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  <title>Photos, videos and docs of Alan Mays, with the keywords: "plants"</title>
  <link>https://www.ipernity.com/tag/aemays/keyword/16934</link>
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    <title>Photos, videos and docs of Alan Mays, with the keywords: "plants"</title>
    <link>https://www.ipernity.com/tag/aemays/keyword/16934</link>
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  <description></description>
  <pubDate>Wed, 16 Sep 2026 22:12:17 +0000</pubDate>
  <lastBuildDate>Wed, 16 Sep 2026 22:12:17 +0000</lastBuildDate>
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    <title>Three Gals on a Glider Swing</title>
    <link>https://www.ipernity.com/doc/aemays/42654582</link>
    <guid isPermaLink="false">tag:ipernity.com,2016-08-04,doc-42654582</guid>
    <pubDate>Thu, 04 Aug 2016 20:40:36 +0000</pubDate>
    <dc:date.created>2016-08-04T16:40:36-04:00</dc:date.created>
    <author>nobody@ipernity.com (Alan Mays)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/aemays"&gt;Alan Mays&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/aemays/42654582"&gt;&lt;img src="https://cdn.ipernity.com/200/45/82/42654582.950e53ec.240.jpg?r2" width="240" height="139" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;For a similar real photo postcard, see &lt;a href="https://www.ipernity.com/doc/aemays/42654586" target="_blank" rel="nofollow"&gt;Three Guys on a Glider Swing&lt;/a&gt;.&lt;br /&gt;
&lt;br /&gt;
&lt;a href="https://www.ipernity.com/doc/aemays/42654586" target="_blank" rel="nofollow"&gt;&lt;img alt="Three Guys on a Glider Swing" src="https://cdn.ipernity.com/200/45/86/42654586.63892680.500.jpg?r2" height="311" width="500" /&gt;&lt;/a&gt;&lt;/div&gt;</description>
    <media:title>Three Gals on a Glider Swing</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/aemays"&gt;Alan Mays&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/aemays/42654582"&gt;&lt;img src="https://cdn.ipernity.com/200/45/82/42654582.950e53ec.240.jpg?r2" width="240" height="139" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;For a similar real photo postcard, see &lt;a href="https://www.ipernity.com/doc/aemays/42654586" target="_blank" rel="nofollow"&gt;Three Guys on a Glider Swing&lt;/a&gt;.&lt;br /&gt;
&lt;br /&gt;
&lt;a href="https://www.ipernity.com/doc/aemays/42654586" target="_blank" rel="nofollow"&gt;&lt;img alt="Three Guys on a Glider Swing" src="https://cdn.ipernity.com/200/45/86/42654586.63892680.500.jpg?r2" height="311" width="500" /&gt;&lt;/a&gt;&lt;/div&gt;</media:text>
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    <media:credit role="author">Alan Mays</media:credit>
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  <item>
    <title>Two Girls and One Doll (Cropped)</title>
    <link>https://www.ipernity.com/doc/aemays/51066066</link>
    <guid isPermaLink="false">tag:ipernity.com,2024-05-27,doc-51066066</guid>
    <pubDate>Mon, 27 May 2024 03:34:02 +0000</pubDate>
    <dc:date.created>2024-05-26T23:34:02-05:00</dc:date.created>
    <author>nobody@ipernity.com (Alan Mays)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/aemays"&gt;Alan Mays&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/aemays/51066066"&gt;&lt;img src="https://cdn.ipernity.com/200/60/66/51066066.612e2cdb.240.jpg?r2" width="206" height="240" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;A real photo postcard of two girls and a doll taken by photographer C. C. Kuhn.&lt;br /&gt;
&lt;br /&gt;
For more information, see the &lt;a href="https://www.ipernity.com/doc/aemays/51066064" target="_blank" rel="nofollow"&gt;full version&lt;/a&gt; of the photo.&lt;br /&gt;
&lt;br /&gt;
&lt;a href="https://www.ipernity.com/doc/aemays/51066064" target="_blank" rel="nofollow"&gt;&lt;img alt="Two Girls and One Doll" src="https://cdn.ipernity.com/200/60/64/51066064.d942aaff.500.jpg?r2" height="500" width="312" /&gt;&lt;/a&gt;&lt;/div&gt;</description>
    <media:title>Two Girls and One Doll (Cropped)</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/aemays"&gt;Alan Mays&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/aemays/51066066"&gt;&lt;img src="https://cdn.ipernity.com/200/60/66/51066066.612e2cdb.240.jpg?r2" width="206" height="240" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;A real photo postcard of two girls and a doll taken by photographer C. C. Kuhn.&lt;br /&gt;
&lt;br /&gt;
For more information, see the &lt;a href="https://www.ipernity.com/doc/aemays/51066064" target="_blank" rel="nofollow"&gt;full version&lt;/a&gt; of the photo.&lt;br /&gt;
&lt;br /&gt;
&lt;a href="https://www.ipernity.com/doc/aemays/51066064" target="_blank" rel="nofollow"&gt;&lt;img alt="Two Girls and One Doll" src="https://cdn.ipernity.com/200/60/64/51066064.d942aaff.500.jpg?r2" height="500" width="312" /&gt;&lt;/a&gt;&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/200/60/66/51066066.b9ebdf81.1024.jpg?r2" type="image/jpeg" width="684" height="800" duration="0" isDefault="true"  />
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    <media:credit role="author">Alan Mays</media:credit>
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  <item>
    <title>Two Girls and One Doll</title>
    <link>https://www.ipernity.com/doc/aemays/51066064</link>
    <guid isPermaLink="false">tag:ipernity.com,2024-05-27,doc-51066064</guid>
    <pubDate>Mon, 27 May 2024 03:34:04 +0000</pubDate>
    <dc:date.created>2024-05-26T23:34:04-05:00</dc:date.created>
    <author>nobody@ipernity.com (Alan Mays)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/aemays"&gt;Alan Mays&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/aemays/51066064"&gt;&lt;img src="https://cdn.ipernity.com/200/60/64/51066064.d942aaff.240.jpg?r2" width="150" height="240" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;A Vintage Photos Theme Park photo for the theme of &lt;em&gt;holding a doll&lt;/em&gt;.&lt;br /&gt;
&lt;br /&gt;
Notation on photo: "C. C. Kuhn. Photo.#716."&lt;br /&gt;
&lt;br /&gt;
A photo of two girls -- one standing and one seated -- posed on a piece of carpet among some shrubbery and potted plants. C. C. Kuhn (&lt;a href="https://www.findagrave.com/memorial/6886558/carl-c-kuhn" target="_blank" rel="nofollow"&gt;Carl C. Kuhn&lt;/a&gt;, 1888-1948) was a well-known photographer who lived in Cashtown, Adams County, Pennsylvania, at the time he took this photo.&lt;br /&gt;
&lt;br /&gt;
This is an unused real photo postcard with an Azo stamp box design (four corner triangles pointing up) on the other side, which suggests a date that may be as early as 1904 to 1918.&lt;br /&gt;
&lt;br /&gt;
For a closer view of the girls and the doll, see a &lt;a href="https://www.ipernity.com/doc/aemays/51066066/" target="_blank" rel="nofollow"&gt;cropped version&lt;/a&gt; of the photo. For a close-up of the doll and Kuhn's name on the photo, see an even &lt;a href="https://www.ipernity.com/doc/aemays/52477710" target="_blank" rel="nofollow"&gt;smaller detail&lt;/a&gt;.&lt;br /&gt;
&lt;br /&gt;
&lt;a href="https://www.ipernity.com/doc/aemays/51066066" target="_blank" rel="nofollow"&gt;&lt;img alt="Two Girls and One Doll (Cropped)" src="https://cdn.ipernity.com/200/60/66/51066066.612e2cdb.500.jpg?r2" height="500" width="428" /&gt;&lt;/a&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;a href="https://www.ipernity.com/doc/aemays/52477710" target="_blank" rel="nofollow"&gt;&lt;img alt="Two Girls and One Doll (Detail)" src="https://cdn.ipernity.com/200/77/10/52477710.c3da4521.500.jpg?r2" height="313" width="500" /&gt;&lt;/a&gt;&lt;/div&gt;</description>
    <media:title>Two Girls and One Doll</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/aemays"&gt;Alan Mays&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/aemays/51066064"&gt;&lt;img src="https://cdn.ipernity.com/200/60/64/51066064.d942aaff.240.jpg?r2" width="150" height="240" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;A Vintage Photos Theme Park photo for the theme of &lt;em&gt;holding a doll&lt;/em&gt;.&lt;br /&gt;
&lt;br /&gt;
Notation on photo: "C. C. Kuhn. Photo.#716."&lt;br /&gt;
&lt;br /&gt;
A photo of two girls -- one standing and one seated -- posed on a piece of carpet among some shrubbery and potted plants. C. C. Kuhn (&lt;a href="https://www.findagrave.com/memorial/6886558/carl-c-kuhn" target="_blank" rel="nofollow"&gt;Carl C. Kuhn&lt;/a&gt;, 1888-1948) was a well-known photographer who lived in Cashtown, Adams County, Pennsylvania, at the time he took this photo.&lt;br /&gt;
&lt;br /&gt;
This is an unused real photo postcard with an Azo stamp box design (four corner triangles pointing up) on the other side, which suggests a date that may be as early as 1904 to 1918.&lt;br /&gt;
&lt;br /&gt;
For a closer view of the girls and the doll, see a &lt;a href="https://www.ipernity.com/doc/aemays/51066066/" target="_blank" rel="nofollow"&gt;cropped version&lt;/a&gt; of the photo. For a close-up of the doll and Kuhn's name on the photo, see an even &lt;a href="https://www.ipernity.com/doc/aemays/52477710" target="_blank" rel="nofollow"&gt;smaller detail&lt;/a&gt;.&lt;br /&gt;
&lt;br /&gt;
&lt;a href="https://www.ipernity.com/doc/aemays/51066066" target="_blank" rel="nofollow"&gt;&lt;img alt="Two Girls and One Doll (Cropped)" src="https://cdn.ipernity.com/200/60/66/51066066.612e2cdb.500.jpg?r2" height="500" width="428" /&gt;&lt;/a&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;a href="https://www.ipernity.com/doc/aemays/52477710" target="_blank" rel="nofollow"&gt;&lt;img alt="Two Girls and One Doll (Detail)" src="https://cdn.ipernity.com/200/77/10/52477710.c3da4521.500.jpg?r2" height="313" width="500" /&gt;&lt;/a&gt;&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/200/60/64/51066064.d9a248da.1024.jpg?r2" type="image/jpeg" width="499" height="800" duration="0" isDefault="true"  />
    <media:thumbnail url="https://cdn.ipernity.com/200/60/64/51066064.d942aaff.240.jpg?r2" width="150" height="240"/>
    <media:thumbnail url="https://cdn.ipernity.com/200/60/64/51066064.d942aaff.100.jpg?r2" width="63" height="100"/>
    <media:credit role="author">Alan Mays</media:credit>
  </item>
  <item>
    <title>Quirky Costumed Couple</title>
    <link>https://www.ipernity.com/doc/aemays/48563622</link>
    <guid isPermaLink="false">tag:ipernity.com,2019-10-14,doc-48563622</guid>
    <pubDate>Mon, 14 Oct 2019 01:15:10 +0000</pubDate>
    <dc:date.created>2019-10-13T21:15:10-04:00</dc:date.created>
    <author>nobody@ipernity.com (Alan Mays)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/aemays"&gt;Alan Mays&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/aemays/48563622"&gt;&lt;img src="https://cdn.ipernity.com/200/36/22/48563622.4737a110.240.jpg?r2" width="240" height="164" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;A photo for the Vintage Photos Theme Park monthly topic of &lt;em&gt;costumes and uniforms—Halloween, theatrical, and other kinds of costumes, or uniforms from medical, military, and other settings (submit a photo on this topic each week in addition to—or instead of—a photo for the weekly topic)&lt;/em&gt;.&lt;br /&gt;
&lt;br /&gt;
Is it a ghostly apparition or just some out-of-focus Halloweeners? Sometimes it's hard to tell.&lt;br /&gt;
&lt;br /&gt;
A red-border "Kodachrome Transparency," circa 1955.&lt;/div&gt;</description>
    <media:title>Quirky Costumed Couple</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/aemays"&gt;Alan Mays&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/aemays/48563622"&gt;&lt;img src="https://cdn.ipernity.com/200/36/22/48563622.4737a110.240.jpg?r2" width="240" height="164" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;A photo for the Vintage Photos Theme Park monthly topic of &lt;em&gt;costumes and uniforms—Halloween, theatrical, and other kinds of costumes, or uniforms from medical, military, and other settings (submit a photo on this topic each week in addition to—or instead of—a photo for the weekly topic)&lt;/em&gt;.&lt;br /&gt;
&lt;br /&gt;
Is it a ghostly apparition or just some out-of-focus Halloweeners? Sometimes it's hard to tell.&lt;br /&gt;
&lt;br /&gt;
A red-border "Kodachrome Transparency," circa 1955.&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/200/36/22/48563622.93b824b9.1024.jpg?r2" type="image/jpeg" width="800" height="545" duration="0" isDefault="true"  />
    <media:thumbnail url="https://cdn.ipernity.com/200/36/22/48563622.4737a110.240.jpg?r2" width="240" height="164"/>
    <media:thumbnail url="https://cdn.ipernity.com/200/36/22/48563622.4737a110.100.jpg?r2" width="100" height="69"/>
    <media:credit role="author">Alan Mays</media:credit>
  </item>
  <item>
    <title>Children with Their Dog and Toys</title>
    <link>https://www.ipernity.com/doc/aemays/46971332</link>
    <guid isPermaLink="false">tag:ipernity.com,2018-07-09,doc-46971332</guid>
    <pubDate>Mon, 09 Jul 2018 03:56:15 +0000</pubDate>
    <dc:date.created>2018-07-08T23:56:15-04:00</dc:date.created>
    <author>nobody@ipernity.com (Alan Mays)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/aemays"&gt;Alan Mays&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/aemays/46971332"&gt;&lt;img src="https://cdn.ipernity.com/200/13/32/46971332.e255d44d.240.jpg?r2" width="149" height="240" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;A Vintage Photos Theme Park photo of &lt;em&gt;backyard sports (e.g., croquet, badminton, horseshoe pitching, bocce ball, etc.)&lt;/em&gt;.&lt;br /&gt;
&lt;br /&gt;
A tinted French real photo postcard from the early twentieth century showing children with a dog and toys, including a hoop and stick, doll, badminton racquet and shuttlecock, jump rope, and rings.&lt;/div&gt;</description>
    <media:title>Children with Their Dog and Toys</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/aemays"&gt;Alan Mays&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/aemays/46971332"&gt;&lt;img src="https://cdn.ipernity.com/200/13/32/46971332.e255d44d.240.jpg?r2" width="149" height="240" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;A Vintage Photos Theme Park photo of &lt;em&gt;backyard sports (e.g., croquet, badminton, horseshoe pitching, bocce ball, etc.)&lt;/em&gt;.&lt;br /&gt;
&lt;br /&gt;
A tinted French real photo postcard from the early twentieth century showing children with a dog and toys, including a hoop and stick, doll, badminton racquet and shuttlecock, jump rope, and rings.&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/200/13/32/46971332.78edb11a.1024.jpg?r2" type="image/jpeg" width="495" height="800" duration="0" isDefault="true"  />
    <media:thumbnail url="https://cdn.ipernity.com/200/13/32/46971332.e255d44d.240.jpg?r2" width="149" height="240"/>
    <media:thumbnail url="https://cdn.ipernity.com/200/13/32/46971332.e255d44d.100.jpg?r2" width="62" height="100"/>
    <media:credit role="author">Alan Mays</media:credit>
  </item>
  <item>
    <title>Woman Standing in an Elaborate Border</title>
    <link>https://www.ipernity.com/doc/aemays/45550286</link>
    <guid isPermaLink="false">tag:ipernity.com,2017-09-24,doc-45550286</guid>
    <pubDate>Sun, 24 Sep 2017 04:44:03 +0000</pubDate>
    <dc:date.created>2017-09-24T00:44:03-04:00</dc:date.created>
    <author>nobody@ipernity.com (Alan Mays)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/aemays"&gt;Alan Mays&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/aemays/45550286"&gt;&lt;img src="https://cdn.ipernity.com/200/02/86/45550286.f5ec9d6c.240.jpg?r2" width="141" height="240" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;A woman standing among the shrubbery is surrounded by the stylized scrolls and flowers of the decorative mask used to print this real photo postcard.&lt;/div&gt;</description>
    <media:title>Woman Standing in an Elaborate Border</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/aemays"&gt;Alan Mays&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/aemays/45550286"&gt;&lt;img src="https://cdn.ipernity.com/200/02/86/45550286.f5ec9d6c.240.jpg?r2" width="141" height="240" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;A woman standing among the shrubbery is surrounded by the stylized scrolls and flowers of the decorative mask used to print this real photo postcard.&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/200/02/86/45550286.f10ba980.1024.jpg?r2" type="image/jpeg" width="470" height="800" duration="0" isDefault="true"  />
    <media:thumbnail url="https://cdn.ipernity.com/200/02/86/45550286.f5ec9d6c.240.jpg?r2" width="141" height="240"/>
    <media:thumbnail url="https://cdn.ipernity.com/200/02/86/45550286.f5ec9d6c.100.jpg?r2" width="59" height="100"/>
    <media:credit role="author">Alan Mays</media:credit>
  </item>
  <item>
    <title>It Biteth Like a Serpent and Stingeth Like an Adder</title>
    <link>https://www.ipernity.com/doc/aemays/36630164</link>
    <guid isPermaLink="false">tag:ipernity.com,2015-02-12,doc-36630164</guid>
    <pubDate>Thu, 12 Feb 2015 20:05:18 +0000</pubDate>
    <dc:date.created>2015-02-12T15:05:18-05:00</dc:date.created>
    <author>nobody@ipernity.com (Alan Mays)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/aemays"&gt;Alan Mays&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/aemays/36630164"&gt;&lt;img src="https://cdn.ipernity.com/200/01/64/36630164.62b8000d.240.jpg?r2" width="240" height="177" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;"At last it biteth like a serpent and stingeth like an adder. Prov. 23-32."&lt;br /&gt;
&lt;br /&gt;
The verses that proceed this one in the Book of Proverbs place this quoted Bible verse in context and make it clear that this colorful Victorian-era card was intended as a &lt;a href="http://en.wikipedia.org/wiki/Temperance_movement" target="_blank" rel="nofollow"&gt;temperance&lt;/a&gt; message: "Who hath woe? who hath sorrow? who hath contentions? who hath babbling? who hath wounds without cause? who hath redness of eyes? They that tarry long at the wine; they that go to seek mixed wine. Look not thou upon the wine when it is red, when it giveth his colour in the cup, when it moveth itself aright. At the last it biteth like a serpent, and stingeth like an adder." (Proverbs 23:29-32.)&lt;br /&gt;
&lt;br /&gt;
At the same time, the handwritten notation on the back of the card (see below) reveals that it also served as an attendance reward for a student who only missed a few days of instruction during the 1893-1894 school year. &lt;br /&gt;
&lt;br /&gt;
&lt;em&gt;Handwritten on the back of this card:&lt;/em&gt;&lt;br /&gt;
&lt;br /&gt;
Katie Whitmyer, Mar. 22, 1894.&lt;br /&gt;
&lt;br /&gt;
School Opened - 120&lt;br /&gt;
Days Attended - 115½&lt;br /&gt;
Days Missed - 4½&lt;br /&gt;
&lt;br /&gt;
L. S. Sahm, teacher&lt;/div&gt;</description>
    <media:title>It Biteth Like a Serpent and Stingeth Like an Adder</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/aemays"&gt;Alan Mays&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/aemays/36630164"&gt;&lt;img src="https://cdn.ipernity.com/200/01/64/36630164.62b8000d.240.jpg?r2" width="240" height="177" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;"At last it biteth like a serpent and stingeth like an adder. Prov. 23-32."&lt;br /&gt;
&lt;br /&gt;
The verses that proceed this one in the Book of Proverbs place this quoted Bible verse in context and make it clear that this colorful Victorian-era card was intended as a &lt;a href="http://en.wikipedia.org/wiki/Temperance_movement" target="_blank" rel="nofollow"&gt;temperance&lt;/a&gt; message: "Who hath woe? who hath sorrow? who hath contentions? who hath babbling? who hath wounds without cause? who hath redness of eyes? They that tarry long at the wine; they that go to seek mixed wine. Look not thou upon the wine when it is red, when it giveth his colour in the cup, when it moveth itself aright. At the last it biteth like a serpent, and stingeth like an adder." (Proverbs 23:29-32.)&lt;br /&gt;
&lt;br /&gt;
At the same time, the handwritten notation on the back of the card (see below) reveals that it also served as an attendance reward for a student who only missed a few days of instruction during the 1893-1894 school year. &lt;br /&gt;
&lt;br /&gt;
&lt;em&gt;Handwritten on the back of this card:&lt;/em&gt;&lt;br /&gt;
&lt;br /&gt;
Katie Whitmyer, Mar. 22, 1894.&lt;br /&gt;
&lt;br /&gt;
School Opened - 120&lt;br /&gt;
Days Attended - 115½&lt;br /&gt;
Days Missed - 4½&lt;br /&gt;
&lt;br /&gt;
L. S. Sahm, teacher&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/200/01/64/36630164.3af4079f.1024.jpg?r2" type="image/jpeg" width="800" height="587" duration="0" isDefault="true"  />
    <media:thumbnail url="https://cdn.ipernity.com/200/01/64/36630164.62b8000d.240.jpg?r2" width="240" height="177"/>
    <media:thumbnail url="https://cdn.ipernity.com/200/01/64/36630164.62b8000d.100.jpg?r2" width="100" height="74"/>
    <media:credit role="author">Alan Mays</media:credit>
  </item>
  <item>
    <title>Katydid Calling Card for E. L. Houghton</title>
    <link>https://www.ipernity.com/doc/aemays/43840018</link>
    <guid isPermaLink="false">tag:ipernity.com,2020-04-06,doc-43840018</guid>
    <pubDate>Mon, 06 Apr 2020 02:47:02 +0000</pubDate>
    <dc:date.created>2020-04-05T22:47:02-05:00</dc:date.created>
    <author>nobody@ipernity.com (Alan Mays)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/aemays"&gt;Alan Mays&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/aemays/43840018"&gt;&lt;img src="https://cdn.ipernity.com/200/00/18/43840018.9278b3bc.240.jpg?r2" width="240" height="122" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;A katydid perches on the left-hand side of a Victorian-era calling card for someone named E. L. Houghton.&lt;/div&gt;</description>
    <media:title>Katydid Calling Card for E. L. Houghton</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/aemays"&gt;Alan Mays&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/aemays/43840018"&gt;&lt;img src="https://cdn.ipernity.com/200/00/18/43840018.9278b3bc.240.jpg?r2" width="240" height="122" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;A katydid perches on the left-hand side of a Victorian-era calling card for someone named E. L. Houghton.&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/200/00/18/43840018.0f11ad1d.1024.jpg?r2" type="image/jpeg" width="800" height="406" duration="0" isDefault="true"  />
    <media:thumbnail url="https://cdn.ipernity.com/200/00/18/43840018.9278b3bc.240.jpg?r2" width="240" height="122"/>
    <media:thumbnail url="https://cdn.ipernity.com/200/00/18/43840018.9278b3bc.100.jpg?r2" width="100" height="51"/>
    <media:credit role="author">Alan Mays</media:credit>
  </item>
  <item>
    <title>Charles Smith—Ornamental Pensmanship on a Calling Card</title>
    <link>https://www.ipernity.com/doc/aemays/42760568</link>
    <guid isPermaLink="false">tag:ipernity.com,2016-08-18,doc-42760568</guid>
    <pubDate>Thu, 18 Aug 2016 20:27:20 +0000</pubDate>
    <dc:date.created>2016-08-18T16:27:20-04:00</dc:date.created>
    <author>nobody@ipernity.com (Alan Mays)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/aemays"&gt;Alan Mays&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/aemays/42760568"&gt;&lt;img src="https://cdn.ipernity.com/200/05/68/42760568.98e0e82c.240.jpg?r2" width="240" height="153" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;"Chas. H. Smith. Compliments." (I'm not sure that the middle initial is H, however.)&lt;br /&gt;
&lt;br /&gt;
An impressive example of ornamental penmanship on a hand-drawn and -lettered "flourished" calling card that likely dates to the late nineteenth or early twentieth century. Note how the bird appears to be eyeing an insect of some sort.&lt;br /&gt;
&lt;br /&gt;
Here are some other similarly ornate cards:&lt;br /&gt;
&lt;a href="https://www.ipernity.com/doc/aemays/33800053" target="_blank" rel="nofollow"&gt;&lt;img alt="Jonas Kerner" src="https://cdn.ipernity.com/144/00/53/33800053.1a4625d5.500.jpg?r2" height="322" width="500" /&gt;&lt;/a&gt;&lt;br /&gt;
&lt;a href="https://www.ipernity.com/doc/aemays/33800055" target="_blank" rel="nofollow"&gt;&lt;img alt="Emma Myers" src="https://cdn.ipernity.com/144/00/55/33800055.1ed5edf2.500.jpg?r2" height="335" width="500" /&gt;&lt;/a&gt;&lt;br /&gt;
&lt;a href="https://www.ipernity.com/doc/aemays/33800059" target="_blank" rel="nofollow"&gt;&lt;img alt="Kate McCartney, Shiremanstown, Pa." src="https://cdn.ipernity.com/144/00/59/33800059.42f36c34.500.jpg?r2" height="304" width="500" /&gt;&lt;/a&gt;&lt;br /&gt;
Although it's not as ornate, this flourished card also features a bird chasing after an insect:&lt;br /&gt;
&lt;a href="https://www.ipernity.com/doc/aemays/33800061" target="_blank" rel="nofollow"&gt;&lt;img alt="Clara H. Watkins, Landlady, Hotel, Long Green, Md." src="https://cdn.ipernity.com/144/00/61/33800061.8f13e717.500.jpg?r2" height="317" width="500" /&gt;&lt;/a&gt;&lt;br /&gt;
This one's even simpler:&lt;br /&gt;
&lt;a href="https://www.ipernity.com/doc/aemays/33800067" target="_blank" rel="nofollow"&gt;&lt;img alt="Hetty Geist" src="https://cdn.ipernity.com/144/00/67/33800067.eae1bdfe.500.jpg?r2" height="315" width="500" /&gt;&lt;/a&gt;&lt;br /&gt;
The design on the following calling card is printed, but it imitates the hand-drawn and -lettered cards:&lt;br /&gt;
&lt;a href="https://www.ipernity.com/doc/aemays/33800271" target="_blank" rel="nofollow"&gt;&lt;img alt="John B. Hefflefinger, White House, Pa., My Love to You" src="https://cdn.ipernity.com/144/02/71/33800271.0b175a69.500.jpg?r2" height="271" width="500" /&gt;&lt;/a&gt;&lt;/div&gt;</description>
    <media:title>Charles Smith—Ornamental Pensmanship on a Calling Card</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/aemays"&gt;Alan Mays&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/aemays/42760568"&gt;&lt;img src="https://cdn.ipernity.com/200/05/68/42760568.98e0e82c.240.jpg?r2" width="240" height="153" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;"Chas. H. Smith. Compliments." (I'm not sure that the middle initial is H, however.)&lt;br /&gt;
&lt;br /&gt;
An impressive example of ornamental penmanship on a hand-drawn and -lettered "flourished" calling card that likely dates to the late nineteenth or early twentieth century. Note how the bird appears to be eyeing an insect of some sort.&lt;br /&gt;
&lt;br /&gt;
Here are some other similarly ornate cards:&lt;br /&gt;
&lt;a href="https://www.ipernity.com/doc/aemays/33800053" target="_blank" rel="nofollow"&gt;&lt;img alt="Jonas Kerner" src="https://cdn.ipernity.com/144/00/53/33800053.1a4625d5.500.jpg?r2" height="322" width="500" /&gt;&lt;/a&gt;&lt;br /&gt;
&lt;a href="https://www.ipernity.com/doc/aemays/33800055" target="_blank" rel="nofollow"&gt;&lt;img alt="Emma Myers" src="https://cdn.ipernity.com/144/00/55/33800055.1ed5edf2.500.jpg?r2" height="335" width="500" /&gt;&lt;/a&gt;&lt;br /&gt;
&lt;a href="https://www.ipernity.com/doc/aemays/33800059" target="_blank" rel="nofollow"&gt;&lt;img alt="Kate McCartney, Shiremanstown, Pa." src="https://cdn.ipernity.com/144/00/59/33800059.42f36c34.500.jpg?r2" height="304" width="500" /&gt;&lt;/a&gt;&lt;br /&gt;
Although it's not as ornate, this flourished card also features a bird chasing after an insect:&lt;br /&gt;
&lt;a href="https://www.ipernity.com/doc/aemays/33800061" target="_blank" rel="nofollow"&gt;&lt;img alt="Clara H. Watkins, Landlady, Hotel, Long Green, Md." src="https://cdn.ipernity.com/144/00/61/33800061.8f13e717.500.jpg?r2" height="317" width="500" /&gt;&lt;/a&gt;&lt;br /&gt;
This one's even simpler:&lt;br /&gt;
&lt;a href="https://www.ipernity.com/doc/aemays/33800067" target="_blank" rel="nofollow"&gt;&lt;img alt="Hetty Geist" src="https://cdn.ipernity.com/144/00/67/33800067.eae1bdfe.500.jpg?r2" height="315" width="500" /&gt;&lt;/a&gt;&lt;br /&gt;
The design on the following calling card is printed, but it imitates the hand-drawn and -lettered cards:&lt;br /&gt;
&lt;a href="https://www.ipernity.com/doc/aemays/33800271" target="_blank" rel="nofollow"&gt;&lt;img alt="John B. Hefflefinger, White House, Pa., My Love to You" src="https://cdn.ipernity.com/144/02/71/33800271.0b175a69.500.jpg?r2" height="271" width="500" /&gt;&lt;/a&gt;&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/200/05/68/42760568.e67595d6.1024.jpg?r2" type="image/jpeg" width="800" height="507" duration="0" isDefault="true"  />
    <media:thumbnail url="https://cdn.ipernity.com/200/05/68/42760568.98e0e82c.240.jpg?r2" width="240" height="153"/>
    <media:thumbnail url="https://cdn.ipernity.com/200/05/68/42760568.98e0e82c.100.jpg?r2" width="100" height="64"/>
    <media:credit role="author">Alan Mays</media:credit>
  </item>
  <item>
    <title>Gladiolus–The Most Showy and Brilliant of All Bulbous Plants</title>
    <link>https://www.ipernity.com/doc/aemays/39519040</link>
    <guid isPermaLink="false">tag:ipernity.com,2016-04-25,doc-39519040</guid>
    <pubDate>Mon, 25 Apr 2016 21:48:10 +0000</pubDate>
    <dc:date.created>2016-04-25T17:48:10-04:00</dc:date.created>
    <author>nobody@ipernity.com (Alan Mays)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/aemays"&gt;Alan Mays&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/aemays/39519040"&gt;&lt;img src="https://cdn.ipernity.com/200/90/40/39519040.db8ff856.240.jpg?r2" width="160" height="240" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;A colorful print by Vredenburg &amp; Company, Rochester, N.Y., that appeared in an advertising leaflet from W. P. Rupert &amp; Son, a nursery that was located in Seneca, N.Y.&lt;br /&gt;
&lt;br /&gt;
See &lt;a href="http://rbscp.lib.rochester.edu/2397" target="_blank" rel="nofollow"&gt;Nineteenth-Century Rochester Fruit and Flower Plates&lt;/a&gt;, by Karl Sanford Kabelac, for more information regarding Vredenburg &amp; Company and other printing firms that supplied illustrations to nursery businesses like W. P. Rupert &amp; Son.&lt;/div&gt;</description>
    <media:title>Gladiolus–The Most Showy and Brilliant of All Bulbous Plants</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/aemays"&gt;Alan Mays&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/aemays/39519040"&gt;&lt;img src="https://cdn.ipernity.com/200/90/40/39519040.db8ff856.240.jpg?r2" width="160" height="240" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;A colorful print by Vredenburg &amp; Company, Rochester, N.Y., that appeared in an advertising leaflet from W. P. Rupert &amp; Son, a nursery that was located in Seneca, N.Y.&lt;br /&gt;
&lt;br /&gt;
See &lt;a href="http://rbscp.lib.rochester.edu/2397" target="_blank" rel="nofollow"&gt;Nineteenth-Century Rochester Fruit and Flower Plates&lt;/a&gt;, by Karl Sanford Kabelac, for more information regarding Vredenburg &amp; Company and other printing firms that supplied illustrations to nursery businesses like W. P. Rupert &amp; Son.&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/200/90/40/39519040.71a2d6ef.1024.jpg?r2" type="image/jpeg" width="533" height="800" duration="0" isDefault="true"  />
    <media:thumbnail url="https://cdn.ipernity.com/200/90/40/39519040.db8ff856.240.jpg?r2" width="160" height="240"/>
    <media:thumbnail url="https://cdn.ipernity.com/200/90/40/39519040.db8ff856.100.jpg?r2" width="67" height="100"/>
    <media:credit role="author">Alan Mays</media:credit>
  </item>
  <item>
    <title>George B. Weast, Dealer in Stoves and Tinware, Newville, Pa.</title>
    <link>https://www.ipernity.com/doc/aemays/41657580</link>
    <guid isPermaLink="false">tag:ipernity.com,2016-04-25,doc-41657580</guid>
    <pubDate>Mon, 25 Apr 2016 16:27:08 +0000</pubDate>
    <dc:date.created>2016-04-25T12:27:08-04:00</dc:date.created>
    <author>nobody@ipernity.com (Alan Mays)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/aemays"&gt;Alan Mays&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/aemays/41657580"&gt;&lt;img src="https://cdn.ipernity.com/200/75/80/41657580.ad600df2.240.jpg?r2" width="240" height="118" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;"Geo. B. Weast, dealer in stoves, tinwate, &amp;c., R.R. St., Newville, Pa."&lt;br /&gt;
&lt;br /&gt;
This may be the same &lt;a href="http://www.findagrave.com/cgi-bin/fg.cgi?page=gr&amp;GRid=8144118" target="_blank" rel="nofollow"&gt;George B. Weast&lt;/a&gt; (1862-1946) who's identified as a "retired sheet metal worker" in an obituary reprinted in his Find A Grave entry.&lt;/div&gt;</description>
    <media:title>George B. Weast, Dealer in Stoves and Tinware, Newville, Pa.</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/aemays"&gt;Alan Mays&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/aemays/41657580"&gt;&lt;img src="https://cdn.ipernity.com/200/75/80/41657580.ad600df2.240.jpg?r2" width="240" height="118" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;"Geo. B. Weast, dealer in stoves, tinwate, &amp;c., R.R. St., Newville, Pa."&lt;br /&gt;
&lt;br /&gt;
This may be the same &lt;a href="http://www.findagrave.com/cgi-bin/fg.cgi?page=gr&amp;GRid=8144118" target="_blank" rel="nofollow"&gt;George B. Weast&lt;/a&gt; (1862-1946) who's identified as a "retired sheet metal worker" in an obituary reprinted in his Find A Grave entry.&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/200/75/80/41657580.29f81466.1024.jpg?r2" type="image/jpeg" width="800" height="391" duration="0" isDefault="true"  />
    <media:thumbnail url="https://cdn.ipernity.com/200/75/80/41657580.ad600df2.240.jpg?r2" width="240" height="118"/>
    <media:thumbnail url="https://cdn.ipernity.com/200/75/80/41657580.ad600df2.100.jpg?r2" width="100" height="49"/>
    <media:credit role="author">Alan Mays</media:credit>
  </item>
  <item>
    <title>Filene&amp;#039;s Department Store, Lynn, Massachusetts</title>
    <link>https://www.ipernity.com/doc/aemays/41537034</link>
    <guid isPermaLink="false">tag:ipernity.com,2016-04-14,doc-41537034</guid>
    <pubDate>Thu, 14 Apr 2016 19:43:08 +0000</pubDate>
    <dc:date.created>2016-04-14T15:43:08-04:00</dc:date.created>
    <author>nobody@ipernity.com (Alan Mays)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/aemays"&gt;Alan Mays&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/aemays/41537034"&gt;&lt;img src="https://cdn.ipernity.com/200/70/34/41537034.163341df.240.jpg?r2" width="240" height="119" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;"Filene's, No. 18 Market Street, Lynn."&lt;br /&gt;
&lt;br /&gt;
A nineteenth-century advertising trade card for one of the early &lt;a href="https://en.wikipedia.org/wiki/Filene's" target="_blank" rel="nofollow"&gt;Filene's&lt;/a&gt; department stores. This one was located in Lynn, Massachusetts.&lt;/div&gt;</description>
    <media:title>Filene&amp;#039;s Department Store, Lynn, Massachusetts</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/aemays"&gt;Alan Mays&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/aemays/41537034"&gt;&lt;img src="https://cdn.ipernity.com/200/70/34/41537034.163341df.240.jpg?r2" width="240" height="119" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;"Filene's, No. 18 Market Street, Lynn."&lt;br /&gt;
&lt;br /&gt;
A nineteenth-century advertising trade card for one of the early &lt;a href="https://en.wikipedia.org/wiki/Filene's" target="_blank" rel="nofollow"&gt;Filene's&lt;/a&gt; department stores. This one was located in Lynn, Massachusetts.&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/200/70/34/41537034.6171bdc0.1024.jpg?r2" type="image/jpeg" width="800" height="394" duration="0" isDefault="true"  />
    <media:thumbnail url="https://cdn.ipernity.com/200/70/34/41537034.163341df.240.jpg?r2" width="240" height="119"/>
    <media:thumbnail url="https://cdn.ipernity.com/200/70/34/41537034.163341df.100.jpg?r2" width="100" height="50"/>
    <media:credit role="author">Alan Mays</media:credit>
  </item>
  <item>
    <title>James B. Tully, Florist, Binghamton, New York</title>
    <link>https://www.ipernity.com/doc/aemays/41415880</link>
    <guid isPermaLink="false">tag:ipernity.com,2016-04-01,doc-41415880</guid>
    <pubDate>Fri, 01 Apr 2016 20:52:10 +0000</pubDate>
    <dc:date.created>2016-04-01T16:52:10-04:00</dc:date.created>
    <author>nobody@ipernity.com (Alan Mays)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/aemays"&gt;Alan Mays&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/aemays/41415880"&gt;&lt;img src="https://cdn.ipernity.com/200/58/80/41415880.8f3b0c32.240.jpg?r2" width="240" height="135" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;"James B. Tully, florist, Spring Forest Green Houses, Binghamton, N.Y. Green house and bedding plants. Fall and spring flowering bulbs. Ornamental trees and shrubbery."&lt;br /&gt;
&lt;br /&gt;
&lt;a href="http://www.findagrave.com/cgi-bin/fg.cgi?page=gr&amp;GSln=Tully&amp;GSfn=J&amp;GSmn=B&amp;GSbyrel=all&amp;GSdyrel=all&amp;GSob=n&amp;GRid=69391060&amp;df=all&amp;" target="_blank" rel="nofollow"&gt;James B. Tully&lt;/a&gt; (1840-1908) "was a florist and sexton of Spring Forest Cemetery in Binghamton, N.Y.," according to his Find A Grave entry.&lt;br /&gt;
&lt;br /&gt;
The following advertisement appeared in &lt;em&gt;Horticulture&lt;/em&gt;, May 4, 1907, p. 609, the year before Tully's death: "For Sale. Desirable greenhouse plant, directly opposite Spring Forest Cemetery, Binghamton, N.Y. Large and increasing demand for funeral designs and bedding stuff; care of cemetery plots big item in receipts. A dwelling house, 10,000 feet of glass, land comprising twenty city lots. Paying business and open chance for increase. Sold on account of advance in years. Apply to James B. Tully, 47 Spring Forest Ave., Binghamton, N.Y."&lt;br /&gt;
&lt;br /&gt;
An &lt;em&gt;American Florist Company's Directory&lt;/em&gt; for 1908 listed a different address for Tully's business, although I'm not certain whether it's actually a different location: "Spring Forest Greenhouses (James B. Tully), 48 Mygatt St., Binghamton."&lt;br /&gt;
&lt;br /&gt;
It's not clear when or if Tully sold his business, but the following note appeared five years later (and four years after Tully's death) in &lt;em&gt;Horticulture&lt;/em&gt;, March 23, 1912, p. 412: "Binghamton, N.Y.--The Spring Forest Greenhouses, Spring Forest avenue, are now owned by the Binghamton Seed Co. The seed store has been moved to 135 Court street from 161 Water street."&lt;/div&gt;</description>
    <media:title>James B. Tully, Florist, Binghamton, New York</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/aemays"&gt;Alan Mays&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/aemays/41415880"&gt;&lt;img src="https://cdn.ipernity.com/200/58/80/41415880.8f3b0c32.240.jpg?r2" width="240" height="135" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;"James B. Tully, florist, Spring Forest Green Houses, Binghamton, N.Y. Green house and bedding plants. Fall and spring flowering bulbs. Ornamental trees and shrubbery."&lt;br /&gt;
&lt;br /&gt;
&lt;a href="http://www.findagrave.com/cgi-bin/fg.cgi?page=gr&amp;GSln=Tully&amp;GSfn=J&amp;GSmn=B&amp;GSbyrel=all&amp;GSdyrel=all&amp;GSob=n&amp;GRid=69391060&amp;df=all&amp;" target="_blank" rel="nofollow"&gt;James B. Tully&lt;/a&gt; (1840-1908) "was a florist and sexton of Spring Forest Cemetery in Binghamton, N.Y.," according to his Find A Grave entry.&lt;br /&gt;
&lt;br /&gt;
The following advertisement appeared in &lt;em&gt;Horticulture&lt;/em&gt;, May 4, 1907, p. 609, the year before Tully's death: "For Sale. Desirable greenhouse plant, directly opposite Spring Forest Cemetery, Binghamton, N.Y. Large and increasing demand for funeral designs and bedding stuff; care of cemetery plots big item in receipts. A dwelling house, 10,000 feet of glass, land comprising twenty city lots. Paying business and open chance for increase. Sold on account of advance in years. Apply to James B. Tully, 47 Spring Forest Ave., Binghamton, N.Y."&lt;br /&gt;
&lt;br /&gt;
An &lt;em&gt;American Florist Company's Directory&lt;/em&gt; for 1908 listed a different address for Tully's business, although I'm not certain whether it's actually a different location: "Spring Forest Greenhouses (James B. Tully), 48 Mygatt St., Binghamton."&lt;br /&gt;
&lt;br /&gt;
It's not clear when or if Tully sold his business, but the following note appeared five years later (and four years after Tully's death) in &lt;em&gt;Horticulture&lt;/em&gt;, March 23, 1912, p. 412: "Binghamton, N.Y.--The Spring Forest Greenhouses, Spring Forest avenue, are now owned by the Binghamton Seed Co. The seed store has been moved to 135 Court street from 161 Water street."&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/200/58/80/41415880.b5924730.1024.jpg?r2" type="image/jpeg" width="800" height="447" duration="0" isDefault="true"  />
    <media:thumbnail url="https://cdn.ipernity.com/200/58/80/41415880.8f3b0c32.240.jpg?r2" width="240" height="135"/>
    <media:thumbnail url="https://cdn.ipernity.com/200/58/80/41415880.8f3b0c32.100.jpg?r2" width="100" height="56"/>
    <media:credit role="author">Alan Mays</media:credit>
  </item>
  <item>
    <title>Charles E. Marsh, Centennial International Exhibition, Philadelphia, Pa., 1876</title>
    <link>https://www.ipernity.com/doc/aemays/40453204</link>
    <guid isPermaLink="false">tag:ipernity.com,2015-11-30,doc-40453204</guid>
    <pubDate>Mon, 30 Nov 2015 22:14:18 +0000</pubDate>
    <dc:date.created>2015-11-30T17:14:18-05:00</dc:date.created>
    <author>nobody@ipernity.com (Alan Mays)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/aemays"&gt;Alan Mays&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/aemays/40453204"&gt;&lt;img src="https://cdn.ipernity.com/200/32/04/40453204.91d3bfc7.240.jpg?r2" width="240" height="145" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;"Chas. E. Marsh, International Exhibition, Fairmount Park, Philadelphia, Pa., 1876. Copyright 1876 by L. Prang &amp; Co. Main Building, Horticultural Hall, Agricultural Hall, Art Gallery, Machinery Hall."&lt;br /&gt;
&lt;br /&gt;
Printed on the back: "Centennial Card. Retail price, 30 cts. per dozen." ("30" is crossed out, and "20" is written below it.)&lt;br /&gt;
&lt;br /&gt;
Since Charles E. Marsh's name also appears on a card in the holdings of the American Antiquarian Society that identifies him as a printer ("Chas. E. Marsh, card &amp; job printer, business and address cards a specialty, Greenville, N.H."), it's likely that this was a sample card used to solicit customers for Marsh's printing business. He would have purchased blank copies of this card from lithographer &lt;a href="https://en.wikipedia.org/wiki/Louis_Prang" target="_blank" rel="nofollow"&gt;Louis Prang&lt;/a&gt;'s firm and then printed individual names on them, as he did here with "Chas. E. Marsh."&lt;br /&gt;
&lt;br /&gt;
Although commonly called the &lt;a href="https://en.wikipedia.org/wiki/Centennial_Exposition" target="_blank" rel="nofollow"&gt;Centennial Exposition&lt;/a&gt; today, the exhibition's full name when it was held in 1876 was the International Exhibition of Arts, Manufactures, and Products of the Soil and Mine. "Nearly 10 million visitors attended the exhibition and thirty-seven countries participated in it," Wikipedia reports.&lt;br /&gt;
&lt;br /&gt;
The five major buildings at the exhibition—the Main Building, Horticultural Hall, Agricultural Hall, the Art Gallery (also known as &lt;a href="https://en.wikipedia.org/wiki/Memorial_Hall_(Philadelphia)" target="_blank" rel="nofollow"&gt;Memorial Hall&lt;/a&gt;), and Machinery Hall—are depicted on this card.&lt;br /&gt;
&lt;br /&gt;
Although Charles Marsh may have attended the exhibition, it's possible that he advertised these cards elsewhere and filled orders through the mail.&lt;/div&gt;</description>
    <media:title>Charles E. Marsh, Centennial International Exhibition, Philadelphia, Pa., 1876</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/aemays"&gt;Alan Mays&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/aemays/40453204"&gt;&lt;img src="https://cdn.ipernity.com/200/32/04/40453204.91d3bfc7.240.jpg?r2" width="240" height="145" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;"Chas. E. Marsh, International Exhibition, Fairmount Park, Philadelphia, Pa., 1876. Copyright 1876 by L. Prang &amp; Co. Main Building, Horticultural Hall, Agricultural Hall, Art Gallery, Machinery Hall."&lt;br /&gt;
&lt;br /&gt;
Printed on the back: "Centennial Card. Retail price, 30 cts. per dozen." ("30" is crossed out, and "20" is written below it.)&lt;br /&gt;
&lt;br /&gt;
Since Charles E. Marsh's name also appears on a card in the holdings of the American Antiquarian Society that identifies him as a printer ("Chas. E. Marsh, card &amp; job printer, business and address cards a specialty, Greenville, N.H."), it's likely that this was a sample card used to solicit customers for Marsh's printing business. He would have purchased blank copies of this card from lithographer &lt;a href="https://en.wikipedia.org/wiki/Louis_Prang" target="_blank" rel="nofollow"&gt;Louis Prang&lt;/a&gt;'s firm and then printed individual names on them, as he did here with "Chas. E. Marsh."&lt;br /&gt;
&lt;br /&gt;
Although commonly called the &lt;a href="https://en.wikipedia.org/wiki/Centennial_Exposition" target="_blank" rel="nofollow"&gt;Centennial Exposition&lt;/a&gt; today, the exhibition's full name when it was held in 1876 was the International Exhibition of Arts, Manufactures, and Products of the Soil and Mine. "Nearly 10 million visitors attended the exhibition and thirty-seven countries participated in it," Wikipedia reports.&lt;br /&gt;
&lt;br /&gt;
The five major buildings at the exhibition—the Main Building, Horticultural Hall, Agricultural Hall, the Art Gallery (also known as &lt;a href="https://en.wikipedia.org/wiki/Memorial_Hall_(Philadelphia)" target="_blank" rel="nofollow"&gt;Memorial Hall&lt;/a&gt;), and Machinery Hall—are depicted on this card.&lt;br /&gt;
&lt;br /&gt;
Although Charles Marsh may have attended the exhibition, it's possible that he advertised these cards elsewhere and filled orders through the mail.&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/200/32/04/40453204.ee218f3f.1024.jpg?r2" type="image/jpeg" width="800" height="482" duration="0" isDefault="true"  />
    <media:thumbnail url="https://cdn.ipernity.com/200/32/04/40453204.91d3bfc7.240.jpg?r2" width="240" height="145"/>
    <media:thumbnail url="https://cdn.ipernity.com/200/32/04/40453204.91d3bfc7.100.jpg?r2" width="100" height="61"/>
    <media:credit role="author">Alan Mays</media:credit>
  </item>
  <item>
    <title>Alpenblumen (Alpine Flowers)</title>
    <link>https://www.ipernity.com/doc/aemays/40253144</link>
    <guid isPermaLink="false">tag:ipernity.com,2015-11-06,doc-40253144</guid>
    <pubDate>Fri, 06 Nov 2015 23:32:36 +0000</pubDate>
    <dc:date.created>2015-11-06T18:32:36-05:00</dc:date.created>
    <author>nobody@ipernity.com (Alan Mays)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/aemays"&gt;Alan Mays&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/aemays/40253144"&gt;&lt;img src="https://cdn.ipernity.com/200/31/44/40253144.8c398e62.240.jpg?r2" width="153" height="240" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;A &lt;em&gt;CDV&lt;/em&gt; photo for the Vintage Photos Theme Park.&lt;br /&gt;
&lt;br /&gt;
"62. Alpenblumen. 62. Nigritella angustifolia. Rhododendron hirsutum. Leontopodium alp. Aster alp."&lt;br /&gt;
&lt;br /&gt;
Backmark: "F. Fridrich, K. Pr. Hofphotograph, Verleger, Prag." ["F. Fridrich, Royal Prussian Court Photographer, Publisher, Prague."]&lt;br /&gt;
&lt;br /&gt;
This hand-tinted &lt;a href="https://en.wikipedia.org/wiki/Carte_de_visite" target="_blank" rel="nofollow"&gt;&lt;em&gt;carte de visite&lt;/em&gt;&lt;/a&gt; of colorful Alpine flowers came from the studio of Czech photographer František Fridrich (1829-1892) (see &lt;a href="https://cs.wikipedia.org/wiki/Franti%C5%A1ek_Fridrich_(fotograf)" target="_blank" rel="nofollow"&gt;Fridrich's entry&lt;/a&gt; in the Czech Wikipedia). &lt;br /&gt;
&lt;br /&gt;
As indicated in the caption, the flowers include black vanilla orchid (&lt;em&gt;Nigritella angustifolia&lt;/em&gt;, now classified as &lt;a href="https://commons.wikimedia.org/wiki/Gymnadenia_nigra" target="_blank" rel="nofollow"&gt;&lt;em&gt;Gymnadenia nigra&lt;/em&gt;&lt;/a&gt;), hairy alpenrose (&lt;a href="https://en.wikipedia.org/wiki/Rhododendron_hirsutum" target="_blank" rel="nofollow"&gt;&lt;em&gt;Rhododendron hirsutum&lt;/em&gt;&lt;/a&gt;), edelweiss (&lt;a href="https://en.wikipedia.org/wiki/Leontopodium_alpinum" target="_blank" rel="nofollow"&gt;&lt;em&gt;Leontopodium alpinum&lt;/em&gt;&lt;/a&gt;), and Alpine aster (&lt;a href="https://en.wikipedia.org/wiki/Aster_alpinus" target="_blank" rel="nofollow"&gt;&lt;em&gt;Aster alpinus&lt;/em&gt;&lt;/a&gt;).&lt;/div&gt;</description>
    <media:title>Alpenblumen (Alpine Flowers)</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/aemays"&gt;Alan Mays&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/aemays/40253144"&gt;&lt;img src="https://cdn.ipernity.com/200/31/44/40253144.8c398e62.240.jpg?r2" width="153" height="240" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;A &lt;em&gt;CDV&lt;/em&gt; photo for the Vintage Photos Theme Park.&lt;br /&gt;
&lt;br /&gt;
"62. Alpenblumen. 62. Nigritella angustifolia. Rhododendron hirsutum. Leontopodium alp. Aster alp."&lt;br /&gt;
&lt;br /&gt;
Backmark: "F. Fridrich, K. Pr. Hofphotograph, Verleger, Prag." ["F. Fridrich, Royal Prussian Court Photographer, Publisher, Prague."]&lt;br /&gt;
&lt;br /&gt;
This hand-tinted &lt;a href="https://en.wikipedia.org/wiki/Carte_de_visite" target="_blank" rel="nofollow"&gt;&lt;em&gt;carte de visite&lt;/em&gt;&lt;/a&gt; of colorful Alpine flowers came from the studio of Czech photographer František Fridrich (1829-1892) (see &lt;a href="https://cs.wikipedia.org/wiki/Franti%C5%A1ek_Fridrich_(fotograf)" target="_blank" rel="nofollow"&gt;Fridrich's entry&lt;/a&gt; in the Czech Wikipedia). &lt;br /&gt;
&lt;br /&gt;
As indicated in the caption, the flowers include black vanilla orchid (&lt;em&gt;Nigritella angustifolia&lt;/em&gt;, now classified as &lt;a href="https://commons.wikimedia.org/wiki/Gymnadenia_nigra" target="_blank" rel="nofollow"&gt;&lt;em&gt;Gymnadenia nigra&lt;/em&gt;&lt;/a&gt;), hairy alpenrose (&lt;a href="https://en.wikipedia.org/wiki/Rhododendron_hirsutum" target="_blank" rel="nofollow"&gt;&lt;em&gt;Rhododendron hirsutum&lt;/em&gt;&lt;/a&gt;), edelweiss (&lt;a href="https://en.wikipedia.org/wiki/Leontopodium_alpinum" target="_blank" rel="nofollow"&gt;&lt;em&gt;Leontopodium alpinum&lt;/em&gt;&lt;/a&gt;), and Alpine aster (&lt;a href="https://en.wikipedia.org/wiki/Aster_alpinus" target="_blank" rel="nofollow"&gt;&lt;em&gt;Aster alpinus&lt;/em&gt;&lt;/a&gt;).&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/200/31/44/40253144.eeef54f8.1024.jpg?r2" type="image/jpeg" width="508" height="800" duration="0" isDefault="true"  />
    <media:thumbnail url="https://cdn.ipernity.com/200/31/44/40253144.8c398e62.240.jpg?r2" width="153" height="240"/>
    <media:thumbnail url="https://cdn.ipernity.com/200/31/44/40253144.8c398e62.100.jpg?r2" width="64" height="100"/>
    <media:credit role="author">Alan Mays</media:credit>
  </item>
  <item>
    <title>He&amp;#039;s My Little Soldier Boy</title>
    <link>https://www.ipernity.com/doc/aemays/38908178</link>
    <guid isPermaLink="false">tag:ipernity.com,2015-07-14,doc-38908178</guid>
    <pubDate>Tue, 14 Jul 2015 16:38:01 +0000</pubDate>
    <dc:date.created>2015-07-14T12:38:01-04:00</dc:date.created>
    <author>nobody@ipernity.com (Alan Mays)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/aemays"&gt;Alan Mays&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/aemays/38908178"&gt;&lt;img src="https://cdn.ipernity.com/200/81/78/38908178.6e5767e5.240.jpg?r2" width="240" height="169" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;A little girl and her military doll.&lt;/div&gt;</description>
    <media:title>He&amp;#039;s My Little Soldier Boy</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/aemays"&gt;Alan Mays&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/aemays/38908178"&gt;&lt;img src="https://cdn.ipernity.com/200/81/78/38908178.6e5767e5.240.jpg?r2" width="240" height="169" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;A little girl and her military doll.&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/200/81/78/38908178.bdca207f.1024.jpg?r2" type="image/jpeg" width="800" height="562" duration="0" isDefault="true"  />
    <media:thumbnail url="https://cdn.ipernity.com/200/81/78/38908178.6e5767e5.240.jpg?r2" width="240" height="169"/>
    <media:thumbnail url="https://cdn.ipernity.com/200/81/78/38908178.6e5767e5.100.jpg?r2" width="100" height="71"/>
    <media:credit role="author">Alan Mays</media:credit>
  </item>
  <item>
    <title>White Dress Goods, G. V. S. Quackenbush &amp; Co., Troy, N.Y.</title>
    <link>https://www.ipernity.com/doc/aemays/37993533</link>
    <guid isPermaLink="false">tag:ipernity.com,2015-05-05,doc-37993533</guid>
    <pubDate>Tue, 05 May 2015 21:30:16 +0000</pubDate>
    <dc:date.created>2015-05-05T17:30:16-04:00</dc:date.created>
    <author>nobody@ipernity.com (Alan Mays)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/aemays"&gt;Alan Mays&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/aemays/37993533"&gt;&lt;img src="https://cdn.ipernity.com/200/35/33/37993533.4d394986.240.jpg?r2" width="198" height="240" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;"White Dress Goods. French and English &lt;a href="http://en.wikipedia.org/wiki/Piqu%C3%A9_(weaving)" target="_blank" rel="nofollow"&gt;piques&lt;/a&gt;, princess &lt;a href="http://en.wikipedia.org/wiki/Lawn_cloth" target="_blank" rel="nofollow"&gt;lawns&lt;/a&gt;, linen &lt;a href="http://en.wikipedia.org/wiki/Lawn_cloth" target="_blank" rel="nofollow"&gt;lawns&lt;/a&gt;, plain and stripe &lt;a href="http://en.wikipedia.org/wiki/Nainsook" target="_blank" rel="nofollow"&gt;nainsooks&lt;/a&gt;, embroidered suits, 8-4 &lt;a href="http://en.wikipedia.org/wiki/Organdy" target="_blank" rel="nofollow"&gt;organdie&lt;/a&gt;, etc., etc., at G. V. S. Quackenbush &amp; Co.'s."&lt;br /&gt;
&lt;br /&gt;
G. V. S. Quackenbush &amp; Co. used this colorful trade card to tout all the varieties of cloth--&lt;a href="http://en.wikipedia.org/wiki/Piqu%C3%A9_(weaving)" target="_blank" rel="nofollow"&gt;piqués&lt;/a&gt;, &lt;a href="http://en.wikipedia.org/wiki/Lawn_cloth" target="_blank" rel="nofollow"&gt;lawns&lt;/a&gt;, &lt;a href="http://en.wikipedia.org/wiki/Nainsook" target="_blank" rel="nofollow"&gt;nainsooks&lt;/a&gt;, &lt;a href="http://en.wikipedia.org/wiki/Organdy" target="_blank" rel="nofollow"&gt;organdies&lt;/a&gt;--that were available at its dry goods store in Troy, New York.&lt;/div&gt;</description>
    <media:title>White Dress Goods, G. V. S. Quackenbush &amp; Co., Troy, N.Y.</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/aemays"&gt;Alan Mays&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/aemays/37993533"&gt;&lt;img src="https://cdn.ipernity.com/200/35/33/37993533.4d394986.240.jpg?r2" width="198" height="240" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;"White Dress Goods. French and English &lt;a href="http://en.wikipedia.org/wiki/Piqu%C3%A9_(weaving)" target="_blank" rel="nofollow"&gt;piques&lt;/a&gt;, princess &lt;a href="http://en.wikipedia.org/wiki/Lawn_cloth" target="_blank" rel="nofollow"&gt;lawns&lt;/a&gt;, linen &lt;a href="http://en.wikipedia.org/wiki/Lawn_cloth" target="_blank" rel="nofollow"&gt;lawns&lt;/a&gt;, plain and stripe &lt;a href="http://en.wikipedia.org/wiki/Nainsook" target="_blank" rel="nofollow"&gt;nainsooks&lt;/a&gt;, embroidered suits, 8-4 &lt;a href="http://en.wikipedia.org/wiki/Organdy" target="_blank" rel="nofollow"&gt;organdie&lt;/a&gt;, etc., etc., at G. V. S. Quackenbush &amp; Co.'s."&lt;br /&gt;
&lt;br /&gt;
G. V. S. Quackenbush &amp; Co. used this colorful trade card to tout all the varieties of cloth--&lt;a href="http://en.wikipedia.org/wiki/Piqu%C3%A9_(weaving)" target="_blank" rel="nofollow"&gt;piqués&lt;/a&gt;, &lt;a href="http://en.wikipedia.org/wiki/Lawn_cloth" target="_blank" rel="nofollow"&gt;lawns&lt;/a&gt;, &lt;a href="http://en.wikipedia.org/wiki/Nainsook" target="_blank" rel="nofollow"&gt;nainsooks&lt;/a&gt;, &lt;a href="http://en.wikipedia.org/wiki/Organdy" target="_blank" rel="nofollow"&gt;organdies&lt;/a&gt;--that were available at its dry goods store in Troy, New York.&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/200/35/33/37993533.518eb840.1024.jpg?r2" type="image/jpeg" width="658" height="800" duration="0" isDefault="true"  />
    <media:thumbnail url="https://cdn.ipernity.com/200/35/33/37993533.4d394986.240.jpg?r2" width="198" height="240"/>
    <media:thumbnail url="https://cdn.ipernity.com/200/35/33/37993533.4d394986.100.jpg?r2" width="83" height="100"/>
    <media:credit role="author">Alan Mays</media:credit>
  </item>
  <item>
    <title>Walter S. Welton, Boots and Shoes, New Haven, Conn.</title>
    <link>https://www.ipernity.com/doc/aemays/37809182</link>
    <guid isPermaLink="false">tag:ipernity.com,2015-04-30,doc-37809182</guid>
    <pubDate>Thu, 30 Apr 2015 22:23:30 +0000</pubDate>
    <dc:date.created>2015-04-30T18:23:30-04:00</dc:date.created>
    <author>nobody@ipernity.com (Alan Mays)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/aemays"&gt;Alan Mays&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/aemays/37809182"&gt;&lt;img src="https://cdn.ipernity.com/200/91/82/37809182.8569b07b.240.jpg?r2" width="240" height="159" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;"Walter S. Welton, dealer in fine boots &amp; shoes, 338 Chapel St., New Haven, Conn. Copyrighted by John Gibson, 1881."&lt;br /&gt;
&lt;br /&gt;
A colorful and amusing Victorian-era advertising trade card.&lt;/div&gt;</description>
    <media:title>Walter S. Welton, Boots and Shoes, New Haven, Conn.</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/aemays"&gt;Alan Mays&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/aemays/37809182"&gt;&lt;img src="https://cdn.ipernity.com/200/91/82/37809182.8569b07b.240.jpg?r2" width="240" height="159" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;"Walter S. Welton, dealer in fine boots &amp; shoes, 338 Chapel St., New Haven, Conn. Copyrighted by John Gibson, 1881."&lt;br /&gt;
&lt;br /&gt;
A colorful and amusing Victorian-era advertising trade card.&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/200/91/82/37809182.cd463349.1024.jpg?r2" type="image/jpeg" width="800" height="527" duration="0" isDefault="true"  />
    <media:thumbnail url="https://cdn.ipernity.com/200/91/82/37809182.8569b07b.240.jpg?r2" width="240" height="159"/>
    <media:thumbnail url="https://cdn.ipernity.com/200/91/82/37809182.8569b07b.100.jpg?r2" width="100" height="66"/>
    <media:credit role="author">Alan Mays</media:credit>
  </item>
  <item>
    <title>Dwarf Nasturtium Seed Packet</title>
    <link>https://www.ipernity.com/doc/aemays/37846362</link>
    <guid isPermaLink="false">tag:ipernity.com,2015-04-23,doc-37846362</guid>
    <pubDate>Thu, 23 Apr 2015 21:16:46 +0000</pubDate>
    <dc:date.created>2015-04-23T17:16:46-04:00</dc:date.created>
    <author>nobody@ipernity.com (Alan Mays)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/aemays"&gt;Alan Mays&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/aemays/37846362"&gt;&lt;img src="https://cdn.ipernity.com/200/63/62/37846362.360d907d.240.jpg?r2" width="240" height="180" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;"Nasturtium Dwarf. Price 5¢."&lt;br /&gt;
&lt;br /&gt;
An early chromolithographed seed packet from the William D. Burt seed company of Dalton, N.Y.&lt;/div&gt;</description>
    <media:title>Dwarf Nasturtium Seed Packet</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/aemays"&gt;Alan Mays&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/aemays/37846362"&gt;&lt;img src="https://cdn.ipernity.com/200/63/62/37846362.360d907d.240.jpg?r2" width="240" height="180" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;"Nasturtium Dwarf. Price 5¢."&lt;br /&gt;
&lt;br /&gt;
An early chromolithographed seed packet from the William D. Burt seed company of Dalton, N.Y.&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/200/63/62/37846362.a263d109.1024.jpg?r2" type="image/jpeg" width="800" height="599" duration="0" isDefault="true"  />
    <media:thumbnail url="https://cdn.ipernity.com/200/63/62/37846362.360d907d.240.jpg?r2" width="240" height="180"/>
    <media:thumbnail url="https://cdn.ipernity.com/200/63/62/37846362.360d907d.100.jpg?r2" width="100" height="75"/>
    <media:credit role="author">Alan Mays</media:credit>
  </item>
  <item>
    <title>Easter Bunny Photographer</title>
    <link>https://www.ipernity.com/doc/aemays/37428258</link>
    <guid isPermaLink="false">tag:ipernity.com,2015-03-20,doc-37428258</guid>
    <pubDate>Fri, 20 Mar 2015 20:00:03 +0000</pubDate>
    <dc:date.created>2015-03-20T16:00:03-04:00</dc:date.created>
    <author>nobody@ipernity.com (Alan Mays)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/aemays"&gt;Alan Mays&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/aemays/37428258"&gt;&lt;img src="https://cdn.ipernity.com/200/82/58/37428258.6c40c287.240.jpg?r2" width="240" height="153" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;"Easter Greetings." Postmarked Herman, Pa., March 22, 1913, on back.&lt;/div&gt;</description>
    <media:title>Easter Bunny Photographer</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/aemays"&gt;Alan Mays&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/aemays/37428258"&gt;&lt;img src="https://cdn.ipernity.com/200/82/58/37428258.6c40c287.240.jpg?r2" width="240" height="153" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;"Easter Greetings." Postmarked Herman, Pa., March 22, 1913, on back.&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/200/82/58/37428258.7c15b909.1024.jpg?r2" type="image/jpeg" width="800" height="507" duration="0" isDefault="true"  />
    <media:thumbnail url="https://cdn.ipernity.com/200/82/58/37428258.6c40c287.240.jpg?r2" width="240" height="153"/>
    <media:thumbnail url="https://cdn.ipernity.com/200/82/58/37428258.6c40c287.100.jpg?r2" width="100" height="64"/>
    <media:credit role="author">Alan Mays</media:credit>
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