Photos, videos and docs of Narelle Moreno, with the keywords: "reflection"

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nobody@ipernity.com (Narelle Moreno) — Thu, 30 Sep 2021 00:25:59 +0000

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Just Practicing My Kissing!

nobody@ipernity.com (Narelle Moreno) — Thu, 23 Sep 2021 21:21:14 +0000

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Why Are You Taking My Photo, Again?!!

nobody@ipernity.com (Narelle Moreno) — Thu, 23 Sep 2021 21:13:16 +0000

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nobody@ipernity.com (Narelle Moreno) — Sun, 17 Jun 2018 20:23:45 +0000

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I'll Be On My Way

nobody@ipernity.com (Narelle Moreno) — Mon, 19 Mar 2018 21:03:08 +0000

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Wandering Through My Dreams

nobody@ipernity.com (Narelle Moreno) — Fri, 09 Mar 2018 17:10:13 +0000

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La Defense, Almere

nobody@ipernity.com (Narelle Moreno) — Wed, 07 Mar 2018 16:03:49 +0000

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La Defense presents an iron grey curtain to the city, but its inner courtyards are a profusion of ever-changing, euphoric, brilliant colours: the colours of the rainbow. This chromatic virtuosity, the key concept in the project, is made possible by a dichroic film capable of changing colour depending on the source of light with the aid of special crystals, designed by 3M to coat perfume bottles. Applied to glass cladding in architecture, it transfigures the material.

Thus architecture sheds its static character, its definite moment or inertia and acquires the poetics of becoming, of variability, and with it the richness of change. The buildings vary not only in colour, but in height as well: from 5-6 to 3-4 floors, the top one of which is often twice as high as the others, to meet the different requirements of the companies which have their offices in the complex.

A New Day

nobody@ipernity.com (Narelle Moreno) — Tue, 06 Mar 2018 20:16:08 +0000

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Eye Macro (Isabelle)

nobody@ipernity.com (Narelle Moreno) — Tue, 06 Mar 2018 13:27:42 +0000

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Creative Skating

nobody@ipernity.com (Narelle Moreno) — Sat, 03 Mar 2018 16:27:02 +0000

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The Kunstlinie

nobody@ipernity.com (Narelle Moreno) — Sun, 18 Feb 2018 20:04:03 +0000

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The Kunstlinie, formerly called the Centre for Artistic Creation and Theatre Almere, is located on the Weerwater lake in the new centre of Almere. The Kunstlinie was designed by Kazuyo Sejima and Ryue Nishizawa of the Japanese office SANAA. The office took part, in association with Onno Greiner Martien of Goor Architecten, in a limited competition organised by the municipality of Almere, which they won in 1999. Dimensioned for Japanese people, the design was rescaled to suit the longer Dutch physique. The whole complex was raised by 40 cm when it was discovered that there was a real risk of flooding. The slender design didn’t take sound insulation or stability sufficiently into account. An interesting measure involved placing ‘sound boards’ (school blackboards) in the rooms of the art centre to disperse sound.

The Kunstlinie consists of a one-floor-tall ’slice’ measuring 100 by 100 metres. This extends from the bank out over the water like a diving board. Rising out of this 'base slice' are three volumes; a small one for the art centre (150) and two big volumes for the theatre and stage tower (350 and 1050). A section of the building is contained in a basement while another section is raised on stilts.

A delicate reflection of light and air – that’s the impression the building leaves after a visit. The base slab feels like one horizontal universe. The façades are made entirely of glass and allow light to penetrate the building horizontally, and corridors bring the light further inside. That also results in long vistas. From the entrance you can see the water glistening 100 metres further ahead. The roof is largely closed, but light shafts made of translucent synthetic material and patios allow for vertical light penetration. The workspaces or ateliers are arranged next to square-like inner spaces.
The interior spaces are pure. In places a corridor runs through a patio, but with respect: the sluice is made of uninsulated glass and can thus be physically experienced.

Text by Erik Stekelenburg (www.archined.nl/oem/reportages/sanaa-almere/sanaa-almere-...)