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  <title>Photos, videos and docs of Alan Mays, with the keywords: "flowers"</title>
  <link>https://www.ipernity.com/tag/aemays/keyword/13557</link>
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    <title>Photos, videos and docs of Alan Mays, with the keywords: "flowers"</title>
    <link>https://www.ipernity.com/tag/aemays/keyword/13557</link>
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  <description></description>
  <pubDate>Sun, 27 Sep 2026 16:10:22 +0000</pubDate>
  <lastBuildDate>Sun, 27 Sep 2026 16:10:22 +0000</lastBuildDate>
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    <title>Reider Family Picking Blackberries, Lancaster County, Pennsylvania, 1913</title>
    <link>https://www.ipernity.com/doc/aemays/51874082</link>
    <guid isPermaLink="false">tag:ipernity.com,2026-09-21,doc-51874082</guid>
    <pubDate>Mon, 21 Sep 2026 02:12:02 +0000</pubDate>
    <dc:date.created>2026-09-20T22:12:02-04:00</dc:date.created>
    <author>nobody@ipernity.com (Alan Mays)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/aemays"&gt;Alan Mays&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/aemays/51874082"&gt;&lt;img src="https://cdn.ipernity.com/200/40/82/51874082.df15bef6.240.jpg?r2" width="240" height="153" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;A Vintage Photos Theme Park photo for the theme of &lt;em&gt;fruit&lt;/em&gt;.&lt;br /&gt;
&lt;br /&gt;
Caption (vertically along the left-hand side): "Reider Family Picking Black-Berries, Lanc. Co."&lt;br /&gt;
&lt;br /&gt;
A real photo postcard of &lt;a href="https://www.findagrave.com/memorial/27536518/edward-hess-reider" target="_blank" rel="nofollow"&gt;Edward H. Reider&lt;/a&gt; (1875-1942) and his family. It's addressed on the other side to Mr. David Spangler, Lebanon, Leb. Co., Penn., Rout. 2, and postmarked in Elizabethtown, Pa., on September 10, 1913.&lt;br /&gt;
&lt;br /&gt;
Message: "Elizabethtown, Pa., Sept. 1, 1913. Friend, We are all well as you see on the face of this card. Hoping youence [i.e., &lt;a href="https://en.wiktionary.org/wiki/you-uns" target="_blank" rel="nofollow"&gt;you-uns&lt;/a&gt; or youns] are all the same. Truly yours, E. H. Reider."&lt;/div&gt;</description>
    <media:title>Reider Family Picking Blackberries, Lancaster County, Pennsylvania, 1913</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/aemays"&gt;Alan Mays&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/aemays/51874082"&gt;&lt;img src="https://cdn.ipernity.com/200/40/82/51874082.df15bef6.240.jpg?r2" width="240" height="153" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;A Vintage Photos Theme Park photo for the theme of &lt;em&gt;fruit&lt;/em&gt;.&lt;br /&gt;
&lt;br /&gt;
Caption (vertically along the left-hand side): "Reider Family Picking Black-Berries, Lanc. Co."&lt;br /&gt;
&lt;br /&gt;
A real photo postcard of &lt;a href="https://www.findagrave.com/memorial/27536518/edward-hess-reider" target="_blank" rel="nofollow"&gt;Edward H. Reider&lt;/a&gt; (1875-1942) and his family. It's addressed on the other side to Mr. David Spangler, Lebanon, Leb. Co., Penn., Rout. 2, and postmarked in Elizabethtown, Pa., on September 10, 1913.&lt;br /&gt;
&lt;br /&gt;
Message: "Elizabethtown, Pa., Sept. 1, 1913. Friend, We are all well as you see on the face of this card. Hoping youence [i.e., &lt;a href="https://en.wiktionary.org/wiki/you-uns" target="_blank" rel="nofollow"&gt;you-uns&lt;/a&gt; or youns] are all the same. Truly yours, E. H. Reider."&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/200/40/82/51874082.3ba9ad24.1024.jpg?r2" type="image/jpeg" width="800" height="507" duration="0" isDefault="true"  />
    <media:thumbnail url="https://cdn.ipernity.com/200/40/82/51874082.df15bef6.240.jpg?r2" width="240" height="153"/>
    <media:thumbnail url="https://cdn.ipernity.com/200/40/82/51874082.df15bef6.100.jpg?r2" width="100" height="64"/>
    <media:credit role="author">Alan Mays</media:credit>
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  <item>
    <title>Geo. W. Kissinger, Flour, Feed, and Potatoes, Reading, Pennsylvania</title>
    <link>https://www.ipernity.com/doc/aemays/52351224</link>
    <guid isPermaLink="false">tag:ipernity.com,2024-08-19,doc-52351224</guid>
    <pubDate>Mon, 19 Aug 2024 03:18:02 +0000</pubDate>
    <dc:date.created>2024-08-18T23:18:02-05:00</dc:date.created>
    <author>nobody@ipernity.com (Alan Mays)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/aemays"&gt;Alan Mays&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/aemays/52351224"&gt;&lt;img src="https://cdn.ipernity.com/200/12/24/52351224.3ee720af.240.jpg?r2" width="240" height="143" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;A small Victorian-era trade card for &lt;a href="https://www.findagrave.com/memorial/24166900/george-washington-kissinger" target="_blank" rel="nofollow"&gt;George W Kissinger&lt;/a&gt; (1855-1935), a merchant in Reading, Pennsylvania.&lt;br /&gt;
&lt;br /&gt;
&lt;strong&gt;Geo. W. Kissinger,&lt;/strong&gt;&lt;br /&gt;
&lt;br /&gt;
Flour, Feed &amp; Potatoes,&lt;br /&gt;
No. 929 Penn St., Reading, Pa.&lt;br /&gt;
&lt;br /&gt;
Bufford&lt;/div&gt;</description>
    <media:title>Geo. W. Kissinger, Flour, Feed, and Potatoes, Reading, Pennsylvania</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/aemays"&gt;Alan Mays&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/aemays/52351224"&gt;&lt;img src="https://cdn.ipernity.com/200/12/24/52351224.3ee720af.240.jpg?r2" width="240" height="143" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;A small Victorian-era trade card for &lt;a href="https://www.findagrave.com/memorial/24166900/george-washington-kissinger" target="_blank" rel="nofollow"&gt;George W Kissinger&lt;/a&gt; (1855-1935), a merchant in Reading, Pennsylvania.&lt;br /&gt;
&lt;br /&gt;
&lt;strong&gt;Geo. W. Kissinger,&lt;/strong&gt;&lt;br /&gt;
&lt;br /&gt;
Flour, Feed &amp; Potatoes,&lt;br /&gt;
No. 929 Penn St., Reading, Pa.&lt;br /&gt;
&lt;br /&gt;
Bufford&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/200/12/24/52351224.b1d159e2.1024.jpg?r2" type="image/jpeg" width="800" height="476" duration="0" isDefault="true"  />
    <media:thumbnail url="https://cdn.ipernity.com/200/12/24/52351224.3ee720af.240.jpg?r2" width="240" height="143"/>
    <media:thumbnail url="https://cdn.ipernity.com/200/12/24/52351224.3ee720af.100.jpg?r2" width="100" height="60"/>
    <media:credit role="author">Alan Mays</media:credit>
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  <item>
    <title>Ethel&amp;#039;s Oil Painting, 1967</title>
    <link>https://www.ipernity.com/doc/aemays/37920020</link>
    <guid isPermaLink="false">tag:ipernity.com,2015-04-28,doc-37920020</guid>
    <pubDate>Tue, 28 Apr 2015 18:44:34 +0000</pubDate>
    <dc:date.created>2015-04-28T14:44:34-04:00</dc:date.created>
    <author>nobody@ipernity.com (Alan Mays)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/aemays"&gt;Alan Mays&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/aemays/37920020"&gt;&lt;img src="https://cdn.ipernity.com/200/00/20/37920020.8def1465.240.jpg?r2" width="240" height="163" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;An &lt;em&gt;artists or art&lt;/em&gt; photo for the Vintage Photos Theme Park.&lt;br /&gt;
&lt;br /&gt;
This Kodachrome slide is dated February 1967. The woman, whose first name is Ethel, apparently painted this still life along with a number of other oil paintings that are pictured in additional slides I purchased together in one tray a couple of years ago.&lt;br /&gt;
&lt;br /&gt;
For another example, see this &lt;a href="https://www.ipernity.com/doc/aemays/37920026" target="_blank" rel="nofollow"&gt;clown painting&lt;/a&gt; from a Kodachrome slide dated December 1968.&lt;br /&gt;
&lt;br /&gt;
&lt;a href="https://www.ipernity.com/doc/aemays/37920026" target="_blank" rel="nofollow"&gt;&lt;img alt="Clown Painting, 1968" src="https://cdn.ipernity.com/200/00/26/37920026.1ad2fe9c.500.jpg?r2" height="335" width="500" /&gt;&lt;/a&gt;&lt;/div&gt;</description>
    <media:title>Ethel&amp;#039;s Oil Painting, 1967</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/aemays"&gt;Alan Mays&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/aemays/37920020"&gt;&lt;img src="https://cdn.ipernity.com/200/00/20/37920020.8def1465.240.jpg?r2" width="240" height="163" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;An &lt;em&gt;artists or art&lt;/em&gt; photo for the Vintage Photos Theme Park.&lt;br /&gt;
&lt;br /&gt;
This Kodachrome slide is dated February 1967. The woman, whose first name is Ethel, apparently painted this still life along with a number of other oil paintings that are pictured in additional slides I purchased together in one tray a couple of years ago.&lt;br /&gt;
&lt;br /&gt;
For another example, see this &lt;a href="https://www.ipernity.com/doc/aemays/37920026" target="_blank" rel="nofollow"&gt;clown painting&lt;/a&gt; from a Kodachrome slide dated December 1968.&lt;br /&gt;
&lt;br /&gt;
&lt;a href="https://www.ipernity.com/doc/aemays/37920026" target="_blank" rel="nofollow"&gt;&lt;img alt="Clown Painting, 1968" src="https://cdn.ipernity.com/200/00/26/37920026.1ad2fe9c.500.jpg?r2" height="335" width="500" /&gt;&lt;/a&gt;&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/200/00/20/37920020.d79e67d5.1024.jpg?r2" type="image/jpeg" width="800" height="542" duration="0" isDefault="true"  />
    <media:thumbnail url="https://cdn.ipernity.com/200/00/20/37920020.8def1465.240.jpg?r2" width="240" height="163"/>
    <media:thumbnail url="https://cdn.ipernity.com/200/00/20/37920020.8def1465.100.jpg?r2" width="100" height="68"/>
    <media:credit role="author">Alan Mays</media:credit>
  </item>
  <item>
    <title>Flower Paintings with Lamp and Stereo</title>
    <link>https://www.ipernity.com/doc/aemays/21041379</link>
    <guid isPermaLink="false">tag:ipernity.com,2022-08-22,doc-21041379</guid>
    <pubDate>Mon, 22 Aug 2022 03:48:02 +0000</pubDate>
    <dc:date.created>2022-08-21T23:48:02-04:00</dc:date.created>
    <author>nobody@ipernity.com (Alan Mays)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/aemays"&gt;Alan Mays&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/aemays/21041379"&gt;&lt;img src="https://cdn.ipernity.com/128/13/79/21041379.e84b8271.240.jpg?r2" width="240" height="164" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;A Vintage Photos Theme Park photo for the theme of &lt;em&gt;lamps, chandeliers, candlesticks, and other types of lighting&lt;/em&gt;.&lt;br /&gt;
&lt;br /&gt;
This is a color slide, circa 1959, that shows two flower paintings hanging on a wall. Below them is a Motorola  "Stereophonic High Fidelity" console. Based on the online documentation for a similar model, the top of the stereo lifts up on the right for access to a record player inside. The six knobs on the left are labeled Function, Compensator, Loudness, Treble, Bass, and Balance. On top of the left side of the stereo are a decorative porcelain table lamp and a framed photo.&lt;br /&gt;
&lt;br /&gt;
This is another slide from the collection of the &lt;a href="https://www.ipernity.com/doc/aemays/album/707817" target="_blank" rel="nofollow"&gt;Pipe-Smoking Man's family&lt;/a&gt;. I only recently realized that two other photos from the collection show different parts of this same room. A photo taken to the left of this one also captures part of the stereo console (see &lt;a href="https://www.ipernity.com/doc/aemays/21041375" target="_blank" rel="nofollow"&gt;Flowering Plants and Groovy Curtains&lt;/a&gt;). The door, wall thermostat, and chair in this photo are visible in a photo taken to the right of this one (see &lt;a href="https://www.ipernity.com/doc/aemays/21041367" target="_blank" rel="nofollow"&gt;Still Life with Television&lt;/a&gt;). The flower paintings may be the work of "Ethel", a relative of the Pipe-Smoking Man (see &lt;a href="https://www.ipernity.com/doc/aemays/37920020" target="_blank" rel="nofollow"&gt;Ethel's Oil Painting, 1967&lt;/a&gt;).&lt;br /&gt;
&lt;br /&gt;
&lt;a href="https://www.ipernity.com/doc/aemays/21041375" target="_blank" rel="nofollow"&gt;&lt;img alt="Flowering Plants and Groovy Curtains" src="https://cdn.ipernity.com/128/13/75/21041375.f244cdb5.500.jpg?r2" height="335" width="500" /&gt;&lt;/a&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;a href="https://www.ipernity.com/doc/aemays/21041367" target="_blank" rel="nofollow"&gt;&lt;img alt="Still Life with Television" src="https://cdn.ipernity.com/128/13/67/21041367.51b0e440.500.jpg?r2" height="342" width="500" /&gt;&lt;/a&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;a href="https://www.ipernity.com/doc/aemays/37920020" target="_blank" rel="nofollow"&gt;&lt;img alt="Ethel's Oil Painting, 1967" src="https://cdn.ipernity.com/200/00/20/37920020.8def1465.500.jpg?r2" height="339" width="500" /&gt;&lt;/a&gt;&lt;/div&gt;</description>
    <media:title>Flower Paintings with Lamp and Stereo</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/aemays"&gt;Alan Mays&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/aemays/21041379"&gt;&lt;img src="https://cdn.ipernity.com/128/13/79/21041379.e84b8271.240.jpg?r2" width="240" height="164" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;A Vintage Photos Theme Park photo for the theme of &lt;em&gt;lamps, chandeliers, candlesticks, and other types of lighting&lt;/em&gt;.&lt;br /&gt;
&lt;br /&gt;
This is a color slide, circa 1959, that shows two flower paintings hanging on a wall. Below them is a Motorola  "Stereophonic High Fidelity" console. Based on the online documentation for a similar model, the top of the stereo lifts up on the right for access to a record player inside. The six knobs on the left are labeled Function, Compensator, Loudness, Treble, Bass, and Balance. On top of the left side of the stereo are a decorative porcelain table lamp and a framed photo.&lt;br /&gt;
&lt;br /&gt;
This is another slide from the collection of the &lt;a href="https://www.ipernity.com/doc/aemays/album/707817" target="_blank" rel="nofollow"&gt;Pipe-Smoking Man's family&lt;/a&gt;. I only recently realized that two other photos from the collection show different parts of this same room. A photo taken to the left of this one also captures part of the stereo console (see &lt;a href="https://www.ipernity.com/doc/aemays/21041375" target="_blank" rel="nofollow"&gt;Flowering Plants and Groovy Curtains&lt;/a&gt;). The door, wall thermostat, and chair in this photo are visible in a photo taken to the right of this one (see &lt;a href="https://www.ipernity.com/doc/aemays/21041367" target="_blank" rel="nofollow"&gt;Still Life with Television&lt;/a&gt;). The flower paintings may be the work of "Ethel", a relative of the Pipe-Smoking Man (see &lt;a href="https://www.ipernity.com/doc/aemays/37920020" target="_blank" rel="nofollow"&gt;Ethel's Oil Painting, 1967&lt;/a&gt;).&lt;br /&gt;
&lt;br /&gt;
&lt;a href="https://www.ipernity.com/doc/aemays/21041375" target="_blank" rel="nofollow"&gt;&lt;img alt="Flowering Plants and Groovy Curtains" src="https://cdn.ipernity.com/128/13/75/21041375.f244cdb5.500.jpg?r2" height="335" width="500" /&gt;&lt;/a&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;a href="https://www.ipernity.com/doc/aemays/21041367" target="_blank" rel="nofollow"&gt;&lt;img alt="Still Life with Television" src="https://cdn.ipernity.com/128/13/67/21041367.51b0e440.500.jpg?r2" height="342" width="500" /&gt;&lt;/a&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;a href="https://www.ipernity.com/doc/aemays/37920020" target="_blank" rel="nofollow"&gt;&lt;img alt="Ethel's Oil Painting, 1967" src="https://cdn.ipernity.com/200/00/20/37920020.8def1465.500.jpg?r2" height="339" width="500" /&gt;&lt;/a&gt;&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/128/13/79/21041379.6bc7ad05.1024.jpg?r2" type="image/jpeg" width="800" height="545" duration="0" isDefault="true"  />
    <media:thumbnail url="https://cdn.ipernity.com/128/13/79/21041379.e84b8271.240.jpg?r2" width="240" height="164"/>
    <media:thumbnail url="https://cdn.ipernity.com/128/13/79/21041379.e84b8271.100.jpg?r2" width="100" height="69"/>
    <media:credit role="author">Alan Mays</media:credit>
  </item>
  <item>
    <title>Still Life with Television</title>
    <link>https://www.ipernity.com/doc/aemays/21041367</link>
    <guid isPermaLink="false">tag:ipernity.com,2014-03-22,doc-21041367</guid>
    <pubDate>Sat, 22 Mar 2014 00:35:22 +0000</pubDate>
    <dc:date.created>2014-03-21T20:35:22-04:00</dc:date.created>
    <author>nobody@ipernity.com (Alan Mays)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/aemays"&gt;Alan Mays&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/aemays/21041367"&gt;&lt;img src="https://cdn.ipernity.com/128/13/67/21041367.51b0e440.240.jpg?r2" width="240" height="165" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;An slide, circa 1959, from &lt;a href="https://www.ipernity.com/doc/aemays/album/707817" target="_blank" rel="nofollow"&gt;Pipe-Smoking Man's family&lt;/a&gt;.&lt;/div&gt;</description>
    <media:title>Still Life with Television</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/aemays"&gt;Alan Mays&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/aemays/21041367"&gt;&lt;img src="https://cdn.ipernity.com/128/13/67/21041367.51b0e440.240.jpg?r2" width="240" height="165" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;An slide, circa 1959, from &lt;a href="https://www.ipernity.com/doc/aemays/album/707817" target="_blank" rel="nofollow"&gt;Pipe-Smoking Man's family&lt;/a&gt;.&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/128/13/67/21041367.7038e029.1024.jpg?r2" type="image/jpeg" width="800" height="547" duration="0" isDefault="true"  />
    <media:thumbnail url="https://cdn.ipernity.com/128/13/67/21041367.51b0e440.240.jpg?r2" width="240" height="165"/>
    <media:thumbnail url="https://cdn.ipernity.com/128/13/67/21041367.51b0e440.100.jpg?r2" width="100" height="69"/>
    <media:credit role="author">Alan Mays</media:credit>
  </item>
  <item>
    <title>The Eighty-Eight-Cent Lemonade Stand, Maine, 1949</title>
    <link>https://www.ipernity.com/doc/aemays/51225108</link>
    <guid isPermaLink="false">tag:ipernity.com,2022-03-14,doc-51225108</guid>
    <pubDate>Mon, 14 Mar 2022 03:58:02 +0000</pubDate>
    <dc:date.created>2022-03-13T23:58:02-04:00</dc:date.created>
    <author>nobody@ipernity.com (Alan Mays)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/aemays"&gt;Alan Mays&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/aemays/51225108"&gt;&lt;img src="https://cdn.ipernity.com/200/51/08/51225108.cd326ba8.240.jpg?r2" width="240" height="168" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;A Vintage Photos Theme Park photo for the theme of &lt;em&gt;out in the yard or garden&lt;/em&gt;.&lt;br /&gt;
&lt;br /&gt;
Handwritten note on the other side of this snapshot: "The Lemonade Stand, .88 profit - Maine '49."&lt;br /&gt;
&lt;br /&gt;
Out in the yard with a couple of kids operating a profitable lemonade stand.&lt;/div&gt;</description>
    <media:title>The Eighty-Eight-Cent Lemonade Stand, Maine, 1949</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/aemays"&gt;Alan Mays&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/aemays/51225108"&gt;&lt;img src="https://cdn.ipernity.com/200/51/08/51225108.cd326ba8.240.jpg?r2" width="240" height="168" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;A Vintage Photos Theme Park photo for the theme of &lt;em&gt;out in the yard or garden&lt;/em&gt;.&lt;br /&gt;
&lt;br /&gt;
Handwritten note on the other side of this snapshot: "The Lemonade Stand, .88 profit - Maine '49."&lt;br /&gt;
&lt;br /&gt;
Out in the yard with a couple of kids operating a profitable lemonade stand.&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/200/51/08/51225108.94a7b8df.1024.jpg?r2" type="image/jpeg" width="800" height="560" duration="0" isDefault="true"  />
    <media:thumbnail url="https://cdn.ipernity.com/200/51/08/51225108.cd326ba8.240.jpg?r2" width="240" height="168"/>
    <media:thumbnail url="https://cdn.ipernity.com/200/51/08/51225108.cd326ba8.100.jpg?r2" width="100" height="70"/>
    <media:credit role="author">Alan Mays</media:credit>
  </item>
  <item>
    <title>Grandma and Grandpa Take the Cake</title>
    <link>https://www.ipernity.com/doc/aemays/50456070</link>
    <guid isPermaLink="false">tag:ipernity.com,2020-11-01,doc-50456070</guid>
    <pubDate>Sun, 01 Nov 2020 19:46:02 +0000</pubDate>
    <dc:date.created>2020-11-01T14:46:02-05:00</dc:date.created>
    <author>nobody@ipernity.com (Alan Mays)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/aemays"&gt;Alan Mays&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/aemays/50456070"&gt;&lt;img src="https://cdn.ipernity.com/200/60/70/50456070.86fda3c9.240.jpg?r2" width="165" height="240" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;A Vintage Photos Theme Park photo for the theme of &lt;em&gt;grandma and grandpa (grandparent(s) featured in a family photo)&lt;/em&gt;.&lt;br /&gt;
&lt;br /&gt;
A grandmother and grandfather hold a two-tiered cake as they pose for a photo with their grandson. All three of them are wearing flowers in their coat and jacket lapels.&lt;br /&gt;
&lt;br /&gt;
The presence of the cake and flowers makes me wonder if the grandparents are celebrating a special wedding anniversary. Given how the cake is tilted, I just hope that it didn't slide off onto the grandson's head!&lt;/div&gt;</description>
    <media:title>Grandma and Grandpa Take the Cake</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/aemays"&gt;Alan Mays&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/aemays/50456070"&gt;&lt;img src="https://cdn.ipernity.com/200/60/70/50456070.86fda3c9.240.jpg?r2" width="165" height="240" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;A Vintage Photos Theme Park photo for the theme of &lt;em&gt;grandma and grandpa (grandparent(s) featured in a family photo)&lt;/em&gt;.&lt;br /&gt;
&lt;br /&gt;
A grandmother and grandfather hold a two-tiered cake as they pose for a photo with their grandson. All three of them are wearing flowers in their coat and jacket lapels.&lt;br /&gt;
&lt;br /&gt;
The presence of the cake and flowers makes me wonder if the grandparents are celebrating a special wedding anniversary. Given how the cake is tilted, I just hope that it didn't slide off onto the grandson's head!&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/200/60/70/50456070.12fa9499.1024.jpg?r2" type="image/jpeg" width="549" height="800" duration="0" isDefault="true"  />
    <media:thumbnail url="https://cdn.ipernity.com/200/60/70/50456070.86fda3c9.240.jpg?r2" width="165" height="240"/>
    <media:thumbnail url="https://cdn.ipernity.com/200/60/70/50456070.86fda3c9.100.jpg?r2" width="69" height="100"/>
    <media:credit role="author">Alan Mays</media:credit>
  </item>
  <item>
    <title>Armada and Her Mamma with Oklahoma Apple Blossoms, Oklahoma City, Okla., 1906</title>
    <link>https://www.ipernity.com/doc/aemays/38018342</link>
    <guid isPermaLink="false">tag:ipernity.com,2015-05-08,doc-38018342</guid>
    <pubDate>Fri, 08 May 2015 21:20:10 +0000</pubDate>
    <dc:date.created>2015-05-08T17:20:10-04:00</dc:date.created>
    <author>nobody@ipernity.com (Alan Mays)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/aemays"&gt;Alan Mays&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/aemays/38018342"&gt;&lt;img src="https://cdn.ipernity.com/200/83/42/38018342.8fa6133d.240.jpg?r2" width="240" height="149" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;"Oklahoma City, Apr. 19, 1906. Dear Cousin, Here we are with our best wishes and some Oklahoma apple blossoms. Yours lovingly, Armada Ruth Tinkham and her mamma, Etta Brown Tinkham."&lt;br /&gt;
&lt;br /&gt;
Etta Brown Tinkham also sent a second real photo postcard to her cousin on the same date (she must have sent them both in an envelope since there's no address, stamp, or postmark on either of them).  See &lt;a href="https://www.ipernity.com/doc/aemays/38018346" target="_blank" rel="nofollow"&gt;Greetings from the Future Popcorn King, Oklahoma City, Okla., 1906&lt;/a&gt;:&lt;br /&gt;
&lt;br /&gt;
&lt;a href="https://www.ipernity.com/doc/aemays/38018346" target="_blank" rel="nofollow"&gt;&lt;img alt="Greetings from the Future Popcorn King, Oklahoma City, Okla., 1906" src="https://cdn.ipernity.com/200/83/46/38018346.7f426b5b.500.jpg?r2" height="311" width="500" /&gt;&lt;/a&gt;&lt;/div&gt;</description>
    <media:title>Armada and Her Mamma with Oklahoma Apple Blossoms, Oklahoma City, Okla., 1906</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/aemays"&gt;Alan Mays&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/aemays/38018342"&gt;&lt;img src="https://cdn.ipernity.com/200/83/42/38018342.8fa6133d.240.jpg?r2" width="240" height="149" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;"Oklahoma City, Apr. 19, 1906. Dear Cousin, Here we are with our best wishes and some Oklahoma apple blossoms. Yours lovingly, Armada Ruth Tinkham and her mamma, Etta Brown Tinkham."&lt;br /&gt;
&lt;br /&gt;
Etta Brown Tinkham also sent a second real photo postcard to her cousin on the same date (she must have sent them both in an envelope since there's no address, stamp, or postmark on either of them).  See &lt;a href="https://www.ipernity.com/doc/aemays/38018346" target="_blank" rel="nofollow"&gt;Greetings from the Future Popcorn King, Oklahoma City, Okla., 1906&lt;/a&gt;:&lt;br /&gt;
&lt;br /&gt;
&lt;a href="https://www.ipernity.com/doc/aemays/38018346" target="_blank" rel="nofollow"&gt;&lt;img alt="Greetings from the Future Popcorn King, Oklahoma City, Okla., 1906" src="https://cdn.ipernity.com/200/83/46/38018346.7f426b5b.500.jpg?r2" height="311" width="500" /&gt;&lt;/a&gt;&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/200/83/42/38018342.e89a7c33.1024.jpg?r2" type="image/jpeg" width="800" height="496" duration="0" isDefault="true"  />
    <media:thumbnail url="https://cdn.ipernity.com/200/83/42/38018342.8fa6133d.240.jpg?r2" width="240" height="149"/>
    <media:thumbnail url="https://cdn.ipernity.com/200/83/42/38018342.8fa6133d.100.jpg?r2" width="100" height="62"/>
    <media:credit role="author">Alan Mays</media:credit>
  </item>
  <item>
    <title>Greetings from the Future Popcorn King, Oklahoma City, Okla., 1906</title>
    <link>https://www.ipernity.com/doc/aemays/38018346</link>
    <guid isPermaLink="false">tag:ipernity.com,2015-05-08,doc-38018346</guid>
    <pubDate>Fri, 08 May 2015 21:20:08 +0000</pubDate>
    <dc:date.created>2015-05-08T17:20:08-04:00</dc:date.created>
    <author>nobody@ipernity.com (Alan Mays)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/aemays"&gt;Alan Mays&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/aemays/38018346"&gt;&lt;img src="https://cdn.ipernity.com/200/83/46/38018346.7f426b5b.240.jpg?r2" width="240" height="150" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;"Oklahoma City, Apr. 19, 1906. Greetings from the future 'Popcorn King,' James Isaac Brown."&lt;br /&gt;
&lt;br /&gt;
"Popcorn King"? Huh?&lt;br /&gt;
&lt;br /&gt;
Well, after a bit of searching, I finally located a brief newspaper article, "Is Called 'Popcorn King,'" &lt;em&gt;Oklahoma State Capital&lt;/em&gt; (Guthrie, Okla.), July 21, 1909, p. 2, that sheds some light on the subject: "Shawnee, Okla., July 20.--Four years ago Isaac A. Brown of Pittsburg, Pa., came to Oklahoma with a view of locating and establish[ing] himself in business. He saw his opportunity in Oklahoma City and embraced it. Brown is known far and wide as the 'popcorn king' of the new state [Oklahoma became the 46th state in 1907]. He manufactures an average of thirty-five pounds of popcorn a day and a near total of six tons a year."&lt;br /&gt;
&lt;br /&gt;
As far I've been able to determine, Isaac A. Brown, the Popcorn King named in the article, is the father of James Isaac Brown, the Future Popcorn King who's pictured above. Unfortunately, I haven't found any further evidence regarding the later reign of father or son as Popcorn King.&lt;br /&gt;
&lt;br /&gt;
Etta Brown Tinkham, who wrote the message about the Future Popcorn King, was apparently James Isaac Brown's mother or stepmother. She wrote another message on a second real photo postcard on the same date as this one. See &lt;a href="https://www.ipernity.com/doc/aemays/38018342" target="_blank" rel="nofollow"&gt;Armada and Her Mamma with Oklahoma Apple Blossoms, Oklahoma City, Okla., 1906&lt;/a&gt; (is the Future Popcorn King holding the same kind of apple blossoms, or might he be grasping a handful of popcorn instead?).&lt;br /&gt;
&lt;br /&gt;
&lt;a href="https://www.ipernity.com/doc/aemays/38018342" target="_blank" rel="nofollow"&gt;&lt;img alt="Armada and Her Mamma with Oklahoma Apple Blossoms, Oklahoma City, Okla., 1906" src="https://cdn.ipernity.com/200/83/42/38018342.8fa6133d.500.jpg?r2" height="310" width="500" /&gt;&lt;/a&gt;&lt;/div&gt;</description>
    <media:title>Greetings from the Future Popcorn King, Oklahoma City, Okla., 1906</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/aemays"&gt;Alan Mays&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/aemays/38018346"&gt;&lt;img src="https://cdn.ipernity.com/200/83/46/38018346.7f426b5b.240.jpg?r2" width="240" height="150" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;"Oklahoma City, Apr. 19, 1906. Greetings from the future 'Popcorn King,' James Isaac Brown."&lt;br /&gt;
&lt;br /&gt;
"Popcorn King"? Huh?&lt;br /&gt;
&lt;br /&gt;
Well, after a bit of searching, I finally located a brief newspaper article, "Is Called 'Popcorn King,'" &lt;em&gt;Oklahoma State Capital&lt;/em&gt; (Guthrie, Okla.), July 21, 1909, p. 2, that sheds some light on the subject: "Shawnee, Okla., July 20.--Four years ago Isaac A. Brown of Pittsburg, Pa., came to Oklahoma with a view of locating and establish[ing] himself in business. He saw his opportunity in Oklahoma City and embraced it. Brown is known far and wide as the 'popcorn king' of the new state [Oklahoma became the 46th state in 1907]. He manufactures an average of thirty-five pounds of popcorn a day and a near total of six tons a year."&lt;br /&gt;
&lt;br /&gt;
As far I've been able to determine, Isaac A. Brown, the Popcorn King named in the article, is the father of James Isaac Brown, the Future Popcorn King who's pictured above. Unfortunately, I haven't found any further evidence regarding the later reign of father or son as Popcorn King.&lt;br /&gt;
&lt;br /&gt;
Etta Brown Tinkham, who wrote the message about the Future Popcorn King, was apparently James Isaac Brown's mother or stepmother. She wrote another message on a second real photo postcard on the same date as this one. See &lt;a href="https://www.ipernity.com/doc/aemays/38018342" target="_blank" rel="nofollow"&gt;Armada and Her Mamma with Oklahoma Apple Blossoms, Oklahoma City, Okla., 1906&lt;/a&gt; (is the Future Popcorn King holding the same kind of apple blossoms, or might he be grasping a handful of popcorn instead?).&lt;br /&gt;
&lt;br /&gt;
&lt;a href="https://www.ipernity.com/doc/aemays/38018342" target="_blank" rel="nofollow"&gt;&lt;img alt="Armada and Her Mamma with Oklahoma Apple Blossoms, Oklahoma City, Okla., 1906" src="https://cdn.ipernity.com/200/83/42/38018342.8fa6133d.500.jpg?r2" height="310" width="500" /&gt;&lt;/a&gt;&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/200/83/46/38018346.7dd55e67.1024.jpg?r2" type="image/jpeg" width="800" height="497" duration="0" isDefault="true"  />
    <media:thumbnail url="https://cdn.ipernity.com/200/83/46/38018346.7f426b5b.240.jpg?r2" width="240" height="150"/>
    <media:thumbnail url="https://cdn.ipernity.com/200/83/46/38018346.7f426b5b.100.jpg?r2" width="100" height="63"/>
    <media:credit role="author">Alan Mays</media:credit>
  </item>
  <item>
    <title>Wedding Guest Mystery (Detail)</title>
    <link>https://www.ipernity.com/doc/aemays/48934872</link>
    <guid isPermaLink="false">tag:ipernity.com,2020-06-08,doc-48934872</guid>
    <pubDate>Mon, 08 Jun 2020 02:19:06 +0000</pubDate>
    <dc:date.created>2020-06-07T22:19:06-04:00</dc:date.created>
    <author>nobody@ipernity.com (Alan Mays)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/aemays"&gt;Alan Mays&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/aemays/48934872"&gt;&lt;img src="https://cdn.ipernity.com/200/48/72/48934872.2cf0046f.240.jpg?r2" width="240" height="150" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;After closely inspecting this photo (see the &lt;a href="https://www.ipernity.com/doc/aemays/48934864" target="_blank" rel="nofollow"&gt;full&lt;/a&gt; and &lt;a href="https://www.ipernity.com/doc/aemays/48934866" target="_blank" rel="nofollow"&gt;cropped&lt;/a&gt; versions) for quite some time, I was surprised to finally realize that there's someone--or part of someone, to be precise--missing from it.&lt;br /&gt;
&lt;br /&gt;
Take another glance at the bride's mother, who was caught with her eyes closed. A man's shoulders are visible directly behind her. The man's head, however, has been imperfectly altered so that it partially blends in with the folds of the curtain behind him.&lt;br /&gt;
&lt;br /&gt;
Who was this mysterious wedding guest, and who wanted him out of the picture? We'll never know, but I find it amazing how well hidden--to my eyes, at least--he turned out to be. It's remarkable that this simple method of concealment was so successful in hiding this man's presence in the photo.&lt;br /&gt;
&lt;br /&gt;
&lt;a href="https://www.ipernity.com/doc/aemays/48934864" target="_blank" rel="nofollow"&gt;&lt;img alt="Wedding Guest Mystery" src="https://cdn.ipernity.com/200/48/64/48934864.a3349362.500.jpg?r2" height="500" width="429" /&gt;&lt;/a&gt;&lt;/div&gt;</description>
    <media:title>Wedding Guest Mystery (Detail)</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/aemays"&gt;Alan Mays&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/aemays/48934872"&gt;&lt;img src="https://cdn.ipernity.com/200/48/72/48934872.2cf0046f.240.jpg?r2" width="240" height="150" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;After closely inspecting this photo (see the &lt;a href="https://www.ipernity.com/doc/aemays/48934864" target="_blank" rel="nofollow"&gt;full&lt;/a&gt; and &lt;a href="https://www.ipernity.com/doc/aemays/48934866" target="_blank" rel="nofollow"&gt;cropped&lt;/a&gt; versions) for quite some time, I was surprised to finally realize that there's someone--or part of someone, to be precise--missing from it.&lt;br /&gt;
&lt;br /&gt;
Take another glance at the bride's mother, who was caught with her eyes closed. A man's shoulders are visible directly behind her. The man's head, however, has been imperfectly altered so that it partially blends in with the folds of the curtain behind him.&lt;br /&gt;
&lt;br /&gt;
Who was this mysterious wedding guest, and who wanted him out of the picture? We'll never know, but I find it amazing how well hidden--to my eyes, at least--he turned out to be. It's remarkable that this simple method of concealment was so successful in hiding this man's presence in the photo.&lt;br /&gt;
&lt;br /&gt;
&lt;a href="https://www.ipernity.com/doc/aemays/48934864" target="_blank" rel="nofollow"&gt;&lt;img alt="Wedding Guest Mystery" src="https://cdn.ipernity.com/200/48/64/48934864.a3349362.500.jpg?r2" height="500" width="429" /&gt;&lt;/a&gt;&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/200/48/72/48934872.c49976e7.1024.jpg?r2" type="image/jpeg" width="800" height="500" duration="0" isDefault="true"  />
    <media:thumbnail url="https://cdn.ipernity.com/200/48/72/48934872.2cf0046f.240.jpg?r2" width="240" height="150"/>
    <media:thumbnail url="https://cdn.ipernity.com/200/48/72/48934872.2cf0046f.100.jpg?r2" width="100" height="63"/>
    <media:credit role="author">Alan Mays</media:credit>
  </item>
  <item>
    <title>Wedding Guest Mystery (Cropped)</title>
    <link>https://www.ipernity.com/doc/aemays/48934866</link>
    <guid isPermaLink="false">tag:ipernity.com,2020-06-08,doc-48934866</guid>
    <pubDate>Mon, 08 Jun 2020 02:19:08 +0000</pubDate>
    <dc:date.created>2020-06-07T22:19:08-04:00</dc:date.created>
    <author>nobody@ipernity.com (Alan Mays)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/aemays"&gt;Alan Mays&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/aemays/48934866"&gt;&lt;img src="https://cdn.ipernity.com/200/48/66/48934866.0499b8a1.240.jpg?r2" width="240" height="150" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;As I mentioned (see the &lt;a href="https://www.ipernity.com/doc/aemays/48934864" target="_blank" rel="nofollow"&gt;full version&lt;/a&gt; of this photo), I bought this picture at an antique mall and noticed something strange about it after I got it home.&lt;br /&gt;
&lt;br /&gt;
I purchased the photo because I liked the furnishings in the room--take a look at the chandelier, curtains, and flowers in the background, for instance. And there's a flowery border running along the top of the wall just below the ceiling.&lt;br /&gt;
&lt;br /&gt;
I also found the wedding party interesting. The wide-eyed groom seems to be stunned, but the bride, who's holding a large bouquet of flowers, looks calm and serene. The groom's father (at far right) is sporting a moustache and so is the bride's father (on the left). The photographer happened to catch the bride's mother (standing to the left of the bride) with her eyes closed.&lt;br /&gt;
&lt;br /&gt;
I examined all these details and looked at the photo for quite a while before I spotted something downright strange. Did you find it yet? If not, check out another &lt;a href="https://www.ipernity.com/doc/aemays/48934872" target="_blank" rel="nofollow"&gt;enlargement&lt;/a&gt; from this image.&lt;br /&gt;
&lt;br /&gt;
&lt;a href="https://www.ipernity.com/doc/aemays/48934872" target="_blank" rel="nofollow"&gt;&lt;img alt="Wedding Guest Mystery (Detail)" src="https://cdn.ipernity.com/200/48/72/48934872.2cf0046f.500.jpg?r2" height="313" width="500" /&gt;&lt;/a&gt;&lt;/div&gt;</description>
    <media:title>Wedding Guest Mystery (Cropped)</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/aemays"&gt;Alan Mays&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/aemays/48934866"&gt;&lt;img src="https://cdn.ipernity.com/200/48/66/48934866.0499b8a1.240.jpg?r2" width="240" height="150" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;As I mentioned (see the &lt;a href="https://www.ipernity.com/doc/aemays/48934864" target="_blank" rel="nofollow"&gt;full version&lt;/a&gt; of this photo), I bought this picture at an antique mall and noticed something strange about it after I got it home.&lt;br /&gt;
&lt;br /&gt;
I purchased the photo because I liked the furnishings in the room--take a look at the chandelier, curtains, and flowers in the background, for instance. And there's a flowery border running along the top of the wall just below the ceiling.&lt;br /&gt;
&lt;br /&gt;
I also found the wedding party interesting. The wide-eyed groom seems to be stunned, but the bride, who's holding a large bouquet of flowers, looks calm and serene. The groom's father (at far right) is sporting a moustache and so is the bride's father (on the left). The photographer happened to catch the bride's mother (standing to the left of the bride) with her eyes closed.&lt;br /&gt;
&lt;br /&gt;
I examined all these details and looked at the photo for quite a while before I spotted something downright strange. Did you find it yet? If not, check out another &lt;a href="https://www.ipernity.com/doc/aemays/48934872" target="_blank" rel="nofollow"&gt;enlargement&lt;/a&gt; from this image.&lt;br /&gt;
&lt;br /&gt;
&lt;a href="https://www.ipernity.com/doc/aemays/48934872" target="_blank" rel="nofollow"&gt;&lt;img alt="Wedding Guest Mystery (Detail)" src="https://cdn.ipernity.com/200/48/72/48934872.2cf0046f.500.jpg?r2" height="313" width="500" /&gt;&lt;/a&gt;&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/200/48/66/48934866.fbfd7b3f.1024.jpg?r2" type="image/jpeg" width="800" height="500" duration="0" isDefault="true"  />
    <media:thumbnail url="https://cdn.ipernity.com/200/48/66/48934866.0499b8a1.240.jpg?r2" width="240" height="150"/>
    <media:thumbnail url="https://cdn.ipernity.com/200/48/66/48934866.0499b8a1.100.jpg?r2" width="100" height="63"/>
    <media:credit role="author">Alan Mays</media:credit>
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  <item>
    <title>Wedding Guest Mystery</title>
    <link>https://www.ipernity.com/doc/aemays/48934864</link>
    <guid isPermaLink="false">tag:ipernity.com,2020-06-08,doc-48934864</guid>
    <pubDate>Mon, 08 Jun 2020 02:19:10 +0000</pubDate>
    <dc:date.created>2020-06-07T22:19:10-04:00</dc:date.created>
    <author>nobody@ipernity.com (Alan Mays)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/aemays"&gt;Alan Mays&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/aemays/48934864"&gt;&lt;img src="https://cdn.ipernity.com/200/48/64/48934864.a3349362.240.jpg?r2" width="206" height="240" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;A Vintage Photos Theme Park photo for the theme of &lt;em&gt;putting on the ritz—dressed up for a special occasion&lt;/em&gt;.&lt;br /&gt;
&lt;br /&gt;
I picked up this wedding photo at a local antique mall a year or two ago. It wasn't in great shape, but it was a larger photo mounted on cardboard, and I liked the interesting room furnishings, the period clothing, and the amusing facial expressions.&lt;br /&gt;
&lt;br /&gt;
When I got home and examined the photo more closely, however, I noticed something strange about it. Were you able to spot it?  If not, take a look at a &lt;a href="https://www.ipernity.com/doc/aemays/48934866" target="_blank" rel="nofollow"&gt;cropped version&lt;/a&gt; of the photo.&lt;br /&gt;
&lt;br /&gt;
&lt;a href="https://www.ipernity.com/doc/aemays/48934866" target="_blank" rel="nofollow"&gt;&lt;img alt="Wedding Guest Mystery (Cropped)" src="https://cdn.ipernity.com/200/48/66/48934866.0499b8a1.500.jpg?r2" height="313" width="500" /&gt;&lt;/a&gt;&lt;/div&gt;</description>
    <media:title>Wedding Guest Mystery</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/aemays"&gt;Alan Mays&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/aemays/48934864"&gt;&lt;img src="https://cdn.ipernity.com/200/48/64/48934864.a3349362.240.jpg?r2" width="206" height="240" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;A Vintage Photos Theme Park photo for the theme of &lt;em&gt;putting on the ritz—dressed up for a special occasion&lt;/em&gt;.&lt;br /&gt;
&lt;br /&gt;
I picked up this wedding photo at a local antique mall a year or two ago. It wasn't in great shape, but it was a larger photo mounted on cardboard, and I liked the interesting room furnishings, the period clothing, and the amusing facial expressions.&lt;br /&gt;
&lt;br /&gt;
When I got home and examined the photo more closely, however, I noticed something strange about it. Were you able to spot it?  If not, take a look at a &lt;a href="https://www.ipernity.com/doc/aemays/48934866" target="_blank" rel="nofollow"&gt;cropped version&lt;/a&gt; of the photo.&lt;br /&gt;
&lt;br /&gt;
&lt;a href="https://www.ipernity.com/doc/aemays/48934866" target="_blank" rel="nofollow"&gt;&lt;img alt="Wedding Guest Mystery (Cropped)" src="https://cdn.ipernity.com/200/48/66/48934866.0499b8a1.500.jpg?r2" height="313" width="500" /&gt;&lt;/a&gt;&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/200/48/64/48934864.14e9dce7.1024.jpg?r2" type="image/jpeg" width="686" height="800" duration="0" isDefault="true"  />
    <media:thumbnail url="https://cdn.ipernity.com/200/48/64/48934864.a3349362.240.jpg?r2" width="206" height="240"/>
    <media:thumbnail url="https://cdn.ipernity.com/200/48/64/48934864.a3349362.100.jpg?r2" width="86" height="100"/>
    <media:credit role="author">Alan Mays</media:credit>
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  <item>
    <title>A Merry Christmas—Let Every Heart in Christmas Customs Bear Its Part</title>
    <link>https://www.ipernity.com/doc/aemays/49555508</link>
    <guid isPermaLink="false">tag:ipernity.com,2019-12-25,doc-49555508</guid>
    <pubDate>Wed, 25 Dec 2019 16:49:02 +0000</pubDate>
    <dc:date.created>2019-12-25T11:49:02-05:00</dc:date.created>
    <author>nobody@ipernity.com (Alan Mays)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/aemays"&gt;Alan Mays&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/aemays/49555508"&gt;&lt;img src="https://cdn.ipernity.com/200/55/08/49555508.b41fa36a.240.jpg?r2" width="240" height="163" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;A small Victorian-era Christmas card featuring a fairy and flowers.&lt;br /&gt;
&lt;br /&gt;
The verse on the card appears in J. S. Ogilvie, compiler, &lt;em&gt;&lt;a href="https://archive.org/details/albumwritersfrie00ogiliala/page/60" target="_blank" rel="nofollow"&gt;The Album Writer's Friend: Comprising More Than Three Hundred Choice Selections of Poetry and Prose, Suitable for Writing in Autograph Albums, Valentines, Birthday, Christmas, and New Year Cards&lt;/a&gt;&lt;/em&gt; (1881), p. 60.&lt;br /&gt;
&lt;br /&gt;
&lt;strong&gt;A Merry Christmas&lt;/strong&gt;&lt;br /&gt;
&lt;br /&gt;
Christmas comes, let every heart&lt;br /&gt;
In Christmas customs bear its part:&lt;br /&gt;
The old be young, the sad be gay&lt;br /&gt;
And smiles chase every care away.&lt;/div&gt;</description>
    <media:title>A Merry Christmas—Let Every Heart in Christmas Customs Bear Its Part</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/aemays"&gt;Alan Mays&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/aemays/49555508"&gt;&lt;img src="https://cdn.ipernity.com/200/55/08/49555508.b41fa36a.240.jpg?r2" width="240" height="163" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;A small Victorian-era Christmas card featuring a fairy and flowers.&lt;br /&gt;
&lt;br /&gt;
The verse on the card appears in J. S. Ogilvie, compiler, &lt;em&gt;&lt;a href="https://archive.org/details/albumwritersfrie00ogiliala/page/60" target="_blank" rel="nofollow"&gt;The Album Writer's Friend: Comprising More Than Three Hundred Choice Selections of Poetry and Prose, Suitable for Writing in Autograph Albums, Valentines, Birthday, Christmas, and New Year Cards&lt;/a&gt;&lt;/em&gt; (1881), p. 60.&lt;br /&gt;
&lt;br /&gt;
&lt;strong&gt;A Merry Christmas&lt;/strong&gt;&lt;br /&gt;
&lt;br /&gt;
Christmas comes, let every heart&lt;br /&gt;
In Christmas customs bear its part:&lt;br /&gt;
The old be young, the sad be gay&lt;br /&gt;
And smiles chase every care away.&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/200/55/08/49555508.9900a99c.1024.jpg?r2" type="image/jpeg" width="800" height="541" duration="0" isDefault="true"  />
    <media:thumbnail url="https://cdn.ipernity.com/200/55/08/49555508.b41fa36a.240.jpg?r2" width="240" height="163"/>
    <media:thumbnail url="https://cdn.ipernity.com/200/55/08/49555508.b41fa36a.100.jpg?r2" width="100" height="68"/>
    <media:credit role="author">Alan Mays</media:credit>
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    <title>Indiana Iron Works Store Scrip, Indiana, Pa., January 1, 1856</title>
    <link>https://www.ipernity.com/doc/aemays/49053058</link>
    <guid isPermaLink="false">tag:ipernity.com,2019-11-17,doc-49053058</guid>
    <pubDate>Sun, 17 Nov 2019 04:53:04 +0000</pubDate>
    <dc:date.created>2019-11-16T23:53:04-04:00</dc:date.created>
    <author>nobody@ipernity.com (Alan Mays)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/aemays"&gt;Alan Mays&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/aemays/49053058"&gt;&lt;img src="https://cdn.ipernity.com/200/30/58/49053058.bf905fe7.240.jpg?r2" width="240" height="101" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Nineteenth-century &lt;a href="https://en.wikipedia.org/wiki/Company_scrip" target="_blank" rel="nofollow"&gt;scrip&lt;/a&gt; issued by the company store at the Indiana Iron Works (also know as &lt;a href="https://digital.hagley.org/1986268_0022" target="_blank" rel="nofollow"&gt;Baker Furnace&lt;/a&gt;), which was located near Cramer in East Wheatfield Township, Indiana County, Pennsylvania.&lt;br /&gt;
&lt;br /&gt;
For more information, see G. Robert Ganis, "Iron-Mining Store Scrip in Pennsylvania," &lt;a href="http://docs.dcnr.pa.gov/cs/groups/public/documents/document/DCNR_20027663.pdf" target="_blank" rel="nofollow"&gt;&lt;em&gt;Pennsylvania Geology&lt;/em&gt; vol. 19, no. 3 (June 1988)&lt;/a&gt;: 2-5.&lt;br /&gt;
&lt;br /&gt;
&lt;strong&gt;The Store at Indiana Iron Works&lt;/strong&gt;&lt;br /&gt;
&lt;br /&gt;
Will pay to bearer ten cents on demand in dry goods &amp; groceries.&lt;br /&gt;
&lt;br /&gt;
Ind. Iron Works. Jan. 1st, 1856.&lt;br /&gt;
&lt;br /&gt;
Ten cents. 10. 10.&lt;/div&gt;</description>
    <media:title>Indiana Iron Works Store Scrip, Indiana, Pa., January 1, 1856</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/aemays"&gt;Alan Mays&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/aemays/49053058"&gt;&lt;img src="https://cdn.ipernity.com/200/30/58/49053058.bf905fe7.240.jpg?r2" width="240" height="101" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Nineteenth-century &lt;a href="https://en.wikipedia.org/wiki/Company_scrip" target="_blank" rel="nofollow"&gt;scrip&lt;/a&gt; issued by the company store at the Indiana Iron Works (also know as &lt;a href="https://digital.hagley.org/1986268_0022" target="_blank" rel="nofollow"&gt;Baker Furnace&lt;/a&gt;), which was located near Cramer in East Wheatfield Township, Indiana County, Pennsylvania.&lt;br /&gt;
&lt;br /&gt;
For more information, see G. Robert Ganis, "Iron-Mining Store Scrip in Pennsylvania," &lt;a href="http://docs.dcnr.pa.gov/cs/groups/public/documents/document/DCNR_20027663.pdf" target="_blank" rel="nofollow"&gt;&lt;em&gt;Pennsylvania Geology&lt;/em&gt; vol. 19, no. 3 (June 1988)&lt;/a&gt;: 2-5.&lt;br /&gt;
&lt;br /&gt;
&lt;strong&gt;The Store at Indiana Iron Works&lt;/strong&gt;&lt;br /&gt;
&lt;br /&gt;
Will pay to bearer ten cents on demand in dry goods &amp; groceries.&lt;br /&gt;
&lt;br /&gt;
Ind. Iron Works. Jan. 1st, 1856.&lt;br /&gt;
&lt;br /&gt;
Ten cents. 10. 10.&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/200/30/58/49053058.b03a0d37.1024.jpg?r2" type="image/jpeg" width="800" height="336" duration="0" isDefault="true"  />
    <media:thumbnail url="https://cdn.ipernity.com/200/30/58/49053058.bf905fe7.240.jpg?r2" width="240" height="101"/>
    <media:thumbnail url="https://cdn.ipernity.com/200/30/58/49053058.bf905fe7.100.jpg?r2" width="100" height="42"/>
    <media:credit role="author">Alan Mays</media:credit>
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  <item>
    <title>Quirky Costumed Couple</title>
    <link>https://www.ipernity.com/doc/aemays/48563622</link>
    <guid isPermaLink="false">tag:ipernity.com,2019-10-14,doc-48563622</guid>
    <pubDate>Mon, 14 Oct 2019 01:15:10 +0000</pubDate>
    <dc:date.created>2019-10-13T21:15:10-04:00</dc:date.created>
    <author>nobody@ipernity.com (Alan Mays)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/aemays"&gt;Alan Mays&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/aemays/48563622"&gt;&lt;img src="https://cdn.ipernity.com/200/36/22/48563622.4737a110.240.jpg?r2" width="240" height="164" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;A photo for the Vintage Photos Theme Park monthly topic of &lt;em&gt;costumes and uniforms—Halloween, theatrical, and other kinds of costumes, or uniforms from medical, military, and other settings (submit a photo on this topic each week in addition to—or instead of—a photo for the weekly topic)&lt;/em&gt;.&lt;br /&gt;
&lt;br /&gt;
Is it a ghostly apparition or just some out-of-focus Halloweeners? Sometimes it's hard to tell.&lt;br /&gt;
&lt;br /&gt;
A red-border "Kodachrome Transparency," circa 1955.&lt;/div&gt;</description>
    <media:title>Quirky Costumed Couple</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/aemays"&gt;Alan Mays&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/aemays/48563622"&gt;&lt;img src="https://cdn.ipernity.com/200/36/22/48563622.4737a110.240.jpg?r2" width="240" height="164" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;A photo for the Vintage Photos Theme Park monthly topic of &lt;em&gt;costumes and uniforms—Halloween, theatrical, and other kinds of costumes, or uniforms from medical, military, and other settings (submit a photo on this topic each week in addition to—or instead of—a photo for the weekly topic)&lt;/em&gt;.&lt;br /&gt;
&lt;br /&gt;
Is it a ghostly apparition or just some out-of-focus Halloweeners? Sometimes it's hard to tell.&lt;br /&gt;
&lt;br /&gt;
A red-border "Kodachrome Transparency," circa 1955.&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/200/36/22/48563622.93b824b9.1024.jpg?r2" type="image/jpeg" width="800" height="545" duration="0" isDefault="true"  />
    <media:thumbnail url="https://cdn.ipernity.com/200/36/22/48563622.4737a110.240.jpg?r2" width="240" height="164"/>
    <media:thumbnail url="https://cdn.ipernity.com/200/36/22/48563622.4737a110.100.jpg?r2" width="100" height="69"/>
    <media:credit role="author">Alan Mays</media:credit>
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  <item>
    <title>Smile, Darn You, Smile!</title>
    <link>https://www.ipernity.com/doc/aemays/48631320</link>
    <guid isPermaLink="false">tag:ipernity.com,2019-08-09,doc-48631320</guid>
    <pubDate>Fri, 09 Aug 2019 03:58:02 +0000</pubDate>
    <dc:date.created>2019-08-08T23:58:02-04:00</dc:date.created>
    <author>nobody@ipernity.com (Alan Mays)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/aemays"&gt;Alan Mays&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/aemays/48631320"&gt;&lt;img src="https://cdn.ipernity.com/200/13/20/48631320.04c0bbed.240.jpg?r2" width="240" height="151" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;A postcard addressed on the other side to Miss Hildur Linton [her later married name was &lt;a href="https://www.findagrave.com/memorial/170120147/hildur-t-otto" target="_blank" rel="nofollow"&gt;Hildur T. Otto&lt;/a&gt;], 1014 7th St., S.E., City, and postmarked on Oct. 13, 1908, in Minneapolis, Minn.&lt;br /&gt;
&lt;br /&gt;
The enigmatic handwritten message on the back is: "Puzzle. Can you find the sender? Yes - no."&lt;/div&gt;</description>
    <media:title>Smile, Darn You, Smile!</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/aemays"&gt;Alan Mays&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/aemays/48631320"&gt;&lt;img src="https://cdn.ipernity.com/200/13/20/48631320.04c0bbed.240.jpg?r2" width="240" height="151" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;A postcard addressed on the other side to Miss Hildur Linton [her later married name was &lt;a href="https://www.findagrave.com/memorial/170120147/hildur-t-otto" target="_blank" rel="nofollow"&gt;Hildur T. Otto&lt;/a&gt;], 1014 7th St., S.E., City, and postmarked on Oct. 13, 1908, in Minneapolis, Minn.&lt;br /&gt;
&lt;br /&gt;
The enigmatic handwritten message on the back is: "Puzzle. Can you find the sender? Yes - no."&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/200/13/20/48631320.0f536d30.1024.jpg?r2" type="image/jpeg" width="800" height="501" duration="0" isDefault="true"  />
    <media:thumbnail url="https://cdn.ipernity.com/200/13/20/48631320.04c0bbed.240.jpg?r2" width="240" height="151"/>
    <media:thumbnail url="https://cdn.ipernity.com/200/13/20/48631320.04c0bbed.100.jpg?r2" width="100" height="63"/>
    <media:credit role="author">Alan Mays</media:credit>
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  <item>
    <title>Cutting the Cake in &amp;#039;58</title>
    <link>https://www.ipernity.com/doc/aemays/48572384</link>
    <guid isPermaLink="false">tag:ipernity.com,2019-05-06,doc-48572384</guid>
    <pubDate>Mon, 06 May 2019 00:06:02 +0000</pubDate>
    <dc:date.created>2019-05-05T20:06:02-04:00</dc:date.created>
    <author>nobody@ipernity.com (Alan Mays)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/aemays"&gt;Alan Mays&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/aemays/48572384"&gt;&lt;img src="https://cdn.ipernity.com/200/23/84/48572384.7572b9dc.240.jpg?r2" width="203" height="240" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;A &lt;em&gt;weddings&lt;/em&gt; photo for the Vintage Photos Theme Park. &lt;br /&gt;
&lt;br /&gt;
This is a Kodachrome slide processed by Kodak in Jan 1959, so I'm guessing that the wedding actually took place in 1958&lt;br /&gt;
&lt;br /&gt;
Notice how no one seems particularly excited as the bride and groom pose for photos while cutting their cake. Perhaps they would have been more impressed had they turned around and taken a look at the elaborate design of that wallpaper.&lt;br /&gt;
&lt;br /&gt;
P.S. I didn't realize how many wedding-related pics I had already used for various themes in the VPTP until I started searching for this week's photo. Check out two of my six previous matrimonial postings:&lt;br /&gt;
&lt;br /&gt;
&lt;a href="https://www.ipernity.com/doc/aemays/41110232" target="_blank" rel="nofollow"&gt;&lt;img alt="Dance of the Ring Bearer and Flower Girl, Sept. 1968" src="https://cdn.ipernity.com/200/02/32/41110232.efdde71d.500.jpg?r2" height="350" width="500" /&gt;&lt;/a&gt;&lt;br /&gt;
&lt;a href="https://www.ipernity.com/doc/aemays/34517441" target="_blank" rel="nofollow"&gt;&lt;img alt="Honk! If You Think We're Nuts" src="https://cdn.ipernity.com/145/74/41/34517441.3902d444.500.jpg?r2" height="400" width="500" /&gt;&lt;/a&gt;&lt;/div&gt;</description>
    <media:title>Cutting the Cake in &amp;#039;58</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/aemays"&gt;Alan Mays&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/aemays/48572384"&gt;&lt;img src="https://cdn.ipernity.com/200/23/84/48572384.7572b9dc.240.jpg?r2" width="203" height="240" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;A &lt;em&gt;weddings&lt;/em&gt; photo for the Vintage Photos Theme Park. &lt;br /&gt;
&lt;br /&gt;
This is a Kodachrome slide processed by Kodak in Jan 1959, so I'm guessing that the wedding actually took place in 1958&lt;br /&gt;
&lt;br /&gt;
Notice how no one seems particularly excited as the bride and groom pose for photos while cutting their cake. Perhaps they would have been more impressed had they turned around and taken a look at the elaborate design of that wallpaper.&lt;br /&gt;
&lt;br /&gt;
P.S. I didn't realize how many wedding-related pics I had already used for various themes in the VPTP until I started searching for this week's photo. Check out two of my six previous matrimonial postings:&lt;br /&gt;
&lt;br /&gt;
&lt;a href="https://www.ipernity.com/doc/aemays/41110232" target="_blank" rel="nofollow"&gt;&lt;img alt="Dance of the Ring Bearer and Flower Girl, Sept. 1968" src="https://cdn.ipernity.com/200/02/32/41110232.efdde71d.500.jpg?r2" height="350" width="500" /&gt;&lt;/a&gt;&lt;br /&gt;
&lt;a href="https://www.ipernity.com/doc/aemays/34517441" target="_blank" rel="nofollow"&gt;&lt;img alt="Honk! If You Think We're Nuts" src="https://cdn.ipernity.com/145/74/41/34517441.3902d444.500.jpg?r2" height="400" width="500" /&gt;&lt;/a&gt;&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/200/23/84/48572384.e27fb713.1024.jpg?r2" type="image/jpeg" width="675" height="800" duration="0" isDefault="true"  />
    <media:thumbnail url="https://cdn.ipernity.com/200/23/84/48572384.7572b9dc.240.jpg?r2" width="203" height="240"/>
    <media:thumbnail url="https://cdn.ipernity.com/200/23/84/48572384.7572b9dc.100.jpg?r2" width="85" height="100"/>
    <media:credit role="author">Alan Mays</media:credit>
  </item>
  <item>
    <title>Elbl and Pietsch Cabinet Card Backmark</title>
    <link>https://www.ipernity.com/doc/aemays/42918504</link>
    <guid isPermaLink="false">tag:ipernity.com,2016-09-02,doc-42918504</guid>
    <pubDate>Fri, 02 Sep 2016 22:01:00 +0000</pubDate>
    <dc:date.created>2016-09-02T18:01:00-04:00</dc:date.created>
    <author>nobody@ipernity.com (Alan Mays)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/aemays"&gt;Alan Mays&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/aemays/42918504"&gt;&lt;img src="https://cdn.ipernity.com/200/85/04/42918504.97f093cb.240.jpg?r2" width="161" height="240" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Elbl és Pietsch, udvari fényképész,  Fő utcza 18, Budapest.&lt;br /&gt;
&lt;br /&gt;
Approximate translation: Elbl and Pietsch, royal photographer, 18 Main Street, Budapest.&lt;br /&gt;
&lt;br /&gt;
Can anyone figure out the handwritten words at the bottom? Perhaps they're the names of the three women who appear on the &lt;a href="https://www.ipernity.com/doc/aemays/42915732" target="_blank" rel="nofollow"&gt;front&lt;/a&gt; of this cabinet card:&lt;br /&gt;
&lt;br /&gt;
&lt;a href="https://www.ipernity.com/doc/aemays/42915732" target="_blank" rel="nofollow"&gt;&lt;img alt="Mother and Daughters, Budapest, Hungary" src="https://cdn.ipernity.com/200/57/32/42915732.454daf2f.500.jpg?r2" height="500" width="335" /&gt;&lt;/a&gt;&lt;/div&gt;</description>
    <media:title>Elbl and Pietsch Cabinet Card Backmark</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/aemays"&gt;Alan Mays&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/aemays/42918504"&gt;&lt;img src="https://cdn.ipernity.com/200/85/04/42918504.97f093cb.240.jpg?r2" width="161" height="240" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Elbl és Pietsch, udvari fényképész,  Fő utcza 18, Budapest.&lt;br /&gt;
&lt;br /&gt;
Approximate translation: Elbl and Pietsch, royal photographer, 18 Main Street, Budapest.&lt;br /&gt;
&lt;br /&gt;
Can anyone figure out the handwritten words at the bottom? Perhaps they're the names of the three women who appear on the &lt;a href="https://www.ipernity.com/doc/aemays/42915732" target="_blank" rel="nofollow"&gt;front&lt;/a&gt; of this cabinet card:&lt;br /&gt;
&lt;br /&gt;
&lt;a href="https://www.ipernity.com/doc/aemays/42915732" target="_blank" rel="nofollow"&gt;&lt;img alt="Mother and Daughters, Budapest, Hungary" src="https://cdn.ipernity.com/200/57/32/42915732.454daf2f.500.jpg?r2" height="500" width="335" /&gt;&lt;/a&gt;&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/200/85/04/42918504.96ea4ac9.1024.jpg?r2" type="image/jpeg" width="536" height="800" duration="0" isDefault="true"  />
    <media:thumbnail url="https://cdn.ipernity.com/200/85/04/42918504.97f093cb.240.jpg?r2" width="161" height="240"/>
    <media:thumbnail url="https://cdn.ipernity.com/200/85/04/42918504.97f093cb.100.jpg?r2" width="67" height="100"/>
    <media:credit role="author">Alan Mays</media:credit>
  </item>
  <item>
    <title>Mother and Daughters, Budapest, Hungary</title>
    <link>https://www.ipernity.com/doc/aemays/42915732</link>
    <guid isPermaLink="false">tag:ipernity.com,2016-09-02,doc-42915732</guid>
    <pubDate>Fri, 02 Sep 2016 22:01:02 +0000</pubDate>
    <dc:date.created>2016-09-02T18:01:02-04:00</dc:date.created>
    <author>nobody@ipernity.com (Alan Mays)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/aemays"&gt;Alan Mays&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/aemays/42915732"&gt;&lt;img src="https://cdn.ipernity.com/200/57/32/42915732.454daf2f.240.jpg?r2" width="161" height="240" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;A photo from Budapest for the Vintage Photos Theme Park &lt;em&gt;in memory of our dear friend, Nori&lt;/em&gt; (see &lt;a href="https://www.ipernity.com/group/vintagephotosthemepark/discuss/182778" target="_blank" rel="nofollow"&gt;Sad News&lt;/a&gt;).&lt;br /&gt;
&lt;br /&gt;
A mother and her two daughters posed for this cabinet card photo in the Budapest studio of Elbl and Pietsch sometime after 1897 (see below for the &lt;a href="https://www.ipernity.com/doc/aemays/42918504" target="_blank" rel="nofollow"&gt;back&lt;/a&gt; of this photo). Note the girls' unique hairstyles and their fashionable dresses with enormous leg-of-mutton or gigot sleeves. &lt;br /&gt;
&lt;br /&gt;
The painted backdrop is somewhat indistinct but what looks like the bottom of an elaborate staircase appears on the left. The chairs are made of bamboo (or perhaps faux bamboo) and are decorated with tassels.&lt;br /&gt;
&lt;br /&gt;
As one girl sits in a chair holding a book, the other girl stands with one hand resting in a comforting gesture on her mother's shoulder. Her other hand is holding some flowers alongside the arm of her mother's chair.&lt;br /&gt;
&lt;br /&gt;
So let's remember dear Nori and cherish the treasured images she has shared with us here on &lt;a href="https://www.ipernity.com/home/297783" target="_blank" rel="nofollow"&gt;Ipernity&lt;/a&gt; and over on &lt;a href="https://www.flickr.com/photos/nora-meszoly/" target="_blank" rel="nofollow"&gt;Flickr&lt;/a&gt;. Perhaps you'll want to compare this photo with the dozen other photos and backmarks from the same studio that Nori collected in her &lt;a href="https://www.flickr.com/photos/nora-meszoly/albums/72157659679097112" target="_blank" rel="nofollow"&gt;Elbl &amp; Pietsch&lt;/a&gt; album on Flickr.&lt;br /&gt;
&lt;br /&gt;
&lt;a href="https://www.ipernity.com/doc/aemays/42918504" target="_blank" rel="nofollow"&gt;&lt;img alt="Elbl and Pietsch Cabinet Card Backmark" src="https://cdn.ipernity.com/200/85/04/42918504.97f093cb.500.jpg?r2" height="500" width="335" /&gt;&lt;/a&gt;&lt;/div&gt;</description>
    <media:title>Mother and Daughters, Budapest, Hungary</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/aemays"&gt;Alan Mays&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/aemays/42915732"&gt;&lt;img src="https://cdn.ipernity.com/200/57/32/42915732.454daf2f.240.jpg?r2" width="161" height="240" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;A photo from Budapest for the Vintage Photos Theme Park &lt;em&gt;in memory of our dear friend, Nori&lt;/em&gt; (see &lt;a href="https://www.ipernity.com/group/vintagephotosthemepark/discuss/182778" target="_blank" rel="nofollow"&gt;Sad News&lt;/a&gt;).&lt;br /&gt;
&lt;br /&gt;
A mother and her two daughters posed for this cabinet card photo in the Budapest studio of Elbl and Pietsch sometime after 1897 (see below for the &lt;a href="https://www.ipernity.com/doc/aemays/42918504" target="_blank" rel="nofollow"&gt;back&lt;/a&gt; of this photo). Note the girls' unique hairstyles and their fashionable dresses with enormous leg-of-mutton or gigot sleeves. &lt;br /&gt;
&lt;br /&gt;
The painted backdrop is somewhat indistinct but what looks like the bottom of an elaborate staircase appears on the left. The chairs are made of bamboo (or perhaps faux bamboo) and are decorated with tassels.&lt;br /&gt;
&lt;br /&gt;
As one girl sits in a chair holding a book, the other girl stands with one hand resting in a comforting gesture on her mother's shoulder. Her other hand is holding some flowers alongside the arm of her mother's chair.&lt;br /&gt;
&lt;br /&gt;
So let's remember dear Nori and cherish the treasured images she has shared with us here on &lt;a href="https://www.ipernity.com/home/297783" target="_blank" rel="nofollow"&gt;Ipernity&lt;/a&gt; and over on &lt;a href="https://www.flickr.com/photos/nora-meszoly/" target="_blank" rel="nofollow"&gt;Flickr&lt;/a&gt;. Perhaps you'll want to compare this photo with the dozen other photos and backmarks from the same studio that Nori collected in her &lt;a href="https://www.flickr.com/photos/nora-meszoly/albums/72157659679097112" target="_blank" rel="nofollow"&gt;Elbl &amp; Pietsch&lt;/a&gt; album on Flickr.&lt;br /&gt;
&lt;br /&gt;
&lt;a href="https://www.ipernity.com/doc/aemays/42918504" target="_blank" rel="nofollow"&gt;&lt;img alt="Elbl and Pietsch Cabinet Card Backmark" src="https://cdn.ipernity.com/200/85/04/42918504.97f093cb.500.jpg?r2" height="500" width="335" /&gt;&lt;/a&gt;&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/200/57/32/42915732.04bd804d.1024.jpg?r2" type="image/jpeg" width="535" height="800" duration="0" isDefault="true"  />
    <media:thumbnail url="https://cdn.ipernity.com/200/57/32/42915732.454daf2f.240.jpg?r2" width="161" height="240"/>
    <media:thumbnail url="https://cdn.ipernity.com/200/57/32/42915732.454daf2f.100.jpg?r2" width="67" height="100"/>
    <media:credit role="author">Alan Mays</media:credit>
  </item>
  <item>
    <title>Easter Greetings</title>
    <link>https://www.ipernity.com/doc/aemays/47946476</link>
    <guid isPermaLink="false">tag:ipernity.com,2019-04-08,doc-47946476</guid>
    <pubDate>Mon, 08 Apr 2019 04:41:39 +0000</pubDate>
    <dc:date.created>2019-04-08T01:26:57-05:00</dc:date.created>
    <author>nobody@ipernity.com (Alan Mays)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/aemays"&gt;Alan Mays&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/aemays/47946476"&gt;&lt;img src="https://cdn.ipernity.com/200/64/76/47946476.5740e1ce.240.jpg?r2" width="151" height="240" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;&lt;/div&gt;</description>
    <media:title>Easter Greetings</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/aemays"&gt;Alan Mays&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/aemays/47946476"&gt;&lt;img src="https://cdn.ipernity.com/200/64/76/47946476.5740e1ce.240.jpg?r2" width="151" height="240" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/200/64/76/47946476.76e560f8.1024.jpg?r2" type="image/jpeg" width="502" height="800" duration="0" isDefault="true"  />
    <media:thumbnail url="https://cdn.ipernity.com/200/64/76/47946476.5740e1ce.240.jpg?r2" width="151" height="240"/>
    <media:thumbnail url="https://cdn.ipernity.com/200/64/76/47946476.5740e1ce.100.jpg?r2" width="63" height="100"/>
    <media:credit role="author">Alan Mays</media:credit>
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