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  <title>Photos, videos and docs of John Sheldon, with the keywords: "Mamiyaflex"</title>
  <link>https://www.ipernity.com/tag/john_sheldon/keyword/804504</link>
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    <title>Photos, videos and docs of John Sheldon, with the keywords: "Mamiyaflex"</title>
    <link>https://www.ipernity.com/tag/john_sheldon/keyword/804504</link>
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  <pubDate>Mon, 07 Sep 2026 23:51:36 +0000</pubDate>
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    <title>Shrubbery Walk Basingstoke, 1981</title>
    <link>https://www.ipernity.com/doc/john_sheldon/48454394</link>
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    <pubDate>Sun, 14 Apr 2019 11:23:32 +0000</pubDate>
    <dc:date.created>1981-05-01T17:31:38+01:00</dc:date.created>
    <author>nobody@ipernity.com (John Sheldon)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/john_sheldon"&gt;John Sheldon&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/john_sheldon/48454394"&gt;&lt;img src="https://cdn.ipernity.com/200/43/94/48454394.677e9cb8.240.jpg?r2" width="240" height="237" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Shrubbery Walk in the Harrow Way development.  1981.  This ran from Kingsmill Road to the footbridge over the Ringway South.  A popular place for learning to ride a bicycle (on dry days).&lt;br /&gt;
Mamiya C220 TLR.  Ilford Pan F film developed in ID11.&lt;/div&gt;</description>
    <media:title>Shrubbery Walk Basingstoke, 1981</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/john_sheldon"&gt;John Sheldon&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/john_sheldon/48454394"&gt;&lt;img src="https://cdn.ipernity.com/200/43/94/48454394.677e9cb8.240.jpg?r2" width="240" height="237" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Shrubbery Walk in the Harrow Way development.  1981.  This ran from Kingsmill Road to the footbridge over the Ringway South.  A popular place for learning to ride a bicycle (on dry days).&lt;br /&gt;
Mamiya C220 TLR.  Ilford Pan F film developed in ID11.&lt;/div&gt;</media:text>
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    <media:credit role="author">John Sheldon</media:credit>
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    <title>The new Basingstoke Ringway, 1981</title>
    <link>https://www.ipernity.com/doc/john_sheldon/48454392</link>
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    <pubDate>Sun, 14 Apr 2019 11:23:30 +0000</pubDate>
    <dc:date.created>1981-05-01T17:31:00+01:00</dc:date.created>
    <author>nobody@ipernity.com (John Sheldon)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/john_sheldon"&gt;John Sheldon&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/john_sheldon/48454392"&gt;&lt;img src="https://cdn.ipernity.com/200/43/92/48454392.5e9ec42f.240.jpg?r2" width="240" height="240" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;From the footbridge that crosses the Ringway South at the end of Shrubbery Walk.&lt;br /&gt;
Mamiya C220 TLR.  Ilford Pan F film developed in ID11.&lt;/div&gt;</description>
    <media:title>The new Basingstoke Ringway, 1981</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/john_sheldon"&gt;John Sheldon&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/john_sheldon/48454392"&gt;&lt;img src="https://cdn.ipernity.com/200/43/92/48454392.5e9ec42f.240.jpg?r2" width="240" height="240" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;From the footbridge that crosses the Ringway South at the end of Shrubbery Walk.&lt;br /&gt;
Mamiya C220 TLR.  Ilford Pan F film developed in ID11.&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/200/43/92/48454392.69611ea6.1024.jpg?r2" type="image/jpeg" width="1023" height="1024" duration="0" isDefault="true"  />
    <media:thumbnail url="https://cdn.ipernity.com/200/43/92/48454392.5e9ec42f.240.jpg?r2" width="240" height="240"/>
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    <media:credit role="author">John Sheldon</media:credit>
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    <title>The new Basingstoke Ringway, 1981 (2)</title>
    <link>https://www.ipernity.com/doc/john_sheldon/48454390</link>
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    <pubDate>Sun, 14 Apr 2019 11:23:26 +0000</pubDate>
    <dc:date.created>1981-02-05T19:21:18+01:00</dc:date.created>
    <author>nobody@ipernity.com (John Sheldon)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/john_sheldon"&gt;John Sheldon&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/john_sheldon/48454390"&gt;&lt;img src="https://cdn.ipernity.com/200/43/90/48454390.383046f1.240.jpg?r2" width="240" height="240" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;From the footbridge that crosses the Ringway South at the end of Shrubbery Walk.&lt;br /&gt;
Mamiya C220 TLR.  Kodak Tri-X film developed in D76.&lt;/div&gt;</description>
    <media:title>The new Basingstoke Ringway, 1981 (2)</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/john_sheldon"&gt;John Sheldon&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/john_sheldon/48454390"&gt;&lt;img src="https://cdn.ipernity.com/200/43/90/48454390.383046f1.240.jpg?r2" width="240" height="240" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;From the footbridge that crosses the Ringway South at the end of Shrubbery Walk.&lt;br /&gt;
Mamiya C220 TLR.  Kodak Tri-X film developed in D76.&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/200/43/90/48454390.7d093037.1024.jpg?r2" type="image/jpeg" width="1024" height="1024" duration="0" isDefault="true"  />
    <media:thumbnail url="https://cdn.ipernity.com/200/43/90/48454390.383046f1.240.jpg?r2" width="240" height="240"/>
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    <media:credit role="author">John Sheldon</media:credit>
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    <title>Junction on Castle Field Path Basingstoke, 1981</title>
    <link>https://www.ipernity.com/doc/john_sheldon/48454352</link>
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    <pubDate>Sun, 14 Apr 2019 11:10:16 +0000</pubDate>
    <dc:date.created>1981-05-01T17:35:20+01:00</dc:date.created>
    <author>nobody@ipernity.com (John Sheldon)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/john_sheldon"&gt;John Sheldon&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/john_sheldon/48454352"&gt;&lt;img src="https://cdn.ipernity.com/200/43/52/48454352.e5bb4ba5.240.jpg?r2" width="240" height="240" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Castle Field Path ran from the Bounty Cricket Ground to a bridge over the 'new' Ringway.  Here is divided to provide access to new housing.&lt;br /&gt;
Mamiya C220 TLR.  Ilford Pan F film developed in ID11.&lt;/div&gt;</description>
    <media:title>Junction on Castle Field Path Basingstoke, 1981</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/john_sheldon"&gt;John Sheldon&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/john_sheldon/48454352"&gt;&lt;img src="https://cdn.ipernity.com/200/43/52/48454352.e5bb4ba5.240.jpg?r2" width="240" height="240" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Castle Field Path ran from the Bounty Cricket Ground to a bridge over the 'new' Ringway.  Here is divided to provide access to new housing.&lt;br /&gt;
Mamiya C220 TLR.  Ilford Pan F film developed in ID11.&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/200/43/52/48454352.3e921401.1024.jpg?r2" type="image/jpeg" width="1024" height="1024" duration="0" isDefault="true"  />
    <media:thumbnail url="https://cdn.ipernity.com/200/43/52/48454352.e5bb4ba5.240.jpg?r2" width="240" height="240"/>
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    <media:credit role="author">John Sheldon</media:credit>
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  <item>
    <title>Junction on Castle Field Path Basingstoke, 1981 (2)</title>
    <link>https://www.ipernity.com/doc/john_sheldon/48454350</link>
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    <pubDate>Sun, 14 Apr 2019 11:10:10 +0000</pubDate>
    <dc:date.created>1981-02-01T13:01:41+01:00</dc:date.created>
    <author>nobody@ipernity.com (John Sheldon)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/john_sheldon"&gt;John Sheldon&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/john_sheldon/48454350"&gt;&lt;img src="https://cdn.ipernity.com/200/43/50/48454350.3008cb1b.240.jpg?r2" width="240" height="240" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Castle Field Path ran from the Bounty Cricket Ground to a bridge over the 'new' Ringway.  Here is divided to provide access to new housing.&lt;br /&gt;
Using the 'View original' function the Wella building can be discerned.&lt;br /&gt;
YashicaMat TLR.  Ilford FP4 film developed in ID11.&lt;/div&gt;</description>
    <media:title>Junction on Castle Field Path Basingstoke, 1981 (2)</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/john_sheldon"&gt;John Sheldon&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/john_sheldon/48454350"&gt;&lt;img src="https://cdn.ipernity.com/200/43/50/48454350.3008cb1b.240.jpg?r2" width="240" height="240" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Castle Field Path ran from the Bounty Cricket Ground to a bridge over the 'new' Ringway.  Here is divided to provide access to new housing.&lt;br /&gt;
Using the 'View original' function the Wella building can be discerned.&lt;br /&gt;
YashicaMat TLR.  Ilford FP4 film developed in ID11.&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/200/43/50/48454350.53e05334.1024.jpg?r2" type="image/jpeg" width="1024" height="1024" duration="0" isDefault="true"  />
    <media:thumbnail url="https://cdn.ipernity.com/200/43/50/48454350.3008cb1b.240.jpg?r2" width="240" height="240"/>
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    <media:credit role="author">John Sheldon</media:credit>
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  <item>
    <title>Ringway South, Basingstoke with Oakley&amp;#039;s Coach</title>
    <link>https://www.ipernity.com/doc/john_sheldon/48418622</link>
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    <pubDate>Wed, 03 Apr 2019 13:43:03 +0000</pubDate>
    <dc:date.created>1979-05-05T18:20:19+01:00</dc:date.created>
    <author>nobody@ipernity.com (John Sheldon)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/john_sheldon"&gt;John Sheldon&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/john_sheldon/48418622"&gt;&lt;img src="https://cdn.ipernity.com/200/86/22/48418622.eaf6cbf4.240.jpg?r2" width="240" height="234" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Oakley Coaches were a coach company local to Basingstoke. Here seen on the 'new' Ringway in 1979.&lt;br /&gt;
Mamiya C220 TLR.  Ilford FP4 film developed in ID11.&lt;/div&gt;</description>
    <media:title>Ringway South, Basingstoke with Oakley&amp;#039;s Coach</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/john_sheldon"&gt;John Sheldon&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/john_sheldon/48418622"&gt;&lt;img src="https://cdn.ipernity.com/200/86/22/48418622.eaf6cbf4.240.jpg?r2" width="240" height="234" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Oakley Coaches were a coach company local to Basingstoke. Here seen on the 'new' Ringway in 1979.&lt;br /&gt;
Mamiya C220 TLR.  Ilford FP4 film developed in ID11.&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/200/86/22/48418622.792d54b6.1024.jpg?r2" type="image/jpeg" width="1024" height="999" duration="0" isDefault="true"  />
    <media:thumbnail url="https://cdn.ipernity.com/200/86/22/48418622.eaf6cbf4.240.jpg?r2" width="240" height="234"/>
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    <media:credit role="author">John Sheldon</media:credit>
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    <title>Ringway South, Basingstoke, 1979</title>
    <link>https://www.ipernity.com/doc/john_sheldon/48418616</link>
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    <pubDate>Wed, 03 Apr 2019 13:42:59 +0000</pubDate>
    <dc:date.created>1979-05-05T18:20:19+01:00</dc:date.created>
    <author>nobody@ipernity.com (John Sheldon)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/john_sheldon"&gt;John Sheldon&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/john_sheldon/48418616"&gt;&lt;img src="https://cdn.ipernity.com/200/86/16/48418616.e235b6a5.240.jpg?r2" width="240" height="235" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;New planting of saplings designed to screen the 'new' Basingstoke Ringway.&lt;br /&gt;
Mamiya C220 TLR.  Ilford FP4 film developed in ID11.&lt;/div&gt;</description>
    <media:title>Ringway South, Basingstoke, 1979</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/john_sheldon"&gt;John Sheldon&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/john_sheldon/48418616"&gt;&lt;img src="https://cdn.ipernity.com/200/86/16/48418616.e235b6a5.240.jpg?r2" width="240" height="235" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;New planting of saplings designed to screen the 'new' Basingstoke Ringway.&lt;br /&gt;
Mamiya C220 TLR.  Ilford FP4 film developed in ID11.&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/200/86/16/48418616.2fa56b43.1024.jpg?r2" type="image/jpeg" width="1024" height="1002" duration="0" isDefault="true"  />
    <media:thumbnail url="https://cdn.ipernity.com/200/86/16/48418616.e235b6a5.240.jpg?r2" width="240" height="235"/>
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    <media:credit role="author">John Sheldon</media:credit>
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  <item>
    <title>Triceratops - Natural History Museum, London - 1982</title>
    <link>https://www.ipernity.com/doc/john_sheldon/45873120</link>
    <guid isPermaLink="false">tag:ipernity.com,2017-11-21,doc-45873120</guid>
    <pubDate>Tue, 21 Nov 2017 13:56:54 +0000</pubDate>
    <dc:date.created>1982-04-18T10:20:27+00:00</dc:date.created>
    <author>nobody@ipernity.com (John Sheldon)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/john_sheldon"&gt;John Sheldon&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/john_sheldon/45873120"&gt;&lt;img src="https://cdn.ipernity.com/200/31/20/45873120.d051ea64.240.jpg?r2" width="240" height="234" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;One young and full of life, the other not so.&lt;br /&gt;
Ah, those civilised days when it was not necessary to build a barrier around everything!  &lt;br /&gt;
Mamiya C220 TLR 120 film camera.  65mm semi wide angle lens, aperture fully open. Kodak 400 ISO colour negative film. &lt;br /&gt;
Negative scanned using Canoscan 8800F flatbed scanner.&lt;br /&gt;
&lt;br /&gt;
This picture copyright, all rights reserved.&lt;/div&gt;</description>
    <media:title>Triceratops - Natural History Museum, London - 1982</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/john_sheldon"&gt;John Sheldon&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/john_sheldon/45873120"&gt;&lt;img src="https://cdn.ipernity.com/200/31/20/45873120.d051ea64.240.jpg?r2" width="240" height="234" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;One young and full of life, the other not so.&lt;br /&gt;
Ah, those civilised days when it was not necessary to build a barrier around everything!  &lt;br /&gt;
Mamiya C220 TLR 120 film camera.  65mm semi wide angle lens, aperture fully open. Kodak 400 ISO colour negative film. &lt;br /&gt;
Negative scanned using Canoscan 8800F flatbed scanner.&lt;br /&gt;
&lt;br /&gt;
This picture copyright, all rights reserved.&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/200/31/20/45873120.8bb51285.1024.jpg?r2" type="image/jpeg" width="1024" height="995" duration="0" isDefault="true"  />
    <media:thumbnail url="https://cdn.ipernity.com/200/31/20/45873120.d051ea64.240.jpg?r2" width="240" height="234"/>
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    <media:credit role="author">John Sheldon</media:credit>
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  <item>
    <title>Back Lit Portrait</title>
    <link>https://www.ipernity.com/doc/john_sheldon/44536612</link>
    <guid isPermaLink="false">tag:ipernity.com,2017-03-29,doc-44536612</guid>
    <pubDate>Wed, 29 Mar 2017 11:01:12 +0000</pubDate>
    <dc:date.created>1979-01-12T11:49:08+01:00</dc:date.created>
    <author>nobody@ipernity.com (John Sheldon)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/john_sheldon"&gt;John Sheldon&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/john_sheldon/44536612"&gt;&lt;img src="https://cdn.ipernity.com/200/66/12/44536612.c87145e0.240.jpg?r2" width="240" height="240" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;1979.  Mamiya TLR medium format camera with Sekor 135mm f4.5 lens.  Ilford FP4 black and white negative film processed in Ilford ID XI, scanned using CanoScan 8800F.&lt;/div&gt;</description>
    <media:title>Back Lit Portrait</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/john_sheldon"&gt;John Sheldon&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/john_sheldon/44536612"&gt;&lt;img src="https://cdn.ipernity.com/200/66/12/44536612.c87145e0.240.jpg?r2" width="240" height="240" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;1979.  Mamiya TLR medium format camera with Sekor 135mm f4.5 lens.  Ilford FP4 black and white negative film processed in Ilford ID XI, scanned using CanoScan 8800F.&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/200/66/12/44536612.e48c811d.1024.jpg?r2" type="image/jpeg" width="1024" height="1024" duration="0" isDefault="true"  />
    <media:thumbnail url="https://cdn.ipernity.com/200/66/12/44536612.c87145e0.240.jpg?r2" width="240" height="240"/>
    <media:thumbnail url="https://cdn.ipernity.com/200/66/12/44536612.c87145e0.100.jpg?r2" width="100" height="100"/>
    <media:credit role="author">John Sheldon</media:credit>
  </item>
  <item>
    <title>Portrait - 1979</title>
    <link>https://www.ipernity.com/doc/john_sheldon/44518700</link>
    <guid isPermaLink="false">tag:ipernity.com,2017-03-25,doc-44518700</guid>
    <pubDate>Sat, 25 Mar 2017 16:56:28 +0000</pubDate>
    <dc:date.created>1979-01-12T11:52:15+00:00</dc:date.created>
    <author>nobody@ipernity.com (John Sheldon)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/john_sheldon"&gt;John Sheldon&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/john_sheldon/44518700"&gt;&lt;img src="https://cdn.ipernity.com/200/87/00/44518700.c7ae75b5.240.jpg?r2" width="240" height="240" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Male Portrait - Silhouette.&lt;br /&gt;
Negative exposed in 1979.  Mamiya TLR medium format camera with Sekor 135mm f4.5 lens.  Ilford FP4 black and white negative film, scanned using CanoScan 8800F.&lt;br /&gt;
Converted to sepia using Lab Colour Space in Serif PhotoPlus software.  The deckled effect around the central square was what I call a 'happy accident' and I decided to leave it in.&lt;/div&gt;</description>
    <media:title>Portrait - 1979</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/john_sheldon"&gt;John Sheldon&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/john_sheldon/44518700"&gt;&lt;img src="https://cdn.ipernity.com/200/87/00/44518700.c7ae75b5.240.jpg?r2" width="240" height="240" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Male Portrait - Silhouette.&lt;br /&gt;
Negative exposed in 1979.  Mamiya TLR medium format camera with Sekor 135mm f4.5 lens.  Ilford FP4 black and white negative film, scanned using CanoScan 8800F.&lt;br /&gt;
Converted to sepia using Lab Colour Space in Serif PhotoPlus software.  The deckled effect around the central square was what I call a 'happy accident' and I decided to leave it in.&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/200/87/00/44518700.c264af24.1024.jpg?r2" type="image/jpeg" width="1024" height="1024" duration="0" isDefault="true"  />
    <media:thumbnail url="https://cdn.ipernity.com/200/87/00/44518700.c7ae75b5.240.jpg?r2" width="240" height="240"/>
    <media:thumbnail url="https://cdn.ipernity.com/200/87/00/44518700.c7ae75b5.100.jpg?r2" width="100" height="100"/>
    <media:credit role="author">John Sheldon</media:credit>
  </item>
  <item>
    <title>Here&amp;#039;s lookin&amp;#039; at you</title>
    <link>https://www.ipernity.com/doc/john_sheldon/44422636</link>
    <guid isPermaLink="false">tag:ipernity.com,2017-03-07,doc-44422636</guid>
    <pubDate>Tue, 07 Mar 2017 11:35:05 +0000</pubDate>
    <dc:date.created>1979-05-05T11:32:19+00:00</dc:date.created>
    <author>nobody@ipernity.com (John Sheldon)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/john_sheldon"&gt;John Sheldon&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/john_sheldon/44422636"&gt;&lt;img src="https://cdn.ipernity.com/200/26/36/44422636.4031885b.240.jpg?r2" width="190" height="240" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Close up of wooden carvings.  Mamiya TLR camera with 80mm Sekor lenses.  Ilford FP4 120 (medium format) film developed in Ilford ID XI.&lt;/div&gt;</description>
    <media:title>Here&amp;#039;s lookin&amp;#039; at you</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/john_sheldon"&gt;John Sheldon&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/john_sheldon/44422636"&gt;&lt;img src="https://cdn.ipernity.com/200/26/36/44422636.4031885b.240.jpg?r2" width="190" height="240" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Close up of wooden carvings.  Mamiya TLR camera with 80mm Sekor lenses.  Ilford FP4 120 (medium format) film developed in Ilford ID XI.&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/200/26/36/44422636.e909775c.1024.jpg?r2" type="image/jpeg" width="810" height="1024" duration="0" isDefault="true"  />
    <media:thumbnail url="https://cdn.ipernity.com/200/26/36/44422636.4031885b.240.jpg?r2" width="190" height="240"/>
    <media:thumbnail url="https://cdn.ipernity.com/200/26/36/44422636.4031885b.100.jpg?r2" width="80" height="100"/>
    <media:credit role="author">John Sheldon</media:credit>
  </item>
  <item>
    <title>Winter 1983, Leeds</title>
    <link>https://www.ipernity.com/doc/john_sheldon/44355968</link>
    <guid isPermaLink="false">tag:ipernity.com,2017-02-23,doc-44355968</guid>
    <pubDate>Thu, 23 Feb 2017 12:48:49 +0000</pubDate>
    <dc:date.created>1983-02-28T21:29:36+00:00</dc:date.created>
    <author>nobody@ipernity.com (John Sheldon)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/john_sheldon"&gt;John Sheldon&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/john_sheldon/44355968"&gt;&lt;img src="https://cdn.ipernity.com/200/59/68/44355968.ccfec2f2.240.jpg?r2" width="240" height="240" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Winter 1983. Western Flats Park, Leeds, Yorkshire.&lt;/div&gt;</description>
    <media:title>Winter 1983, Leeds</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/john_sheldon"&gt;John Sheldon&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/john_sheldon/44355968"&gt;&lt;img src="https://cdn.ipernity.com/200/59/68/44355968.ccfec2f2.240.jpg?r2" width="240" height="240" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Winter 1983. Western Flats Park, Leeds, Yorkshire.&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/200/59/68/44355968.7d8cde5a.1024.jpg?r2" type="image/jpeg" width="1024" height="1024" duration="0" isDefault="true"  />
    <media:thumbnail url="https://cdn.ipernity.com/200/59/68/44355968.ccfec2f2.240.jpg?r2" width="240" height="240"/>
    <media:thumbnail url="https://cdn.ipernity.com/200/59/68/44355968.ccfec2f2.100.jpg?r2" width="100" height="100"/>
    <media:credit role="author">John Sheldon</media:credit>
  </item>
  <item>
    <title>What the Dickens?</title>
    <link>https://www.ipernity.com/doc/john_sheldon/44330934</link>
    <guid isPermaLink="false">tag:ipernity.com,2017-02-18,doc-44330934</guid>
    <pubDate>Sat, 18 Feb 2017 15:13:18 +0000</pubDate>
    <dc:date.created>1982-10-01T15:58:10+00:00</dc:date.created>
    <author>nobody@ipernity.com (John Sheldon)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/john_sheldon"&gt;John Sheldon&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/john_sheldon/44330934"&gt;&lt;img src="https://cdn.ipernity.com/200/09/34/44330934.39ff45d0.240.jpg?r2" width="199" height="240" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Mamiya TLR (twin lens reflex) film camera with 80mm Sekor lenses.  Ilford FP4 black and white film rated at 125 ISO and developed in Ilford ID XI.&lt;br /&gt;
Negative made in 1982.  Scanned using CanoScan 8800F.&lt;br /&gt;
These volumes had a rich burgundy hue, and much I as I have always liked monochrome, I would use colour now for this picture.&lt;/div&gt;</description>
    <media:title>What the Dickens?</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/john_sheldon"&gt;John Sheldon&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/john_sheldon/44330934"&gt;&lt;img src="https://cdn.ipernity.com/200/09/34/44330934.39ff45d0.240.jpg?r2" width="199" height="240" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Mamiya TLR (twin lens reflex) film camera with 80mm Sekor lenses.  Ilford FP4 black and white film rated at 125 ISO and developed in Ilford ID XI.&lt;br /&gt;
Negative made in 1982.  Scanned using CanoScan 8800F.&lt;br /&gt;
These volumes had a rich burgundy hue, and much I as I have always liked monochrome, I would use colour now for this picture.&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/200/09/34/44330934.07ec288d.1024.jpg?r2" type="image/jpeg" width="847" height="1024" duration="0" isDefault="true"  />
    <media:thumbnail url="https://cdn.ipernity.com/200/09/34/44330934.39ff45d0.240.jpg?r2" width="199" height="240"/>
    <media:thumbnail url="https://cdn.ipernity.com/200/09/34/44330934.39ff45d0.100.jpg?r2" width="83" height="100"/>
    <media:credit role="author">John Sheldon</media:credit>
  </item>
  <item>
    <title>Double framed gazelle</title>
    <link>https://www.ipernity.com/doc/john_sheldon/44330932</link>
    <guid isPermaLink="false">tag:ipernity.com,2017-02-18,doc-44330932</guid>
    <pubDate>Sat, 18 Feb 2017 15:13:08 +0000</pubDate>
    <dc:date.created>1980-05-01T15:03:44+00:00</dc:date.created>
    <author>nobody@ipernity.com (John Sheldon)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/john_sheldon"&gt;John Sheldon&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/john_sheldon/44330932"&gt;&lt;img src="https://cdn.ipernity.com/200/09/32/44330932.d099d910.240.jpg?r2" width="116" height="240" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Two consecutive frames on a roll of 120 film, taken as a test of a Mamiya 'paramender' tripod attachment.  Mamiya TLR camera with 80mm Sekor lenses.  Ilford FP4 120 medium format black and white film, scanned using CanoScan 8800F.&lt;/div&gt;</description>
    <media:title>Double framed gazelle</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/john_sheldon"&gt;John Sheldon&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/john_sheldon/44330932"&gt;&lt;img src="https://cdn.ipernity.com/200/09/32/44330932.d099d910.240.jpg?r2" width="116" height="240" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Two consecutive frames on a roll of 120 film, taken as a test of a Mamiya 'paramender' tripod attachment.  Mamiya TLR camera with 80mm Sekor lenses.  Ilford FP4 120 medium format black and white film, scanned using CanoScan 8800F.&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/200/09/32/44330932.e8247231.1024.jpg?r2" type="image/jpeg" width="491" height="1024" duration="0" isDefault="true"  />
    <media:thumbnail url="https://cdn.ipernity.com/200/09/32/44330932.d099d910.240.jpg?r2" width="116" height="240"/>
    <media:thumbnail url="https://cdn.ipernity.com/200/09/32/44330932.d099d910.100.jpg?r2" width="48" height="100"/>
    <media:credit role="author">John Sheldon</media:credit>
  </item>
  <item>
    <title>Driftwood Guitar</title>
    <link>https://www.ipernity.com/doc/john_sheldon/44330930</link>
    <guid isPermaLink="false">tag:ipernity.com,2017-02-18,doc-44330930</guid>
    <pubDate>Sat, 18 Feb 2017 15:12:43 +0000</pubDate>
    <dc:date.created>1980-05-01T15:05:32+00:00</dc:date.created>
    <author>nobody@ipernity.com (John Sheldon)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/john_sheldon"&gt;John Sheldon&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/john_sheldon/44330930"&gt;&lt;img src="https://cdn.ipernity.com/200/09/30/44330930.7fe9177d.240.jpg?r2" width="240" height="190" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;The washed-out tones and exagerated woodgrain reminded me of driftwood.  &lt;br /&gt;
Ilford FP4 120 film.  Negative scanned using CanoScan 8800F, and subsequently heavily processed.&lt;/div&gt;</description>
    <media:title>Driftwood Guitar</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/john_sheldon"&gt;John Sheldon&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/john_sheldon/44330930"&gt;&lt;img src="https://cdn.ipernity.com/200/09/30/44330930.7fe9177d.240.jpg?r2" width="240" height="190" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;The washed-out tones and exagerated woodgrain reminded me of driftwood.  &lt;br /&gt;
Ilford FP4 120 film.  Negative scanned using CanoScan 8800F, and subsequently heavily processed.&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/200/09/30/44330930.89336326.1024.jpg?r2" type="image/jpeg" width="1024" height="808" duration="0" isDefault="true"  />
    <media:thumbnail url="https://cdn.ipernity.com/200/09/30/44330930.7fe9177d.240.jpg?r2" width="240" height="190"/>
    <media:thumbnail url="https://cdn.ipernity.com/200/09/30/44330930.7fe9177d.100.jpg?r2" width="100" height="79"/>
    <media:credit role="author">John Sheldon</media:credit>
  </item>
  <item>
    <title>My Lovely Lovely Lovely Horse</title>
    <link>https://www.ipernity.com/doc/john_sheldon/44330928</link>
    <guid isPermaLink="false">tag:ipernity.com,2017-02-18,doc-44330928</guid>
    <pubDate>Sat, 18 Feb 2017 15:12:17 +0000</pubDate>
    <dc:date.created>1982-10-01T21:35:30+00:00</dc:date.created>
    <author>nobody@ipernity.com (John Sheldon)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/john_sheldon"&gt;John Sheldon&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/john_sheldon/44330928"&gt;&lt;img src="https://cdn.ipernity.com/200/09/28/44330928.81497b6d.240.jpg?r2" width="184" height="240" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;October 1982.&lt;br /&gt;
Mamiya TLR with 80mm f2.8 standard lens.  Ilford black and white film negative scanned using CanoScan 8800F.&lt;/div&gt;</description>
    <media:title>My Lovely Lovely Lovely Horse</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/john_sheldon"&gt;John Sheldon&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/john_sheldon/44330928"&gt;&lt;img src="https://cdn.ipernity.com/200/09/28/44330928.81497b6d.240.jpg?r2" width="184" height="240" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;October 1982.&lt;br /&gt;
Mamiya TLR with 80mm f2.8 standard lens.  Ilford black and white film negative scanned using CanoScan 8800F.&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/200/09/28/44330928.6efc4534.1024.jpg?r2" type="image/jpeg" width="782" height="1024" duration="0" isDefault="true"  />
    <media:thumbnail url="https://cdn.ipernity.com/200/09/28/44330928.81497b6d.240.jpg?r2" width="184" height="240"/>
    <media:thumbnail url="https://cdn.ipernity.com/200/09/28/44330928.81497b6d.100.jpg?r2" width="77" height="100"/>
    <media:credit role="author">John Sheldon</media:credit>
  </item>
  <item>
    <title>Mamiya Sekor 250mm Telephoto Lens</title>
    <link>https://www.ipernity.com/doc/john_sheldon/42634086</link>
    <guid isPermaLink="false">tag:ipernity.com,2016-08-03,doc-42634086</guid>
    <pubDate>Wed, 03 Aug 2016 15:02:16 +0000</pubDate>
    <dc:date.created>2016-08-03T16:02:16+01:00</dc:date.created>
    <author>nobody@ipernity.com (John Sheldon)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/john_sheldon"&gt;John Sheldon&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/john_sheldon/42634086"&gt;&lt;img src="https://cdn.ipernity.com/200/40/86/42634086.7913b110.240.jpg?r2" width="240" height="180" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Lens for Mamiya C series of twin lens reflex cameras.  Late 1970s/early 1980s.&lt;/div&gt;</description>
    <media:title>Mamiya Sekor 250mm Telephoto Lens</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/john_sheldon"&gt;John Sheldon&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/john_sheldon/42634086"&gt;&lt;img src="https://cdn.ipernity.com/200/40/86/42634086.7913b110.240.jpg?r2" width="240" height="180" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Lens for Mamiya C series of twin lens reflex cameras.  Late 1970s/early 1980s.&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/200/40/86/42634086.a7d0b459.1024.jpg?r2" type="image/jpeg" width="1024" height="768" duration="0" isDefault="true"  />
    <media:thumbnail url="https://cdn.ipernity.com/200/40/86/42634086.7913b110.240.jpg?r2" width="240" height="180"/>
    <media:thumbnail url="https://cdn.ipernity.com/200/40/86/42634086.7913b110.100.jpg?r2" width="100" height="75"/>
    <media:credit role="author">John Sheldon</media:credit>
  </item>
  <item>
    <title>Mamiya Sekor 135mm Lens for TLR - Shutter speed scale</title>
    <link>https://www.ipernity.com/doc/john_sheldon/42634082</link>
    <guid isPermaLink="false">tag:ipernity.com,2016-08-03,doc-42634082</guid>
    <pubDate>Wed, 03 Aug 2016 15:02:09 +0000</pubDate>
    <dc:date.created>2007-04-05T22:57:21+01:00</dc:date.created>
    <author>nobody@ipernity.com (John Sheldon)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/john_sheldon"&gt;John Sheldon&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/john_sheldon/42634082"&gt;&lt;img src="https://cdn.ipernity.com/200/40/82/42634082.16531f46.240.jpg?r2" width="240" height="180" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Lens for Mamiya C series of twin lens reflex cameras.  Late 1960s/early 1970s.&lt;/div&gt;</description>
    <media:title>Mamiya Sekor 135mm Lens for TLR - Shutter speed scale</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/john_sheldon"&gt;John Sheldon&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/john_sheldon/42634082"&gt;&lt;img src="https://cdn.ipernity.com/200/40/82/42634082.16531f46.240.jpg?r2" width="240" height="180" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Lens for Mamiya C series of twin lens reflex cameras.  Late 1960s/early 1970s.&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/200/40/82/42634082.ec0b782a.1024.jpg?r2" type="image/jpeg" width="1024" height="768" duration="0" isDefault="true"  />
    <media:thumbnail url="https://cdn.ipernity.com/200/40/82/42634082.16531f46.240.jpg?r2" width="240" height="180"/>
    <media:thumbnail url="https://cdn.ipernity.com/200/40/82/42634082.16531f46.100.jpg?r2" width="100" height="75"/>
    <media:credit role="author">John Sheldon</media:credit>
  </item>
  <item>
    <title>Mamiya Sekor 65mm Wide Angle Lens for TLR</title>
    <link>https://www.ipernity.com/doc/john_sheldon/42633608</link>
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    <pubDate>Wed, 03 Aug 2016 14:51:03 +0000</pubDate>
    <dc:date.created>2007-04-05T23:44:31+01:00</dc:date.created>
    <author>nobody@ipernity.com (John Sheldon)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/john_sheldon"&gt;John Sheldon&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/john_sheldon/42633608"&gt;&lt;img src="https://cdn.ipernity.com/200/36/08/42633608.fef58ef8.240.jpg?r2" width="240" height="185" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Lens for Mamiya C series of twin lens reflex cameras.  Late 1970s/early 1980s.&lt;/div&gt;</description>
    <media:title>Mamiya Sekor 65mm Wide Angle Lens for TLR</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/john_sheldon"&gt;John Sheldon&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/john_sheldon/42633608"&gt;&lt;img src="https://cdn.ipernity.com/200/36/08/42633608.fef58ef8.240.jpg?r2" width="240" height="185" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Lens for Mamiya C series of twin lens reflex cameras.  Late 1970s/early 1980s.&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/200/36/08/42633608.3548688b.1024.jpg?r2" type="image/jpeg" width="1024" height="789" duration="0" isDefault="true"  />
    <media:thumbnail url="https://cdn.ipernity.com/200/36/08/42633608.fef58ef8.240.jpg?r2" width="240" height="185"/>
    <media:thumbnail url="https://cdn.ipernity.com/200/36/08/42633608.fef58ef8.100.jpg?r2" width="100" height="77"/>
    <media:credit role="author">John Sheldon</media:credit>
  </item>
  <item>
    <title>Life is fun when you&amp;#039;re one and a half</title>
    <link>https://www.ipernity.com/doc/john_sheldon/37503834</link>
    <guid isPermaLink="false">tag:ipernity.com,2015-03-26,doc-37503834</guid>
    <pubDate>Thu, 26 Mar 2015 16:37:32 +0000</pubDate>
    <dc:date.created>1980-02-05T13:52:06+00:00</dc:date.created>
    <author>nobody@ipernity.com (John Sheldon)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/john_sheldon"&gt;John Sheldon&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/john_sheldon/37503834"&gt;&lt;img src="https://cdn.ipernity.com/200/38/34/37503834.fccf6b15.240.jpg?r2" width="193" height="240" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Kodak 400 ISO 120 film.&lt;br /&gt;
Mamiya C220 TLR camera with 135mm f4.5 Sekor lenses.&lt;br /&gt;
Vivitar flash (bounced).&lt;br /&gt;
Taken sometime around February 1980.&lt;/div&gt;</description>
    <media:title>Life is fun when you&amp;#039;re one and a half</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/john_sheldon"&gt;John Sheldon&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/john_sheldon/37503834"&gt;&lt;img src="https://cdn.ipernity.com/200/38/34/37503834.fccf6b15.240.jpg?r2" width="193" height="240" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Kodak 400 ISO 120 film.&lt;br /&gt;
Mamiya C220 TLR camera with 135mm f4.5 Sekor lenses.&lt;br /&gt;
Vivitar flash (bounced).&lt;br /&gt;
Taken sometime around February 1980.&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/200/38/34/37503834.d46bed33.1024.jpg?r2" type="image/jpeg" width="820" height="1024" duration="0" isDefault="true"  />
    <media:thumbnail url="https://cdn.ipernity.com/200/38/34/37503834.fccf6b15.240.jpg?r2" width="193" height="240"/>
    <media:thumbnail url="https://cdn.ipernity.com/200/38/34/37503834.fccf6b15.100.jpg?r2" width="81" height="100"/>
    <media:credit role="author">John Sheldon</media:credit>
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