search/437322" target="_blank" rel="nofollow"&gt;www.metmuseum.org/art/collection/search/437322&lt;/a&gt;&lt;/div&gt;</description>
    <media:title>Portrait of a Woman by Pollaiuolo in the Metropolitan Museum of Art, March 2011</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/laurieannie"&gt;LaurieAnnie&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/laurieannie/53429336"&gt;&lt;img src="https://cdn.ipernity.com/200/93/36/53429336.f0f9c1d9.240.jpg?r2" width="193" height="240" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Title: Portrait of a Woman&lt;br /&gt;
&lt;br /&gt;
Artist: Piero del Pollaiuolo (Piero di Jacopo Benci) (Italian, Florence 1441/42–1485/96 Rome)&lt;br /&gt;
&lt;br /&gt;
Date: ca. 1480&lt;br /&gt;
&lt;br /&gt;
Medium: Tempera on wood&lt;br /&gt;
&lt;br /&gt;
Dimensions: 19 1/4 x 13 7/8 in. (48.9 x 35.2 cm)&lt;br /&gt;
&lt;br /&gt;
Classification: Paintings&lt;br /&gt;
&lt;br /&gt;
Credit Line: Bequest of Edward S. Harkness, 1940&lt;br /&gt;
&lt;br /&gt;
Object Number: 50.135.3&lt;br /&gt;
&lt;br /&gt;
Curatorial Department: European Paintings &lt;br /&gt;
&lt;br /&gt;
Portraits of young women were often made to commemorate their marriages. The profile format was popular for this genre, as it highlighted the beauty of the woman’s features while also keeping her gaze chastely averted from the viewer. Piero and his brother Antonio del Pollaiuolo produced some of the most distinguished portraits of women in fifteenth-century Florence.&lt;br /&gt;
&lt;br /&gt;
The meticulously rendered dress and jewelry of this sitter suggest Piero’s interest in Flemish art and his appreciation of the craft of goldsmithing, which he and his brother also specialized in.&lt;br /&gt;
&lt;br /&gt;
Text from:  &lt;a href="https://www.metmuseum.org/art/collection/search/437322" target="_blank" rel="nofollow"&gt;www.metmuseum.org/art/collection/search/437322&lt;/a&gt;&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/200/93/36/53429336.f0f9c1d9.560.jpg?r2" type="image/jpeg" width="449" height="560" duration="0" isDefault="true"  />
    <media:thumbnail url="https://cdn.ipernity.com/200/93/36/53429336.f0f9c1d9.240.jpg?r2" width="193" height="240"/>
    <media:thumbnail url="https://cdn.ipernity.com/200/93/36/53429336.f0f9c1d9.100.jpg?r2" width="81" height="100"/>
    <media:credit role="author">LaurieAnnie</media:credit>
  </item>
  <item>
    <title>Detail of a Portrait of a Woman by Pollaiuolo in the Metropolitan Museum of Art, March 2011</title>
    <link>https://www.ipernity.com/doc/laurieannie/53429332</link>
    <guid isPermaLink="false">tag:ipernity.com,2025-12-14,doc-53429332</guid>
    <pubDate>Sun, 14 Dec 2025 04:32:15 +0000</pubDate>
    <dc:date.created>2011-03-04T20:21:15-04:00</dc:date.created>
    <author>nobody@ipernity.com (LaurieAnnie)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/laurieannie"&gt;LaurieAnnie&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/laurieannie/53429332"&gt;&lt;img src="https://cdn.ipernity.com/200/93/32/53429332.340ae425.240.jpg?r2" width="162" height="240" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Title: Portrait of a Woman&lt;br /&gt;
&lt;br /&gt;
Artist: Piero del Pollaiuolo (Piero di Jacopo Benci) (Italian, Florence 1441/42–1485/96 Rome)&lt;br /&gt;
&lt;br /&gt;
Date: ca. 1480&lt;br /&gt;
&lt;br /&gt;
Medium: Tempera on wood&lt;br /&gt;
&lt;br /&gt;
Dimensions: 19 1/4 x 13 7/8 in. (48.9 x 35.2 cm)&lt;br /&gt;
&lt;br /&gt;
Classification: Paintings&lt;br /&gt;
&lt;br /&gt;
Credit Line: Bequest of Edward S. Harkness, 1940&lt;br /&gt;
&lt;br /&gt;
Object Number: 50.135.3&lt;br /&gt;
&lt;br /&gt;
Curatorial Department: European Paintings &lt;br /&gt;
&lt;br /&gt;
Portraits of young women were often made to commemorate their marriages. The profile format was popular for this genre, as it highlighted the beauty of the woman’s features while also keeping her gaze chastely averted from the viewer. Piero and his brother Antonio del Pollaiuolo produced some of the most distinguished portraits of women in fifteenth-century Florence.&lt;br /&gt;
&lt;br /&gt;
The meticulously rendered dress and jewelry of this sitter suggest Piero’s interest in Flemish art and his appreciation of the craft of goldsmithing, which he and his brother also specialized in.&lt;br /&gt;
&lt;br /&gt;
Text from:  &lt;a href="https://www.metmuseum.org/art/collection/search/437322" target="_blank" rel="nofollow"&gt;www.metmuseum.org/art/collection/search/437322&lt;/a&gt;&lt;/div&gt;</description>
    <media:title>Detail of a Portrait of a Woman by Pollaiuolo in the Metropolitan Museum of Art, March 2011</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/laurieannie"&gt;LaurieAnnie&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/laurieannie/53429332"&gt;&lt;img src="https://cdn.ipernity.com/200/93/32/53429332.340ae425.240.jpg?r2" width="162" height="240" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Title: Portrait of a Woman&lt;br /&gt;
&lt;br /&gt;
Artist: Piero del Pollaiuolo (Piero di Jacopo Benci) (Italian, Florence 1441/42–1485/96 Rome)&lt;br /&gt;
&lt;br /&gt;
Date: ca. 1480&lt;br /&gt;
&lt;br /&gt;
Medium: Tempera on wood&lt;br /&gt;
&lt;br /&gt;
Dimensions: 19 1/4 x 13 7/8 in. (48.9 x 35.2 cm)&lt;br /&gt;
&lt;br /&gt;
Classification: Paintings&lt;br /&gt;
&lt;br /&gt;
Credit Line: Bequest of Edward S. Harkness, 1940&lt;br /&gt;
&lt;br /&gt;
Object Number: 50.135.3&lt;br /&gt;
&lt;br /&gt;
Curatorial Department: European Paintings &lt;br /&gt;
&lt;br /&gt;
Portraits of young women were often made to commemorate their marriages. The profile format was popular for this genre, as it highlighted the beauty of the woman’s features while also keeping her gaze chastely averted from the viewer. Piero and his brother Antonio del Pollaiuolo produced some of the most distinguished portraits of women in fifteenth-century Florence.&lt;br /&gt;
&lt;br /&gt;
The meticulously rendered dress and jewelry of this sitter suggest Piero’s interest in Flemish art and his appreciation of the craft of goldsmithing, which he and his brother also specialized in.&lt;br /&gt;
&lt;br /&gt;
Text from:  &lt;a href="https://www.metmuseum.org/art/collection/search/437322" target="_blank" rel="nofollow"&gt;www.metmuseum.org/art/collection/search/437322&lt;/a&gt;&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/200/93/32/53429332.340ae425.560.jpg?r2" type="image/jpeg" width="378" height="560" duration="0" isDefault="true"  />
    <media:thumbnail url="https://cdn.ipernity.com/200/93/32/53429332.340ae425.240.jpg?r2" width="162" height="240"/>
    <media:thumbnail url="https://cdn.ipernity.com/200/93/32/53429332.340ae425.100.jpg?r2" width="68" height="100"/>
    <media:credit role="author">LaurieAnnie</media:credit>
  </item>
  <item>
    <title>Chinese Vase with Floral Decoration in the Brooklyn Museum, May 2011</title>
    <link>https://www.ipernity.com/doc/laurieannie/53413132</link>
    <guid isPermaLink="false">tag:ipernity.com,2026-02-14,doc-53413132</guid>
    <pubDate>Sat, 14 Feb 2026 05:11:00 +0000</pubDate>
    <dc:date.created>2011-05-07T22:12:50-04:00</dc:date.created>
    <author>nobody@ipernity.com (LaurieAnnie)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/laurieannie"&gt;LaurieAnnie&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/laurieannie/53413132"&gt;&lt;img src="https://cdn.ipernity.com/200/31/32/53413132.dd893064.240.jpg?r2" width="134" height="240" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;&lt;/div&gt;</description>
    <media:title>Chinese Vase with Floral Decoration in the Brooklyn Museum, May 2011</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/laurieannie"&gt;LaurieAnnie&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/laurieannie/53413132"&gt;&lt;img src="https://cdn.ipernity.com/200/31/32/53413132.dd893064.240.jpg?r2" width="134" height="240" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/200/31/32/53413132.dd893064.560.jpg?r2" type="image/jpeg" width="313" height="560" duration="0" isDefault="true"  />
    <media:thumbnail url="https://cdn.ipernity.com/200/31/32/53413132.dd893064.240.jpg?r2" width="134" height="240"/>
    <media:thumbnail url="https://cdn.ipernity.com/200/31/32/53413132.dd893064.100.jpg?r2" width="56" height="100"/>
    <media:credit role="author">LaurieAnnie</media:credit>
  </item>
  <item>
    <title>Chinese Vase with Floral Decoration in the Brooklyn Museum, May 2011</title>
    <link>https://www.ipernity.com/doc/laurieannie/53413134</link>
    <guid isPermaLink="false">tag:ipernity.com,2026-02-14,doc-53413134</guid>
    <pubDate>Sat, 14 Feb 2026 05:11:05 +0000</pubDate>
    <dc:date.created>2011-05-07T22:12:47-04:00</dc:date.created>
    <author>nobody@ipernity.com (LaurieAnnie)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/laurieannie"&gt;LaurieAnnie&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/laurieannie/53413134"&gt;&lt;img src="https://cdn.ipernity.com/200/31/34/53413134.4864ecff.240.jpg?r2" width="139" height="240" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;&lt;/div&gt;</description>
    <media:title>Chinese Vase with Floral Decoration in the Brooklyn Museum, May 2011</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/laurieannie"&gt;LaurieAnnie&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/laurieannie/53413134"&gt;&lt;img src="https://cdn.ipernity.com/200/31/34/53413134.4864ecff.240.jpg?r2" width="139" height="240" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/200/31/34/53413134.4864ecff.560.jpg?r2" type="image/jpeg" width="323" height="560" duration="0" isDefault="true"  />
    <media:thumbnail url="https://cdn.ipernity.com/200/31/34/53413134.4864ecff.240.jpg?r2" width="139" height="240"/>
    <media:thumbnail url="https://cdn.ipernity.com/200/31/34/53413134.4864ecff.100.jpg?r2" width="58" height="100"/>
    <media:credit role="author">LaurieAnnie</media:credit>
  </item>
  <item>
    <title>Detail of the Goddess of Chaste Love in the Metropolitan Museum of Art, March 2011</title>
    <link>https://www.ipernity.com/doc/laurieannie/53406622</link>
    <guid isPermaLink="false">tag:ipernity.com,2025-12-14,doc-53406622</guid>
    <pubDate>Sun, 14 Dec 2025 02:30:11 +0000</pubDate>
    <dc:date.created>2011-03-04T20:19:09-04:00</dc:date.created>
    <author>nobody@ipernity.com (LaurieAnnie)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/laurieannie"&gt;LaurieAnnie&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/laurieannie/53406622"&gt;&lt;img src="https://cdn.ipernity.com/200/66/22/53406622.c3ea75f1.240.jpg?r2" width="208" height="240" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;&lt;/div&gt;</description>
    <media:title>Detail of the Goddess of Chaste Love in the Metropolitan Museum of Art, March 2011</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/laurieannie"&gt;LaurieAnnie&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/laurieannie/53406622"&gt;&lt;img src="https://cdn.ipernity.com/200/66/22/53406622.c3ea75f1.240.jpg?r2" width="208" height="240" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/200/66/22/53406622.c3ea75f1.560.jpg?r2" type="image/jpeg" width="484" height="560" duration="0" isDefault="true"  />
    <media:thumbnail url="https://cdn.ipernity.com/200/66/22/53406622.c3ea75f1.240.jpg?r2" width="208" height="240"/>
    <media:thumbnail url="https://cdn.ipernity.com/200/66/22/53406622.c3ea75f1.100.jpg?r2" width="87" height="100"/>
    <media:credit role="author">LaurieAnnie</media:credit>
  </item>
  <item>
    <title>Goddess of Chaste Love in the Metropolitan Museum of Art, March 2011</title>
    <link>https://www.ipernity.com/doc/laurieannie/53406624</link>
    <guid isPermaLink="false">tag:ipernity.com,2025-12-14,doc-53406624</guid>
    <pubDate>Sun, 14 Dec 2025 02:30:00 +0000</pubDate>
    <dc:date.created>2011-03-04T20:18:59-04:00</dc:date.created>
    <author>nobody@ipernity.com (LaurieAnnie)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/laurieannie"&gt;LaurieAnnie&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/laurieannie/53406624"&gt;&lt;img src="https://cdn.ipernity.com/200/66/24/53406624.03346548.240.jpg?r2" width="240" height="227" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;&lt;/div&gt;</description>
    <media:title>Goddess of Chaste Love in the Metropolitan Museum of Art, March 2011</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/laurieannie"&gt;LaurieAnnie&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/laurieannie/53406624"&gt;&lt;img src="https://cdn.ipernity.com/200/66/24/53406624.03346548.240.jpg?r2" width="240" height="227" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/200/66/24/53406624.03346548.560.jpg?r2" type="image/jpeg" width="560" height="529" duration="0" isDefault="true"  />
    <media:thumbnail url="https://cdn.ipernity.com/200/66/24/53406624.03346548.240.jpg?r2" width="240" height="227"/>
    <media:thumbnail url="https://cdn.ipernity.com/200/66/24/53406624.03346548.100.jpg?r2" width="100" height="95"/>
    <media:credit role="author">LaurieAnnie</media:credit>
  </item>
  <item>
    <title>Gardanne by Cezanne in the Metropolitan Museum of Art, May 2011</title>
    <link>https://www.ipernity.com/doc/laurieannie/53404690</link>
    <guid isPermaLink="false">tag:ipernity.com,2025-12-13,doc-53404690</guid>
    <pubDate>Sat, 13 Dec 2025 18:59:03 +0000</pubDate>
    <dc:date.created>2011-05-06T20:01:17-04:00</dc:date.created>
    <author>nobody@ipernity.com (LaurieAnnie)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/laurieannie"&gt;LaurieAnnie&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/laurieannie/53404690"&gt;&lt;img src="https://cdn.ipernity.com/200/46/90/53404690.e279c221.240.jpg?r2" width="210" height="240" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Title: Gardanne&lt;br /&gt;
&lt;br /&gt;
Artist: Paul Cézanne (French, Aix-en-Provence 1839–1906 Aix-en-Provence)&lt;br /&gt;
&lt;br /&gt;
Date: 1885–86&lt;br /&gt;
&lt;br /&gt;
Medium: Oil on canvas&lt;br /&gt;
&lt;br /&gt;
Dimensions: 31 1/2 x 25 1/4 in. (80 x 64.1 cm)&lt;br /&gt;
&lt;br /&gt;
Classification: Paintings&lt;br /&gt;
&lt;br /&gt;
Credit Line: Gift of Dr. and Mrs. Franz H. Hirschland, 1957&lt;br /&gt;
&lt;br /&gt;
Object Number: 57.181&lt;br /&gt;
&lt;br /&gt;
Curatorial Department: European Paintings &lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
This is one of three views of Gardanne, a hill town near Aix-en-Provence where Cézanne worked from the summer of 1885 through the spring of 1886. The steeple of the local church crowns the cluster of red-roofed buildings which animate the sloping terrain. Faceted and geometric, the structures anticipate early-twentieth-century Cubism. &lt;br /&gt;
&lt;br /&gt;
Text from:  &lt;a href="https://www.metmuseum.org/art/collection/search/435871" target="_blank" rel="nofollow"&gt;www.metmuseum.org/art/collection/search/435871&lt;/a&gt;&lt;/div&gt;</description>
    <media:title>Gardanne by Cezanne in the Metropolitan Museum of Art, May 2011</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/laurieannie"&gt;LaurieAnnie&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/laurieannie/53404690"&gt;&lt;img src="https://cdn.ipernity.com/200/46/90/53404690.e279c221.240.jpg?r2" width="210" height="240" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Title: Gardanne&lt;br /&gt;
&lt;br /&gt;
Artist: Paul Cézanne (French, Aix-en-Provence 1839–1906 Aix-en-Provence)&lt;br /&gt;
&lt;br /&gt;
Date: 1885–86&lt;br /&gt;
&lt;br /&gt;
Medium: Oil on canvas&lt;br /&gt;
&lt;br /&gt;
Dimensions: 31 1/2 x 25 1/4 in. (80 x 64.1 cm)&lt;br /&gt;
&lt;br /&gt;
Classification: Paintings&lt;br /&gt;
&lt;br /&gt;
Credit Line: Gift of Dr. and Mrs. Franz H. Hirschland, 1957&lt;br /&gt;
&lt;br /&gt;
Object Number: 57.181&lt;br /&gt;
&lt;br /&gt;
Curatorial Department: European Paintings &lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
This is one of three views of Gardanne, a hill town near Aix-en-Provence where Cézanne worked from the summer of 1885 through the spring of 1886. The steeple of the local church crowns the cluster of red-roofed buildings which animate the sloping terrain. Faceted and geometric, the structures anticipate early-twentieth-century Cubism. &lt;br /&gt;
&lt;br /&gt;
Text from:  &lt;a href="https://www.metmuseum.org/art/collection/search/435871" target="_blank" rel="nofollow"&gt;www.metmuseum.org/art/collection/search/435871&lt;/a&gt;&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/200/46/90/53404690.e279c221.560.jpg?r2" type="image/jpeg" width="488" height="560" duration="0" isDefault="true"  />
    <media:thumbnail url="https://cdn.ipernity.com/200/46/90/53404690.e279c221.240.jpg?r2" width="210" height="240"/>
    <media:thumbnail url="https://cdn.ipernity.com/200/46/90/53404690.e279c221.100.jpg?r2" width="88" height="100"/>
    <media:credit role="author">LaurieAnnie</media:credit>
  </item>
  <item>
    <title>Gardanne by Cezanne in the Metropolitan Museum of Art, May 2011</title>
    <link>https://www.ipernity.com/doc/laurieannie/53404692</link>
    <guid isPermaLink="false">tag:ipernity.com,2025-12-13,doc-53404692</guid>
    <pubDate>Sat, 13 Dec 2025 18:59:04 +0000</pubDate>
    <dc:date.created>2011-05-06T20:01:20-04:00</dc:date.created>
    <author>nobody@ipernity.com (LaurieAnnie)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/laurieannie"&gt;LaurieAnnie&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/laurieannie/53404692"&gt;&lt;img src="https://cdn.ipernity.com/200/46/92/53404692.5d2647e5.240.jpg?r2" width="213" height="240" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Title: Gardanne&lt;br /&gt;
&lt;br /&gt;
Artist: Paul Cézanne (French, Aix-en-Provence 1839–1906 Aix-en-Provence)&lt;br /&gt;
&lt;br /&gt;
Date: 1885–86&lt;br /&gt;
&lt;br /&gt;
Medium: Oil on canvas&lt;br /&gt;
&lt;br /&gt;
Dimensions: 31 1/2 x 25 1/4 in. (80 x 64.1 cm)&lt;br /&gt;
&lt;br /&gt;
Classification: Paintings&lt;br /&gt;
&lt;br /&gt;
Credit Line: Gift of Dr. and Mrs. Franz H. Hirschland, 1957&lt;br /&gt;
&lt;br /&gt;
Object Number: 57.181&lt;br /&gt;
&lt;br /&gt;
Curatorial Department: European Paintings &lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
This is one of three views of Gardanne, a hill town near Aix-en-Provence where Cézanne worked from the summer of 1885 through the spring of 1886. The steeple of the local church crowns the cluster of red-roofed buildings which animate the sloping terrain. Faceted and geometric, the structures anticipate early-twentieth-century Cubism. &lt;br /&gt;
&lt;br /&gt;
Text from:  &lt;a href="https://www.metmuseum.org/art/collection/search/435871" target="_blank" rel="nofollow"&gt;www.metmuseum.org/art/collection/search/435871&lt;/a&gt;&lt;/div&gt;</description>
    <media:title>Gardanne by Cezanne in the Metropolitan Museum of Art, May 2011</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/laurieannie"&gt;LaurieAnnie&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/laurieannie/53404692"&gt;&lt;img src="https://cdn.ipernity.com/200/46/92/53404692.5d2647e5.240.jpg?r2" width="213" height="240" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Title: Gardanne&lt;br /&gt;
&lt;br /&gt;
Artist: Paul Cézanne (French, Aix-en-Provence 1839–1906 Aix-en-Provence)&lt;br /&gt;
&lt;br /&gt;
Date: 1885–86&lt;br /&gt;
&lt;br /&gt;
Medium: Oil on canvas&lt;br /&gt;
&lt;br /&gt;
Dimensions: 31 1/2 x 25 1/4 in. (80 x 64.1 cm)&lt;br /&gt;
&lt;br /&gt;
Classification: Paintings&lt;br /&gt;
&lt;br /&gt;
Credit Line: Gift of Dr. and Mrs. Franz H. Hirschland, 1957&lt;br /&gt;
&lt;br /&gt;
Object Number: 57.181&lt;br /&gt;
&lt;br /&gt;
Curatorial Department: European Paintings &lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
This is one of three views of Gardanne, a hill town near Aix-en-Provence where Cézanne worked from the summer of 1885 through the spring of 1886. The steeple of the local church crowns the cluster of red-roofed buildings which animate the sloping terrain. Faceted and geometric, the structures anticipate early-twentieth-century Cubism. &lt;br /&gt;
&lt;br /&gt;
Text from:  &lt;a href="https://www.metmuseum.org/art/collection/search/435871" target="_blank" rel="nofollow"&gt;www.metmuseum.org/art/collection/search/435871&lt;/a&gt;&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/200/46/92/53404692.5d2647e5.560.jpg?r2" type="image/jpeg" width="497" height="560" duration="0" isDefault="true"  />
    <media:thumbnail url="https://cdn.ipernity.com/200/46/92/53404692.5d2647e5.240.jpg?r2" width="213" height="240"/>
    <media:thumbnail url="https://cdn.ipernity.com/200/46/92/53404692.5d2647e5.100.jpg?r2" width="89" height="100"/>
    <media:credit role="author">LaurieAnnie</media:credit>
  </item>
  <item>
    <title>Face from a Composite Statue of a Pharaoh in the Metropolitan Museum of Art, May 2011</title>
    <link>https://www.ipernity.com/doc/laurieannie/53270046</link>
    <guid isPermaLink="false">tag:ipernity.com,2025-12-13,doc-53270046</guid>
    <pubDate>Sat, 13 Dec 2025 16:02:36 +0000</pubDate>
    <dc:date.created>2011-05-27T19:33:11-04:00</dc:date.created>
    <author>nobody@ipernity.com (LaurieAnnie)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/laurieannie"&gt;LaurieAnnie&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/laurieannie/53270046"&gt;&lt;img src="https://cdn.ipernity.com/200/00/46/53270046.e73f6bac.240.jpg?r2" width="208" height="240" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Title: Fragmentary Head of a King&lt;br /&gt;
&lt;br /&gt;
Period: New Kingdom&lt;br /&gt;
&lt;br /&gt;
Dynasty: Dynasty 18&lt;br /&gt;
&lt;br /&gt;
Reign: reign of Thutmose IV&lt;br /&gt;
&lt;br /&gt;
Date: ca. 1396–1386 BCE&lt;br /&gt;
&lt;br /&gt;
Geography: From Egypt, Upper Egypt, Thebes&lt;br /&gt;
&lt;br /&gt;
Medium: Jasper&lt;br /&gt;
&lt;br /&gt;
Dimensions: fragments combined: H. 13.8 × W. 11.3 × D. 4.4 cm (5 7/16 × 4 7/16 × 1 3/4 in.)&lt;br /&gt;
&lt;br /&gt;
Credit Line: Purchase, Edward S. Harkness Gift, 1926&lt;br /&gt;
Rogers Fund, by exchange, 1993&lt;br /&gt;
&lt;br /&gt;
Lent by Musée du Louvre&lt;br /&gt;
Object Number: 26.7.1398a&lt;br /&gt;
&lt;br /&gt;
Curatorial Department: Egyptian Art&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
For many years the fragments of this face were dispersed in various collections, but in 1993 it became possible to reunite the pieces through an exchange with the Petrie Museum, London (the cheek, 1993.27a, b), and a long-term loan from the Musée du Louvre, Paris (the eye, L.1993.21a, b). Part of a red jasper thumb in the collection (26.7.1398b) probably belonged to the same statue.&lt;br /&gt;
&lt;br /&gt;
The original statue was probably what we call a "composite statue" in which the face and other areas of exposed flesh (the hands and feet) were carved from jasper and rest of the statue was carved from Egyptian alabaster, limestone, or wood. Although such statues most frequently come from the the reign of Akhenaten in the Amarna period (ca. 1353-1336 B.C.), this work has been dated to the reign of Akhenaten's grandfather, Thutmose IV, on stylistic grounds.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Text from:  &lt;a href="https://www.metmuseum.org/art/collection/search/548479" target="_blank" rel="nofollow"&gt;www.metmuseum.org/art/collection/search/548479&lt;/a&gt;&lt;/div&gt;</description>
    <media:title>Face from a Composite Statue of a Pharaoh in the Metropolitan Museum of Art, May 2011</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/laurieannie"&gt;LaurieAnnie&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/laurieannie/53270046"&gt;&lt;img src="https://cdn.ipernity.com/200/00/46/53270046.e73f6bac.240.jpg?r2" width="208" height="240" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Title: Fragmentary Head of a King&lt;br /&gt;
&lt;br /&gt;
Period: New Kingdom&lt;br /&gt;
&lt;br /&gt;
Dynasty: Dynasty 18&lt;br /&gt;
&lt;br /&gt;
Reign: reign of Thutmose IV&lt;br /&gt;
&lt;br /&gt;
Date: ca. 1396–1386 BCE&lt;br /&gt;
&lt;br /&gt;
Geography: From Egypt, Upper Egypt, Thebes&lt;br /&gt;
&lt;br /&gt;
Medium: Jasper&lt;br /&gt;
&lt;br /&gt;
Dimensions: fragments combined: H. 13.8 × W. 11.3 × D. 4.4 cm (5 7/16 × 4 7/16 × 1 3/4 in.)&lt;br /&gt;
&lt;br /&gt;
Credit Line: Purchase, Edward S. Harkness Gift, 1926&lt;br /&gt;
Rogers Fund, by exchange, 1993&lt;br /&gt;
&lt;br /&gt;
Lent by Musée du Louvre&lt;br /&gt;
Object Number: 26.7.1398a&lt;br /&gt;
&lt;br /&gt;
Curatorial Department: Egyptian Art&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
For many years the fragments of this face were dispersed in various collections, but in 1993 it became possible to reunite the pieces through an exchange with the Petrie Museum, London (the cheek, 1993.27a, b), and a long-term loan from the Musée du Louvre, Paris (the eye, L.1993.21a, b). Part of a red jasper thumb in the collection (26.7.1398b) probably belonged to the same statue.&lt;br /&gt;
&lt;br /&gt;
The original statue was probably what we call a "composite statue" in which the face and other areas of exposed flesh (the hands and feet) were carved from jasper and rest of the statue was carved from Egyptian alabaster, limestone, or wood. Although such statues most frequently come from the the reign of Akhenaten in the Amarna period (ca. 1353-1336 B.C.), this work has been dated to the reign of Akhenaten's grandfather, Thutmose IV, on stylistic grounds.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Text from:  &lt;a href="https://www.metmuseum.org/art/collection/search/548479" target="_blank" rel="nofollow"&gt;www.metmuseum.org/art/collection/search/548479&lt;/a&gt;&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/200/00/46/53270046.e73f6bac.560.jpg?r2" type="image/jpeg" width="485" height="560" duration="0" isDefault="true"  />
    <media:thumbnail url="https://cdn.ipernity.com/200/00/46/53270046.e73f6bac.240.jpg?r2" width="208" height="240"/>
    <media:thumbnail url="https://cdn.ipernity.com/200/00/46/53270046.e73f6bac.100.jpg?r2" width="87" height="100"/>
    <media:credit role="author">LaurieAnnie</media:credit>
  </item>
  <item>
    <title>Face from a Composite Statue of a Pharaoh in the Metropolitan Museum of Art, May 2011</title>
    <link>https://www.ipernity.com/doc/laurieannie/53270044</link>
    <guid isPermaLink="false">tag:ipernity.com,2025-12-13,doc-53270044</guid>
    <pubDate>Sat, 13 Dec 2025 16:02:35 +0000</pubDate>
    <dc:date.created>2011-05-27T19:33:07-04:00</dc:date.created>
    <author>nobody@ipernity.com (LaurieAnnie)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/laurieannie"&gt;LaurieAnnie&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/laurieannie/53270044"&gt;&lt;img src="https://cdn.ipernity.com/200/00/44/53270044.dd9e66ba.240.jpg?r2" width="221" height="240" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Title: Fragmentary Head of a King&lt;br /&gt;
&lt;br /&gt;
Period: New Kingdom&lt;br /&gt;
&lt;br /&gt;
Dynasty: Dynasty 18&lt;br /&gt;
&lt;br /&gt;
Reign: reign of Thutmose IV&lt;br /&gt;
&lt;br /&gt;
Date: ca. 1396–1386 BCE&lt;br /&gt;
&lt;br /&gt;
Geography: From Egypt, Upper Egypt, Thebes&lt;br /&gt;
&lt;br /&gt;
Medium: Jasper&lt;br /&gt;
&lt;br /&gt;
Dimensions: fragments combined: H. 13.8 × W. 11.3 × D. 4.4 cm (5 7/16 × 4 7/16 × 1 3/4 in.)&lt;br /&gt;
&lt;br /&gt;
Credit Line: Purchase, Edward S. Harkness Gift, 1926&lt;br /&gt;
Rogers Fund, by exchange, 1993&lt;br /&gt;
&lt;br /&gt;
Lent by Musée du Louvre&lt;br /&gt;
Object Number: 26.7.1398a&lt;br /&gt;
&lt;br /&gt;
Curatorial Department: Egyptian Art&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
For many years the fragments of this face were dispersed in various collections, but in 1993 it became possible to reunite the pieces through an exchange with the Petrie Museum, London (the cheek, 1993.27a, b), and a long-term loan from the Musée du Louvre, Paris (the eye, L.1993.21a, b). Part of a red jasper thumb in the collection (26.7.1398b) probably belonged to the same statue.&lt;br /&gt;
&lt;br /&gt;
The original statue was probably what we call a "composite statue" in which the face and other areas of exposed flesh (the hands and feet) were carved from jasper and rest of the statue was carved from Egyptian alabaster, limestone, or wood. Although such statues most frequently come from the the reign of Akhenaten in the Amarna period (ca. 1353-1336 B.C.), this work has been dated to the reign of Akhenaten's grandfather, Thutmose IV, on stylistic grounds.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Text from:  &lt;a href="https://www.metmuseum.org/art/collection/search/548479" target="_blank" rel="nofollow"&gt;www.metmuseum.org/art/collection/search/548479&lt;/a&gt;&lt;/div&gt;</description>
    <media:title>Face from a Composite Statue of a Pharaoh in the Metropolitan Museum of Art, May 2011</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/laurieannie"&gt;LaurieAnnie&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/laurieannie/53270044"&gt;&lt;img src="https://cdn.ipernity.com/200/00/44/53270044.dd9e66ba.240.jpg?r2" width="221" height="240" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Title: Fragmentary Head of a King&lt;br /&gt;
&lt;br /&gt;
Period: New Kingdom&lt;br /&gt;
&lt;br /&gt;
Dynasty: Dynasty 18&lt;br /&gt;
&lt;br /&gt;
Reign: reign of Thutmose IV&lt;br /&gt;
&lt;br /&gt;
Date: ca. 1396–1386 BCE&lt;br /&gt;
&lt;br /&gt;
Geography: From Egypt, Upper Egypt, Thebes&lt;br /&gt;
&lt;br /&gt;
Medium: Jasper&lt;br /&gt;
&lt;br /&gt;
Dimensions: fragments combined: H. 13.8 × W. 11.3 × D. 4.4 cm (5 7/16 × 4 7/16 × 1 3/4 in.)&lt;br /&gt;
&lt;br /&gt;
Credit Line: Purchase, Edward S. Harkness Gift, 1926&lt;br /&gt;
Rogers Fund, by exchange, 1993&lt;br /&gt;
&lt;br /&gt;
Lent by Musée du Louvre&lt;br /&gt;
Object Number: 26.7.1398a&lt;br /&gt;
&lt;br /&gt;
Curatorial Department: Egyptian Art&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
For many years the fragments of this face were dispersed in various collections, but in 1993 it became possible to reunite the pieces through an exchange with the Petrie Museum, London (the cheek, 1993.27a, b), and a long-term loan from the Musée du Louvre, Paris (the eye, L.1993.21a, b). Part of a red jasper thumb in the collection (26.7.1398b) probably belonged to the same statue.&lt;br /&gt;
&lt;br /&gt;
The original statue was probably what we call a "composite statue" in which the face and other areas of exposed flesh (the hands and feet) were carved from jasper and rest of the statue was carved from Egyptian alabaster, limestone, or wood. Although such statues most frequently come from the the reign of Akhenaten in the Amarna period (ca. 1353-1336 B.C.), this work has been dated to the reign of Akhenaten's grandfather, Thutmose IV, on stylistic grounds.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Text from:  &lt;a href="https://www.metmuseum.org/art/collection/search/548479" target="_blank" rel="nofollow"&gt;www.metmuseum.org/art/collection/search/548479&lt;/a&gt;&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/200/00/44/53270044.dd9e66ba.560.jpg?r2" type="image/jpeg" width="514" height="560" duration="0" isDefault="true"  />
    <media:thumbnail url="https://cdn.ipernity.com/200/00/44/53270044.dd9e66ba.240.jpg?r2" width="221" height="240"/>
    <media:thumbnail url="https://cdn.ipernity.com/200/00/44/53270044.dd9e66ba.100.jpg?r2" width="92" height="100"/>
    <media:credit role="author">LaurieAnnie</media:credit>
  </item>
  <item>
    <title>Fachwerk in Wernigerode am Markt</title>
    <link>https://www.ipernity.com/doc/bonsai59/43523000</link>
    <guid isPermaLink="false">tag:ipernity.com,2016-10-28,doc-43523000</guid>
    <pubDate>Fri, 28 Oct 2016 15:20:25 +0000</pubDate>
    <dc:date.created>2011-05-27T13:52:36+02:00</dc:date.created>
    <author>nobody@ipernity.com (bonsai59)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/bonsai59"&gt;bonsai59&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/bonsai59/43523000"&gt;&lt;img src="https://cdn.ipernity.com/200/30/00/43523000.e0b4c686.240.jpg?r2" width="240" height="180" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Der Marktplatz von Wernigerode, eigentlich ein "must see" für den Wernigerode-Besucher. Sehenswert vor allem das Rathaus, der Wohltäterbrunnen und das Fachwerkensemble.&lt;/div&gt;</description>
    <media:title>Fachwerk in Wernigerode am Markt</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/bonsai59"&gt;bonsai59&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/bonsai59/43523000"&gt;&lt;img src="https://cdn.ipernity.com/200/30/00/43523000.e0b4c686.240.jpg?r2" width="240" height="180" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Der Marktplatz von Wernigerode, eigentlich ein "must see" für den Wernigerode-Besucher. Sehenswert vor allem das Rathaus, der Wohltäterbrunnen und das Fachwerkensemble.&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/200/30/00/43523000.c1fdee73.1024.jpg?r2" type="image/jpeg" width="1024" height="768" duration="0" isDefault="true"  />
    <media:thumbnail url="https://cdn.ipernity.com/200/30/00/43523000.e0b4c686.240.jpg?r2" width="240" height="180"/>
    <media:thumbnail url="https://cdn.ipernity.com/200/30/00/43523000.e0b4c686.100.jpg?r2" width="100" height="75"/>
    <media:credit role="author">bonsai59</media:credit>
  </item>
  <item>
    <title>Orang made his own umbrella for the rain</title>
    <link>https://www.ipernity.com/doc/havran/35710805</link>
    <guid isPermaLink="false">tag:ipernity.com,2014-11-01,doc-35710805</guid>
    <pubDate>Sat, 01 Nov 2014 07:03:37 +0000</pubDate>
    <dc:date.created>2014-11-01T11:48:50+05:30</dc:date.created>
    <author>nobody@ipernity.com (m̌ ḫ)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/havran"&gt;m̌ ḫ&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/havran/35710805"&gt;&lt;img src="https://cdn.ipernity.com/146/08/05/35710805.89934549.240.jpg?r2" width="240" height="160" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;&lt;/div&gt;</description>
    <media:title>Orang made his own umbrella for the rain</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/havran"&gt;m̌ ḫ&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/havran/35710805"&gt;&lt;img src="https://cdn.ipernity.com/146/08/05/35710805.89934549.240.jpg?r2" width="240" height="160" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/146/08/05/35710805.2971ed5f.1024.jpg?r2" type="image/jpeg" width="1024" height="679" duration="0" isDefault="true"  />
    <media:thumbnail url="https://cdn.ipernity.com/146/08/05/35710805.89934549.240.jpg?r2" width="240" height="160"/>
    <media:thumbnail url="https://cdn.ipernity.com/146/08/05/35710805.89934549.100.jpg?r2" width="100" height="67"/>
    <media:credit role="author">m̌ ḫ</media:credit>
  </item>
  <item>
    <title>Camels I.</title>
    <link>https://www.ipernity.com/doc/havran/11366832</link>
    <guid isPermaLink="false">tag:ipernity.com,2011-09-05,doc-11366832</guid>
    <pubDate>Mon, 05 Sep 2011 12:54:24 +0000</pubDate>
    <dc:date.created>2011-09-05T20:54:24+08:00</dc:date.created>
    <author>nobody@ipernity.com (m̌ ḫ)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/havran"&gt;m̌ ḫ&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/havran/11366832"&gt;&lt;img src="https://cdn.ipernity.com/120/68/32/11366832.2271a082.240.jpg?r2" width="240" height="159" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;&lt;/div&gt;</description>
    <media:title>Camels I.</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/havran"&gt;m̌ ḫ&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/havran/11366832"&gt;&lt;img src="https://cdn.ipernity.com/120/68/32/11366832.2271a082.240.jpg?r2" width="240" height="159" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/120/68/32/11366832.7e9626a1.1024.jpg?r2" type="image/jpeg" width="1024" height="679" duration="0" isDefault="true"  />
    <media:thumbnail url="https://cdn.ipernity.com/120/68/32/11366832.2271a082.240.jpg?r2" width="240" height="159"/>
    <media:thumbnail url="https://cdn.ipernity.com/120/68/32/11366832.2271a082.100.jpg?r2" width="100" height="67"/>
    <media:credit role="author">m̌ ḫ</media:credit>
  </item>
  <item>
    <title>Camels II. (photographer)</title>
    <link>https://www.ipernity.com/doc/havran/11366830</link>
    <guid isPermaLink="false">tag:ipernity.com,2011-09-05,doc-11366830</guid>
    <pubDate>Mon, 05 Sep 2011 12:53:45 +0000</pubDate>
    <dc:date.created>2011-09-05T20:53:45+08:00</dc:date.created>
    <author>nobody@ipernity.com (m̌ ḫ)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/havran"&gt;m̌ ḫ&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/havran/11366830"&gt;&lt;img src="https://cdn.ipernity.com/120/68/30/11366830.02e8d68f.240.jpg?r2" width="240" height="159" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;&lt;/div&gt;</description>
    <media:title>Camels II. (photographer)</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/havran"&gt;m̌ ḫ&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/havran/11366830"&gt;&lt;img src="https://cdn.ipernity.com/120/68/30/11366830.02e8d68f.240.jpg?r2" width="240" height="159" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/120/68/30/11366830.d509a057.1024.jpg?r2" type="image/jpeg" width="1024" height="679" duration="0" isDefault="true"  />
    <media:thumbnail url="https://cdn.ipernity.com/120/68/30/11366830.02e8d68f.240.jpg?r2" width="240" height="159"/>
    <media:thumbnail url="https://cdn.ipernity.com/120/68/30/11366830.02e8d68f.100.jpg?r2" width="100" height="67"/>
    <media:credit role="author">m̌ ḫ</media:credit>
  </item>
  <item>
    <title>Camels III. (caravan)</title>
    <link>https://www.ipernity.com/doc/havran/11366829</link>
    <guid isPermaLink="false">tag:ipernity.com,2011-09-05,doc-11366829</guid>
    <pubDate>Mon, 05 Sep 2011 12:53:10 +0000</pubDate>
    <dc:date.created>2011-09-05T20:53:10+08:00</dc:date.created>
    <author>nobody@ipernity.com (m̌ ḫ)</author>
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    <title>Bedouins of China</title>
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