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  <title>Photos, videos and docs of Nora Caracci, with the keywords: "chiesa"</title>
  <link>https://www.ipernity.com/tag/306449/keyword/31523</link>
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    <title>Photos, videos and docs of Nora Caracci, with the keywords: "chiesa"</title>
    <link>https://www.ipernity.com/tag/306449/keyword/31523</link>
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  <description></description>
  <pubDate>Sun, 27 Sep 2026 03:28:57 +0000</pubDate>
  <lastBuildDate>Sun, 27 Sep 2026 03:28:57 +0000</lastBuildDate>
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  <item>
    <title>Carnevale a Venezia</title>
    <link>https://www.ipernity.com/doc/306449/53250358</link>
    <guid isPermaLink="false">tag:ipernity.com,2026-02-18,doc-53250358</guid>
    <pubDate>Wed, 18 Feb 2026 14:20:18 +0000</pubDate>
    <dc:date.created>2023-02-20T15:51:06+01:00</dc:date.created>
    <author>nobody@ipernity.com (Nora Caracci)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/306449"&gt;Nora Caracci&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/306449/53250358"&gt;&lt;img src="https://cdn.ipernity.com/200/03/58/53250358.bd65efc1.240.jpg?r2" width="240" height="180" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Explored&lt;/div&gt;</description>
    <media:title>Carnevale a Venezia</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/306449"&gt;Nora Caracci&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/306449/53250358"&gt;&lt;img src="https://cdn.ipernity.com/200/03/58/53250358.bd65efc1.240.jpg?r2" width="240" height="180" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Explored&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/200/03/58/53250358.4a70ed72.1024.jpg?r2" type="image/jpeg" width="1024" height="768" duration="0" isDefault="true"  />
    <media:thumbnail url="https://cdn.ipernity.com/200/03/58/53250358.bd65efc1.240.jpg?r2" width="240" height="180"/>
    <media:thumbnail url="https://cdn.ipernity.com/200/03/58/53250358.bd65efc1.100.jpg?r2" width="100" height="75"/>
    <media:credit role="author">Nora Caracci</media:credit>
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  <item>
    <title>Sea storm in Liguria</title>
    <link>https://www.ipernity.com/doc/306449/52187190</link>
    <guid isPermaLink="false">tag:ipernity.com,2023-11-05,doc-52187190</guid>
    <pubDate>Sun, 05 Nov 2023 14:48:53 +0000</pubDate>
    <dc:date.created>2023-11-03T08:32:52+01:00</dc:date.created>
    <author>nobody@ipernity.com (Nora Caracci)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/306449"&gt;Nora Caracci&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/306449/52187190"&gt;&lt;img src="https://cdn.ipernity.com/200/71/90/52187190.95cfac71.240.jpg?r2" width="240" height="160" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;&lt;b&gt;La mareggiata vista dal mio balcone&lt;br /&gt;
Se rapportate le onde agli edifici e tenete conto che tra loro e il mare (che è a un livello più basso di alcuni metri) c'è una strada, la passeggiata e una spiaggia abbastanza larga, vi farete un'idea della loro altezza. Mi hanno detto che l'altro ieri le onde arrivavano sulla strada.&lt;br /&gt;
E continua ormai da tre giorni !!!&lt;br /&gt;
Qui da noi non è niente in confronto alla costa da Genova verso levante, molti danni, in Toscana anche dei morti...&lt;/b&gt;&lt;br /&gt;
Explored&lt;/div&gt;</description>
    <media:title>Sea storm in Liguria</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/306449"&gt;Nora Caracci&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/306449/52187190"&gt;&lt;img src="https://cdn.ipernity.com/200/71/90/52187190.95cfac71.240.jpg?r2" width="240" height="160" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;&lt;b&gt;La mareggiata vista dal mio balcone&lt;br /&gt;
Se rapportate le onde agli edifici e tenete conto che tra loro e il mare (che è a un livello più basso di alcuni metri) c'è una strada, la passeggiata e una spiaggia abbastanza larga, vi farete un'idea della loro altezza. Mi hanno detto che l'altro ieri le onde arrivavano sulla strada.&lt;br /&gt;
E continua ormai da tre giorni !!!&lt;br /&gt;
Qui da noi non è niente in confronto alla costa da Genova verso levante, molti danni, in Toscana anche dei morti...&lt;/b&gt;&lt;br /&gt;
Explored&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/200/71/90/52187190.568cf5f4.1024.jpg?r2" type="image/jpeg" width="1024" height="683" duration="0" isDefault="true"  />
    <media:thumbnail url="https://cdn.ipernity.com/200/71/90/52187190.95cfac71.240.jpg?r2" width="240" height="160"/>
    <media:thumbnail url="https://cdn.ipernity.com/200/71/90/52187190.95cfac71.100.jpg?r2" width="100" height="67"/>
    <media:credit role="author">Nora Caracci</media:credit>
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  <item>
    <title>A splendid Portal</title>
    <link>https://www.ipernity.com/doc/306449/52165418</link>
    <guid isPermaLink="false">tag:ipernity.com,2023-10-20,doc-52165418</guid>
    <pubDate>Fri, 20 Oct 2023 10:45:42 +0000</pubDate>
    <dc:date.created>2023-08-06T13:19:49+02:00</dc:date.created>
    <author>nobody@ipernity.com (Nora Caracci)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/306449"&gt;Nora Caracci&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/306449/52165418"&gt;&lt;img src="https://cdn.ipernity.com/200/54/18/52165418.eaa14a59.240.jpg?r2" width="154" height="240" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Francia - Catalogna del Nord - Coustouges&lt;br /&gt;
&lt;br /&gt;
Capolavoro dell'arte romanica del XII secolo, la chiesa di Santa Maria di Coustouges, nei Pirenei Orientali, è stata costruita sui resti di una cappella del IV secolo. Oggi classificato come monumento storico, un tempo dipendeva da un monastero benedettino.&lt;br /&gt;
&lt;br /&gt;
L'edificio ha la forma di una sola navata con volta a botte rinforzata da contrafforti. I visitatori possono ammirare un &lt;b&gt;portale decorato con belle sculture romaniche e un archivolto in granito e tosca (in foto, rielaborata)&lt;/b&gt;, un campanile quadrato o un bellissimo portale d'ingresso originale in ferro battuto, aggiunto più tardi per salvaguardare quello antico dalle ingiurie del tempo.&lt;/div&gt;</description>
    <media:title>A splendid Portal</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/306449"&gt;Nora Caracci&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/306449/52165418"&gt;&lt;img src="https://cdn.ipernity.com/200/54/18/52165418.eaa14a59.240.jpg?r2" width="154" height="240" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Francia - Catalogna del Nord - Coustouges&lt;br /&gt;
&lt;br /&gt;
Capolavoro dell'arte romanica del XII secolo, la chiesa di Santa Maria di Coustouges, nei Pirenei Orientali, è stata costruita sui resti di una cappella del IV secolo. Oggi classificato come monumento storico, un tempo dipendeva da un monastero benedettino.&lt;br /&gt;
&lt;br /&gt;
L'edificio ha la forma di una sola navata con volta a botte rinforzata da contrafforti. I visitatori possono ammirare un &lt;b&gt;portale decorato con belle sculture romaniche e un archivolto in granito e tosca (in foto, rielaborata)&lt;/b&gt;, un campanile quadrato o un bellissimo portale d'ingresso originale in ferro battuto, aggiunto più tardi per salvaguardare quello antico dalle ingiurie del tempo.&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/200/54/18/52165418.a448ccc5.1024.jpg?r2" type="image/jpeg" width="657" height="1024" duration="0" isDefault="true"  />
    <media:thumbnail url="https://cdn.ipernity.com/200/54/18/52165418.eaa14a59.240.jpg?r2" width="154" height="240"/>
    <media:thumbnail url="https://cdn.ipernity.com/200/54/18/52165418.eaa14a59.100.jpg?r2" width="65" height="100"/>
    <media:credit role="author">Nora Caracci</media:credit>
  </item>
  <item>
    <title>For peace</title>
    <link>https://www.ipernity.com/doc/306449/51726732</link>
    <guid isPermaLink="false">tag:ipernity.com,2023-01-02,doc-51726732</guid>
    <pubDate>Mon, 02 Jan 2023 12:27:26 +0000</pubDate>
    <dc:date.created>2022-07-14T12:41:50+01:00</dc:date.created>
    <author>nobody@ipernity.com (Nora Caracci)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/306449"&gt;Nora Caracci&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/306449/51726732"&gt;&lt;img src="https://cdn.ipernity.com/200/67/32/51726732.c034db73.240.jpg?r2" width="240" height="160" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;&lt;b&gt;C'è solo da sperare in una pace che sembra ancora un'utopia...&lt;br /&gt;
&lt;br /&gt;
Cappella delle Sante Juste e Ruffine a Prats de Mollò i la Presta&lt;br /&gt;
Francia - Catalogna del Nord&lt;/b&gt;&lt;br /&gt;
&lt;br /&gt;
Explored&lt;/div&gt;</description>
    <media:title>For peace</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/306449"&gt;Nora Caracci&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/306449/51726732"&gt;&lt;img src="https://cdn.ipernity.com/200/67/32/51726732.c034db73.240.jpg?r2" width="240" height="160" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;&lt;b&gt;C'è solo da sperare in una pace che sembra ancora un'utopia...&lt;br /&gt;
&lt;br /&gt;
Cappella delle Sante Juste e Ruffine a Prats de Mollò i la Presta&lt;br /&gt;
Francia - Catalogna del Nord&lt;/b&gt;&lt;br /&gt;
&lt;br /&gt;
Explored&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/200/67/32/51726732.640d7a26.1024.jpg?r2" type="image/jpeg" width="1024" height="683" duration="0" isDefault="true"  />
    <media:thumbnail url="https://cdn.ipernity.com/200/67/32/51726732.c034db73.240.jpg?r2" width="240" height="160"/>
    <media:thumbnail url="https://cdn.ipernity.com/200/67/32/51726732.c034db73.100.jpg?r2" width="100" height="67"/>
    <media:credit role="author">Nora Caracci</media:credit>
  </item>
  <item>
    <title>Venetian Solitude</title>
    <link>https://www.ipernity.com/doc/306449/51685624</link>
    <guid isPermaLink="false">tag:ipernity.com,2022-11-27,doc-51685624</guid>
    <pubDate>Sun, 27 Nov 2022 15:10:12 +0000</pubDate>
    <dc:date.created>2022-11-16T15:42:13+01:00</dc:date.created>
    <author>nobody@ipernity.com (Nora Caracci)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/306449"&gt;Nora Caracci&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/306449/51685624"&gt;&lt;img src="https://cdn.ipernity.com/200/56/24/51685624.49965987.240.jpg?r2" width="240" height="160" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Sullo sfondo nella nebbia si intravede Santa Maria della Salute (o chiesa della Salute o semplicemente La Salute); è una basilica di Venezia eretta nell'area della Punta della Dogana, da dove risalta nel panorama del Bacino di San Marco e del Canal Grande. &lt;br /&gt;
Progettata da Baldassare Longhena con attenzione ai modelli del Palladio, è una delle migliori espressioni dell'architettura barocca veneziana. La sua costruzione rappresenta un ex voto alla Madonna da parte dei veneziani per la liberazione dalla peste che tra il 1630 e il 1631 decimò la popolazione, come era avvenuto in precedenza per la chiesa del Redentore. Il culto divenne così radicato a Venezia che la Vergine Maria venne aggiunta all'elenco dei santi patroni della città di Venezia. &lt;br /&gt;
Nel dicembre del 1921 papa Benedetto XV l'ha elevata al rango di basilica minore.&lt;br /&gt;
&lt;br /&gt;
MUSICA: &lt;a href="https://www.youtube.com/watch?v=aMQ6GyUs-fc" target="_blank" rel="nofollow"&gt;&lt;b&gt;Charles Aznavour - Com'è Triste Venezia&lt;/b&gt;&lt;/a&gt;&lt;/div&gt;</description>
    <media:title>Venetian Solitude</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/306449"&gt;Nora Caracci&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/306449/51685624"&gt;&lt;img src="https://cdn.ipernity.com/200/56/24/51685624.49965987.240.jpg?r2" width="240" height="160" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Sullo sfondo nella nebbia si intravede Santa Maria della Salute (o chiesa della Salute o semplicemente La Salute); è una basilica di Venezia eretta nell'area della Punta della Dogana, da dove risalta nel panorama del Bacino di San Marco e del Canal Grande. &lt;br /&gt;
Progettata da Baldassare Longhena con attenzione ai modelli del Palladio, è una delle migliori espressioni dell'architettura barocca veneziana. La sua costruzione rappresenta un ex voto alla Madonna da parte dei veneziani per la liberazione dalla peste che tra il 1630 e il 1631 decimò la popolazione, come era avvenuto in precedenza per la chiesa del Redentore. Il culto divenne così radicato a Venezia che la Vergine Maria venne aggiunta all'elenco dei santi patroni della città di Venezia. &lt;br /&gt;
Nel dicembre del 1921 papa Benedetto XV l'ha elevata al rango di basilica minore.&lt;br /&gt;
&lt;br /&gt;
MUSICA: &lt;a href="https://www.youtube.com/watch?v=aMQ6GyUs-fc" target="_blank" rel="nofollow"&gt;&lt;b&gt;Charles Aznavour - Com'è Triste Venezia&lt;/b&gt;&lt;/a&gt;&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/200/56/24/51685624.251079a3.1024.jpg?r2" type="image/jpeg" width="1024" height="683" duration="0" isDefault="true"  />
    <media:thumbnail url="https://cdn.ipernity.com/200/56/24/51685624.49965987.240.jpg?r2" width="240" height="160"/>
    <media:thumbnail url="https://cdn.ipernity.com/200/56/24/51685624.49965987.100.jpg?r2" width="100" height="67"/>
    <media:credit role="author">Nora Caracci</media:credit>
  </item>
  <item>
    <title>un barocco leggero e solare</title>
    <link>https://www.ipernity.com/doc/306449/51633554</link>
    <guid isPermaLink="false">tag:ipernity.com,2022-10-20,doc-51633554</guid>
    <pubDate>Thu, 20 Oct 2022 11:29:10 +0000</pubDate>
    <dc:date.created>2017-03-15T12:36:12+02:00</dc:date.created>
    <author>nobody@ipernity.com (Nora Caracci)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/306449"&gt;Nora Caracci&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/306449/51633554"&gt;&lt;img src="https://cdn.ipernity.com/200/35/54/51633554.dc6a23bb.240.jpg?r2" width="180" height="240" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;La chiesa di San Giovanni Battista è detta "dei corallini" poiché eretta anche grazie ai proventi della pesca del corallo, ancora esistente tra il XVII e il XVIII secolo in quelle coste liguri.&lt;br /&gt;
A Cervo, Liguria, Italia&lt;br /&gt;
&lt;br /&gt;
&lt;i&gt;Do not use my images on websites, blogs or other media without my explicit written permission. &lt;br /&gt;
All rights reserved - Copyright © Nora Caracci&lt;/i&gt;&lt;/div&gt;</description>
    <media:title>un barocco leggero e solare</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/306449"&gt;Nora Caracci&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/306449/51633554"&gt;&lt;img src="https://cdn.ipernity.com/200/35/54/51633554.dc6a23bb.240.jpg?r2" width="180" height="240" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;La chiesa di San Giovanni Battista è detta "dei corallini" poiché eretta anche grazie ai proventi della pesca del corallo, ancora esistente tra il XVII e il XVIII secolo in quelle coste liguri.&lt;br /&gt;
A Cervo, Liguria, Italia&lt;br /&gt;
&lt;br /&gt;
&lt;i&gt;Do not use my images on websites, blogs or other media without my explicit written permission. &lt;br /&gt;
All rights reserved - Copyright © Nora Caracci&lt;/i&gt;&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/200/35/54/51633554.3b94bec1.1024.jpg?r2" type="image/jpeg" width="768" height="1024" duration="0" isDefault="true"  />
    <media:thumbnail url="https://cdn.ipernity.com/200/35/54/51633554.dc6a23bb.240.jpg?r2" width="180" height="240"/>
    <media:thumbnail url="https://cdn.ipernity.com/200/35/54/51633554.dc6a23bb.100.jpg?r2" width="75" height="100"/>
    <media:credit role="author">Nora Caracci</media:credit>
  </item>
  <item>
    <title>l&amp;#039;assolato Rossiglione</title>
    <link>https://www.ipernity.com/doc/306449/51462456</link>
    <guid isPermaLink="false">tag:ipernity.com,2022-07-22,doc-51462456</guid>
    <pubDate>Fri, 22 Jul 2022 14:00:47 +0000</pubDate>
    <dc:date.created>2022-07-22T16:00:47+02:00</dc:date.created>
    <author>nobody@ipernity.com (Nora Caracci)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/306449"&gt;Nora Caracci&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/306449/51462456"&gt;&lt;img src="https://cdn.ipernity.com/200/24/56/51462456.a785f9c4.240.jpg?r2" width="240" height="180" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Monestir del Camp - Rossello - Catalunya Nord - França&lt;br /&gt;
&lt;br /&gt;
Santa Maria del Camp (Monastir del Camp, oficialment en francès), és un antic establiment religiós fundat el 1090 a la comuna rossellonesa de Paçà, a la Catalunya del Nord. &lt;br /&gt;
La llegenda diu que aquest monestir s'aixecà a petició de Carlemany, quan aquest passà per la zona de tornada de la batalla del Coll de Panissars (juny del 785), però el Priorat és físicament almenys dos segles posterior a aquell fet bèl·lic. Segons la tradició, les tropes franques acampades a dues llegües de Paçà cercaven una font; quan un soldat clavà la seva espasa al llit sec d'un riu. L'aigua en brollà tan abundosament que tots pogueren abeurar-se del Riu del Miracle. Carlemany, en agraïment a la Mare de Déu, que havia socorregut l'exèrcit esgotat per la batalla contra els moros, demanà que se li bastís una capella en aquell indret. &lt;br /&gt;
&lt;br /&gt;
Explored&lt;br /&gt;
&lt;i&gt;Do not use my images on websites, blogs or other media without my explicit written permission. &lt;br /&gt;
All rights reserved - Copyright © Nora Caracci&lt;/i&gt;&lt;/div&gt;</description>
    <media:title>l&amp;#039;assolato Rossiglione</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/306449"&gt;Nora Caracci&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/306449/51462456"&gt;&lt;img src="https://cdn.ipernity.com/200/24/56/51462456.a785f9c4.240.jpg?r2" width="240" height="180" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Monestir del Camp - Rossello - Catalunya Nord - França&lt;br /&gt;
&lt;br /&gt;
Santa Maria del Camp (Monastir del Camp, oficialment en francès), és un antic establiment religiós fundat el 1090 a la comuna rossellonesa de Paçà, a la Catalunya del Nord. &lt;br /&gt;
La llegenda diu que aquest monestir s'aixecà a petició de Carlemany, quan aquest passà per la zona de tornada de la batalla del Coll de Panissars (juny del 785), però el Priorat és físicament almenys dos segles posterior a aquell fet bèl·lic. Segons la tradició, les tropes franques acampades a dues llegües de Paçà cercaven una font; quan un soldat clavà la seva espasa al llit sec d'un riu. L'aigua en brollà tan abundosament que tots pogueren abeurar-se del Riu del Miracle. Carlemany, en agraïment a la Mare de Déu, que havia socorregut l'exèrcit esgotat per la batalla contra els moros, demanà que se li bastís una capella en aquell indret. &lt;br /&gt;
&lt;br /&gt;
Explored&lt;br /&gt;
&lt;i&gt;Do not use my images on websites, blogs or other media without my explicit written permission. &lt;br /&gt;
All rights reserved - Copyright © Nora Caracci&lt;/i&gt;&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/200/24/56/51462456.67bc3974.1024.jpg?r2" type="image/jpeg" width="1024" height="768" duration="0" isDefault="true"  />
    <media:thumbnail url="https://cdn.ipernity.com/200/24/56/51462456.a785f9c4.240.jpg?r2" width="240" height="180"/>
    <media:thumbnail url="https://cdn.ipernity.com/200/24/56/51462456.a785f9c4.100.jpg?r2" width="100" height="75"/>
    <media:credit role="author">Nora Caracci</media:credit>
  </item>
  <item>
    <title>Prieuré de Marcevol</title>
    <link>https://www.ipernity.com/doc/306449/51312980</link>
    <guid isPermaLink="false">tag:ipernity.com,2026-02-18,doc-51312980</guid>
    <pubDate>Wed, 18 Feb 2026 13:30:49 +0000</pubDate>
    <dc:date.created>2016-07-15T11:23:42+02:00</dc:date.created>
    <author>nobody@ipernity.com (Nora Caracci)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/306449"&gt;Nora Caracci&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/306449/51312980"&gt;&lt;img src="https://cdn.ipernity.com/200/29/80/51312980.c297ca23.240.jpg?r2" width="180" height="240" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Il portale è in marmo rosa della cava di Villefranche-de-Conflent. Per l’architrave ed il timpano , è stato usato del marmo di altri due colori. E’ formato da un archivolto , diviso in diverse modanature , sottolineato da una fascia di denti d’ingranaggio . Al centro, si apre la porta con l’architrave ed il timpano tagliati. I due battenti sono ampiamente decorati con bandelle tipiche dell’arte del ferro catalana. Con le loro spirali disposte simmetricamente, riportate ed inchiodate nel legno, rinforzano e decorano la porta.&lt;br /&gt;
&lt;br /&gt;
Qui sotto e in nota la visione d'insieme dell'antico priorato&lt;br /&gt;
&lt;br /&gt;
&lt;a href="https://www.ipernity.com/doc/306449/42586084" target="_blank" rel="nofollow"&gt;&lt;img alt="Prieuré de Marcèvol" src="https://cdn.ipernity.com/200/60/84/42586084.9e503a61.500.jpg?r2" height="375" width="500" /&gt;&lt;/a&gt;&lt;/div&gt;</description>
    <media:title>Prieuré de Marcevol</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/306449"&gt;Nora Caracci&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/306449/51312980"&gt;&lt;img src="https://cdn.ipernity.com/200/29/80/51312980.c297ca23.240.jpg?r2" width="180" height="240" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Il portale è in marmo rosa della cava di Villefranche-de-Conflent. Per l’architrave ed il timpano , è stato usato del marmo di altri due colori. E’ formato da un archivolto , diviso in diverse modanature , sottolineato da una fascia di denti d’ingranaggio . Al centro, si apre la porta con l’architrave ed il timpano tagliati. I due battenti sono ampiamente decorati con bandelle tipiche dell’arte del ferro catalana. Con le loro spirali disposte simmetricamente, riportate ed inchiodate nel legno, rinforzano e decorano la porta.&lt;br /&gt;
&lt;br /&gt;
Qui sotto e in nota la visione d'insieme dell'antico priorato&lt;br /&gt;
&lt;br /&gt;
&lt;a href="https://www.ipernity.com/doc/306449/42586084" target="_blank" rel="nofollow"&gt;&lt;img alt="Prieuré de Marcèvol" src="https://cdn.ipernity.com/200/60/84/42586084.9e503a61.500.jpg?r2" height="375" width="500" /&gt;&lt;/a&gt;&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/200/29/80/51312980.e6598240.1024.jpg?r2" type="image/jpeg" width="768" height="1024" duration="0" isDefault="true"  />
    <media:thumbnail url="https://cdn.ipernity.com/200/29/80/51312980.c297ca23.240.jpg?r2" width="180" height="240"/>
    <media:thumbnail url="https://cdn.ipernity.com/200/29/80/51312980.c297ca23.100.jpg?r2" width="75" height="100"/>
    <media:credit role="author">Nora Caracci</media:credit>
  </item>
  <item>
    <title>Prieuré de Marcevol</title>
    <link>https://www.ipernity.com/doc/306449/51312850</link>
    <guid isPermaLink="false">tag:ipernity.com,2022-05-11,doc-51312850</guid>
    <pubDate>Wed, 11 May 2022 06:09:05 +0000</pubDate>
    <dc:date.created>2016-07-15T10:59:45+02:00</dc:date.created>
    <author>nobody@ipernity.com (Nora Caracci)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/306449"&gt;Nora Caracci&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/306449/51312850"&gt;&lt;img src="https://cdn.ipernity.com/200/28/50/51312850.0cd86ef1.240.jpg?r2" width="180" height="240" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;"Santa Maria de Marcèvol" est un prieuré roman dédié à Sainte Marie et situé à Arboussols, dans le département des Pyrénées-Orientales. &lt;br /&gt;
En 1129, l'église Sainte Marie de Marcevol est donnée à l'ordre canonial régulier du Saint-Sépulcre par l'évêque d'Elne. Le prieuré est la seule dépendance de cet ordre en Roussillon.&lt;br /&gt;
Le séisme de 1428, qui fit de nombreux dégâts en Catalogne, endommagea une grande partie des bâtiments monastiques, dont la reconstruction fut entreprise dans les années qui suivirent.&lt;br /&gt;
Au XVe siècle, alors qu'il était en pleine période de décadence comme nombre de fondations religieuses à travers la France, l'Ordre des chanoines réguliers du Saint-Sépulcre est dissous par le pape en 1489 et le prieuré est transféré à la communauté des prêtres de Vinça qui l'administre jusqu'à la Révolution française.&lt;br /&gt;
Vendu comme bien national à la Révolution, il est converti en exploitation agricole. L'édifice, classé au titre des monuments historiques par la liste de 1840, est restauré à partir des années 1970. &lt;br /&gt;
Ici la façade occidentale, remarquable par sa sobriété et sa «muralité». Elle est dominée par un clocher mur asymétrique comprenant 4 baies (il en comportait sans doute 6 à l'origine).&lt;br /&gt;
En PiP le portail en marbre rose de Villefranche-de-Conflent:&lt;br /&gt;
&lt;br /&gt;
&lt;i&gt;Do not use my images on websites, blogs or other media without my explicit written permission. &lt;br /&gt;
All rights reserved - Copyright © Nora Caracci&lt;/i&gt;&lt;/div&gt;</description>
    <media:title>Prieuré de Marcevol</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/306449"&gt;Nora Caracci&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/306449/51312850"&gt;&lt;img src="https://cdn.ipernity.com/200/28/50/51312850.0cd86ef1.240.jpg?r2" width="180" height="240" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;"Santa Maria de Marcèvol" est un prieuré roman dédié à Sainte Marie et situé à Arboussols, dans le département des Pyrénées-Orientales. &lt;br /&gt;
En 1129, l'église Sainte Marie de Marcevol est donnée à l'ordre canonial régulier du Saint-Sépulcre par l'évêque d'Elne. Le prieuré est la seule dépendance de cet ordre en Roussillon.&lt;br /&gt;
Le séisme de 1428, qui fit de nombreux dégâts en Catalogne, endommagea une grande partie des bâtiments monastiques, dont la reconstruction fut entreprise dans les années qui suivirent.&lt;br /&gt;
Au XVe siècle, alors qu'il était en pleine période de décadence comme nombre de fondations religieuses à travers la France, l'Ordre des chanoines réguliers du Saint-Sépulcre est dissous par le pape en 1489 et le prieuré est transféré à la communauté des prêtres de Vinça qui l'administre jusqu'à la Révolution française.&lt;br /&gt;
Vendu comme bien national à la Révolution, il est converti en exploitation agricole. L'édifice, classé au titre des monuments historiques par la liste de 1840, est restauré à partir des années 1970. &lt;br /&gt;
Ici la façade occidentale, remarquable par sa sobriété et sa «muralité». Elle est dominée par un clocher mur asymétrique comprenant 4 baies (il en comportait sans doute 6 à l'origine).&lt;br /&gt;
En PiP le portail en marbre rose de Villefranche-de-Conflent:&lt;br /&gt;
&lt;br /&gt;
&lt;i&gt;Do not use my images on websites, blogs or other media without my explicit written permission. &lt;br /&gt;
All rights reserved - Copyright © Nora Caracci&lt;/i&gt;&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/200/28/50/51312850.2dd9c81b.1024.jpg?r2" type="image/jpeg" width="768" height="1024" duration="0" isDefault="true"  />
    <media:thumbnail url="https://cdn.ipernity.com/200/28/50/51312850.0cd86ef1.240.jpg?r2" width="180" height="240"/>
    <media:thumbnail url="https://cdn.ipernity.com/200/28/50/51312850.0cd86ef1.100.jpg?r2" width="75" height="100"/>
    <media:credit role="author">Nora Caracci</media:credit>
  </item>
  <item>
    <title>Sant Martí</title>
    <link>https://www.ipernity.com/doc/306449/51179850</link>
    <guid isPermaLink="false">tag:ipernity.com,2022-02-09,doc-51179850</guid>
    <pubDate>Wed, 09 Feb 2022 09:21:51 +0000</pubDate>
    <dc:date.created>2022-02-09T10:21:51+01:00</dc:date.created>
    <author>nobody@ipernity.com (Nora Caracci)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/306449"&gt;Nora Caracci&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/306449/51179850"&gt;&lt;img src="https://cdn.ipernity.com/200/98/50/51179850.bf74f60a.240.jpg?r2" width="240" height="160" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Santa Martí de Cortsaví fou l'església parròquial de la comuna vallespirenca de Cortsaví, a la Catalunya del Nord, França.&lt;br /&gt;
El primer document que esmenta l'església és del 993, quan Berenguer bisbe d'Elna la consagrà; i és esmentada novament el 1001 en la donació que aquest en feu a Sintil·la, abat d'Arles. Fou reconsagrada pel bisbe Arnau el 1158, possiblement a causa d'una reconstrucció total. El 1621 fou substituïda com a seu parroquial per l'antiga església del castell, fins aleshores dedicada a Sant Jaume, en una situació més cèntrica respecte al nucli urbà. Actualment el temple romànic és en procés de restauració.&lt;br /&gt;
Va ser declarada monument històric de França el 1964.&lt;br /&gt;
&lt;br /&gt;
&lt;i&gt;Do not use my images on websites, blogs or other media without my explicit written permission. &lt;br /&gt;
All rights reserved - Copyright © Nora Caracci&lt;/i&gt;&lt;/div&gt;</description>
    <media:title>Sant Martí</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/306449"&gt;Nora Caracci&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/306449/51179850"&gt;&lt;img src="https://cdn.ipernity.com/200/98/50/51179850.bf74f60a.240.jpg?r2" width="240" height="160" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Santa Martí de Cortsaví fou l'església parròquial de la comuna vallespirenca de Cortsaví, a la Catalunya del Nord, França.&lt;br /&gt;
El primer document que esmenta l'església és del 993, quan Berenguer bisbe d'Elna la consagrà; i és esmentada novament el 1001 en la donació que aquest en feu a Sintil·la, abat d'Arles. Fou reconsagrada pel bisbe Arnau el 1158, possiblement a causa d'una reconstrucció total. El 1621 fou substituïda com a seu parroquial per l'antiga església del castell, fins aleshores dedicada a Sant Jaume, en una situació més cèntrica respecte al nucli urbà. Actualment el temple romànic és en procés de restauració.&lt;br /&gt;
Va ser declarada monument històric de França el 1964.&lt;br /&gt;
&lt;br /&gt;
&lt;i&gt;Do not use my images on websites, blogs or other media without my explicit written permission. &lt;br /&gt;
All rights reserved - Copyright © Nora Caracci&lt;/i&gt;&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/200/98/50/51179850.b5fe68fb.1024.jpg?r2" type="image/jpeg" width="1024" height="683" duration="0" isDefault="true"  />
    <media:thumbnail url="https://cdn.ipernity.com/200/98/50/51179850.bf74f60a.240.jpg?r2" width="240" height="160"/>
    <media:thumbnail url="https://cdn.ipernity.com/200/98/50/51179850.bf74f60a.100.jpg?r2" width="100" height="67"/>
    <media:credit role="author">Nora Caracci</media:credit>
  </item>
  <item>
    <title>Sant Joan de les Abadesses</title>
    <link>https://www.ipernity.com/doc/306449/51156476</link>
    <guid isPermaLink="false">tag:ipernity.com,2022-01-22,doc-51156476</guid>
    <pubDate>Sat, 22 Jan 2022 09:45:37 +0000</pubDate>
    <dc:date.created>2014-07-10T15:07:38+01:00</dc:date.created>
    <author>nobody@ipernity.com (Nora Caracci)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/306449"&gt;Nora Caracci&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/306449/51156476"&gt;&lt;img src="https://cdn.ipernity.com/200/64/76/51156476.849634cb.240.jpg?r2" width="240" height="180" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;L'església del Monestir de Sant Joan, concebuda com un edifici de tres naus, amb transsepte, i una àmplia capçalera amb absis, girola i capelles radials, segueix una estructura usual a França i especialment de les anomenades esglésies de peregrinació. El pla, però, no es dugué a terme i l'església té únicament una nau molt curta, de manera que a la pràctica esdevé un edifici de creu grega. Els absis són decorats interna i externament per arcuacions i columnetes formant una estructura de dos pisos. El terratrèmol de 1428 afectà la capçalera, que ja no fou reconstruïda a la manera original. Actualment, tres capelles radials s'obren al gran absis central, mentre que un petit absis s'obre a cada braç del creuer.&lt;br /&gt;
&lt;br /&gt;
Catalunya - Ripollès&lt;br /&gt;
&lt;br /&gt;
Explored&lt;br /&gt;
&lt;i&gt;Do not use my images on websites, blogs or other media without my explicit written permission. &lt;br /&gt;
All rights reserved - Copyright © Nora Caracci&lt;/i&gt;&lt;/div&gt;</description>
    <media:title>Sant Joan de les Abadesses</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/306449"&gt;Nora Caracci&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/306449/51156476"&gt;&lt;img src="https://cdn.ipernity.com/200/64/76/51156476.849634cb.240.jpg?r2" width="240" height="180" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;L'església del Monestir de Sant Joan, concebuda com un edifici de tres naus, amb transsepte, i una àmplia capçalera amb absis, girola i capelles radials, segueix una estructura usual a França i especialment de les anomenades esglésies de peregrinació. El pla, però, no es dugué a terme i l'església té únicament una nau molt curta, de manera que a la pràctica esdevé un edifici de creu grega. Els absis són decorats interna i externament per arcuacions i columnetes formant una estructura de dos pisos. El terratrèmol de 1428 afectà la capçalera, que ja no fou reconstruïda a la manera original. Actualment, tres capelles radials s'obren al gran absis central, mentre que un petit absis s'obre a cada braç del creuer.&lt;br /&gt;
&lt;br /&gt;
Catalunya - Ripollès&lt;br /&gt;
&lt;br /&gt;
Explored&lt;br /&gt;
&lt;i&gt;Do not use my images on websites, blogs or other media without my explicit written permission. &lt;br /&gt;
All rights reserved - Copyright © Nora Caracci&lt;/i&gt;&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/200/64/76/51156476.9ca38b3f.1024.jpg?r2" type="image/jpeg" width="1024" height="768" duration="0" isDefault="true"  />
    <media:thumbnail url="https://cdn.ipernity.com/200/64/76/51156476.849634cb.240.jpg?r2" width="240" height="180"/>
    <media:thumbnail url="https://cdn.ipernity.com/200/64/76/51156476.849634cb.100.jpg?r2" width="100" height="75"/>
    <media:credit role="author">Nora Caracci</media:credit>
  </item>
  <item>
    <title>Orvieto - il Duomo</title>
    <link>https://www.ipernity.com/doc/306449/51125224</link>
    <guid isPermaLink="false">tag:ipernity.com,2021-12-26,doc-51125224</guid>
    <pubDate>Sun, 26 Dec 2021 12:35:29 +0000</pubDate>
    <dc:date.created>2014-10-24T22:54:19+01:00</dc:date.created>
    <author>nobody@ipernity.com (Nora Caracci)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/306449"&gt;Nora Caracci&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/306449/51125224"&gt;&lt;img src="https://cdn.ipernity.com/200/52/24/51125224.3089a802.240.jpg?r2" width="190" height="240" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;capolavoro architettonico del gotico italiano&lt;br /&gt;
&lt;br /&gt;
&lt;i&gt;The Cathedral was built between the end of the 13th century and the first half of the 14th century and marks Orvieto's peak development. The new cathedral was titled to Santa Maria Assunta in Cielo and erected over the ruins of two other churches: the previous mother church and St. Costanzo. The works spanned several centuries and produced one of the more grandiose examples of Italian medieval architecture.&lt;br /&gt;
The facade, a great triptych built by Lorenzo Maitani in the first years of the 14th century, is certainly the prime masterpiece of Italian decorative Gothic. Superb mosaics on gilt backgrounds cover every surface free of architectural structures or bas-reliefs. The elegant, large rose window above the central portal was created by Orcagna between 1354 and 1380. &lt;/i&gt;&lt;br /&gt;
&lt;br /&gt;
Explored&lt;br /&gt;
&lt;i&gt;Do not use my images on websites, blogs or other media without my explicit written permission. &lt;br /&gt;
All rights reserved - Copyright © Nora Caracci&lt;/i&gt;&lt;/div&gt;</description>
    <media:title>Orvieto - il Duomo</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/306449"&gt;Nora Caracci&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/306449/51125224"&gt;&lt;img src="https://cdn.ipernity.com/200/52/24/51125224.3089a802.240.jpg?r2" width="190" height="240" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;capolavoro architettonico del gotico italiano&lt;br /&gt;
&lt;br /&gt;
&lt;i&gt;The Cathedral was built between the end of the 13th century and the first half of the 14th century and marks Orvieto's peak development. The new cathedral was titled to Santa Maria Assunta in Cielo and erected over the ruins of two other churches: the previous mother church and St. Costanzo. The works spanned several centuries and produced one of the more grandiose examples of Italian medieval architecture.&lt;br /&gt;
The facade, a great triptych built by Lorenzo Maitani in the first years of the 14th century, is certainly the prime masterpiece of Italian decorative Gothic. Superb mosaics on gilt backgrounds cover every surface free of architectural structures or bas-reliefs. The elegant, large rose window above the central portal was created by Orcagna between 1354 and 1380. &lt;/i&gt;&lt;br /&gt;
&lt;br /&gt;
Explored&lt;br /&gt;
&lt;i&gt;Do not use my images on websites, blogs or other media without my explicit written permission. &lt;br /&gt;
All rights reserved - Copyright © Nora Caracci&lt;/i&gt;&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/200/52/24/51125224.edd38e05.1024.jpg?r2" type="image/jpeg" width="810" height="1024" duration="0" isDefault="true"  />
    <media:thumbnail url="https://cdn.ipernity.com/200/52/24/51125224.3089a802.240.jpg?r2" width="190" height="240"/>
    <media:thumbnail url="https://cdn.ipernity.com/200/52/24/51125224.3089a802.100.jpg?r2" width="80" height="100"/>
    <media:credit role="author">Nora Caracci</media:credit>
  </item>
  <item>
    <title>San Giovanni in Laterano</title>
    <link>https://www.ipernity.com/doc/306449/51116354</link>
    <guid isPermaLink="false">tag:ipernity.com,2021-12-18,doc-51116354</guid>
    <pubDate>Sat, 18 Dec 2021 10:13:42 +0000</pubDate>
    <dc:date.created>2014-03-19T15:46:34+01:00</dc:date.created>
    <author>nobody@ipernity.com (Nora Caracci)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/306449"&gt;Nora Caracci&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/306449/51116354"&gt;&lt;img src="https://cdn.ipernity.com/200/63/54/51116354.e8df626b.240.jpg?r2" width="240" height="188" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;&lt;b&gt;La Basilica, definita anche come la Cattedrale di Roma (nome completo Papale arcibasilica maggiore cattedrale arcipretale del Santissimo Salvatore e dei Santi Giovanni Battista ed Evangelista in Laterano; in latino: Archibasilica Sanctissimi Salvatoris et Sanctorum Ioannis Baptistae et Ioannis Evangelistae in Laterano)&lt;br /&gt;
È la chiesa madre della diocesi di Roma.&lt;/b&gt;&lt;/div&gt;</description>
    <media:title>San Giovanni in Laterano</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/306449"&gt;Nora Caracci&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/306449/51116354"&gt;&lt;img src="https://cdn.ipernity.com/200/63/54/51116354.e8df626b.240.jpg?r2" width="240" height="188" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;&lt;b&gt;La Basilica, definita anche come la Cattedrale di Roma (nome completo Papale arcibasilica maggiore cattedrale arcipretale del Santissimo Salvatore e dei Santi Giovanni Battista ed Evangelista in Laterano; in latino: Archibasilica Sanctissimi Salvatoris et Sanctorum Ioannis Baptistae et Ioannis Evangelistae in Laterano)&lt;br /&gt;
È la chiesa madre della diocesi di Roma.&lt;/b&gt;&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/200/63/54/51116354.3ee581d5.1024.jpg?r2" type="image/jpeg" width="1024" height="799" duration="0" isDefault="true"  />
    <media:thumbnail url="https://cdn.ipernity.com/200/63/54/51116354.e8df626b.240.jpg?r2" width="240" height="188"/>
    <media:thumbnail url="https://cdn.ipernity.com/200/63/54/51116354.e8df626b.100.jpg?r2" width="100" height="78"/>
    <media:credit role="author">Nora Caracci</media:credit>
  </item>
  <item>
    <title>Albenga</title>
    <link>https://www.ipernity.com/doc/306449/51097572</link>
    <guid isPermaLink="false">tag:ipernity.com,2021-12-10,doc-51097572</guid>
    <pubDate>Fri, 10 Dec 2021 12:56:05 +0000</pubDate>
    <dc:date.created>2021-10-22T13:40:50+01:00</dc:date.created>
    <author>nobody@ipernity.com (Nora Caracci)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/306449"&gt;Nora Caracci&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/306449/51097572"&gt;&lt;img src="https://cdn.ipernity.com/200/75/72/51097572.d19c4924.240.jpg?r2" width="180" height="240" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;La città delle 100 torri (che però ormai sono molto meno...)&lt;br /&gt;
Piazza San Michele, centro storico&lt;br /&gt;
Sulla destra la cattedrale di San Michele Arcangelo e il suo bel campanile&lt;br /&gt;
qui &lt;a&gt;La storia di questo bellissimo edificio (Wikipedia)&lt;/a&gt;&lt;br /&gt;
Liguria- Italia&lt;br /&gt;
&lt;br /&gt;
&lt;i&gt;Do not use my images on websites, blogs or other media without my explicit written permission. &lt;br /&gt;
All rights reserved - Copyright © Nora Caracci&lt;/i&gt;&lt;/div&gt;</description>
    <media:title>Albenga</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/306449"&gt;Nora Caracci&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/306449/51097572"&gt;&lt;img src="https://cdn.ipernity.com/200/75/72/51097572.d19c4924.240.jpg?r2" width="180" height="240" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;La città delle 100 torri (che però ormai sono molto meno...)&lt;br /&gt;
Piazza San Michele, centro storico&lt;br /&gt;
Sulla destra la cattedrale di San Michele Arcangelo e il suo bel campanile&lt;br /&gt;
qui &lt;a&gt;La storia di questo bellissimo edificio (Wikipedia)&lt;/a&gt;&lt;br /&gt;
Liguria- Italia&lt;br /&gt;
&lt;br /&gt;
&lt;i&gt;Do not use my images on websites, blogs or other media without my explicit written permission. &lt;br /&gt;
All rights reserved - Copyright © Nora Caracci&lt;/i&gt;&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/200/75/72/51097572.d0878d17.1024.jpg?r2" type="image/jpeg" width="768" height="1024" duration="0" isDefault="true"  />
    <media:thumbnail url="https://cdn.ipernity.com/200/75/72/51097572.d19c4924.240.jpg?r2" width="180" height="240"/>
    <media:thumbnail url="https://cdn.ipernity.com/200/75/72/51097572.d19c4924.100.jpg?r2" width="75" height="100"/>
    <media:credit role="author">Nora Caracci</media:credit>
  </item>
  <item>
    <title>M</title>
    <link>https://www.ipernity.com/doc/306449/51094224</link>
    <guid isPermaLink="false">tag:ipernity.com,2021-12-07,doc-51094224</guid>
    <pubDate>Tue, 07 Dec 2021 13:30:42 +0000</pubDate>
    <dc:date.created>2019-12-20T11:09:26+01:00</dc:date.created>
    <author>nobody@ipernity.com (Nora Caracci)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/306449"&gt;Nora Caracci&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/306449/51094224"&gt;&lt;img src="https://cdn.ipernity.com/200/42/24/51094224.88f34e67.240.jpg?r2" width="240" height="176" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Finale Ligure - Chiesa parrocchiale di San Giovanni Battista&lt;br /&gt;
&lt;br /&gt;
&lt;i&gt;Do not use my images on websites, blogs or other media without my explicit written permission. &lt;br /&gt;
All rights reserved - Copyright © Nora Caracci&lt;/i&gt;&lt;/div&gt;</description>
    <media:title>M</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/306449"&gt;Nora Caracci&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/306449/51094224"&gt;&lt;img src="https://cdn.ipernity.com/200/42/24/51094224.88f34e67.240.jpg?r2" width="240" height="176" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Finale Ligure - Chiesa parrocchiale di San Giovanni Battista&lt;br /&gt;
&lt;br /&gt;
&lt;i&gt;Do not use my images on websites, blogs or other media without my explicit written permission. &lt;br /&gt;
All rights reserved - Copyright © Nora Caracci&lt;/i&gt;&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/200/42/24/51094224.42d7aab7.1024.jpg?r2" type="image/jpeg" width="1024" height="748" duration="0" isDefault="true"  />
    <media:thumbnail url="https://cdn.ipernity.com/200/42/24/51094224.88f34e67.240.jpg?r2" width="240" height="176"/>
    <media:thumbnail url="https://cdn.ipernity.com/200/42/24/51094224.88f34e67.100.jpg?r2" width="100" height="73"/>
    <media:credit role="author">Nora Caracci</media:credit>
  </item>
  <item>
    <title>HWW !</title>
    <link>https://www.ipernity.com/doc/306449/51077336</link>
    <guid isPermaLink="false">tag:ipernity.com,2021-11-24,doc-51077336</guid>
    <pubDate>Wed, 24 Nov 2021 14:01:29 +0000</pubDate>
    <dc:date.created>2017-04-14T14:13:01+01:00</dc:date.created>
    <author>nobody@ipernity.com (Nora Caracci)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/306449"&gt;Nora Caracci&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/306449/51077336"&gt;&lt;img src="https://cdn.ipernity.com/200/73/36/51077336.4dea903a.240.jpg?r2" width="240" height="221" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;il vecchio portale e la meridiana&lt;br /&gt;
Chapelle Notre-Dame des Vignères &lt;br /&gt;
Francia Provence Vaucluse Cavaillon&lt;br /&gt;
Info in PiP&lt;br /&gt;
&lt;br /&gt;
&lt;i&gt;Do not use my images on websites, blogs or other media without my explicit written permission. &lt;br /&gt;
All rights reserved - Copyright © Nora Caracci&lt;/i&gt;&lt;/div&gt;</description>
    <media:title>HWW !</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/306449"&gt;Nora Caracci&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/306449/51077336"&gt;&lt;img src="https://cdn.ipernity.com/200/73/36/51077336.4dea903a.240.jpg?r2" width="240" height="221" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;il vecchio portale e la meridiana&lt;br /&gt;
Chapelle Notre-Dame des Vignères &lt;br /&gt;
Francia Provence Vaucluse Cavaillon&lt;br /&gt;
Info in PiP&lt;br /&gt;
&lt;br /&gt;
&lt;i&gt;Do not use my images on websites, blogs or other media without my explicit written permission. &lt;br /&gt;
All rights reserved - Copyright © Nora Caracci&lt;/i&gt;&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/200/73/36/51077336.d5cb1822.1024.jpg?r2" type="image/jpeg" width="1024" height="940" duration="0" isDefault="true"  />
    <media:thumbnail url="https://cdn.ipernity.com/200/73/36/51077336.4dea903a.240.jpg?r2" width="240" height="221"/>
    <media:thumbnail url="https://cdn.ipernity.com/200/73/36/51077336.4dea903a.100.jpg?r2" width="100" height="92"/>
    <media:credit role="author">Nora Caracci</media:credit>
  </item>
  <item>
    <title>Marsiglia</title>
    <link>https://www.ipernity.com/doc/306449/51070584</link>
    <guid isPermaLink="false">tag:ipernity.com,2021-11-19,doc-51070584</guid>
    <pubDate>Fri, 19 Nov 2021 10:20:57 +0000</pubDate>
    <dc:date.created>2017-12-29T12:36:20+01:00</dc:date.created>
    <author>nobody@ipernity.com (Nora Caracci)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/306449"&gt;Nora Caracci&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/306449/51070584"&gt;&lt;img src="https://cdn.ipernity.com/200/05/84/51070584.d048d53a.240.jpg?r2" width="240" height="201" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;La cattedrale di Santa Maria Maggiore (in francese: Cathédrale Sainte-Marie-Majeure o La Major, dal suo nome occitano, molto più conosciuto tra la popolazione di Marsiglia) è una cattedrale cattolica in stile neobizantino.&lt;br /&gt;
Dal V secolo, numerosi edifici religiosi si succedettero in questo luogo. L'attuale cattedrale s'innalza a ovest delle vestigia dell'antica cattedrale romanica, la chiesa della vieille Major, ma la distruzione di quest'ultima e lo scavo per le fondazioni dell'attuale cattedrale hanno rivelato l'esistenza di una terza chiesa paleocristiana e di un grande battistero. &lt;br /&gt;
Decisa da Eugène de Mazenod, la costruzione d'una nuova cattedrale ebbe inizio nel 1852. Fu il principe-presidente Luigi-Napoleone Bonaparte che pose la prima pietra il 26 settembre di quell'anno. &lt;br /&gt;
Con il suo allestimento in pietre alternativamente verdi e bianche, quest'edificio d'ispirazione bizantina (impiego di mosaici e cupole) giustappone elementi romanici e gotici. &lt;br /&gt;
&lt;br /&gt;
&lt;i&gt;Do not use my images on websites, blogs or other media without my explicit written permission. &lt;br /&gt;
All rights reserved - Copyright © Nora Caracci&lt;/i&gt;&lt;/div&gt;</description>
    <media:title>Marsiglia</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/306449"&gt;Nora Caracci&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/306449/51070584"&gt;&lt;img src="https://cdn.ipernity.com/200/05/84/51070584.d048d53a.240.jpg?r2" width="240" height="201" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;La cattedrale di Santa Maria Maggiore (in francese: Cathédrale Sainte-Marie-Majeure o La Major, dal suo nome occitano, molto più conosciuto tra la popolazione di Marsiglia) è una cattedrale cattolica in stile neobizantino.&lt;br /&gt;
Dal V secolo, numerosi edifici religiosi si succedettero in questo luogo. L'attuale cattedrale s'innalza a ovest delle vestigia dell'antica cattedrale romanica, la chiesa della vieille Major, ma la distruzione di quest'ultima e lo scavo per le fondazioni dell'attuale cattedrale hanno rivelato l'esistenza di una terza chiesa paleocristiana e di un grande battistero. &lt;br /&gt;
Decisa da Eugène de Mazenod, la costruzione d'una nuova cattedrale ebbe inizio nel 1852. Fu il principe-presidente Luigi-Napoleone Bonaparte che pose la prima pietra il 26 settembre di quell'anno. &lt;br /&gt;
Con il suo allestimento in pietre alternativamente verdi e bianche, quest'edificio d'ispirazione bizantina (impiego di mosaici e cupole) giustappone elementi romanici e gotici. &lt;br /&gt;
&lt;br /&gt;
&lt;i&gt;Do not use my images on websites, blogs or other media without my explicit written permission. &lt;br /&gt;
All rights reserved - Copyright © Nora Caracci&lt;/i&gt;&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/200/05/84/51070584.e4e626b9.1024.jpg?r2" type="image/jpeg" width="1024" height="857" duration="0" isDefault="true"  />
    <media:thumbnail url="https://cdn.ipernity.com/200/05/84/51070584.d048d53a.240.jpg?r2" width="240" height="201"/>
    <media:thumbnail url="https://cdn.ipernity.com/200/05/84/51070584.d048d53a.100.jpg?r2" width="100" height="84"/>
    <media:credit role="author">Nora Caracci</media:credit>
  </item>
  <item>
    <title>bonne fête de La Toussaint !</title>
    <link>https://www.ipernity.com/doc/306449/51046738</link>
    <guid isPermaLink="false">tag:ipernity.com,2021-11-01,doc-51046738</guid>
    <pubDate>Mon, 01 Nov 2021 11:55:28 +0000</pubDate>
    <dc:date.created>2019-01-06T15:58:48+01:00</dc:date.created>
    <author>nobody@ipernity.com (Nora Caracci)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/306449"&gt;Nora Caracci&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/306449/51046738"&gt;&lt;img src="https://cdn.ipernity.com/200/67/38/51046738.82d1aa8d.240.jpg?r2" width="180" height="240" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Valleggia - Chiesa Parrocchiale del Santissimo Salvatore&lt;br /&gt;
Liguria - Italia&lt;br /&gt;
&lt;br /&gt;
&lt;i&gt;Do not use my images on websites, blogs or other media without my explicit written permission. &lt;br /&gt;
All rights reserved - Copyright © Nora Caracci&lt;/i&gt;&lt;/div&gt;</description>
    <media:title>bonne fête de La Toussaint !</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/306449"&gt;Nora Caracci&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/306449/51046738"&gt;&lt;img src="https://cdn.ipernity.com/200/67/38/51046738.82d1aa8d.240.jpg?r2" width="180" height="240" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Valleggia - Chiesa Parrocchiale del Santissimo Salvatore&lt;br /&gt;
Liguria - Italia&lt;br /&gt;
&lt;br /&gt;
&lt;i&gt;Do not use my images on websites, blogs or other media without my explicit written permission. &lt;br /&gt;
All rights reserved - Copyright © Nora Caracci&lt;/i&gt;&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/200/67/38/51046738.59b9d8c8.1024.jpg?r2" type="image/jpeg" width="768" height="1024" duration="0" isDefault="true"  />
    <media:thumbnail url="https://cdn.ipernity.com/200/67/38/51046738.82d1aa8d.240.jpg?r2" width="180" height="240"/>
    <media:thumbnail url="https://cdn.ipernity.com/200/67/38/51046738.82d1aa8d.100.jpg?r2" width="75" height="100"/>
    <media:credit role="author">Nora Caracci</media:credit>
  </item>
  <item>
    <title>Béziers e la sua cattedrale</title>
    <link>https://www.ipernity.com/doc/306449/51015098</link>
    <guid isPermaLink="false">tag:ipernity.com,2021-10-12,doc-51015098</guid>
    <pubDate>Tue, 12 Oct 2021 08:12:10 +0000</pubDate>
    <dc:date.created>2011-07-11T13:54:02+02:00</dc:date.created>
    <author>nobody@ipernity.com (Nora Caracci)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/306449"&gt;Nora Caracci&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/306449/51015098"&gt;&lt;img src="https://cdn.ipernity.com/200/50/98/51015098.b59f2c90.240.jpg?r2" width="240" height="156" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;&lt;i&gt;Do not use my images on websites, blogs or other media without my explicit written permission. &lt;br /&gt;
All rights reserved - Copyright © Nora Caracci&lt;/i&gt;&lt;/div&gt;</description>
    <media:title>Béziers e la sua cattedrale</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/306449"&gt;Nora Caracci&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/306449/51015098"&gt;&lt;img src="https://cdn.ipernity.com/200/50/98/51015098.b59f2c90.240.jpg?r2" width="240" height="156" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;&lt;i&gt;Do not use my images on websites, blogs or other media without my explicit written permission. &lt;br /&gt;
All rights reserved - Copyright © Nora Caracci&lt;/i&gt;&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/200/50/98/51015098.e40749a7.1024.jpg?r2" type="image/jpeg" width="1024" height="664" duration="0" isDefault="true"  />
    <media:thumbnail url="https://cdn.ipernity.com/200/50/98/51015098.b59f2c90.240.jpg?r2" width="240" height="156"/>
    <media:thumbnail url="https://cdn.ipernity.com/200/50/98/51015098.b59f2c90.100.jpg?r2" width="100" height="65"/>
    <media:credit role="author">Nora Caracci</media:credit>
  </item>
  <item>
    <title>Castello di Tarascona</title>
    <link>https://www.ipernity.com/doc/306449/50907380</link>
    <guid isPermaLink="false">tag:ipernity.com,2021-08-08,doc-50907380</guid>
    <pubDate>Sun, 08 Aug 2021 18:13:53 +0000</pubDate>
    <dc:date.created>2017-09-09T10:41:20+01:00</dc:date.created>
    <author>nobody@ipernity.com (Nora Caracci)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/306449"&gt;Nora Caracci&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/306449/50907380"&gt;&lt;img src="https://cdn.ipernity.com/200/73/80/50907380.8a65c9c6.240.jpg?r2" width="180" height="240" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Castello dei duchi di Angiò&lt;br /&gt;
La torre delle cappelle deve il nome a due cappelle sovrapposte, una al piano terra e destinata al personale e l'altra al secondo piano, riservata ai signori. La cappella bassa, di forma rettangolare, termina con un'abside semicircolare disposta nella torre. Le due travature hanno volte d'ogiva. La volta del coro è composta di 8 rami a raggiera che partono da una chiave scolpita con una rappresentazione dell'incoronazione della Vergine. La cappella alta ha le stesse dimensioni, tuttavia è più bassa e la sua volta ha solo 6 rami di ogiva. Le due cappelle hanno come aperture sull'esterno solo due feritoie, per non indebolire la difesa.&lt;br /&gt;
&lt;br /&gt;
&lt;i&gt;Do not use my images on websites, blogs or other media without my explicit written permission. &lt;br /&gt;
All rights reserved - Copyright © Nora Caracci&lt;/i&gt;&lt;/div&gt;</description>
    <media:title>Castello di Tarascona</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/306449"&gt;Nora Caracci&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/306449/50907380"&gt;&lt;img src="https://cdn.ipernity.com/200/73/80/50907380.8a65c9c6.240.jpg?r2" width="180" height="240" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Castello dei duchi di Angiò&lt;br /&gt;
La torre delle cappelle deve il nome a due cappelle sovrapposte, una al piano terra e destinata al personale e l'altra al secondo piano, riservata ai signori. La cappella bassa, di forma rettangolare, termina con un'abside semicircolare disposta nella torre. Le due travature hanno volte d'ogiva. La volta del coro è composta di 8 rami a raggiera che partono da una chiave scolpita con una rappresentazione dell'incoronazione della Vergine. La cappella alta ha le stesse dimensioni, tuttavia è più bassa e la sua volta ha solo 6 rami di ogiva. Le due cappelle hanno come aperture sull'esterno solo due feritoie, per non indebolire la difesa.&lt;br /&gt;
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All rights reserved - Copyright © Nora Caracci&lt;/i&gt;&lt;/div&gt;</media:text>
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    <media:credit role="author">Nora Caracci</media:credit>
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