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    <title>Marble Portrait of a Woman in the Boston Museum of Fine Arts, January 2018</title>
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    <title>Relief of Nofer from Giza in the Boston Museum of Fine Arts, January 2018</title>
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    <pubDate>Thu, 22 Jan 2026 17:45:45 +0000</pubDate>
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    <title>Relief of Nofer from Giza in the Boston Museum of Fine Arts, January 2018</title>
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    <title>Ravine by Van Gogh in the Boston Museum of Fine Arts, January 2018</title>
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    <author>nobody@ipernity.com (LaurieAnnie)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/laurieannie"&gt;LaurieAnnie&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/laurieannie/53448774"&gt;&lt;img src="https://cdn.ipernity.com/200/87/74/53448774.905f05d6.240.jpg?r2" width="240" height="200" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Ravine&lt;br /&gt;
1889&lt;br /&gt;
Vincent van Gogh, Dutch (worked in France), 1853–1890&lt;br /&gt;
&lt;br /&gt;
Dimensions:  73 x 91.7 cm (28 3/4 x 36 1/8 in.)&lt;br /&gt;
&lt;br /&gt;
Medium or Technique:  Oil on canvas&lt;br /&gt;
&lt;br /&gt;
Classification: Paintings &lt;br /&gt;
Type:  Landscape&lt;br /&gt;
&lt;br /&gt;
Catalogue Raisonné:  F662&lt;br /&gt;
&lt;br /&gt;
Accession Number:  52.1524&lt;br /&gt;
&lt;br /&gt;
In June 1889, shortly after his arrival at an asylum in the southern French town of Saint-Rémy, van Gogh painted a riotous study of a flowering hillside. He sent a pen-and-ink copy of the painting to his brother in early July. Months later, in October, the artist found himself without fresh canvas on which to paint and decided to sacrifice the study of wild vegetation to paint this view of the mountainous ravine near the asylum. Recent collaborative research by ...conservators and curators has revealed the presence of the lost painting beneath the Boston canvas. For more on this discovery, see: &lt;a href="http://www.mfa.org/dynamic/sub/ctr_link_url_5023.pdf" target="_blank" rel="nofollow"&gt;www.mfa.org/dynamic/sub/ctr_link_url_5023.pdf&lt;/a&gt;. &lt;br /&gt;
&lt;br /&gt;
Text from:  &lt;a href="http://www.mfa.org/collections/object/ravine-33491" target="_blank" rel="nofollow"&gt;www.mfa.org/collections/object/ravine-33491&lt;/a&gt;&lt;/div&gt;</description>
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    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/laurieannie"&gt;LaurieAnnie&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/laurieannie/53448774"&gt;&lt;img src="https://cdn.ipernity.com/200/87/74/53448774.905f05d6.240.jpg?r2" width="240" height="200" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Ravine&lt;br /&gt;
1889&lt;br /&gt;
Vincent van Gogh, Dutch (worked in France), 1853–1890&lt;br /&gt;
&lt;br /&gt;
Dimensions:  73 x 91.7 cm (28 3/4 x 36 1/8 in.)&lt;br /&gt;
&lt;br /&gt;
Medium or Technique:  Oil on canvas&lt;br /&gt;
&lt;br /&gt;
Classification: Paintings &lt;br /&gt;
Type:  Landscape&lt;br /&gt;
&lt;br /&gt;
Catalogue Raisonné:  F662&lt;br /&gt;
&lt;br /&gt;
Accession Number:  52.1524&lt;br /&gt;
&lt;br /&gt;
In June 1889, shortly after his arrival at an asylum in the southern French town of Saint-Rémy, van Gogh painted a riotous study of a flowering hillside. He sent a pen-and-ink copy of the painting to his brother in early July. Months later, in October, the artist found himself without fresh canvas on which to paint and decided to sacrifice the study of wild vegetation to paint this view of the mountainous ravine near the asylum. Recent collaborative research by ...conservators and curators has revealed the presence of the lost painting beneath the Boston canvas. For more on this discovery, see: &lt;a href="http://www.mfa.org/dynamic/sub/ctr_link_url_5023.pdf" target="_blank" rel="nofollow"&gt;www.mfa.org/dynamic/sub/ctr_link_url_5023.pdf&lt;/a&gt;. &lt;br /&gt;
&lt;br /&gt;
Text from:  &lt;a href="http://www.mfa.org/collections/object/ravine-33491" target="_blank" rel="nofollow"&gt;www.mfa.org/collections/object/ravine-33491&lt;/a&gt;&lt;/div&gt;</media:text>
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    <media:thumbnail url="https://cdn.ipernity.com/200/87/74/53448774.905f05d6.240.jpg?r2" width="240" height="200"/>
    <media:thumbnail url="https://cdn.ipernity.com/200/87/74/53448774.905f05d6.100.jpg?r2" width="100" height="84"/>
    <media:credit role="author">LaurieAnnie</media:credit>
  </item>
  <item>
    <title>Ravine by Van Gogh in the Boston Museum of Fine Arts, January 2018</title>
    <link>https://www.ipernity.com/doc/laurieannie/53448772</link>
    <guid isPermaLink="false">tag:ipernity.com,2026-01-22,doc-53448772</guid>
    <pubDate>Thu, 22 Jan 2026 21:07:36 +0000</pubDate>
    <dc:date.created>2018-01-06T20:46:47-04:00</dc:date.created>
    <author>nobody@ipernity.com (LaurieAnnie)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/laurieannie"&gt;LaurieAnnie&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/laurieannie/53448772"&gt;&lt;img src="https://cdn.ipernity.com/200/87/72/53448772.5595a107.240.jpg?r2" width="240" height="206" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Ravine&lt;br /&gt;
1889&lt;br /&gt;
Vincent van Gogh, Dutch (worked in France), 1853–1890&lt;br /&gt;
&lt;br /&gt;
Dimensions:  73 x 91.7 cm (28 3/4 x 36 1/8 in.)&lt;br /&gt;
&lt;br /&gt;
Medium or Technique:  Oil on canvas&lt;br /&gt;
&lt;br /&gt;
Classification: Paintings &lt;br /&gt;
Type:  Landscape&lt;br /&gt;
&lt;br /&gt;
Catalogue Raisonné:  F662&lt;br /&gt;
&lt;br /&gt;
Accession Number:  52.1524&lt;br /&gt;
&lt;br /&gt;
In June 1889, shortly after his arrival at an asylum in the southern French town of Saint-Rémy, van Gogh painted a riotous study of a flowering hillside. He sent a pen-and-ink copy of the painting to his brother in early July. Months later, in October, the artist found himself without fresh canvas on which to paint and decided to sacrifice the study of wild vegetation to paint this view of the mountainous ravine near the asylum. Recent collaborative research by ...conservators and curators has revealed the presence of the lost painting beneath the Boston canvas. For more on this discovery, see: &lt;a href="http://www.mfa.org/dynamic/sub/ctr_link_url_5023.pdf" target="_blank" rel="nofollow"&gt;www.mfa.org/dynamic/sub/ctr_link_url_5023.pdf&lt;/a&gt;. &lt;br /&gt;
&lt;br /&gt;
Text from:  &lt;a href="http://www.mfa.org/collections/object/ravine-33491" target="_blank" rel="nofollow"&gt;www.mfa.org/collections/object/ravine-33491&lt;/a&gt;&lt;/div&gt;</description>
    <media:title>Ravine by Van Gogh in the Boston Museum of Fine Arts, January 2018</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/laurieannie"&gt;LaurieAnnie&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/laurieannie/53448772"&gt;&lt;img src="https://cdn.ipernity.com/200/87/72/53448772.5595a107.240.jpg?r2" width="240" height="206" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Ravine&lt;br /&gt;
1889&lt;br /&gt;
Vincent van Gogh, Dutch (worked in France), 1853–1890&lt;br /&gt;
&lt;br /&gt;
Dimensions:  73 x 91.7 cm (28 3/4 x 36 1/8 in.)&lt;br /&gt;
&lt;br /&gt;
Medium or Technique:  Oil on canvas&lt;br /&gt;
&lt;br /&gt;
Classification: Paintings &lt;br /&gt;
Type:  Landscape&lt;br /&gt;
&lt;br /&gt;
Catalogue Raisonné:  F662&lt;br /&gt;
&lt;br /&gt;
Accession Number:  52.1524&lt;br /&gt;
&lt;br /&gt;
In June 1889, shortly after his arrival at an asylum in the southern French town of Saint-Rémy, van Gogh painted a riotous study of a flowering hillside. He sent a pen-and-ink copy of the painting to his brother in early July. Months later, in October, the artist found himself without fresh canvas on which to paint and decided to sacrifice the study of wild vegetation to paint this view of the mountainous ravine near the asylum. Recent collaborative research by ...conservators and curators has revealed the presence of the lost painting beneath the Boston canvas. For more on this discovery, see: &lt;a href="http://www.mfa.org/dynamic/sub/ctr_link_url_5023.pdf" target="_blank" rel="nofollow"&gt;www.mfa.org/dynamic/sub/ctr_link_url_5023.pdf&lt;/a&gt;. &lt;br /&gt;
&lt;br /&gt;
Text from:  &lt;a href="http://www.mfa.org/collections/object/ravine-33491" target="_blank" rel="nofollow"&gt;www.mfa.org/collections/object/ravine-33491&lt;/a&gt;&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/200/87/72/53448772.5595a107.560.jpg?r2" type="image/jpeg" width="560" height="479" duration="0" isDefault="true"  />
    <media:thumbnail url="https://cdn.ipernity.com/200/87/72/53448772.5595a107.240.jpg?r2" width="240" height="206"/>
    <media:thumbnail url="https://cdn.ipernity.com/200/87/72/53448772.5595a107.100.jpg?r2" width="100" height="86"/>
    <media:credit role="author">LaurieAnnie</media:credit>
  </item>
  <item>
    <title>The Salon Room in the Boston Museum of Fine Arts, January 2018</title>
    <link>https://www.ipernity.com/doc/laurieannie/53448764</link>
    <guid isPermaLink="false">tag:ipernity.com,2026-01-22,doc-53448764</guid>
    <pubDate>Thu, 22 Jan 2026 21:44:39 +0000</pubDate>
    <dc:date.created>2018-01-06T20:04:02-04:00</dc:date.created>
    <author>nobody@ipernity.com (LaurieAnnie)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/laurieannie"&gt;LaurieAnnie&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/laurieannie/53448764"&gt;&lt;img src="https://cdn.ipernity.com/200/87/64/53448764.94f85c9a.240.jpg?r2" width="240" height="174" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;&lt;/div&gt;</description>
    <media:title>The Salon Room in the Boston Museum of Fine Arts, January 2018</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/laurieannie"&gt;LaurieAnnie&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/laurieannie/53448764"&gt;&lt;img src="https://cdn.ipernity.com/200/87/64/53448764.94f85c9a.240.jpg?r2" width="240" height="174" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/200/87/64/53448764.94f85c9a.560.jpg?r2" type="image/jpeg" width="560" height="405" duration="0" isDefault="true"  />
    <media:thumbnail url="https://cdn.ipernity.com/200/87/64/53448764.94f85c9a.240.jpg?r2" width="240" height="174"/>
    <media:thumbnail url="https://cdn.ipernity.com/200/87/64/53448764.94f85c9a.100.jpg?r2" width="100" height="73"/>
    <media:credit role="author">LaurieAnnie</media:credit>
  </item>
  <item>
    <title>The Salon Room in the Boston Museum of Fine Arts, January 2018</title>
    <link>https://www.ipernity.com/doc/laurieannie/53448766</link>
    <guid isPermaLink="false">tag:ipernity.com,2026-01-22,doc-53448766</guid>
    <pubDate>Thu, 22 Jan 2026 21:44:41 +0000</pubDate>
    <dc:date.created>2018-01-06T20:04:06-04:00</dc:date.created>
    <author>nobody@ipernity.com (LaurieAnnie)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/laurieannie"&gt;LaurieAnnie&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/laurieannie/53448766"&gt;&lt;img src="https://cdn.ipernity.com/200/87/66/53448766.8563897f.240.jpg?r2" width="240" height="193" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;&lt;/div&gt;</description>
    <media:title>The Salon Room in the Boston Museum of Fine Arts, January 2018</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/laurieannie"&gt;LaurieAnnie&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/laurieannie/53448766"&gt;&lt;img src="https://cdn.ipernity.com/200/87/66/53448766.8563897f.240.jpg?r2" width="240" height="193" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/200/87/66/53448766.8563897f.560.jpg?r2" type="image/jpeg" width="560" height="449" duration="0" isDefault="true"  />
    <media:thumbnail url="https://cdn.ipernity.com/200/87/66/53448766.8563897f.240.jpg?r2" width="240" height="193"/>
    <media:thumbnail url="https://cdn.ipernity.com/200/87/66/53448766.8563897f.100.jpg?r2" width="100" height="81"/>
    <media:credit role="author">LaurieAnnie</media:credit>
  </item>
  <item>
    <title>The Salon Room in the Boston Museum of Fine Arts, January 2018</title>
    <link>https://www.ipernity.com/doc/laurieannie/53448762</link>
    <guid isPermaLink="false">tag:ipernity.com,2026-01-22,doc-53448762</guid>
    <pubDate>Thu, 22 Jan 2026 21:44:37 +0000</pubDate>
    <dc:date.created>2018-01-06T20:05:22-04:00</dc:date.created>
    <author>nobody@ipernity.com (LaurieAnnie)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/laurieannie"&gt;LaurieAnnie&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/laurieannie/53448762"&gt;&lt;img src="https://cdn.ipernity.com/200/87/62/53448762.ae0426a5.240.jpg?r2" width="240" height="175" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;&lt;/div&gt;</description>
    <media:title>The Salon Room in the Boston Museum of Fine Arts, January 2018</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/laurieannie"&gt;LaurieAnnie&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/laurieannie/53448762"&gt;&lt;img src="https://cdn.ipernity.com/200/87/62/53448762.ae0426a5.240.jpg?r2" width="240" height="175" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/200/87/62/53448762.ae0426a5.560.jpg?r2" type="image/jpeg" width="560" height="407" duration="0" isDefault="true"  />
    <media:thumbnail url="https://cdn.ipernity.com/200/87/62/53448762.ae0426a5.240.jpg?r2" width="240" height="175"/>
    <media:thumbnail url="https://cdn.ipernity.com/200/87/62/53448762.ae0426a5.100.jpg?r2" width="100" height="73"/>
    <media:credit role="author">LaurieAnnie</media:credit>
  </item>
  <item>
    <title>Bust of Prince Ankh-haf in the Boston Museum of Fine Arts, January 2018</title>
    <link>https://www.ipernity.com/doc/laurieannie/53448718</link>
    <guid isPermaLink="false">tag:ipernity.com,2026-01-22,doc-53448718</guid>
    <pubDate>Thu, 22 Jan 2026 18:22:56 +0000</pubDate>
    <dc:date.created>2018-01-06T21:09:22-04:00</dc:date.created>
    <author>nobody@ipernity.com (LaurieAnnie)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/laurieannie"&gt;LaurieAnnie&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/laurieannie/53448718"&gt;&lt;img src="https://cdn.ipernity.com/200/87/18/53448718.a5763574.240.jpg?r2" width="225" height="240" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;&lt;/div&gt;</description>
    <media:title>Bust of Prince Ankh-haf in the Boston Museum of Fine Arts, January 2018</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/laurieannie"&gt;LaurieAnnie&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/laurieannie/53448718"&gt;&lt;img src="https://cdn.ipernity.com/200/87/18/53448718.a5763574.240.jpg?r2" width="225" height="240" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/200/87/18/53448718.a5763574.560.jpg?r2" type="image/jpeg" width="524" height="560" duration="0" isDefault="true"  />
    <media:thumbnail url="https://cdn.ipernity.com/200/87/18/53448718.a5763574.240.jpg?r2" width="225" height="240"/>
    <media:thumbnail url="https://cdn.ipernity.com/200/87/18/53448718.a5763574.100.jpg?r2" width="94" height="100"/>
    <media:credit role="author">LaurieAnnie</media:credit>
  </item>
  <item>
    <title>Bust of Prince Ankh-haf in the Boston Museum of Fine Arts, January 2018</title>
    <link>https://www.ipernity.com/doc/laurieannie/53448716</link>
    <guid isPermaLink="false">tag:ipernity.com,2026-01-22,doc-53448716</guid>
    <pubDate>Thu, 22 Jan 2026 18:22:50 +0000</pubDate>
    <dc:date.created>2018-01-06T21:09:18-04:00</dc:date.created>
    <author>nobody@ipernity.com (LaurieAnnie)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/laurieannie"&gt;LaurieAnnie&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/laurieannie/53448716"&gt;&lt;img src="https://cdn.ipernity.com/200/87/16/53448716.961b1a40.240.jpg?r2" width="221" height="240" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;&lt;/div&gt;</description>
    <media:title>Bust of Prince Ankh-haf in the Boston Museum of Fine Arts, January 2018</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/laurieannie"&gt;LaurieAnnie&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/laurieannie/53448716"&gt;&lt;img src="https://cdn.ipernity.com/200/87/16/53448716.961b1a40.240.jpg?r2" width="221" height="240" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/200/87/16/53448716.961b1a40.560.jpg?r2" type="image/jpeg" width="516" height="560" duration="0" isDefault="true"  />
    <media:thumbnail url="https://cdn.ipernity.com/200/87/16/53448716.961b1a40.240.jpg?r2" width="221" height="240"/>
    <media:thumbnail url="https://cdn.ipernity.com/200/87/16/53448716.961b1a40.100.jpg?r2" width="93" height="100"/>
    <media:credit role="author">LaurieAnnie</media:credit>
  </item>
  <item>
    <title>Street Scene</title>
    <link>https://www.ipernity.com/doc/289709/53446912</link>
    <guid isPermaLink="false">tag:ipernity.com,2026-09-27,doc-53446912</guid>
    <pubDate>Sun, 27 Sep 2026 12:22:45 +0000</pubDate>
    <dc:date.created>2023-01-02T17:52:41-04:00</dc:date.created>
    <author>nobody@ipernity.com (Deborah Lundbech)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/289709"&gt;Deborah Lundbech&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/289709/53446912"&gt;&lt;img src="https://cdn.ipernity.com/200/69/12/53446912.2a2a878d.240.jpg?r2" width="187" height="240" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Brought forward for the Vintage Photos Theme Park theme of: DOWN ON THE CORNER OUT ON THE STREET&lt;br /&gt;
Cropped and slightly edited, this is Faneuil Hall in Boston, 1980 or 1979. It's a little bit off topic because it's a closed off street, so not that real corner.traffic vibe the phrase calls for - but pickings were slim, so this is it!&lt;br /&gt;
Just think of how many people would be on their phones if this photograph was taken today.&lt;br /&gt;
What a different world we live in now.&lt;br /&gt;
&lt;br /&gt;
271/365&lt;/div&gt;</description>
    <media:title>Street Scene</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/289709"&gt;Deborah Lundbech&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/289709/53446912"&gt;&lt;img src="https://cdn.ipernity.com/200/69/12/53446912.2a2a878d.240.jpg?r2" width="187" height="240" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Brought forward for the Vintage Photos Theme Park theme of: DOWN ON THE CORNER OUT ON THE STREET&lt;br /&gt;
Cropped and slightly edited, this is Faneuil Hall in Boston, 1980 or 1979. It's a little bit off topic because it's a closed off street, so not that real corner.traffic vibe the phrase calls for - but pickings were slim, so this is it!&lt;br /&gt;
Just think of how many people would be on their phones if this photograph was taken today.&lt;br /&gt;
What a different world we live in now.&lt;br /&gt;
&lt;br /&gt;
271/365&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/200/69/12/53446912.0ba04ecf.1024.jpg?r2" type="image/jpeg" width="794" height="1024" duration="0" isDefault="true"  />
    <media:thumbnail url="https://cdn.ipernity.com/200/69/12/53446912.2a2a878d.240.jpg?r2" width="187" height="240"/>
    <media:thumbnail url="https://cdn.ipernity.com/200/69/12/53446912.2a2a878d.100.jpg?r2" width="78" height="100"/>
    <media:credit role="author">Deborah Lundbech</media:credit>
  </item>
  <item>
    <title>Triad of King Mycerinus and Two Goddesses in the Boston Museum of Fine Arts, January 2018</title>
    <link>https://www.ipernity.com/doc/laurieannie/53437132</link>
    <guid isPermaLink="false">tag:ipernity.com,2026-01-22,doc-53437132</guid>
    <pubDate>Thu, 22 Jan 2026 18:12:53 +0000</pubDate>
    <dc:date.created>2018-01-06T21:08:58-04:00</dc:date.created>
    <author>nobody@ipernity.com (LaurieAnnie)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/laurieannie"&gt;LaurieAnnie&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/laurieannie/53437132"&gt;&lt;img src="https://cdn.ipernity.com/200/71/32/53437132.976eab98.240.jpg?r2" width="132" height="240" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;&lt;/div&gt;</description>
    <media:title>Triad of King Mycerinus and Two Goddesses in the Boston Museum of Fine Arts, January 2018</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/laurieannie"&gt;LaurieAnnie&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/laurieannie/53437132"&gt;&lt;img src="https://cdn.ipernity.com/200/71/32/53437132.976eab98.240.jpg?r2" width="132" height="240" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/200/71/32/53437132.976eab98.560.jpg?r2" type="image/jpeg" width="307" height="560" duration="0" isDefault="true"  />
    <media:thumbnail url="https://cdn.ipernity.com/200/71/32/53437132.976eab98.240.jpg?r2" width="132" height="240"/>
    <media:thumbnail url="https://cdn.ipernity.com/200/71/32/53437132.976eab98.100.jpg?r2" width="55" height="100"/>
    <media:credit role="author">LaurieAnnie</media:credit>
  </item>
  <item>
    <title>Triad of King Mycerinus and Two Goddesses in the Boston Museum of Fine Arts, January 2018</title>
    <link>https://www.ipernity.com/doc/laurieannie/53437130</link>
    <guid isPermaLink="false">tag:ipernity.com,2026-01-22,doc-53437130</guid>
    <pubDate>Thu, 22 Jan 2026 18:12:48 +0000</pubDate>
    <dc:date.created>2018-01-06T21:08:54-04:00</dc:date.created>
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