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    <title>Triptych by the Workshop of Bosch in the Boston Museum of Fine Arts, January 2018</title>
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    <title>Detail of the Triptych by the Workshop of Bosch in the Boston Museum of Fine Arts, January 2018</title>
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    <title>Triptych by the Workshop of Bosch in the Boston Museum of Fine Arts, January 2018</title>
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    <pubDate>Sat, 12 Apr 2025 17:15:00 +0000</pubDate>
    <dc:date.created>2018-01-06T20:22:46-04:00</dc:date.created>
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    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/laurieannie"&gt;LaurieAnnie&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/laurieannie/53028194"&gt;&lt;img src="https://cdn.ipernity.com/200/81/94/53028194.1eeca254.240.jpg?r2" width="240" height="157" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;&lt;/div&gt;</description>
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    <title>Detail of the Triptych by the Workshop of Bosch in the Boston Museum of Fine Arts, January 2018</title>
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    <pubDate>Sat, 12 Apr 2025 17:15:10 +0000</pubDate>
    <dc:date.created>2018-01-06T20:22:56-04:00</dc:date.created>
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    <title>Den Bosch, Sint Jan</title>
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    <pubDate>Thu, 21 Feb 2019 09:22:01 +0000</pubDate>
    <dc:date.created>2017-10-14T10:36:20+01:00</dc:date.created>
    <author>nobody@ipernity.com (Trudy Tuinstra)</author>
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    <title>Den Bosch</title>
    <link>https://www.ipernity.com/doc/trudytuinstra/45786686</link>
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    <pubDate>Sun, 05 Nov 2017 20:38:46 +0000</pubDate>
    <dc:date.created>2017-10-14T12:49:02+01:00</dc:date.created>
    <author>nobody@ipernity.com (Trudy Tuinstra)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/trudytuinstra"&gt;Trudy Tuinstra&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/trudytuinstra/45786686"&gt;&lt;img src="https://cdn.ipernity.com/200/66/86/45786686.275d5ec2.240.jpg?r2" width="240" height="207" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;&lt;/div&gt;</description>
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    <title>Den Bosch</title>
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    <pubDate>Mon, 11 Sep 2017 07:38:04 +0000</pubDate>
    <dc:date.created>2017-08-02T10:38:09+02:00</dc:date.created>
    <author>nobody@ipernity.com (Trudy Tuinstra)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/trudytuinstra"&gt;Trudy Tuinstra&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/trudytuinstra/45484904"&gt;&lt;img src="https://cdn.ipernity.com/200/49/04/45484904.fa8e8c49.240.jpg?r2" width="240" height="161" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;&lt;/div&gt;</description>
    <media:title>Den Bosch</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/trudytuinstra"&gt;Trudy Tuinstra&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/trudytuinstra/45484904"&gt;&lt;img src="https://cdn.ipernity.com/200/49/04/45484904.fa8e8c49.240.jpg?r2" width="240" height="161" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;&lt;/div&gt;</media:text>
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    <title>Scheinwerfer</title>
    <link>https://www.ipernity.com/doc/iljuschin/39385772</link>
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    <pubDate>Sun, 23 Aug 2015 12:27:41 +0000</pubDate>
    <dc:date.created>2015-05-01T12:08:16+02:00</dc:date.created>
    <author>nobody@ipernity.com (Iljuschin)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/iljuschin"&gt;Iljuschin&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/iljuschin/39385772"&gt;&lt;img src="https://cdn.ipernity.com/200/57/72/39385772.cc0323e0.240.jpg?r2" width="240" height="161" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;&lt;/div&gt;</description>
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    <title>Detail of The Adoration of the Magi by Bosch in the Metropolitan Museum of Art, August 2010</title>
    <link>https://www.ipernity.com/doc/laurieannie/37722136</link>
    <guid isPermaLink="false">tag:ipernity.com,2014-11-30,doc-37722136</guid>
    <pubDate>Sun, 30 Nov 2014 18:31:29 +0000</pubDate>
    <dc:date.created>2010-08-01T02:04:11-04:00</dc:date.created>
    <author>nobody@ipernity.com (LaurieAnnie)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/laurieannie"&gt;LaurieAnnie&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/laurieannie/37722136"&gt;&lt;img src="https://cdn.ipernity.com/200/21/36/37722136.10f5c261.240.jpg?r2" width="240" height="234" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;The Adoration of the Magi&lt;br /&gt;
&lt;br /&gt;
Artist: Hieronymus Bosch (Netherlandish, ’s Hertogenbosch ca. 1450–1516 ’s Hertogenbosch)&lt;br /&gt;
&lt;br /&gt;
Date: ca. 1470–75&lt;br /&gt;
&lt;br /&gt;
Medium: Oil and gold on wood&lt;br /&gt;
&lt;br /&gt;
Dimensions: 28 x 22 1/4 in. (71.1 x 56.5 cm)&lt;br /&gt;
&lt;br /&gt;
Classification: Paintings&lt;br /&gt;
&lt;br /&gt;
Credit Line: John Stewart Kennedy Fund, 1913&lt;br /&gt;
&lt;br /&gt;
Accession Number: 13.26&lt;br /&gt;
&lt;br /&gt;
Label:  &lt;br /&gt;
&lt;br /&gt;
Technical examination of numerous works by Hieronymus Bosch has allowed for the reconsideration of his oeuvre. Long thought to be a later pastiche, this panel can now be placed among Bosch's earliest autograph works. The salient features of its underdrawing, the tunnel-like perspective, and certain of the rather wooden figure types with sensitively rendered faces are closely related to other early paintings by the master.&lt;br /&gt;
&lt;br /&gt;
The stage-like setting of the scene with a curtain held aloft by angels might indicate that the composition was influenced by religious plays, which were performed in Bosch’s hometown of ‘s-Hertogenbosch.&lt;br /&gt;
&lt;br /&gt;
Text from:  &lt;a href="http://www.metmuseum.org/collection/the-collection-online/search/435724" target="_blank" rel="nofollow"&gt;www.metmuseum.org/collection/the-collection-online/search/435724&lt;/a&gt;&lt;/div&gt;</description>
    <media:title>Detail of The Adoration of the Magi by Bosch in the Metropolitan Museum of Art, August 2010</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/laurieannie"&gt;LaurieAnnie&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/laurieannie/37722136"&gt;&lt;img src="https://cdn.ipernity.com/200/21/36/37722136.10f5c261.240.jpg?r2" width="240" height="234" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;The Adoration of the Magi&lt;br /&gt;
&lt;br /&gt;
Artist: Hieronymus Bosch (Netherlandish, ’s Hertogenbosch ca. 1450–1516 ’s Hertogenbosch)&lt;br /&gt;
&lt;br /&gt;
Date: ca. 1470–75&lt;br /&gt;
&lt;br /&gt;
Medium: Oil and gold on wood&lt;br /&gt;
&lt;br /&gt;
Dimensions: 28 x 22 1/4 in. (71.1 x 56.5 cm)&lt;br /&gt;
&lt;br /&gt;
Classification: Paintings&lt;br /&gt;
&lt;br /&gt;
Credit Line: John Stewart Kennedy Fund, 1913&lt;br /&gt;
&lt;br /&gt;
Accession Number: 13.26&lt;br /&gt;
&lt;br /&gt;
Label:  &lt;br /&gt;
&lt;br /&gt;
Technical examination of numerous works by Hieronymus Bosch has allowed for the reconsideration of his oeuvre. Long thought to be a later pastiche, this panel can now be placed among Bosch's earliest autograph works. The salient features of its underdrawing, the tunnel-like perspective, and certain of the rather wooden figure types with sensitively rendered faces are closely related to other early paintings by the master.&lt;br /&gt;
&lt;br /&gt;
The stage-like setting of the scene with a curtain held aloft by angels might indicate that the composition was influenced by religious plays, which were performed in Bosch’s hometown of ‘s-Hertogenbosch.&lt;br /&gt;
&lt;br /&gt;
Text from:  &lt;a href="http://www.metmuseum.org/collection/the-collection-online/search/435724" target="_blank" rel="nofollow"&gt;www.metmuseum.org/collection/the-collection-online/search/435724&lt;/a&gt;&lt;/div&gt;</media:text>
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    <media:thumbnail url="https://cdn.ipernity.com/200/21/36/37722136.10f5c261.240.jpg?r2" width="240" height="234"/>
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    <media:credit role="author">LaurieAnnie</media:credit>
  </item>
  <item>
    <title>Detail of The Adoration of the Magi by Bosch in the Metropolitan Museum of Art, August 2010</title>
    <link>https://www.ipernity.com/doc/laurieannie/37722144</link>
    <guid isPermaLink="false">tag:ipernity.com,2014-11-30,doc-37722144</guid>
    <pubDate>Sun, 30 Nov 2014 18:31:33 +0000</pubDate>
    <dc:date.created>2010-08-01T02:04:31-04:00</dc:date.created>
    <author>nobody@ipernity.com (LaurieAnnie)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/laurieannie"&gt;LaurieAnnie&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/laurieannie/37722144"&gt;&lt;img src="https://cdn.ipernity.com/200/21/44/37722144.362676e0.240.jpg?r2" width="218" height="240" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;The Adoration of the Magi&lt;br /&gt;
&lt;br /&gt;
Artist: Hieronymus Bosch (Netherlandish, ’s Hertogenbosch ca. 1450–1516 ’s Hertogenbosch)&lt;br /&gt;
&lt;br /&gt;
Date: ca. 1470–75&lt;br /&gt;
&lt;br /&gt;
Medium: Oil and gold on wood&lt;br /&gt;
&lt;br /&gt;
Dimensions: 28 x 22 1/4 in. (71.1 x 56.5 cm)&lt;br /&gt;
&lt;br /&gt;
Classification: Paintings&lt;br /&gt;
&lt;br /&gt;
Credit Line: John Stewart Kennedy Fund, 1913&lt;br /&gt;
&lt;br /&gt;
Accession Number: 13.26&lt;br /&gt;
&lt;br /&gt;
Label:  &lt;br /&gt;
&lt;br /&gt;
Technical examination of numerous works by Hieronymus Bosch has allowed for the reconsideration of his oeuvre. Long thought to be a later pastiche, this panel can now be placed among Bosch's earliest autograph works. The salient features of its underdrawing, the tunnel-like perspective, and certain of the rather wooden figure types with sensitively rendered faces are closely related to other early paintings by the master.&lt;br /&gt;
&lt;br /&gt;
The stage-like setting of the scene with a curtain held aloft by angels might indicate that the composition was influenced by religious plays, which were performed in Bosch’s hometown of ‘s-Hertogenbosch.&lt;br /&gt;
&lt;br /&gt;
Text from:  &lt;a href="http://www.metmuseum.org/collection/the-collection-online/search/435724" target="_blank" rel="nofollow"&gt;www.metmuseum.org/collection/the-collection-online/search/435724&lt;/a&gt;&lt;/div&gt;</description>
    <media:title>Detail of The Adoration of the Magi by Bosch in the Metropolitan Museum of Art, August 2010</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/laurieannie"&gt;LaurieAnnie&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/laurieannie/37722144"&gt;&lt;img src="https://cdn.ipernity.com/200/21/44/37722144.362676e0.240.jpg?r2" width="218" height="240" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;The Adoration of the Magi&lt;br /&gt;
&lt;br /&gt;
Artist: Hieronymus Bosch (Netherlandish, ’s Hertogenbosch ca. 1450–1516 ’s Hertogenbosch)&lt;br /&gt;
&lt;br /&gt;
Date: ca. 1470–75&lt;br /&gt;
&lt;br /&gt;
Medium: Oil and gold on wood&lt;br /&gt;
&lt;br /&gt;
Dimensions: 28 x 22 1/4 in. (71.1 x 56.5 cm)&lt;br /&gt;
&lt;br /&gt;
Classification: Paintings&lt;br /&gt;
&lt;br /&gt;
Credit Line: John Stewart Kennedy Fund, 1913&lt;br /&gt;
&lt;br /&gt;
Accession Number: 13.26&lt;br /&gt;
&lt;br /&gt;
Label:  &lt;br /&gt;
&lt;br /&gt;
Technical examination of numerous works by Hieronymus Bosch has allowed for the reconsideration of his oeuvre. Long thought to be a later pastiche, this panel can now be placed among Bosch's earliest autograph works. The salient features of its underdrawing, the tunnel-like perspective, and certain of the rather wooden figure types with sensitively rendered faces are closely related to other early paintings by the master.&lt;br /&gt;
&lt;br /&gt;
The stage-like setting of the scene with a curtain held aloft by angels might indicate that the composition was influenced by religious plays, which were performed in Bosch’s hometown of ‘s-Hertogenbosch.&lt;br /&gt;
&lt;br /&gt;
Text from:  &lt;a href="http://www.metmuseum.org/collection/the-collection-online/search/435724" target="_blank" rel="nofollow"&gt;www.metmuseum.org/collection/the-collection-online/search/435724&lt;/a&gt;&lt;/div&gt;</media:text>
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    <media:thumbnail url="https://cdn.ipernity.com/200/21/44/37722144.362676e0.240.jpg?r2" width="218" height="240"/>
    <media:thumbnail url="https://cdn.ipernity.com/200/21/44/37722144.362676e0.100.jpg?r2" width="91" height="100"/>
    <media:credit role="author">LaurieAnnie</media:credit>
  </item>
  <item>
    <title>The Adoration of the Magi by Bosch in the Metropolitan Museum of Art, August 2010</title>
    <link>https://www.ipernity.com/doc/laurieannie/37722146</link>
    <guid isPermaLink="false">tag:ipernity.com,2014-11-30,doc-37722146</guid>
    <pubDate>Sun, 30 Nov 2014 18:31:05 +0000</pubDate>
    <dc:date.created>2010-08-01T02:03:56-04:00</dc:date.created>
    <author>nobody@ipernity.com (LaurieAnnie)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/laurieannie"&gt;LaurieAnnie&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/laurieannie/37722146"&gt;&lt;img src="https://cdn.ipernity.com/200/21/46/37722146.72f8b5f0.240.jpg?r2" width="201" height="240" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;The Adoration of the Magi&lt;br /&gt;
&lt;br /&gt;
Artist: Hieronymus Bosch (Netherlandish, ’s Hertogenbosch ca. 1450–1516 ’s Hertogenbosch)&lt;br /&gt;
&lt;br /&gt;
Date: ca. 1470–75&lt;br /&gt;
&lt;br /&gt;
Medium: Oil and gold on wood&lt;br /&gt;
&lt;br /&gt;
Dimensions: 28 x 22 1/4 in. (71.1 x 56.5 cm)&lt;br /&gt;
&lt;br /&gt;
Classification: Paintings&lt;br /&gt;
&lt;br /&gt;
Credit Line: John Stewart Kennedy Fund, 1913&lt;br /&gt;
&lt;br /&gt;
Accession Number: 13.26&lt;br /&gt;
&lt;br /&gt;
Label:  &lt;br /&gt;
&lt;br /&gt;
Technical examination of numerous works by Hieronymus Bosch has allowed for the reconsideration of his oeuvre. Long thought to be a later pastiche, this panel can now be placed among Bosch's earliest autograph works. The salient features of its underdrawing, the tunnel-like perspective, and certain of the rather wooden figure types with sensitively rendered faces are closely related to other early paintings by the master.&lt;br /&gt;
&lt;br /&gt;
The stage-like setting of the scene with a curtain held aloft by angels might indicate that the composition was influenced by religious plays, which were performed in Bosch’s hometown of ‘s-Hertogenbosch.&lt;br /&gt;
&lt;br /&gt;
Text from:  &lt;a href="http://www.metmuseum.org/collection/the-collection-online/search/435724" target="_blank" rel="nofollow"&gt;www.metmuseum.org/collection/the-collection-online/search/435724&lt;/a&gt;&lt;/div&gt;</description>
    <media:title>The Adoration of the Magi by Bosch in the Metropolitan Museum of Art, August 2010</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/laurieannie"&gt;LaurieAnnie&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/laurieannie/37722146"&gt;&lt;img src="https://cdn.ipernity.com/200/21/46/37722146.72f8b5f0.240.jpg?r2" width="201" height="240" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;The Adoration of the Magi&lt;br /&gt;
&lt;br /&gt;
Artist: Hieronymus Bosch (Netherlandish, ’s Hertogenbosch ca. 1450–1516 ’s Hertogenbosch)&lt;br /&gt;
&lt;br /&gt;
Date: ca. 1470–75&lt;br /&gt;
&lt;br /&gt;
Medium: Oil and gold on wood&lt;br /&gt;
&lt;br /&gt;
Dimensions: 28 x 22 1/4 in. (71.1 x 56.5 cm)&lt;br /&gt;
&lt;br /&gt;
Classification: Paintings&lt;br /&gt;
&lt;br /&gt;
Credit Line: John Stewart Kennedy Fund, 1913&lt;br /&gt;
&lt;br /&gt;
Accession Number: 13.26&lt;br /&gt;
&lt;br /&gt;
Label:  &lt;br /&gt;
&lt;br /&gt;
Technical examination of numerous works by Hieronymus Bosch has allowed for the reconsideration of his oeuvre. Long thought to be a later pastiche, this panel can now be placed among Bosch's earliest autograph works. The salient features of its underdrawing, the tunnel-like perspective, and certain of the rather wooden figure types with sensitively rendered faces are closely related to other early paintings by the master.&lt;br /&gt;
&lt;br /&gt;
The stage-like setting of the scene with a curtain held aloft by angels might indicate that the composition was influenced by religious plays, which were performed in Bosch’s hometown of ‘s-Hertogenbosch.&lt;br /&gt;
&lt;br /&gt;
Text from:  &lt;a href="http://www.metmuseum.org/collection/the-collection-online/search/435724" target="_blank" rel="nofollow"&gt;www.metmuseum.org/collection/the-collection-online/search/435724&lt;/a&gt;&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/200/21/46/37722146.72f8b5f0.560.jpg?r2" type="image/jpeg" width="469" height="560" duration="0" isDefault="true"  />
    <media:thumbnail url="https://cdn.ipernity.com/200/21/46/37722146.72f8b5f0.240.jpg?r2" width="201" height="240"/>
    <media:thumbnail url="https://cdn.ipernity.com/200/21/46/37722146.72f8b5f0.100.jpg?r2" width="84" height="100"/>
    <media:credit role="author">LaurieAnnie</media:credit>
  </item>
  <item>
    <title>Detail of The Adoration of the Magi by Bosch in the Metropolitan Museum of Art, August 2010</title>
    <link>https://www.ipernity.com/doc/laurieannie/37722140</link>
    <guid isPermaLink="false">tag:ipernity.com,2014-11-30,doc-37722140</guid>
    <pubDate>Sun, 30 Nov 2014 18:31:31 +0000</pubDate>
    <dc:date.created>2010-08-01T02:04:26-04:00</dc:date.created>
    <author>nobody@ipernity.com (LaurieAnnie)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/laurieannie"&gt;LaurieAnnie&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/laurieannie/37722140"&gt;&lt;img src="https://cdn.ipernity.com/200/21/40/37722140.e1c0439f.240.jpg?r2" width="169" height="240" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;The Adoration of the Magi&lt;br /&gt;
&lt;br /&gt;
Artist: Hieronymus Bosch (Netherlandish, ’s Hertogenbosch ca. 1450–1516 ’s Hertogenbosch)&lt;br /&gt;
&lt;br /&gt;
Date: ca. 1470–75&lt;br /&gt;
&lt;br /&gt;
Medium: Oil and gold on wood&lt;br /&gt;
&lt;br /&gt;
Dimensions: 28 x 22 1/4 in. (71.1 x 56.5 cm)&lt;br /&gt;
&lt;br /&gt;
Classification: Paintings&lt;br /&gt;
&lt;br /&gt;
Credit Line: John Stewart Kennedy Fund, 1913&lt;br /&gt;
&lt;br /&gt;
Accession Number: 13.26&lt;br /&gt;
&lt;br /&gt;
Label:  &lt;br /&gt;
&lt;br /&gt;
Technical examination of numerous works by Hieronymus Bosch has allowed for the reconsideration of his oeuvre. Long thought to be a later pastiche, this panel can now be placed among Bosch's earliest autograph works. The salient features of its underdrawing, the tunnel-like perspective, and certain of the rather wooden figure types with sensitively rendered faces are closely related to other early paintings by the master.&lt;br /&gt;
&lt;br /&gt;
The stage-like setting of the scene with a curtain held aloft by angels might indicate that the composition was influenced by religious plays, which were performed in Bosch’s hometown of ‘s-Hertogenbosch.&lt;br /&gt;
&lt;br /&gt;
Text from:  &lt;a href="http://www.metmuseum.org/collection/the-collection-online/search/435724" target="_blank" rel="nofollow"&gt;www.metmuseum.org/collection/the-collection-online/search/435724&lt;/a&gt;&lt;/div&gt;</description>
    <media:title>Detail of The Adoration of the Magi by Bosch in the Metropolitan Museum of Art, August 2010</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/laurieannie"&gt;LaurieAnnie&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/laurieannie/37722140"&gt;&lt;img src="https://cdn.ipernity.com/200/21/40/37722140.e1c0439f.240.jpg?r2" width="169" height="240" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;The Adoration of the Magi&lt;br /&gt;
&lt;br /&gt;
Artist: Hieronymus Bosch (Netherlandish, ’s Hertogenbosch ca. 1450–1516 ’s Hertogenbosch)&lt;br /&gt;
&lt;br /&gt;
Date: ca. 1470–75&lt;br /&gt;
&lt;br /&gt;
Medium: Oil and gold on wood&lt;br /&gt;
&lt;br /&gt;
Dimensions: 28 x 22 1/4 in. (71.1 x 56.5 cm)&lt;br /&gt;
&lt;br /&gt;
Classification: Paintings&lt;br /&gt;
&lt;br /&gt;
Credit Line: John Stewart Kennedy Fund, 1913&lt;br /&gt;
&lt;br /&gt;
Accession Number: 13.26&lt;br /&gt;
&lt;br /&gt;
Label:  &lt;br /&gt;
&lt;br /&gt;
Technical examination of numerous works by Hieronymus Bosch has allowed for the reconsideration of his oeuvre. Long thought to be a later pastiche, this panel can now be placed among Bosch's earliest autograph works. The salient features of its underdrawing, the tunnel-like perspective, and certain of the rather wooden figure types with sensitively rendered faces are closely related to other early paintings by the master.&lt;br /&gt;
&lt;br /&gt;
The stage-like setting of the scene with a curtain held aloft by angels might indicate that the composition was influenced by religious plays, which were performed in Bosch’s hometown of ‘s-Hertogenbosch.&lt;br /&gt;
&lt;br /&gt;
Text from:  &lt;a href="http://www.metmuseum.org/collection/the-collection-online/search/435724" target="_blank" rel="nofollow"&gt;www.metmuseum.org/collection/the-collection-online/search/435724&lt;/a&gt;&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/200/21/40/37722140.e1c0439f.560.jpg?r2" type="image/jpeg" width="393" height="560" duration="0" isDefault="true"  />
    <media:thumbnail url="https://cdn.ipernity.com/200/21/40/37722140.e1c0439f.240.jpg?r2" width="169" height="240"/>
    <media:thumbnail url="https://cdn.ipernity.com/200/21/40/37722140.e1c0439f.100.jpg?r2" width="71" height="100"/>
    <media:credit role="author">LaurieAnnie</media:credit>
  </item>
  <item>
    <title>Detail of The Adoration of the Magi by Bosch in the Metropolitan Museum of Art, August 2010</title>
    <link>https://www.ipernity.com/doc/laurieannie/37722134</link>
    <guid isPermaLink="false">tag:ipernity.com,2014-11-30,doc-37722134</guid>
    <pubDate>Sun, 30 Nov 2014 18:31:27 +0000</pubDate>
    <dc:date.created>2010-08-01T02:04:03-04:00</dc:date.created>
    <author>nobody@ipernity.com (LaurieAnnie)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/laurieannie"&gt;LaurieAnnie&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/laurieannie/37722134"&gt;&lt;img src="https://cdn.ipernity.com/200/21/34/37722134.b6bc59c3.240.jpg?r2" width="240" height="193" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;The Adoration of the Magi&lt;br /&gt;
&lt;br /&gt;
Artist: Hieronymus Bosch (Netherlandish, ’s Hertogenbosch ca. 1450–1516 ’s Hertogenbosch)&lt;br /&gt;
&lt;br /&gt;
Date: ca. 1470–75&lt;br /&gt;
&lt;br /&gt;
Medium: Oil and gold on wood&lt;br /&gt;
&lt;br /&gt;
Dimensions: 28 x 22 1/4 in. (71.1 x 56.5 cm)&lt;br /&gt;
&lt;br /&gt;
Classification: Paintings&lt;br /&gt;
&lt;br /&gt;
Credit Line: John Stewart Kennedy Fund, 1913&lt;br /&gt;
&lt;br /&gt;
Accession Number: 13.26&lt;br /&gt;
&lt;br /&gt;
Label:  &lt;br /&gt;
&lt;br /&gt;
Technical examination of numerous works by Hieronymus Bosch has allowed for the reconsideration of his oeuvre. Long thought to be a later pastiche, this panel can now be placed among Bosch's earliest autograph works. The salient features of its underdrawing, the tunnel-like perspective, and certain of the rather wooden figure types with sensitively rendered faces are closely related to other early paintings by the master.&lt;br /&gt;
&lt;br /&gt;
The stage-like setting of the scene with a curtain held aloft by angels might indicate that the composition was influenced by religious plays, which were performed in Bosch’s hometown of ‘s-Hertogenbosch.&lt;br /&gt;
&lt;br /&gt;
Text from:  &lt;a href="http://www.metmuseum.org/collection/the-collection-online/search/435724" target="_blank" rel="nofollow"&gt;www.metmuseum.org/collection/the-collection-online/search/435724&lt;/a&gt;&lt;/div&gt;</description>
    <media:title>Detail of The Adoration of the Magi by Bosch in the Metropolitan Museum of Art, August 2010</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/laurieannie"&gt;LaurieAnnie&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/laurieannie/37722134"&gt;&lt;img src="https://cdn.ipernity.com/200/21/34/37722134.b6bc59c3.240.jpg?r2" width="240" height="193" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;The Adoration of the Magi&lt;br /&gt;
&lt;br /&gt;
Artist: Hieronymus Bosch (Netherlandish, ’s Hertogenbosch ca. 1450–1516 ’s Hertogenbosch)&lt;br /&gt;
&lt;br /&gt;
Date: ca. 1470–75&lt;br /&gt;
&lt;br /&gt;
Medium: Oil and gold on wood&lt;br /&gt;
&lt;br /&gt;
Dimensions: 28 x 22 1/4 in. (71.1 x 56.5 cm)&lt;br /&gt;
&lt;br /&gt;
Classification: Paintings&lt;br /&gt;
&lt;br /&gt;
Credit Line: John Stewart Kennedy Fund, 1913&lt;br /&gt;
&lt;br /&gt;
Accession Number: 13.26&lt;br /&gt;
&lt;br /&gt;
Label:  &lt;br /&gt;
&lt;br /&gt;
Technical examination of numerous works by Hieronymus Bosch has allowed for the reconsideration of his oeuvre. Long thought to be a later pastiche, this panel can now be placed among Bosch's earliest autograph works. The salient features of its underdrawing, the tunnel-like perspective, and certain of the rather wooden figure types with sensitively rendered faces are closely related to other early paintings by the master.&lt;br /&gt;
&lt;br /&gt;
The stage-like setting of the scene with a curtain held aloft by angels might indicate that the composition was influenced by religious plays, which were performed in Bosch’s hometown of ‘s-Hertogenbosch.&lt;br /&gt;
&lt;br /&gt;
Text from:  &lt;a href="http://www.metmuseum.org/collection/the-collection-online/search/435724" target="_blank" rel="nofollow"&gt;www.metmuseum.org/collection/the-collection-online/search/435724&lt;/a&gt;&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/200/21/34/37722134.b6bc59c3.560.jpg?r2" type="image/jpeg" width="560" height="451" duration="0" isDefault="true"  />
    <media:thumbnail url="https://cdn.ipernity.com/200/21/34/37722134.b6bc59c3.240.jpg?r2" width="240" height="193"/>
    <media:thumbnail url="https://cdn.ipernity.com/200/21/34/37722134.b6bc59c3.100.jpg?r2" width="100" height="81"/>
    <media:credit role="author">LaurieAnnie</media:credit>
  </item>
  <item>
    <title>Detail of The Adoration of the Magi by Bosch in the Metropolitan Museum of Art, August 2010</title>
    <link>https://www.ipernity.com/doc/laurieannie/37722132</link>
    <guid isPermaLink="false">tag:ipernity.com,2014-11-30,doc-37722132</guid>
    <pubDate>Sun, 30 Nov 2014 18:31:24 +0000</pubDate>
    <dc:date.created>2010-08-01T02:04:44-04:00</dc:date.created>
    <author>nobody@ipernity.com (LaurieAnnie)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/laurieannie"&gt;LaurieAnnie&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/laurieannie/37722132"&gt;&lt;img src="https://cdn.ipernity.com/200/21/32/37722132.db5a077b.240.jpg?r2" width="240" height="212" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;The Adoration of the Magi&lt;br /&gt;
&lt;br /&gt;
Artist: Hieronymus Bosch (Netherlandish, ’s Hertogenbosch ca. 1450–1516 ’s Hertogenbosch)&lt;br /&gt;
&lt;br /&gt;
Date: ca. 1470–75&lt;br /&gt;
&lt;br /&gt;
Medium: Oil and gold on wood&lt;br /&gt;
&lt;br /&gt;
Dimensions: 28 x 22 1/4 in. (71.1 x 56.5 cm)&lt;br /&gt;
&lt;br /&gt;
Classification: Paintings&lt;br /&gt;
&lt;br /&gt;
Credit Line: John Stewart Kennedy Fund, 1913&lt;br /&gt;
&lt;br /&gt;
Accession Number: 13.26&lt;br /&gt;
&lt;br /&gt;
Label:  &lt;br /&gt;
&lt;br /&gt;
Technical examination of numerous works by Hieronymus Bosch has allowed for the reconsideration of his oeuvre. Long thought to be a later pastiche, this panel can now be placed among Bosch's earliest autograph works. The salient features of its underdrawing, the tunnel-like perspective, and certain of the rather wooden figure types with sensitively rendered faces are closely related to other early paintings by the master.&lt;br /&gt;
&lt;br /&gt;
The stage-like setting of the scene with a curtain held aloft by angels might indicate that the composition was influenced by religious plays, which were performed in Bosch’s hometown of ‘s-Hertogenbosch.&lt;br /&gt;
&lt;br /&gt;
Text from:  &lt;a href="http://www.metmuseum.org/collection/the-collection-online/search/435724" target="_blank" rel="nofollow"&gt;www.metmuseum.org/collection/the-collection-online/search/435724&lt;/a&gt;&lt;/div&gt;</description>
    <media:title>Detail of The Adoration of the Magi by Bosch in the Metropolitan Museum of Art, August 2010</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/laurieannie"&gt;LaurieAnnie&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/laurieannie/37722132"&gt;&lt;img src="https://cdn.ipernity.com/200/21/32/37722132.db5a077b.240.jpg?r2" width="240" height="212" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;The Adoration of the Magi&lt;br /&gt;
&lt;br /&gt;
Artist: Hieronymus Bosch (Netherlandish, ’s Hertogenbosch ca. 1450–1516 ’s Hertogenbosch)&lt;br /&gt;
&lt;br /&gt;
Date: ca. 1470–75&lt;br /&gt;
&lt;br /&gt;
Medium: Oil and gold on wood&lt;br /&gt;
&lt;br /&gt;
Dimensions: 28 x 22 1/4 in. (71.1 x 56.5 cm)&lt;br /&gt;
&lt;br /&gt;
Classification: Paintings&lt;br /&gt;
&lt;br /&gt;
Credit Line: John Stewart Kennedy Fund, 1913&lt;br /&gt;
&lt;br /&gt;
Accession Number: 13.26&lt;br /&gt;
&lt;br /&gt;
Label:  &lt;br /&gt;
&lt;br /&gt;
Technical examination of numerous works by Hieronymus Bosch has allowed for the reconsideration of his oeuvre. Long thought to be a later pastiche, this panel can now be placed among Bosch's earliest autograph works. The salient features of its underdrawing, the tunnel-like perspective, and certain of the rather wooden figure types with sensitively rendered faces are closely related to other early paintings by the master.&lt;br /&gt;
&lt;br /&gt;
The stage-like setting of the scene with a curtain held aloft by angels might indicate that the composition was influenced by religious plays, which were performed in Bosch’s hometown of ‘s-Hertogenbosch.&lt;br /&gt;
&lt;br /&gt;
Text from:  &lt;a href="http://www.metmuseum.org/collection/the-collection-online/search/435724" target="_blank" rel="nofollow"&gt;www.metmuseum.org/collection/the-collection-online/search/435724&lt;/a&gt;&lt;/div&gt;</media:text>
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    <media:thumbnail url="https://cdn.ipernity.com/200/21/32/37722132.db5a077b.240.jpg?r2" width="240" height="212"/>
    <media:thumbnail url="https://cdn.ipernity.com/200/21/32/37722132.db5a077b.100.jpg?r2" width="100" height="89"/>
    <media:credit role="author">LaurieAnnie</media:credit>
  </item>
  <item>
    <title>TechnoClassica 2014 041</title>
    <link>https://www.ipernity.com/doc/319255/31519081</link>
    <guid isPermaLink="false">tag:ipernity.com,2014-03-30,doc-31519081</guid>
    <pubDate>Sun, 30 Mar 2014 14:41:18 +0000</pubDate>
    <dc:date.created>2014-03-30T16:41:18+02:00</dc:date.created>
    <author>nobody@ipernity.com (Martin Korth)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/319255"&gt;Martin Korth&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/319255/31519081"&gt;&lt;img src="https://cdn.ipernity.com/141/90/81/31519081.0879e1fa.240.jpg?r2" width="240" height="160" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;VW Doppelkabine Bosch&lt;br /&gt;
Techno Classica 2014&lt;/div&gt;</description>
    <media:title>TechnoClassica 2014 041</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/319255"&gt;Martin Korth&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/319255/31519081"&gt;&lt;img src="https://cdn.ipernity.com/141/90/81/31519081.0879e1fa.240.jpg?r2" width="240" height="160" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;VW Doppelkabine Bosch&lt;br /&gt;
Techno Classica 2014&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/141/90/81/31519081.bc6909b0.1024.jpg?r2" type="image/jpeg" width="1024" height="683" duration="0" isDefault="true"  />
    <media:thumbnail url="https://cdn.ipernity.com/141/90/81/31519081.0879e1fa.240.jpg?r2" width="240" height="160"/>
    <media:thumbnail url="https://cdn.ipernity.com/141/90/81/31519081.0879e1fa.100.jpg?r2" width="100" height="67"/>
    <media:credit role="author">Martin Korth</media:credit>
  </item>
  <item>
    <title>1964 Volvo PV544 &amp; 1962 Volvo PV544C</title>
    <link>https://www.ipernity.com/doc/288839/16934335</link>
    <guid isPermaLink="false">tag:ipernity.com,2006-06-06,doc-16934335</guid>
    <pubDate>Tue, 06 Jun 2006 07:02:41 +0000</pubDate>
    <dc:date.created>2006-06-05T19:16:51+02:00</dc:date.created>
    <author>nobody@ipernity.com (Michiel 2005)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/288839"&gt;Michiel 2005&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/288839/16934335"&gt;&lt;img src="https://cdn.ipernity.com/126/43/35/16934335.4e2173ab.240.jpg?r2" width="240" height="160" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;I stumbled across a classic car rallye.&lt;/div&gt;</description>
    <media:title>1964 Volvo PV544 &amp; 1962 Volvo PV544C</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/288839"&gt;Michiel 2005&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/288839/16934335"&gt;&lt;img src="https://cdn.ipernity.com/126/43/35/16934335.4e2173ab.240.jpg?r2" width="240" height="160" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;I stumbled across a classic car rallye.&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/126/43/35/16934335.4e2173ab.560.jpg?r2" type="image/jpeg" width="560" height="373" duration="0" isDefault="true"  />
    <media:thumbnail url="https://cdn.ipernity.com/126/43/35/16934335.4e2173ab.240.jpg?r2" width="240" height="160"/>
    <media:thumbnail url="https://cdn.ipernity.com/126/43/35/16934335.4e2173ab.100.jpg?r2" width="100" height="67"/>
    <media:credit role="author">Michiel 2005</media:credit>
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