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  <title>Photos, videos and docs of Götz Kluge, with the keywords: "42 boxes"</title>
  <link>https://www.ipernity.com/tag/goetzkluge/keyword/2238007</link>
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    <title>Photos, videos and docs of Götz Kluge, with the keywords: "42 boxes"</title>
    <link>https://www.ipernity.com/tag/goetzkluge/keyword/2238007</link>
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  <description></description>
  <pubDate>Tue, 02 Jun 2026 13:12:49 +0000</pubDate>
  <lastBuildDate>Tue, 02 Jun 2026 13:12:49 +0000</lastBuildDate>
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    <title>The Baker&amp;#039;s 42 Boxes and Iconoclasm</title>
    <link>https://www.ipernity.com/doc/goetzkluge/42056550</link>
    <guid isPermaLink="false">tag:ipernity.com,2016-05-30,doc-42056550</guid>
    <pubDate>Mon, 30 May 2016 20:58:39 +0000</pubDate>
    <dc:date.created>2016-05-30T20:41:29+02:00</dc:date.created>
    <author>nobody@ipernity.com (Götz Kluge)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/goetzkluge"&gt;Götz Kluge&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/goetzkluge/42056550"&gt;&lt;img src="https://cdn.ipernity.com/200/65/50/42056550.9739720a.240.jpg?r2" width="240" height="139" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;[left]: Detail from &lt;b&gt;Henry Holiday&lt;/b&gt;'s depiction of the Baker's 42 boxes in an illustration (engraved by Joseph Swain) to Lewis Carroll's &lt;i&gt;&lt;a href="http://www.snrk.de/snarkhunt/#209" target="_blank" rel="nofollow"&gt;The Hunting of the Snark&lt;/a&gt;&lt;/i&gt;.&lt;br /&gt;
&lt;br /&gt;
[right]: &lt;b&gt;Anonymous&lt;/b&gt;: Detail from the painting &lt;i&gt;Edward VI and the Pope, An Allegory of Reformation&lt;/i&gt;, mirrored view (16th century). Iconoclasm depicted in a window-like inset. Under the inset sits Thomas Cranmer (not visible in this detail) who wrote the &lt;a href="http://en.wikipedia.org/wiki/Thirty-Nine_Articles#Forty-Two_Articles_.281552.29" target="_blank" rel="nofollow"&gt;42 Articles&lt;/a&gt; in 1552. In &lt;i&gt;&lt;a href="http://www.thefreelibrary.com/The+King's+Bedpost:+Reformation+and+Iconography+in+a+Tudor+Group...-a020602572" target="_blank" rel="nofollow"&gt;The King's Bedpost: Reformation and Iconography in a Tudor Group Portrait&lt;/a&gt;&lt;/i&gt; (1994, p. 72), the late Margaret Aston compared the iconoclastic scene to prints depicting the destruction of the Tower of Babel (Philip Galle after Maarten van Heemskerck, 1567).&lt;/div&gt;</description>
    <media:title>The Baker&amp;#039;s 42 Boxes and Iconoclasm</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/goetzkluge"&gt;Götz Kluge&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/goetzkluge/42056550"&gt;&lt;img src="https://cdn.ipernity.com/200/65/50/42056550.9739720a.240.jpg?r2" width="240" height="139" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;[left]: Detail from &lt;b&gt;Henry Holiday&lt;/b&gt;'s depiction of the Baker's 42 boxes in an illustration (engraved by Joseph Swain) to Lewis Carroll's &lt;i&gt;&lt;a href="http://www.snrk.de/snarkhunt/#209" target="_blank" rel="nofollow"&gt;The Hunting of the Snark&lt;/a&gt;&lt;/i&gt;.&lt;br /&gt;
&lt;br /&gt;
[right]: &lt;b&gt;Anonymous&lt;/b&gt;: Detail from the painting &lt;i&gt;Edward VI and the Pope, An Allegory of Reformation&lt;/i&gt;, mirrored view (16th century). Iconoclasm depicted in a window-like inset. Under the inset sits Thomas Cranmer (not visible in this detail) who wrote the &lt;a href="http://en.wikipedia.org/wiki/Thirty-Nine_Articles#Forty-Two_Articles_.281552.29" target="_blank" rel="nofollow"&gt;42 Articles&lt;/a&gt; in 1552. In &lt;i&gt;&lt;a href="http://www.thefreelibrary.com/The+King's+Bedpost:+Reformation+and+Iconography+in+a+Tudor+Group...-a020602572" target="_blank" rel="nofollow"&gt;The King's Bedpost: Reformation and Iconography in a Tudor Group Portrait&lt;/a&gt;&lt;/i&gt; (1994, p. 72), the late Margaret Aston compared the iconoclastic scene to prints depicting the destruction of the Tower of Babel (Philip Galle after Maarten van Heemskerck, 1567).&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/200/65/50/42056550.92619a58.1024.jpg?r2" type="image/jpeg" width="1024" height="591" duration="0" isDefault="true"  />
    <media:thumbnail url="https://cdn.ipernity.com/200/65/50/42056550.9739720a.240.jpg?r2" width="240" height="139"/>
    <media:thumbnail url="https://cdn.ipernity.com/200/65/50/42056550.9739720a.100.jpg?r2" width="100" height="58"/>
    <media:credit role="author">Götz Kluge</media:credit>
  </item>
  <item>
    <title>Thomas Cranmer&amp;#039;s Burning</title>
    <link>https://www.ipernity.com/doc/goetzkluge/25302215</link>
    <guid isPermaLink="false">tag:ipernity.com,2013-08-13,doc-25302215</guid>
    <pubDate>Tue, 13 Aug 2013 19:55:21 +0000</pubDate>
    <dc:date.created>2010-04-02T21:55:21+02:00</dc:date.created>
    <author>nobody@ipernity.com (Götz Kluge)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/goetzkluge"&gt;Götz Kluge&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/goetzkluge/25302215"&gt;&lt;img src="https://cdn.ipernity.com/135/22/15/25302215.ab29fa27.240.jpg?r2" width="240" height="182" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;The left picture is a segment from an print which shows the burning of  &lt;a href="http://www.oxforddnb.com/view/printable/6615" target="_blank" rel="nofollow"&gt;Thomas Cranmer&lt;/a&gt;.&lt;br /&gt;
&lt;br /&gt;
The right picture is a +135° rotated detail from Henry Holiday's illustration to the final chapter of Lewis Carroll' s &lt;i&gt;The Hunting of the Snark,&lt;/i&gt;&lt;br /&gt;
&lt;br /&gt;
 &lt;br /&gt;
In "The annotaded ... Snark", Martin Gardner wrote about Henry Holiday's &lt;a href="http://www.snrk.de/snarkhunt/#564" target="_blank" rel="nofollow"&gt;illustration to the last chapter of Carroll's &lt;i&gt;The Hunting of the Snark&lt;/i&gt;&lt;/a&gt;: "Thousands of readers must have glanced at this drawing without noticing (though they may have shivered with subliminal perception) the huge, almost transparent head of the Baker, abject terror on his features, as a giant beak (or is it a claw?) seizes his wrist." &lt;br /&gt;
&lt;br /&gt;
· · · · &lt;a href="http://www.snrk.de/snarkhunt/?newpics=no#021" target="_blank" rel="nofollow"&gt;021&lt;/a&gt; · · There was one who was famed for the number of things&lt;br /&gt;
· · · · 022 · · · · &lt;a href="http://en.wikipedia.org/wiki/Thomas_Cranmer#Trials.2C_recantations.2C_death_.281553.E2.80.931556.29" target="_blank" rel="nofollow"&gt;He forgot&lt;/a&gt; when he entered the ship:&lt;br /&gt;
· · · · 023 · · His umbrella, his watch, all his jewels and rings,&lt;br /&gt;
· · · · 024 · · · · And the clothes he had bought for the trip.&lt;br /&gt;
&lt;br /&gt;
· · · · &lt;a href="http://www.snrk.de/snarkhunt/#025" target="_blank" rel="nofollow"&gt;025&lt;/a&gt; · · He had &lt;a href="http://en.wikipedia.org/wiki/Forty-Two_Articles#Forty-Two_Articles_.281552.29" target="_blank" rel="nofollow"&gt;forty-two boxes&lt;/a&gt;, all carefully packed,&lt;br /&gt;
· · · · 026 · · · · With his name painted clearly on each:&lt;br /&gt;
· · · · 027 · · But, since he omitted to mention the fact,&lt;br /&gt;
· · · · 028 · · · · They were all left behind on the beach.&lt;br /&gt;
&lt;br /&gt;
· · · · 029 · · The loss of his clothes hardly mattered, because&lt;br /&gt;
· · · · 030 · · · · He had &lt;a href="https://www.google.com/search?q=%22seven+ecumenical+councils%22+%22seven+sacraments%22+anglican" target="_blank" rel="nofollow"&gt;seven coats&lt;/a&gt; on when he came,&lt;br /&gt;
· · · · 031 · · With &lt;a href="http://en.wikipedia.org/wiki/Trinity" target="_blank" rel="nofollow"&gt;three pairs of boots&lt;/a&gt;--but the worst of it was,&lt;br /&gt;
· · · · 032 · · · · He had wholly forgotten his name.&lt;br /&gt;
&lt;br /&gt;
· · · · &lt;a href="http://www.snrk.de/snarkhunt/#033" target="_blank" rel="nofollow"&gt;033&lt;/a&gt; · · He would answer to "Hi!" or to any loud cry,&lt;br /&gt;
· · · · 034 · · · · Such as "&lt;b&gt;Fry me!&lt;/b&gt;" or "&lt;b&gt;Fritter my wig!&lt;/b&gt;"&lt;br /&gt;
· · · · 035 · · To "What-you-may-call-um!" or "What-was-his-name!"&lt;br /&gt;
· · · · 036 · · · · But especially "Thing-um-a-jig!"&lt;br /&gt;
&lt;br /&gt;
· · · · 037 · · While, for those who preferred a more forcible word,&lt;br /&gt;
· · · · 038 · · · · He had different names from these:&lt;br /&gt;
· · · · 039 · · &lt;a href="http://www.opensourceshakespeare.org/views/plays/play_view.php?WorkID=henry8&amp;Act=5&amp;Scene=3&amp;Scope=scene&amp;LineHighlight=3259#3259" target="_blank" rel="nofollow"&gt;His intimate friends&lt;/a&gt; called him "&lt;b&gt;Candle-ends&lt;/b&gt;,"&lt;br /&gt;
· · · · 040 · · · · And his enemies "&lt;b&gt;Toasted-cheese&lt;/b&gt;."&lt;br /&gt;
&lt;br /&gt;
· · · · 041 · · "His form is ungainly--his intellect small--"&lt;br /&gt;
· · · · 042 · · · · (So the Bellman would often remark)&lt;br /&gt;
· · · · 043 · · "But his courage is perfect! And that, after all,&lt;br /&gt;
· · · · 044 · · · · Is the thing that one needs with a Snark."&lt;br /&gt;
&lt;br /&gt;
· · · · 045 · · &lt;a href="http://www.netplaces.com/saints/holy-animal-lovers/st-macarius-and-the-hyena.htm" target="_blank" rel="nofollow"&gt;He would joke with hyenas, returning their stare&lt;/a&gt;&lt;br /&gt;
· · · · 046 · · · · With an impudent &lt;a href=""&gt;wag of the head&lt;/a&gt;:&lt;br /&gt;
· · · · 047 · · &lt;a href="http://en.wikipedia.org/wiki/Corbinian#Corbinian.27s_Bear" target="_blank" rel="nofollow"&gt;And he once went a walk, paw-in-paw, with a bear&lt;/a&gt;,&lt;br /&gt;
· · · · 048 · · · · "Just to keep up its spirits," he said.&lt;br /&gt;
&lt;br /&gt;
· · · · 049 · · He came as a Baker: but owned, when too late--&lt;br /&gt;
· · · · 050 · · · · And it drove the poor Bellman half-mad--&lt;br /&gt;
· · · · 051 · · He could only bake Bridecake--for which, I may state,&lt;br /&gt;
· · · · 052 · · · · No materials were to be had.&lt;br /&gt;
&lt;br /&gt;
That is, there were no brides in the crew.&lt;/div&gt;</description>
    <media:title>Thomas Cranmer&amp;#039;s Burning</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/goetzkluge"&gt;Götz Kluge&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/goetzkluge/25302215"&gt;&lt;img src="https://cdn.ipernity.com/135/22/15/25302215.ab29fa27.240.jpg?r2" width="240" height="182" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;The left picture is a segment from an print which shows the burning of  &lt;a href="http://www.oxforddnb.com/view/printable/6615" target="_blank" rel="nofollow"&gt;Thomas Cranmer&lt;/a&gt;.&lt;br /&gt;
&lt;br /&gt;
The right picture is a +135° rotated detail from Henry Holiday's illustration to the final chapter of Lewis Carroll' s &lt;i&gt;The Hunting of the Snark,&lt;/i&gt;&lt;br /&gt;
&lt;br /&gt;
 &lt;br /&gt;
In "The annotaded ... Snark", Martin Gardner wrote about Henry Holiday's &lt;a href="http://www.snrk.de/snarkhunt/#564" target="_blank" rel="nofollow"&gt;illustration to the last chapter of Carroll's &lt;i&gt;The Hunting of the Snark&lt;/i&gt;&lt;/a&gt;: "Thousands of readers must have glanced at this drawing without noticing (though they may have shivered with subliminal perception) the huge, almost transparent head of the Baker, abject terror on his features, as a giant beak (or is it a claw?) seizes his wrist." &lt;br /&gt;
&lt;br /&gt;
· · · · &lt;a href="http://www.snrk.de/snarkhunt/?newpics=no#021" target="_blank" rel="nofollow"&gt;021&lt;/a&gt; · · There was one who was famed for the number of things&lt;br /&gt;
· · · · 022 · · · · &lt;a href="http://en.wikipedia.org/wiki/Thomas_Cranmer#Trials.2C_recantations.2C_death_.281553.E2.80.931556.29" target="_blank" rel="nofollow"&gt;He forgot&lt;/a&gt; when he entered the ship:&lt;br /&gt;
· · · · 023 · · His umbrella, his watch, all his jewels and rings,&lt;br /&gt;
· · · · 024 · · · · And the clothes he had bought for the trip.&lt;br /&gt;
&lt;br /&gt;
· · · · &lt;a href="http://www.snrk.de/snarkhunt/#025" target="_blank" rel="nofollow"&gt;025&lt;/a&gt; · · He had &lt;a href="http://en.wikipedia.org/wiki/Forty-Two_Articles#Forty-Two_Articles_.281552.29" target="_blank" rel="nofollow"&gt;forty-two boxes&lt;/a&gt;, all carefully packed,&lt;br /&gt;
· · · · 026 · · · · With his name painted clearly on each:&lt;br /&gt;
· · · · 027 · · But, since he omitted to mention the fact,&lt;br /&gt;
· · · · 028 · · · · They were all left behind on the beach.&lt;br /&gt;
&lt;br /&gt;
· · · · 029 · · The loss of his clothes hardly mattered, because&lt;br /&gt;
· · · · 030 · · · · He had &lt;a href="https://www.google.com/search?q=%22seven+ecumenical+councils%22+%22seven+sacraments%22+anglican" target="_blank" rel="nofollow"&gt;seven coats&lt;/a&gt; on when he came,&lt;br /&gt;
· · · · 031 · · With &lt;a href="http://en.wikipedia.org/wiki/Trinity" target="_blank" rel="nofollow"&gt;three pairs of boots&lt;/a&gt;--but the worst of it was,&lt;br /&gt;
· · · · 032 · · · · He had wholly forgotten his name.&lt;br /&gt;
&lt;br /&gt;
· · · · &lt;a href="http://www.snrk.de/snarkhunt/#033" target="_blank" rel="nofollow"&gt;033&lt;/a&gt; · · He would answer to "Hi!" or to any loud cry,&lt;br /&gt;
· · · · 034 · · · · Such as "&lt;b&gt;Fry me!&lt;/b&gt;" or "&lt;b&gt;Fritter my wig!&lt;/b&gt;"&lt;br /&gt;
· · · · 035 · · To "What-you-may-call-um!" or "What-was-his-name!"&lt;br /&gt;
· · · · 036 · · · · But especially "Thing-um-a-jig!"&lt;br /&gt;
&lt;br /&gt;
· · · · 037 · · While, for those who preferred a more forcible word,&lt;br /&gt;
· · · · 038 · · · · He had different names from these:&lt;br /&gt;
· · · · 039 · · &lt;a href="http://www.opensourceshakespeare.org/views/plays/play_view.php?WorkID=henry8&amp;Act=5&amp;Scene=3&amp;Scope=scene&amp;LineHighlight=3259#3259" target="_blank" rel="nofollow"&gt;His intimate friends&lt;/a&gt; called him "&lt;b&gt;Candle-ends&lt;/b&gt;,"&lt;br /&gt;
· · · · 040 · · · · And his enemies "&lt;b&gt;Toasted-cheese&lt;/b&gt;."&lt;br /&gt;
&lt;br /&gt;
· · · · 041 · · "His form is ungainly--his intellect small--"&lt;br /&gt;
· · · · 042 · · · · (So the Bellman would often remark)&lt;br /&gt;
· · · · 043 · · "But his courage is perfect! And that, after all,&lt;br /&gt;
· · · · 044 · · · · Is the thing that one needs with a Snark."&lt;br /&gt;
&lt;br /&gt;
· · · · 045 · · &lt;a href="http://www.netplaces.com/saints/holy-animal-lovers/st-macarius-and-the-hyena.htm" target="_blank" rel="nofollow"&gt;He would joke with hyenas, returning their stare&lt;/a&gt;&lt;br /&gt;
· · · · 046 · · · · With an impudent &lt;a href=""&gt;wag of the head&lt;/a&gt;:&lt;br /&gt;
· · · · 047 · · &lt;a href="http://en.wikipedia.org/wiki/Corbinian#Corbinian.27s_Bear" target="_blank" rel="nofollow"&gt;And he once went a walk, paw-in-paw, with a bear&lt;/a&gt;,&lt;br /&gt;
· · · · 048 · · · · "Just to keep up its spirits," he said.&lt;br /&gt;
&lt;br /&gt;
· · · · 049 · · He came as a Baker: but owned, when too late--&lt;br /&gt;
· · · · 050 · · · · And it drove the poor Bellman half-mad--&lt;br /&gt;
· · · · 051 · · He could only bake Bridecake--for which, I may state,&lt;br /&gt;
· · · · 052 · · · · No materials were to be had.&lt;br /&gt;
&lt;br /&gt;
That is, there were no brides in the crew.&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/135/22/15/25302215.ab29fa27.560.jpg?r2" type="image/jpeg" width="560" height="424" duration="0" isDefault="true"  />
    <media:thumbnail url="https://cdn.ipernity.com/135/22/15/25302215.ab29fa27.240.jpg?r2" width="240" height="182"/>
    <media:thumbnail url="https://cdn.ipernity.com/135/22/15/25302215.ab29fa27.100.jpg?r2" width="100" height="76"/>
    <media:credit role="author">Götz Kluge</media:credit>
  </item>
  <item>
    <title>Thomas Cramer&amp;#039;s hand?</title>
    <link>https://www.ipernity.com/doc/goetzkluge/22219471</link>
    <guid isPermaLink="false">tag:ipernity.com,2013-06-23,doc-22219471</guid>
    <pubDate>Sun, 23 Jun 2013 11:44:45 +0000</pubDate>
    <dc:date.created>2013-06-23T11:41:01+02:00</dc:date.created>
    <author>nobody@ipernity.com (Götz Kluge)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/goetzkluge"&gt;Götz Kluge&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/goetzkluge/22219471"&gt;&lt;img src="https://cdn.ipernity.com/131/94/71/22219471.e71d175f.240.jpg?r2" width="120" height="240" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;From an illustration by Henry Holiday to Lewis Carroll's &lt;i&gt;The Hunting of the Snark&lt;/i&gt; (1876). The shown structure could be a fire. Who knows?&lt;/div&gt;</description>
    <media:title>Thomas Cramer&amp;#039;s hand?</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/goetzkluge"&gt;Götz Kluge&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/goetzkluge/22219471"&gt;&lt;img src="https://cdn.ipernity.com/131/94/71/22219471.e71d175f.240.jpg?r2" width="120" height="240" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;From an illustration by Henry Holiday to Lewis Carroll's &lt;i&gt;The Hunting of the Snark&lt;/i&gt; (1876). The shown structure could be a fire. Who knows?&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/131/94/71/22219471.e71d175f.560.jpg?r2" type="image/jpeg" width="279" height="560" duration="0" isDefault="true"  />
    <media:thumbnail url="https://cdn.ipernity.com/131/94/71/22219471.e71d175f.240.jpg?r2" width="120" height="240"/>
    <media:thumbnail url="https://cdn.ipernity.com/131/94/71/22219471.e71d175f.100.jpg?r2" width="50" height="100"/>
    <media:credit role="author">Götz Kluge</media:credit>
  </item>
  <item>
    <title>Thomas Cranmer&amp;#039;s 42 Boxes</title>
    <link>https://www.ipernity.com/doc/goetzkluge/19997983</link>
    <guid isPermaLink="false">tag:ipernity.com,2013-06-23,doc-19997983</guid>
    <pubDate>Sun, 23 Jun 2013 19:21:00 +0000</pubDate>
    <dc:date.created>2013-06-03T23:59:21+02:00</dc:date.created>
    <author>nobody@ipernity.com (Götz Kluge)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/goetzkluge"&gt;Götz Kluge&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/goetzkluge/19997983"&gt;&lt;img src="https://cdn.ipernity.com/128/79/83/19997983.463689eb.240.jpg?r2" width="240" height="240" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;&lt;i&gt;"I personally don't look for secret messages hidden by Carroll in the text; rather, I look at themes and symbols as potential hints as to the sorts of things that were on Carroll's mind at the time."&lt;/i&gt;&lt;br /&gt;
&lt;a href="http://groups.yahoo.com/group/lewiscarroll/message/12472" target="_blank" rel="nofollow"&gt;Darien Graham-Smith&lt;/a&gt;, 2005-10-05&lt;br /&gt;
&lt;br /&gt;
The image:&lt;br /&gt;
&lt;br /&gt;
[B&amp;W]: Upper part of Henry Holiday's illustration (1876) to &lt;i&gt;The Baker's Tale&lt;/i&gt; in Lewis Carroll's &lt;a href="http://www.flickr.com/photos/bonnetmaker/sets/72157621923487911/" target="_blank" rel="nofollow"&gt;&lt;i&gt;The Hunting of the Snark&lt;/i&gt;&lt;/a&gt; depicting some of the Baker's 42 boxes piled up outside the window. In 1552, shortly before the early death of Edward VI, Thoma&lt;b&gt;s Cran&lt;/b&gt;mer wrote down &lt;a href="http://www.davidscottgehring.com/his361/week5.html" target="_blank" rel="nofollow"&gt;42 articles&lt;/a&gt;, a protestant doctrine. In Henry Holiday's depiction of the staple of some of the Baker's 42 boxes piled up outside of the window of the Baker's uncle's room also the number 42 is visible.&lt;br /&gt;
&lt;br /&gt;
[color]: Segment from a painting (c. 1570) by an unknown artist (&lt;a href="http://commons.wikimedia.org/wiki/File:Ed_and_pope.png" target="_blank" rel="nofollow"&gt;commons.wikimedia.org/wiki/File:Ed_and_pope.png&lt;/a&gt;).The segment is displayed in a mirrored view. Thomas Cranmer is located on the right side in the mirrored image. (Among other persons in the painting not shown in this segment: Edward VI, Henry VIII).&lt;br /&gt;
There is a book about this painting where Thomas Cranmer is identified: Margaret Aston, &lt;i&gt;&lt;a href="http://www.thefreelibrary.com/The+King's+Bedpost:+Reformation+and+Iconography+in+a+Tudor+Group...-a020602572" target="_blank" rel="nofollow"&gt;The King's Bedpost: Reformation and Iconography in a Tudor Group Portrait&lt;/a&gt;&lt;/i&gt;, 1994.&lt;br /&gt;
&lt;br /&gt;
·&lt;br /&gt;
&lt;br /&gt;
42 and Thomas Cranmer:&lt;br /&gt;
&lt;br /&gt;
How could the number 42 get into anyone's mind? Douglas Adams made that number &lt;a href="http://en.wikipedia.org/wiki/42_(number)#In_popular_culture" target="_blank" rel="nofollow"&gt;popular&lt;/a&gt; as an answer to everything. (But what was the question?) In &lt;a href="http://www.flickr.com/groups/do-not-panic/" target="_blank" rel="nofollow"&gt;&lt;i&gt;The Hitchhiker's Guide to the Galaxy&lt;/i&gt;&lt;/a&gt; he (similar to many other writers, e.g. Tom Stoppard) challenged his readers with allusions to the works of earlier writers. An earlier writer who had an obvious affinity to the number 42 is known as Lewis Carroll. And, as I learned from &lt;a href="http://groups.yahoo.com/group/lewiscarroll/message/16815" target="_blank" rel="nofollow"&gt;John Tufail&lt;/a&gt;, "before the 39 articles of Faith that Carroll [the Rev. Dodgson] declined to attest to, there were 42 articles [written by Thomas Cranmer]."&lt;br /&gt;
&lt;br /&gt;
Of course, like Adams, Carroll wouldn't give any good reason for his affinity (not only in the &lt;i&gt;Snark&lt;/i&gt;) to the number 42 either, but he surely knew, that "Forty-Two" is an important number in the history of Anglicanism: In the mind of Charles Lutwidge Dodgson (aka Lewis Carroll) the &lt;i&gt;Forty-Two Articles&lt;/i&gt; of &lt;a href="http://groups.yahoo.com/group/TheHuntingOfTheSnark/links/Admin_s_Bookmarks_001263500322/_42__001265846787/" target="_blank" rel="nofollow"&gt;Thomas Cranmer&lt;/a&gt; surely had their place.&lt;br /&gt;
&lt;br /&gt;
· · · · &lt;a href="http://www.snrk.de/snarkhunt/?newpics=no#021" target="_blank" rel="nofollow"&gt;021&lt;/a&gt; · · There was one who was famed for the number of things&lt;br /&gt;
· · · · 022 · · · · &lt;a href="http://en.wikipedia.org/wiki/Thomas_Cranmer#Trials.2C_recantations.2C_death_.281553.E2.80.931556.29" target="_blank" rel="nofollow"&gt;He forgot&lt;/a&gt; when he entered the ship:&lt;br /&gt;
· · · · 023 · · His umbrella, his watch, all his jewels and rings,&lt;br /&gt;
· · · · 024 · · · · And the clothes he had bought for the trip.&lt;br /&gt;
&lt;br /&gt;
· · · · &lt;a href="http://www.snrk.de/snarkhunt/#025" target="_blank" rel="nofollow"&gt;025&lt;/a&gt; · · He had &lt;a href="http://en.wikipedia.org/wiki/Forty-Two_Articles#Forty-Two_Articles_.281552.29" target="_blank" rel="nofollow"&gt;forty-two boxes&lt;/a&gt;, all carefully packed,&lt;br /&gt;
· · · · 026 · · · · With his name painted clearly on each:&lt;br /&gt;
· · · · 027 · · But, since he omitted to mention the fact,&lt;br /&gt;
· · · · 028 · · · · They were all left behind on the beach.&lt;br /&gt;
&lt;br /&gt;
· · · · 029 · · The loss of his clothes hardly mattered, because&lt;br /&gt;
· · · · 030 · · · · He had &lt;a href="https://www.google.com/search?q=%22seven+ecumenical+councils%22+%22seven+sacraments%22+anglican" target="_blank" rel="nofollow"&gt;seven coats&lt;/a&gt; on when he came,&lt;br /&gt;
· · · · 031 · · With &lt;a href="http://en.wikipedia.org/wiki/Trinity" target="_blank" rel="nofollow"&gt;three pairs of boots&lt;/a&gt;--but the worst of it was,&lt;br /&gt;
· · · · 032 · · · · He had wholly forgotten his name.&lt;br /&gt;
&lt;br /&gt;
· · · · &lt;a href="http://www.snrk.de/snarkhunt/#033" target="_blank" rel="nofollow"&gt;033&lt;/a&gt; · · He would answer to "Hi!" or to any loud cry,&lt;br /&gt;
· · · · 034 · · · · Such as "&lt;b&gt;Fry me!&lt;/b&gt;" or "&lt;b&gt;Fritter my wig!&lt;/b&gt;"&lt;br /&gt;
· · · · 035 · · To "What-you-may-call-um!" or "What-was-his-name!"&lt;br /&gt;
· · · · 036 · · · · But especially "Thing-um-a-jig!"&lt;br /&gt;
&lt;br /&gt;
· · · · 037 · · While, for those who preferred a more forcible word,&lt;br /&gt;
· · · · 038 · · · · He had different names from these:&lt;br /&gt;
· · · · 039 · · &lt;a href="http://www.opensourceshakespeare.org/views/plays/play_view.php?WorkID=henry8&amp;Act=5&amp;Scene=3&amp;Scope=scene&amp;LineHighlight=3259#3259" target="_blank" rel="nofollow"&gt;His intimate friends&lt;/a&gt; called him "&lt;b&gt;Candle-ends&lt;/b&gt;,"&lt;br /&gt;
· · · · 040 · · · · And his enemies "&lt;b&gt;Toasted-cheese&lt;/b&gt;."&lt;br /&gt;
&lt;br /&gt;
· · · · 041 · · "His form is ungainly--his intellect small--"&lt;br /&gt;
· · · · 042 · · · · (So the Bellman would often remark)&lt;br /&gt;
· · · · 043 · · "But his courage is perfect! And that, after all,&lt;br /&gt;
· · · · 044 · · · · Is the thing that one needs with a Snark."&lt;br /&gt;
&lt;br /&gt;
· · · · 045 · · &lt;a href="https://www.google.com/search?q=%22macarius%22+%22hyena%22" target="_blank" rel="nofollow"&gt;He would joke with hyenas, returning their stare&lt;/a&gt;&lt;br /&gt;
· · · · 046 · · · · With an impudent &lt;a href="https://www.google.com/search?q=%22macarius%22+%22hyena%22+%22nod%22" target="_blank" rel="nofollow"&gt;wag of the head&lt;/a&gt;:&lt;br /&gt;
· · · · 047 · · &lt;a href="http://en.wikipedia.org/wiki/Corbinian#Corbinian.27s_Bear" target="_blank" rel="nofollow"&gt;And he once went a walk, paw-in-paw, with a bear&lt;/a&gt;,&lt;br /&gt;
· · · · 048 · · · · "Just to keep up its spirits," he said.&lt;br /&gt;
&lt;br /&gt;
· · · · 049 · · He came as a Baker: but owned, when too late--&lt;br /&gt;
· · · · 050 · · · · And it drove the poor Bellman half-mad--&lt;br /&gt;
· · · · 051 · · He could only bake Bridecake--for which, I may state,&lt;br /&gt;
· · · · 052 · · · · No materials were to be had.&lt;br /&gt;
&lt;br /&gt;
·&lt;br /&gt;
&lt;br /&gt;
·&lt;br /&gt;
&lt;br /&gt;
Background:&lt;br /&gt;
&lt;br /&gt;
The &lt;i&gt;Baker&lt;/i&gt; in Lewis Carroll's &lt;i&gt;The Hunting of the Snark&lt;/i&gt; has many features in common with Thomas Cramer. Many of his nick names are associated with heat or &lt;a href="http://www.flickr.com/photos/bonnetmaker/4485138648/" target="_blank" rel="nofollow"&gt;having been burnt&lt;/a&gt; : "Fry me!" or "Fritter my wig!", "Candle-ends" or "Toasted-cheese".&lt;br /&gt;
&lt;br /&gt;
Cranmer later was accused of heresy and had to leave his articles behind him before he heroically recanted his recantations: &lt;em&gt;"On 14 February 1556, he was degraded from his episcopal and sacerdotal offices in preparation for execution. Following his trial, Cranmer was put under intense pressure to recant. Desperately lonely and broken, Cranmer at last signed a series of six recantations, the last of which rejected his entire theological development. Although the more traditional practice was to impose a lesser sentence on recanted heretics, Mary maintained that Cranmer should &lt;strong&gt;burn&lt;/strong&gt;. On 21 March 1556, Cranmer was to recant publicly, using a speech that had been endorsed by the government before suffering his punishment. Instead, he stunned the authorities and the gathered crowd by recanting not his earlier theological positions but the recantations themselves. He then ran to the &lt;strong&gt;stake&lt;/strong&gt; and steadfastly held his right hand, the hand that had signed the recantations, in the &lt;strong&gt;fire&lt;/strong&gt;. His heroic end undid much of the government's planned propaganda against him and his Protestant cause and earned him an honored place in Foxe's catalog of Protestant martyrs."&lt;/em&gt; (&lt;a href="http://encyclopedia.jrank.org/articles/pages/3776/Cranmer-Thomas-1489-1556.html#ixzz0fOrxfcwX" target="_blank" rel="nofollow"&gt;Encyclopedia Britannica, 1911&lt;/a&gt;)&lt;br /&gt;
&lt;br /&gt;
&lt;em&gt;"Mary Tudor suppressed the 42 Articles when she returned England to the Catholic faith; however, Cranmer's work became the source of the 39 Articles which Elizabeth I established as the doctrinal foundations of the Church of England. There are two editions of the 39 Articles: those of 1563 are in Latin and those of 1571 are in English."&lt;/em&gt; (&lt;a href="http://www.victorianweb.org/religion/39articles.html" target="_blank" rel="nofollow"&gt;Victorian Web&lt;/a&gt;)&lt;/div&gt;</description>
    <media:title>Thomas Cranmer&amp;#039;s 42 Boxes</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/goetzkluge"&gt;Götz Kluge&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/goetzkluge/19997983"&gt;&lt;img src="https://cdn.ipernity.com/128/79/83/19997983.463689eb.240.jpg?r2" width="240" height="240" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;&lt;i&gt;"I personally don't look for secret messages hidden by Carroll in the text; rather, I look at themes and symbols as potential hints as to the sorts of things that were on Carroll's mind at the time."&lt;/i&gt;&lt;br /&gt;
&lt;a href="http://groups.yahoo.com/group/lewiscarroll/message/12472" target="_blank" rel="nofollow"&gt;Darien Graham-Smith&lt;/a&gt;, 2005-10-05&lt;br /&gt;
&lt;br /&gt;
The image:&lt;br /&gt;
&lt;br /&gt;
[B&amp;W]: Upper part of Henry Holiday's illustration (1876) to &lt;i&gt;The Baker's Tale&lt;/i&gt; in Lewis Carroll's &lt;a href="http://www.flickr.com/photos/bonnetmaker/sets/72157621923487911/" target="_blank" rel="nofollow"&gt;&lt;i&gt;The Hunting of the Snark&lt;/i&gt;&lt;/a&gt; depicting some of the Baker's 42 boxes piled up outside the window. In 1552, shortly before the early death of Edward VI, Thoma&lt;b&gt;s Cran&lt;/b&gt;mer wrote down &lt;a href="http://www.davidscottgehring.com/his361/week5.html" target="_blank" rel="nofollow"&gt;42 articles&lt;/a&gt;, a protestant doctrine. In Henry Holiday's depiction of the staple of some of the Baker's 42 boxes piled up outside of the window of the Baker's uncle's room also the number 42 is visible.&lt;br /&gt;
&lt;br /&gt;
[color]: Segment from a painting (c. 1570) by an unknown artist (&lt;a href="http://commons.wikimedia.org/wiki/File:Ed_and_pope.png" target="_blank" rel="nofollow"&gt;commons.wikimedia.org/wiki/File:Ed_and_pope.png&lt;/a&gt;).The segment is displayed in a mirrored view. Thomas Cranmer is located on the right side in the mirrored image. (Among other persons in the painting not shown in this segment: Edward VI, Henry VIII).&lt;br /&gt;
There is a book about this painting where Thomas Cranmer is identified: Margaret Aston, &lt;i&gt;&lt;a href="http://www.thefreelibrary.com/The+King's+Bedpost:+Reformation+and+Iconography+in+a+Tudor+Group...-a020602572" target="_blank" rel="nofollow"&gt;The King's Bedpost: Reformation and Iconography in a Tudor Group Portrait&lt;/a&gt;&lt;/i&gt;, 1994.&lt;br /&gt;
&lt;br /&gt;
·&lt;br /&gt;
&lt;br /&gt;
42 and Thomas Cranmer:&lt;br /&gt;
&lt;br /&gt;
How could the number 42 get into anyone's mind? Douglas Adams made that number &lt;a href="http://en.wikipedia.org/wiki/42_(number)#In_popular_culture" target="_blank" rel="nofollow"&gt;popular&lt;/a&gt; as an answer to everything. (But what was the question?) In &lt;a href="http://www.flickr.com/groups/do-not-panic/" target="_blank" rel="nofollow"&gt;&lt;i&gt;The Hitchhiker's Guide to the Galaxy&lt;/i&gt;&lt;/a&gt; he (similar to many other writers, e.g. Tom Stoppard) challenged his readers with allusions to the works of earlier writers. An earlier writer who had an obvious affinity to the number 42 is known as Lewis Carroll. And, as I learned from &lt;a href="http://groups.yahoo.com/group/lewiscarroll/message/16815" target="_blank" rel="nofollow"&gt;John Tufail&lt;/a&gt;, "before the 39 articles of Faith that Carroll [the Rev. Dodgson] declined to attest to, there were 42 articles [written by Thomas Cranmer]."&lt;br /&gt;
&lt;br /&gt;
Of course, like Adams, Carroll wouldn't give any good reason for his affinity (not only in the &lt;i&gt;Snark&lt;/i&gt;) to the number 42 either, but he surely knew, that "Forty-Two" is an important number in the history of Anglicanism: In the mind of Charles Lutwidge Dodgson (aka Lewis Carroll) the &lt;i&gt;Forty-Two Articles&lt;/i&gt; of &lt;a href="http://groups.yahoo.com/group/TheHuntingOfTheSnark/links/Admin_s_Bookmarks_001263500322/_42__001265846787/" target="_blank" rel="nofollow"&gt;Thomas Cranmer&lt;/a&gt; surely had their place.&lt;br /&gt;
&lt;br /&gt;
· · · · &lt;a href="http://www.snrk.de/snarkhunt/?newpics=no#021" target="_blank" rel="nofollow"&gt;021&lt;/a&gt; · · There was one who was famed for the number of things&lt;br /&gt;
· · · · 022 · · · · &lt;a href="http://en.wikipedia.org/wiki/Thomas_Cranmer#Trials.2C_recantations.2C_death_.281553.E2.80.931556.29" target="_blank" rel="nofollow"&gt;He forgot&lt;/a&gt; when he entered the ship:&lt;br /&gt;
· · · · 023 · · His umbrella, his watch, all his jewels and rings,&lt;br /&gt;
· · · · 024 · · · · And the clothes he had bought for the trip.&lt;br /&gt;
&lt;br /&gt;
· · · · &lt;a href="http://www.snrk.de/snarkhunt/#025" target="_blank" rel="nofollow"&gt;025&lt;/a&gt; · · He had &lt;a href="http://en.wikipedia.org/wiki/Forty-Two_Articles#Forty-Two_Articles_.281552.29" target="_blank" rel="nofollow"&gt;forty-two boxes&lt;/a&gt;, all carefully packed,&lt;br /&gt;
· · · · 026 · · · · With his name painted clearly on each:&lt;br /&gt;
· · · · 027 · · But, since he omitted to mention the fact,&lt;br /&gt;
· · · · 028 · · · · They were all left behind on the beach.&lt;br /&gt;
&lt;br /&gt;
· · · · 029 · · The loss of his clothes hardly mattered, because&lt;br /&gt;
· · · · 030 · · · · He had &lt;a href="https://www.google.com/search?q=%22seven+ecumenical+councils%22+%22seven+sacraments%22+anglican" target="_blank" rel="nofollow"&gt;seven coats&lt;/a&gt; on when he came,&lt;br /&gt;
· · · · 031 · · With &lt;a href="http://en.wikipedia.org/wiki/Trinity" target="_blank" rel="nofollow"&gt;three pairs of boots&lt;/a&gt;--but the worst of it was,&lt;br /&gt;
· · · · 032 · · · · He had wholly forgotten his name.&lt;br /&gt;
&lt;br /&gt;
· · · · &lt;a href="http://www.snrk.de/snarkhunt/#033" target="_blank" rel="nofollow"&gt;033&lt;/a&gt; · · He would answer to "Hi!" or to any loud cry,&lt;br /&gt;
· · · · 034 · · · · Such as "&lt;b&gt;Fry me!&lt;/b&gt;" or "&lt;b&gt;Fritter my wig!&lt;/b&gt;"&lt;br /&gt;
· · · · 035 · · To "What-you-may-call-um!" or "What-was-his-name!"&lt;br /&gt;
· · · · 036 · · · · But especially "Thing-um-a-jig!"&lt;br /&gt;
&lt;br /&gt;
· · · · 037 · · While, for those who preferred a more forcible word,&lt;br /&gt;
· · · · 038 · · · · He had different names from these:&lt;br /&gt;
· · · · 039 · · &lt;a href="http://www.opensourceshakespeare.org/views/plays/play_view.php?WorkID=henry8&amp;Act=5&amp;Scene=3&amp;Scope=scene&amp;LineHighlight=3259#3259" target="_blank" rel="nofollow"&gt;His intimate friends&lt;/a&gt; called him "&lt;b&gt;Candle-ends&lt;/b&gt;,"&lt;br /&gt;
· · · · 040 · · · · And his enemies "&lt;b&gt;Toasted-cheese&lt;/b&gt;."&lt;br /&gt;
&lt;br /&gt;
· · · · 041 · · "His form is ungainly--his intellect small--"&lt;br /&gt;
· · · · 042 · · · · (So the Bellman would often remark)&lt;br /&gt;
· · · · 043 · · "But his courage is perfect! And that, after all,&lt;br /&gt;
· · · · 044 · · · · Is the thing that one needs with a Snark."&lt;br /&gt;
&lt;br /&gt;
· · · · 045 · · &lt;a href="https://www.google.com/search?q=%22macarius%22+%22hyena%22" target="_blank" rel="nofollow"&gt;He would joke with hyenas, returning their stare&lt;/a&gt;&lt;br /&gt;
· · · · 046 · · · · With an impudent &lt;a href="https://www.google.com/search?q=%22macarius%22+%22hyena%22+%22nod%22" target="_blank" rel="nofollow"&gt;wag of the head&lt;/a&gt;:&lt;br /&gt;
· · · · 047 · · &lt;a href="http://en.wikipedia.org/wiki/Corbinian#Corbinian.27s_Bear" target="_blank" rel="nofollow"&gt;And he once went a walk, paw-in-paw, with a bear&lt;/a&gt;,&lt;br /&gt;
· · · · 048 · · · · "Just to keep up its spirits," he said.&lt;br /&gt;
&lt;br /&gt;
· · · · 049 · · He came as a Baker: but owned, when too late--&lt;br /&gt;
· · · · 050 · · · · And it drove the poor Bellman half-mad--&lt;br /&gt;
· · · · 051 · · He could only bake Bridecake--for which, I may state,&lt;br /&gt;
· · · · 052 · · · · No materials were to be had.&lt;br /&gt;
&lt;br /&gt;
·&lt;br /&gt;
&lt;br /&gt;
·&lt;br /&gt;
&lt;br /&gt;
Background:&lt;br /&gt;
&lt;br /&gt;
The &lt;i&gt;Baker&lt;/i&gt; in Lewis Carroll's &lt;i&gt;The Hunting of the Snark&lt;/i&gt; has many features in common with Thomas Cramer. Many of his nick names are associated with heat or &lt;a href="http://www.flickr.com/photos/bonnetmaker/4485138648/" target="_blank" rel="nofollow"&gt;having been burnt&lt;/a&gt; : "Fry me!" or "Fritter my wig!", "Candle-ends" or "Toasted-cheese".&lt;br /&gt;
&lt;br /&gt;
Cranmer later was accused of heresy and had to leave his articles behind him before he heroically recanted his recantations: &lt;em&gt;"On 14 February 1556, he was degraded from his episcopal and sacerdotal offices in preparation for execution. Following his trial, Cranmer was put under intense pressure to recant. Desperately lonely and broken, Cranmer at last signed a series of six recantations, the last of which rejected his entire theological development. Although the more traditional practice was to impose a lesser sentence on recanted heretics, Mary maintained that Cranmer should &lt;strong&gt;burn&lt;/strong&gt;. On 21 March 1556, Cranmer was to recant publicly, using a speech that had been endorsed by the government before suffering his punishment. Instead, he stunned the authorities and the gathered crowd by recanting not his earlier theological positions but the recantations themselves. He then ran to the &lt;strong&gt;stake&lt;/strong&gt; and steadfastly held his right hand, the hand that had signed the recantations, in the &lt;strong&gt;fire&lt;/strong&gt;. His heroic end undid much of the government's planned propaganda against him and his Protestant cause and earned him an honored place in Foxe's catalog of Protestant martyrs."&lt;/em&gt; (&lt;a href="http://encyclopedia.jrank.org/articles/pages/3776/Cranmer-Thomas-1489-1556.html#ixzz0fOrxfcwX" target="_blank" rel="nofollow"&gt;Encyclopedia Britannica, 1911&lt;/a&gt;)&lt;br /&gt;
&lt;br /&gt;
&lt;em&gt;"Mary Tudor suppressed the 42 Articles when she returned England to the Catholic faith; however, Cranmer's work became the source of the 39 Articles which Elizabeth I established as the doctrinal foundations of the Church of England. There are two editions of the 39 Articles: those of 1563 are in Latin and those of 1571 are in English."&lt;/em&gt; (&lt;a href="http://www.victorianweb.org/religion/39articles.html" target="_blank" rel="nofollow"&gt;Victorian Web&lt;/a&gt;)&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/128/79/83/19997983.463689eb.560.jpg?r2" type="image/jpeg" width="560" height="560" duration="0" isDefault="true"  />
    <media:thumbnail url="https://cdn.ipernity.com/128/79/83/19997983.463689eb.240.jpg?r2" width="240" height="240"/>
    <media:thumbnail url="https://cdn.ipernity.com/128/79/83/19997983.463689eb.100.jpg?r2" width="100" height="100"/>
    <media:credit role="author">Götz Kluge</media:credit>
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