Photos, videos and docs of m̌ ḫ, with the keywords: "mobilepix"

The Iron Canopy (Under the Shadow of the Eiffel Towel)

nobody@ipernity.com (m̌ ḫ) — Sun, 13 Sep 2026 20:21:43 +0000

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Instead of shooting the classic, postcard view from Trocadéro, I tried to capture the geometric power of the Eiffel Tower from a less common perspective. This view transforms the familiar image into an imposing architectural crown.Choosing a high-contrast black-and-white style puts the focus entirely on the texture of the iron latticework against the dramatic flare of the afternoon sun.

If you look closely through the center base arch, you can see the distant silhouette of the Tour Montparnasse perfectly framed in the background.

Fun fact: intestingly, the grand, sweeping arches that frame this shot were actually a late addition. They were added purely for aesthetics to reassure the 1889 public of the tower's stability, rather than for structural support!

The Haussmann View

nobody@ipernity.com (m̌ ḫ) — Wed, 09 Sep 2026 19:37:00 +0000

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The Galeries Lafayette rooftop terrace is the ultimate proof that you don't need to pay a single euro to get a million-dollar view of Paris — you just have to pay with your patience instead.

As you ascend through the department store, you are treated to a masterclass in Art Nouveau architecture. The building is an absolute stunner, anchored by a century-old stained-glass dome that makes you feel like you've stepped back into the Belle Époque. But the moment you step out onto the 7th floor, reality hits. You won't be finding any quiet, hidden romance here. Instead, you will find yourself in a sea of hundreds of tourists, all aggressively jockeying for the exact same selfie in front of the Eiffel Tower. There is absolutely nothing unique or exclusive about it; it is a beautifully packaged tourist trap.

And yet, it is still incredibly nice. Because the building sits at the exact historic height of the surrounding Haussmann architecture, you aren't staring down at the city from a detached skyscraper. You are right there among the iconic zinc rooftops, close enough to practically touch the ornate dome of the Opéra Garnier.

Is it crowded? Absolutely. Is it a cliché? Completely. But when you are standing there looking out over the Parisian horizon without having spent a dime, it is simply rewarding.

Smolenice chateau

nobody@ipernity.com (m̌ ḫ) — Mon, 07 Sep 2026 22:35:16 +0000

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Smolenice chateau (Smolenický zámok) is interesting because it is almost a historical illusion. From a distance it looks medieval, but most of what you see is a romantic reinvention begun around 1900. Count Jozef Pálffy wanted not simply to repair the ruin, but to create an ideal castle inspired by Kreuzensten Castle near Vienna. The work drew craftsmen from Italy, Germany, Austria, and Hungary, who laboured alongside local villagers inside the ancient, ruined walls

The project never followed a neat plan. The First World War interrupted construction, and unfinished rooms were used to shelter the Pálffy family archive. In 1945, the building was damaged again during the final months of World War II, and was subsequently nationalised by the state. Its final form is therefore an unusual collaboration across incompatible eras: a 15th-century medieval fortress, an aristocrat’s nineteenth-century fantasy, and a socialist-state completion.

The greatest twist is what happened next. Instead of becoming only a museum, the castle was handed over to the Slovak Academy of Sciences (SAV) in 1953 and became a vibrant meeting place for researchers from many countries. So, behind those theatrical, fairytale towers, people discussed serious science.

Smolenice is best understood not as a perfectly preserved relic, but as a building assembled from memory, ambition, and historical accidents — and one that ultimately found a completely unexpected second life.

Older Than Stockholm

nobody@ipernity.com (m̌ ḫ) — Sun, 05 Jul 2026 21:03:34 +0000

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When you notice this stone in the wall at Prästgatan and Kåkbrinken, you are looking at something older than Stockholm itself. This Viking Age rune stone, dating from the late eleventh century, still preserves its serpent motif and fragments of runic text. It was not carved for this house, but was probably moved here from its original location and built into the wall during the medieval period, reused simply as a convenient block of stone. Its presence here shows how a memorial from the Viking Age could lose its original purpose and become part of the fabric of the growing town.

Industrial Stockholm, Recast

nobody@ipernity.com (m̌ ḫ) — Sat, 04 Jul 2026 18:35:57 +0000

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Originally, this was a grain mill built in the 1890s for Holmberg & Möller, when Stockholm was expanding quickly and needed large modern facilities to handle food imports by sea. Grain arrived here by ship, was processed on site, and fed directly into the economy of a growing capital.

Now the old mill has a very different life. The main surviving building is the Elite Hotel Marina Tower, while other preserved parts of the former industrial complex have been converted into housing. The wider waterfront around it is now part of a residential district, with public quay space and ferry connections linking it back into everyday Stockholm.

Eye into an exhibition

nobody@ipernity.com (m̌ ḫ) — Thu, 02 Jul 2026 20:44:35 +0000

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The Existens exhibition explores the big questions in life through looking at objects, art and ceremonies from around the world. Some have been practiced for centureis, some are new and some have been on the verge of being forgotten but have been revived to once again fill an important role in life.

— www.varldskulturmuseet.se/en/exhibitions/existens-eng

A Scene on Brahmaputra

nobody@ipernity.com (m̌ ḫ) — Sun, 07 Jun 2026 13:47:07 +0000

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This photograph was taken in Guwahati, the capital of Assam, India, on an older iPhone. We were staying with our friends Manna and Yuveka. It had been raining all day, and when the rain eased a little we went out to see the town. Down by the banks of the Brahmaputra – a huge, majestic and muddy river – I took a few shots of the boatmen. I don’t know their stories, unfortunately; I can only guess that these are small transport or fishing canoes. If anyone knows more about life on the river here, I would be very glad to hear their experiences.

Himalayan Horizons from Nagarkot

nobody@ipernity.com (m̌ ḫ) — Sun, 07 Jun 2026 12:10:18 +0000

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You do not need to go trekking to experience the Himalayas. Even from the Kathmandu Valley, it is possible to catch remarkable views of the range.

The valley itself sits in a basin at about 1,350 meters, surrounded by hills that often block distant sightlines. Yet just 65–80 km to the north, the Himalayas rise dramatically, with peaks such as Langtang, Ganesh, Manaslu, Gaurishankar, and even Everest.

From higher viewpoints like Nagarkot (2,200 meters), about 30 km east of Kathmandu, the perspective changes completely. The hills drop away, revealing a wide panorama of the valley below and a continuous line of snow-covered peaks along the horizon. In clear conditions, the individual mountains become sharply defined, highlighting their immense scale.

Fancy sleeping in an Indian fort?

nobody@ipernity.com (m̌ ḫ) — Sat, 06 Jun 2026 19:07:22 +0000

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Hill Fort-Kesroli is a 14th‑century fort in Village Kesroli, Alwar district, Rajasthan. Built about 700 years ago by the Yaduvanshi Rajputs—who traced their lineage to Lord Krishna—the seven‑turreted fortress served as a defensive stronghold and marked the emergence of the Mewat region.

In the mid‑14th century the Khanzadas, descendants of the Yadavas whose ancestor Sambharpal Yadav converted to Islam during Firuz Shah Tughlaq’s reign (1351–1388), controlled the fort and governed the area for roughly two centuries. The fort returned to Rajput control in 1775 with the founding of the princely state of Alwar and later flourished under Ranawat Thakur Bhawani Singh (1882–1934).

Restoration work began in the 1990s and the site was adapted for visitor accommodation by the late 1990s. In 2004 the property was leased to a hotel group and restored with an emphasis on retaining original architectural features. The fort stands atop dark Hornstone Breccia in the Aravalli Hills, offering panoramic views of the surrounding landscape.

Lalbagh Botanical Garden

nobody@ipernity.com (m̌ ḫ) — Sat, 06 Jun 2026 09:49:48 +0000

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From this panoramic pic, you can appreciate the greatness of this tree: a centuries-old kapok (Ceiba pentandra) standing amid Bangalore’s Indian megacity hustle. This giant reaches up to 200 feet tall with a trunk over 3m feet across, supported by massive tripod-like buttresses that resemble gigantic human feet. Though kapoks grow astonishingly fast — up to 4m per year — this specimen has survived over 200 years, making it a rare, ancient landmark in Lalbagh Botanical Garden. Its umbrella-shaped crown spreads in horizontal tiers like a pagoda, sheltering dozens of birds, frogs, and plants in its own canopy ecosystem. Sacred to the Maya, who believed souls ascended to heaven through its highest branches, the kapok also produces silky fibers eight times lighter than cotton, once used in WW2 life preservers. In the city’s hubbub, this living monument reminds us of nature’s enduring majesty.

Huge silk-cotton tree

nobody@ipernity.com (m̌ ḫ) — Fri, 05 Jun 2026 20:29:49 +0000

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Lalbagh Botanical Garden is a 240‑acre horticultural marvel housing India’s largest collection of tropical and sub‑tropical plants, with 1,854 species from places like Persia, Afghanistan, and France. Its most dramatic natural treasure is the centuries-old Kapok, White Silk-Cotton tree (Ceiba pentandra), a 200‑ to 300‑year‑old giant with a buttressed trunk reaching 25–30 meters tall. In spring, the Kapok blooms with huge orange‑scarlet flowers, and by mid‑June its dark‑green pods burst to spill fluffy white silk‑cotton that looks like cotton and feels like silk. The garden also features about 14 other giant silk‑cotton trees with massive girth and roots that form hollow spaces large enough for an adult to hide, alongside the Crystal Palace‑inspired Glass House, a 3‑billion‑year‑old rock, manicured flowerbeds, and a floral clock that changes design with each season.

Modern Bratislava

nobody@ipernity.com (m̌ ḫ) — Tue, 19 May 2026 15:25:09 +0000

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This view from Nivy Tower captures Bratislava’s transformation in one frame. The tall glass tower on the right is Eurovea Tower at 168 meters — when it opened in 2023, Bratislava became the 201st city worldwide to have a true skyscraper. What was an industrial wasteland is now a cluster of high-rises that changed the city’s entire profile. The Mlynské nivy port district had been devastated since 1944, when Allied bombers targeted the Apollo refinery supplying Nazi fuel — 370 tons of bombs killed hundreds as burning oil engulfed their shelters. The contaminated ruins sat abandoned for decades until the 2000s redevelopment finally erased that wartime scar.

Candy Bomber (on smartphone)

nobody@ipernity.com (m̌ ḫ) — Sun, 17 May 2026 08:18:01 +0000

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The airplane mounted on the roof of the Deutsches Technikmuseum in Berlin is a Douglas C‑47, the military transport version of the Douglas DC‑3. It is dramatically fixed above the entrance on a steel structure, so it appears to be flying over the city. This placement turns the aircraft into a striking landmark and an immediate visual link to Berlin’s aviation past.

The C‑47 recalls the Berlin Airlift of 1948–1949, when such planes — nicknamed “Raisin Bombers” or “Candy Bombers” — flew supplies into blockaded West Berlin and sometimes dropped sweets for children. As an exhibit, it represents both technological progress and the political history of the Cold War, symbolizing international solidarity during the blockade and the vital role of air transport in sustaining the city.

City Rhinos

nobody@ipernity.com (m̌ ḫ) — Thu, 19 Mar 2026 20:18:22 +0000

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Bratislava is fortunate to have its zoo set on the slopes of the Little Carpathians, where fragments of the original forest still survive. Over the years, it has evolved from a somewhat austere yet child-friendly park into a modern and thoughtfully designed zoo. Its gradual expansion uphill has opened up remarkable viewpoints stretching from the southwest toward the city center, creating unusual and memorable scenes such as rhinos seemingly set against an urban backdrop.

From these vantage points, visitors can take in sweeping views of the Little Carpathian hills above the Old Town, from the castle plateau across to Slavín, as well as the Kamzík TV Tower and the striking building of the Slovak National Archives. The latter stands out as a distinctive example of brutalist architecture, designed by Vladimír Dedeček and completed in the early 1980s, known for its monumental scale and sculptural concrete forms.

Misty morning

nobody@ipernity.com (m̌ ḫ) — Thu, 29 Jan 2026 16:25:42 +0000

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Today I just go to Patrónka, thank you

nobody@ipernity.com (m̌ ḫ) — Mon, 26 Jan 2026 09:31:20 +0000

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Experience the surreal efficiency of Bratislava, where a morning commute feels like choosing between the office and an international escape. The city’s high-speed arteries pierce its heart, a practical blessing and an urban scar at once, making it tempting just to follow the blue signs toward Austria, Hungary, or the Czech Republic. The road embodies the tension between daily routine and the open-ended promise of a borderless Europe. In the background, the Kamzík TV tower dissolves into winter mist, more ghostly memory than solid landmark.

Frozen silence

nobody@ipernity.com (m̌ ḫ) — Sat, 17 Jan 2026 08:03:13 +0000

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Close on the chill
bright ice clings to bark’s dark ridge
winter, quiet thought.

After the First Snowfall

nobody@ipernity.com (m̌ ḫ) — Sun, 28 Dec 2025 09:01:07 +0000

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From Dolný Kubín, Veľký Choč looms like a giant pyramid over the Orava valley, Slovakia’s “gateway to the mountains”. This 1,238‑m peak is the highest in the Chočské vrchy and was once a Celtic hillfort; today, its summit cross offers one of the best panoramic views in central Slovakia. From the town, you see its forested slopes and rocky crown rising above red roofs and church spires, with the Orava basin stretching behind. The view is especially dramatic at sunrise, when the mountain glows golden above the misty valley, a favourite shot for photographers and a symbol of Orava’s wild beauty.

Spa town faux ‘antique’ architecture

nobody@ipernity.com (m̌ ḫ) — Sun, 14 Dec 2025 09:26:24 +0000

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Rajecké Teplice spa is what happens when thermal water meets a costume party. It is a modern complex dressed in “ancient Greek” cosplay: fresh concrete hiding under fake marble, brand‑new columns, and armies of statues posing as Antiquity. Think less historic spa town, more Instagram‑ready Olympus built by a luxury hotel chain. It feels like someone asked, “How many pillars, gold details and mosaics can we fit in before the building collapses?” and the architect took it as a personal challenge.

Rajecké Teplice spa is what happens when thermal water meets a costume party. It is a modern complex dressed in “ancient Greek” cosplay: fresh concrete hiding under fake marble, brand‑new columns, and armies of statues posing as Antiquity. Think less historic spa town, more Instagram‑ready Olympus built by a luxury hotel chain. It feels like someone asked, “How many pillars, gold details and mosaics can we fit in before the building collapses?” and the architect took it as a personal challenge.

But beyond the fake Greek and vaguely “exotic” bits, the old part of Turčianske Teplice actually feels like a real historic spa town. You can see layers of different periods: 16th‑century foundations, 18th–19th‑century Rococo‑Classicist spa houses, the domed Late Classicist Blue Bath, and early 20th‑century buildings with a touch of Art Nouveau. Overall, it comes across as calm, balanced and very Central European, rooted in genuinely long spa tradition.

According to a local legend in 15th century, King Sigismund of Luxembourg is said to have camped near Turčianske Teplice and bathed in its hot springs, refusing to remove his golden crown while in the water. This episode became the famous “golden bath” legend, credited with easing his gout or rheumatism and helping him reach old age. Later, the spa’s image as a place for rulers and nobles was reinforced by visits attributed to figures such as Emperor Maximilian I, Ferenc II Wesselényi and Mária Széchy, while in 2007 Archduke Michael von Habsburg‑Lothringen ceremonially opened the new spa complex.

A Brutalist Underpass

nobody@ipernity.com (m̌ ḫ) — Fri, 15 Aug 2025 16:24:45 +0000

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I previously posted a photo from here, and then realised the viewers might not get the whole picture of this rather ingenial work. So up here’s a second take - enjoy!

On a warm summer evening under Kapucínska’s tram lines, the brutalist underpass comes alive. Golden light spills over rough concrete, setting the stage for a rare sound mix. A man blows sharp, ancient notes on a Slovak koncovka flute while an electric box hums the veena’s deep, dreamy tones. The raw concrete walls drink it all in, blending tradition with a fresh, electric pulse in the heart of Old Town.

This gritty, brutalist structure isn’t just functional—it’s a bold statement of raw urban strength. Its exposed concrete, strong lines, and cavernous spaces define a the 20th-century vision where utility meets stark beauty. Against the fading light and floating music, the underpass reveals itself not only as a crossing, but as an architectural landmark that holds the pulse of the city.