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  <title>Photos, videos and docs of Martin M. Miles, with the keywords: "Waechter"</title>
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    <title>Photos, videos and docs of Martin M. Miles, with the keywords: "Waechter"</title>
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    <title>Rouffach - Notre Dame de l&amp;#039;Assomption</title>
    <link>https://www.ipernity.com/doc/323415/46494758</link>
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    <pubDate>Fri, 17 Jun 2011 21:45:32 +0000</pubDate>
    <dc:date.created>2011-04-01T00:00:00+02:00</dc:date.created>
    <author>nobody@ipernity.com (Martin M. Miles)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/323415"&gt;Martin M. Miles&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/323415/46494758"&gt;&lt;img src="https://cdn.ipernity.com/200/47/58/46494758.4c8a8aa5.240.jpg?r2" width="180" height="240" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;The architecture of Notre Dame de l'Assomption, the parish church of Rouffach, about &lt;br /&gt;
20kms south of Colmar, is a mixture of romanesque and gothique style.&lt;br /&gt;
&lt;br /&gt;
The pretty huge building suffered heavy damage during the French Revolution.&lt;br /&gt;
&lt;br /&gt;
There are some interesting romanesque carvings on the walls of the older parts of&lt;br /&gt;
 "Notre Dame de l'Assomption". &lt;br /&gt;
&lt;br /&gt;
This one, placed next to the entrance, seems to be one of the oldest. It has the typical &lt;br /&gt;
checkered frieze on top. &lt;br /&gt;
&lt;br /&gt;
Well, this is not hitchhiker near the motorway. &lt;br /&gt;
Though damaged and weathered, this is still a serious sentinel, armed with a long spear. &lt;br /&gt;
He has lifted his arm and shows his open hand, what is a "stop-gesture", that is still used &lt;br /&gt;
today by the police. &lt;br /&gt;
&lt;br /&gt;
It is strange, that somebody in the past took a lot of effort, to climb up the wall and "erase" &lt;br /&gt;
the left arm and the spear. This may be connected to the French Revolution. During the &lt;br /&gt;
heyday of the revolution it was probably "politically correct", to disarm the sentinel of the &lt;br /&gt;
church. &lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
The featherlike decoration on his head - is just a cobweb.&lt;/div&gt;</description>
    <media:title>Rouffach - Notre Dame de l&amp;#039;Assomption</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/323415"&gt;Martin M. Miles&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/323415/46494758"&gt;&lt;img src="https://cdn.ipernity.com/200/47/58/46494758.4c8a8aa5.240.jpg?r2" width="180" height="240" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;The architecture of Notre Dame de l'Assomption, the parish church of Rouffach, about &lt;br /&gt;
20kms south of Colmar, is a mixture of romanesque and gothique style.&lt;br /&gt;
&lt;br /&gt;
The pretty huge building suffered heavy damage during the French Revolution.&lt;br /&gt;
&lt;br /&gt;
There are some interesting romanesque carvings on the walls of the older parts of&lt;br /&gt;
 "Notre Dame de l'Assomption". &lt;br /&gt;
&lt;br /&gt;
This one, placed next to the entrance, seems to be one of the oldest. It has the typical &lt;br /&gt;
checkered frieze on top. &lt;br /&gt;
&lt;br /&gt;
Well, this is not hitchhiker near the motorway. &lt;br /&gt;
Though damaged and weathered, this is still a serious sentinel, armed with a long spear. &lt;br /&gt;
He has lifted his arm and shows his open hand, what is a "stop-gesture", that is still used &lt;br /&gt;
today by the police. &lt;br /&gt;
&lt;br /&gt;
It is strange, that somebody in the past took a lot of effort, to climb up the wall and "erase" &lt;br /&gt;
the left arm and the spear. This may be connected to the French Revolution. During the &lt;br /&gt;
heyday of the revolution it was probably "politically correct", to disarm the sentinel of the &lt;br /&gt;
church. &lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
The featherlike decoration on his head - is just a cobweb.&lt;/div&gt;</media:text>
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    <media:credit role="author">Martin M. Miles</media:credit>
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