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  <title>Photos, videos and docs of William Sutherland, with the keywords: "Circle"</title>
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    <title>Photos, videos and docs of William Sutherland, with the keywords: "Circle"</title>
    <link>https://www.ipernity.com/tag/285927/keyword/240681</link>
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  <pubDate>Fri, 18 Sep 2026 00:39:23 +0000</pubDate>
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    <title>Geometry of Life</title>
    <link>https://www.ipernity.com/doc/285927/53305694</link>
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    <pubDate>Fri, 24 Apr 2026 22:44:48 +0000</pubDate>
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    <author>nobody@ipernity.com (William Sutherland)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/285927"&gt;William Sutherland&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/285927/53305694"&gt;&lt;img src="https://cdn.ipernity.com/200/56/94/53305694.c5f591f6.240.jpg?r2" width="240" height="164" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Mamaroneck, NY&lt;br /&gt;
&lt;br /&gt;
Taken with a Motorola® Android Smart Phone 50 MP Quad Pixel camera.  Digitally edited using CoPilot® (Microsoft).&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;&lt;i&gt;Geometry of Life&lt;/i&gt;&lt;/b&gt; captures the intersection between the soft, biological curves of the tulip and the rigid, industrial lines of the wall and drainage pipe. It elevates the image from a simple floral study to the profound reality that how nature occupies a structured world.&lt;br /&gt;
&lt;br /&gt;
In this minimalist composition, the organic form of a red tulip serves as a vibrant vertical axis against the horizontal plane of white stucco wall. The composition is defined by spatial tension; the soft, saturated volume of the flower is balanced by the empty, dark circumference of the drainage pipe. By stripping the environment of color, the image exposes the underlying architecture of the scene, transforming a chance encounter with a "found object" into a deliberate exploration of shape, line, and placement. It is an observation of how the fluid geometry of nature asserts itself within the rigid, monochromatic structures of a man-made landscape.&lt;br /&gt;
&lt;br /&gt;
With two competing focal points (the red tulip and the dark drainage pipe) that break conventional rules, this photograph is a study in direct perception that captures the quiet intensity of a single biological and non-biological form, each isolated by negative space.&lt;/div&gt;</description>
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&lt;br /&gt;
Taken with a Motorola® Android Smart Phone 50 MP Quad Pixel camera.  Digitally edited using CoPilot® (Microsoft).&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;&lt;i&gt;Geometry of Life&lt;/i&gt;&lt;/b&gt; captures the intersection between the soft, biological curves of the tulip and the rigid, industrial lines of the wall and drainage pipe. It elevates the image from a simple floral study to the profound reality that how nature occupies a structured world.&lt;br /&gt;
&lt;br /&gt;
In this minimalist composition, the organic form of a red tulip serves as a vibrant vertical axis against the horizontal plane of white stucco wall. The composition is defined by spatial tension; the soft, saturated volume of the flower is balanced by the empty, dark circumference of the drainage pipe. By stripping the environment of color, the image exposes the underlying architecture of the scene, transforming a chance encounter with a "found object" into a deliberate exploration of shape, line, and placement. It is an observation of how the fluid geometry of nature asserts itself within the rigid, monochromatic structures of a man-made landscape.&lt;br /&gt;
&lt;br /&gt;
With two competing focal points (the red tulip and the dark drainage pipe) that break conventional rules, this photograph is a study in direct perception that captures the quiet intensity of a single biological and non-biological form, each isolated by negative space.&lt;/div&gt;</media:text>
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    <title>Linear Chaos</title>
    <link>https://www.ipernity.com/doc/285927/51244942</link>
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    <pubDate>Wed, 30 Mar 2022 23:52:25 +0000</pubDate>
    <dc:date.created>2022-03-26T19:52:25-04:00</dc:date.created>
    <author>nobody@ipernity.com (William Sutherland)</author>
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    <media:title>Linear Chaos</media:title>
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    <title>Broken Vinyl</title>
    <link>https://www.ipernity.com/doc/285927/46606682</link>
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    <pubDate>Tue, 01 May 2018 01:26:29 +0000</pubDate>
    <dc:date.created>2018-04-28T21:26:29-04:00</dc:date.created>
    <author>nobody@ipernity.com (William Sutherland)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/285927"&gt;William Sutherland&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/285927/46606682"&gt;&lt;img src="https://cdn.ipernity.com/200/66/82/46606682.02aa5da9.240.jpg?r2" width="240" height="192" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Mamaroneck, NY&lt;br /&gt;
&lt;br /&gt;
&lt;u&gt;&lt;b&gt;Note:&lt;/b&gt;&lt;/u&gt;  I deliberately used "white space" to go against conformity and chose the colors to project warmth.  I also bled the colors from the center of the broken lp so the mind could complete the circle that is missing the right edge.&lt;/div&gt;</description>
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&lt;br /&gt;
&lt;u&gt;&lt;b&gt;Note:&lt;/b&gt;&lt;/u&gt;  I deliberately used "white space" to go against conformity and chose the colors to project warmth.  I also bled the colors from the center of the broken lp so the mind could complete the circle that is missing the right edge.&lt;/div&gt;</media:text>
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    <title>Electrical</title>
    <link>https://www.ipernity.com/doc/285927/46408402</link>
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    <pubDate>Thu, 22 Mar 2018 09:43:21 +0000</pubDate>
    <dc:date.created>2018-03-03T05:43:21-04:00</dc:date.created>
    <author>nobody@ipernity.com (William Sutherland)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/285927"&gt;William Sutherland&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/285927/46408402"&gt;&lt;img src="https://cdn.ipernity.com/200/84/02/46408402.1e0dbd77.240.jpg?r2" width="240" height="190" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Mamaroneck, NY&lt;/div&gt;</description>
    <media:title>Electrical</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/285927"&gt;William Sutherland&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/285927/46408402"&gt;&lt;img src="https://cdn.ipernity.com/200/84/02/46408402.1e0dbd77.240.jpg?r2" width="240" height="190" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Mamaroneck, NY&lt;/div&gt;</media:text>
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    <title>Emerald Abstract</title>
    <link>https://www.ipernity.com/doc/285927/46356126</link>
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    <pubDate>Sat, 10 Mar 2018 10:43:22 +0000</pubDate>
    <dc:date.created>2018-03-10T05:43:22-05:00</dc:date.created>
    <author>nobody@ipernity.com (William Sutherland)</author>
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    <media:title>Emerald Abstract</media:title>
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    <title>Orange Explosion</title>
    <link>https://www.ipernity.com/doc/285927/46269464</link>
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    <pubDate>Sun, 18 Feb 2018 15:19:40 +0000</pubDate>
    <dc:date.created>2018-02-17T10:19:40-05:00</dc:date.created>
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    <title>Circle</title>
    <link>https://www.ipernity.com/doc/285927/20262529</link>
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    <pubDate>Wed, 05 Jun 2013 11:07:35 +0000</pubDate>
    <dc:date.created>2012-05-09T07:07:35-04:00</dc:date.created>
    <author>nobody@ipernity.com (William Sutherland)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/285927"&gt;William Sutherland&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/285927/20262529"&gt;&lt;img src="https://cdn.ipernity.com/120/25/29/20262529.ce684b39.240.jpg?r2" width="240" height="168" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Donald M. Kendall Sculpture Gardens, Purchase, NY&lt;/div&gt;</description>
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