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  <title>Photos, videos and docs of John Sheldon, with the keywords: "Bronica"</title>
  <link>https://www.ipernity.com/tag/john_sheldon/keyword/408411</link>
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    <title>Photos, videos and docs of John Sheldon, with the keywords: "Bronica"</title>
    <link>https://www.ipernity.com/tag/john_sheldon/keyword/408411</link>
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  <pubDate>Fri, 04 Sep 2026 18:36:27 +0000</pubDate>
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    <title>Give with love 2015</title>
    <link>https://www.ipernity.com/doc/john_sheldon/48695580</link>
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    <pubDate>Sat, 01 Jun 2019 15:14:45 +0000</pubDate>
    <dc:date.created>2019-03-25T15:29:01+01:00</dc:date.created>
    <author>nobody@ipernity.com (John Sheldon)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/john_sheldon"&gt;John Sheldon&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/john_sheldon/48695580"&gt;&lt;img src="https://cdn.ipernity.com/200/55/80/48695580.a6352e5f.240.jpg?r2" width="240" height="183" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Ilford HP5+ film developed commercially in Kodak XTOL.&lt;br /&gt;
Zenza Bronica ETRS camera with Zenzanon EII 75mm f2.8 lens.&lt;br /&gt;
Epson Perfection V750 PRO scanner.&lt;/div&gt;</description>
    <media:title>Give with love 2015</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/john_sheldon"&gt;John Sheldon&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/john_sheldon/48695580"&gt;&lt;img src="https://cdn.ipernity.com/200/55/80/48695580.a6352e5f.240.jpg?r2" width="240" height="183" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Ilford HP5+ film developed commercially in Kodak XTOL.&lt;br /&gt;
Zenza Bronica ETRS camera with Zenzanon EII 75mm f2.8 lens.&lt;br /&gt;
Epson Perfection V750 PRO scanner.&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/200/55/80/48695580.68581a90.1024.jpg?r2" type="image/jpeg" width="1024" height="780" duration="0" isDefault="true"  />
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    <media:credit role="author">John Sheldon</media:credit>
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    <title>Illuminated staircase</title>
    <link>https://www.ipernity.com/doc/john_sheldon/48695578</link>
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    <pubDate>Sat, 01 Jun 2019 15:14:35 +0000</pubDate>
    <dc:date.created>2018-10-09T16:41:45+01:00</dc:date.created>
    <author>nobody@ipernity.com (John Sheldon)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/john_sheldon"&gt;John Sheldon&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/john_sheldon/48695578"&gt;&lt;img src="https://cdn.ipernity.com/200/55/78/48695578.59036684.240.jpg?r2" width="240" height="183" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Ilford HP5+ film developed commercially in Kodak XTOL.&lt;br /&gt;
Zenza Bronica ETRS camera with Zenzanon EII 75mm f2.8 lens.&lt;br /&gt;
Epson Perfection V750 PRO scanner.&lt;/div&gt;</description>
    <media:title>Illuminated staircase</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/john_sheldon"&gt;John Sheldon&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/john_sheldon/48695578"&gt;&lt;img src="https://cdn.ipernity.com/200/55/78/48695578.59036684.240.jpg?r2" width="240" height="183" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Ilford HP5+ film developed commercially in Kodak XTOL.&lt;br /&gt;
Zenza Bronica ETRS camera with Zenzanon EII 75mm f2.8 lens.&lt;br /&gt;
Epson Perfection V750 PRO scanner.&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/200/55/78/48695578.a60e39df.1024.jpg?r2" type="image/jpeg" width="1024" height="779" duration="0" isDefault="true"  />
    <media:thumbnail url="https://cdn.ipernity.com/200/55/78/48695578.59036684.240.jpg?r2" width="240" height="183"/>
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    <media:credit role="author">John Sheldon</media:credit>
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    <title>JVC</title>
    <link>https://www.ipernity.com/doc/john_sheldon/48675418</link>
    <guid isPermaLink="false">tag:ipernity.com,2019-05-27,doc-48675418</guid>
    <pubDate>Mon, 27 May 2019 17:01:12 +0000</pubDate>
    <dc:date.created>2018-12-14T17:20:23+01:00</dc:date.created>
    <author>nobody@ipernity.com (John Sheldon)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/john_sheldon"&gt;John Sheldon&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/john_sheldon/48675418"&gt;&lt;img src="https://cdn.ipernity.com/200/54/18/48675418.b3d6881c.240.jpg?r2" width="240" height="177" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Music player from the 1980s.&lt;br /&gt;
Objective - to see how well dark tones can be reproduced from a scanned HP5+ negative.&lt;br /&gt;
Negative exposed following an incident light meter reading.&lt;br /&gt;
Developed commercially in Kodak XTOL.&lt;br /&gt;
Zenza Bronica ETRS camera with Zenzanon EII 75mm f2.8 lens.&lt;br /&gt;
Epson Perfection V750 PRO scanner, processed using SilkyPix software.&lt;/div&gt;</description>
    <media:title>JVC</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/john_sheldon"&gt;John Sheldon&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/john_sheldon/48675418"&gt;&lt;img src="https://cdn.ipernity.com/200/54/18/48675418.b3d6881c.240.jpg?r2" width="240" height="177" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Music player from the 1980s.&lt;br /&gt;
Objective - to see how well dark tones can be reproduced from a scanned HP5+ negative.&lt;br /&gt;
Negative exposed following an incident light meter reading.&lt;br /&gt;
Developed commercially in Kodak XTOL.&lt;br /&gt;
Zenza Bronica ETRS camera with Zenzanon EII 75mm f2.8 lens.&lt;br /&gt;
Epson Perfection V750 PRO scanner, processed using SilkyPix software.&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/200/54/18/48675418.b6dba844.1024.jpg?r2" type="image/jpeg" width="1024" height="752" duration="0" isDefault="true"  />
    <media:thumbnail url="https://cdn.ipernity.com/200/54/18/48675418.b3d6881c.240.jpg?r2" width="240" height="177"/>
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    <media:credit role="author">John Sheldon</media:credit>
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    <title>Traces of a droplet of wine</title>
    <link>https://www.ipernity.com/doc/john_sheldon/48647766</link>
    <guid isPermaLink="false">tag:ipernity.com,2019-05-23,doc-48647766</guid>
    <pubDate>Thu, 23 May 2019 13:59:01 +0000</pubDate>
    <dc:date.created>2018-12-14T17:20:23+01:00</dc:date.created>
    <author>nobody@ipernity.com (John Sheldon)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/john_sheldon"&gt;John Sheldon&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/john_sheldon/48647766"&gt;&lt;img src="https://cdn.ipernity.com/200/77/66/48647766.d7b9730e.240.jpg?r2" width="240" height="183" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Probably the smallest depth of field possible with this equipment:&lt;br /&gt;
Zenza Bronica ETRS camera with Zenzanon EII 75mm f2.8 lens and 14mm extension tube;  F2.8 aperture (lens fully open) and minimum focusing distance lens to subject.&lt;br /&gt;
Ilford HP5+ film developed commercially in Kodak XTOL.&lt;br /&gt;
Epson Perfection V750 PRO scanner.&lt;/div&gt;</description>
    <media:title>Traces of a droplet of wine</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/john_sheldon"&gt;John Sheldon&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/john_sheldon/48647766"&gt;&lt;img src="https://cdn.ipernity.com/200/77/66/48647766.d7b9730e.240.jpg?r2" width="240" height="183" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Probably the smallest depth of field possible with this equipment:&lt;br /&gt;
Zenza Bronica ETRS camera with Zenzanon EII 75mm f2.8 lens and 14mm extension tube;  F2.8 aperture (lens fully open) and minimum focusing distance lens to subject.&lt;br /&gt;
Ilford HP5+ film developed commercially in Kodak XTOL.&lt;br /&gt;
Epson Perfection V750 PRO scanner.&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/200/77/66/48647766.5e4343de.1024.jpg?r2" type="image/jpeg" width="1024" height="779" duration="0" isDefault="true"  />
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    <media:credit role="author">John Sheldon</media:credit>
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    <title>Wine bottle with glass reflections</title>
    <link>https://www.ipernity.com/doc/john_sheldon/48621090</link>
    <guid isPermaLink="false">tag:ipernity.com,2019-05-19,doc-48621090</guid>
    <pubDate>Sun, 19 May 2019 14:14:37 +0000</pubDate>
    <dc:date.created>2019-03-03T13:26:46+01:00</dc:date.created>
    <author>nobody@ipernity.com (John Sheldon)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/john_sheldon"&gt;John Sheldon&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/john_sheldon/48621090"&gt;&lt;img src="https://cdn.ipernity.com/200/10/90/48621090.dfaf6825.240.jpg?r2" width="240" height="184" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Ilford HP5+ film developed commercially in Kodak XTOL.&lt;br /&gt;
Zenza Bronica ETRS camera with Zenzanon EII 75mm f2.8 lens.&lt;br /&gt;
Epson Perfection V750 PRO scanner.&lt;/div&gt;</description>
    <media:title>Wine bottle with glass reflections</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/john_sheldon"&gt;John Sheldon&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/john_sheldon/48621090"&gt;&lt;img src="https://cdn.ipernity.com/200/10/90/48621090.dfaf6825.240.jpg?r2" width="240" height="184" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Ilford HP5+ film developed commercially in Kodak XTOL.&lt;br /&gt;
Zenza Bronica ETRS camera with Zenzanon EII 75mm f2.8 lens.&lt;br /&gt;
Epson Perfection V750 PRO scanner.&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/200/10/90/48621090.3fceab48.1024.jpg?r2" type="image/jpeg" width="1024" height="781" duration="0" isDefault="true"  />
    <media:thumbnail url="https://cdn.ipernity.com/200/10/90/48621090.dfaf6825.240.jpg?r2" width="240" height="184"/>
    <media:thumbnail url="https://cdn.ipernity.com/200/10/90/48621090.dfaf6825.100.jpg?r2" width="100" height="77"/>
    <media:credit role="author">John Sheldon</media:credit>
  </item>
  <item>
    <title>Not one of the crowd</title>
    <link>https://www.ipernity.com/doc/john_sheldon/48589868</link>
    <guid isPermaLink="false">tag:ipernity.com,2019-05-11,doc-48589868</guid>
    <pubDate>Sat, 11 May 2019 14:49:39 +0000</pubDate>
    <dc:date.created>2019-02-11T13:14:57+01:00</dc:date.created>
    <author>nobody@ipernity.com (John Sheldon)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/john_sheldon"&gt;John Sheldon&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/john_sheldon/48589868"&gt;&lt;img src="https://cdn.ipernity.com/200/98/68/48589868.d1b9f5ce.240.jpg?r2" width="240" height="184" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Ilford HP5+ film developed commercially in Kodak XTOL.&lt;br /&gt;
Zenza Bronica ETRS camera with Zenzanon EII 75mm f2.8 lens.&lt;br /&gt;
Epson Perfection V750 PRO scanner.&lt;/div&gt;</description>
    <media:title>Not one of the crowd</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/john_sheldon"&gt;John Sheldon&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/john_sheldon/48589868"&gt;&lt;img src="https://cdn.ipernity.com/200/98/68/48589868.d1b9f5ce.240.jpg?r2" width="240" height="184" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Ilford HP5+ film developed commercially in Kodak XTOL.&lt;br /&gt;
Zenza Bronica ETRS camera with Zenzanon EII 75mm f2.8 lens.&lt;br /&gt;
Epson Perfection V750 PRO scanner.&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/200/98/68/48589868.da6c4df2.1024.jpg?r2" type="image/jpeg" width="1024" height="781" duration="0" isDefault="true"  />
    <media:thumbnail url="https://cdn.ipernity.com/200/98/68/48589868.d1b9f5ce.240.jpg?r2" width="240" height="184"/>
    <media:thumbnail url="https://cdn.ipernity.com/200/98/68/48589868.d1b9f5ce.100.jpg?r2" width="100" height="77"/>
    <media:credit role="author">John Sheldon</media:credit>
  </item>
  <item>
    <title>Bottles in a Basket</title>
    <link>https://www.ipernity.com/doc/john_sheldon/48574192</link>
    <guid isPermaLink="false">tag:ipernity.com,2019-05-06,doc-48574192</guid>
    <pubDate>Mon, 06 May 2019 13:23:57 +0000</pubDate>
    <dc:date.created>2019-01-14T12:02:33+01:00</dc:date.created>
    <author>nobody@ipernity.com (John Sheldon)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/john_sheldon"&gt;John Sheldon&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/john_sheldon/48574192"&gt;&lt;img src="https://cdn.ipernity.com/200/41/92/48574192.7d3bedc6.240.jpg?r2" width="240" height="182" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Ilford HP5+ film developed commercially in Kodak XTOL.&lt;br /&gt;
Zenza Bronica ETRS camera with Zenzanon EII 75mm f2.8 lens.&lt;br /&gt;
Epson Perfection V750 PRO scanner.&lt;/div&gt;</description>
    <media:title>Bottles in a Basket</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/john_sheldon"&gt;John Sheldon&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/john_sheldon/48574192"&gt;&lt;img src="https://cdn.ipernity.com/200/41/92/48574192.7d3bedc6.240.jpg?r2" width="240" height="182" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Ilford HP5+ film developed commercially in Kodak XTOL.&lt;br /&gt;
Zenza Bronica ETRS camera with Zenzanon EII 75mm f2.8 lens.&lt;br /&gt;
Epson Perfection V750 PRO scanner.&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/200/41/92/48574192.a8d99897.1024.jpg?r2" type="image/jpeg" width="1024" height="774" duration="0" isDefault="true"  />
    <media:thumbnail url="https://cdn.ipernity.com/200/41/92/48574192.7d3bedc6.240.jpg?r2" width="240" height="182"/>
    <media:thumbnail url="https://cdn.ipernity.com/200/41/92/48574192.7d3bedc6.100.jpg?r2" width="100" height="76"/>
    <media:credit role="author">John Sheldon</media:credit>
  </item>
  <item>
    <title>A gathering of bottles</title>
    <link>https://www.ipernity.com/doc/john_sheldon/48574184</link>
    <guid isPermaLink="false">tag:ipernity.com,2019-05-06,doc-48574184</guid>
    <pubDate>Mon, 06 May 2019 13:23:46 +0000</pubDate>
    <dc:date.created>2018-12-14T17:20:23+01:00</dc:date.created>
    <author>nobody@ipernity.com (John Sheldon)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/john_sheldon"&gt;John Sheldon&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/john_sheldon/48574184"&gt;&lt;img src="https://cdn.ipernity.com/200/41/84/48574184.7dcd686c.240.jpg?r2" width="240" height="178" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Decision to focus on the second row of bottles and the bottles pyramid questionable?&lt;br /&gt;
Ilford HP5+ film developed commercially in Kodak XTOL.&lt;br /&gt;
Zenza Bronica ETRS camera with Zenzanon EII 75mm f2.8 lens.&lt;br /&gt;
Epson Perfection V750 PRO scanner.&lt;/div&gt;</description>
    <media:title>A gathering of bottles</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/john_sheldon"&gt;John Sheldon&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/john_sheldon/48574184"&gt;&lt;img src="https://cdn.ipernity.com/200/41/84/48574184.7dcd686c.240.jpg?r2" width="240" height="178" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Decision to focus on the second row of bottles and the bottles pyramid questionable?&lt;br /&gt;
Ilford HP5+ film developed commercially in Kodak XTOL.&lt;br /&gt;
Zenza Bronica ETRS camera with Zenzanon EII 75mm f2.8 lens.&lt;br /&gt;
Epson Perfection V750 PRO scanner.&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/200/41/84/48574184.bb935c93.1024.jpg?r2" type="image/jpeg" width="1024" height="758" duration="0" isDefault="true"  />
    <media:thumbnail url="https://cdn.ipernity.com/200/41/84/48574184.7dcd686c.240.jpg?r2" width="240" height="178"/>
    <media:thumbnail url="https://cdn.ipernity.com/200/41/84/48574184.7dcd686c.100.jpg?r2" width="100" height="74"/>
    <media:credit role="author">John Sheldon</media:credit>
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  <item>
    <title>Round bottles and flat bottles</title>
    <link>https://www.ipernity.com/doc/john_sheldon/48543196</link>
    <guid isPermaLink="false">tag:ipernity.com,2019-04-30,doc-48543196</guid>
    <pubDate>Tue, 30 Apr 2019 11:50:56 +0000</pubDate>
    <dc:date.created>2018-12-14T17:20:23+01:00</dc:date.created>
    <author>nobody@ipernity.com (John Sheldon)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/john_sheldon"&gt;John Sheldon&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/john_sheldon/48543196"&gt;&lt;img src="https://cdn.ipernity.com/200/31/96/48543196.fdf0e2b5.240.jpg?r2" width="240" height="178" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;A curious effect:  the front bottles have a three-dimensional look but the back ones look flat, almost like a picture.  There is flat light at the back, obviously, but perhaps the small depth of field on the 150mm lens also contributed. (150mm on 6x4.5 = 100mm on 35mm film or full frame digital.) &lt;br /&gt;
Ilford HP5+ film developed commercially in Kodak XTOL.&lt;br /&gt;
Zenza Bronica ETRS camera with Zenzanon MC 150mm f3.5 lens.&lt;br /&gt;
Epson Perfection V750 PRO scanner.&lt;/div&gt;</description>
    <media:title>Round bottles and flat bottles</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/john_sheldon"&gt;John Sheldon&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/john_sheldon/48543196"&gt;&lt;img src="https://cdn.ipernity.com/200/31/96/48543196.fdf0e2b5.240.jpg?r2" width="240" height="178" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;A curious effect:  the front bottles have a three-dimensional look but the back ones look flat, almost like a picture.  There is flat light at the back, obviously, but perhaps the small depth of field on the 150mm lens also contributed. (150mm on 6x4.5 = 100mm on 35mm film or full frame digital.) &lt;br /&gt;
Ilford HP5+ film developed commercially in Kodak XTOL.&lt;br /&gt;
Zenza Bronica ETRS camera with Zenzanon MC 150mm f3.5 lens.&lt;br /&gt;
Epson Perfection V750 PRO scanner.&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/200/31/96/48543196.df15bd83.1024.jpg?r2" type="image/jpeg" width="1024" height="760" duration="0" isDefault="true"  />
    <media:thumbnail url="https://cdn.ipernity.com/200/31/96/48543196.fdf0e2b5.240.jpg?r2" width="240" height="178"/>
    <media:thumbnail url="https://cdn.ipernity.com/200/31/96/48543196.fdf0e2b5.100.jpg?r2" width="100" height="75"/>
    <media:credit role="author">John Sheldon</media:credit>
  </item>
  <item>
    <title>Garden corner with wine bottles</title>
    <link>https://www.ipernity.com/doc/john_sheldon/48524510</link>
    <guid isPermaLink="false">tag:ipernity.com,2019-04-25,doc-48524510</guid>
    <pubDate>Thu, 25 Apr 2019 13:36:47 +0000</pubDate>
    <dc:date.created>2019-03-23T15:19:22+01:00</dc:date.created>
    <author>nobody@ipernity.com (John Sheldon)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/john_sheldon"&gt;John Sheldon&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/john_sheldon/48524510"&gt;&lt;img src="https://cdn.ipernity.com/200/45/10/48524510.d0e56136.240.jpg?r2" width="240" height="183" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Ilford HP5+ film developed commercially in Kodak XTOL.&lt;br /&gt;
Zenza Bronica ETRS camera with Zenzanon EII 75mm f2.8 lens.&lt;br /&gt;
Epson Perfection V750 PRO scanner.&lt;/div&gt;</description>
    <media:title>Garden corner with wine bottles</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/john_sheldon"&gt;John Sheldon&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/john_sheldon/48524510"&gt;&lt;img src="https://cdn.ipernity.com/200/45/10/48524510.d0e56136.240.jpg?r2" width="240" height="183" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Ilford HP5+ film developed commercially in Kodak XTOL.&lt;br /&gt;
Zenza Bronica ETRS camera with Zenzanon EII 75mm f2.8 lens.&lt;br /&gt;
Epson Perfection V750 PRO scanner.&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/200/45/10/48524510.70fdd151.1024.jpg?r2" type="image/jpeg" width="1024" height="779" duration="0" isDefault="true"  />
    <media:thumbnail url="https://cdn.ipernity.com/200/45/10/48524510.d0e56136.240.jpg?r2" width="240" height="183"/>
    <media:thumbnail url="https://cdn.ipernity.com/200/45/10/48524510.d0e56136.100.jpg?r2" width="100" height="77"/>
    <media:credit role="author">John Sheldon</media:credit>
  </item>
  <item>
    <title>Garden corner with Happy Hippo</title>
    <link>https://www.ipernity.com/doc/john_sheldon/48524508</link>
    <guid isPermaLink="false">tag:ipernity.com,2019-04-25,doc-48524508</guid>
    <pubDate>Thu, 25 Apr 2019 13:36:35 +0000</pubDate>
    <dc:date.created>2018-11-29T10:48:23+01:00</dc:date.created>
    <author>nobody@ipernity.com (John Sheldon)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/john_sheldon"&gt;John Sheldon&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/john_sheldon/48524508"&gt;&lt;img src="https://cdn.ipernity.com/200/45/08/48524508.b78be2d9.240.jpg?r2" width="240" height="240" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Ilford HP5+ film developed commercially in Kodak XTOL.&lt;br /&gt;
Zenza Bronica ETRS camera with Zenzanon MC 150mm f3.5 lens.&lt;br /&gt;
Epson Perfection V750 PRO scanner.&lt;/div&gt;</description>
    <media:title>Garden corner with Happy Hippo</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/john_sheldon"&gt;John Sheldon&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/john_sheldon/48524508"&gt;&lt;img src="https://cdn.ipernity.com/200/45/08/48524508.b78be2d9.240.jpg?r2" width="240" height="240" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Ilford HP5+ film developed commercially in Kodak XTOL.&lt;br /&gt;
Zenza Bronica ETRS camera with Zenzanon MC 150mm f3.5 lens.&lt;br /&gt;
Epson Perfection V750 PRO scanner.&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/200/45/08/48524508.94716c33.1024.jpg?r2" type="image/jpeg" width="1024" height="1024" duration="0" isDefault="true"  />
    <media:thumbnail url="https://cdn.ipernity.com/200/45/08/48524508.b78be2d9.240.jpg?r2" width="240" height="240"/>
    <media:thumbnail url="https://cdn.ipernity.com/200/45/08/48524508.b78be2d9.100.jpg?r2" width="100" height="100"/>
    <media:credit role="author">John Sheldon</media:credit>
  </item>
  <item>
    <title>Hydrangea in the rain</title>
    <link>https://www.ipernity.com/doc/john_sheldon/48524504</link>
    <guid isPermaLink="false">tag:ipernity.com,2019-04-25,doc-48524504</guid>
    <pubDate>Thu, 25 Apr 2019 13:36:24 +0000</pubDate>
    <dc:date.created>2018-08-18T10:25:18+01:00</dc:date.created>
    <author>nobody@ipernity.com (John Sheldon)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/john_sheldon"&gt;John Sheldon&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/john_sheldon/48524504"&gt;&lt;img src="https://cdn.ipernity.com/200/45/04/48524504.273d9604.240.jpg?r2" width="240" height="178" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Ilford HP5+ film developed commercially in Kodak XTOL.&lt;br /&gt;
Zenza Bronica ETRS camera with Zenzanon MC 150mm f3.5 lens.&lt;br /&gt;
Epson Perfection V750 PRO scanner.&lt;/div&gt;</description>
    <media:title>Hydrangea in the rain</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/john_sheldon"&gt;John Sheldon&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/john_sheldon/48524504"&gt;&lt;img src="https://cdn.ipernity.com/200/45/04/48524504.273d9604.240.jpg?r2" width="240" height="178" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Ilford HP5+ film developed commercially in Kodak XTOL.&lt;br /&gt;
Zenza Bronica ETRS camera with Zenzanon MC 150mm f3.5 lens.&lt;br /&gt;
Epson Perfection V750 PRO scanner.&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/200/45/04/48524504.16bea21d.1024.jpg?r2" type="image/jpeg" width="1024" height="759" duration="0" isDefault="true"  />
    <media:thumbnail url="https://cdn.ipernity.com/200/45/04/48524504.273d9604.240.jpg?r2" width="240" height="178"/>
    <media:thumbnail url="https://cdn.ipernity.com/200/45/04/48524504.273d9604.100.jpg?r2" width="100" height="75"/>
    <media:credit role="author">John Sheldon</media:credit>
  </item>
  <item>
    <title>Tumble down logs</title>
    <link>https://www.ipernity.com/doc/john_sheldon/48512522</link>
    <guid isPermaLink="false">tag:ipernity.com,2019-04-22,doc-48512522</guid>
    <pubDate>Mon, 22 Apr 2019 10:01:16 +0000</pubDate>
    <dc:date.created>2019-03-28T15:20:01+01:00</dc:date.created>
    <author>nobody@ipernity.com (John Sheldon)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/john_sheldon"&gt;John Sheldon&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/john_sheldon/48512522"&gt;&lt;img src="https://cdn.ipernity.com/200/25/22/48512522.81a8c6c0.240.jpg?r2" width="240" height="178" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;In the National Trust woodlands at Styal, Cheshire, England.&lt;br /&gt;
Ilford HP5+ film developed commercially in Kodak XTOL.&lt;br /&gt;
Epson Perfection V750 PRO scanner.&lt;br /&gt;
Zenza Bronica ETRS camera with Zenzanon EII 75mm lens.&lt;/div&gt;</description>
    <media:title>Tumble down logs</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/john_sheldon"&gt;John Sheldon&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/john_sheldon/48512522"&gt;&lt;img src="https://cdn.ipernity.com/200/25/22/48512522.81a8c6c0.240.jpg?r2" width="240" height="178" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;In the National Trust woodlands at Styal, Cheshire, England.&lt;br /&gt;
Ilford HP5+ film developed commercially in Kodak XTOL.&lt;br /&gt;
Epson Perfection V750 PRO scanner.&lt;br /&gt;
Zenza Bronica ETRS camera with Zenzanon EII 75mm lens.&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/200/25/22/48512522.91fcc21f.1024.jpg?r2" type="image/jpeg" width="1024" height="759" duration="0" isDefault="true"  />
    <media:thumbnail url="https://cdn.ipernity.com/200/25/22/48512522.81a8c6c0.240.jpg?r2" width="240" height="178"/>
    <media:thumbnail url="https://cdn.ipernity.com/200/25/22/48512522.81a8c6c0.100.jpg?r2" width="100" height="75"/>
    <media:credit role="author">John Sheldon</media:credit>
  </item>
  <item>
    <title>Vin de France</title>
    <link>https://www.ipernity.com/doc/john_sheldon/51444428</link>
    <guid isPermaLink="false">tag:ipernity.com,2018-03-01,doc-51444428</guid>
    <pubDate>Thu, 01 Mar 2018 11:34:59 +0000</pubDate>
    <dc:date.created>2021-09-09T12:19:44+01:00</dc:date.created>
    <author>nobody@ipernity.com (John Sheldon)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/john_sheldon"&gt;John Sheldon&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/john_sheldon/51444428"&gt;&lt;img src="https://cdn.ipernity.com/200/44/28/51444428.0e1ae600.240.jpg?r2" width="240" height="194" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Two 120 size negatives merged using Adobe Lightroom and Elements.&lt;br /&gt;
Zenza Bronica ETRS, 75mm f2.8 Zenzanon lens, (14mm extension tube for the label picture). Kodak Portra 160 film. Epson V750 flatbed scanner.&lt;/div&gt;</description>
    <media:title>Vin de France</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/john_sheldon"&gt;John Sheldon&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/john_sheldon/51444428"&gt;&lt;img src="https://cdn.ipernity.com/200/44/28/51444428.0e1ae600.240.jpg?r2" width="240" height="194" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Two 120 size negatives merged using Adobe Lightroom and Elements.&lt;br /&gt;
Zenza Bronica ETRS, 75mm f2.8 Zenzanon lens, (14mm extension tube for the label picture). Kodak Portra 160 film. Epson V750 flatbed scanner.&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/200/44/28/51444428.77f0fe8e.1024.jpg?r2" type="image/jpeg" width="1024" height="826" duration="0" isDefault="true"  />
    <media:thumbnail url="https://cdn.ipernity.com/200/44/28/51444428.0e1ae600.240.jpg?r2" width="240" height="194"/>
    <media:thumbnail url="https://cdn.ipernity.com/200/44/28/51444428.0e1ae600.100.jpg?r2" width="100" height="81"/>
    <media:credit role="author">John Sheldon</media:credit>
  </item>
  <item>
    <title>Lancaster Amber</title>
    <link>https://www.ipernity.com/doc/john_sheldon/51444422</link>
    <guid isPermaLink="false">tag:ipernity.com,2018-03-01,doc-51444422</guid>
    <pubDate>Thu, 01 Mar 2018 11:34:42 +0000</pubDate>
    <dc:date.created>2021-09-09T13:55:50+01:00</dc:date.created>
    <author>nobody@ipernity.com (John Sheldon)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/john_sheldon"&gt;John Sheldon&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/john_sheldon/51444422"&gt;&lt;img src="https://cdn.ipernity.com/200/44/22/51444422.f7e24ad8.240.jpg?r2" width="182" height="240" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Daylight film exposed under 3000k tungsten light. Colour adjusted using Affinity Photo software.&lt;br /&gt;
Zenza Bronica ETRS, 75mm f2.8 Zenzanon lens. Kodak Portra 160 film. Epson V750 flatbed scanner.&lt;/div&gt;</description>
    <media:title>Lancaster Amber</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/john_sheldon"&gt;John Sheldon&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/john_sheldon/51444422"&gt;&lt;img src="https://cdn.ipernity.com/200/44/22/51444422.f7e24ad8.240.jpg?r2" width="182" height="240" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Daylight film exposed under 3000k tungsten light. Colour adjusted using Affinity Photo software.&lt;br /&gt;
Zenza Bronica ETRS, 75mm f2.8 Zenzanon lens. Kodak Portra 160 film. Epson V750 flatbed scanner.&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/200/44/22/51444422.f7130cae.1024.jpg?r2" type="image/jpeg" width="777" height="1024" duration="0" isDefault="true"  />
    <media:thumbnail url="https://cdn.ipernity.com/200/44/22/51444422.f7e24ad8.240.jpg?r2" width="182" height="240"/>
    <media:thumbnail url="https://cdn.ipernity.com/200/44/22/51444422.f7e24ad8.100.jpg?r2" width="76" height="100"/>
    <media:credit role="author">John Sheldon</media:credit>
  </item>
  <item>
    <title>Bedside Reading - and Tonal Range</title>
    <link>https://www.ipernity.com/doc/john_sheldon/45854828</link>
    <guid isPermaLink="false">tag:ipernity.com,2017-11-18,doc-45854828</guid>
    <pubDate>Sat, 18 Nov 2017 17:45:18 +0000</pubDate>
    <dc:date.created>2017-10-30T16:21:14+00:00</dc:date.created>
    <author>nobody@ipernity.com (John Sheldon)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/john_sheldon"&gt;John Sheldon&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/john_sheldon/45854828"&gt;&lt;img src="https://cdn.ipernity.com/200/48/28/45854828.6108c479.240.jpg?r2" width="240" height="182" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;General reflected light reading (Gossen Sixtomat) agreed with the Bronica EA II prism finder, so it was followed.  Up-close readings suggested (roughly) that the pillows were going to be 1 stop under exposed and the lamp area 3 stops over exposed, and I guessed that the shadows would just fade-out to black somewhere.&lt;br /&gt;
This is the last frame of my Bronica ETRS Project test film 2, shot mainly to check the 'spare' ETR style film  back.  Before winding on the  film back was removed (with its dark slide) and waved around in the light to check for light leaks; none in evidence, so now there is much rejoicing, the whole kit works well!&lt;/div&gt;</description>
    <media:title>Bedside Reading - and Tonal Range</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/john_sheldon"&gt;John Sheldon&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/john_sheldon/45854828"&gt;&lt;img src="https://cdn.ipernity.com/200/48/28/45854828.6108c479.240.jpg?r2" width="240" height="182" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;General reflected light reading (Gossen Sixtomat) agreed with the Bronica EA II prism finder, so it was followed.  Up-close readings suggested (roughly) that the pillows were going to be 1 stop under exposed and the lamp area 3 stops over exposed, and I guessed that the shadows would just fade-out to black somewhere.&lt;br /&gt;
This is the last frame of my Bronica ETRS Project test film 2, shot mainly to check the 'spare' ETR style film  back.  Before winding on the  film back was removed (with its dark slide) and waved around in the light to check for light leaks; none in evidence, so now there is much rejoicing, the whole kit works well!&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/200/48/28/45854828.c75c3068.1024.jpg?r2" type="image/jpeg" width="1024" height="774" duration="0" isDefault="true"  />
    <media:thumbnail url="https://cdn.ipernity.com/200/48/28/45854828.6108c479.240.jpg?r2" width="240" height="182"/>
    <media:thumbnail url="https://cdn.ipernity.com/200/48/28/45854828.6108c479.100.jpg?r2" width="100" height="76"/>
    <media:credit role="author">John Sheldon</media:credit>
  </item>
  <item>
    <title>"Drink me!"</title>
    <link>https://www.ipernity.com/doc/john_sheldon/45840824</link>
    <guid isPermaLink="false">tag:ipernity.com,2017-11-15,doc-45840824</guid>
    <pubDate>Wed, 15 Nov 2017 13:13:37 +0000</pubDate>
    <dc:date.created>2017-10-30T16:21:14+00:00</dc:date.created>
    <author>nobody@ipernity.com (John Sheldon)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/john_sheldon"&gt;John Sheldon&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/john_sheldon/45840824"&gt;&lt;img src="https://cdn.ipernity.com/200/08/24/45840824.b541ebb3.240.jpg?r2" width="184" height="240" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Montage created using a 120 film negative (the bottle - Zenza Bronica ETRS) and a digital 'DNG' (John Tenniel's illustration - Pentax K5).  Processed using SilkyPix Developer Studio Pro 8 and Serif PhotoPlus X8.&lt;br /&gt;
Part of my Bronica test project, film number 2 (Ilford FP4+).&lt;/div&gt;</description>
    <media:title>"Drink me!"</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/john_sheldon"&gt;John Sheldon&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/john_sheldon/45840824"&gt;&lt;img src="https://cdn.ipernity.com/200/08/24/45840824.b541ebb3.240.jpg?r2" width="184" height="240" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Montage created using a 120 film negative (the bottle - Zenza Bronica ETRS) and a digital 'DNG' (John Tenniel's illustration - Pentax K5).  Processed using SilkyPix Developer Studio Pro 8 and Serif PhotoPlus X8.&lt;br /&gt;
Part of my Bronica test project, film number 2 (Ilford FP4+).&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/200/08/24/45840824.b642f505.1024.jpg?r2" type="image/jpeg" width="783" height="1024" duration="0" isDefault="true"  />
    <media:thumbnail url="https://cdn.ipernity.com/200/08/24/45840824.b541ebb3.240.jpg?r2" width="184" height="240"/>
    <media:thumbnail url="https://cdn.ipernity.com/200/08/24/45840824.b541ebb3.100.jpg?r2" width="77" height="100"/>
    <media:credit role="author">John Sheldon</media:credit>
  </item>
  <item>
    <title>Unstern! Sinistre, Disastro!</title>
    <link>https://www.ipernity.com/doc/john_sheldon/45840822</link>
    <guid isPermaLink="false">tag:ipernity.com,2017-11-15,doc-45840822</guid>
    <pubDate>Wed, 15 Nov 2017 13:13:28 +0000</pubDate>
    <dc:date.created>2017-10-30T15:42:01+00:00</dc:date.created>
    <author>nobody@ipernity.com (John Sheldon)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/john_sheldon"&gt;John Sheldon&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/john_sheldon/45840822"&gt;&lt;img src="https://cdn.ipernity.com/200/08/22/45840822.73148830.240.jpg?r2" width="240" height="184" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Title plagiarised from Franz Liszt.  (His wild, avant garde, experimental piano piece of 1885).  The title translates from the German/French/ Italian: Unlucky! Sinister, Disaster!  He wanted to 'cast a lance into the future' and anticipate what future piano music might be like.  You have only to hear 20th century music by Prokofiev and Bartok to realise how near to the mark Liszt was.&lt;br /&gt;
&lt;br /&gt;
Part of my Bronica test project, film number 2 (Ilford FP4+).&lt;/div&gt;</description>
    <media:title>Unstern! Sinistre, Disastro!</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/john_sheldon"&gt;John Sheldon&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/john_sheldon/45840822"&gt;&lt;img src="https://cdn.ipernity.com/200/08/22/45840822.73148830.240.jpg?r2" width="240" height="184" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Title plagiarised from Franz Liszt.  (His wild, avant garde, experimental piano piece of 1885).  The title translates from the German/French/ Italian: Unlucky! Sinister, Disaster!  He wanted to 'cast a lance into the future' and anticipate what future piano music might be like.  You have only to hear 20th century music by Prokofiev and Bartok to realise how near to the mark Liszt was.&lt;br /&gt;
&lt;br /&gt;
Part of my Bronica test project, film number 2 (Ilford FP4+).&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/200/08/22/45840822.cc393658.1024.jpg?r2" type="image/jpeg" width="1024" height="785" duration="0" isDefault="true"  />
    <media:thumbnail url="https://cdn.ipernity.com/200/08/22/45840822.73148830.240.jpg?r2" width="240" height="184"/>
    <media:thumbnail url="https://cdn.ipernity.com/200/08/22/45840822.73148830.100.jpg?r2" width="100" height="77"/>
    <media:credit role="author">John Sheldon</media:credit>
  </item>
  <item>
    <title>Les Dauphins - still life</title>
    <link>https://www.ipernity.com/doc/john_sheldon/45829980</link>
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    <pubDate>Sun, 12 Nov 2017 14:44:37 +0000</pubDate>
    <dc:date.created>2017-10-25T15:42:01+00:00</dc:date.created>
    <author>nobody@ipernity.com (John Sheldon)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/john_sheldon"&gt;John Sheldon&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/john_sheldon/45829980"&gt;&lt;img src="https://cdn.ipernity.com/200/99/80/45829980.d88bdae2.240.jpg?r2" width="240" height="172" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Zenza Bronica ETRS with 75mm standard lens.&lt;br /&gt;
Ilford FP4+.&lt;/div&gt;</description>
    <media:title>Les Dauphins - still life</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/john_sheldon"&gt;John Sheldon&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/john_sheldon/45829980"&gt;&lt;img src="https://cdn.ipernity.com/200/99/80/45829980.d88bdae2.240.jpg?r2" width="240" height="172" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Zenza Bronica ETRS with 75mm standard lens.&lt;br /&gt;
Ilford FP4+.&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/200/99/80/45829980.41afbdf3.1024.jpg?r2" type="image/jpeg" width="1024" height="732" duration="0" isDefault="true"  />
    <media:thumbnail url="https://cdn.ipernity.com/200/99/80/45829980.d88bdae2.240.jpg?r2" width="240" height="172"/>
    <media:thumbnail url="https://cdn.ipernity.com/200/99/80/45829980.d88bdae2.100.jpg?r2" width="100" height="72"/>
    <media:credit role="author">John Sheldon</media:credit>
  </item>
  <item>
    <title>Textured metal</title>
    <link>https://www.ipernity.com/doc/john_sheldon/45829978</link>
    <guid isPermaLink="false">tag:ipernity.com,2017-11-12,doc-45829978</guid>
    <pubDate>Sun, 12 Nov 2017 14:44:30 +0000</pubDate>
    <dc:date.created>2017-10-25T15:42:01+00:00</dc:date.created>
    <author>nobody@ipernity.com (John Sheldon)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/john_sheldon"&gt;John Sheldon&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/john_sheldon/45829978"&gt;&lt;img src="https://cdn.ipernity.com/200/99/78/45829978.2c530de5.240.jpg?r2" width="240" height="194" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Bronica test project, film number 2.&lt;br /&gt;
Manfrotto 486 ball type tripod head (made in Italy).&lt;br /&gt;
Close focussing plane is clearly accurate on my Zenza Bronica ETRS.  Used 75mm standard lens and 14mm extension tube.&lt;br /&gt;
Ilford FP4+ film, CanoScan 8800F flatbed scanner.&lt;/div&gt;</description>
    <media:title>Textured metal</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/john_sheldon"&gt;John Sheldon&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/john_sheldon/45829978"&gt;&lt;img src="https://cdn.ipernity.com/200/99/78/45829978.2c530de5.240.jpg?r2" width="240" height="194" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Bronica test project, film number 2.&lt;br /&gt;
Manfrotto 486 ball type tripod head (made in Italy).&lt;br /&gt;
Close focussing plane is clearly accurate on my Zenza Bronica ETRS.  Used 75mm standard lens and 14mm extension tube.&lt;br /&gt;
Ilford FP4+ film, CanoScan 8800F flatbed scanner.&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/200/99/78/45829978.0e830695.1024.jpg?r2" type="image/jpeg" width="1024" height="826" duration="0" isDefault="true"  />
    <media:thumbnail url="https://cdn.ipernity.com/200/99/78/45829978.2c530de5.240.jpg?r2" width="240" height="194"/>
    <media:thumbnail url="https://cdn.ipernity.com/200/99/78/45829978.2c530de5.100.jpg?r2" width="100" height="81"/>
    <media:credit role="author">John Sheldon</media:credit>
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