https://www.ipernity.com/tag/296949/keyword/1649707 https://cdn.ipernity.com/p/101/F5/87/296949.buddy.jpg https://www.ipernity.com/tag/296949/keyword/1649707 Wed, 09 Sep 2026 13:12:46 +0000 Wed, 09 Sep 2026 13:12:46 +0000 https://www.ipernity.com https://www.ipernity.com/doc/296949/53430420 tag:ipernity.com,2026-09-06,doc-53430420 Sun, 06 Sep 2026 17:03:51 +0000 2018-09-13T11:04:00-07:00 nobody@ipernity.com (Scott Holcomb) <p class="who"><a href="https://www.ipernity.com/home/296949">Scott Holcomb</a> has posted:</p><p class="preview"><a href="https://www.ipernity.com/doc/296949/53430420"><img src="https://cdn.ipernity.com/200/04/20/53430420.84719fdf.240.jpg?r2" width="240" height="190" alt=""/></a></p><div class="description">To get anywhere in the Great Basin of Nevada and Utah you have to go through a whole lot of nowhere.<br /> <br /> This photo was taken by an Asahi Pentax 6 X 7 medium format film camera with a SMC PENTAX 67 1:4 45mm lens and HOYA HMC 82mm O[G] filter using Kodak 400TX film, the negative scanned by an Epson Perfection V600 and digitally rendered with Photoshop.</div> The Middle of Somewhere <p class="who"><a href="https://www.ipernity.com/home/296949">Scott Holcomb</a> has posted:</p><p class="preview"><a href="https://www.ipernity.com/doc/296949/53430420"><img src="https://cdn.ipernity.com/200/04/20/53430420.84719fdf.240.jpg?r2" width="240" height="190" alt=""/></a></p><div class="description">To get anywhere in the Great Basin of Nevada and Utah you have to go through a whole lot of nowhere.<br /> <br /> This photo was taken by an Asahi Pentax 6 X 7 medium format film camera with a SMC PENTAX 67 1:4 45mm lens and HOYA HMC 82mm O[G] filter using Kodak 400TX film, the negative scanned by an Epson Perfection V600 and digitally rendered with Photoshop.</div> Scott Holcomb https://www.ipernity.com/doc/296949/53427040 tag:ipernity.com,2026-09-02,doc-53427040 Wed, 02 Sep 2026 04:52:48 +0000 2026-03-23T13:26:00-07:00 nobody@ipernity.com (Scott Holcomb) <p class="who"><a href="https://www.ipernity.com/home/296949">Scott Holcomb</a> has posted:</p><p class="preview"><a href="https://www.ipernity.com/doc/296949/53427040"><img src="https://cdn.ipernity.com/200/70/40/53427040.321db4d7.240.jpg?r2" width="240" height="240" alt=""/></a></p><div class="description">Hunted for millennia, the ghosts of sea mammals brought to extinction haunt humanity.<br /> <br /> This photo was taken by a Hasselblad 500C medium format film camera and Carl Zeiss Planar 1:2.8 f=80 lens with a Kowa L39•3C(UV) ø67 filter + adapter using Kodak Portra 800 film, the negative scanned by an Epson Perfection V600 and digitalized with Photoshop.</div> Apparitions <p class="who"><a href="https://www.ipernity.com/home/296949">Scott Holcomb</a> has posted:</p><p class="preview"><a href="https://www.ipernity.com/doc/296949/53427040"><img src="https://cdn.ipernity.com/200/70/40/53427040.321db4d7.240.jpg?r2" width="240" height="240" alt=""/></a></p><div class="description">Hunted for millennia, the ghosts of sea mammals brought to extinction haunt humanity.<br /> <br /> This photo was taken by a Hasselblad 500C medium format film camera and Carl Zeiss Planar 1:2.8 f=80 lens with a Kowa L39•3C(UV) ø67 filter + adapter using Kodak Portra 800 film, the negative scanned by an Epson Perfection V600 and digitalized with Photoshop.</div> Scott Holcomb https://www.ipernity.com/doc/296949/53425870 tag:ipernity.com,2026-08-31,doc-53425870 Mon, 31 Aug 2026 16:52:20 +0000 2026-03-23T13:43:00-07:00 nobody@ipernity.com (Scott Holcomb) <p class="who"><a href="https://www.ipernity.com/home/296949">Scott Holcomb</a> has posted:</p><p class="preview"><a href="https://www.ipernity.com/doc/296949/53425870"><img src="https://cdn.ipernity.com/200/58/70/53425870.0d4a3847.240.jpg?r2" width="240" height="240" alt=""/></a></p><div class="description">Fragile grazers of the twilight.<br /> <br /> This photo was taken by a Hasselblad 500C medium format film camera and Carl Zeiss Distagon 1:4 f=50mm T* lens with a Hasselblad/63 1xHz-0 drop in filter using Ilford Delta 3200 film, the negative scanned by an Epson Perfection V600 and digitally rendered with Photoshop.</div> Elusive <p class="who"><a href="https://www.ipernity.com/home/296949">Scott Holcomb</a> has posted:</p><p class="preview"><a href="https://www.ipernity.com/doc/296949/53425870"><img src="https://cdn.ipernity.com/200/58/70/53425870.0d4a3847.240.jpg?r2" width="240" height="240" alt=""/></a></p><div class="description">Fragile grazers of the twilight.<br /> <br /> This photo was taken by a Hasselblad 500C medium format film camera and Carl Zeiss Distagon 1:4 f=50mm T* lens with a Hasselblad/63 1xHz-0 drop in filter using Ilford Delta 3200 film, the negative scanned by an Epson Perfection V600 and digitally rendered with Photoshop.</div> Scott Holcomb https://www.ipernity.com/doc/296949/53422982 tag:ipernity.com,2026-08-27,doc-53422982 Thu, 27 Aug 2026 16:16:57 +0000 2015-05-05T14:32:00-07:00 nobody@ipernity.com (Scott Holcomb) <p class="who"><a href="https://www.ipernity.com/home/296949">Scott Holcomb</a> has posted:</p><p class="preview"><a href="https://www.ipernity.com/doc/296949/53422982"><img src="https://cdn.ipernity.com/200/29/82/53422982.4738f7b0.240.jpg?r2" width="240" height="240" alt=""/></a></p><div class="description">Basking in the sun in retirement, dreaming of flying high above the ground.<br /> <br /> This photo was taken by a Hasselblad 500C medium format film camera with a Carl Zeiss Distagon 1:4 f=50mm lens and Kowa Y2 ø67 filter using Rollei Retro 400S film, the negative scanned by an Epson Perfection V600 and digitally rendered with Photoshop.</div> 29380 <p class="who"><a href="https://www.ipernity.com/home/296949">Scott Holcomb</a> has posted:</p><p class="preview"><a href="https://www.ipernity.com/doc/296949/53422982"><img src="https://cdn.ipernity.com/200/29/82/53422982.4738f7b0.240.jpg?r2" width="240" height="240" alt=""/></a></p><div class="description">Basking in the sun in retirement, dreaming of flying high above the ground.<br /> <br /> This photo was taken by a Hasselblad 500C medium format film camera with a Carl Zeiss Distagon 1:4 f=50mm lens and Kowa Y2 ø67 filter using Rollei Retro 400S film, the negative scanned by an Epson Perfection V600 and digitally rendered with Photoshop.</div> Scott Holcomb https://www.ipernity.com/doc/296949/53422496 tag:ipernity.com,2026-08-26,doc-53422496 Wed, 26 Aug 2026 19:37:48 +0000 2016-09-19T13:15:00-07:00 nobody@ipernity.com (Scott Holcomb) <p class="who"><a href="https://www.ipernity.com/home/296949">Scott Holcomb</a> has posted:</p><p class="preview"><a href="https://www.ipernity.com/doc/296949/53422496"><img src="https://cdn.ipernity.com/200/24/96/53422496.a7dd6ac7.240.jpg?r2" width="240" height="240" alt=""/></a></p><div class="description">Once upon a time, smugglers brought contraband whiskey onshore here.<br /> <br /> This photo was taken by a Kowa/SIX medium format film camera with a KOWA 1:3.5/55 lens and Kowa L39 3C(UV) ø67 filter using Kodak Portra 160 film, the negative scanned by an Epson Perfection V600 and digitally rendered with Photoshop.</div> Secluded Cove <p class="who"><a href="https://www.ipernity.com/home/296949">Scott Holcomb</a> has posted:</p><p class="preview"><a href="https://www.ipernity.com/doc/296949/53422496"><img src="https://cdn.ipernity.com/200/24/96/53422496.a7dd6ac7.240.jpg?r2" width="240" height="240" alt=""/></a></p><div class="description">Once upon a time, smugglers brought contraband whiskey onshore here.<br /> <br /> This photo was taken by a Kowa/SIX medium format film camera with a KOWA 1:3.5/55 lens and Kowa L39 3C(UV) ø67 filter using Kodak Portra 160 film, the negative scanned by an Epson Perfection V600 and digitally rendered with Photoshop.</div> Scott Holcomb https://www.ipernity.com/doc/296949/53422414 tag:ipernity.com,2026-08-26,doc-53422414 Wed, 26 Aug 2026 16:18:52 +0000 2026-03-27T11:02:00-07:00 nobody@ipernity.com (Scott Holcomb) <p class="who"><a href="https://www.ipernity.com/home/296949">Scott Holcomb</a> has posted:</p><p class="preview"><a href="https://www.ipernity.com/doc/296949/53422414"><img src="https://cdn.ipernity.com/200/24/14/53422414.19ebe5d2.240.jpg?r2" width="240" height="240" alt=""/></a></p><div class="description">Got a problem with house flies?<br /> Pitcher plants are carnivores!<br /> <br /> This photo was taken by a Hasselblad 500C medium format film camera and Carl Zeiss Distagon 1:4 f=50mm T* lens with a Hasselblad/63 1xHz-0 drop in filter using Fuji 160NS film, the negative scanned by an Epson Perfection V600 and digitalized with Photoshop.</div> Fly Catchers <p class="who"><a href="https://www.ipernity.com/home/296949">Scott Holcomb</a> has posted:</p><p class="preview"><a href="https://www.ipernity.com/doc/296949/53422414"><img src="https://cdn.ipernity.com/200/24/14/53422414.19ebe5d2.240.jpg?r2" width="240" height="240" alt=""/></a></p><div class="description">Got a problem with house flies?<br /> Pitcher plants are carnivores!<br /> <br /> This photo was taken by a Hasselblad 500C medium format film camera and Carl Zeiss Distagon 1:4 f=50mm T* lens with a Hasselblad/63 1xHz-0 drop in filter using Fuji 160NS film, the negative scanned by an Epson Perfection V600 and digitalized with Photoshop.</div> Scott Holcomb https://www.ipernity.com/doc/296949/53421596 tag:ipernity.com,2026-08-25,doc-53421596 Tue, 25 Aug 2026 22:28:56 +0000 2022-09-02T12:51:00-07:00 nobody@ipernity.com (Scott Holcomb) <p class="who"><a href="https://www.ipernity.com/home/296949">Scott Holcomb</a> has posted:</p><p class="preview"><a href="https://www.ipernity.com/doc/296949/53421596"><img src="https://cdn.ipernity.com/200/15/96/53421596.fb574e0c.240.jpg?r2" width="239" height="240" alt=""/></a></p><div class="description">A brand new AI weapon known as the VBE (Voracious Biting Entity).<br /> Nothing can defeat this invincible force!!<br /> <br /> This photo was taken by a Hasselblad 500C medium format film camera with a Carl Zeiss Distagon 1:4 f=50mm lens using Ilford Delta 3200 film, the negative scanned by an Epson Perfection V600 and digitally rendered with Photoshop.</div> Newest Secret Weapon <p class="who"><a href="https://www.ipernity.com/home/296949">Scott Holcomb</a> has posted:</p><p class="preview"><a href="https://www.ipernity.com/doc/296949/53421596"><img src="https://cdn.ipernity.com/200/15/96/53421596.fb574e0c.240.jpg?r2" width="239" height="240" alt=""/></a></p><div class="description">A brand new AI weapon known as the VBE (Voracious Biting Entity).<br /> Nothing can defeat this invincible force!!<br /> <br /> This photo was taken by a Hasselblad 500C medium format film camera with a Carl Zeiss Distagon 1:4 f=50mm lens using Ilford Delta 3200 film, the negative scanned by an Epson Perfection V600 and digitally rendered with Photoshop.</div> Scott Holcomb https://www.ipernity.com/doc/296949/53421438 tag:ipernity.com,2026-08-25,doc-53421438 Tue, 25 Aug 2026 19:04:14 +0000 2013-08-24T12:27:00-07:00 nobody@ipernity.com (Scott Holcomb) <p class="who"><a href="https://www.ipernity.com/home/296949">Scott Holcomb</a> has posted:</p><p class="preview"><a href="https://www.ipernity.com/doc/296949/53421438"><img src="https://cdn.ipernity.com/200/14/38/53421438.09191a80.240.jpg?r2" width="240" height="240" alt=""/></a></p><div class="description">Eternal sleep.<br /> <br /> This photo was taken by a Kowa/SIX medium format film camera and a KOWA 1:3.5/55mm lens with a Kowa L39•3C(UV) ø67 filter using Kodak Portra 400 [220] film, the negative scanned by an Epson Perfection V600 and digitally rendered with Photoshop.</div> Dozing Dozer <p class="who"><a href="https://www.ipernity.com/home/296949">Scott Holcomb</a> has posted:</p><p class="preview"><a href="https://www.ipernity.com/doc/296949/53421438"><img src="https://cdn.ipernity.com/200/14/38/53421438.09191a80.240.jpg?r2" width="240" height="240" alt=""/></a></p><div class="description">Eternal sleep.<br /> <br /> This photo was taken by a Kowa/SIX medium format film camera and a KOWA 1:3.5/55mm lens with a Kowa L39•3C(UV) ø67 filter using Kodak Portra 400 [220] film, the negative scanned by an Epson Perfection V600 and digitally rendered with Photoshop.</div> Scott Holcomb https://www.ipernity.com/doc/296949/53420078 tag:ipernity.com,2026-08-24,doc-53420078 Mon, 24 Aug 2026 04:56:54 +0000 2012-08-19T14:41:00-07:00 nobody@ipernity.com (Scott Holcomb) <p class="who"><a href="https://www.ipernity.com/home/296949">Scott Holcomb</a> has posted:</p><p class="preview"><a href="https://www.ipernity.com/doc/296949/53420078"><img src="https://cdn.ipernity.com/200/00/78/53420078.52e05960.240.jpg?r2" width="157" height="240" alt=""/></a></p><div class="description">The nearest bench?<br /> Head on over to Plaza Viña Del Mar and you will find a place to sit next to the elephant.<br /> Yes, there is an elephant there, trust me . . .<br /> <br /> This photo was taken by a NikonFE SLR 35mm film camera using a NIKKOR-H Auto 1:3.5 f=28mm lens using Kodak Portra 160 135 film, the negative scanned by an HP Scanjet G4050 and digitalized with Photoshop.</div> Elephant in the Plaza <p class="who"><a href="https://www.ipernity.com/home/296949">Scott Holcomb</a> has posted:</p><p class="preview"><a href="https://www.ipernity.com/doc/296949/53420078"><img src="https://cdn.ipernity.com/200/00/78/53420078.52e05960.240.jpg?r2" width="157" height="240" alt=""/></a></p><div class="description">The nearest bench?<br /> Head on over to Plaza Viña Del Mar and you will find a place to sit next to the elephant.<br /> Yes, there is an elephant there, trust me . . .<br /> <br /> This photo was taken by a NikonFE SLR 35mm film camera using a NIKKOR-H Auto 1:3.5 f=28mm lens using Kodak Portra 160 135 film, the negative scanned by an HP Scanjet G4050 and digitalized with Photoshop.</div> Scott Holcomb https://www.ipernity.com/doc/296949/53419236 tag:ipernity.com,2026-08-23,doc-53419236 Sun, 23 Aug 2026 00:00:38 +0000 2013-08-24T12:44:00-07:00 nobody@ipernity.com (Scott Holcomb) <p class="who"><a href="https://www.ipernity.com/home/296949">Scott Holcomb</a> has posted:</p><p class="preview"><a href="https://www.ipernity.com/doc/296949/53419236"><img src="https://cdn.ipernity.com/200/92/36/53419236.8339cecc.240.jpg?r2" width="240" height="240" alt=""/></a></p><div class="description">Out of Service.<br /> <br /> This photo was taken by a Kowa/SIX medium format film camera and a KOWA 1:3.5/55mm lens with a Kowa L39•3C(UV) ø67 filter using Kodak Portra 400 [220] film, the negative scanned by an Epson Perfection V600 and digitally rendered with Photoshop.</div> Retired Grader <p class="who"><a href="https://www.ipernity.com/home/296949">Scott Holcomb</a> has posted:</p><p class="preview"><a href="https://www.ipernity.com/doc/296949/53419236"><img src="https://cdn.ipernity.com/200/92/36/53419236.8339cecc.240.jpg?r2" width="240" height="240" alt=""/></a></p><div class="description">Out of Service.<br /> <br /> This photo was taken by a Kowa/SIX medium format film camera and a KOWA 1:3.5/55mm lens with a Kowa L39•3C(UV) ø67 filter using Kodak Portra 400 [220] film, the negative scanned by an Epson Perfection V600 and digitally rendered with Photoshop.</div> Scott Holcomb https://www.ipernity.com/doc/296949/53414992 tag:ipernity.com,2026-08-19,doc-53414992 Wed, 19 Aug 2026 19:39:35 +0000 2013-04-02T12:09:00-07:00 nobody@ipernity.com (Scott Holcomb) <p class="who"><a href="https://www.ipernity.com/home/296949">Scott Holcomb</a> has posted:</p><p class="preview"><a href="https://www.ipernity.com/doc/296949/53414992"><img src="https://cdn.ipernity.com/200/49/92/53414992.4b4f782d.240.jpg?r2" width="194" height="240" alt=""/></a></p><div class="description">As I stroll up the path, the dappled light is accented by the rustle of the leaves and aroma of bay trees.<br /> <br /> This photo was taken by an Asahi Pentax 6 X 7 medium format film camera and Super-Multi-Coated Takumar/6X7 1:4.5/75mm lens using Kodak Portra 400 film, the negative scanned by an Epson Perfection V600 and digitally rendered with Photoshop.</div> Hillside Path <p class="who"><a href="https://www.ipernity.com/home/296949">Scott Holcomb</a> has posted:</p><p class="preview"><a href="https://www.ipernity.com/doc/296949/53414992"><img src="https://cdn.ipernity.com/200/49/92/53414992.4b4f782d.240.jpg?r2" width="194" height="240" alt=""/></a></p><div class="description">As I stroll up the path, the dappled light is accented by the rustle of the leaves and aroma of bay trees.<br /> <br /> This photo was taken by an Asahi Pentax 6 X 7 medium format film camera and Super-Multi-Coated Takumar/6X7 1:4.5/75mm lens using Kodak Portra 400 film, the negative scanned by an Epson Perfection V600 and digitally rendered with Photoshop.</div> Scott Holcomb https://www.ipernity.com/doc/296949/53413480 tag:ipernity.com,2026-08-18,doc-53413480 Tue, 18 Aug 2026 15:55:34 +0000 2026-07-25T14:21:00-07:00 nobody@ipernity.com (Scott Holcomb) <p class="who"><a href="https://www.ipernity.com/home/296949">Scott Holcomb</a> has posted:</p><p class="preview"><a href="https://www.ipernity.com/doc/296949/53413480"><img src="https://cdn.ipernity.com/200/34/80/53413480.ce27c447.240.jpg?r2" width="240" height="240" alt=""/></a></p><div class="description">Yes, sing along if you know the words.<br /> <br /> This photo was taken by a Hasselblad 500C medium format film camera and Carl Zeiss Distagon 1:4 f=50mm T* lens with a Zenza Bronica 67mm SY44•2C(Y1) filter using Kodak 400TX film, the negative scanned by an Epson Perfection V600 and digitalized with Photoshop.</div> Sing Along <p class="who"><a href="https://www.ipernity.com/home/296949">Scott Holcomb</a> has posted:</p><p class="preview"><a href="https://www.ipernity.com/doc/296949/53413480"><img src="https://cdn.ipernity.com/200/34/80/53413480.ce27c447.240.jpg?r2" width="240" height="240" alt=""/></a></p><div class="description">Yes, sing along if you know the words.<br /> <br /> This photo was taken by a Hasselblad 500C medium format film camera and Carl Zeiss Distagon 1:4 f=50mm T* lens with a Zenza Bronica 67mm SY44•2C(Y1) filter using Kodak 400TX film, the negative scanned by an Epson Perfection V600 and digitalized with Photoshop.</div> Scott Holcomb https://www.ipernity.com/doc/296949/53411924 tag:ipernity.com,2026-08-16,doc-53411924 Sun, 16 Aug 2026 21:47:27 +0000 2012-06-17T15:06:00-07:00 nobody@ipernity.com (Scott Holcomb) <p class="who"><a href="https://www.ipernity.com/home/296949">Scott Holcomb</a> has posted:</p><p class="preview"><a href="https://www.ipernity.com/doc/296949/53411924"><img src="https://cdn.ipernity.com/200/19/24/53411924.bb379068.240.jpg?r2" width="180" height="240" alt=""/></a></p><div class="description">The Ohlone culture was relatively stable until the first Spanish soldiers and missionaries arrived with the double-purpose of Christianizing the Native Americans by building a series of missions and of expanding Spanish territorial claims.<br /> Spanish mission culture soon disrupted and undermined the Ohlone social structures and way of life. Under Father Serra's leadership, the Spanish Franciscans erected seven missions inside the Ohlone region and brought most of the Ohlone into these missions to live and work. The Ohlone who went to live at the missions were called Mission Indians, and also neophytes. They were blended with other Native American ethnicities such as the Coast Miwok transported from the North Bay into the Mission San Francisco and Mission San José.<br /> <br /> This photo was taken by a Mamiya 645 ProTL medium format film camera with a Mamiya-Sekor Zoom C 55~110 1:4.5 N lens using Kodak Portra 400 film, the negative scanned by an HP Scanjet G4050 and digitally rendered with Photoshop.</div> Ohlone House Reconstruction <p class="who"><a href="https://www.ipernity.com/home/296949">Scott Holcomb</a> has posted:</p><p class="preview"><a href="https://www.ipernity.com/doc/296949/53411924"><img src="https://cdn.ipernity.com/200/19/24/53411924.bb379068.240.jpg?r2" width="180" height="240" alt=""/></a></p><div class="description">The Ohlone culture was relatively stable until the first Spanish soldiers and missionaries arrived with the double-purpose of Christianizing the Native Americans by building a series of missions and of expanding Spanish territorial claims.<br /> Spanish mission culture soon disrupted and undermined the Ohlone social structures and way of life. Under Father Serra's leadership, the Spanish Franciscans erected seven missions inside the Ohlone region and brought most of the Ohlone into these missions to live and work. The Ohlone who went to live at the missions were called Mission Indians, and also neophytes. They were blended with other Native American ethnicities such as the Coast Miwok transported from the North Bay into the Mission San Francisco and Mission San José.<br /> <br /> This photo was taken by a Mamiya 645 ProTL medium format film camera with a Mamiya-Sekor Zoom C 55~110 1:4.5 N lens using Kodak Portra 400 film, the negative scanned by an HP Scanjet G4050 and digitally rendered with Photoshop.</div> Scott Holcomb https://www.ipernity.com/doc/296949/53411038 tag:ipernity.com,2026-08-15,doc-53411038 Sat, 15 Aug 2026 20:38:37 +0000 2012-06-17T14:14:00-07:00 nobody@ipernity.com (Scott Holcomb) <p class="who"><a href="https://www.ipernity.com/home/296949">Scott Holcomb</a> has posted:</p><p class="preview"><a href="https://www.ipernity.com/doc/296949/53411038"><img src="https://cdn.ipernity.com/200/10/38/53411038.508d1fdc.240.jpg?r2" width="180" height="240" alt=""/></a></p><div class="description">Mission San Francisco de Asís, or Mission Dolores, is the oldest surviving structure in San Francisco and the sixth religious settlement established as part of the California Chain of Missions. The Mission was founded on June 29, 1776, by Lieutenant José Joaquin Moraga and Father Francisco Palóu (a companion of Father Junípero Serra), both members of the de Anza Expedition, which had been charged with bringing Spanish settlers to Alta (upper) California, and evangelizing the local natives, the Ohlone.<br /> <br /> This photo was taken by a Mamiya 645 ProTL medium format film camera with a Mamiya-Sekor Zoom C 55~110 1:4.5 N lens using Kodak Portra 400 film, the negative scanned by an HP Scanjet G4050 and digitally rendered with Photoshop.</div> Misión San Francisco de Asís <p class="who"><a href="https://www.ipernity.com/home/296949">Scott Holcomb</a> has posted:</p><p class="preview"><a href="https://www.ipernity.com/doc/296949/53411038"><img src="https://cdn.ipernity.com/200/10/38/53411038.508d1fdc.240.jpg?r2" width="180" height="240" alt=""/></a></p><div class="description">Mission San Francisco de Asís, or Mission Dolores, is the oldest surviving structure in San Francisco and the sixth religious settlement established as part of the California Chain of Missions. The Mission was founded on June 29, 1776, by Lieutenant José Joaquin Moraga and Father Francisco Palóu (a companion of Father Junípero Serra), both members of the de Anza Expedition, which had been charged with bringing Spanish settlers to Alta (upper) California, and evangelizing the local natives, the Ohlone.<br /> <br /> This photo was taken by a Mamiya 645 ProTL medium format film camera with a Mamiya-Sekor Zoom C 55~110 1:4.5 N lens using Kodak Portra 400 film, the negative scanned by an HP Scanjet G4050 and digitally rendered with Photoshop.</div> Scott Holcomb https://www.ipernity.com/doc/296949/53408440 tag:ipernity.com,2026-08-12,doc-53408440 Wed, 12 Aug 2026 19:34:18 +0000 2012-05-23T14:18:00-07:00 nobody@ipernity.com (Scott Holcomb) <p class="who"><a href="https://www.ipernity.com/home/296949">Scott Holcomb</a> has posted:</p><p class="preview"><a href="https://www.ipernity.com/doc/296949/53408440"><img src="https://cdn.ipernity.com/200/84/40/53408440.8febe9b2.240.jpg?r2" width="240" height="237" alt=""/></a></p><div class="description">An enlightened garden.<br /> <br /> This photo was taken by a Mamiya C 330 TLR medium format film camera and Mamiya-Sekor 1:2.8 f=80mm lens using Kodak Ektar 100 film, the negative scanned by an HP Scanjet G4050 and digitally rendered with Photoshop.</div> Japanese Lantern <p class="who"><a href="https://www.ipernity.com/home/296949">Scott Holcomb</a> has posted:</p><p class="preview"><a href="https://www.ipernity.com/doc/296949/53408440"><img src="https://cdn.ipernity.com/200/84/40/53408440.8febe9b2.240.jpg?r2" width="240" height="237" alt=""/></a></p><div class="description">An enlightened garden.<br /> <br /> This photo was taken by a Mamiya C 330 TLR medium format film camera and Mamiya-Sekor 1:2.8 f=80mm lens using Kodak Ektar 100 film, the negative scanned by an HP Scanjet G4050 and digitally rendered with Photoshop.</div> Scott Holcomb https://www.ipernity.com/doc/296949/53408438 tag:ipernity.com,2026-08-12,doc-53408438 Wed, 12 Aug 2026 19:34:02 +0000 2012-05-23T14:11:00-07:00 nobody@ipernity.com (Scott Holcomb) <p class="who"><a href="https://www.ipernity.com/home/296949">Scott Holcomb</a> has posted:</p><p class="preview"><a href="https://www.ipernity.com/doc/296949/53408438"><img src="https://cdn.ipernity.com/200/84/38/53408438.fb7d187a.240.jpg?r2" width="237" height="240" alt=""/></a></p><div class="description">More than a cup of tea awaits visitors.<br /> <br /> This photo was taken by a Mamiya C 330 TLR medium format film camera and Mamiya-Sekor 1:2.8 f=80mm lens using Kodak Ektar 100 film, the negative scanned by an HP Scanjet G4050 and digitally rendered with Photoshop.</div> Tea Garden Entry <p class="who"><a href="https://www.ipernity.com/home/296949">Scott Holcomb</a> has posted:</p><p class="preview"><a href="https://www.ipernity.com/doc/296949/53408438"><img src="https://cdn.ipernity.com/200/84/38/53408438.fb7d187a.240.jpg?r2" width="237" height="240" alt=""/></a></p><div class="description">More than a cup of tea awaits visitors.<br /> <br /> This photo was taken by a Mamiya C 330 TLR medium format film camera and Mamiya-Sekor 1:2.8 f=80mm lens using Kodak Ektar 100 film, the negative scanned by an HP Scanjet G4050 and digitally rendered with Photoshop.</div> Scott Holcomb https://www.ipernity.com/doc/296949/53407776 tag:ipernity.com,2026-08-11,doc-53407776 Tue, 11 Aug 2026 19:23:19 +0000 2012-04-08T11:23:00-07:00 nobody@ipernity.com (Scott Holcomb) <p class="who"><a href="https://www.ipernity.com/home/296949">Scott Holcomb</a> has posted:</p><p class="preview"><a href="https://www.ipernity.com/doc/296949/53407776"><img src="https://cdn.ipernity.com/200/77/76/53407776.53cd62b6.240.jpg?r2" width="240" height="179" alt=""/></a></p><div class="description">The streetcar system of San Francisco, California includes many antique renovated cars adopted from around the United States and the world such as this car, originally from Milan, Italy - a Peter Witt tram built in 1928.<br /> <br /> This photo was taken by a Mamiya 645 ProTL medium format film camera with a Mamiya-Sekor C 80mm 1:2.8 N lens using Kodak Portra 400 film, the negative scanned by an HP Scanjet G4050 and digitally rendered with Photoshop.</div> F CASTRO <p class="who"><a href="https://www.ipernity.com/home/296949">Scott Holcomb</a> has posted:</p><p class="preview"><a href="https://www.ipernity.com/doc/296949/53407776"><img src="https://cdn.ipernity.com/200/77/76/53407776.53cd62b6.240.jpg?r2" width="240" height="179" alt=""/></a></p><div class="description">The streetcar system of San Francisco, California includes many antique renovated cars adopted from around the United States and the world such as this car, originally from Milan, Italy - a Peter Witt tram built in 1928.<br /> <br /> This photo was taken by a Mamiya 645 ProTL medium format film camera with a Mamiya-Sekor C 80mm 1:2.8 N lens using Kodak Portra 400 film, the negative scanned by an HP Scanjet G4050 and digitally rendered with Photoshop.</div> Scott Holcomb https://www.ipernity.com/doc/296949/53406646 tag:ipernity.com,2026-08-10,doc-53406646 Mon, 10 Aug 2026 08:24:53 +0000 2012-10-18T13:21:00-07:00 nobody@ipernity.com (Scott Holcomb) <p class="who"><a href="https://www.ipernity.com/home/296949">Scott Holcomb</a> has posted:</p><p class="preview"><a href="https://www.ipernity.com/doc/296949/53406646"><img src="https://cdn.ipernity.com/200/66/46/53406646.6fd89f94.240.jpg?r2" width="240" height="240" alt=""/></a></p><div class="description">Have a seat and rest your feet!<br /> <br /> This photo was taken by a a KИEB-88C medium format film camera and MИP-26B 3.5/45mm lens using Kodak Portra 160 film, the negative scanned by an HP Scanjet G4050 and digitalized using Photoshop.</div> Shaded Entry <p class="who"><a href="https://www.ipernity.com/home/296949">Scott Holcomb</a> has posted:</p><p class="preview"><a href="https://www.ipernity.com/doc/296949/53406646"><img src="https://cdn.ipernity.com/200/66/46/53406646.6fd89f94.240.jpg?r2" width="240" height="240" alt=""/></a></p><div class="description">Have a seat and rest your feet!<br /> <br /> This photo was taken by a a KИEB-88C medium format film camera and MИP-26B 3.5/45mm lens using Kodak Portra 160 film, the negative scanned by an HP Scanjet G4050 and digitalized using Photoshop.</div> Scott Holcomb https://www.ipernity.com/doc/296949/53405618 tag:ipernity.com,2026-08-08,doc-53405618 Sat, 08 Aug 2026 18:29:00 +0000 2026-07-25T14:18:00-07:00 nobody@ipernity.com (Scott Holcomb) <p class="who"><a href="https://www.ipernity.com/home/296949">Scott Holcomb</a> has posted:</p><p class="preview"><a href="https://www.ipernity.com/doc/296949/53405618"><img src="https://cdn.ipernity.com/200/56/18/53405618.2bc36d4e.240.jpg?r2" width="240" height="240" alt=""/></a></p><div class="description">Live music under the redwoods.<br /> <br /> This photo was taken by a Hasselblad 500C medium format film camera and Carl Zeiss Distagon 1:4 f=50mm T* lens with a Hasselblad/63 1xHz-0 drop in filter using Kodak Portra 800 film , the negative scanned by an Epson Perfection V600 and digitalized with Photoshop.</div> Music in the Park <p class="who"><a href="https://www.ipernity.com/home/296949">Scott Holcomb</a> has posted:</p><p class="preview"><a href="https://www.ipernity.com/doc/296949/53405618"><img src="https://cdn.ipernity.com/200/56/18/53405618.2bc36d4e.240.jpg?r2" width="240" height="240" alt=""/></a></p><div class="description">Live music under the redwoods.<br /> <br /> This photo was taken by a Hasselblad 500C medium format film camera and Carl Zeiss Distagon 1:4 f=50mm T* lens with a Hasselblad/63 1xHz-0 drop in filter using Kodak Portra 800 film , the negative scanned by an Epson Perfection V600 and digitalized with Photoshop.</div> Scott Holcomb https://www.ipernity.com/doc/296949/53403522 tag:ipernity.com,2026-08-07,doc-53403522 Fri, 07 Aug 2026 04:03:29 +0000 2012-04-15T14:48:00-07:00 nobody@ipernity.com (Scott Holcomb) <p class="who"><a href="https://www.ipernity.com/home/296949">Scott Holcomb</a> has posted:</p><p class="preview"><a href="https://www.ipernity.com/doc/296949/53403522"><img src="https://cdn.ipernity.com/200/35/22/53403522.a8c92a40.240.jpg?r2" width="240" height="178" alt=""/></a></p><div class="description">The fog-shrouded coast of Carmel-by-the-Sea in early Springtime.<br /> <br /> This photo was taken by a Mamiya 645 ProTL medium format film camera with a Mamiya-Sekor Zoom C 55~110 1:4.5 N lens using Kodak Portra 400 film, the negative scanned by an HP Scanjet G4050 and digitally rendered with Photoshop</div> Coastal Community <p class="who"><a href="https://www.ipernity.com/home/296949">Scott Holcomb</a> has posted:</p><p class="preview"><a href="https://www.ipernity.com/doc/296949/53403522"><img src="https://cdn.ipernity.com/200/35/22/53403522.a8c92a40.240.jpg?r2" width="240" height="178" alt=""/></a></p><div class="description">The fog-shrouded coast of Carmel-by-the-Sea in early Springtime.<br /> <br /> This photo was taken by a Mamiya 645 ProTL medium format film camera with a Mamiya-Sekor Zoom C 55~110 1:4.5 N lens using Kodak Portra 400 film, the negative scanned by an HP Scanjet G4050 and digitally rendered with Photoshop</div> Scott Holcomb