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  <title>Photos, videos and docs of Alan Mays, with the keywords: "legs"</title>
  <link>https://www.ipernity.com/tag/aemays/keyword/20988</link>
  <image>
    <url>https://cdn.ipernity.com/p/101/45/66/288325.buddy.jpg</url>
    <title>Photos, videos and docs of Alan Mays, with the keywords: "legs"</title>
    <link>https://www.ipernity.com/tag/aemays/keyword/20988</link>
  </image>
  <description></description>
  <pubDate>Sat, 26 Sep 2026 17:20:59 +0000</pubDate>
  <lastBuildDate>Sat, 26 Sep 2026 17:20:59 +0000</lastBuildDate>
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    <title>Cornered with Wallpaper</title>
    <link>https://www.ipernity.com/doc/aemays/49950458</link>
    <guid isPermaLink="false">tag:ipernity.com,2020-05-18,doc-49950458</guid>
    <pubDate>Mon, 18 May 2020 01:56:02 +0000</pubDate>
    <dc:date.created>2020-05-17T21:56:02-04:00</dc:date.created>
    <author>nobody@ipernity.com (Alan Mays)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/aemays"&gt;Alan Mays&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/aemays/49950458"&gt;&lt;img src="https://cdn.ipernity.com/200/04/58/49950458.3ea12a82.240.jpg?r2" width="150" height="240" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;A &lt;em&gt;patterns&lt;/em&gt; photo for the Vintage Photos Theme Park.&lt;br /&gt;
&lt;br /&gt;
A young man nervously looks for an escape route as he's surrounded by the patterned designs of the wallpaper, wicker rocker, and carpet.&lt;br /&gt;
&lt;br /&gt;
This is  an unused real photo postcard with a divided back but no stamp box.&lt;br /&gt;
&lt;br /&gt;
For similar photos with distinctive wallpaper, see &lt;a href="https://www.ipernity.com/doc/aemays/32501119" target="_blank" rel="nofollow"&gt;Girl Cornering on a Tricycle, Harrisburg, Pa.&lt;/a&gt; and &lt;a href="https://www.ipernity.com/doc/aemays/43609316" target="_blank" rel="nofollow"&gt;Girl Standing on a Chair in Front of Patterned Wallpaper&lt;/a&gt;.&lt;br /&gt;
&lt;br /&gt;
&lt;a href="https://www.ipernity.com/doc/aemays/32501119" target="_blank" rel="nofollow"&gt;&lt;img alt="Girl Cornering on a Tricycle, Harrisburg, Pa." src="https://cdn.ipernity.com/141/11/19/32501119.9699f9ed.500.jpg?r2" height="500" width="367" /&gt;&lt;/a&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;a href="https://www.ipernity.com/doc/aemays/43609316" target="_blank" rel="nofollow"&gt;&lt;img alt="Girl Standing on a Chair in Front of Patterned Wallpaper" src="https://cdn.ipernity.com/200/93/16/43609316.f72c9ef0.500.jpg?r2" height="500" width="313" /&gt;&lt;/a&gt;&lt;/div&gt;</description>
    <media:title>Cornered with Wallpaper</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/aemays"&gt;Alan Mays&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/aemays/49950458"&gt;&lt;img src="https://cdn.ipernity.com/200/04/58/49950458.3ea12a82.240.jpg?r2" width="150" height="240" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;A &lt;em&gt;patterns&lt;/em&gt; photo for the Vintage Photos Theme Park.&lt;br /&gt;
&lt;br /&gt;
A young man nervously looks for an escape route as he's surrounded by the patterned designs of the wallpaper, wicker rocker, and carpet.&lt;br /&gt;
&lt;br /&gt;
This is  an unused real photo postcard with a divided back but no stamp box.&lt;br /&gt;
&lt;br /&gt;
For similar photos with distinctive wallpaper, see &lt;a href="https://www.ipernity.com/doc/aemays/32501119" target="_blank" rel="nofollow"&gt;Girl Cornering on a Tricycle, Harrisburg, Pa.&lt;/a&gt; and &lt;a href="https://www.ipernity.com/doc/aemays/43609316" target="_blank" rel="nofollow"&gt;Girl Standing on a Chair in Front of Patterned Wallpaper&lt;/a&gt;.&lt;br /&gt;
&lt;br /&gt;
&lt;a href="https://www.ipernity.com/doc/aemays/32501119" target="_blank" rel="nofollow"&gt;&lt;img alt="Girl Cornering on a Tricycle, Harrisburg, Pa." src="https://cdn.ipernity.com/141/11/19/32501119.9699f9ed.500.jpg?r2" height="500" width="367" /&gt;&lt;/a&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;a href="https://www.ipernity.com/doc/aemays/43609316" target="_blank" rel="nofollow"&gt;&lt;img alt="Girl Standing on a Chair in Front of Patterned Wallpaper" src="https://cdn.ipernity.com/200/93/16/43609316.f72c9ef0.500.jpg?r2" height="500" width="313" /&gt;&lt;/a&gt;&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/200/04/58/49950458.b512dbfb.1024.jpg?r2" type="image/jpeg" width="500" height="800" duration="0" isDefault="true"  />
    <media:thumbnail url="https://cdn.ipernity.com/200/04/58/49950458.3ea12a82.240.jpg?r2" width="150" height="240"/>
    <media:thumbnail url="https://cdn.ipernity.com/200/04/58/49950458.3ea12a82.100.jpg?r2" width="63" height="100"/>
    <media:credit role="author">Alan Mays</media:credit>
  </item>
  <item>
    <title>Leg Men</title>
    <link>https://www.ipernity.com/doc/aemays/35955609</link>
    <guid isPermaLink="false">tag:ipernity.com,2014-12-04,doc-35955609</guid>
    <pubDate>Thu, 04 Dec 2014 21:46:55 +0000</pubDate>
    <dc:date.created>2014-12-04T16:46:55-05:00</dc:date.created>
    <author>nobody@ipernity.com (Alan Mays)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/aemays"&gt;Alan Mays&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/aemays/35955609"&gt;&lt;img src="https://cdn.ipernity.com/146/56/09/35955609.26dab739.240.jpg?r2" width="164" height="240" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Part of a real photo postcard that was cut out at this angle by the original owner.&lt;/div&gt;</description>
    <media:title>Leg Men</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/aemays"&gt;Alan Mays&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/aemays/35955609"&gt;&lt;img src="https://cdn.ipernity.com/146/56/09/35955609.26dab739.240.jpg?r2" width="164" height="240" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Part of a real photo postcard that was cut out at this angle by the original owner.&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/146/56/09/35955609.d937c914.1024.jpg?r2" type="image/jpeg" width="546" height="800" duration="0" isDefault="true"  />
    <media:thumbnail url="https://cdn.ipernity.com/146/56/09/35955609.26dab739.240.jpg?r2" width="164" height="240"/>
    <media:thumbnail url="https://cdn.ipernity.com/146/56/09/35955609.26dab739.100.jpg?r2" width="69" height="100"/>
    <media:credit role="author">Alan Mays</media:credit>
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  <item>
    <title>The Ghosts of Christmas Presents</title>
    <link>https://www.ipernity.com/doc/aemays/44973046</link>
    <guid isPermaLink="false">tag:ipernity.com,2017-06-15,doc-44973046</guid>
    <pubDate>Thu, 15 Jun 2017 15:47:37 +0000</pubDate>
    <dc:date.created>2017-06-15T11:47:37-04:00</dc:date.created>
    <author>nobody@ipernity.com (Alan Mays)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/aemays"&gt;Alan Mays&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/aemays/44973046"&gt;&lt;img src="https://cdn.ipernity.com/200/30/46/44973046.6a49d68a.240.jpg?r2" width="240" height="186" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;A mother and son-—along with a tree and wrapped presents-—seem to be materializing out of the ether in this Christmas double exposure.&lt;br /&gt;
&lt;br /&gt;
For other haunted holiday happenings, see &lt;a href="https://www.ipernity.com/doc/aemays/36361128" target="_blank" rel="nofollow"&gt;The Ghosts of Christmas Past&lt;/a&gt; and &lt;a href="https://www.ipernity.com/doc/aemays/43455586" target="_blank" rel="nofollow"&gt;The Ghosts of Easter Past&lt;/a&gt; (below).&lt;br /&gt;
&lt;br /&gt;
&lt;a href="https://www.ipernity.com/doc/aemays/36361128" target="_blank" rel="nofollow"&gt;&lt;img alt="The Ghosts of Christmas Past" src="https://cdn.ipernity.com/200/11/28/36361128.94ace297.500.jpg?r2" height="480" width="500" /&gt;&lt;/a&gt;&lt;br /&gt;
&lt;a href="https://www.ipernity.com/doc/aemays/43455586" target="_blank" rel="nofollow"&gt;&lt;img alt="The Ghosts of Easter Past" src="https://cdn.ipernity.com/200/55/86/43455586.ea4140b1.500.jpg?r2" height="500" width="497" /&gt;&lt;/a&gt;&lt;/div&gt;</description>
    <media:title>The Ghosts of Christmas Presents</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/aemays"&gt;Alan Mays&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/aemays/44973046"&gt;&lt;img src="https://cdn.ipernity.com/200/30/46/44973046.6a49d68a.240.jpg?r2" width="240" height="186" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;A mother and son-—along with a tree and wrapped presents-—seem to be materializing out of the ether in this Christmas double exposure.&lt;br /&gt;
&lt;br /&gt;
For other haunted holiday happenings, see &lt;a href="https://www.ipernity.com/doc/aemays/36361128" target="_blank" rel="nofollow"&gt;The Ghosts of Christmas Past&lt;/a&gt; and &lt;a href="https://www.ipernity.com/doc/aemays/43455586" target="_blank" rel="nofollow"&gt;The Ghosts of Easter Past&lt;/a&gt; (below).&lt;br /&gt;
&lt;br /&gt;
&lt;a href="https://www.ipernity.com/doc/aemays/36361128" target="_blank" rel="nofollow"&gt;&lt;img alt="The Ghosts of Christmas Past" src="https://cdn.ipernity.com/200/11/28/36361128.94ace297.500.jpg?r2" height="480" width="500" /&gt;&lt;/a&gt;&lt;br /&gt;
&lt;a href="https://www.ipernity.com/doc/aemays/43455586" target="_blank" rel="nofollow"&gt;&lt;img alt="The Ghosts of Easter Past" src="https://cdn.ipernity.com/200/55/86/43455586.ea4140b1.500.jpg?r2" height="500" width="497" /&gt;&lt;/a&gt;&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/200/30/46/44973046.6980c57c.1024.jpg?r2" type="image/jpeg" width="800" height="619" duration="0" isDefault="true"  />
    <media:thumbnail url="https://cdn.ipernity.com/200/30/46/44973046.6a49d68a.240.jpg?r2" width="240" height="186"/>
    <media:thumbnail url="https://cdn.ipernity.com/200/30/46/44973046.6a49d68a.100.jpg?r2" width="100" height="78"/>
    <media:credit role="author">Alan Mays</media:credit>
  </item>
  <item>
    <title>How Is This for High?</title>
    <link>https://www.ipernity.com/doc/aemays/44696206</link>
    <guid isPermaLink="false">tag:ipernity.com,2017-04-27,doc-44696206</guid>
    <pubDate>Thu, 27 Apr 2017 17:36:49 +0000</pubDate>
    <dc:date.created>2017-04-27T13:36:49-04:00</dc:date.created>
    <author>nobody@ipernity.com (Alan Mays)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/aemays"&gt;Alan Mays&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/aemays/44696206"&gt;&lt;img src="https://cdn.ipernity.com/200/62/06/44696206.5bd80250.240.jpg?r2" width="150" height="240" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;"How is this for high? Farmers' National Bank, Pittsburgh, Pa."&lt;br /&gt;
&lt;br /&gt;
A postcard addressed on the other side to Blair Echard, R.R. No. 2, Duncansville, Pa., and postmarked Jan. 23, 1912.&lt;br /&gt;
&lt;br /&gt;
Handwritten message: "Dear Buz, We are stepping high in Pittsburgh, as you can see in this card.  It is pretty cold here. Hope you are going to school every day and learning something too. Elmer."&lt;br /&gt;
&lt;br /&gt;
For other Pittsburgh postcards with similar illustrations, see &lt;a href="https://www.ipernity.com/doc/aemays/34010319" target="_blank" rel="nofollow"&gt;Out for a Stroll in the Park&lt;/a&gt; and &lt;a href="https://www.ipernity.com/doc/aemays/34010089" target="_blank" rel="nofollow"&gt;This Beats Walking&lt;/a&gt; (below).&lt;br /&gt;
&lt;br /&gt;
&lt;a href="https://www.ipernity.com/doc/aemays/34010319" target="_blank" rel="nofollow"&gt;&lt;img alt="Out for a Stroll in the Park" src="https://cdn.ipernity.com/144/03/19/34010319.871bd0cf.500.jpg?r2" height="321" width="500" /&gt;&lt;/a&gt; &lt;a href="https://www.ipernity.com/doc/aemays/34010089" target="_blank" rel="nofollow"&gt;&lt;img alt="This Beats Walking" src="https://cdn.ipernity.com/144/00/89/34010089.4fbaf756.500.jpg?r2" height="500" width="317" /&gt;&lt;/a&gt;&lt;/div&gt;</description>
    <media:title>How Is This for High?</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/aemays"&gt;Alan Mays&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/aemays/44696206"&gt;&lt;img src="https://cdn.ipernity.com/200/62/06/44696206.5bd80250.240.jpg?r2" width="150" height="240" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;"How is this for high? Farmers' National Bank, Pittsburgh, Pa."&lt;br /&gt;
&lt;br /&gt;
A postcard addressed on the other side to Blair Echard, R.R. No. 2, Duncansville, Pa., and postmarked Jan. 23, 1912.&lt;br /&gt;
&lt;br /&gt;
Handwritten message: "Dear Buz, We are stepping high in Pittsburgh, as you can see in this card.  It is pretty cold here. Hope you are going to school every day and learning something too. Elmer."&lt;br /&gt;
&lt;br /&gt;
For other Pittsburgh postcards with similar illustrations, see &lt;a href="https://www.ipernity.com/doc/aemays/34010319" target="_blank" rel="nofollow"&gt;Out for a Stroll in the Park&lt;/a&gt; and &lt;a href="https://www.ipernity.com/doc/aemays/34010089" target="_blank" rel="nofollow"&gt;This Beats Walking&lt;/a&gt; (below).&lt;br /&gt;
&lt;br /&gt;
&lt;a href="https://www.ipernity.com/doc/aemays/34010319" target="_blank" rel="nofollow"&gt;&lt;img alt="Out for a Stroll in the Park" src="https://cdn.ipernity.com/144/03/19/34010319.871bd0cf.500.jpg?r2" height="321" width="500" /&gt;&lt;/a&gt; &lt;a href="https://www.ipernity.com/doc/aemays/34010089" target="_blank" rel="nofollow"&gt;&lt;img alt="This Beats Walking" src="https://cdn.ipernity.com/144/00/89/34010089.4fbaf756.500.jpg?r2" height="500" width="317" /&gt;&lt;/a&gt;&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/200/62/06/44696206.d77fbef9.1024.jpg?r2" type="image/jpeg" width="497" height="800" duration="0" isDefault="true"  />
    <media:thumbnail url="https://cdn.ipernity.com/200/62/06/44696206.5bd80250.240.jpg?r2" width="150" height="240"/>
    <media:thumbnail url="https://cdn.ipernity.com/200/62/06/44696206.5bd80250.100.jpg?r2" width="63" height="100"/>
    <media:credit role="author">Alan Mays</media:credit>
  </item>
  <item>
    <title>National Surgical Institute of Philadelphia</title>
    <link>https://www.ipernity.com/doc/aemays/41166770</link>
    <guid isPermaLink="false">tag:ipernity.com,2016-02-18,doc-41166770</guid>
    <pubDate>Thu, 18 Feb 2016 22:37:56 +0000</pubDate>
    <dc:date.created>2016-02-18T17:37:56-05:00</dc:date.created>
    <author>nobody@ipernity.com (Alan Mays)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/aemays"&gt;Alan Mays&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/aemays/41166770"&gt;&lt;img src="https://cdn.ipernity.com/200/67/70/41166770.da6555fa.240.jpg?r2" width="164" height="240" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;"The National Surgical Institute of Philadelphia, N.E. Cor. Broad &amp; Arch Sts. Ketterlinus, Philad'a."&lt;br /&gt;
&lt;br /&gt;
A Victorian-era "before and after" advertising trade card for the National Surgical Institute of Philadelphia.&lt;br /&gt;
&lt;br /&gt;
The "before" part of the card is illustrated by the boy on crutches, who hasn't yet received any treatment. The girl, whose treatment has been so successful that she can now throw away her crutches, shows us the "after" part and demonstrates why we should become patients at the National Surgical Institute.&lt;br /&gt;
&lt;br /&gt;
I'm not exactly sure why that prosthetic leg is just lying there on the steps. You'd think they could put it out of the way in a cupboard or closet somewhere so that no one trips over it.&lt;br /&gt;
&lt;br /&gt;
Printed on the back of the card:&lt;br /&gt;
&lt;br /&gt;
&lt;strong&gt;The National Surgical Institute&lt;/strong&gt;&lt;br /&gt;
&lt;br /&gt;
Has been engaged in the treatment of all deformities of the body, limbs, and face; such as Spinal Diseases, Paralysis, Hip Disease, Crooked Limbs, Crooked or Club Feet, Diseased Joints, Hare Lip, Deformities of the Nose, &amp;c. Also, Diseases of Women, Nasal Catarrh, Indolent Ulcers, Piles, Fistula, and other Chronic Diseases.&lt;br /&gt;
&lt;br /&gt;
There are no secrets in the mode of treatment, which is usually painless, and all interested are cordially invited to visit the Institute and examine the extensive and ingenious machinery, varied appliances and other facilities.&lt;br /&gt;
&lt;br /&gt;
No charges made for examinations, and no cases treated that cannot be cured or greatly benefited. All desired information, and any number of references furnished by calling at, or addressing National Surgical Institute, Cor. Broad &amp; Arch Sts., Philadelphia.&lt;/div&gt;</description>
    <media:title>National Surgical Institute of Philadelphia</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/aemays"&gt;Alan Mays&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/aemays/41166770"&gt;&lt;img src="https://cdn.ipernity.com/200/67/70/41166770.da6555fa.240.jpg?r2" width="164" height="240" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;"The National Surgical Institute of Philadelphia, N.E. Cor. Broad &amp; Arch Sts. Ketterlinus, Philad'a."&lt;br /&gt;
&lt;br /&gt;
A Victorian-era "before and after" advertising trade card for the National Surgical Institute of Philadelphia.&lt;br /&gt;
&lt;br /&gt;
The "before" part of the card is illustrated by the boy on crutches, who hasn't yet received any treatment. The girl, whose treatment has been so successful that she can now throw away her crutches, shows us the "after" part and demonstrates why we should become patients at the National Surgical Institute.&lt;br /&gt;
&lt;br /&gt;
I'm not exactly sure why that prosthetic leg is just lying there on the steps. You'd think they could put it out of the way in a cupboard or closet somewhere so that no one trips over it.&lt;br /&gt;
&lt;br /&gt;
Printed on the back of the card:&lt;br /&gt;
&lt;br /&gt;
&lt;strong&gt;The National Surgical Institute&lt;/strong&gt;&lt;br /&gt;
&lt;br /&gt;
Has been engaged in the treatment of all deformities of the body, limbs, and face; such as Spinal Diseases, Paralysis, Hip Disease, Crooked Limbs, Crooked or Club Feet, Diseased Joints, Hare Lip, Deformities of the Nose, &amp;c. Also, Diseases of Women, Nasal Catarrh, Indolent Ulcers, Piles, Fistula, and other Chronic Diseases.&lt;br /&gt;
&lt;br /&gt;
There are no secrets in the mode of treatment, which is usually painless, and all interested are cordially invited to visit the Institute and examine the extensive and ingenious machinery, varied appliances and other facilities.&lt;br /&gt;
&lt;br /&gt;
No charges made for examinations, and no cases treated that cannot be cured or greatly benefited. All desired information, and any number of references furnished by calling at, or addressing National Surgical Institute, Cor. Broad &amp; Arch Sts., Philadelphia.&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/200/67/70/41166770.32623eea.1024.jpg?r2" type="image/jpeg" width="545" height="800" duration="0" isDefault="true"  />
    <media:thumbnail url="https://cdn.ipernity.com/200/67/70/41166770.da6555fa.240.jpg?r2" width="164" height="240"/>
    <media:thumbnail url="https://cdn.ipernity.com/200/67/70/41166770.da6555fa.100.jpg?r2" width="69" height="100"/>
    <media:credit role="author">Alan Mays</media:credit>
  </item>
  <item>
    <title>Ladies Lift Legs for Laughs!</title>
    <link>https://www.ipernity.com/doc/aemays/35883473</link>
    <guid isPermaLink="false">tag:ipernity.com,2014-11-12,doc-35883473</guid>
    <pubDate>Wed, 12 Nov 2014 18:04:40 +0000</pubDate>
    <dc:date.created>2014-11-12T13:04:40-05:00</dc:date.created>
    <author>nobody@ipernity.com (Alan Mays)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/aemays"&gt;Alan Mays&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/aemays/35883473"&gt;&lt;img src="https://cdn.ipernity.com/146/34/73/35883473.56437b89.240.jpg?r2" width="240" height="149" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;A &lt;em&gt;strike a pose&lt;/em&gt; photo for the Vintage Photos Theme Park.&lt;br /&gt;
&lt;br /&gt;
Clowning around in a cornfield!&lt;/div&gt;</description>
    <media:title>Ladies Lift Legs for Laughs!</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/aemays"&gt;Alan Mays&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/aemays/35883473"&gt;&lt;img src="https://cdn.ipernity.com/146/34/73/35883473.56437b89.240.jpg?r2" width="240" height="149" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;A &lt;em&gt;strike a pose&lt;/em&gt; photo for the Vintage Photos Theme Park.&lt;br /&gt;
&lt;br /&gt;
Clowning around in a cornfield!&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/146/34/73/35883473.2f27e283.1024.jpg?r2" type="image/jpeg" width="800" height="496" duration="0" isDefault="true"  />
    <media:thumbnail url="https://cdn.ipernity.com/146/34/73/35883473.56437b89.240.jpg?r2" width="240" height="149"/>
    <media:thumbnail url="https://cdn.ipernity.com/146/34/73/35883473.56437b89.100.jpg?r2" width="100" height="62"/>
    <media:credit role="author">Alan Mays</media:credit>
  </item>
  <item>
    <title>Reflections on a RCA Victor Super Color Television, 1962 (Detail)</title>
    <link>https://www.ipernity.com/doc/aemays/32160615</link>
    <guid isPermaLink="false">tag:ipernity.com,2014-04-21,doc-32160615</guid>
    <pubDate>Mon, 21 Apr 2014 18:32:43 +0000</pubDate>
    <dc:date.created>2014-04-21T14:32:43-04:00</dc:date.created>
    <author>nobody@ipernity.com (Alan Mays)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/aemays"&gt;Alan Mays&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/aemays/32160615"&gt;&lt;img src="https://cdn.ipernity.com/142/06/15/32160615.90712409.240.jpg?r2" width="240" height="206" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Detail from &lt;a href="https://www.ipernity.com/doc/aemays/32160631" target="_blank" rel="nofollow"&gt;Reflections on a RCA Victor Super Color Television, 1962&lt;/a&gt;, showing the TV screen with its reflected image of the photographer and his camera.&lt;br /&gt;
&lt;br /&gt;
The photographer appears to be kneeling or sitting in front of the television in order to take a photo of what may have been his brand new TV set. The bright flash from the camera stands out at the top of the reflected image, the photographer's illuminated fingers are visible at both sides of the camera, and his disembodied pant legs (from the knees down) eerily appear by themselves at the bottom of the TV screen.&lt;br /&gt;
&lt;br /&gt;
&lt;a href="https://www.ipernity.com/doc/aemays/32160631" target="_blank" rel="nofollow"&gt;&lt;img alt="Reflections on a RCA Victor Super Color Television, 1962" src="https://u1.ipernity.com/42/06/31/32160631.a5b7243f.240.jpg?r2" height="161" width="240" /&gt;&lt;/a&gt;&lt;/div&gt;</description>
    <media:title>Reflections on a RCA Victor Super Color Television, 1962 (Detail)</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/aemays"&gt;Alan Mays&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/aemays/32160615"&gt;&lt;img src="https://cdn.ipernity.com/142/06/15/32160615.90712409.240.jpg?r2" width="240" height="206" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Detail from &lt;a href="https://www.ipernity.com/doc/aemays/32160631" target="_blank" rel="nofollow"&gt;Reflections on a RCA Victor Super Color Television, 1962&lt;/a&gt;, showing the TV screen with its reflected image of the photographer and his camera.&lt;br /&gt;
&lt;br /&gt;
The photographer appears to be kneeling or sitting in front of the television in order to take a photo of what may have been his brand new TV set. The bright flash from the camera stands out at the top of the reflected image, the photographer's illuminated fingers are visible at both sides of the camera, and his disembodied pant legs (from the knees down) eerily appear by themselves at the bottom of the TV screen.&lt;br /&gt;
&lt;br /&gt;
&lt;a href="https://www.ipernity.com/doc/aemays/32160631" target="_blank" rel="nofollow"&gt;&lt;img alt="Reflections on a RCA Victor Super Color Television, 1962" src="https://u1.ipernity.com/42/06/31/32160631.a5b7243f.240.jpg?r2" height="161" width="240" /&gt;&lt;/a&gt;&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/142/06/15/32160615.0624f39b.1024.jpg?r2" type="image/jpeg" width="800" height="684" duration="0" isDefault="true"  />
    <media:thumbnail url="https://cdn.ipernity.com/142/06/15/32160615.90712409.240.jpg?r2" width="240" height="206"/>
    <media:thumbnail url="https://cdn.ipernity.com/142/06/15/32160615.90712409.100.jpg?r2" width="100" height="86"/>
    <media:credit role="author">Alan Mays</media:credit>
  </item>
  <item>
    <title>Reflections on a RCA Victor Super Color Television, 1962</title>
    <link>https://www.ipernity.com/doc/aemays/32160631</link>
    <guid isPermaLink="false">tag:ipernity.com,2014-04-21,doc-32160631</guid>
    <pubDate>Mon, 21 Apr 2014 18:32:45 +0000</pubDate>
    <dc:date.created>2014-04-21T14:32:45-04:00</dc:date.created>
    <author>nobody@ipernity.com (Alan Mays)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/aemays"&gt;Alan Mays&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/aemays/32160631"&gt;&lt;img src="https://cdn.ipernity.com/142/06/31/32160631.a5b7243f.240.jpg?r2" width="240" height="161" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;A &lt;em&gt;television&lt;/em&gt; photo for the Vintage Photos Theme Park. For another interesting television photo, see &lt;a href="https://www.ipernity.com/doc/aemays/25192547" target="_blank" rel="nofollow"&gt;Don't Give Your Televison the Boot&lt;/a&gt;.&lt;br /&gt;
&lt;br /&gt;
A Kodachrome slide dated August 1962. If you look closely, you can see the reflections of the photographer and his camera on the TV screen (mouse over the photo above for an &lt;a href="https://www.ipernity.com/doc/aemays/32160615" target="_blank" rel="nofollow"&gt;enlarged view of the reflected image&lt;/a&gt;).&lt;br /&gt;
&lt;br /&gt;
The photographer appears to be kneeling or sitting in front of the television in order to take a photo of what may have been his brand new TV set. The bright flash from the camera stands out at the top of the reflected image, the photographer's illuminated fingers are visible at both sides of the camera, and his disembodied pant legs (from the knees down) eerily appear by themselves at the bottom of the TV screen.&lt;/div&gt;</description>
    <media:title>Reflections on a RCA Victor Super Color Television, 1962</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/aemays"&gt;Alan Mays&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/aemays/32160631"&gt;&lt;img src="https://cdn.ipernity.com/142/06/31/32160631.a5b7243f.240.jpg?r2" width="240" height="161" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;A &lt;em&gt;television&lt;/em&gt; photo for the Vintage Photos Theme Park. For another interesting television photo, see &lt;a href="https://www.ipernity.com/doc/aemays/25192547" target="_blank" rel="nofollow"&gt;Don't Give Your Televison the Boot&lt;/a&gt;.&lt;br /&gt;
&lt;br /&gt;
A Kodachrome slide dated August 1962. If you look closely, you can see the reflections of the photographer and his camera on the TV screen (mouse over the photo above for an &lt;a href="https://www.ipernity.com/doc/aemays/32160615" target="_blank" rel="nofollow"&gt;enlarged view of the reflected image&lt;/a&gt;).&lt;br /&gt;
&lt;br /&gt;
The photographer appears to be kneeling or sitting in front of the television in order to take a photo of what may have been his brand new TV set. The bright flash from the camera stands out at the top of the reflected image, the photographer's illuminated fingers are visible at both sides of the camera, and his disembodied pant legs (from the knees down) eerily appear by themselves at the bottom of the TV screen.&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/142/06/31/32160631.c3aa8c21.1024.jpg?r2" type="image/jpeg" width="800" height="535" duration="0" isDefault="true"  />
    <media:thumbnail url="https://cdn.ipernity.com/142/06/31/32160631.a5b7243f.240.jpg?r2" width="240" height="161"/>
    <media:thumbnail url="https://cdn.ipernity.com/142/06/31/32160631.a5b7243f.100.jpg?r2" width="100" height="67"/>
    <media:credit role="author">Alan Mays</media:credit>
  </item>
  <item>
    <title>These Legs Are Mine</title>
    <link>https://www.ipernity.com/doc/aemays/31046363</link>
    <guid isPermaLink="false">tag:ipernity.com,2014-03-12,doc-31046363</guid>
    <pubDate>Wed, 12 Mar 2014 15:10:01 +0000</pubDate>
    <dc:date.created>2014-03-12T11:10:01-04:00</dc:date.created>
    <author>nobody@ipernity.com (Alan Mays)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/aemays"&gt;Alan Mays&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/aemays/31046363"&gt;&lt;img src="https://cdn.ipernity.com/141/63/63/31046363.01bb68e7.240.jpg?r2" width="240" height="204" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;The upper portion of this photo has been torn off, and a handwritten note on the back of the photo explains why: "The top of this picture was no good, but these legs are mine."&lt;/div&gt;</description>
    <media:title>These Legs Are Mine</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/aemays"&gt;Alan Mays&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/aemays/31046363"&gt;&lt;img src="https://cdn.ipernity.com/141/63/63/31046363.01bb68e7.240.jpg?r2" width="240" height="204" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;The upper portion of this photo has been torn off, and a handwritten note on the back of the photo explains why: "The top of this picture was no good, but these legs are mine."&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/141/63/63/31046363.32a4aefc.1024.jpg?r2" type="image/jpeg" width="800" height="679" duration="0" isDefault="true"  />
    <media:thumbnail url="https://cdn.ipernity.com/141/63/63/31046363.01bb68e7.240.jpg?r2" width="240" height="204"/>
    <media:thumbnail url="https://cdn.ipernity.com/141/63/63/31046363.01bb68e7.100.jpg?r2" width="100" height="85"/>
    <media:credit role="author">Alan Mays</media:credit>
  </item>
  <item>
    <title>Two Jolly Good Fellows</title>
    <link>https://www.ipernity.com/doc/aemays/25192551</link>
    <guid isPermaLink="false">tag:ipernity.com,2013-08-12,doc-25192551</guid>
    <pubDate>Mon, 12 Aug 2013 02:32:44 +0000</pubDate>
    <dc:date.created>2013-08-11T22:32:51-04:00</dc:date.created>
    <author>nobody@ipernity.com (Alan Mays)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/aemays"&gt;Alan Mays&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/aemays/25192551"&gt;&lt;img src="https://cdn.ipernity.com/135/25/51/25192551.8f4ca162.240.jpg?r2" width="240" height="154" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;&lt;/div&gt;</description>
    <media:title>Two Jolly Good Fellows</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/aemays"&gt;Alan Mays&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/aemays/25192551"&gt;&lt;img src="https://cdn.ipernity.com/135/25/51/25192551.8f4ca162.240.jpg?r2" width="240" height="154" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/135/25/51/25192551.4b613262.1024.jpg?r2" type="image/jpeg" width="800" height="512" duration="0" isDefault="true"  />
    <media:thumbnail url="https://cdn.ipernity.com/135/25/51/25192551.8f4ca162.240.jpg?r2" width="240" height="154"/>
    <media:thumbnail url="https://cdn.ipernity.com/135/25/51/25192551.8f4ca162.100.jpg?r2" width="100" height="64"/>
    <media:credit role="author">Alan Mays</media:credit>
  </item>
  <item>
    <title>Knoto the Contortionist</title>
    <link>https://www.ipernity.com/doc/aemays/25505377</link>
    <guid isPermaLink="false">tag:ipernity.com,2013-09-26,doc-25505377</guid>
    <pubDate>Thu, 26 Sep 2013 23:51:45 +0000</pubDate>
    <dc:date.created>2013-09-26T19:51:45-04:00</dc:date.created>
    <author>nobody@ipernity.com (Alan Mays)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/aemays"&gt;Alan Mays&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/aemays/25505377"&gt;&lt;img src="https://cdn.ipernity.com/136/53/77/25505377.25596bd6.240.jpg?r2" width="163" height="240" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Ouch! Anyone ever hear of Knoto?&lt;br /&gt;
&lt;br /&gt;
Knoto's signature is on the back, so it's likely that he used this as a pitch card, but I haven't been able to uncover any further information about him.&lt;/div&gt;</description>
    <media:title>Knoto the Contortionist</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/aemays"&gt;Alan Mays&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/aemays/25505377"&gt;&lt;img src="https://cdn.ipernity.com/136/53/77/25505377.25596bd6.240.jpg?r2" width="163" height="240" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Ouch! Anyone ever hear of Knoto?&lt;br /&gt;
&lt;br /&gt;
Knoto's signature is on the back, so it's likely that he used this as a pitch card, but I haven't been able to uncover any further information about him.&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/136/53/77/25505377.2748577a.1024.jpg?r2" type="image/jpeg" width="541" height="800" duration="0" isDefault="true"  />
    <media:thumbnail url="https://cdn.ipernity.com/136/53/77/25505377.25596bd6.240.jpg?r2" width="163" height="240"/>
    <media:thumbnail url="https://cdn.ipernity.com/136/53/77/25505377.25596bd6.100.jpg?r2" width="68" height="100"/>
    <media:credit role="author">Alan Mays</media:credit>
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