Photos, videos and docs of m̌ ḫ, with the keywords: "Spain"

DoFlores

nobody@ipernity.com (m̌ ḫ) — Thu, 11 Jun 2026 11:17:24 +0000

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Macaws

nobody@ipernity.com (m̌ ḫ) — Sat, 13 Jun 2026 08:00:45 +0000

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The Greenery of Mallorca

nobody@ipernity.com (m̌ ḫ) — Mon, 22 Jun 2026 17:17:09 +0000

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Tortugas

nobody@ipernity.com (m̌ ḫ) — Thu, 13 Aug 2026 21:05:30 +0000

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Palma

nobody@ipernity.com (m̌ ḫ) — Fri, 04 Sep 2026 14:15:17 +0000

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For me, these photos are simply about walking through Palma and noticing the quieter, less obvious parts of the city. The narrow streets, old buildings, balconies and changing light give the old town a very particular atmosphere.

If you have never been to Palma, you might also miss how different it looks beyond these streets. There are the obvious sights — the cathedral, the sea, the harbour, the larger squares and the more open parts of the city — but you don't really see any of that here.

You also can't really see how warm it is, hear the sounds of people and the streets, or realise how close you are to the sea. And behind many of these façades there are courtyards, homes and everyday life that you don't see from the street.

I think that's what I like about these streets — they don't necessarily look spectacular at first, but when you're actually walking through them, you keep discovering little details.

La Seu

nobody@ipernity.com (m̌ ḫ) — Fri, 12 Jun 2026 16:32:36 +0000

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The Catedral-Basílica de Santa María de Mallorca — known simply as La Seu — is one of the most striking Gothic structures in the Mediterranean. Its story began in 1229, when King James I of Aragon, after conquering the island from the Moors, ordered a cathedral to be built on the site of the former Great Mosque, a clear statement of who now spoke for God in this territory.

Construction went on at the usual medieval pace, extending over almost 372 years and reaching completion in 1601, at a time when the Catholic Church in Spain was closely linked with royal power, overseas expansion and a very confident sense of religious authority. Centuries later, at the beginning of the 20th century, the genial architect Antoni Gaudí was invited to redesign the interior, introducing a more open and luminous space, a modest adjustment for an institution that preferred to change the stone before it changed itself.