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    <title>Nicosia - Cyprus Museum</title>
    <link>https://www.ipernity.com/doc/323415/53305676</link>
    <guid isPermaLink="false">tag:ipernity.com,2026-04-24,doc-53305676</guid>
    <pubDate>Fri, 24 Apr 2026 21:39:12 +0000</pubDate>
    <dc:date.created>2025-12-01T13:31:17+02:00</dc:date.created>
    <author>nobody@ipernity.com (Martin M. Miles)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/323415"&gt;Martin M. Miles&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/323415/53305676"&gt;&lt;img src="https://cdn.ipernity.com/200/56/76/53305676.fd13b6c3.240.jpg?r2" width="240" height="169" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Nicosia (aka Lefkosia) is the capital of Cyprus. Its northern part is the de facto capital of Northern Cyprus. Nicosia has been continuously inhabited for over 5,500 years. &lt;br /&gt;
 &lt;br /&gt;
In 1960, Nicosia became the capital of the Republic of Cyprus, a state established by the Greek and Turkish Cypriots. In 1974, there was a coup d'état led by the Greek military junta to unite the island with Greece. The coup ousted president Makarios III and precipitated the invasion of the island by the Turkish army. The Turkish army advanced their positions, eventually capturing 37% of Cypriot territory including the northern part of Nicosia. &lt;br /&gt;
 &lt;br /&gt;
Today, Nicosia is divided by the Green Line into a Greek Cypriot and a Turkish Cypriot quarter, which is monitored by the United Nations Peacekeeping Force.&lt;br /&gt;
 &lt;br /&gt;
There are more than a dozen archeological museum ons Caprus, but the Cyprus Museum is the oldest and largest archaeological museum in Cyprus.&lt;br /&gt;
 &lt;br /&gt;
The museum was founded in 1882 to preserve the country’s ancient art treasures. The background to this was that Cyprus was, at that time, being systematically plundered of its archaeological treasures. The American ambassador, Luigi Palma di Cesnola, alone had acquired 35,000 artefacts for the Metropolitan Museum of Art in New York, whilst his brother, Alessandro Palma di Cesnola, stood trial for art theft. A law passed in 1905 to protect archaeological remains enabled the museum to safeguard artefacts and sites more effectively. In 1908, the museum moved to its current building and in 1961, an extension was added to the building. &lt;br /&gt;
 &lt;br /&gt;
 &lt;br /&gt;
Askos - Animal-Shaped Vessels&lt;br /&gt;
Bird with two horse heads and riders (??)&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Bellapais-Vounous necropolis, clay, bronze age, c 2025-1850 BCE&lt;/div&gt;</description>
    <media:title>Nicosia - Cyprus Museum</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/323415"&gt;Martin M. Miles&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/323415/53305676"&gt;&lt;img src="https://cdn.ipernity.com/200/56/76/53305676.fd13b6c3.240.jpg?r2" width="240" height="169" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Nicosia (aka Lefkosia) is the capital of Cyprus. Its northern part is the de facto capital of Northern Cyprus. Nicosia has been continuously inhabited for over 5,500 years. &lt;br /&gt;
 &lt;br /&gt;
In 1960, Nicosia became the capital of the Republic of Cyprus, a state established by the Greek and Turkish Cypriots. In 1974, there was a coup d'état led by the Greek military junta to unite the island with Greece. The coup ousted president Makarios III and precipitated the invasion of the island by the Turkish army. The Turkish army advanced their positions, eventually capturing 37% of Cypriot territory including the northern part of Nicosia. &lt;br /&gt;
 &lt;br /&gt;
Today, Nicosia is divided by the Green Line into a Greek Cypriot and a Turkish Cypriot quarter, which is monitored by the United Nations Peacekeeping Force.&lt;br /&gt;
 &lt;br /&gt;
There are more than a dozen archeological museum ons Caprus, but the Cyprus Museum is the oldest and largest archaeological museum in Cyprus.&lt;br /&gt;
 &lt;br /&gt;
The museum was founded in 1882 to preserve the country’s ancient art treasures. The background to this was that Cyprus was, at that time, being systematically plundered of its archaeological treasures. The American ambassador, Luigi Palma di Cesnola, alone had acquired 35,000 artefacts for the Metropolitan Museum of Art in New York, whilst his brother, Alessandro Palma di Cesnola, stood trial for art theft. A law passed in 1905 to protect archaeological remains enabled the museum to safeguard artefacts and sites more effectively. In 1908, the museum moved to its current building and in 1961, an extension was added to the building. &lt;br /&gt;
 &lt;br /&gt;
 &lt;br /&gt;
Askos - Animal-Shaped Vessels&lt;br /&gt;
Bird with two horse heads and riders (??)&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Bellapais-Vounous necropolis, clay, bronze age, c 2025-1850 BCE&lt;/div&gt;</media:text>
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    <title>Nicosia - Cyprus Museum</title>
    <link>https://www.ipernity.com/doc/323415/53305666</link>
    <guid isPermaLink="false">tag:ipernity.com,2026-04-24,doc-53305666</guid>
    <pubDate>Fri, 24 Apr 2026 21:23:15 +0000</pubDate>
    <dc:date.created>2025-12-01T13:33:33+02:00</dc:date.created>
    <author>nobody@ipernity.com (Martin M. Miles)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/323415"&gt;Martin M. Miles&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/323415/53305666"&gt;&lt;img src="https://cdn.ipernity.com/200/56/66/53305666.e5e7d1a9.240.jpg?r2" width="240" height="186" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Nicosia (aka Lefkosia) is the capital of Cyprus. Its northern part is the de facto capital of Northern Cyprus. Nicosia has been continuously inhabited for over 5,500 years. &lt;br /&gt;
 &lt;br /&gt;
In 1960, Nicosia became the capital of the Republic of Cyprus, a state established by the Greek and Turkish Cypriots. In 1974, there was a coup d'état led by the Greek military junta to unite the island with Greece. The coup ousted president Makarios III and precipitated the invasion of the island by the Turkish army. The Turkish army advanced their positions, eventually capturing 37% of Cypriot territory including the northern part of Nicosia. &lt;br /&gt;
 &lt;br /&gt;
Today, Nicosia is divided by the Green Line into a Greek Cypriot and a Turkish Cypriot quarter, which is monitored by the United Nations Peacekeeping Force.&lt;br /&gt;
 &lt;br /&gt;
There are more than a dozen archeological museum ons Caprus, but the Cyprus Museum is the oldest and largest archaeological museum in Cyprus.&lt;br /&gt;
 &lt;br /&gt;
The museum was founded in 1882 to preserve the country’s ancient art treasures. The background to this was that Cyprus was, at that time, being systematically plundered of its archaeological treasures. The American ambassador, Luigi Palma di Cesnola, alone had acquired 35,000 artefacts for the Metropolitan Museum of Art in New York, whilst his brother, Alessandro Palma di Cesnola, stood trial for art theft. A law passed in 1905 to protect archaeological remains enabled the museum to safeguard artefacts and sites more effectively. In 1908, the museum moved to its current building and in 1961, an extension was added to the building. &lt;br /&gt;
 &lt;br /&gt;
 &lt;br /&gt;
Askoi - Animal-Shaped Vessels&lt;br /&gt;
Boar and bird&lt;br /&gt;
&lt;br /&gt;
Bellapais-Vounous necropolis, clay, bronze age, c 2025-1850 BCE&lt;/div&gt;</description>
    <media:title>Nicosia - Cyprus Museum</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/323415"&gt;Martin M. Miles&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/323415/53305666"&gt;&lt;img src="https://cdn.ipernity.com/200/56/66/53305666.e5e7d1a9.240.jpg?r2" width="240" height="186" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Nicosia (aka Lefkosia) is the capital of Cyprus. Its northern part is the de facto capital of Northern Cyprus. Nicosia has been continuously inhabited for over 5,500 years. &lt;br /&gt;
 &lt;br /&gt;
In 1960, Nicosia became the capital of the Republic of Cyprus, a state established by the Greek and Turkish Cypriots. In 1974, there was a coup d'état led by the Greek military junta to unite the island with Greece. The coup ousted president Makarios III and precipitated the invasion of the island by the Turkish army. The Turkish army advanced their positions, eventually capturing 37% of Cypriot territory including the northern part of Nicosia. &lt;br /&gt;
 &lt;br /&gt;
Today, Nicosia is divided by the Green Line into a Greek Cypriot and a Turkish Cypriot quarter, which is monitored by the United Nations Peacekeeping Force.&lt;br /&gt;
 &lt;br /&gt;
There are more than a dozen archeological museum ons Caprus, but the Cyprus Museum is the oldest and largest archaeological museum in Cyprus.&lt;br /&gt;
 &lt;br /&gt;
The museum was founded in 1882 to preserve the country’s ancient art treasures. The background to this was that Cyprus was, at that time, being systematically plundered of its archaeological treasures. The American ambassador, Luigi Palma di Cesnola, alone had acquired 35,000 artefacts for the Metropolitan Museum of Art in New York, whilst his brother, Alessandro Palma di Cesnola, stood trial for art theft. A law passed in 1905 to protect archaeological remains enabled the museum to safeguard artefacts and sites more effectively. In 1908, the museum moved to its current building and in 1961, an extension was added to the building. &lt;br /&gt;
 &lt;br /&gt;
 &lt;br /&gt;
Askoi - Animal-Shaped Vessels&lt;br /&gt;
Boar and bird&lt;br /&gt;
&lt;br /&gt;
Bellapais-Vounous necropolis, clay, bronze age, c 2025-1850 BCE&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/200/56/66/53305666.e5e7d1a9.560.jpg?r2" type="image/jpeg" width="560" height="434" duration="0" isDefault="true"  />
    <media:thumbnail url="https://cdn.ipernity.com/200/56/66/53305666.e5e7d1a9.240.jpg?r2" width="240" height="186"/>
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    <title>Nicosia - Cyprus Museum</title>
    <link>https://www.ipernity.com/doc/323415/53305664</link>
    <guid isPermaLink="false">tag:ipernity.com,2026-04-24,doc-53305664</guid>
    <pubDate>Fri, 24 Apr 2026 21:14:32 +0000</pubDate>
    <dc:date.created>2025-12-01T13:30:41+02:00</dc:date.created>
    <author>nobody@ipernity.com (Martin M. Miles)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/323415"&gt;Martin M. Miles&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/323415/53305664"&gt;&lt;img src="https://cdn.ipernity.com/200/56/64/53305664.f288a79b.240.jpg?r2" width="240" height="107" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Nicosia (aka Lefkosia) is the capital of Cyprus. Its northern part is the de facto capital of Northern Cyprus. Nicosia has been continuously inhabited for over 5,500 years. &lt;br /&gt;
 &lt;br /&gt;
In 1960, Nicosia became the capital of the Republic of Cyprus, a state established by the Greek and Turkish Cypriots. In 1974, there was a coup d'état led by the Greek military junta to unite the island with Greece. The coup ousted president Makarios III and precipitated the invasion of the island by the Turkish army. The Turkish army advanced their positions, eventually capturing 37% of Cypriot territory including the northern part of Nicosia. &lt;br /&gt;
 &lt;br /&gt;
Today, Nicosia is divided by the Green Line into a Greek Cypriot and a Turkish Cypriot quarter, which is monitored by the United Nations Peacekeeping Force.&lt;br /&gt;
 &lt;br /&gt;
There are more than a dozen archeological museum ons Caprus, but the Cyprus Museum is the oldest and largest archaeological museum in Cyprus.&lt;br /&gt;
 &lt;br /&gt;
The museum was founded in 1882 to preserve the country’s ancient art treasures. The background to this was that Cyprus was, at that time, being systematically plundered of its archaeological treasures. The American ambassador, Luigi Palma di Cesnola, alone had acquired 35,000 artefacts for the Metropolitan Museum of Art in New York, whilst his brother, Alessandro Palma di Cesnola, stood trial for art theft. A law passed in 1905 to protect archaeological remains enabled the museum to safeguard artefacts and sites more effectively. In 1908, the museum moved to its current building and in 1961, an extension was added to the building. &lt;br /&gt;
 &lt;br /&gt;
 &lt;br /&gt;
Askoi - Animal-Shaped Vessels&lt;br /&gt;
Boar and bird&lt;br /&gt;
&lt;br /&gt;
Bellapais-Vounous necropolis, clay, bronze age, c 2025-1850 BCE&lt;/div&gt;</description>
    <media:title>Nicosia - Cyprus Museum</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/323415"&gt;Martin M. Miles&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/323415/53305664"&gt;&lt;img src="https://cdn.ipernity.com/200/56/64/53305664.f288a79b.240.jpg?r2" width="240" height="107" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Nicosia (aka Lefkosia) is the capital of Cyprus. Its northern part is the de facto capital of Northern Cyprus. Nicosia has been continuously inhabited for over 5,500 years. &lt;br /&gt;
 &lt;br /&gt;
In 1960, Nicosia became the capital of the Republic of Cyprus, a state established by the Greek and Turkish Cypriots. In 1974, there was a coup d'état led by the Greek military junta to unite the island with Greece. The coup ousted president Makarios III and precipitated the invasion of the island by the Turkish army. The Turkish army advanced their positions, eventually capturing 37% of Cypriot territory including the northern part of Nicosia. &lt;br /&gt;
 &lt;br /&gt;
Today, Nicosia is divided by the Green Line into a Greek Cypriot and a Turkish Cypriot quarter, which is monitored by the United Nations Peacekeeping Force.&lt;br /&gt;
 &lt;br /&gt;
There are more than a dozen archeological museum ons Caprus, but the Cyprus Museum is the oldest and largest archaeological museum in Cyprus.&lt;br /&gt;
 &lt;br /&gt;
The museum was founded in 1882 to preserve the country’s ancient art treasures. The background to this was that Cyprus was, at that time, being systematically plundered of its archaeological treasures. The American ambassador, Luigi Palma di Cesnola, alone had acquired 35,000 artefacts for the Metropolitan Museum of Art in New York, whilst his brother, Alessandro Palma di Cesnola, stood trial for art theft. A law passed in 1905 to protect archaeological remains enabled the museum to safeguard artefacts and sites more effectively. In 1908, the museum moved to its current building and in 1961, an extension was added to the building. &lt;br /&gt;
 &lt;br /&gt;
 &lt;br /&gt;
Askoi - Animal-Shaped Vessels&lt;br /&gt;
Boar and bird&lt;br /&gt;
&lt;br /&gt;
Bellapais-Vounous necropolis, clay, bronze age, c 2025-1850 BCE&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/200/56/64/53305664.f288a79b.560.jpg?r2" type="image/jpeg" width="560" height="249" duration="0" isDefault="true"  />
    <media:thumbnail url="https://cdn.ipernity.com/200/56/64/53305664.f288a79b.240.jpg?r2" width="240" height="107"/>
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    <title>Nicosia - Cyprus Museum</title>
    <link>https://www.ipernity.com/doc/323415/53305610</link>
    <guid isPermaLink="false">tag:ipernity.com,2026-04-24,doc-53305610</guid>
    <pubDate>Fri, 24 Apr 2026 17:56:25 +0000</pubDate>
    <dc:date.created>2025-12-01T13:31:03+02:00</dc:date.created>
    <author>nobody@ipernity.com (Martin M. Miles)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/323415"&gt;Martin M. Miles&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/323415/53305610"&gt;&lt;img src="https://cdn.ipernity.com/200/56/10/53305610.4911be32.240.jpg?r2" width="112" height="240" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Nicosia (aka Lefkosia) is the capital of Cyprus. Its northern part is the de facto capital of Northern Cyprus. Nicosia has been continuously inhabited for over 5,500 years. &lt;br /&gt;
 &lt;br /&gt;
In 1960, Nicosia became the capital of the Republic of Cyprus, a state established by the Greek and Turkish Cypriots. In 1974, there was a coup d'état led by the Greek military junta to unite the island with Greece. The coup ousted president Makarios III and precipitated the invasion of the island by the Turkish army. The Turkish army advanced their positions, eventually capturing 37% of Cypriot territory including the northern part of Nicosia. &lt;br /&gt;
 &lt;br /&gt;
Today, Nicosia is divided by the Green Line into a Greek Cypriot and a Turkish Cypriot quarter, which is monitored by the United Nations Peacekeeping Force.&lt;br /&gt;
 &lt;br /&gt;
There are more than a dozen archeological museum ons Caprus, but the Cyprus Museum is the oldest and largest archaeological museum in Cyprus.&lt;br /&gt;
 &lt;br /&gt;
The museum was founded in 1882 to preserve the country’s ancient art treasures. The background to this was that Cyprus was, at that time, being systematically plundered of its archaeological treasures. The American ambassador, Luigi Palma di Cesnola, alone had acquired 35,000 artefacts for the Metropolitan Museum of Art in New York, whilst his brother, Alessandro Palma di Cesnola, stood trial for art theft. A law passed in 1905 to protect archaeological remains enabled the museum to safeguard artefacts and sites more effectively. In 1908, the museum moved to its current building and in 1961, an extension was added to the building. &lt;br /&gt;
 &lt;br /&gt;
Kernos&lt;br /&gt;
Bellapais-Vounous necropolis, clay, bronze age, c 2025-1850 BCE&lt;br /&gt;
&lt;br /&gt;
The statuette is interpreted as a representation of a female deity or matron deity. The figure has a tall, stylized body and stands on a base with four bowls.&lt;br /&gt;
&lt;br /&gt;
Such idols likely served as symbols of fertility. &lt;br /&gt;
&lt;br /&gt;
Kernos vessels (vessels with multiple bowls), were often used for ritual libations or religious ceremonies in the Early to Middle Cypriot Bronze Age.&lt;/div&gt;</description>
    <media:title>Nicosia - Cyprus Museum</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/323415"&gt;Martin M. Miles&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/323415/53305610"&gt;&lt;img src="https://cdn.ipernity.com/200/56/10/53305610.4911be32.240.jpg?r2" width="112" height="240" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Nicosia (aka Lefkosia) is the capital of Cyprus. Its northern part is the de facto capital of Northern Cyprus. Nicosia has been continuously inhabited for over 5,500 years. &lt;br /&gt;
 &lt;br /&gt;
In 1960, Nicosia became the capital of the Republic of Cyprus, a state established by the Greek and Turkish Cypriots. In 1974, there was a coup d'état led by the Greek military junta to unite the island with Greece. The coup ousted president Makarios III and precipitated the invasion of the island by the Turkish army. The Turkish army advanced their positions, eventually capturing 37% of Cypriot territory including the northern part of Nicosia. &lt;br /&gt;
 &lt;br /&gt;
Today, Nicosia is divided by the Green Line into a Greek Cypriot and a Turkish Cypriot quarter, which is monitored by the United Nations Peacekeeping Force.&lt;br /&gt;
 &lt;br /&gt;
There are more than a dozen archeological museum ons Caprus, but the Cyprus Museum is the oldest and largest archaeological museum in Cyprus.&lt;br /&gt;
 &lt;br /&gt;
The museum was founded in 1882 to preserve the country’s ancient art treasures. The background to this was that Cyprus was, at that time, being systematically plundered of its archaeological treasures. The American ambassador, Luigi Palma di Cesnola, alone had acquired 35,000 artefacts for the Metropolitan Museum of Art in New York, whilst his brother, Alessandro Palma di Cesnola, stood trial for art theft. A law passed in 1905 to protect archaeological remains enabled the museum to safeguard artefacts and sites more effectively. In 1908, the museum moved to its current building and in 1961, an extension was added to the building. &lt;br /&gt;
 &lt;br /&gt;
Kernos&lt;br /&gt;
Bellapais-Vounous necropolis, clay, bronze age, c 2025-1850 BCE&lt;br /&gt;
&lt;br /&gt;
The statuette is interpreted as a representation of a female deity or matron deity. The figure has a tall, stylized body and stands on a base with four bowls.&lt;br /&gt;
&lt;br /&gt;
Such idols likely served as symbols of fertility. &lt;br /&gt;
&lt;br /&gt;
Kernos vessels (vessels with multiple bowls), were often used for ritual libations or religious ceremonies in the Early to Middle Cypriot Bronze Age.&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/200/56/10/53305610.4911be32.560.jpg?r2" type="image/jpeg" width="260" height="560" duration="0" isDefault="true"  />
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    <media:credit role="author">Martin M. Miles</media:credit>
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  <item>
    <title>Nicosia - Cyprus Museum</title>
    <link>https://www.ipernity.com/doc/323415/53305424</link>
    <guid isPermaLink="false">tag:ipernity.com,2026-04-24,doc-53305424</guid>
    <pubDate>Fri, 24 Apr 2026 12:35:59 +0000</pubDate>
    <dc:date.created>2025-12-01T13:30:21+02:00</dc:date.created>
    <author>nobody@ipernity.com (Martin M. Miles)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/323415"&gt;Martin M. Miles&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/323415/53305424"&gt;&lt;img src="https://cdn.ipernity.com/200/54/24/53305424.52c2b885.240.jpg?r2" width="240" height="197" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Nicosia (aka Lefkosia) is the capital of Cyprus. Its northern part is the de facto capital of Northern Cyprus. Nicosia has been continuously inhabited for over 5,500 years. &lt;br /&gt;
 &lt;br /&gt;
In 1960, Nicosia became the capital of the Republic of Cyprus, a state established by the Greek and Turkish Cypriots. In 1974, there was a coup d'état led by the Greek military junta to unite the island with Greece. The coup ousted president Makarios III and precipitated the invasion of the island by the Turkish army. The Turkish army advanced their positions, eventually capturing 37% of Cypriot territory including the northern part of Nicosia. &lt;br /&gt;
 &lt;br /&gt;
Today, Nicosia is divided by the Green Line into a Greek Cypriot and a Turkish Cypriot quarter, which is monitored by the United Nations Peacekeeping Force.&lt;br /&gt;
 &lt;br /&gt;
There are more than a dozen archeological museum ons Caprus, but the Cyprus Museum is the oldest and largest archaeological museum in Cyprus.&lt;br /&gt;
 &lt;br /&gt;
The museum was founded in 1882 to preserve the country’s ancient art treasures. The background to this was that Cyprus was, at that time, being systematically plundered of its archaeological treasures. The American ambassador, Luigi Palma di Cesnola, alone had acquired 35,000 artefacts for the Metropolitan Museum of Art in New York, whilst his brother, Alessandro Palma di Cesnola, stood trial for art theft. A law passed in 1905 to protect archaeological remains enabled the museum to safeguard artefacts and sites more effectively. In 1908, the museum moved to its current building and in 1961, an extension was added to the building. &lt;br /&gt;
 &lt;br /&gt;
&lt;br /&gt;
Clay pyxis &lt;br /&gt;
Bellapais-Vounous necropolis, clay, bronze age, c 2025-1850 BCE&lt;br /&gt;
&lt;br /&gt;
On the boat shaped pyxis, human figures on the two ends are facing each other, a man and a woman holding a baby at her breast. They may symbolise the concept of fertility. The figures are so-called plank figures. These highly stylized, two-dimensional human representations are a hallmark of Cypriot art of this era.&lt;/div&gt;</description>
    <media:title>Nicosia - Cyprus Museum</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/323415"&gt;Martin M. Miles&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/323415/53305424"&gt;&lt;img src="https://cdn.ipernity.com/200/54/24/53305424.52c2b885.240.jpg?r2" width="240" height="197" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Nicosia (aka Lefkosia) is the capital of Cyprus. Its northern part is the de facto capital of Northern Cyprus. Nicosia has been continuously inhabited for over 5,500 years. &lt;br /&gt;
 &lt;br /&gt;
In 1960, Nicosia became the capital of the Republic of Cyprus, a state established by the Greek and Turkish Cypriots. In 1974, there was a coup d'état led by the Greek military junta to unite the island with Greece. The coup ousted president Makarios III and precipitated the invasion of the island by the Turkish army. The Turkish army advanced their positions, eventually capturing 37% of Cypriot territory including the northern part of Nicosia. &lt;br /&gt;
 &lt;br /&gt;
Today, Nicosia is divided by the Green Line into a Greek Cypriot and a Turkish Cypriot quarter, which is monitored by the United Nations Peacekeeping Force.&lt;br /&gt;
 &lt;br /&gt;
There are more than a dozen archeological museum ons Caprus, but the Cyprus Museum is the oldest and largest archaeological museum in Cyprus.&lt;br /&gt;
 &lt;br /&gt;
The museum was founded in 1882 to preserve the country’s ancient art treasures. The background to this was that Cyprus was, at that time, being systematically plundered of its archaeological treasures. The American ambassador, Luigi Palma di Cesnola, alone had acquired 35,000 artefacts for the Metropolitan Museum of Art in New York, whilst his brother, Alessandro Palma di Cesnola, stood trial for art theft. A law passed in 1905 to protect archaeological remains enabled the museum to safeguard artefacts and sites more effectively. In 1908, the museum moved to its current building and in 1961, an extension was added to the building. &lt;br /&gt;
 &lt;br /&gt;
&lt;br /&gt;
Clay pyxis &lt;br /&gt;
Bellapais-Vounous necropolis, clay, bronze age, c 2025-1850 BCE&lt;br /&gt;
&lt;br /&gt;
On the boat shaped pyxis, human figures on the two ends are facing each other, a man and a woman holding a baby at her breast. They may symbolise the concept of fertility. The figures are so-called plank figures. These highly stylized, two-dimensional human representations are a hallmark of Cypriot art of this era.&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/200/54/24/53305424.52c2b885.560.jpg?r2" type="image/jpeg" width="560" height="458" duration="0" isDefault="true"  />
    <media:thumbnail url="https://cdn.ipernity.com/200/54/24/53305424.52c2b885.240.jpg?r2" width="240" height="197"/>
    <media:thumbnail url="https://cdn.ipernity.com/200/54/24/53305424.52c2b885.100.jpg?r2" width="100" height="82"/>
    <media:credit role="author">Martin M. Miles</media:credit>
  </item>
  <item>
    <title>Terracotta Pyxis with a Lid in the Metropolitan Museum of Art, January 2012</title>
    <link>https://www.ipernity.com/doc/laurieannie/53097506</link>
    <guid isPermaLink="false">tag:ipernity.com,2025-02-08,doc-53097506</guid>
    <pubDate>Sat, 08 Feb 2025 06:03:26 +0000</pubDate>
    <dc:date.created>2012-01-20T15:45:21-04:00</dc:date.created>
    <author>nobody@ipernity.com (LaurieAnnie)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/laurieannie"&gt;LaurieAnnie&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/laurieannie/53097506"&gt;&lt;img src="https://cdn.ipernity.com/200/75/06/53097506.0db3faa8.240.jpg?r2" width="190" height="240" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Title: Terracotta pyxis (box) with lid&lt;br /&gt;
&lt;br /&gt;
Artist: Attributed to the Painter of Philadelphia 2449&lt;br /&gt;
&lt;br /&gt;
Period: Classical&lt;br /&gt;
&lt;br /&gt;
Date: ca. 460 BCE&lt;br /&gt;
&lt;br /&gt;
Culture: Greek, Attic&lt;br /&gt;
&lt;br /&gt;
Medium: Terracotta; red-figure&lt;br /&gt;
&lt;br /&gt;
Dimensions: H. with cover 4 5/8 in. (11.7 cm)&lt;br /&gt;
H. without cover 3 1/8 in. (7.9 cm)&lt;br /&gt;
&lt;br /&gt;
Classification: Vases&lt;br /&gt;
&lt;br /&gt;
Credit Line: Rogers Fund, 1906&lt;br /&gt;
&lt;br /&gt;
Object Number: 06.1117a, b&lt;br /&gt;
&lt;br /&gt;
Interior scene with six women conversing and working wool&lt;br /&gt;
&lt;br /&gt;
The woman to the right of the column, who has just arrived, offers a long fillet (band) to her seated friend and receives a flower in return. Behind her, another woman walks toward a seated woman holding up a necklace. Two women work wool. One stands with a distaff in her left hand. From the hank of wool wound around it, she has drawn out a length of fibers and is twisting them into yarn with her right hand by twirling the long spindle that hangs over a wool basket. The other woman sits with one leg propped up and her skirt raised above the knee. She apparently is winding wool into a skein and drawing the yarn over her leg to prevent it from snarling.&lt;br /&gt;
&lt;br /&gt;
Text from:  &lt;a href="https://www.metmuseum.org/art/collection/search/247535" target="_blank" rel="nofollow"&gt;www.metmuseum.org/art/collection/search/247535&lt;/a&gt;&lt;/div&gt;</description>
    <media:title>Terracotta Pyxis with a Lid in the Metropolitan Museum of Art, January 2012</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/laurieannie"&gt;LaurieAnnie&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/laurieannie/53097506"&gt;&lt;img src="https://cdn.ipernity.com/200/75/06/53097506.0db3faa8.240.jpg?r2" width="190" height="240" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Title: Terracotta pyxis (box) with lid&lt;br /&gt;
&lt;br /&gt;
Artist: Attributed to the Painter of Philadelphia 2449&lt;br /&gt;
&lt;br /&gt;
Period: Classical&lt;br /&gt;
&lt;br /&gt;
Date: ca. 460 BCE&lt;br /&gt;
&lt;br /&gt;
Culture: Greek, Attic&lt;br /&gt;
&lt;br /&gt;
Medium: Terracotta; red-figure&lt;br /&gt;
&lt;br /&gt;
Dimensions: H. with cover 4 5/8 in. (11.7 cm)&lt;br /&gt;
H. without cover 3 1/8 in. (7.9 cm)&lt;br /&gt;
&lt;br /&gt;
Classification: Vases&lt;br /&gt;
&lt;br /&gt;
Credit Line: Rogers Fund, 1906&lt;br /&gt;
&lt;br /&gt;
Object Number: 06.1117a, b&lt;br /&gt;
&lt;br /&gt;
Interior scene with six women conversing and working wool&lt;br /&gt;
&lt;br /&gt;
The woman to the right of the column, who has just arrived, offers a long fillet (band) to her seated friend and receives a flower in return. Behind her, another woman walks toward a seated woman holding up a necklace. Two women work wool. One stands with a distaff in her left hand. From the hank of wool wound around it, she has drawn out a length of fibers and is twisting them into yarn with her right hand by twirling the long spindle that hangs over a wool basket. The other woman sits with one leg propped up and her skirt raised above the knee. She apparently is winding wool into a skein and drawing the yarn over her leg to prevent it from snarling.&lt;br /&gt;
&lt;br /&gt;
Text from:  &lt;a href="https://www.metmuseum.org/art/collection/search/247535" target="_blank" rel="nofollow"&gt;www.metmuseum.org/art/collection/search/247535&lt;/a&gt;&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/200/75/06/53097506.0db3faa8.560.jpg?r2" type="image/jpeg" width="444" height="560" duration="0" isDefault="true"  />
    <media:thumbnail url="https://cdn.ipernity.com/200/75/06/53097506.0db3faa8.240.jpg?r2" width="190" height="240"/>
    <media:thumbnail url="https://cdn.ipernity.com/200/75/06/53097506.0db3faa8.100.jpg?r2" width="80" height="100"/>
    <media:credit role="author">LaurieAnnie</media:credit>
  </item>
  <item>
    <title>Terracotta Pyxis with a Lid in the Metropolitan Museum of Art, January 2012</title>
    <link>https://www.ipernity.com/doc/laurieannie/53097504</link>
    <guid isPermaLink="false">tag:ipernity.com,2025-02-08,doc-53097504</guid>
    <pubDate>Sat, 08 Feb 2025 06:03:24 +0000</pubDate>
    <dc:date.created>2012-01-20T15:44:57-04:00</dc:date.created>
    <author>nobody@ipernity.com (LaurieAnnie)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/laurieannie"&gt;LaurieAnnie&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/laurieannie/53097504"&gt;&lt;img src="https://cdn.ipernity.com/200/75/04/53097504.762a780a.240.jpg?r2" width="192" height="240" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Title: Terracotta pyxis (box) with lid&lt;br /&gt;
&lt;br /&gt;
Artist: Attributed to the Painter of Philadelphia 2449&lt;br /&gt;
&lt;br /&gt;
Period: Classical&lt;br /&gt;
&lt;br /&gt;
Date: ca. 460 BCE&lt;br /&gt;
&lt;br /&gt;
Culture: Greek, Attic&lt;br /&gt;
&lt;br /&gt;
Medium: Terracotta; red-figure&lt;br /&gt;
&lt;br /&gt;
Dimensions: H. with cover 4 5/8 in. (11.7 cm)&lt;br /&gt;
H. without cover 3 1/8 in. (7.9 cm)&lt;br /&gt;
&lt;br /&gt;
Classification: Vases&lt;br /&gt;
&lt;br /&gt;
Credit Line: Rogers Fund, 1906&lt;br /&gt;
&lt;br /&gt;
Object Number: 06.1117a, b&lt;br /&gt;
&lt;br /&gt;
Interior scene with six women conversing and working wool&lt;br /&gt;
&lt;br /&gt;
The woman to the right of the column, who has just arrived, offers a long fillet (band) to her seated friend and receives a flower in return. Behind her, another woman walks toward a seated woman holding up a necklace. Two women work wool. One stands with a distaff in her left hand. From the hank of wool wound around it, she has drawn out a length of fibers and is twisting them into yarn with her right hand by twirling the long spindle that hangs over a wool basket. The other woman sits with one leg propped up and her skirt raised above the knee. She apparently is winding wool into a skein and drawing the yarn over her leg to prevent it from snarling.&lt;br /&gt;
&lt;br /&gt;
Text from:  &lt;a href="https://www.metmuseum.org/art/collection/search/247535" target="_blank" rel="nofollow"&gt;www.metmuseum.org/art/collection/search/247535&lt;/a&gt;&lt;/div&gt;</description>
    <media:title>Terracotta Pyxis with a Lid in the Metropolitan Museum of Art, January 2012</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/laurieannie"&gt;LaurieAnnie&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/laurieannie/53097504"&gt;&lt;img src="https://cdn.ipernity.com/200/75/04/53097504.762a780a.240.jpg?r2" width="192" height="240" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Title: Terracotta pyxis (box) with lid&lt;br /&gt;
&lt;br /&gt;
Artist: Attributed to the Painter of Philadelphia 2449&lt;br /&gt;
&lt;br /&gt;
Period: Classical&lt;br /&gt;
&lt;br /&gt;
Date: ca. 460 BCE&lt;br /&gt;
&lt;br /&gt;
Culture: Greek, Attic&lt;br /&gt;
&lt;br /&gt;
Medium: Terracotta; red-figure&lt;br /&gt;
&lt;br /&gt;
Dimensions: H. with cover 4 5/8 in. (11.7 cm)&lt;br /&gt;
H. without cover 3 1/8 in. (7.9 cm)&lt;br /&gt;
&lt;br /&gt;
Classification: Vases&lt;br /&gt;
&lt;br /&gt;
Credit Line: Rogers Fund, 1906&lt;br /&gt;
&lt;br /&gt;
Object Number: 06.1117a, b&lt;br /&gt;
&lt;br /&gt;
Interior scene with six women conversing and working wool&lt;br /&gt;
&lt;br /&gt;
The woman to the right of the column, who has just arrived, offers a long fillet (band) to her seated friend and receives a flower in return. Behind her, another woman walks toward a seated woman holding up a necklace. Two women work wool. One stands with a distaff in her left hand. From the hank of wool wound around it, she has drawn out a length of fibers and is twisting them into yarn with her right hand by twirling the long spindle that hangs over a wool basket. The other woman sits with one leg propped up and her skirt raised above the knee. She apparently is winding wool into a skein and drawing the yarn over her leg to prevent it from snarling.&lt;br /&gt;
&lt;br /&gt;
Text from:  &lt;a href="https://www.metmuseum.org/art/collection/search/247535" target="_blank" rel="nofollow"&gt;www.metmuseum.org/art/collection/search/247535&lt;/a&gt;&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/200/75/04/53097504.762a780a.560.jpg?r2" type="image/jpeg" width="448" height="560" duration="0" isDefault="true"  />
    <media:thumbnail url="https://cdn.ipernity.com/200/75/04/53097504.762a780a.240.jpg?r2" width="192" height="240"/>
    <media:thumbnail url="https://cdn.ipernity.com/200/75/04/53097504.762a780a.100.jpg?r2" width="80" height="100"/>
    <media:credit role="author">LaurieAnnie</media:credit>
  </item>
  <item>
    <title>Berlin - Altes Museum</title>
    <link>https://www.ipernity.com/doc/323415/52999502</link>
    <guid isPermaLink="false">tag:ipernity.com,2025-07-04,doc-52999502</guid>
    <pubDate>Fri, 04 Jul 2025 21:32:35 +0000</pubDate>
    <dc:date.created>2025-03-01T12:55:44+02:00</dc:date.created>
    <author>nobody@ipernity.com (Martin M. Miles)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/323415"&gt;Martin M. Miles&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/323415/52999502"&gt;&lt;img src="https://cdn.ipernity.com/200/95/02/52999502.5daa17f8.240.jpg?r2" width="240" height="180" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;The Altes Museum (Old Museum) is part of the Museum Island complex and is therefore a UNESCO World Heritage Site. Built by Karl Friedrich Schinkel between 1825 and 1830 on behalf of King Frederick William III, it is considered one of the masterpieces of German Classicism. The architect Schinkel's plans were also based on designs by the Crown Prince, later King Friedrich Wilhelm IV, who desired an acropolis-like development of the Museum Island.&lt;br /&gt;
&lt;br /&gt;
During the Nazi era, the Altes Museum served as a backdrop for propaganda events. It was hit by high-explosive bombs during air raids in 1941 and 1943 and burned down in May 1945 when an ammunition truck parked next to it exploded.&lt;br /&gt;
&lt;br /&gt;
From 1951 to 1966, the building was largely restored to its original condition. Since 1904, the Antiquities Collection was housed here, which was relocated around 1942. After the building's reconstruction, the Antiquities Collection's exhibits were again housed here.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Pyxis / Thebes, Boeotia / Clay / 750-725 BC / Attic&lt;/div&gt;</description>
    <media:title>Berlin - Altes Museum</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/323415"&gt;Martin M. Miles&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/323415/52999502"&gt;&lt;img src="https://cdn.ipernity.com/200/95/02/52999502.5daa17f8.240.jpg?r2" width="240" height="180" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;The Altes Museum (Old Museum) is part of the Museum Island complex and is therefore a UNESCO World Heritage Site. Built by Karl Friedrich Schinkel between 1825 and 1830 on behalf of King Frederick William III, it is considered one of the masterpieces of German Classicism. The architect Schinkel's plans were also based on designs by the Crown Prince, later King Friedrich Wilhelm IV, who desired an acropolis-like development of the Museum Island.&lt;br /&gt;
&lt;br /&gt;
During the Nazi era, the Altes Museum served as a backdrop for propaganda events. It was hit by high-explosive bombs during air raids in 1941 and 1943 and burned down in May 1945 when an ammunition truck parked next to it exploded.&lt;br /&gt;
&lt;br /&gt;
From 1951 to 1966, the building was largely restored to its original condition. Since 1904, the Antiquities Collection was housed here, which was relocated around 1942. After the building's reconstruction, the Antiquities Collection's exhibits were again housed here.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Pyxis / Thebes, Boeotia / Clay / 750-725 BC / Attic&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/200/95/02/52999502.5daa17f8.560.jpg?r2" type="image/jpeg" width="560" height="420" duration="0" isDefault="true"  />
    <media:thumbnail url="https://cdn.ipernity.com/200/95/02/52999502.5daa17f8.240.jpg?r2" width="240" height="180"/>
    <media:thumbnail url="https://cdn.ipernity.com/200/95/02/52999502.5daa17f8.100.jpg?r2" width="100" height="75"/>
    <media:credit role="author">Martin M. Miles</media:credit>
  </item>
  <item>
    <title>Cylindrical Ivory Pyxis with Spiral Decoration in the National Archaeological Museum in Athens, June 2014</title>
    <link>https://www.ipernity.com/doc/laurieannie/50966354</link>
    <guid isPermaLink="false">tag:ipernity.com,2021-08-01,doc-50966354</guid>
    <pubDate>Sun, 01 Aug 2021 04:07:37 +0000</pubDate>
    <dc:date.created>2014-06-04T18:04:22-04:00</dc:date.created>
    <author>nobody@ipernity.com (LaurieAnnie)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/laurieannie"&gt;LaurieAnnie&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/laurieannie/50966354"&gt;&lt;img src="https://cdn.ipernity.com/200/63/54/50966354.440361e0.240.jpg?r2" width="135" height="240" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;&lt;/div&gt;</description>
    <media:title>Cylindrical Ivory Pyxis with Spiral Decoration in the National Archaeological Museum in Athens, June 2014</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/laurieannie"&gt;LaurieAnnie&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/laurieannie/50966354"&gt;&lt;img src="https://cdn.ipernity.com/200/63/54/50966354.440361e0.240.jpg?r2" width="135" height="240" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/200/63/54/50966354.440361e0.560.jpg?r2" type="image/jpeg" width="314" height="560" duration="0" isDefault="true"  />
    <media:thumbnail url="https://cdn.ipernity.com/200/63/54/50966354.440361e0.240.jpg?r2" width="135" height="240"/>
    <media:thumbnail url="https://cdn.ipernity.com/200/63/54/50966354.440361e0.100.jpg?r2" width="57" height="100"/>
    <media:credit role="author">LaurieAnnie</media:credit>
  </item>
  <item>
    <title>Cylindrical Ivory Pyxis with Spiral Decoration in the National Archaeological Museum in Athens, June 2014</title>
    <link>https://www.ipernity.com/doc/laurieannie/50966356</link>
    <guid isPermaLink="false">tag:ipernity.com,2021-08-01,doc-50966356</guid>
    <pubDate>Sun, 01 Aug 2021 04:07:39 +0000</pubDate>
    <dc:date.created>2014-06-04T18:04:25-04:00</dc:date.created>
    <author>nobody@ipernity.com (LaurieAnnie)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/laurieannie"&gt;LaurieAnnie&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/laurieannie/50966356"&gt;&lt;img src="https://cdn.ipernity.com/200/63/56/50966356.cf70c43f.240.jpg?r2" width="124" height="240" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;&lt;/div&gt;</description>
    <media:title>Cylindrical Ivory Pyxis with Spiral Decoration in the National Archaeological Museum in Athens, June 2014</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/laurieannie"&gt;LaurieAnnie&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/laurieannie/50966356"&gt;&lt;img src="https://cdn.ipernity.com/200/63/56/50966356.cf70c43f.240.jpg?r2" width="124" height="240" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/200/63/56/50966356.cf70c43f.560.jpg?r2" type="image/jpeg" width="290" height="560" duration="0" isDefault="true"  />
    <media:thumbnail url="https://cdn.ipernity.com/200/63/56/50966356.cf70c43f.240.jpg?r2" width="124" height="240"/>
    <media:thumbnail url="https://cdn.ipernity.com/200/63/56/50966356.cf70c43f.100.jpg?r2" width="52" height="100"/>
    <media:credit role="author">LaurieAnnie</media:credit>
  </item>
  <item>
    <title>Geometric Horse Pyxis in the Virginia Museum of Fine Arts, June 2018</title>
    <link>https://www.ipernity.com/doc/laurieannie/49851572</link>
    <guid isPermaLink="false">tag:ipernity.com,2020-03-21,doc-49851572</guid>
    <pubDate>Sat, 21 Mar 2020 19:17:48 +0000</pubDate>
    <dc:date.created>2018-06-26T12:58:44-04:00</dc:date.created>
    <author>nobody@ipernity.com (LaurieAnnie)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/laurieannie"&gt;LaurieAnnie&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/laurieannie/49851572"&gt;&lt;img src="https://cdn.ipernity.com/200/15/72/49851572.7e7af37c.240.jpg?r2" width="231" height="240" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;&lt;/div&gt;</description>
    <media:title>Geometric Horse Pyxis in the Virginia Museum of Fine Arts, June 2018</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/laurieannie"&gt;LaurieAnnie&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/laurieannie/49851572"&gt;&lt;img src="https://cdn.ipernity.com/200/15/72/49851572.7e7af37c.240.jpg?r2" width="231" height="240" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/200/15/72/49851572.7e7af37c.560.jpg?r2" type="image/jpeg" width="538" height="560" duration="0" isDefault="true"  />
    <media:thumbnail url="https://cdn.ipernity.com/200/15/72/49851572.7e7af37c.240.jpg?r2" width="231" height="240"/>
    <media:thumbnail url="https://cdn.ipernity.com/200/15/72/49851572.7e7af37c.100.jpg?r2" width="97" height="100"/>
    <media:credit role="author">LaurieAnnie</media:credit>
  </item>
  <item>
    <title>Geometric Horse Pyxis in the Virginia Museum of Fine Arts, June 2018</title>
    <link>https://www.ipernity.com/doc/laurieannie/49851570</link>
    <guid isPermaLink="false">tag:ipernity.com,2020-03-21,doc-49851570</guid>
    <pubDate>Sat, 21 Mar 2020 19:17:46 +0000</pubDate>
    <dc:date.created>2018-06-26T12:58:42-04:00</dc:date.created>
    <author>nobody@ipernity.com (LaurieAnnie)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/laurieannie"&gt;LaurieAnnie&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/laurieannie/49851570"&gt;&lt;img src="https://cdn.ipernity.com/200/15/70/49851570.432acab1.240.jpg?r2" width="227" height="240" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;&lt;/div&gt;</description>
    <media:title>Geometric Horse Pyxis in the Virginia Museum of Fine Arts, June 2018</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/laurieannie"&gt;LaurieAnnie&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/laurieannie/49851570"&gt;&lt;img src="https://cdn.ipernity.com/200/15/70/49851570.432acab1.240.jpg?r2" width="227" height="240" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/200/15/70/49851570.432acab1.560.jpg?r2" type="image/jpeg" width="528" height="560" duration="0" isDefault="true"  />
    <media:thumbnail url="https://cdn.ipernity.com/200/15/70/49851570.432acab1.240.jpg?r2" width="227" height="240"/>
    <media:thumbnail url="https://cdn.ipernity.com/200/15/70/49851570.432acab1.100.jpg?r2" width="95" height="100"/>
    <media:credit role="author">LaurieAnnie</media:credit>
  </item>
  <item>
    <title>Geometric Horse Pyxis in the Virginia Museum of Fine Arts, June 2018</title>
    <link>https://www.ipernity.com/doc/laurieannie/49851568</link>
    <guid isPermaLink="false">tag:ipernity.com,2020-03-21,doc-49851568</guid>
    <pubDate>Sat, 21 Mar 2020 19:17:43 +0000</pubDate>
    <dc:date.created>2018-06-26T12:58:11-04:00</dc:date.created>
    <author>nobody@ipernity.com (LaurieAnnie)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/laurieannie"&gt;LaurieAnnie&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/laurieannie/49851568"&gt;&lt;img src="https://cdn.ipernity.com/200/15/68/49851568.f69d0e70.240.jpg?r2" width="240" height="235" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;&lt;/div&gt;</description>
    <media:title>Geometric Horse Pyxis in the Virginia Museum of Fine Arts, June 2018</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/laurieannie"&gt;LaurieAnnie&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/laurieannie/49851568"&gt;&lt;img src="https://cdn.ipernity.com/200/15/68/49851568.f69d0e70.240.jpg?r2" width="240" height="235" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/200/15/68/49851568.f69d0e70.560.jpg?r2" type="image/jpeg" width="560" height="548" duration="0" isDefault="true"  />
    <media:thumbnail url="https://cdn.ipernity.com/200/15/68/49851568.f69d0e70.240.jpg?r2" width="240" height="235"/>
    <media:thumbnail url="https://cdn.ipernity.com/200/15/68/49851568.f69d0e70.100.jpg?r2" width="100" height="98"/>
    <media:credit role="author">LaurieAnnie</media:credit>
  </item>
  <item>
    <title>Geometric Horse Pyxis in the Virginia Museum of Fine Arts, June 2018</title>
    <link>https://www.ipernity.com/doc/laurieannie/49851566</link>
    <guid isPermaLink="false">tag:ipernity.com,2020-03-21,doc-49851566</guid>
    <pubDate>Sat, 21 Mar 2020 19:17:41 +0000</pubDate>
    <dc:date.created>2018-06-26T12:58:09-04:00</dc:date.created>
    <author>nobody@ipernity.com (LaurieAnnie)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/laurieannie"&gt;LaurieAnnie&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/laurieannie/49851566"&gt;&lt;img src="https://cdn.ipernity.com/200/15/66/49851566.a14348b4.240.jpg?r2" width="240" height="229" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;&lt;/div&gt;</description>
    <media:title>Geometric Horse Pyxis in the Virginia Museum of Fine Arts, June 2018</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/laurieannie"&gt;LaurieAnnie&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/laurieannie/49851566"&gt;&lt;img src="https://cdn.ipernity.com/200/15/66/49851566.a14348b4.240.jpg?r2" width="240" height="229" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/200/15/66/49851566.a14348b4.560.jpg?r2" type="image/jpeg" width="560" height="533" duration="0" isDefault="true"  />
    <media:thumbnail url="https://cdn.ipernity.com/200/15/66/49851566.a14348b4.240.jpg?r2" width="240" height="229"/>
    <media:thumbnail url="https://cdn.ipernity.com/200/15/66/49851566.a14348b4.100.jpg?r2" width="100" height="96"/>
    <media:credit role="author">LaurieAnnie</media:credit>
  </item>
  <item>
    <title>Corinthian Pyxis with Animals in the Getty Villa, June 2016</title>
    <link>https://www.ipernity.com/doc/laurieannie/47571774</link>
    <guid isPermaLink="false">tag:ipernity.com,2018-06-17,doc-47571774</guid>
    <pubDate>Sun, 17 Jun 2018 03:36:57 +0000</pubDate>
    <dc:date.created>2016-06-04T17:09:44-04:00</dc:date.created>
    <author>nobody@ipernity.com (LaurieAnnie)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/laurieannie"&gt;LaurieAnnie&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/laurieannie/47571774"&gt;&lt;img src="https://cdn.ipernity.com/200/17/74/47571774.2ac47542.240.jpg?r2" width="230" height="240" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Title:  Corinthian Round-Bodied Pyxis&lt;br /&gt;
&lt;br /&gt;
Artist/Maker: Perhaps by the Chimaera Painter (Greek (Corinthian), active 600 - 575 B.C.)&lt;br /&gt;
&lt;br /&gt;
Culture: Greek (Corinthian)&lt;br /&gt;
&lt;br /&gt;
Place: Greece (Corinth) (Place created)&lt;br /&gt;
&lt;br /&gt;
Date:  about 570 B.C.&lt;br /&gt;
&lt;br /&gt;
Medium: Terracotta&lt;br /&gt;
&lt;br /&gt;
Object Number: 88.AE.105&lt;br /&gt;
&lt;br /&gt;
Dimensions: 21.7 × 22.2 cm (8 9/16 × 8 3/4 in.)&lt;br /&gt;
&lt;br /&gt;
Alternate Titles: Cosmetics Container with Animals (Display Title)&lt;br /&gt;
&lt;br /&gt;
Object Type: Pyxis&lt;br /&gt;
&lt;br /&gt;
An animal frieze encircles the body of this Corinthian black-figure pyxis. Real and mythological creatures, including lions, a goat, a bull, and a bearded siren, make up the decoration. Their stylized, sharply outlined bodies rhythmically balance against one another. Rosettes fill the spaces around the animals. Above this, a lotus and palmette chain decorates the shoulder of the vessel. In place of handles, the potter has added mold-made female heads. &lt;br /&gt;
&lt;br /&gt;
 The pyxis was a container for perfumed oils and cosmetics. Beginning around 575 B.C., Corinthian potters occasionally added mold-made heads to these vessels. By the early 500s B.C., Corinthian pottery, with its simple and repetitive yet elegant decoration, had completely taken over the pottery market and became widely exported throughout the Mediterranean.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Text from:  &lt;a href="http://www.getty.edu/art/collection/objects/12945/perhaps-by-the-chimaera-painter-corinthian-round-bodied-pyxis-greek-corinthian-about-570-bc/" target="_blank" rel="nofollow"&gt;www.getty.edu/art/collection/objects/12945/perhaps-by-the-chimaera-painter-corinthian-round-bodied-pyxis-greek-corinthian-about-570-bc&lt;/a&gt;&lt;/div&gt;</description>
    <media:title>Corinthian Pyxis with Animals in the Getty Villa, June 2016</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/laurieannie"&gt;LaurieAnnie&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/laurieannie/47571774"&gt;&lt;img src="https://cdn.ipernity.com/200/17/74/47571774.2ac47542.240.jpg?r2" width="230" height="240" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Title:  Corinthian Round-Bodied Pyxis&lt;br /&gt;
&lt;br /&gt;
Artist/Maker: Perhaps by the Chimaera Painter (Greek (Corinthian), active 600 - 575 B.C.)&lt;br /&gt;
&lt;br /&gt;
Culture: Greek (Corinthian)&lt;br /&gt;
&lt;br /&gt;
Place: Greece (Corinth) (Place created)&lt;br /&gt;
&lt;br /&gt;
Date:  about 570 B.C.&lt;br /&gt;
&lt;br /&gt;
Medium: Terracotta&lt;br /&gt;
&lt;br /&gt;
Object Number: 88.AE.105&lt;br /&gt;
&lt;br /&gt;
Dimensions: 21.7 × 22.2 cm (8 9/16 × 8 3/4 in.)&lt;br /&gt;
&lt;br /&gt;
Alternate Titles: Cosmetics Container with Animals (Display Title)&lt;br /&gt;
&lt;br /&gt;
Object Type: Pyxis&lt;br /&gt;
&lt;br /&gt;
An animal frieze encircles the body of this Corinthian black-figure pyxis. Real and mythological creatures, including lions, a goat, a bull, and a bearded siren, make up the decoration. Their stylized, sharply outlined bodies rhythmically balance against one another. Rosettes fill the spaces around the animals. Above this, a lotus and palmette chain decorates the shoulder of the vessel. In place of handles, the potter has added mold-made female heads. &lt;br /&gt;
&lt;br /&gt;
 The pyxis was a container for perfumed oils and cosmetics. Beginning around 575 B.C., Corinthian potters occasionally added mold-made heads to these vessels. By the early 500s B.C., Corinthian pottery, with its simple and repetitive yet elegant decoration, had completely taken over the pottery market and became widely exported throughout the Mediterranean.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Text from:  &lt;a href="http://www.getty.edu/art/collection/objects/12945/perhaps-by-the-chimaera-painter-corinthian-round-bodied-pyxis-greek-corinthian-about-570-bc/" target="_blank" rel="nofollow"&gt;www.getty.edu/art/collection/objects/12945/perhaps-by-the-chimaera-painter-corinthian-round-bodied-pyxis-greek-corinthian-about-570-bc&lt;/a&gt;&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/200/17/74/47571774.2ac47542.560.jpg?r2" type="image/jpeg" width="535" height="560" duration="0" isDefault="true"  />
    <media:thumbnail url="https://cdn.ipernity.com/200/17/74/47571774.2ac47542.240.jpg?r2" width="230" height="240"/>
    <media:thumbnail url="https://cdn.ipernity.com/200/17/74/47571774.2ac47542.100.jpg?r2" width="96" height="100"/>
    <media:credit role="author">LaurieAnnie</media:credit>
  </item>
  <item>
    <title>Corinthian Pyxis with Animals in the Getty Villa, June 2016</title>
    <link>https://www.ipernity.com/doc/laurieannie/47571772</link>
    <guid isPermaLink="false">tag:ipernity.com,2018-06-17,doc-47571772</guid>
    <pubDate>Sun, 17 Jun 2018 03:36:51 +0000</pubDate>
    <dc:date.created>2016-06-04T17:09:42-04:00</dc:date.created>
    <author>nobody@ipernity.com (LaurieAnnie)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/laurieannie"&gt;LaurieAnnie&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/laurieannie/47571772"&gt;&lt;img src="https://cdn.ipernity.com/200/17/72/47571772.0f01af11.240.jpg?r2" width="223" height="240" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Title:  Corinthian Round-Bodied Pyxis&lt;br /&gt;
&lt;br /&gt;
Artist/Maker: Perhaps by the Chimaera Painter (Greek (Corinthian), active 600 - 575 B.C.)&lt;br /&gt;
&lt;br /&gt;
Culture: Greek (Corinthian)&lt;br /&gt;
&lt;br /&gt;
Place: Greece (Corinth) (Place created)&lt;br /&gt;
&lt;br /&gt;
Date:  about 570 B.C.&lt;br /&gt;
&lt;br /&gt;
Medium: Terracotta&lt;br /&gt;
&lt;br /&gt;
Object Number: 88.AE.105&lt;br /&gt;
&lt;br /&gt;
Dimensions: 21.7 × 22.2 cm (8 9/16 × 8 3/4 in.)&lt;br /&gt;
&lt;br /&gt;
Alternate Titles: Cosmetics Container with Animals (Display Title)&lt;br /&gt;
&lt;br /&gt;
Object Type: Pyxis&lt;br /&gt;
&lt;br /&gt;
An animal frieze encircles the body of this Corinthian black-figure pyxis. Real and mythological creatures, including lions, a goat, a bull, and a bearded siren, make up the decoration. Their stylized, sharply outlined bodies rhythmically balance against one another. Rosettes fill the spaces around the animals. Above this, a lotus and palmette chain decorates the shoulder of the vessel. In place of handles, the potter has added mold-made female heads. &lt;br /&gt;
&lt;br /&gt;
 The pyxis was a container for perfumed oils and cosmetics. Beginning around 575 B.C., Corinthian potters occasionally added mold-made heads to these vessels. By the early 500s B.C., Corinthian pottery, with its simple and repetitive yet elegant decoration, had completely taken over the pottery market and became widely exported throughout the Mediterranean.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Text from:  &lt;a href="http://www.getty.edu/art/collection/objects/12945/perhaps-by-the-chimaera-painter-corinthian-round-bodied-pyxis-greek-corinthian-about-570-bc/" target="_blank" rel="nofollow"&gt;www.getty.edu/art/collection/objects/12945/perhaps-by-the-chimaera-painter-corinthian-round-bodied-pyxis-greek-corinthian-about-570-bc&lt;/a&gt;&lt;/div&gt;</description>
    <media:title>Corinthian Pyxis with Animals in the Getty Villa, June 2016</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/laurieannie"&gt;LaurieAnnie&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/laurieannie/47571772"&gt;&lt;img src="https://cdn.ipernity.com/200/17/72/47571772.0f01af11.240.jpg?r2" width="223" height="240" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Title:  Corinthian Round-Bodied Pyxis&lt;br /&gt;
&lt;br /&gt;
Artist/Maker: Perhaps by the Chimaera Painter (Greek (Corinthian), active 600 - 575 B.C.)&lt;br /&gt;
&lt;br /&gt;
Culture: Greek (Corinthian)&lt;br /&gt;
&lt;br /&gt;
Place: Greece (Corinth) (Place created)&lt;br /&gt;
&lt;br /&gt;
Date:  about 570 B.C.&lt;br /&gt;
&lt;br /&gt;
Medium: Terracotta&lt;br /&gt;
&lt;br /&gt;
Object Number: 88.AE.105&lt;br /&gt;
&lt;br /&gt;
Dimensions: 21.7 × 22.2 cm (8 9/16 × 8 3/4 in.)&lt;br /&gt;
&lt;br /&gt;
Alternate Titles: Cosmetics Container with Animals (Display Title)&lt;br /&gt;
&lt;br /&gt;
Object Type: Pyxis&lt;br /&gt;
&lt;br /&gt;
An animal frieze encircles the body of this Corinthian black-figure pyxis. Real and mythological creatures, including lions, a goat, a bull, and a bearded siren, make up the decoration. Their stylized, sharply outlined bodies rhythmically balance against one another. Rosettes fill the spaces around the animals. Above this, a lotus and palmette chain decorates the shoulder of the vessel. In place of handles, the potter has added mold-made female heads. &lt;br /&gt;
&lt;br /&gt;
 The pyxis was a container for perfumed oils and cosmetics. Beginning around 575 B.C., Corinthian potters occasionally added mold-made heads to these vessels. By the early 500s B.C., Corinthian pottery, with its simple and repetitive yet elegant decoration, had completely taken over the pottery market and became widely exported throughout the Mediterranean.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Text from:  &lt;a href="http://www.getty.edu/art/collection/objects/12945/perhaps-by-the-chimaera-painter-corinthian-round-bodied-pyxis-greek-corinthian-about-570-bc/" target="_blank" rel="nofollow"&gt;www.getty.edu/art/collection/objects/12945/perhaps-by-the-chimaera-painter-corinthian-round-bodied-pyxis-greek-corinthian-about-570-bc&lt;/a&gt;&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/200/17/72/47571772.0f01af11.560.jpg?r2" type="image/jpeg" width="519" height="560" duration="0" isDefault="true"  />
    <media:thumbnail url="https://cdn.ipernity.com/200/17/72/47571772.0f01af11.240.jpg?r2" width="223" height="240"/>
    <media:thumbnail url="https://cdn.ipernity.com/200/17/72/47571772.0f01af11.100.jpg?r2" width="93" height="100"/>
    <media:credit role="author">LaurieAnnie</media:credit>
  </item>
  <item>
    <title>Terracotta Red-Figure Pyxis in the Metropolitan Museum of Art, February 2012</title>
    <link>https://www.ipernity.com/doc/laurieannie/36311410</link>
    <guid isPermaLink="false">tag:ipernity.com,2014-05-22,doc-36311410</guid>
    <pubDate>Thu, 22 May 2014 02:13:51 +0000</pubDate>
    <dc:date.created>2012-02-24T13:25:28-05:00</dc:date.created>
    <author>nobody@ipernity.com (LaurieAnnie)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/laurieannie"&gt;LaurieAnnie&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/laurieannie/36311410"&gt;&lt;img src="https://cdn.ipernity.com/200/14/10/36311410.f81a9a47.240.jpg?r2" width="202" height="240" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;&lt;/div&gt;</description>
    <media:title>Terracotta Red-Figure Pyxis in the Metropolitan Museum of Art, February 2012</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/laurieannie"&gt;LaurieAnnie&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/laurieannie/36311410"&gt;&lt;img src="https://cdn.ipernity.com/200/14/10/36311410.f81a9a47.240.jpg?r2" width="202" height="240" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/200/14/10/36311410.f81a9a47.560.jpg?r2" type="image/jpeg" width="472" height="560" duration="0" isDefault="true"  />
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    <media:thumbnail url="https://cdn.ipernity.com/200/14/10/36311410.f81a9a47.100.jpg?r2" width="85" height="100"/>
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    <title>Detail of a Terracotta Red-Figure Pyxis in the Metropolitan Museum of Art, February 2012</title>
    <link>https://www.ipernity.com/doc/laurieannie/36311408</link>
    <guid isPermaLink="false">tag:ipernity.com,2014-05-22,doc-36311408</guid>
    <pubDate>Thu, 22 May 2014 02:13:55 +0000</pubDate>
    <dc:date.created>2012-02-24T13:25:43-05:00</dc:date.created>
    <author>nobody@ipernity.com (LaurieAnnie)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/laurieannie"&gt;LaurieAnnie&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/laurieannie/36311408"&gt;&lt;img src="https://cdn.ipernity.com/200/14/08/36311408.4b4d8153.240.jpg?r2" width="240" height="203" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;&lt;/div&gt;</description>
    <media:title>Detail of a Terracotta Red-Figure Pyxis in the Metropolitan Museum of Art, February 2012</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/laurieannie"&gt;LaurieAnnie&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/laurieannie/36311408"&gt;&lt;img src="https://cdn.ipernity.com/200/14/08/36311408.4b4d8153.240.jpg?r2" width="240" height="203" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;&lt;/div&gt;</media:text>
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    <title>Pyxis with the Head of Medusa in the British Museum, May 2014</title>
    <link>https://www.ipernity.com/doc/laurieannie/34387161</link>
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    <pubDate>Sun, 03 Aug 2014 07:27:16 +0000</pubDate>
    <dc:date.created>2014-05-24T14:51:24-04:00</dc:date.created>
    <author>nobody@ipernity.com (LaurieAnnie)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/laurieannie"&gt;LaurieAnnie&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/laurieannie/34387161"&gt;&lt;img src="https://cdn.ipernity.com/144/71/61/34387161.5be92837.240.jpg?r2" width="240" height="232" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;&lt;/div&gt;</description>
    <media:title>Pyxis with the Head of Medusa in the British Museum, May 2014</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/laurieannie"&gt;LaurieAnnie&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/laurieannie/34387161"&gt;&lt;img src="https://cdn.ipernity.com/144/71/61/34387161.5be92837.240.jpg?r2" width="240" height="232" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;&lt;/div&gt;</media:text>
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    <media:credit role="author">LaurieAnnie</media:credit>
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  <item>
    <title>Ivory Pyxis with the Miracle of the Duplication of the Loaves in the Metropolitan Museum of Art, January 2008</title>
    <link>https://www.ipernity.com/doc/laurieannie/24680027</link>
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    <pubDate>Fri, 18 Apr 2008 15:02:41 +0000</pubDate>
    <dc:date.created>2008-01-01T00:00:00-04:00</dc:date.created>
    <author>nobody@ipernity.com (LaurieAnnie)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/laurieannie"&gt;LaurieAnnie&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/laurieannie/24680027"&gt;&lt;img src="https://cdn.ipernity.com/134/00/27/24680027.88c9c900.240.jpg?r2" width="240" height="210" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Ivory Pyxis with the Miracle of Christ's Multiplication of the Loaves&lt;br /&gt;
Byzantine; from San Pedro de la Rua, Estella, Spain&lt;br /&gt;
Box carved 500s, probably North Africa; lid medieval, probably Spanish&lt;br /&gt;
&lt;br /&gt;
Accession # 17.190.34 &lt;br /&gt;
&lt;br /&gt;
In this depiction of the Miracle of the Loaves (Mark 8:1-6), an enthroned Christ is flanked by Saints Peter and Paul.  Other disciples carry the loaves of bread he has miraculously produced to feed the multitude, loaves that the early church associated with the bread of the Eucharist.&lt;br /&gt;
&lt;br /&gt;
Text from the Metropolitan Museum of Art label.&lt;/div&gt;</description>
    <media:title>Ivory Pyxis with the Miracle of the Duplication of the Loaves in the Metropolitan Museum of Art, January 2008</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/laurieannie"&gt;LaurieAnnie&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/laurieannie/24680027"&gt;&lt;img src="https://cdn.ipernity.com/134/00/27/24680027.88c9c900.240.jpg?r2" width="240" height="210" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Ivory Pyxis with the Miracle of Christ's Multiplication of the Loaves&lt;br /&gt;
Byzantine; from San Pedro de la Rua, Estella, Spain&lt;br /&gt;
Box carved 500s, probably North Africa; lid medieval, probably Spanish&lt;br /&gt;
&lt;br /&gt;
Accession # 17.190.34 &lt;br /&gt;
&lt;br /&gt;
In this depiction of the Miracle of the Loaves (Mark 8:1-6), an enthroned Christ is flanked by Saints Peter and Paul.  Other disciples carry the loaves of bread he has miraculously produced to feed the multitude, loaves that the early church associated with the bread of the Eucharist.&lt;br /&gt;
&lt;br /&gt;
Text from the Metropolitan Museum of Art label.&lt;/div&gt;</media:text>
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    <media:credit role="author">LaurieAnnie</media:credit>
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