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  <title>Photos, videos and docs of Jon Searles, with the keywords: "light rail"</title>
  <link>https://www.ipernity.com/tag/23639/keyword/83239</link>
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    <title>Photos, videos and docs of Jon Searles, with the keywords: "light rail"</title>
    <link>https://www.ipernity.com/tag/23639/keyword/83239</link>
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  <pubDate>Mon, 21 Sep 2026 22:22:06 +0000</pubDate>
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    <title>DPP #7058 In The Snow, Flora, Prague, CZ, 2007</title>
    <link>https://www.ipernity.com/doc/23639/1427561</link>
    <guid isPermaLink="false">tag:ipernity.com,2008-02-17,doc-1427561</guid>
    <pubDate>Sun, 17 Feb 2008 11:45:01 +0000</pubDate>
    <dc:date.created>2007-08-31T21:09:01+01:00</dc:date.created>
    <author>nobody@ipernity.com (Jon Searles)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/23639"&gt;Jon Searles&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/23639/1427561"&gt;&lt;img src="https://cdn.ipernity.com/102/75/61/1427561.681298df.240.jpg?r2" width="153" height="240" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;I accidentally just deleted this!  Here it is again.  :-)  I took this at the Flora tram stop in Prague in a snowy haze a year ago, when Prague was getting a fair-sized snowstorm, and I had to slow the shutter down considerably to get the 100 ISO E100GX film to pick anything up.  I think I shot this at 1/60 or 1/45 at f4, and the result was, of course, that the moving tram blurred.  I had to shoot from the ground, too, to get out of people's way, as you can see the umbrella above.  In the end, what was technically mediocre ended up being fairly artistic, I think, or hope.  :-)  I hope that at least some of you will agree.&lt;/div&gt;</description>
    <media:title>DPP #7058 In The Snow, Flora, Prague, CZ, 2007</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/23639"&gt;Jon Searles&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/23639/1427561"&gt;&lt;img src="https://cdn.ipernity.com/102/75/61/1427561.681298df.240.jpg?r2" width="153" height="240" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;I accidentally just deleted this!  Here it is again.  :-)  I took this at the Flora tram stop in Prague in a snowy haze a year ago, when Prague was getting a fair-sized snowstorm, and I had to slow the shutter down considerably to get the 100 ISO E100GX film to pick anything up.  I think I shot this at 1/60 or 1/45 at f4, and the result was, of course, that the moving tram blurred.  I had to shoot from the ground, too, to get out of people's way, as you can see the umbrella above.  In the end, what was technically mediocre ended up being fairly artistic, I think, or hope.  :-)  I hope that at least some of you will agree.&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/102/75/61/1427561.681298df.560.jpg?r2" type="image/jpeg" width="356" height="560" duration="0" isDefault="true"  />
    <media:thumbnail url="https://cdn.ipernity.com/102/75/61/1427561.681298df.240.jpg?r2" width="153" height="240"/>
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    <media:credit role="author">Jon Searles</media:credit>
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  <item>
    <title>Very Red Tram, Karlovo Namesti, Prague, CZ, 2006</title>
    <link>https://www.ipernity.com/doc/23639/626586</link>
    <guid isPermaLink="false">tag:ipernity.com,2007-09-01,doc-626586</guid>
    <pubDate>Sat, 01 Sep 2007 22:29:01 +0000</pubDate>
    <dc:date.created>2007-09-01T22:29:01+02:00</dc:date.created>
    <author>nobody@ipernity.com (Jon Searles)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/23639"&gt;Jon Searles&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/23639/626586"&gt;&lt;img src="https://cdn.ipernity.com/102/65/86/626586.df86175c.240.jpg?r2" width="240" height="160" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Here's one of my most alternative rail shots of all time.  I'm not sure if you'll like it, but I figured I'd give it a try.  This is, of course, again from my cross-processed roll of Fujichrome, but this time with the reds cranked up so high in Photoshop that it resembles a painting.&lt;/div&gt;</description>
    <media:title>Very Red Tram, Karlovo Namesti, Prague, CZ, 2006</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/23639"&gt;Jon Searles&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/23639/626586"&gt;&lt;img src="https://cdn.ipernity.com/102/65/86/626586.df86175c.240.jpg?r2" width="240" height="160" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Here's one of my most alternative rail shots of all time.  I'm not sure if you'll like it, but I figured I'd give it a try.  This is, of course, again from my cross-processed roll of Fujichrome, but this time with the reds cranked up so high in Photoshop that it resembles a painting.&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/102/65/86/626586.df86175c.560.jpg?r2" type="image/jpeg" width="560" height="372" duration="0" isDefault="true"  />
    <media:thumbnail url="https://cdn.ipernity.com/102/65/86/626586.df86175c.240.jpg?r2" width="240" height="160"/>
    <media:thumbnail url="https://cdn.ipernity.com/102/65/86/626586.df86175c.100.jpg?r2" width="100" height="67"/>
    <media:credit role="author">Jon Searles</media:credit>
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  <item>
    <title>DPP #7076 at I.P. Pavlova, Cross Processed and Photoshopped, Prague, CZ, 2006</title>
    <link>https://www.ipernity.com/doc/23639/626585</link>
    <guid isPermaLink="false">tag:ipernity.com,2007-09-01,doc-626585</guid>
    <pubDate>Sat, 01 Sep 2007 22:29:01 +0000</pubDate>
    <dc:date.created>2007-09-01T22:29:01+02:00</dc:date.created>
    <author>nobody@ipernity.com (Jon Searles)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/23639"&gt;Jon Searles&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/23639/626585"&gt;&lt;img src="https://cdn.ipernity.com/102/65/85/626585.1cadd1c3.240.jpg?r2" width="240" height="160" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;This shot was one of the less wild ones from my first cross-processed Fujichrome.  The original had a strong Magenta cast, just like the rest, but the more interesting feature was the way in which all electric lights (as on the whole roll), streaked to the right.  Originally, I wasn't sure if this was the camera or the cross processing, but I'm now aware that this is the film transport being out of sync with the shutter.  If anybody knows how to fix this please help!!  It does create the feel of motion, though, even though it wasn't the motion of the tram which created the trails.  Also, of course, I'll state the obvious and point out that I converted the photo to black and white.&lt;/div&gt;</description>
    <media:title>DPP #7076 at I.P. Pavlova, Cross Processed and Photoshopped, Prague, CZ, 2006</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/23639"&gt;Jon Searles&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/23639/626585"&gt;&lt;img src="https://cdn.ipernity.com/102/65/85/626585.1cadd1c3.240.jpg?r2" width="240" height="160" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;This shot was one of the less wild ones from my first cross-processed Fujichrome.  The original had a strong Magenta cast, just like the rest, but the more interesting feature was the way in which all electric lights (as on the whole roll), streaked to the right.  Originally, I wasn't sure if this was the camera or the cross processing, but I'm now aware that this is the film transport being out of sync with the shutter.  If anybody knows how to fix this please help!!  It does create the feel of motion, though, even though it wasn't the motion of the tram which created the trails.  Also, of course, I'll state the obvious and point out that I converted the photo to black and white.&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/102/65/85/626585.1cadd1c3.560.jpg?r2" type="image/jpeg" width="560" height="372" duration="0" isDefault="true"  />
    <media:thumbnail url="https://cdn.ipernity.com/102/65/85/626585.1cadd1c3.240.jpg?r2" width="240" height="160"/>
    <media:thumbnail url="https://cdn.ipernity.com/102/65/85/626585.1cadd1c3.100.jpg?r2" width="100" height="67"/>
    <media:credit role="author">Jon Searles</media:credit>
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  <item>
    <title>DPP #8657 At Narodni Trida Stop, Prague, CZ, 2006</title>
    <link>https://www.ipernity.com/doc/23639/626570</link>
    <guid isPermaLink="false">tag:ipernity.com,2007-09-01,doc-626570</guid>
    <pubDate>Sat, 01 Sep 2007 22:23:01 +0000</pubDate>
    <dc:date.created>2007-09-01T22:23:01+02:00</dc:date.created>
    <author>nobody@ipernity.com (Jon Searles)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/23639"&gt;Jon Searles&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/23639/626570"&gt;&lt;img src="https://cdn.ipernity.com/102/65/70/626570.90f5f4e9.240.jpg?r2" width="240" height="160" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;The Narodni Trida tram stop is actually not on Narodni Trida, but rather on Spalena next to Tesco's.  A few meters behind me, the tracks curve west onto Narodni Trida at the corner of Spalena and Narodni Trida.  The tram pictured is a CKD-built Tatra T6A5, similar to the T6A4 trams used in Portland, Oregon.  They were some of the first new trams built after the fall of Communism, being built mostly in the mid-1990s.&lt;/div&gt;</description>
    <media:title>DPP #8657 At Narodni Trida Stop, Prague, CZ, 2006</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/23639"&gt;Jon Searles&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/23639/626570"&gt;&lt;img src="https://cdn.ipernity.com/102/65/70/626570.90f5f4e9.240.jpg?r2" width="240" height="160" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;The Narodni Trida tram stop is actually not on Narodni Trida, but rather on Spalena next to Tesco's.  A few meters behind me, the tracks curve west onto Narodni Trida at the corner of Spalena and Narodni Trida.  The tram pictured is a CKD-built Tatra T6A5, similar to the T6A4 trams used in Portland, Oregon.  They were some of the first new trams built after the fall of Communism, being built mostly in the mid-1990s.&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/102/65/70/626570.90f5f4e9.560.jpg?r2" type="image/jpeg" width="560" height="372" duration="0" isDefault="true"  />
    <media:thumbnail url="https://cdn.ipernity.com/102/65/70/626570.90f5f4e9.240.jpg?r2" width="240" height="160"/>
    <media:thumbnail url="https://cdn.ipernity.com/102/65/70/626570.90f5f4e9.100.jpg?r2" width="100" height="67"/>
    <media:credit role="author">Jon Searles</media:credit>
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  <item>
    <title>DPP #5002 At Vodickova, Prague, CZ, 2006</title>
    <link>https://www.ipernity.com/doc/23639/626565</link>
    <guid isPermaLink="false">tag:ipernity.com,2007-09-01,doc-626565</guid>
    <pubDate>Sat, 01 Sep 2007 22:22:01 +0000</pubDate>
    <dc:date.created>2007-09-01T22:22:01+02:00</dc:date.created>
    <author>nobody@ipernity.com (Jon Searles)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/23639"&gt;Jon Searles&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/23639/626565"&gt;&lt;img src="https://cdn.ipernity.com/102/65/65/626565.566cd1f0.240.jpg?r2" width="240" height="240" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;#5002 is the second-oldest Tatra tram still in the DPP fleet, and it is now only used on the historic tram service, #91 from Depo Stresovice-Vystaviste.  Even on this service, it usually doesn't work except for on November 17th, the anniversary of the Velvet Revolution, which is also usually the last day of operations for #91 before the winter break.  I was very, very lucky to be in the right place at the right time to get this, as I only have two other photos, both of them horrible, of this tram in service.  This photo, also, was nearly a failure, as my Ikoflex was set wrong.  I was in such a rush to get the shot that in my haste I pointed my light meter at the sky without even realising it, and as such I barely underexposed.  I talked to a photo student, though, who was able to clean up the shot in the full version of Adobe Photoshop (on a high-end computer with a high-end 4000 dpi Nikon negative scanner), and I worked on it a little bit, too, and now I think it looks alright.&lt;/div&gt;</description>
    <media:title>DPP #5002 At Vodickova, Prague, CZ, 2006</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/23639"&gt;Jon Searles&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/23639/626565"&gt;&lt;img src="https://cdn.ipernity.com/102/65/65/626565.566cd1f0.240.jpg?r2" width="240" height="240" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;#5002 is the second-oldest Tatra tram still in the DPP fleet, and it is now only used on the historic tram service, #91 from Depo Stresovice-Vystaviste.  Even on this service, it usually doesn't work except for on November 17th, the anniversary of the Velvet Revolution, which is also usually the last day of operations for #91 before the winter break.  I was very, very lucky to be in the right place at the right time to get this, as I only have two other photos, both of them horrible, of this tram in service.  This photo, also, was nearly a failure, as my Ikoflex was set wrong.  I was in such a rush to get the shot that in my haste I pointed my light meter at the sky without even realising it, and as such I barely underexposed.  I talked to a photo student, though, who was able to clean up the shot in the full version of Adobe Photoshop (on a high-end computer with a high-end 4000 dpi Nikon negative scanner), and I worked on it a little bit, too, and now I think it looks alright.&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/102/65/65/626565.566cd1f0.560.jpg?r2" type="image/jpeg" width="500" height="500" duration="0" isDefault="true"  />
    <media:thumbnail url="https://cdn.ipernity.com/102/65/65/626565.566cd1f0.240.jpg?r2" width="240" height="240"/>
    <media:thumbnail url="https://cdn.ipernity.com/102/65/65/626565.566cd1f0.100.jpg?r2" width="100" height="100"/>
    <media:credit role="author">Jon Searles</media:credit>
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  <item>
    <title>Cable Car On Turntable At Beach, Picture 3, San Francisco, CA, USA, 1993</title>
    <link>https://www.ipernity.com/doc/23639/626027</link>
    <guid isPermaLink="false">tag:ipernity.com,2007-09-01,doc-626027</guid>
    <pubDate>Sat, 01 Sep 2007 19:49:02 +0000</pubDate>
    <dc:date.created>2007-09-01T19:49:02+02:00</dc:date.created>
    <author>nobody@ipernity.com (Jon Searles)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/23639"&gt;Jon Searles&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/23639/626027"&gt;&lt;img src="https://cdn.ipernity.com/102/60/27/626027.7be13b0e.240.jpg?r2" width="240" height="163" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;The Cable Cars of the San Francisco Municipal Railway Powell &amp; Hyde Line run from the corner of Powell and Market Streets to Beach, which is actually a beach on San Francisco Bay rather than on the Pacific Ocean, near Aquatic Park.  There, a turntable allows them to change direction, as they aren't uni-directional.  The momentum of the moving cable car rolls it onto the turntable, as seen in Picture 1, the cable car is turned by hand, as in Pictures 2 and 3, and then the car is pushed back onto the active track, only for the opposite direction.  It can then be reconnected to the cable upon departure.&lt;/div&gt;</description>
    <media:title>Cable Car On Turntable At Beach, Picture 3, San Francisco, CA, USA, 1993</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/23639"&gt;Jon Searles&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/23639/626027"&gt;&lt;img src="https://cdn.ipernity.com/102/60/27/626027.7be13b0e.240.jpg?r2" width="240" height="163" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;The Cable Cars of the San Francisco Municipal Railway Powell &amp; Hyde Line run from the corner of Powell and Market Streets to Beach, which is actually a beach on San Francisco Bay rather than on the Pacific Ocean, near Aquatic Park.  There, a turntable allows them to change direction, as they aren't uni-directional.  The momentum of the moving cable car rolls it onto the turntable, as seen in Picture 1, the cable car is turned by hand, as in Pictures 2 and 3, and then the car is pushed back onto the active track, only for the opposite direction.  It can then be reconnected to the cable upon departure.&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/102/60/27/626027.7be13b0e.560.jpg?r2" type="image/jpeg" width="560" height="381" duration="0" isDefault="true"  />
    <media:thumbnail url="https://cdn.ipernity.com/102/60/27/626027.7be13b0e.240.jpg?r2" width="240" height="163"/>
    <media:thumbnail url="https://cdn.ipernity.com/102/60/27/626027.7be13b0e.100.jpg?r2" width="100" height="68"/>
    <media:credit role="author">Jon Searles</media:credit>
  </item>
  <item>
    <title>San Francisco Municipal Railway, Cable House, San Francisco, CA, USA, 1993</title>
    <link>https://www.ipernity.com/doc/23639/626031</link>
    <guid isPermaLink="false">tag:ipernity.com,2007-09-01,doc-626031</guid>
    <pubDate>Sat, 01 Sep 2007 19:49:01 +0000</pubDate>
    <dc:date.created>2007-09-01T19:49:01+02:00</dc:date.created>
    <author>nobody@ipernity.com (Jon Searles)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/23639"&gt;Jon Searles&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/23639/626031"&gt;&lt;img src="https://cdn.ipernity.com/102/60/31/626031.eb33a2d2.240.jpg?r2" width="240" height="171" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Cable Cars aren't universally considered trams.  That's the purpose that they serve, though, for all practical purposes.  The main thing that makes them different from others is that standard trams are powered through overhead cantenary that powers electric traction motors that power each axle, whereas Cable Cars are pulled along by a cable underneath the street.  You can check out &lt;a target="_blank" rel="nofollow" href="http://www.cablecarguy.com"&gt;www.cablecarguy.com&lt;/a&gt; for more technical info.  In any case, I got my chance to ride and photograph the San Francisco Municipal Railway, the last of the traditional Cable Car systems, in 1993.  All of the other surviving systems operate on the less-standard "funicular system," used on steep hills.  Unlike a standard cable car system, a funicular is limited by the fact that the cable is connected to both cars (all TWO!  :-)) semi-permanently, so while one goes up the hill, the other goes down.  This would never work in S.F., though, since it's a full-service system with many cars running on different streets.  Therefore, the cables are controlled from a central cable house, pictured here on the right, which is also the San Francisco Cable Car Museum.  The cars then can run semi-independently of the cable house's whims, controlling their access to the constantly moving cables under the street through the use of a "grip," that is sort of between a pliers and an automotive clutch.  As such, cable car drivers are called "grip men (or perhaps women)."&lt;/div&gt;</description>
    <media:title>San Francisco Municipal Railway, Cable House, San Francisco, CA, USA, 1993</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/23639"&gt;Jon Searles&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/23639/626031"&gt;&lt;img src="https://cdn.ipernity.com/102/60/31/626031.eb33a2d2.240.jpg?r2" width="240" height="171" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Cable Cars aren't universally considered trams.  That's the purpose that they serve, though, for all practical purposes.  The main thing that makes them different from others is that standard trams are powered through overhead cantenary that powers electric traction motors that power each axle, whereas Cable Cars are pulled along by a cable underneath the street.  You can check out &lt;a target="_blank" rel="nofollow" href="http://www.cablecarguy.com"&gt;www.cablecarguy.com&lt;/a&gt; for more technical info.  In any case, I got my chance to ride and photograph the San Francisco Municipal Railway, the last of the traditional Cable Car systems, in 1993.  All of the other surviving systems operate on the less-standard "funicular system," used on steep hills.  Unlike a standard cable car system, a funicular is limited by the fact that the cable is connected to both cars (all TWO!  :-)) semi-permanently, so while one goes up the hill, the other goes down.  This would never work in S.F., though, since it's a full-service system with many cars running on different streets.  Therefore, the cables are controlled from a central cable house, pictured here on the right, which is also the San Francisco Cable Car Museum.  The cars then can run semi-independently of the cable house's whims, controlling their access to the constantly moving cables under the street through the use of a "grip," that is sort of between a pliers and an automotive clutch.  As such, cable car drivers are called "grip men (or perhaps women)."&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/102/60/31/626031.eb33a2d2.560.jpg?r2" type="image/jpeg" width="560" height="397" duration="0" isDefault="true"  />
    <media:thumbnail url="https://cdn.ipernity.com/102/60/31/626031.eb33a2d2.240.jpg?r2" width="240" height="171"/>
    <media:thumbnail url="https://cdn.ipernity.com/102/60/31/626031.eb33a2d2.100.jpg?r2" width="100" height="71"/>
    <media:credit role="author">Jon Searles</media:credit>
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  <item>
    <title>Cable Car On Turntable At Beach, Picture 1, San Francisco, CA, USA, 1993</title>
    <link>https://www.ipernity.com/doc/23639/626030</link>
    <guid isPermaLink="false">tag:ipernity.com,2007-09-01,doc-626030</guid>
    <pubDate>Sat, 01 Sep 2007 19:49:01 +0000</pubDate>
    <dc:date.created>2007-09-01T19:49:01+02:00</dc:date.created>
    <author>nobody@ipernity.com (Jon Searles)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/23639"&gt;Jon Searles&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/23639/626030"&gt;&lt;img src="https://cdn.ipernity.com/102/60/30/626030.92aa8454.240.jpg?r2" width="240" height="163" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;The Cable Cars of the San Francisco Municipal Railway Powell &amp; Hyde Line run from the corner of Powell and Market Streets to Beach, which is actually a beach on San Francisco Bay rather than on the Pacific Ocean, near Aquatic Park.  There, a turntable allows them to change direction, as they aren't uni-directional.  The momentum of the moving cable car rolls it onto the turntable, as seen in Picture 1, the cable car is turned by hand, as in Pictures 2 and 3, and then the car is pushed back onto the active track, only for the opposite direction.  It can then be reconnected to the cable upon departure.&lt;/div&gt;</description>
    <media:title>Cable Car On Turntable At Beach, Picture 1, San Francisco, CA, USA, 1993</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/23639"&gt;Jon Searles&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/23639/626030"&gt;&lt;img src="https://cdn.ipernity.com/102/60/30/626030.92aa8454.240.jpg?r2" width="240" height="163" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;The Cable Cars of the San Francisco Municipal Railway Powell &amp; Hyde Line run from the corner of Powell and Market Streets to Beach, which is actually a beach on San Francisco Bay rather than on the Pacific Ocean, near Aquatic Park.  There, a turntable allows them to change direction, as they aren't uni-directional.  The momentum of the moving cable car rolls it onto the turntable, as seen in Picture 1, the cable car is turned by hand, as in Pictures 2 and 3, and then the car is pushed back onto the active track, only for the opposite direction.  It can then be reconnected to the cable upon departure.&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/102/60/30/626030.92aa8454.560.jpg?r2" type="image/jpeg" width="560" height="381" duration="0" isDefault="true"  />
    <media:thumbnail url="https://cdn.ipernity.com/102/60/30/626030.92aa8454.240.jpg?r2" width="240" height="163"/>
    <media:thumbnail url="https://cdn.ipernity.com/102/60/30/626030.92aa8454.100.jpg?r2" width="100" height="68"/>
    <media:credit role="author">Jon Searles</media:credit>
  </item>
  <item>
    <title>Cable Car On Turntable At Beach, Picture 2, San Francisco, CA, USA, 1993</title>
    <link>https://www.ipernity.com/doc/23639/626028</link>
    <guid isPermaLink="false">tag:ipernity.com,2007-09-01,doc-626028</guid>
    <pubDate>Sat, 01 Sep 2007 19:49:01 +0000</pubDate>
    <dc:date.created>2007-09-01T19:49:01+02:00</dc:date.created>
    <author>nobody@ipernity.com (Jon Searles)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/23639"&gt;Jon Searles&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/23639/626028"&gt;&lt;img src="https://cdn.ipernity.com/102/60/28/626028.329c5cec.240.jpg?r2" width="240" height="163" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;The Cable Cars of the San Francisco Municipal Railway Powell &amp; Hyde Line run from the corner of Powell and Market Streets to Beach, which is actually a beach on San Francisco Bay rather than on the Pacific Ocean, near Aquatic Park.  There, a turntable allows them to change direction, as they aren't uni-directional.  The momentum of the moving cable car rolls it onto the turntable, as seen in Picture 1, the cable car is turned by hand, as in Pictures 2 and 3, and then the car is pushed back onto the active track, only for the opposite direction.  It can then be reconnected to the cable upon departure.&lt;/div&gt;</description>
    <media:title>Cable Car On Turntable At Beach, Picture 2, San Francisco, CA, USA, 1993</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/23639"&gt;Jon Searles&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/23639/626028"&gt;&lt;img src="https://cdn.ipernity.com/102/60/28/626028.329c5cec.240.jpg?r2" width="240" height="163" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;The Cable Cars of the San Francisco Municipal Railway Powell &amp; Hyde Line run from the corner of Powell and Market Streets to Beach, which is actually a beach on San Francisco Bay rather than on the Pacific Ocean, near Aquatic Park.  There, a turntable allows them to change direction, as they aren't uni-directional.  The momentum of the moving cable car rolls it onto the turntable, as seen in Picture 1, the cable car is turned by hand, as in Pictures 2 and 3, and then the car is pushed back onto the active track, only for the opposite direction.  It can then be reconnected to the cable upon departure.&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/102/60/28/626028.329c5cec.560.jpg?r2" type="image/jpeg" width="560" height="381" duration="0" isDefault="true"  />
    <media:thumbnail url="https://cdn.ipernity.com/102/60/28/626028.329c5cec.240.jpg?r2" width="240" height="163"/>
    <media:thumbnail url="https://cdn.ipernity.com/102/60/28/626028.329c5cec.100.jpg?r2" width="100" height="68"/>
    <media:credit role="author">Jon Searles</media:credit>
  </item>
  <item>
    <title>Metro Transit #110A, Minneapolis, MN, USA, 2004</title>
    <link>https://www.ipernity.com/doc/23639/625966</link>
    <guid isPermaLink="false">tag:ipernity.com,2007-09-01,doc-625966</guid>
    <pubDate>Sat, 01 Sep 2007 19:31:01 +0000</pubDate>
    <dc:date.created>2007-09-01T19:31:01+02:00</dc:date.created>
    <author>nobody@ipernity.com (Jon Searles)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/23639"&gt;Jon Searles&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/23639/625966"&gt;&lt;img src="https://cdn.ipernity.com/102/59/66/625966.addb4581.240.jpg?r2" width="240" height="161" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;When I visited, Minneapolis was just putting the finishing touches on a controversial light rail project, called the "Hiawatha Line" after the famous steam-era express trains, and I was lucky enough to see them testing one of the new trams.  These aren't particularly unconventional as modern trams go, except for that they have train horns and bells instead of traditional tram bells, making them extremely noisy.  This may have had something to do with Metro Transit classifying them as "trains" rather than trams or trollies, even though they operate in the street and perform in every concievable way like most other modern trams.  I haven't found out whether this has elicited complaints, improved safety, or both, but I do know that most of the controversy was unrelated to noise.  Rather, the main argument against the project was that it didn't go anywhere locals wanted to go, instead providing a link only from Nicollet Mall (seen here) to the Mall of America.  The line has since been extended further north to the Warehouse District, however, which would be to the rear of this photo (if I'm wrong on either of these points please correct me).  In spite of the initial arguments against the project, however, this year Metro Transit reported their highest ridership on all modes in 22 years, with 73.8 million riders for 2006, blowing past their target of 71 million.  The Hiawatha line only accounted for 9.4 million of these, but if you consider that initially it was predicted no one would ride, this could actually be called quite a success.&lt;/div&gt;</description>
    <media:title>Metro Transit #110A, Minneapolis, MN, USA, 2004</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/23639"&gt;Jon Searles&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/23639/625966"&gt;&lt;img src="https://cdn.ipernity.com/102/59/66/625966.addb4581.240.jpg?r2" width="240" height="161" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;When I visited, Minneapolis was just putting the finishing touches on a controversial light rail project, called the "Hiawatha Line" after the famous steam-era express trains, and I was lucky enough to see them testing one of the new trams.  These aren't particularly unconventional as modern trams go, except for that they have train horns and bells instead of traditional tram bells, making them extremely noisy.  This may have had something to do with Metro Transit classifying them as "trains" rather than trams or trollies, even though they operate in the street and perform in every concievable way like most other modern trams.  I haven't found out whether this has elicited complaints, improved safety, or both, but I do know that most of the controversy was unrelated to noise.  Rather, the main argument against the project was that it didn't go anywhere locals wanted to go, instead providing a link only from Nicollet Mall (seen here) to the Mall of America.  The line has since been extended further north to the Warehouse District, however, which would be to the rear of this photo (if I'm wrong on either of these points please correct me).  In spite of the initial arguments against the project, however, this year Metro Transit reported their highest ridership on all modes in 22 years, with 73.8 million riders for 2006, blowing past their target of 71 million.  The Hiawatha line only accounted for 9.4 million of these, but if you consider that initially it was predicted no one would ride, this could actually be called quite a success.&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/102/59/66/625966.addb4581.560.jpg?r2" type="image/jpeg" width="560" height="375" duration="0" isDefault="true"  />
    <media:thumbnail url="https://cdn.ipernity.com/102/59/66/625966.addb4581.240.jpg?r2" width="240" height="161"/>
    <media:thumbnail url="https://cdn.ipernity.com/102/59/66/625966.addb4581.100.jpg?r2" width="100" height="67"/>
    <media:credit role="author">Jon Searles</media:credit>
  </item>
  <item>
    <title>View From Chotkova, Prague, CZ, 2007</title>
    <link>https://www.ipernity.com/doc/23639/625941</link>
    <guid isPermaLink="false">tag:ipernity.com,2007-09-01,doc-625941</guid>
    <pubDate>Sat, 01 Sep 2007 19:23:01 +0000</pubDate>
    <dc:date.created>2007-09-01T19:23:01+02:00</dc:date.created>
    <author>nobody@ipernity.com (Jon Searles)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/23639"&gt;Jon Searles&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/23639/625941"&gt;&lt;img src="https://cdn.ipernity.com/102/59/41/625941.5b8bc471.240.jpg?r2" width="240" height="160" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Deviating from the Stefanikova story for a moment, here's perhaps the most spectacular view possible from a tram in Prague (not counting the Funicular).  It was taken from Chotkova, on Tram 22 or 23 (I don't remember right now), southbound.  The historic tram service, #91, and several other services also use it, but these three are the best for tourists because this is the way to and from Prazky Hrad, the castle. There was a bit of fog on this day as the sun melted the snow, and some of that is inevitably smog, too, but I think it adds atmosphere.  As I get better shots, I'll probably post them, but for now, enjoy.  :-)&lt;/div&gt;</description>
    <media:title>View From Chotkova, Prague, CZ, 2007</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/23639"&gt;Jon Searles&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/23639/625941"&gt;&lt;img src="https://cdn.ipernity.com/102/59/41/625941.5b8bc471.240.jpg?r2" width="240" height="160" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Deviating from the Stefanikova story for a moment, here's perhaps the most spectacular view possible from a tram in Prague (not counting the Funicular).  It was taken from Chotkova, on Tram 22 or 23 (I don't remember right now), southbound.  The historic tram service, #91, and several other services also use it, but these three are the best for tourists because this is the way to and from Prazky Hrad, the castle. There was a bit of fog on this day as the sun melted the snow, and some of that is inevitably smog, too, but I think it adds atmosphere.  As I get better shots, I'll probably post them, but for now, enjoy.  :-)&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/102/59/41/625941.5b8bc471.560.jpg?r2" type="image/jpeg" width="500" height="332" duration="0" isDefault="true"  />
    <media:thumbnail url="https://cdn.ipernity.com/102/59/41/625941.5b8bc471.240.jpg?r2" width="240" height="160"/>
    <media:thumbnail url="https://cdn.ipernity.com/102/59/41/625941.5b8bc471.100.jpg?r2" width="100" height="67"/>
    <media:credit role="author">Jon Searles</media:credit>
  </item>
  <item>
    <title>Andel Tram Stop, Andel (Smichov), Prague, CZ, 2007</title>
    <link>https://www.ipernity.com/doc/23639/625913</link>
    <guid isPermaLink="false">tag:ipernity.com,2007-09-01,doc-625913</guid>
    <pubDate>Sat, 01 Sep 2007 19:15:01 +0000</pubDate>
    <dc:date.created>2007-09-01T19:15:01+02:00</dc:date.created>
    <author>nobody@ipernity.com (Jon Searles)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/23639"&gt;Jon Searles&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/23639/625913"&gt;&lt;img src="https://cdn.ipernity.com/102/59/13/625913.a4abd463.240.jpg?r2" width="240" height="160" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Andel actually has more than one tram stop, this one being in front of the Andel Metro station.  Directly behind me, out of view, is the biggest Apple Computer store in Prague, and staight ahead and around the corner to the left is the Novy Smichov shopping centre.  Around the corner to the right is the Kavakavakava coffeehouse, one of my favorites, and straight ahead is Stefanikova, and eventually the Mala Strana.&lt;/div&gt;</description>
    <media:title>Andel Tram Stop, Andel (Smichov), Prague, CZ, 2007</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/23639"&gt;Jon Searles&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/23639/625913"&gt;&lt;img src="https://cdn.ipernity.com/102/59/13/625913.a4abd463.240.jpg?r2" width="240" height="160" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Andel actually has more than one tram stop, this one being in front of the Andel Metro station.  Directly behind me, out of view, is the biggest Apple Computer store in Prague, and staight ahead and around the corner to the left is the Novy Smichov shopping centre.  Around the corner to the right is the Kavakavakava coffeehouse, one of my favorites, and straight ahead is Stefanikova, and eventually the Mala Strana.&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/102/59/13/625913.a4abd463.560.jpg?r2" type="image/jpeg" width="560" height="372" duration="0" isDefault="true"  />
    <media:thumbnail url="https://cdn.ipernity.com/102/59/13/625913.a4abd463.240.jpg?r2" width="240" height="160"/>
    <media:thumbnail url="https://cdn.ipernity.com/102/59/13/625913.a4abd463.100.jpg?r2" width="100" height="67"/>
    <media:credit role="author">Jon Searles</media:credit>
  </item>
  <item>
    <title>DPP #7024, Prasny Most, Prague, CZ, 2007</title>
    <link>https://www.ipernity.com/doc/23639/625912</link>
    <guid isPermaLink="false">tag:ipernity.com,2007-09-01,doc-625912</guid>
    <pubDate>Sat, 01 Sep 2007 19:15:01 +0000</pubDate>
    <dc:date.created>2007-09-01T19:15:01+02:00</dc:date.created>
    <author>nobody@ipernity.com (Jon Searles)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/23639"&gt;Jon Searles&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/23639/625912"&gt;&lt;img src="https://cdn.ipernity.com/102/59/12/625912.06a155c2.240.jpg?r2" width="240" height="160" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;I shot this out of the window of another tram, as we were passing through the Prasny Most stop.  What this Ford Focus driver is doing isn't foolish, actually, as notice he's using the same street as we are.  7024 has a red light, and the Focus has the green.&lt;/div&gt;</description>
    <media:title>DPP #7024, Prasny Most, Prague, CZ, 2007</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/23639"&gt;Jon Searles&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/23639/625912"&gt;&lt;img src="https://cdn.ipernity.com/102/59/12/625912.06a155c2.240.jpg?r2" width="240" height="160" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;I shot this out of the window of another tram, as we were passing through the Prasny Most stop.  What this Ford Focus driver is doing isn't foolish, actually, as notice he's using the same street as we are.  7024 has a red light, and the Focus has the green.&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/102/59/12/625912.06a155c2.560.jpg?r2" type="image/jpeg" width="560" height="372" duration="0" isDefault="true"  />
    <media:thumbnail url="https://cdn.ipernity.com/102/59/12/625912.06a155c2.240.jpg?r2" width="240" height="160"/>
    <media:thumbnail url="https://cdn.ipernity.com/102/59/12/625912.06a155c2.100.jpg?r2" width="100" height="67"/>
    <media:credit role="author">Jon Searles</media:credit>
  </item>
  <item>
    <title>DPP #7150, Obchodni Dum Petriny, Petriny, Prague, CZ, 2007</title>
    <link>https://www.ipernity.com/doc/23639/625911</link>
    <guid isPermaLink="false">tag:ipernity.com,2007-09-01,doc-625911</guid>
    <pubDate>Sat, 01 Sep 2007 19:15:01 +0000</pubDate>
    <dc:date.created>2007-09-01T19:15:01+02:00</dc:date.created>
    <author>nobody@ipernity.com (Jon Searles)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/23639"&gt;Jon Searles&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/23639/625911"&gt;&lt;img src="https://cdn.ipernity.com/102/59/11/625911.8b3bb09e.240.jpg?r2" width="240" height="160" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Petriny is one of the suburbs of Prague, in the northwest part of the city.  This is the stop before the last one on this line, the last one being Sidliste Petriny, and this one being Obchodni Dum Petriny.&lt;/div&gt;</description>
    <media:title>DPP #7150, Obchodni Dum Petriny, Petriny, Prague, CZ, 2007</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/23639"&gt;Jon Searles&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/23639/625911"&gt;&lt;img src="https://cdn.ipernity.com/102/59/11/625911.8b3bb09e.240.jpg?r2" width="240" height="160" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Petriny is one of the suburbs of Prague, in the northwest part of the city.  This is the stop before the last one on this line, the last one being Sidliste Petriny, and this one being Obchodni Dum Petriny.&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/102/59/11/625911.8b3bb09e.560.jpg?r2" type="image/jpeg" width="560" height="372" duration="0" isDefault="true"  />
    <media:thumbnail url="https://cdn.ipernity.com/102/59/11/625911.8b3bb09e.240.jpg?r2" width="240" height="160"/>
    <media:thumbnail url="https://cdn.ipernity.com/102/59/11/625911.8b3bb09e.100.jpg?r2" width="100" height="67"/>
    <media:credit role="author">Jon Searles</media:credit>
  </item>
  <item>
    <title>DPP #8368, Obchodni Dum Petriny, Petriny, Prague, CZ, 2007</title>
    <link>https://www.ipernity.com/doc/23639/625910</link>
    <guid isPermaLink="false">tag:ipernity.com,2007-09-01,doc-625910</guid>
    <pubDate>Sat, 01 Sep 2007 19:15:01 +0000</pubDate>
    <dc:date.created>2007-09-01T19:15:01+02:00</dc:date.created>
    <author>nobody@ipernity.com (Jon Searles)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/23639"&gt;Jon Searles&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/23639/625910"&gt;&lt;img src="https://cdn.ipernity.com/102/59/10/625910.b9678961.240.jpg?r2" width="240" height="240" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;The snowfall which covered Petriny wasn't heavy, but given how warm the winter of 2006-2007 has been, it is a bit of a surprise that we even got this much.  The trams make light work of it, as they usually do, having built-in snowplows.&lt;/div&gt;</description>
    <media:title>DPP #8368, Obchodni Dum Petriny, Petriny, Prague, CZ, 2007</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/23639"&gt;Jon Searles&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/23639/625910"&gt;&lt;img src="https://cdn.ipernity.com/102/59/10/625910.b9678961.240.jpg?r2" width="240" height="240" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;The snowfall which covered Petriny wasn't heavy, but given how warm the winter of 2006-2007 has been, it is a bit of a surprise that we even got this much.  The trams make light work of it, as they usually do, having built-in snowplows.&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/102/59/10/625910.b9678961.560.jpg?r2" type="image/jpeg" width="560" height="560" duration="0" isDefault="true"  />
    <media:thumbnail url="https://cdn.ipernity.com/102/59/10/625910.b9678961.240.jpg?r2" width="240" height="240"/>
    <media:thumbnail url="https://cdn.ipernity.com/102/59/10/625910.b9678961.100.jpg?r2" width="100" height="100"/>
    <media:credit role="author">Jon Searles</media:credit>
  </item>
  <item>
    <title>DPP #8658, Andel (Smichov), Prague, CZ, 2007</title>
    <link>https://www.ipernity.com/doc/23639/625909</link>
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    <pubDate>Sat, 01 Sep 2007 19:15:01 +0000</pubDate>
    <dc:date.created>2007-09-01T19:15:01+02:00</dc:date.created>
    <author>nobody@ipernity.com (Jon Searles)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/23639"&gt;Jon Searles&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/23639/625909"&gt;&lt;img src="https://cdn.ipernity.com/102/59/09/625909.f26146aa.240.jpg?r2" width="240" height="160" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;I loved the sunlight on this shot.  This was taken at the same Andel tram stop as my earlier shot.&lt;/div&gt;</description>
    <media:title>DPP #8658, Andel (Smichov), Prague, CZ, 2007</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/23639"&gt;Jon Searles&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/23639/625909"&gt;&lt;img src="https://cdn.ipernity.com/102/59/09/625909.f26146aa.240.jpg?r2" width="240" height="160" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;I loved the sunlight on this shot.  This was taken at the same Andel tram stop as my earlier shot.&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/102/59/09/625909.f26146aa.560.jpg?r2" type="image/jpeg" width="560" height="372" duration="0" isDefault="true"  />
    <media:thumbnail url="https://cdn.ipernity.com/102/59/09/625909.f26146aa.240.jpg?r2" width="240" height="160"/>
    <media:thumbnail url="https://cdn.ipernity.com/102/59/09/625909.f26146aa.100.jpg?r2" width="100" height="67"/>
    <media:credit role="author">Jon Searles</media:credit>
  </item>
  <item>
    <title>DPP #9111, Approaching Karlovo Namesti, Prague, CZ, 2007</title>
    <link>https://www.ipernity.com/doc/23639/625908</link>
    <guid isPermaLink="false">tag:ipernity.com,2007-09-01,doc-625908</guid>
    <pubDate>Sat, 01 Sep 2007 19:14:01 +0000</pubDate>
    <dc:date.created>2007-09-01T19:14:01+02:00</dc:date.created>
    <author>nobody@ipernity.com (Jon Searles)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/23639"&gt;Jon Searles&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/23639/625908"&gt;&lt;img src="https://cdn.ipernity.com/102/59/08/625908.1baa8d0b.240.jpg?r2" width="240" height="160" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Here's the new Skoda 14T out and about again.  This was one of the first times I had seen it deal with snow, and it seemed to be doing as well as the other trams.&lt;/div&gt;</description>
    <media:title>DPP #9111, Approaching Karlovo Namesti, Prague, CZ, 2007</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/23639"&gt;Jon Searles&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/23639/625908"&gt;&lt;img src="https://cdn.ipernity.com/102/59/08/625908.1baa8d0b.240.jpg?r2" width="240" height="160" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Here's the new Skoda 14T out and about again.  This was one of the first times I had seen it deal with snow, and it seemed to be doing as well as the other trams.&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/102/59/08/625908.1baa8d0b.560.jpg?r2" type="image/jpeg" width="560" height="372" duration="0" isDefault="true"  />
    <media:thumbnail url="https://cdn.ipernity.com/102/59/08/625908.1baa8d0b.240.jpg?r2" width="240" height="160"/>
    <media:thumbnail url="https://cdn.ipernity.com/102/59/08/625908.1baa8d0b.100.jpg?r2" width="100" height="67"/>
    <media:credit role="author">Jon Searles</media:credit>
  </item>
  <item>
    <title>DPP #8211 Seen From Zelecnicni Most, Prague, CZ, 2007</title>
    <link>https://www.ipernity.com/doc/23639/625884</link>
    <guid isPermaLink="false">tag:ipernity.com,2007-09-01,doc-625884</guid>
    <pubDate>Sat, 01 Sep 2007 19:10:01 +0000</pubDate>
    <dc:date.created>2007-09-01T19:10:01+02:00</dc:date.created>
    <author>nobody@ipernity.com (Jon Searles)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/23639"&gt;Jon Searles&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/23639/625884"&gt;&lt;img src="https://cdn.ipernity.com/102/58/84/625884.ac716db5.240.jpg?r2" width="240" height="240" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;This shot originally had a bad light leak on the left, but I cropped it to square format so now it's alright.  This is my only Prague tram photo taken from this location, and one of the few that I have taken from a above.&lt;/div&gt;</description>
    <media:title>DPP #8211 Seen From Zelecnicni Most, Prague, CZ, 2007</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/23639"&gt;Jon Searles&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/23639/625884"&gt;&lt;img src="https://cdn.ipernity.com/102/58/84/625884.ac716db5.240.jpg?r2" width="240" height="240" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;This shot originally had a bad light leak on the left, but I cropped it to square format so now it's alright.  This is my only Prague tram photo taken from this location, and one of the few that I have taken from a above.&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/102/58/84/625884.ac716db5.560.jpg?r2" type="image/jpeg" width="500" height="500" duration="0" isDefault="true"  />
    <media:thumbnail url="https://cdn.ipernity.com/102/58/84/625884.ac716db5.240.jpg?r2" width="240" height="240"/>
    <media:thumbnail url="https://cdn.ipernity.com/102/58/84/625884.ac716db5.100.jpg?r2" width="100" height="100"/>
    <media:credit role="author">Jon Searles</media:credit>
  </item>
  <item>
    <title>DPP#s 8223, 8322, and ????, Palackeho Namesti, Prague, CZ, 2007</title>
    <link>https://www.ipernity.com/doc/23639/625882</link>
    <guid isPermaLink="false">tag:ipernity.com,2007-09-01,doc-625882</guid>
    <pubDate>Sat, 01 Sep 2007 19:10:01 +0000</pubDate>
    <dc:date.created>2007-09-01T19:10:01+02:00</dc:date.created>
    <author>nobody@ipernity.com (Jon Searles)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/23639"&gt;Jon Searles&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/23639/625882"&gt;&lt;img src="https://cdn.ipernity.com/102/58/82/625882.7b583783.240.jpg?r2" width="240" height="157" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;This is a variation on the first tram shot that I ever uploaded to Flickr, which some of you will remember.  In this shot, though, there are three, instead of two trams.  :-)&lt;/div&gt;</description>
    <media:title>DPP#s 8223, 8322, and ????, Palackeho Namesti, Prague, CZ, 2007</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/23639"&gt;Jon Searles&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/23639/625882"&gt;&lt;img src="https://cdn.ipernity.com/102/58/82/625882.7b583783.240.jpg?r2" width="240" height="157" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;This is a variation on the first tram shot that I ever uploaded to Flickr, which some of you will remember.  In this shot, though, there are three, instead of two trams.  :-)&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/102/58/82/625882.7b583783.560.jpg?r2" type="image/jpeg" width="500" height="326" duration="0" isDefault="true"  />
    <media:thumbnail url="https://cdn.ipernity.com/102/58/82/625882.7b583783.240.jpg?r2" width="240" height="157"/>
    <media:thumbnail url="https://cdn.ipernity.com/102/58/82/625882.7b583783.100.jpg?r2" width="100" height="66"/>
    <media:credit role="author">Jon Searles</media:credit>
  </item>
  <item>
    <title>DPP #8223 and 8322 At Palackeho Namesti, Prague, CZ, 2007</title>
    <link>https://www.ipernity.com/doc/23639/625881</link>
    <guid isPermaLink="false">tag:ipernity.com,2007-09-01,doc-625881</guid>
    <pubDate>Sat, 01 Sep 2007 19:10:01 +0000</pubDate>
    <dc:date.created>2007-09-01T19:10:01+02:00</dc:date.created>
    <author>nobody@ipernity.com (Jon Searles)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/23639"&gt;Jon Searles&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/23639/625881"&gt;&lt;img src="https://cdn.ipernity.com/102/58/81/625881.7f426b6e.240.jpg?r2" width="240" height="158" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Here's a variation on the DPP#s 8223, 8322, and ???? shot.&lt;/div&gt;</description>
    <media:title>DPP #8223 and 8322 At Palackeho Namesti, Prague, CZ, 2007</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/23639"&gt;Jon Searles&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/23639/625881"&gt;&lt;img src="https://cdn.ipernity.com/102/58/81/625881.7f426b6e.240.jpg?r2" width="240" height="158" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Here's a variation on the DPP#s 8223, 8322, and ???? shot.&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/102/58/81/625881.7f426b6e.560.jpg?r2" type="image/jpeg" width="500" height="328" duration="0" isDefault="true"  />
    <media:thumbnail url="https://cdn.ipernity.com/102/58/81/625881.7f426b6e.240.jpg?r2" width="240" height="158"/>
    <media:thumbnail url="https://cdn.ipernity.com/102/58/81/625881.7f426b6e.100.jpg?r2" width="100" height="66"/>
    <media:credit role="author">Jon Searles</media:credit>
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