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    <title>Study for Demoiselles D&amp;#039;Avignon by Picasso in the Museum of Modern Art, March 2010</title>
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    <title>Study for Demoiselles D&amp;#039;Avignon by Picasso in the Museum of Modern Art, March 2010</title>
    <link>https://www.ipernity.com/doc/laurieannie/53127416</link>
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    <pubDate>Sun, 22 Dec 2024 19:19:45 +0000</pubDate>
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    <title>Study for Demoiselles D&amp;#039;Avignon by Picasso in the Museum of Modern Art, March 2010</title>
    <link>https://www.ipernity.com/doc/laurieannie/53127414</link>
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    <pubDate>Sun, 22 Dec 2024 19:19:43 +0000</pubDate>
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    <title>Detail of the Study for Luncheon on the Grass by Manet in the Metropolitan Museum of Art, December 2023</title>
    <link>https://www.ipernity.com/doc/laurieannie/52359070</link>
    <guid isPermaLink="false">tag:ipernity.com,2024-03-03,doc-52359070</guid>
    <pubDate>Sun, 03 Mar 2024 08:04:31 +0000</pubDate>
    <dc:date.created>2023-12-01T18:07:13-04:00</dc:date.created>
    <author>nobody@ipernity.com (LaurieAnnie)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/laurieannie"&gt;LaurieAnnie&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/laurieannie/52359070"&gt;&lt;img src="https://cdn.ipernity.com/200/90/70/52359070.ac13b582.240.jpg?r2" width="189" height="240" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Title: Study for "Déjeuner sur l'herbe"&lt;br /&gt;
&lt;br /&gt;
Artist: Edouard Manet (French, Paris 1832–1883 Paris)&lt;br /&gt;
&lt;br /&gt;
Date: ca. 1863–68&lt;br /&gt;
&lt;br /&gt;
Geography: Country of Origin France&lt;br /&gt;
&lt;br /&gt;
Culture: French&lt;br /&gt;
&lt;br /&gt;
Medium: Oil on canvas&lt;br /&gt;
&lt;br /&gt;
Dimensions: 35 1/4 × 45 7/8 in. (89.5 × 116.5 cm)&lt;br /&gt;
Framed: 44 13/16 × 55 11/16 × 5 1/8 in., 63.9 lb. (113.8 × 141.5 × 13 cm, 29 kg)&lt;br /&gt;
&lt;br /&gt;
Classification: Paintings&lt;br /&gt;
&lt;br /&gt;
Credit Line: The Courtauld, London (Samuel Courtauld Trust) (P.1932.SC.232)&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
This work is a version of Manet’s Déjeuner sur l’herbe, the startling depiction of a picnic scene with two nearly naked women in the company of fully clothed men that became the artist’s first succès de scandale in 1863. The painting draws on his study of famed Italian Renaissance artworks, yet reframes those references into an entirely new style and context. Rejected by the official French Salon in 1863, it was hung instead at the Salon des Refusés, where it won him immediate notoriety. The broad strokes and seemingly quick application of paint in the version he exhibited belie the fact that the artist worked on the composition for a good year before showing it. This work may have been part of that preparatory process. &lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Text from: &lt;a href="https://www.metmuseum.org/art/collection/search/845746" target="_blank" rel="nofollow"&gt;www.metmuseum.org/art/collection/search/845746&lt;/a&gt;&lt;/div&gt;</description>
    <media:title>Detail of the Study for Luncheon on the Grass by Manet in the Metropolitan Museum of Art, December 2023</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/laurieannie"&gt;LaurieAnnie&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/laurieannie/52359070"&gt;&lt;img src="https://cdn.ipernity.com/200/90/70/52359070.ac13b582.240.jpg?r2" width="189" height="240" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Title: Study for "Déjeuner sur l'herbe"&lt;br /&gt;
&lt;br /&gt;
Artist: Edouard Manet (French, Paris 1832–1883 Paris)&lt;br /&gt;
&lt;br /&gt;
Date: ca. 1863–68&lt;br /&gt;
&lt;br /&gt;
Geography: Country of Origin France&lt;br /&gt;
&lt;br /&gt;
Culture: French&lt;br /&gt;
&lt;br /&gt;
Medium: Oil on canvas&lt;br /&gt;
&lt;br /&gt;
Dimensions: 35 1/4 × 45 7/8 in. (89.5 × 116.5 cm)&lt;br /&gt;
Framed: 44 13/16 × 55 11/16 × 5 1/8 in., 63.9 lb. (113.8 × 141.5 × 13 cm, 29 kg)&lt;br /&gt;
&lt;br /&gt;
Classification: Paintings&lt;br /&gt;
&lt;br /&gt;
Credit Line: The Courtauld, London (Samuel Courtauld Trust) (P.1932.SC.232)&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
This work is a version of Manet’s Déjeuner sur l’herbe, the startling depiction of a picnic scene with two nearly naked women in the company of fully clothed men that became the artist’s first succès de scandale in 1863. The painting draws on his study of famed Italian Renaissance artworks, yet reframes those references into an entirely new style and context. Rejected by the official French Salon in 1863, it was hung instead at the Salon des Refusés, where it won him immediate notoriety. The broad strokes and seemingly quick application of paint in the version he exhibited belie the fact that the artist worked on the composition for a good year before showing it. This work may have been part of that preparatory process. &lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Text from: &lt;a href="https://www.metmuseum.org/art/collection/search/845746" target="_blank" rel="nofollow"&gt;www.metmuseum.org/art/collection/search/845746&lt;/a&gt;&lt;/div&gt;</media:text>
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    <title>Detail of the Study for Luncheon on the Grass by Manet in the Metropolitan Museum of Art, December 2023</title>
    <link>https://www.ipernity.com/doc/laurieannie/52359076</link>
    <guid isPermaLink="false">tag:ipernity.com,2024-03-03,doc-52359076</guid>
    <pubDate>Sun, 03 Mar 2024 08:04:26 +0000</pubDate>
    <dc:date.created>2023-12-01T18:07:23-04:00</dc:date.created>
    <author>nobody@ipernity.com (LaurieAnnie)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/laurieannie"&gt;LaurieAnnie&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/laurieannie/52359076"&gt;&lt;img src="https://cdn.ipernity.com/200/90/76/52359076.6c705261.240.jpg?r2" width="240" height="182" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Title: Study for "Déjeuner sur l'herbe"&lt;br /&gt;
&lt;br /&gt;
Artist: Edouard Manet (French, Paris 1832–1883 Paris)&lt;br /&gt;
&lt;br /&gt;
Date: ca. 1863–68&lt;br /&gt;
&lt;br /&gt;
Geography: Country of Origin France&lt;br /&gt;
&lt;br /&gt;
Culture: French&lt;br /&gt;
&lt;br /&gt;
Medium: Oil on canvas&lt;br /&gt;
&lt;br /&gt;
Dimensions: 35 1/4 × 45 7/8 in. (89.5 × 116.5 cm)&lt;br /&gt;
Framed: 44 13/16 × 55 11/16 × 5 1/8 in., 63.9 lb. (113.8 × 141.5 × 13 cm, 29 kg)&lt;br /&gt;
&lt;br /&gt;
Classification: Paintings&lt;br /&gt;
&lt;br /&gt;
Credit Line: The Courtauld, London (Samuel Courtauld Trust) (P.1932.SC.232)&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
This work is a version of Manet’s Déjeuner sur l’herbe, the startling depiction of a picnic scene with two nearly naked women in the company of fully clothed men that became the artist’s first succès de scandale in 1863. The painting draws on his study of famed Italian Renaissance artworks, yet reframes those references into an entirely new style and context. Rejected by the official French Salon in 1863, it was hung instead at the Salon des Refusés, where it won him immediate notoriety. The broad strokes and seemingly quick application of paint in the version he exhibited belie the fact that the artist worked on the composition for a good year before showing it. This work may have been part of that preparatory process. &lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Text from: &lt;a href="https://www.metmuseum.org/art/collection/search/845746" target="_blank" rel="nofollow"&gt;www.metmuseum.org/art/collection/search/845746&lt;/a&gt;&lt;/div&gt;</description>
    <media:title>Detail of the Study for Luncheon on the Grass by Manet in the Metropolitan Museum of Art, December 2023</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/laurieannie"&gt;LaurieAnnie&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/laurieannie/52359076"&gt;&lt;img src="https://cdn.ipernity.com/200/90/76/52359076.6c705261.240.jpg?r2" width="240" height="182" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Title: Study for "Déjeuner sur l'herbe"&lt;br /&gt;
&lt;br /&gt;
Artist: Edouard Manet (French, Paris 1832–1883 Paris)&lt;br /&gt;
&lt;br /&gt;
Date: ca. 1863–68&lt;br /&gt;
&lt;br /&gt;
Geography: Country of Origin France&lt;br /&gt;
&lt;br /&gt;
Culture: French&lt;br /&gt;
&lt;br /&gt;
Medium: Oil on canvas&lt;br /&gt;
&lt;br /&gt;
Dimensions: 35 1/4 × 45 7/8 in. (89.5 × 116.5 cm)&lt;br /&gt;
Framed: 44 13/16 × 55 11/16 × 5 1/8 in., 63.9 lb. (113.8 × 141.5 × 13 cm, 29 kg)&lt;br /&gt;
&lt;br /&gt;
Classification: Paintings&lt;br /&gt;
&lt;br /&gt;
Credit Line: The Courtauld, London (Samuel Courtauld Trust) (P.1932.SC.232)&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
This work is a version of Manet’s Déjeuner sur l’herbe, the startling depiction of a picnic scene with two nearly naked women in the company of fully clothed men that became the artist’s first succès de scandale in 1863. The painting draws on his study of famed Italian Renaissance artworks, yet reframes those references into an entirely new style and context. Rejected by the official French Salon in 1863, it was hung instead at the Salon des Refusés, where it won him immediate notoriety. The broad strokes and seemingly quick application of paint in the version he exhibited belie the fact that the artist worked on the composition for a good year before showing it. This work may have been part of that preparatory process. &lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Text from: &lt;a href="https://www.metmuseum.org/art/collection/search/845746" target="_blank" rel="nofollow"&gt;www.metmuseum.org/art/collection/search/845746&lt;/a&gt;&lt;/div&gt;</media:text>
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    <media:credit role="author">LaurieAnnie</media:credit>
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    <title>Study for Luncheon on the Grass by Manet in the Metropolitan Museum of Art, December 2023</title>
    <link>https://www.ipernity.com/doc/laurieannie/52359082</link>
    <guid isPermaLink="false">tag:ipernity.com,2024-03-03,doc-52359082</guid>
    <pubDate>Sun, 03 Mar 2024 08:04:00 +0000</pubDate>
    <dc:date.created>2023-12-01T18:06:49-04:00</dc:date.created>
    <author>nobody@ipernity.com (LaurieAnnie)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/laurieannie"&gt;LaurieAnnie&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/laurieannie/52359082"&gt;&lt;img src="https://cdn.ipernity.com/200/90/82/52359082.bc5e2927.240.jpg?r2" width="240" height="192" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Title: Study for "Déjeuner sur l'herbe"&lt;br /&gt;
&lt;br /&gt;
Artist: Edouard Manet (French, Paris 1832–1883 Paris)&lt;br /&gt;
&lt;br /&gt;
Date: ca. 1863–68&lt;br /&gt;
&lt;br /&gt;
Geography: Country of Origin France&lt;br /&gt;
&lt;br /&gt;
Culture: French&lt;br /&gt;
&lt;br /&gt;
Medium: Oil on canvas&lt;br /&gt;
&lt;br /&gt;
Dimensions: 35 1/4 × 45 7/8 in. (89.5 × 116.5 cm)&lt;br /&gt;
Framed: 44 13/16 × 55 11/16 × 5 1/8 in., 63.9 lb. (113.8 × 141.5 × 13 cm, 29 kg)&lt;br /&gt;
&lt;br /&gt;
Classification: Paintings&lt;br /&gt;
&lt;br /&gt;
Credit Line: The Courtauld, London (Samuel Courtauld Trust) (P.1932.SC.232)&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
This work is a version of Manet’s Déjeuner sur l’herbe, the startling depiction of a picnic scene with two nearly naked women in the company of fully clothed men that became the artist’s first succès de scandale in 1863. The painting draws on his study of famed Italian Renaissance artworks, yet reframes those references into an entirely new style and context. Rejected by the official French Salon in 1863, it was hung instead at the Salon des Refusés, where it won him immediate notoriety. The broad strokes and seemingly quick application of paint in the version he exhibited belie the fact that the artist worked on the composition for a good year before showing it. This work may have been part of that preparatory process. &lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Text from: &lt;a href="https://www.metmuseum.org/art/collection/search/845746" target="_blank" rel="nofollow"&gt;www.metmuseum.org/art/collection/search/845746&lt;/a&gt;&lt;/div&gt;</description>
    <media:title>Study for Luncheon on the Grass by Manet in the Metropolitan Museum of Art, December 2023</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/laurieannie"&gt;LaurieAnnie&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/laurieannie/52359082"&gt;&lt;img src="https://cdn.ipernity.com/200/90/82/52359082.bc5e2927.240.jpg?r2" width="240" height="192" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Title: Study for "Déjeuner sur l'herbe"&lt;br /&gt;
&lt;br /&gt;
Artist: Edouard Manet (French, Paris 1832–1883 Paris)&lt;br /&gt;
&lt;br /&gt;
Date: ca. 1863–68&lt;br /&gt;
&lt;br /&gt;
Geography: Country of Origin France&lt;br /&gt;
&lt;br /&gt;
Culture: French&lt;br /&gt;
&lt;br /&gt;
Medium: Oil on canvas&lt;br /&gt;
&lt;br /&gt;
Dimensions: 35 1/4 × 45 7/8 in. (89.5 × 116.5 cm)&lt;br /&gt;
Framed: 44 13/16 × 55 11/16 × 5 1/8 in., 63.9 lb. (113.8 × 141.5 × 13 cm, 29 kg)&lt;br /&gt;
&lt;br /&gt;
Classification: Paintings&lt;br /&gt;
&lt;br /&gt;
Credit Line: The Courtauld, London (Samuel Courtauld Trust) (P.1932.SC.232)&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
This work is a version of Manet’s Déjeuner sur l’herbe, the startling depiction of a picnic scene with two nearly naked women in the company of fully clothed men that became the artist’s first succès de scandale in 1863. The painting draws on his study of famed Italian Renaissance artworks, yet reframes those references into an entirely new style and context. Rejected by the official French Salon in 1863, it was hung instead at the Salon des Refusés, where it won him immediate notoriety. The broad strokes and seemingly quick application of paint in the version he exhibited belie the fact that the artist worked on the composition for a good year before showing it. This work may have been part of that preparatory process. &lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Text from: &lt;a href="https://www.metmuseum.org/art/collection/search/845746" target="_blank" rel="nofollow"&gt;www.metmuseum.org/art/collection/search/845746&lt;/a&gt;&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/200/90/82/52359082.bc5e2927.560.jpg?r2" type="image/jpeg" width="560" height="448" duration="0" isDefault="true"  />
    <media:thumbnail url="https://cdn.ipernity.com/200/90/82/52359082.bc5e2927.240.jpg?r2" width="240" height="192"/>
    <media:thumbnail url="https://cdn.ipernity.com/200/90/82/52359082.bc5e2927.100.jpg?r2" width="100" height="80"/>
    <media:credit role="author">LaurieAnnie</media:credit>
  </item>
  <item>
    <title>Study for Luncheon on the Grass by Manet in the Metropolitan Museum of Art, December 2023</title>
    <link>https://www.ipernity.com/doc/laurieannie/52359078</link>
    <guid isPermaLink="false">tag:ipernity.com,2024-03-03,doc-52359078</guid>
    <pubDate>Sun, 03 Mar 2024 08:04:00 +0000</pubDate>
    <dc:date.created>2023-12-01T18:06:45-04:00</dc:date.created>
    <author>nobody@ipernity.com (LaurieAnnie)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/laurieannie"&gt;LaurieAnnie&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/laurieannie/52359078"&gt;&lt;img src="https://cdn.ipernity.com/200/90/78/52359078.021feb98.240.jpg?r2" width="240" height="193" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Title: Study for "Déjeuner sur l'herbe"&lt;br /&gt;
&lt;br /&gt;
Artist: Edouard Manet (French, Paris 1832–1883 Paris)&lt;br /&gt;
&lt;br /&gt;
Date: ca. 1863–68&lt;br /&gt;
&lt;br /&gt;
Geography: Country of Origin France&lt;br /&gt;
&lt;br /&gt;
Culture: French&lt;br /&gt;
&lt;br /&gt;
Medium: Oil on canvas&lt;br /&gt;
&lt;br /&gt;
Dimensions: 35 1/4 × 45 7/8 in. (89.5 × 116.5 cm)&lt;br /&gt;
Framed: 44 13/16 × 55 11/16 × 5 1/8 in., 63.9 lb. (113.8 × 141.5 × 13 cm, 29 kg)&lt;br /&gt;
&lt;br /&gt;
Classification: Paintings&lt;br /&gt;
&lt;br /&gt;
Credit Line: The Courtauld, London (Samuel Courtauld Trust) (P.1932.SC.232)&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
This work is a version of Manet’s Déjeuner sur l’herbe, the startling depiction of a picnic scene with two nearly naked women in the company of fully clothed men that became the artist’s first succès de scandale in 1863. The painting draws on his study of famed Italian Renaissance artworks, yet reframes those references into an entirely new style and context. Rejected by the official French Salon in 1863, it was hung instead at the Salon des Refusés, where it won him immediate notoriety. The broad strokes and seemingly quick application of paint in the version he exhibited belie the fact that the artist worked on the composition for a good year before showing it. This work may have been part of that preparatory process. &lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Text from: &lt;a href="https://www.metmuseum.org/art/collection/search/845746" target="_blank" rel="nofollow"&gt;www.metmuseum.org/art/collection/search/845746&lt;/a&gt;&lt;/div&gt;</description>
    <media:title>Study for Luncheon on the Grass by Manet in the Metropolitan Museum of Art, December 2023</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/laurieannie"&gt;LaurieAnnie&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/laurieannie/52359078"&gt;&lt;img src="https://cdn.ipernity.com/200/90/78/52359078.021feb98.240.jpg?r2" width="240" height="193" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Title: Study for "Déjeuner sur l'herbe"&lt;br /&gt;
&lt;br /&gt;
Artist: Edouard Manet (French, Paris 1832–1883 Paris)&lt;br /&gt;
&lt;br /&gt;
Date: ca. 1863–68&lt;br /&gt;
&lt;br /&gt;
Geography: Country of Origin France&lt;br /&gt;
&lt;br /&gt;
Culture: French&lt;br /&gt;
&lt;br /&gt;
Medium: Oil on canvas&lt;br /&gt;
&lt;br /&gt;
Dimensions: 35 1/4 × 45 7/8 in. (89.5 × 116.5 cm)&lt;br /&gt;
Framed: 44 13/16 × 55 11/16 × 5 1/8 in., 63.9 lb. (113.8 × 141.5 × 13 cm, 29 kg)&lt;br /&gt;
&lt;br /&gt;
Classification: Paintings&lt;br /&gt;
&lt;br /&gt;
Credit Line: The Courtauld, London (Samuel Courtauld Trust) (P.1932.SC.232)&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
This work is a version of Manet’s Déjeuner sur l’herbe, the startling depiction of a picnic scene with two nearly naked women in the company of fully clothed men that became the artist’s first succès de scandale in 1863. The painting draws on his study of famed Italian Renaissance artworks, yet reframes those references into an entirely new style and context. Rejected by the official French Salon in 1863, it was hung instead at the Salon des Refusés, where it won him immediate notoriety. The broad strokes and seemingly quick application of paint in the version he exhibited belie the fact that the artist worked on the composition for a good year before showing it. This work may have been part of that preparatory process. &lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Text from: &lt;a href="https://www.metmuseum.org/art/collection/search/845746" target="_blank" rel="nofollow"&gt;www.metmuseum.org/art/collection/search/845746&lt;/a&gt;&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/200/90/78/52359078.021feb98.560.jpg?r2" type="image/jpeg" width="560" height="450" duration="0" isDefault="true"  />
    <media:thumbnail url="https://cdn.ipernity.com/200/90/78/52359078.021feb98.240.jpg?r2" width="240" height="193"/>
    <media:thumbnail url="https://cdn.ipernity.com/200/90/78/52359078.021feb98.100.jpg?r2" width="100" height="81"/>
    <media:credit role="author">LaurieAnnie</media:credit>
  </item>
  <item>
    <title>Study for Luncheon on the Grass by Manet in the Metropolitan Museum of Art, December 2023</title>
    <link>https://www.ipernity.com/doc/laurieannie/52359080</link>
    <guid isPermaLink="false">tag:ipernity.com,2024-03-03,doc-52359080</guid>
    <pubDate>Sun, 03 Mar 2024 08:04:00 +0000</pubDate>
    <dc:date.created>2023-12-01T18:06:46-04:00</dc:date.created>
    <author>nobody@ipernity.com (LaurieAnnie)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/laurieannie"&gt;LaurieAnnie&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/laurieannie/52359080"&gt;&lt;img src="https://cdn.ipernity.com/200/90/80/52359080.016c814b.240.jpg?r2" width="240" height="196" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Title: Study for "Déjeuner sur l'herbe"&lt;br /&gt;
&lt;br /&gt;
Artist: Edouard Manet (French, Paris 1832–1883 Paris)&lt;br /&gt;
&lt;br /&gt;
Date: ca. 1863–68&lt;br /&gt;
&lt;br /&gt;
Geography: Country of Origin France&lt;br /&gt;
&lt;br /&gt;
Culture: French&lt;br /&gt;
&lt;br /&gt;
Medium: Oil on canvas&lt;br /&gt;
&lt;br /&gt;
Dimensions: 35 1/4 × 45 7/8 in. (89.5 × 116.5 cm)&lt;br /&gt;
Framed: 44 13/16 × 55 11/16 × 5 1/8 in., 63.9 lb. (113.8 × 141.5 × 13 cm, 29 kg)&lt;br /&gt;
&lt;br /&gt;
Classification: Paintings&lt;br /&gt;
&lt;br /&gt;
Credit Line: The Courtauld, London (Samuel Courtauld Trust) (P.1932.SC.232)&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
This work is a version of Manet’s Déjeuner sur l’herbe, the startling depiction of a picnic scene with two nearly naked women in the company of fully clothed men that became the artist’s first succès de scandale in 1863. The painting draws on his study of famed Italian Renaissance artworks, yet reframes those references into an entirely new style and context. Rejected by the official French Salon in 1863, it was hung instead at the Salon des Refusés, where it won him immediate notoriety. The broad strokes and seemingly quick application of paint in the version he exhibited belie the fact that the artist worked on the composition for a good year before showing it. This work may have been part of that preparatory process. &lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Text from: &lt;a href="https://www.metmuseum.org/art/collection/search/845746" target="_blank" rel="nofollow"&gt;www.metmuseum.org/art/collection/search/845746&lt;/a&gt;&lt;/div&gt;</description>
    <media:title>Study for Luncheon on the Grass by Manet in the Metropolitan Museum of Art, December 2023</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/laurieannie"&gt;LaurieAnnie&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/laurieannie/52359080"&gt;&lt;img src="https://cdn.ipernity.com/200/90/80/52359080.016c814b.240.jpg?r2" width="240" height="196" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Title: Study for "Déjeuner sur l'herbe"&lt;br /&gt;
&lt;br /&gt;
Artist: Edouard Manet (French, Paris 1832–1883 Paris)&lt;br /&gt;
&lt;br /&gt;
Date: ca. 1863–68&lt;br /&gt;
&lt;br /&gt;
Geography: Country of Origin France&lt;br /&gt;
&lt;br /&gt;
Culture: French&lt;br /&gt;
&lt;br /&gt;
Medium: Oil on canvas&lt;br /&gt;
&lt;br /&gt;
Dimensions: 35 1/4 × 45 7/8 in. (89.5 × 116.5 cm)&lt;br /&gt;
Framed: 44 13/16 × 55 11/16 × 5 1/8 in., 63.9 lb. (113.8 × 141.5 × 13 cm, 29 kg)&lt;br /&gt;
&lt;br /&gt;
Classification: Paintings&lt;br /&gt;
&lt;br /&gt;
Credit Line: The Courtauld, London (Samuel Courtauld Trust) (P.1932.SC.232)&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
This work is a version of Manet’s Déjeuner sur l’herbe, the startling depiction of a picnic scene with two nearly naked women in the company of fully clothed men that became the artist’s first succès de scandale in 1863. The painting draws on his study of famed Italian Renaissance artworks, yet reframes those references into an entirely new style and context. Rejected by the official French Salon in 1863, it was hung instead at the Salon des Refusés, where it won him immediate notoriety. The broad strokes and seemingly quick application of paint in the version he exhibited belie the fact that the artist worked on the composition for a good year before showing it. This work may have been part of that preparatory process. &lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Text from: &lt;a href="https://www.metmuseum.org/art/collection/search/845746" target="_blank" rel="nofollow"&gt;www.metmuseum.org/art/collection/search/845746&lt;/a&gt;&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/200/90/80/52359080.016c814b.560.jpg?r2" type="image/jpeg" width="560" height="457" duration="0" isDefault="true"  />
    <media:thumbnail url="https://cdn.ipernity.com/200/90/80/52359080.016c814b.240.jpg?r2" width="240" height="196"/>
    <media:thumbnail url="https://cdn.ipernity.com/200/90/80/52359080.016c814b.100.jpg?r2" width="100" height="82"/>
    <media:credit role="author">LaurieAnnie</media:credit>
  </item>
  <item>
    <title>Detail of the Study for Luncheon on the Grass by Manet in the Metropolitan Museum of Art, December 2023</title>
    <link>https://www.ipernity.com/doc/laurieannie/52359072</link>
    <guid isPermaLink="false">tag:ipernity.com,2024-03-03,doc-52359072</guid>
    <pubDate>Sun, 03 Mar 2024 08:04:03 +0000</pubDate>
    <dc:date.created>2023-12-01T18:07:33-04:00</dc:date.created>
    <author>nobody@ipernity.com (LaurieAnnie)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/laurieannie"&gt;LaurieAnnie&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/laurieannie/52359072"&gt;&lt;img src="https://cdn.ipernity.com/200/90/72/52359072.dd0be870.240.jpg?r2" width="240" height="185" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Title: Study for "Déjeuner sur l'herbe"&lt;br /&gt;
&lt;br /&gt;
Artist: Edouard Manet (French, Paris 1832–1883 Paris)&lt;br /&gt;
&lt;br /&gt;
Date: ca. 1863–68&lt;br /&gt;
&lt;br /&gt;
Geography: Country of Origin France&lt;br /&gt;
&lt;br /&gt;
Culture: French&lt;br /&gt;
&lt;br /&gt;
Medium: Oil on canvas&lt;br /&gt;
&lt;br /&gt;
Dimensions: 35 1/4 × 45 7/8 in. (89.5 × 116.5 cm)&lt;br /&gt;
Framed: 44 13/16 × 55 11/16 × 5 1/8 in., 63.9 lb. (113.8 × 141.5 × 13 cm, 29 kg)&lt;br /&gt;
&lt;br /&gt;
Classification: Paintings&lt;br /&gt;
&lt;br /&gt;
Credit Line: The Courtauld, London (Samuel Courtauld Trust) (P.1932.SC.232)&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
This work is a version of Manet’s Déjeuner sur l’herbe, the startling depiction of a picnic scene with two nearly naked women in the company of fully clothed men that became the artist’s first succès de scandale in 1863. The painting draws on his study of famed Italian Renaissance artworks, yet reframes those references into an entirely new style and context. Rejected by the official French Salon in 1863, it was hung instead at the Salon des Refusés, where it won him immediate notoriety. The broad strokes and seemingly quick application of paint in the version he exhibited belie the fact that the artist worked on the composition for a good year before showing it. This work may have been part of that preparatory process. &lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Text from: &lt;a href="https://www.metmuseum.org/art/collection/search/845746" target="_blank" rel="nofollow"&gt;www.metmuseum.org/art/collection/search/845746&lt;/a&gt;&lt;/div&gt;</description>
    <media:title>Detail of the Study for Luncheon on the Grass by Manet in the Metropolitan Museum of Art, December 2023</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/laurieannie"&gt;LaurieAnnie&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/laurieannie/52359072"&gt;&lt;img src="https://cdn.ipernity.com/200/90/72/52359072.dd0be870.240.jpg?r2" width="240" height="185" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Title: Study for "Déjeuner sur l'herbe"&lt;br /&gt;
&lt;br /&gt;
Artist: Edouard Manet (French, Paris 1832–1883 Paris)&lt;br /&gt;
&lt;br /&gt;
Date: ca. 1863–68&lt;br /&gt;
&lt;br /&gt;
Geography: Country of Origin France&lt;br /&gt;
&lt;br /&gt;
Culture: French&lt;br /&gt;
&lt;br /&gt;
Medium: Oil on canvas&lt;br /&gt;
&lt;br /&gt;
Dimensions: 35 1/4 × 45 7/8 in. (89.5 × 116.5 cm)&lt;br /&gt;
Framed: 44 13/16 × 55 11/16 × 5 1/8 in., 63.9 lb. (113.8 × 141.5 × 13 cm, 29 kg)&lt;br /&gt;
&lt;br /&gt;
Classification: Paintings&lt;br /&gt;
&lt;br /&gt;
Credit Line: The Courtauld, London (Samuel Courtauld Trust) (P.1932.SC.232)&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
This work is a version of Manet’s Déjeuner sur l’herbe, the startling depiction of a picnic scene with two nearly naked women in the company of fully clothed men that became the artist’s first succès de scandale in 1863. The painting draws on his study of famed Italian Renaissance artworks, yet reframes those references into an entirely new style and context. Rejected by the official French Salon in 1863, it was hung instead at the Salon des Refusés, where it won him immediate notoriety. The broad strokes and seemingly quick application of paint in the version he exhibited belie the fact that the artist worked on the composition for a good year before showing it. This work may have been part of that preparatory process. &lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Text from: &lt;a href="https://www.metmuseum.org/art/collection/search/845746" target="_blank" rel="nofollow"&gt;www.metmuseum.org/art/collection/search/845746&lt;/a&gt;&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/200/90/72/52359072.dd0be870.560.jpg?r2" type="image/jpeg" width="560" height="431" duration="0" isDefault="true"  />
    <media:thumbnail url="https://cdn.ipernity.com/200/90/72/52359072.dd0be870.240.jpg?r2" width="240" height="185"/>
    <media:thumbnail url="https://cdn.ipernity.com/200/90/72/52359072.dd0be870.100.jpg?r2" width="100" height="77"/>
    <media:credit role="author">LaurieAnnie</media:credit>
  </item>
  <item>
    <title>Detail of the Study for Luncheon on the Grass by Manet in the Metropolitan Museum of Art, December 2023</title>
    <link>https://www.ipernity.com/doc/laurieannie/52359074</link>
    <guid isPermaLink="false">tag:ipernity.com,2024-03-03,doc-52359074</guid>
    <pubDate>Sun, 03 Mar 2024 08:04:03 +0000</pubDate>
    <dc:date.created>2023-12-01T18:07:35-04:00</dc:date.created>
    <author>nobody@ipernity.com (LaurieAnnie)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/laurieannie"&gt;LaurieAnnie&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/laurieannie/52359074"&gt;&lt;img src="https://cdn.ipernity.com/200/90/74/52359074.d0fce802.240.jpg?r2" width="240" height="183" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Title: Study for "Déjeuner sur l'herbe"&lt;br /&gt;
&lt;br /&gt;
Artist: Edouard Manet (French, Paris 1832–1883 Paris)&lt;br /&gt;
&lt;br /&gt;
Date: ca. 1863–68&lt;br /&gt;
&lt;br /&gt;
Geography: Country of Origin France&lt;br /&gt;
&lt;br /&gt;
Culture: French&lt;br /&gt;
&lt;br /&gt;
Medium: Oil on canvas&lt;br /&gt;
&lt;br /&gt;
Dimensions: 35 1/4 × 45 7/8 in. (89.5 × 116.5 cm)&lt;br /&gt;
Framed: 44 13/16 × 55 11/16 × 5 1/8 in., 63.9 lb. (113.8 × 141.5 × 13 cm, 29 kg)&lt;br /&gt;
&lt;br /&gt;
Classification: Paintings&lt;br /&gt;
&lt;br /&gt;
Credit Line: The Courtauld, London (Samuel Courtauld Trust) (P.1932.SC.232)&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
This work is a version of Manet’s Déjeuner sur l’herbe, the startling depiction of a picnic scene with two nearly naked women in the company of fully clothed men that became the artist’s first succès de scandale in 1863. The painting draws on his study of famed Italian Renaissance artworks, yet reframes those references into an entirely new style and context. Rejected by the official French Salon in 1863, it was hung instead at the Salon des Refusés, where it won him immediate notoriety. The broad strokes and seemingly quick application of paint in the version he exhibited belie the fact that the artist worked on the composition for a good year before showing it. This work may have been part of that preparatory process. &lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Text from: &lt;a href="https://www.metmuseum.org/art/collection/search/845746" target="_blank" rel="nofollow"&gt;www.metmuseum.org/art/collection/search/845746&lt;/a&gt;&lt;/div&gt;</description>
    <media:title>Detail of the Study for Luncheon on the Grass by Manet in the Metropolitan Museum of Art, December 2023</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/laurieannie"&gt;LaurieAnnie&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/laurieannie/52359074"&gt;&lt;img src="https://cdn.ipernity.com/200/90/74/52359074.d0fce802.240.jpg?r2" width="240" height="183" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Title: Study for "Déjeuner sur l'herbe"&lt;br /&gt;
&lt;br /&gt;
Artist: Edouard Manet (French, Paris 1832–1883 Paris)&lt;br /&gt;
&lt;br /&gt;
Date: ca. 1863–68&lt;br /&gt;
&lt;br /&gt;
Geography: Country of Origin France&lt;br /&gt;
&lt;br /&gt;
Culture: French&lt;br /&gt;
&lt;br /&gt;
Medium: Oil on canvas&lt;br /&gt;
&lt;br /&gt;
Dimensions: 35 1/4 × 45 7/8 in. (89.5 × 116.5 cm)&lt;br /&gt;
Framed: 44 13/16 × 55 11/16 × 5 1/8 in., 63.9 lb. (113.8 × 141.5 × 13 cm, 29 kg)&lt;br /&gt;
&lt;br /&gt;
Classification: Paintings&lt;br /&gt;
&lt;br /&gt;
Credit Line: The Courtauld, London (Samuel Courtauld Trust) (P.1932.SC.232)&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
This work is a version of Manet’s Déjeuner sur l’herbe, the startling depiction of a picnic scene with two nearly naked women in the company of fully clothed men that became the artist’s first succès de scandale in 1863. The painting draws on his study of famed Italian Renaissance artworks, yet reframes those references into an entirely new style and context. Rejected by the official French Salon in 1863, it was hung instead at the Salon des Refusés, where it won him immediate notoriety. The broad strokes and seemingly quick application of paint in the version he exhibited belie the fact that the artist worked on the composition for a good year before showing it. This work may have been part of that preparatory process. &lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Text from: &lt;a href="https://www.metmuseum.org/art/collection/search/845746" target="_blank" rel="nofollow"&gt;www.metmuseum.org/art/collection/search/845746&lt;/a&gt;&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/200/90/74/52359074.d0fce802.560.jpg?r2" type="image/jpeg" width="560" height="426" duration="0" isDefault="true"  />
    <media:thumbnail url="https://cdn.ipernity.com/200/90/74/52359074.d0fce802.240.jpg?r2" width="240" height="183"/>
    <media:thumbnail url="https://cdn.ipernity.com/200/90/74/52359074.d0fce802.100.jpg?r2" width="100" height="76"/>
    <media:credit role="author">LaurieAnnie</media:credit>
  </item>
  <item>
    <title>Detail of the Study for Luncheon on the Grass by Manet in the Metropolitan Museum of Art, December 2023</title>
    <link>https://www.ipernity.com/doc/laurieannie/52359066</link>
    <guid isPermaLink="false">tag:ipernity.com,2024-03-03,doc-52359066</guid>
    <pubDate>Sun, 03 Mar 2024 08:04:52 +0000</pubDate>
    <dc:date.created>2023-12-01T18:07:10-04:00</dc:date.created>
    <author>nobody@ipernity.com (LaurieAnnie)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/laurieannie"&gt;LaurieAnnie&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/laurieannie/52359066"&gt;&lt;img src="https://cdn.ipernity.com/200/90/66/52359066.d63ea141.240.jpg?r2" width="187" height="240" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Title: Study for "Déjeuner sur l'herbe"&lt;br /&gt;
&lt;br /&gt;
Artist: Edouard Manet (French, Paris 1832–1883 Paris)&lt;br /&gt;
&lt;br /&gt;
Date: ca. 1863–68&lt;br /&gt;
&lt;br /&gt;
Geography: Country of Origin France&lt;br /&gt;
&lt;br /&gt;
Culture: French&lt;br /&gt;
&lt;br /&gt;
Medium: Oil on canvas&lt;br /&gt;
&lt;br /&gt;
Dimensions: 35 1/4 × 45 7/8 in. (89.5 × 116.5 cm)&lt;br /&gt;
Framed: 44 13/16 × 55 11/16 × 5 1/8 in., 63.9 lb. (113.8 × 141.5 × 13 cm, 29 kg)&lt;br /&gt;
&lt;br /&gt;
Classification: Paintings&lt;br /&gt;
&lt;br /&gt;
Credit Line: The Courtauld, London (Samuel Courtauld Trust) (P.1932.SC.232)&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
This work is a version of Manet’s Déjeuner sur l’herbe, the startling depiction of a picnic scene with two nearly naked women in the company of fully clothed men that became the artist’s first succès de scandale in 1863. The painting draws on his study of famed Italian Renaissance artworks, yet reframes those references into an entirely new style and context. Rejected by the official French Salon in 1863, it was hung instead at the Salon des Refusés, where it won him immediate notoriety. The broad strokes and seemingly quick application of paint in the version he exhibited belie the fact that the artist worked on the composition for a good year before showing it. This work may have been part of that preparatory process. &lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Text from: &lt;a href="https://www.metmuseum.org/art/collection/search/845746" target="_blank" rel="nofollow"&gt;www.metmuseum.org/art/collection/search/845746&lt;/a&gt;&lt;/div&gt;</description>
    <media:title>Detail of the Study for Luncheon on the Grass by Manet in the Metropolitan Museum of Art, December 2023</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/laurieannie"&gt;LaurieAnnie&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/laurieannie/52359066"&gt;&lt;img src="https://cdn.ipernity.com/200/90/66/52359066.d63ea141.240.jpg?r2" width="187" height="240" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Title: Study for "Déjeuner sur l'herbe"&lt;br /&gt;
&lt;br /&gt;
Artist: Edouard Manet (French, Paris 1832–1883 Paris)&lt;br /&gt;
&lt;br /&gt;
Date: ca. 1863–68&lt;br /&gt;
&lt;br /&gt;
Geography: Country of Origin France&lt;br /&gt;
&lt;br /&gt;
Culture: French&lt;br /&gt;
&lt;br /&gt;
Medium: Oil on canvas&lt;br /&gt;
&lt;br /&gt;
Dimensions: 35 1/4 × 45 7/8 in. (89.5 × 116.5 cm)&lt;br /&gt;
Framed: 44 13/16 × 55 11/16 × 5 1/8 in., 63.9 lb. (113.8 × 141.5 × 13 cm, 29 kg)&lt;br /&gt;
&lt;br /&gt;
Classification: Paintings&lt;br /&gt;
&lt;br /&gt;
Credit Line: The Courtauld, London (Samuel Courtauld Trust) (P.1932.SC.232)&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
This work is a version of Manet’s Déjeuner sur l’herbe, the startling depiction of a picnic scene with two nearly naked women in the company of fully clothed men that became the artist’s first succès de scandale in 1863. The painting draws on his study of famed Italian Renaissance artworks, yet reframes those references into an entirely new style and context. Rejected by the official French Salon in 1863, it was hung instead at the Salon des Refusés, where it won him immediate notoriety. The broad strokes and seemingly quick application of paint in the version he exhibited belie the fact that the artist worked on the composition for a good year before showing it. This work may have been part of that preparatory process. &lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Text from: &lt;a href="https://www.metmuseum.org/art/collection/search/845746" target="_blank" rel="nofollow"&gt;www.metmuseum.org/art/collection/search/845746&lt;/a&gt;&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/200/90/66/52359066.d63ea141.560.jpg?r2" type="image/jpeg" width="435" height="560" duration="0" isDefault="true"  />
    <media:thumbnail url="https://cdn.ipernity.com/200/90/66/52359066.d63ea141.240.jpg?r2" width="187" height="240"/>
    <media:thumbnail url="https://cdn.ipernity.com/200/90/66/52359066.d63ea141.100.jpg?r2" width="78" height="100"/>
    <media:credit role="author">LaurieAnnie</media:credit>
  </item>
  <item>
    <title>Detail of the Study for Luncheon on the Grass by Manet in the Metropolitan Museum of Art, December 2023</title>
    <link>https://www.ipernity.com/doc/laurieannie/52359068</link>
    <guid isPermaLink="false">tag:ipernity.com,2024-03-03,doc-52359068</guid>
    <pubDate>Sun, 03 Mar 2024 08:04:51 +0000</pubDate>
    <dc:date.created>2023-12-01T18:07:13-04:00</dc:date.created>
    <author>nobody@ipernity.com (LaurieAnnie)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/laurieannie"&gt;LaurieAnnie&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/laurieannie/52359068"&gt;&lt;img src="https://cdn.ipernity.com/200/90/68/52359068.10305308.240.jpg?r2" width="197" height="240" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Title: Study for "Déjeuner sur l'herbe"&lt;br /&gt;
&lt;br /&gt;
Artist: Edouard Manet (French, Paris 1832–1883 Paris)&lt;br /&gt;
&lt;br /&gt;
Date: ca. 1863–68&lt;br /&gt;
&lt;br /&gt;
Geography: Country of Origin France&lt;br /&gt;
&lt;br /&gt;
Culture: French&lt;br /&gt;
&lt;br /&gt;
Medium: Oil on canvas&lt;br /&gt;
&lt;br /&gt;
Dimensions: 35 1/4 × 45 7/8 in. (89.5 × 116.5 cm)&lt;br /&gt;
Framed: 44 13/16 × 55 11/16 × 5 1/8 in., 63.9 lb. (113.8 × 141.5 × 13 cm, 29 kg)&lt;br /&gt;
&lt;br /&gt;
Classification: Paintings&lt;br /&gt;
&lt;br /&gt;
Credit Line: The Courtauld, London (Samuel Courtauld Trust) (P.1932.SC.232)&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
This work is a version of Manet’s Déjeuner sur l’herbe, the startling depiction of a picnic scene with two nearly naked women in the company of fully clothed men that became the artist’s first succès de scandale in 1863. The painting draws on his study of famed Italian Renaissance artworks, yet reframes those references into an entirely new style and context. Rejected by the official French Salon in 1863, it was hung instead at the Salon des Refusés, where it won him immediate notoriety. The broad strokes and seemingly quick application of paint in the version he exhibited belie the fact that the artist worked on the composition for a good year before showing it. This work may have been part of that preparatory process. &lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Text from: &lt;a href="https://www.metmuseum.org/art/collection/search/845746" target="_blank" rel="nofollow"&gt;www.metmuseum.org/art/collection/search/845746&lt;/a&gt;&lt;/div&gt;</description>
    <media:title>Detail of the Study for Luncheon on the Grass by Manet in the Metropolitan Museum of Art, December 2023</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/laurieannie"&gt;LaurieAnnie&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/laurieannie/52359068"&gt;&lt;img src="https://cdn.ipernity.com/200/90/68/52359068.10305308.240.jpg?r2" width="197" height="240" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Title: Study for "Déjeuner sur l'herbe"&lt;br /&gt;
&lt;br /&gt;
Artist: Edouard Manet (French, Paris 1832–1883 Paris)&lt;br /&gt;
&lt;br /&gt;
Date: ca. 1863–68&lt;br /&gt;
&lt;br /&gt;
Geography: Country of Origin France&lt;br /&gt;
&lt;br /&gt;
Culture: French&lt;br /&gt;
&lt;br /&gt;
Medium: Oil on canvas&lt;br /&gt;
&lt;br /&gt;
Dimensions: 35 1/4 × 45 7/8 in. (89.5 × 116.5 cm)&lt;br /&gt;
Framed: 44 13/16 × 55 11/16 × 5 1/8 in., 63.9 lb. (113.8 × 141.5 × 13 cm, 29 kg)&lt;br /&gt;
&lt;br /&gt;
Classification: Paintings&lt;br /&gt;
&lt;br /&gt;
Credit Line: The Courtauld, London (Samuel Courtauld Trust) (P.1932.SC.232)&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
This work is a version of Manet’s Déjeuner sur l’herbe, the startling depiction of a picnic scene with two nearly naked women in the company of fully clothed men that became the artist’s first succès de scandale in 1863. The painting draws on his study of famed Italian Renaissance artworks, yet reframes those references into an entirely new style and context. Rejected by the official French Salon in 1863, it was hung instead at the Salon des Refusés, where it won him immediate notoriety. The broad strokes and seemingly quick application of paint in the version he exhibited belie the fact that the artist worked on the composition for a good year before showing it. This work may have been part of that preparatory process. &lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Text from: &lt;a href="https://www.metmuseum.org/art/collection/search/845746" target="_blank" rel="nofollow"&gt;www.metmuseum.org/art/collection/search/845746&lt;/a&gt;&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/200/90/68/52359068.10305308.560.jpg?r2" type="image/jpeg" width="460" height="560" duration="0" isDefault="true"  />
    <media:thumbnail url="https://cdn.ipernity.com/200/90/68/52359068.10305308.240.jpg?r2" width="197" height="240"/>
    <media:thumbnail url="https://cdn.ipernity.com/200/90/68/52359068.10305308.100.jpg?r2" width="82" height="100"/>
    <media:credit role="author">LaurieAnnie</media:credit>
  </item>
  <item>
    <title>Detail of the Study for Luncheon on the Grass by Manet in the Metropolitan Museum of Art, December 2023</title>
    <link>https://www.ipernity.com/doc/laurieannie/52359064</link>
    <guid isPermaLink="false">tag:ipernity.com,2024-03-03,doc-52359064</guid>
    <pubDate>Sun, 03 Mar 2024 08:04:41 +0000</pubDate>
    <dc:date.created>2023-12-01T18:06:59-04:00</dc:date.created>
    <author>nobody@ipernity.com (LaurieAnnie)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/laurieannie"&gt;LaurieAnnie&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/laurieannie/52359064"&gt;&lt;img src="https://cdn.ipernity.com/200/90/64/52359064.4b3dc240.240.jpg?r2" width="240" height="182" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Title: Study for "Déjeuner sur l'herbe"&lt;br /&gt;
&lt;br /&gt;
Artist: Edouard Manet (French, Paris 1832–1883 Paris)&lt;br /&gt;
&lt;br /&gt;
Date: ca. 1863–68&lt;br /&gt;
&lt;br /&gt;
Geography: Country of Origin France&lt;br /&gt;
&lt;br /&gt;
Culture: French&lt;br /&gt;
&lt;br /&gt;
Medium: Oil on canvas&lt;br /&gt;
&lt;br /&gt;
Dimensions: 35 1/4 × 45 7/8 in. (89.5 × 116.5 cm)&lt;br /&gt;
Framed: 44 13/16 × 55 11/16 × 5 1/8 in., 63.9 lb. (113.8 × 141.5 × 13 cm, 29 kg)&lt;br /&gt;
&lt;br /&gt;
Classification: Paintings&lt;br /&gt;
&lt;br /&gt;
Credit Line: The Courtauld, London (Samuel Courtauld Trust) (P.1932.SC.232)&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
This work is a version of Manet’s Déjeuner sur l’herbe, the startling depiction of a picnic scene with two nearly naked women in the company of fully clothed men that became the artist’s first succès de scandale in 1863. The painting draws on his study of famed Italian Renaissance artworks, yet reframes those references into an entirely new style and context. Rejected by the official French Salon in 1863, it was hung instead at the Salon des Refusés, where it won him immediate notoriety. The broad strokes and seemingly quick application of paint in the version he exhibited belie the fact that the artist worked on the composition for a good year before showing it. This work may have been part of that preparatory process. &lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Text from: &lt;a href="https://www.metmuseum.org/art/collection/search/845746" target="_blank" rel="nofollow"&gt;www.metmuseum.org/art/collection/search/845746&lt;/a&gt;&lt;/div&gt;</description>
    <media:title>Detail of the Study for Luncheon on the Grass by Manet in the Metropolitan Museum of Art, December 2023</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/laurieannie"&gt;LaurieAnnie&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/laurieannie/52359064"&gt;&lt;img src="https://cdn.ipernity.com/200/90/64/52359064.4b3dc240.240.jpg?r2" width="240" height="182" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Title: Study for "Déjeuner sur l'herbe"&lt;br /&gt;
&lt;br /&gt;
Artist: Edouard Manet (French, Paris 1832–1883 Paris)&lt;br /&gt;
&lt;br /&gt;
Date: ca. 1863–68&lt;br /&gt;
&lt;br /&gt;
Geography: Country of Origin France&lt;br /&gt;
&lt;br /&gt;
Culture: French&lt;br /&gt;
&lt;br /&gt;
Medium: Oil on canvas&lt;br /&gt;
&lt;br /&gt;
Dimensions: 35 1/4 × 45 7/8 in. (89.5 × 116.5 cm)&lt;br /&gt;
Framed: 44 13/16 × 55 11/16 × 5 1/8 in., 63.9 lb. (113.8 × 141.5 × 13 cm, 29 kg)&lt;br /&gt;
&lt;br /&gt;
Classification: Paintings&lt;br /&gt;
&lt;br /&gt;
Credit Line: The Courtauld, London (Samuel Courtauld Trust) (P.1932.SC.232)&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
This work is a version of Manet’s Déjeuner sur l’herbe, the startling depiction of a picnic scene with two nearly naked women in the company of fully clothed men that became the artist’s first succès de scandale in 1863. The painting draws on his study of famed Italian Renaissance artworks, yet reframes those references into an entirely new style and context. Rejected by the official French Salon in 1863, it was hung instead at the Salon des Refusés, where it won him immediate notoriety. The broad strokes and seemingly quick application of paint in the version he exhibited belie the fact that the artist worked on the composition for a good year before showing it. This work may have been part of that preparatory process. &lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Text from: &lt;a href="https://www.metmuseum.org/art/collection/search/845746" target="_blank" rel="nofollow"&gt;www.metmuseum.org/art/collection/search/845746&lt;/a&gt;&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/200/90/64/52359064.4b3dc240.560.jpg?r2" type="image/jpeg" width="560" height="425" duration="0" isDefault="true"  />
    <media:thumbnail url="https://cdn.ipernity.com/200/90/64/52359064.4b3dc240.240.jpg?r2" width="240" height="182"/>
    <media:thumbnail url="https://cdn.ipernity.com/200/90/64/52359064.4b3dc240.100.jpg?r2" width="100" height="76"/>
    <media:credit role="author">LaurieAnnie</media:credit>
  </item>
  <item>
    <title>Detail of the Study for Luncheon on the Grass by Manet in the Metropolitan Museum of Art, December 2023</title>
    <link>https://www.ipernity.com/doc/laurieannie/52359062</link>
    <guid isPermaLink="false">tag:ipernity.com,2024-03-03,doc-52359062</guid>
    <pubDate>Sun, 03 Mar 2024 08:04:39 +0000</pubDate>
    <dc:date.created>2023-12-01T18:06:59-04:00</dc:date.created>
    <author>nobody@ipernity.com (LaurieAnnie)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/laurieannie"&gt;LaurieAnnie&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/laurieannie/52359062"&gt;&lt;img src="https://cdn.ipernity.com/200/90/62/52359062.7798e8e2.240.jpg?r2" width="240" height="182" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Title: Study for "Déjeuner sur l'herbe"&lt;br /&gt;
&lt;br /&gt;
Artist: Edouard Manet (French, Paris 1832–1883 Paris)&lt;br /&gt;
&lt;br /&gt;
Date: ca. 1863–68&lt;br /&gt;
&lt;br /&gt;
Geography: Country of Origin France&lt;br /&gt;
&lt;br /&gt;
Culture: French&lt;br /&gt;
&lt;br /&gt;
Medium: Oil on canvas&lt;br /&gt;
&lt;br /&gt;
Dimensions: 35 1/4 × 45 7/8 in. (89.5 × 116.5 cm)&lt;br /&gt;
Framed: 44 13/16 × 55 11/16 × 5 1/8 in., 63.9 lb. (113.8 × 141.5 × 13 cm, 29 kg)&lt;br /&gt;
&lt;br /&gt;
Classification: Paintings&lt;br /&gt;
&lt;br /&gt;
Credit Line: The Courtauld, London (Samuel Courtauld Trust) (P.1932.SC.232)&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
This work is a version of Manet’s Déjeuner sur l’herbe, the startling depiction of a picnic scene with two nearly naked women in the company of fully clothed men that became the artist’s first succès de scandale in 1863. The painting draws on his study of famed Italian Renaissance artworks, yet reframes those references into an entirely new style and context. Rejected by the official French Salon in 1863, it was hung instead at the Salon des Refusés, where it won him immediate notoriety. The broad strokes and seemingly quick application of paint in the version he exhibited belie the fact that the artist worked on the composition for a good year before showing it. This work may have been part of that preparatory process. &lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Text from: &lt;a href="https://www.metmuseum.org/art/collection/search/845746" target="_blank" rel="nofollow"&gt;www.metmuseum.org/art/collection/search/845746&lt;/a&gt;&lt;/div&gt;</description>
    <media:title>Detail of the Study for Luncheon on the Grass by Manet in the Metropolitan Museum of Art, December 2023</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/laurieannie"&gt;LaurieAnnie&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/laurieannie/52359062"&gt;&lt;img src="https://cdn.ipernity.com/200/90/62/52359062.7798e8e2.240.jpg?r2" width="240" height="182" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Title: Study for "Déjeuner sur l'herbe"&lt;br /&gt;
&lt;br /&gt;
Artist: Edouard Manet (French, Paris 1832–1883 Paris)&lt;br /&gt;
&lt;br /&gt;
Date: ca. 1863–68&lt;br /&gt;
&lt;br /&gt;
Geography: Country of Origin France&lt;br /&gt;
&lt;br /&gt;
Culture: French&lt;br /&gt;
&lt;br /&gt;
Medium: Oil on canvas&lt;br /&gt;
&lt;br /&gt;
Dimensions: 35 1/4 × 45 7/8 in. (89.5 × 116.5 cm)&lt;br /&gt;
Framed: 44 13/16 × 55 11/16 × 5 1/8 in., 63.9 lb. (113.8 × 141.5 × 13 cm, 29 kg)&lt;br /&gt;
&lt;br /&gt;
Classification: Paintings&lt;br /&gt;
&lt;br /&gt;
Credit Line: The Courtauld, London (Samuel Courtauld Trust) (P.1932.SC.232)&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
This work is a version of Manet’s Déjeuner sur l’herbe, the startling depiction of a picnic scene with two nearly naked women in the company of fully clothed men that became the artist’s first succès de scandale in 1863. The painting draws on his study of famed Italian Renaissance artworks, yet reframes those references into an entirely new style and context. Rejected by the official French Salon in 1863, it was hung instead at the Salon des Refusés, where it won him immediate notoriety. The broad strokes and seemingly quick application of paint in the version he exhibited belie the fact that the artist worked on the composition for a good year before showing it. This work may have been part of that preparatory process. &lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Text from: &lt;a href="https://www.metmuseum.org/art/collection/search/845746" target="_blank" rel="nofollow"&gt;www.metmuseum.org/art/collection/search/845746&lt;/a&gt;&lt;/div&gt;</media:text>
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    <media:credit role="author">LaurieAnnie</media:credit>
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  <item>
    <title>Detail of the Study for Luncheon on the Grass by Manet in the Metropolitan Museum of Art, December 2023</title>
    <link>https://www.ipernity.com/doc/laurieannie/52359060</link>
    <guid isPermaLink="false">tag:ipernity.com,2024-03-03,doc-52359060</guid>
    <pubDate>Sun, 03 Mar 2024 08:04:31 +0000</pubDate>
    <dc:date.created>2023-12-01T18:06:57-04:00</dc:date.created>
    <author>nobody@ipernity.com (LaurieAnnie)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/laurieannie"&gt;LaurieAnnie&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/laurieannie/52359060"&gt;&lt;img src="https://cdn.ipernity.com/200/90/60/52359060.c5f6e918.240.jpg?r2" width="240" height="179" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Title: Study for "Déjeuner sur l'herbe"&lt;br /&gt;
&lt;br /&gt;
Artist: Edouard Manet (French, Paris 1832–1883 Paris)&lt;br /&gt;
&lt;br /&gt;
Date: ca. 1863–68&lt;br /&gt;
&lt;br /&gt;
Geography: Country of Origin France&lt;br /&gt;
&lt;br /&gt;
Culture: French&lt;br /&gt;
&lt;br /&gt;
Medium: Oil on canvas&lt;br /&gt;
&lt;br /&gt;
Dimensions: 35 1/4 × 45 7/8 in. (89.5 × 116.5 cm)&lt;br /&gt;
Framed: 44 13/16 × 55 11/16 × 5 1/8 in., 63.9 lb. (113.8 × 141.5 × 13 cm, 29 kg)&lt;br /&gt;
&lt;br /&gt;
Classification: Paintings&lt;br /&gt;
&lt;br /&gt;
Credit Line: The Courtauld, London (Samuel Courtauld Trust) (P.1932.SC.232)&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
This work is a version of Manet’s Déjeuner sur l’herbe, the startling depiction of a picnic scene with two nearly naked women in the company of fully clothed men that became the artist’s first succès de scandale in 1863. The painting draws on his study of famed Italian Renaissance artworks, yet reframes those references into an entirely new style and context. Rejected by the official French Salon in 1863, it was hung instead at the Salon des Refusés, where it won him immediate notoriety. The broad strokes and seemingly quick application of paint in the version he exhibited belie the fact that the artist worked on the composition for a good year before showing it. This work may have been part of that preparatory process. &lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Text from: &lt;a href="https://www.metmuseum.org/art/collection/search/845746" target="_blank" rel="nofollow"&gt;www.metmuseum.org/art/collection/search/845746&lt;/a&gt;&lt;/div&gt;</description>
    <media:title>Detail of the Study for Luncheon on the Grass by Manet in the Metropolitan Museum of Art, December 2023</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/laurieannie"&gt;LaurieAnnie&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/laurieannie/52359060"&gt;&lt;img src="https://cdn.ipernity.com/200/90/60/52359060.c5f6e918.240.jpg?r2" width="240" height="179" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Title: Study for "Déjeuner sur l'herbe"&lt;br /&gt;
&lt;br /&gt;
Artist: Edouard Manet (French, Paris 1832–1883 Paris)&lt;br /&gt;
&lt;br /&gt;
Date: ca. 1863–68&lt;br /&gt;
&lt;br /&gt;
Geography: Country of Origin France&lt;br /&gt;
&lt;br /&gt;
Culture: French&lt;br /&gt;
&lt;br /&gt;
Medium: Oil on canvas&lt;br /&gt;
&lt;br /&gt;
Dimensions: 35 1/4 × 45 7/8 in. (89.5 × 116.5 cm)&lt;br /&gt;
Framed: 44 13/16 × 55 11/16 × 5 1/8 in., 63.9 lb. (113.8 × 141.5 × 13 cm, 29 kg)&lt;br /&gt;
&lt;br /&gt;
Classification: Paintings&lt;br /&gt;
&lt;br /&gt;
Credit Line: The Courtauld, London (Samuel Courtauld Trust) (P.1932.SC.232)&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
This work is a version of Manet’s Déjeuner sur l’herbe, the startling depiction of a picnic scene with two nearly naked women in the company of fully clothed men that became the artist’s first succès de scandale in 1863. The painting draws on his study of famed Italian Renaissance artworks, yet reframes those references into an entirely new style and context. Rejected by the official French Salon in 1863, it was hung instead at the Salon des Refusés, where it won him immediate notoriety. The broad strokes and seemingly quick application of paint in the version he exhibited belie the fact that the artist worked on the composition for a good year before showing it. This work may have been part of that preparatory process. &lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Text from: &lt;a href="https://www.metmuseum.org/art/collection/search/845746" target="_blank" rel="nofollow"&gt;www.metmuseum.org/art/collection/search/845746&lt;/a&gt;&lt;/div&gt;</media:text>
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    <media:thumbnail url="https://cdn.ipernity.com/200/90/60/52359060.c5f6e918.240.jpg?r2" width="240" height="179"/>
    <media:thumbnail url="https://cdn.ipernity.com/200/90/60/52359060.c5f6e918.100.jpg?r2" width="100" height="75"/>
    <media:credit role="author">LaurieAnnie</media:credit>
  </item>
  <item>
    <title>HDA0611200635mw</title>
    <link>https://www.ipernity.com/doc/228323/51255904</link>
    <guid isPermaLink="false">tag:ipernity.com,2022-04-06,doc-51255904</guid>
    <pubDate>Wed, 06 Apr 2022 10:06:38 +0000</pubDate>
    <dc:date.created>2022-04-06T12:06:38+02:00</dc:date.created>
    <author>nobody@ipernity.com (Theodoor Kouros)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/228323"&gt;Theodoor Kouros&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/228323/51255904"&gt;&lt;img src="https://cdn.ipernity.com/200/59/04/51255904.d9d90419.240.jpg?r2" width="240" height="161" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;study of backside (non binair )&lt;/div&gt;</description>
    <media:title>HDA0611200635mw</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/228323"&gt;Theodoor Kouros&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/228323/51255904"&gt;&lt;img src="https://cdn.ipernity.com/200/59/04/51255904.d9d90419.240.jpg?r2" width="240" height="161" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;study of backside (non binair )&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/200/59/04/51255904.90d4fc87.1024.jpg?r2" type="image/jpeg" width="896" height="600" duration="0" isDefault="true"  />
    <media:thumbnail url="https://cdn.ipernity.com/200/59/04/51255904.d9d90419.240.jpg?r2" width="240" height="161"/>
    <media:thumbnail url="https://cdn.ipernity.com/200/59/04/51255904.d9d90419.100.jpg?r2" width="100" height="67"/>
    <media:credit role="author">Theodoor Kouros</media:credit>
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  <item>
    <title>Group photo of the 303 Queen Victoria&amp;#039;s Own Madras Indian Field Park Company, Batu Caves, Kuala Kumpur, January 1946</title>
    <link>https://www.ipernity.com/doc/dhedwards/50533862</link>
    <guid isPermaLink="false">tag:ipernity.com,2021-01-14,doc-50533862</guid>
    <pubDate>Thu, 14 Jan 2021 15:17:09 +0000</pubDate>
    <dc:date.created>2021-01-14T15:37:40+00:00</dc:date.created>
    <author>nobody@ipernity.com (Badly)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/dhedwards"&gt;Badly&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/dhedwards/50533862"&gt;&lt;img src="https://cdn.ipernity.com/200/38/62/50533862.3a3751de.240.jpg?r2" width="240" height="182" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;"Sojourners to Settlers; Tamils in Southeast Asia and Singapore", edited by Arun Mahizhnan and Nalina Gopal, published by &lt;a href="http://www.indianheritage.org.sg/" target="_blank" rel="nofollow"&gt;Indian Heritage Centre&lt;/a&gt; and &lt;a href="http://www.lkyspp.nus.edu.sg/ips" target="_blank" rel="nofollow"&gt;Institute of Policy Studies&lt;/a&gt;, National University of Singapore, 2019. ISBN 978-981-14-1966-9.&lt;/div&gt;</description>
    <media:title>Group photo of the 303 Queen Victoria&amp;#039;s Own Madras Indian Field Park Company, Batu Caves, Kuala Kumpur, January 1946</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/dhedwards"&gt;Badly&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/dhedwards/50533862"&gt;&lt;img src="https://cdn.ipernity.com/200/38/62/50533862.3a3751de.240.jpg?r2" width="240" height="182" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;"Sojourners to Settlers; Tamils in Southeast Asia and Singapore", edited by Arun Mahizhnan and Nalina Gopal, published by &lt;a href="http://www.indianheritage.org.sg/" target="_blank" rel="nofollow"&gt;Indian Heritage Centre&lt;/a&gt; and &lt;a href="http://www.lkyspp.nus.edu.sg/ips" target="_blank" rel="nofollow"&gt;Institute of Policy Studies&lt;/a&gt;, National University of Singapore, 2019. ISBN 978-981-14-1966-9.&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/200/38/62/50533862.3a3751de.560.jpg?r2" type="image/jpeg" width="560" height="424" duration="0" isDefault="true"  />
    <media:thumbnail url="https://cdn.ipernity.com/200/38/62/50533862.3a3751de.240.jpg?r2" width="240" height="182"/>
    <media:thumbnail url="https://cdn.ipernity.com/200/38/62/50533862.3a3751de.100.jpg?r2" width="100" height="76"/>
    <media:credit role="author">Badly</media:credit>
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  <item>
    <title>Group photo of the 303 Queen Victoria&amp;#039;s Own Madras Indian Field Park Company, Batu Caves, Kuala Kumpur, January 1946</title>
    <link>https://www.ipernity.com/doc/dhedwards/50533864</link>
    <guid isPermaLink="false">tag:ipernity.com,2021-01-14,doc-50533864</guid>
    <pubDate>Thu, 14 Jan 2021 15:16:34 +0000</pubDate>
    <dc:date.created>2021-01-14T15:38:59+00:00</dc:date.created>
    <author>nobody@ipernity.com (Badly)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/dhedwards"&gt;Badly&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/dhedwards/50533864"&gt;&lt;img src="https://cdn.ipernity.com/200/38/64/50533864.c71f4eaa.240.jpg?r2" width="240" height="160" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;"Sojourners to Settlers; Tamils in Southeast Asia and Singapore", edited by Arun Mahizhnan and Nalina Gopal, published by &lt;a href="http://www.indianheritage.org.sg/" target="_blank" rel="nofollow"&gt;Indian Heritage Centre&lt;/a&gt; and &lt;a href="http://www.lkyspp.nus.edu.sg/ips" target="_blank" rel="nofollow"&gt;Institute of Policy Studies&lt;/a&gt;, National University of Singapore, 2019. ISBN 978-981-14-1966-9.&lt;/div&gt;</description>
    <media:title>Group photo of the 303 Queen Victoria&amp;#039;s Own Madras Indian Field Park Company, Batu Caves, Kuala Kumpur, January 1946</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/dhedwards"&gt;Badly&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/dhedwards/50533864"&gt;&lt;img src="https://cdn.ipernity.com/200/38/64/50533864.c71f4eaa.240.jpg?r2" width="240" height="160" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;"Sojourners to Settlers; Tamils in Southeast Asia and Singapore", edited by Arun Mahizhnan and Nalina Gopal, published by &lt;a href="http://www.indianheritage.org.sg/" target="_blank" rel="nofollow"&gt;Indian Heritage Centre&lt;/a&gt; and &lt;a href="http://www.lkyspp.nus.edu.sg/ips" target="_blank" rel="nofollow"&gt;Institute of Policy Studies&lt;/a&gt;, National University of Singapore, 2019. ISBN 978-981-14-1966-9.&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/200/38/64/50533864.c71f4eaa.560.jpg?r2" type="image/jpeg" width="560" height="374" duration="0" isDefault="true"  />
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    <media:credit role="author">Badly</media:credit>
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  <item>
    <title>Sojourners to Settlers; Tamils in Southeast Asia and Singapore</title>
    <link>https://www.ipernity.com/doc/dhedwards/50533860</link>
    <guid isPermaLink="false">tag:ipernity.com,2021-01-14,doc-50533860</guid>
    <pubDate>Thu, 14 Jan 2021 15:16:22 +0000</pubDate>
    <dc:date.created>2021-01-14T15:34:58+00:00</dc:date.created>
    <author>nobody@ipernity.com (Badly)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/dhedwards"&gt;Badly&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/dhedwards/50533860"&gt;&lt;img src="https://cdn.ipernity.com/200/38/60/50533860.d113370a.240.jpg?r2" width="240" height="177" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;"Sojourners to Settlers; Tamils in Southeast Asia and Singapore", edited by Arun Mahizhnan and Nalina Gopal, published by &lt;a href="http://www.indianheritage.org.sg/" target="_blank" rel="nofollow"&gt;Indian Heritage Centre&lt;/a&gt; and &lt;a href="http://www.lkyspp.nus.edu.sg/ips" target="_blank" rel="nofollow"&gt;Institute of Policy Studies&lt;/a&gt;, National University of Singapore, 2019. ISBN 978-981-14-1966-9.&lt;/div&gt;</description>
    <media:title>Sojourners to Settlers; Tamils in Southeast Asia and Singapore</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/dhedwards"&gt;Badly&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/dhedwards/50533860"&gt;&lt;img src="https://cdn.ipernity.com/200/38/60/50533860.d113370a.240.jpg?r2" width="240" height="177" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;"Sojourners to Settlers; Tamils in Southeast Asia and Singapore", edited by Arun Mahizhnan and Nalina Gopal, published by &lt;a href="http://www.indianheritage.org.sg/" target="_blank" rel="nofollow"&gt;Indian Heritage Centre&lt;/a&gt; and &lt;a href="http://www.lkyspp.nus.edu.sg/ips" target="_blank" rel="nofollow"&gt;Institute of Policy Studies&lt;/a&gt;, National University of Singapore, 2019. ISBN 978-981-14-1966-9.&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/200/38/60/50533860.d113370a.560.jpg?r2" type="image/jpeg" width="560" height="413" duration="0" isDefault="true"  />
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