Photos, videos and docs of Scott Holcomb, with the keywords: "GGNRA"

Wall versus Bridge

nobody@ipernity.com (Scott Holcomb) — Wed, 31 May 2023 04:12:12 +0000

Bridges can traverse walls.

This photo was taken by a Kowa/SIX medium format film camera with a KOWA 1:3.5/55mm lens and Kowa L39 3C(UV) ø67 filter using Kodak Portra 400 film, the negative scanned by an Epson Perfection V600 and digitally rendered with Photoshop.

Fortress

nobody@ipernity.com (Scott Holcomb) — Fri, 07 Jan 2022 09:18:11 +0000

Scott Holcomb has posted:

Fort Point guarded the entry to San Francisco Bay when active. It is now a popular museum run by the National Park System.

This photo was taken by a Kowa/SIX medium format film camera with a KOWA 1:3.5/55 lens and Zenza Bronica 67mm SY48•2C (Y2) filter using Kodak T-MAX 400 film, the negative scanned by an Epson Perfection V600 and digitally rendered with Photoshop.

Fort Point

nobody@ipernity.com (Scott Holcomb) — Fri, 10 Dec 2021 12:06:51 +0000

Scott Holcomb has posted:

Fort Point was built at the mouth of the Golden Gate Strait in the 1850s to guard the entry to the San Francisco Bay. The fence came later to protect visitors from falling off this multistory fortress.

This photo was taken by a Kowa/SIX medium format film camera and KOWA 1:3.5/55mm lens with a Kowa L39 3C(UV) ø67 filter using Kodak Portra 400 film, the negative scanned by an Epson Perfection V600 and digitally rendered with Photoshop.

Point Lobos

nobody@ipernity.com (Scott Holcomb) — Wed, 23 Sep 2020 04:28:40 +0000

Scott Holcomb has posted:

Coming down the Upper Sutro Baths Trail, the waves of the Pacific roll onto a beach that is overlooked by Point Lobos.

This photo was taken by a Zenza Bronica S2 medium format film camera and ZENZANON 1:2.8 f=100mm lens with a Zenza Bronica 67mm SY48•2C(Y2) filter using Ilford HP5 Plus 400 film, the negative scanned by an Epson Perfection V600 and digitally rendered using Photoshop.

Ruins of Sutro Baths

nobody@ipernity.com (Scott Holcomb) — Tue, 15 Sep 2020 23:49:50 +0000

Scott Holcomb has posted:

The Sutro Baths were constructed in 1894. The site had an ocean pool aquarium and a massive public bathhouse that could accommodate 10.000 people at one time. A classic Greek portal opened to a grandiose glass enclosure containing seven swimming pools at various temperatures. There were slides, trapezes, springboards and a high dive. The power of the Pacific Ocean during high tide could fill the 1.7 million gallons of water required for all the pools in just one hour. Over the decades the baths’ popularity declined. The end came in 1966 when a fire destroyed the structure.

This photo was taken by a Zenza Bronica S2 medium format film camera and Nikkor-H 1:3.5 f=5 cm lens with a Hoya HMC 82mm Y[K2] filter using Ilford HP5 Plus 400 film, the negative scanned by an Epson Perfection V600 and digitally rendered using Photoshop.

On the Fence

nobody@ipernity.com (Scott Holcomb) — Fri, 18 Oct 2019 03:17:12 +0000

Scott Holcomb has posted:

If you're on the fence, you can't decide something. You're torn between two options. If you're standing at the ice cream counter, not sure if you should get chocolate or vanilla, you're on the fence. Being on the fence means you really just can't decide.

This photo was taken by a Kowa/SIX medium format film camera with a KOWA 1:3.5/55 lens and Zenza Bronica 67mm SY48•2C (Y2) filter using Kodak T-MAX 400 film, the negative scanned by an Epson Perfection V600 and digitally rendered with Photoshop.

Atmospheric

nobody@ipernity.com (Scott Holcomb) — Sat, 01 Oct 2016 16:56:55 +0000

Scott Holcomb has posted:

The Marine Layer battles it's way through Golden Gate Strait against the heat of summer.

This photo was taken by an Asahi Pentax 6 X 7 medium format film camera with a Super-Takumar/6X7 1:2.4/105 lens and Hoya R-72 filter using Rollei Retro 400S film, the negative scanned by an Epson Perfection V600 and digitally rendered with Photoshop.

All Along the Watchtower

nobody@ipernity.com (Scott Holcomb) — Fri, 09 Sep 2016 03:12:47 +0000

Scott Holcomb has posted:

There must be some kind of way outta here
Said the joker to the thief
There's too much confusion
I can't get no relief

www.youtube.com/watch?v=TLV4_xaYynY
All Along The Watchtower - The Jimi Hendrix Experience
© Bob Dylan Music Co.

This photo was taken by a Kowa/SIX medium format film camera with a KOWA 1:3.5/55 lens using Kodak T-MAX 400 film, the negative scanned by an Epson Perfection V600 and digitally rendered with Photoshop.

Fire at Will

nobody@ipernity.com (Scott Holcomb) — Tue, 30 Aug 2016 18:45:25 +0000

Scott Holcomb has posted:

Film cameras and old cannons have a lot in common. Great care was/is needed to aim and focus/calculate range before firing. Nowadays, anyone can simple press a button and the result is automatic . . .
By the way, if any viewers are named, Will, I was not aiming at you . . .

This improvised tripod assisted photo was taken by a Kowa/SIX medium format film camera with a KOWA 1:3.5/55 lens using Kodak T-MAX 400 film, the negative scanned by an Epson Perfection V600 and digitally rendered with Photoshop.

Portal

nobody@ipernity.com (Scott Holcomb) — Wed, 17 Aug 2016 03:47:20 +0000

Scott Holcomb has posted:

Open the door. Turn the knob clockwise to go into the future. Turn the knob counter-clockwise to go into the past. Or . . . turn around and walk away to stay in the present.

This photo was taken by a Kowa/SIX medium format film camera and KOWA 1:3.5/55 lens using Kodak T-MAX 400 film, the negative scanned by an Epson Perfection V600 and digitally rendered with Photoshop.

Old Glory and The Bridge

nobody@ipernity.com (Scott Holcomb) — Fri, 12 Aug 2016 03:56:21 +0000

Scott Holcomb has posted:

Iconic balance . . .

This photo was taken by a Kowa/SIX medium format film camera and KOWA 1:3.5/55mm lens with a Kowa L39 3C(UV) ø67 filter using Kodak Portra 400 film, the negative scanned by an Epson Perfection V600 and digitally rendered with Photoshop.

Brick and Mortar

nobody@ipernity.com (Scott Holcomb) — Thu, 11 Aug 2016 05:15:47 +0000

Scott Holcomb has posted:

A friend at the local photo lab that I frequent asked me if I had done any shooting on my days off.
"Why yes", I responded . . .

This photo was 'shot' by a Kowa/SIX medium format film camera and a KOWA 1:3.5/55mm lens using Kodak Portra 800 film, the negative scanned by an Epson Perfection V600 and digitally rendered with Photoshop.

Grayscale Day

nobody@ipernity.com (Scott Holcomb) — Sat, 18 Jun 2016 03:36:31 +0000

Scott Holcomb has posted:

Ahhh . . . Summertime in San Francisco . . .

This photo was taken by a Zenza Bronica S2 medium format film camera and Nikkor-H 1:3.5 f=5 cm lens with a Hoya HMC 82mm Y[K2] filter using Rollei RPX 100 film, the negative scanned by an Epson Perfection V600 and digitally rendered using Photoshop.

Outside of the Fence

nobody@ipernity.com (Scott Holcomb) — Fri, 05 Feb 2016 05:53:05 +0000

Scott Holcomb has posted:

Thinking 'outside the fence'

This photo was taken with a Zenza Bronica S2 medium format film camera and Nikkor-H 1:3.5 f=5 cm lens with a Hoya HMC 82mm O[G] filter using Kodak T-MAX 400 film, the negative scanned by an Epson Perfection V600 and digitally rendered using Photoshop.

Hanjin

nobody@ipernity.com (Scott Holcomb) — Tue, 05 Jan 2016 18:10:10 +0000

Scott Holcomb has posted:

Straight through the Strait.

This image was taken from a Zenza Bronica S2 medium format film camera with a Zenzanon 1:3.5 f=150mm lens and Kowa Y2 ø67 filter using Kodak T-MAX 400 film, the negative scanned by an Epson Perfection V600 and digitally rendered with Photoshop.

Strait Shooting

nobody@ipernity.com (Scott Holcomb) — Thu, 10 Dec 2015 03:11:42 +0000

Scott Holcomb has posted:

On a clear day like this, Shoot Straight!

This photo was taken with a Zenza Bronica S2 medium format camera with a Zenzanon 1:3.5 f=150mm lens using Kodak Portra 400 film,the negative scanned by an Epson Perfection V600 and digitalized with Photoshop.

Walking the Maze

nobody@ipernity.com (Scott Holcomb) — Mon, 07 Dec 2015 16:55:21 +0000

Scott Holcomb has posted:

Stuck in a labyrinth.

This photo was taken with a Zenza Bronica S2 medium format film camera and Nikkor-H 1:3.5 f=5 cm lens with a Hoya HMC 82mm O[G] filter using Kodak T-MAX 400 film, the negative scanned by an Epson Perfection V600 and digitally rendered using Photoshop.