https://www.ipernity.com/tag/laurieannie/keyword/26181 https://s.ipernity.com/icons/buddy.o.50x.png https://www.ipernity.com/tag/laurieannie/keyword/26181 Fri, 18 Sep 2026 12:18:08 +0000 Fri, 18 Sep 2026 12:18:08 +0000 https://www.ipernity.com https://www.ipernity.com/doc/laurieannie/53127418 tag:ipernity.com,2024-12-22,doc-53127418 Sun, 22 Dec 2024 19:19:47 +0000 2010-03-30T15:43:33-04:00 nobody@ipernity.com (LaurieAnnie) <p class="who"><a href="https://www.ipernity.com/home/laurieannie">LaurieAnnie</a> has posted:</p><p class="preview"><a href="https://www.ipernity.com/doc/laurieannie/53127418"><img src="https://cdn.ipernity.com/200/74/18/53127418.7d757754.240.jpg?r2" width="240" height="213" alt=""/></a></p><div class="description"></div> Study for Demoiselles D&#039;Avignon by Picasso in the Museum of Modern Art, March 2010 <p class="who"><a href="https://www.ipernity.com/home/laurieannie">LaurieAnnie</a> has posted:</p><p class="preview"><a href="https://www.ipernity.com/doc/laurieannie/53127418"><img src="https://cdn.ipernity.com/200/74/18/53127418.7d757754.240.jpg?r2" width="240" height="213" alt=""/></a></p><div class="description"></div> LaurieAnnie https://www.ipernity.com/doc/laurieannie/53127416 tag:ipernity.com,2024-12-22,doc-53127416 Sun, 22 Dec 2024 19:19:45 +0000 2010-03-30T15:43:30-04:00 nobody@ipernity.com (LaurieAnnie) <p class="who"><a href="https://www.ipernity.com/home/laurieannie">LaurieAnnie</a> has posted:</p><p class="preview"><a href="https://www.ipernity.com/doc/laurieannie/53127416"><img src="https://cdn.ipernity.com/200/74/16/53127416.133abd94.240.jpg?r2" width="240" height="215" alt=""/></a></p><div class="description"></div> Study for Demoiselles D&#039;Avignon by Picasso in the Museum of Modern Art, March 2010 <p class="who"><a href="https://www.ipernity.com/home/laurieannie">LaurieAnnie</a> has posted:</p><p class="preview"><a href="https://www.ipernity.com/doc/laurieannie/53127416"><img src="https://cdn.ipernity.com/200/74/16/53127416.133abd94.240.jpg?r2" width="240" height="215" alt=""/></a></p><div class="description"></div> LaurieAnnie https://www.ipernity.com/doc/laurieannie/53127414 tag:ipernity.com,2024-12-22,doc-53127414 Sun, 22 Dec 2024 19:19:43 +0000 2010-03-30T15:43:26-04:00 nobody@ipernity.com (LaurieAnnie) <p class="who"><a href="https://www.ipernity.com/home/laurieannie">LaurieAnnie</a> has posted:</p><p class="preview"><a href="https://www.ipernity.com/doc/laurieannie/53127414"><img src="https://cdn.ipernity.com/200/74/14/53127414.894ae655.240.jpg?r2" width="240" height="214" alt=""/></a></p><div class="description"></div> Study for Demoiselles D&#039;Avignon by Picasso in the Museum of Modern Art, March 2010 <p class="who"><a href="https://www.ipernity.com/home/laurieannie">LaurieAnnie</a> has posted:</p><p class="preview"><a href="https://www.ipernity.com/doc/laurieannie/53127414"><img src="https://cdn.ipernity.com/200/74/14/53127414.894ae655.240.jpg?r2" width="240" height="214" alt=""/></a></p><div class="description"></div> LaurieAnnie https://www.ipernity.com/doc/laurieannie/52359070 tag:ipernity.com,2024-03-03,doc-52359070 Sun, 03 Mar 2024 08:04:31 +0000 2023-12-01T18:07:13-04:00 nobody@ipernity.com (LaurieAnnie) <p class="who"><a href="https://www.ipernity.com/home/laurieannie">LaurieAnnie</a> has posted:</p><p class="preview"><a href="https://www.ipernity.com/doc/laurieannie/52359070"><img src="https://cdn.ipernity.com/200/90/70/52359070.ac13b582.240.jpg?r2" width="189" height="240" alt=""/></a></p><div class="description">Title: Study for "Déjeuner sur l'herbe"<br /> <br /> Artist: Edouard Manet (French, Paris 1832–1883 Paris)<br /> <br /> Date: ca. 1863–68<br /> <br /> Geography: Country of Origin France<br /> <br /> Culture: French<br /> <br /> Medium: Oil on canvas<br /> <br /> Dimensions: 35 1/4 × 45 7/8 in. (89.5 × 116.5 cm)<br /> Framed: 44 13/16 × 55 11/16 × 5 1/8 in., 63.9 lb. (113.8 × 141.5 × 13 cm, 29 kg)<br /> <br /> Classification: Paintings<br /> <br /> Credit Line: The Courtauld, London (Samuel Courtauld Trust) (P.1932.SC.232)<br /> <br /> <br /> This work is a version of Manet’s Déjeuner sur l’herbe, the startling depiction of a picnic scene with two nearly naked women in the company of fully clothed men that became the artist’s first succès de scandale in 1863. The painting draws on his study of famed Italian Renaissance artworks, yet reframes those references into an entirely new style and context. Rejected by the official French Salon in 1863, it was hung instead at the Salon des Refusés, where it won him immediate notoriety. The broad strokes and seemingly quick application of paint in the version he exhibited belie the fact that the artist worked on the composition for a good year before showing it. This work may have been part of that preparatory process. <br /> <br /> <br /> Text from: <a href="https://www.metmuseum.org/art/collection/search/845746" target="_blank" rel="nofollow">www.metmuseum.org/art/collection/search/845746</a></div> Detail of the Study for Luncheon on the Grass by Manet in the Metropolitan Museum of Art, December 2023 <p class="who"><a href="https://www.ipernity.com/home/laurieannie">LaurieAnnie</a> has posted:</p><p class="preview"><a href="https://www.ipernity.com/doc/laurieannie/52359070"><img src="https://cdn.ipernity.com/200/90/70/52359070.ac13b582.240.jpg?r2" width="189" height="240" alt=""/></a></p><div class="description">Title: Study for "Déjeuner sur l'herbe"<br /> <br /> Artist: Edouard Manet (French, Paris 1832–1883 Paris)<br /> <br /> Date: ca. 1863–68<br /> <br /> Geography: Country of Origin France<br /> <br /> Culture: French<br /> <br /> Medium: Oil on canvas<br /> <br /> Dimensions: 35 1/4 × 45 7/8 in. (89.5 × 116.5 cm)<br /> Framed: 44 13/16 × 55 11/16 × 5 1/8 in., 63.9 lb. (113.8 × 141.5 × 13 cm, 29 kg)<br /> <br /> Classification: Paintings<br /> <br /> Credit Line: The Courtauld, London (Samuel Courtauld Trust) (P.1932.SC.232)<br /> <br /> <br /> This work is a version of Manet’s Déjeuner sur l’herbe, the startling depiction of a picnic scene with two nearly naked women in the company of fully clothed men that became the artist’s first succès de scandale in 1863. The painting draws on his study of famed Italian Renaissance artworks, yet reframes those references into an entirely new style and context. Rejected by the official French Salon in 1863, it was hung instead at the Salon des Refusés, where it won him immediate notoriety. The broad strokes and seemingly quick application of paint in the version he exhibited belie the fact that the artist worked on the composition for a good year before showing it. This work may have been part of that preparatory process. <br /> <br /> <br /> Text from: <a href="https://www.metmuseum.org/art/collection/search/845746" target="_blank" rel="nofollow">www.metmuseum.org/art/collection/search/845746</a></div> LaurieAnnie https://www.ipernity.com/doc/laurieannie/52359076 tag:ipernity.com,2024-03-03,doc-52359076 Sun, 03 Mar 2024 08:04:26 +0000 2023-12-01T18:07:23-04:00 nobody@ipernity.com (LaurieAnnie) <p class="who"><a href="https://www.ipernity.com/home/laurieannie">LaurieAnnie</a> has posted:</p><p class="preview"><a href="https://www.ipernity.com/doc/laurieannie/52359076"><img src="https://cdn.ipernity.com/200/90/76/52359076.6c705261.240.jpg?r2" width="240" height="182" alt=""/></a></p><div class="description">Title: Study for "Déjeuner sur l'herbe"<br /> <br /> Artist: Edouard Manet (French, Paris 1832–1883 Paris)<br /> <br /> Date: ca. 1863–68<br /> <br /> Geography: Country of Origin France<br /> <br /> Culture: French<br /> <br /> Medium: Oil on canvas<br /> <br /> Dimensions: 35 1/4 × 45 7/8 in. (89.5 × 116.5 cm)<br /> Framed: 44 13/16 × 55 11/16 × 5 1/8 in., 63.9 lb. (113.8 × 141.5 × 13 cm, 29 kg)<br /> <br /> Classification: Paintings<br /> <br /> Credit Line: The Courtauld, London (Samuel Courtauld Trust) (P.1932.SC.232)<br /> <br /> <br /> This work is a version of Manet’s Déjeuner sur l’herbe, the startling depiction of a picnic scene with two nearly naked women in the company of fully clothed men that became the artist’s first succès de scandale in 1863. The painting draws on his study of famed Italian Renaissance artworks, yet reframes those references into an entirely new style and context. Rejected by the official French Salon in 1863, it was hung instead at the Salon des Refusés, where it won him immediate notoriety. The broad strokes and seemingly quick application of paint in the version he exhibited belie the fact that the artist worked on the composition for a good year before showing it. This work may have been part of that preparatory process. <br /> <br /> <br /> Text from: <a href="https://www.metmuseum.org/art/collection/search/845746" target="_blank" rel="nofollow">www.metmuseum.org/art/collection/search/845746</a></div> Detail of the Study for Luncheon on the Grass by Manet in the Metropolitan Museum of Art, December 2023 <p class="who"><a href="https://www.ipernity.com/home/laurieannie">LaurieAnnie</a> has posted:</p><p class="preview"><a href="https://www.ipernity.com/doc/laurieannie/52359076"><img src="https://cdn.ipernity.com/200/90/76/52359076.6c705261.240.jpg?r2" width="240" height="182" alt=""/></a></p><div class="description">Title: Study for "Déjeuner sur l'herbe"<br /> <br /> Artist: Edouard Manet (French, Paris 1832–1883 Paris)<br /> <br /> Date: ca. 1863–68<br /> <br /> Geography: Country of Origin France<br /> <br /> Culture: French<br /> <br /> Medium: Oil on canvas<br /> <br /> Dimensions: 35 1/4 × 45 7/8 in. (89.5 × 116.5 cm)<br /> Framed: 44 13/16 × 55 11/16 × 5 1/8 in., 63.9 lb. (113.8 × 141.5 × 13 cm, 29 kg)<br /> <br /> Classification: Paintings<br /> <br /> Credit Line: The Courtauld, London (Samuel Courtauld Trust) (P.1932.SC.232)<br /> <br /> <br /> This work is a version of Manet’s Déjeuner sur l’herbe, the startling depiction of a picnic scene with two nearly naked women in the company of fully clothed men that became the artist’s first succès de scandale in 1863. The painting draws on his study of famed Italian Renaissance artworks, yet reframes those references into an entirely new style and context. Rejected by the official French Salon in 1863, it was hung instead at the Salon des Refusés, where it won him immediate notoriety. The broad strokes and seemingly quick application of paint in the version he exhibited belie the fact that the artist worked on the composition for a good year before showing it. This work may have been part of that preparatory process. <br /> <br /> <br /> Text from: <a href="https://www.metmuseum.org/art/collection/search/845746" target="_blank" rel="nofollow">www.metmuseum.org/art/collection/search/845746</a></div> LaurieAnnie https://www.ipernity.com/doc/laurieannie/52359082 tag:ipernity.com,2024-03-03,doc-52359082 Sun, 03 Mar 2024 08:04:00 +0000 2023-12-01T18:06:49-04:00 nobody@ipernity.com (LaurieAnnie) <p class="who"><a href="https://www.ipernity.com/home/laurieannie">LaurieAnnie</a> has posted:</p><p class="preview"><a href="https://www.ipernity.com/doc/laurieannie/52359082"><img src="https://cdn.ipernity.com/200/90/82/52359082.bc5e2927.240.jpg?r2" width="240" height="192" alt=""/></a></p><div class="description">Title: Study for "Déjeuner sur l'herbe"<br /> <br /> Artist: Edouard Manet (French, Paris 1832–1883 Paris)<br /> <br /> Date: ca. 1863–68<br /> <br /> Geography: Country of Origin France<br /> <br /> Culture: French<br /> <br /> Medium: Oil on canvas<br /> <br /> Dimensions: 35 1/4 × 45 7/8 in. (89.5 × 116.5 cm)<br /> Framed: 44 13/16 × 55 11/16 × 5 1/8 in., 63.9 lb. (113.8 × 141.5 × 13 cm, 29 kg)<br /> <br /> Classification: Paintings<br /> <br /> Credit Line: The Courtauld, London (Samuel Courtauld Trust) (P.1932.SC.232)<br /> <br /> <br /> This work is a version of Manet’s Déjeuner sur l’herbe, the startling depiction of a picnic scene with two nearly naked women in the company of fully clothed men that became the artist’s first succès de scandale in 1863. The painting draws on his study of famed Italian Renaissance artworks, yet reframes those references into an entirely new style and context. Rejected by the official French Salon in 1863, it was hung instead at the Salon des Refusés, where it won him immediate notoriety. The broad strokes and seemingly quick application of paint in the version he exhibited belie the fact that the artist worked on the composition for a good year before showing it. This work may have been part of that preparatory process. <br /> <br /> <br /> Text from: <a href="https://www.metmuseum.org/art/collection/search/845746" target="_blank" rel="nofollow">www.metmuseum.org/art/collection/search/845746</a></div> Study for Luncheon on the Grass by Manet in the Metropolitan Museum of Art, December 2023 <p class="who"><a href="https://www.ipernity.com/home/laurieannie">LaurieAnnie</a> has posted:</p><p class="preview"><a href="https://www.ipernity.com/doc/laurieannie/52359082"><img src="https://cdn.ipernity.com/200/90/82/52359082.bc5e2927.240.jpg?r2" width="240" height="192" alt=""/></a></p><div class="description">Title: Study for "Déjeuner sur l'herbe"<br /> <br /> Artist: Edouard Manet (French, Paris 1832–1883 Paris)<br /> <br /> Date: ca. 1863–68<br /> <br /> Geography: Country of Origin France<br /> <br /> Culture: French<br /> <br /> Medium: Oil on canvas<br /> <br /> Dimensions: 35 1/4 × 45 7/8 in. (89.5 × 116.5 cm)<br /> Framed: 44 13/16 × 55 11/16 × 5 1/8 in., 63.9 lb. (113.8 × 141.5 × 13 cm, 29 kg)<br /> <br /> Classification: Paintings<br /> <br /> Credit Line: The Courtauld, London (Samuel Courtauld Trust) (P.1932.SC.232)<br /> <br /> <br /> This work is a version of Manet’s Déjeuner sur l’herbe, the startling depiction of a picnic scene with two nearly naked women in the company of fully clothed men that became the artist’s first succès de scandale in 1863. The painting draws on his study of famed Italian Renaissance artworks, yet reframes those references into an entirely new style and context. Rejected by the official French Salon in 1863, it was hung instead at the Salon des Refusés, where it won him immediate notoriety. The broad strokes and seemingly quick application of paint in the version he exhibited belie the fact that the artist worked on the composition for a good year before showing it. This work may have been part of that preparatory process. <br /> <br /> <br /> Text from: <a href="https://www.metmuseum.org/art/collection/search/845746" target="_blank" rel="nofollow">www.metmuseum.org/art/collection/search/845746</a></div> LaurieAnnie https://www.ipernity.com/doc/laurieannie/52359078 tag:ipernity.com,2024-03-03,doc-52359078 Sun, 03 Mar 2024 08:04:00 +0000 2023-12-01T18:06:45-04:00 nobody@ipernity.com (LaurieAnnie) <p class="who"><a href="https://www.ipernity.com/home/laurieannie">LaurieAnnie</a> has posted:</p><p class="preview"><a href="https://www.ipernity.com/doc/laurieannie/52359078"><img src="https://cdn.ipernity.com/200/90/78/52359078.021feb98.240.jpg?r2" width="240" height="193" alt=""/></a></p><div class="description">Title: Study for "Déjeuner sur l'herbe"<br /> <br /> Artist: Edouard Manet (French, Paris 1832–1883 Paris)<br /> <br /> Date: ca. 1863–68<br /> <br /> Geography: Country of Origin France<br /> <br /> Culture: French<br /> <br /> Medium: Oil on canvas<br /> <br /> Dimensions: 35 1/4 × 45 7/8 in. (89.5 × 116.5 cm)<br /> Framed: 44 13/16 × 55 11/16 × 5 1/8 in., 63.9 lb. (113.8 × 141.5 × 13 cm, 29 kg)<br /> <br /> Classification: Paintings<br /> <br /> Credit Line: The Courtauld, London (Samuel Courtauld Trust) (P.1932.SC.232)<br /> <br /> <br /> This work is a version of Manet’s Déjeuner sur l’herbe, the startling depiction of a picnic scene with two nearly naked women in the company of fully clothed men that became the artist’s first succès de scandale in 1863. The painting draws on his study of famed Italian Renaissance artworks, yet reframes those references into an entirely new style and context. Rejected by the official French Salon in 1863, it was hung instead at the Salon des Refusés, where it won him immediate notoriety. The broad strokes and seemingly quick application of paint in the version he exhibited belie the fact that the artist worked on the composition for a good year before showing it. This work may have been part of that preparatory process. <br /> <br /> <br /> Text from: <a href="https://www.metmuseum.org/art/collection/search/845746" target="_blank" rel="nofollow">www.metmuseum.org/art/collection/search/845746</a></div> Study for Luncheon on the Grass by Manet in the Metropolitan Museum of Art, December 2023 <p class="who"><a href="https://www.ipernity.com/home/laurieannie">LaurieAnnie</a> has posted:</p><p class="preview"><a href="https://www.ipernity.com/doc/laurieannie/52359078"><img src="https://cdn.ipernity.com/200/90/78/52359078.021feb98.240.jpg?r2" width="240" height="193" alt=""/></a></p><div class="description">Title: Study for "Déjeuner sur l'herbe"<br /> <br /> Artist: Edouard Manet (French, Paris 1832–1883 Paris)<br /> <br /> Date: ca. 1863–68<br /> <br /> Geography: Country of Origin France<br /> <br /> Culture: French<br /> <br /> Medium: Oil on canvas<br /> <br /> Dimensions: 35 1/4 × 45 7/8 in. (89.5 × 116.5 cm)<br /> Framed: 44 13/16 × 55 11/16 × 5 1/8 in., 63.9 lb. (113.8 × 141.5 × 13 cm, 29 kg)<br /> <br /> Classification: Paintings<br /> <br /> Credit Line: The Courtauld, London (Samuel Courtauld Trust) (P.1932.SC.232)<br /> <br /> <br /> This work is a version of Manet’s Déjeuner sur l’herbe, the startling depiction of a picnic scene with two nearly naked women in the company of fully clothed men that became the artist’s first succès de scandale in 1863. The painting draws on his study of famed Italian Renaissance artworks, yet reframes those references into an entirely new style and context. Rejected by the official French Salon in 1863, it was hung instead at the Salon des Refusés, where it won him immediate notoriety. The broad strokes and seemingly quick application of paint in the version he exhibited belie the fact that the artist worked on the composition for a good year before showing it. This work may have been part of that preparatory process. <br /> <br /> <br /> Text from: <a href="https://www.metmuseum.org/art/collection/search/845746" target="_blank" rel="nofollow">www.metmuseum.org/art/collection/search/845746</a></div> LaurieAnnie https://www.ipernity.com/doc/laurieannie/52359080 tag:ipernity.com,2024-03-03,doc-52359080 Sun, 03 Mar 2024 08:04:00 +0000 2023-12-01T18:06:46-04:00 nobody@ipernity.com (LaurieAnnie) <p class="who"><a href="https://www.ipernity.com/home/laurieannie">LaurieAnnie</a> has posted:</p><p class="preview"><a href="https://www.ipernity.com/doc/laurieannie/52359080"><img src="https://cdn.ipernity.com/200/90/80/52359080.016c814b.240.jpg?r2" width="240" height="196" alt=""/></a></p><div class="description">Title: Study for "Déjeuner sur l'herbe"<br /> <br /> Artist: Edouard Manet (French, Paris 1832–1883 Paris)<br /> <br /> Date: ca. 1863–68<br /> <br /> Geography: Country of Origin France<br /> <br /> Culture: French<br /> <br /> Medium: Oil on canvas<br /> <br /> Dimensions: 35 1/4 × 45 7/8 in. (89.5 × 116.5 cm)<br /> Framed: 44 13/16 × 55 11/16 × 5 1/8 in., 63.9 lb. (113.8 × 141.5 × 13 cm, 29 kg)<br /> <br /> Classification: Paintings<br /> <br /> Credit Line: The Courtauld, London (Samuel Courtauld Trust) (P.1932.SC.232)<br /> <br /> <br /> This work is a version of Manet’s Déjeuner sur l’herbe, the startling depiction of a picnic scene with two nearly naked women in the company of fully clothed men that became the artist’s first succès de scandale in 1863. The painting draws on his study of famed Italian Renaissance artworks, yet reframes those references into an entirely new style and context. Rejected by the official French Salon in 1863, it was hung instead at the Salon des Refusés, where it won him immediate notoriety. The broad strokes and seemingly quick application of paint in the version he exhibited belie the fact that the artist worked on the composition for a good year before showing it. This work may have been part of that preparatory process. <br /> <br /> <br /> Text from: <a href="https://www.metmuseum.org/art/collection/search/845746" target="_blank" rel="nofollow">www.metmuseum.org/art/collection/search/845746</a></div> Study for Luncheon on the Grass by Manet in the Metropolitan Museum of Art, December 2023 <p class="who"><a href="https://www.ipernity.com/home/laurieannie">LaurieAnnie</a> has posted:</p><p class="preview"><a href="https://www.ipernity.com/doc/laurieannie/52359080"><img src="https://cdn.ipernity.com/200/90/80/52359080.016c814b.240.jpg?r2" width="240" height="196" alt=""/></a></p><div class="description">Title: Study for "Déjeuner sur l'herbe"<br /> <br /> Artist: Edouard Manet (French, Paris 1832–1883 Paris)<br /> <br /> Date: ca. 1863–68<br /> <br /> Geography: Country of Origin France<br /> <br /> Culture: French<br /> <br /> Medium: Oil on canvas<br /> <br /> Dimensions: 35 1/4 × 45 7/8 in. (89.5 × 116.5 cm)<br /> Framed: 44 13/16 × 55 11/16 × 5 1/8 in., 63.9 lb. (113.8 × 141.5 × 13 cm, 29 kg)<br /> <br /> Classification: Paintings<br /> <br /> Credit Line: The Courtauld, London (Samuel Courtauld Trust) (P.1932.SC.232)<br /> <br /> <br /> This work is a version of Manet’s Déjeuner sur l’herbe, the startling depiction of a picnic scene with two nearly naked women in the company of fully clothed men that became the artist’s first succès de scandale in 1863. The painting draws on his study of famed Italian Renaissance artworks, yet reframes those references into an entirely new style and context. Rejected by the official French Salon in 1863, it was hung instead at the Salon des Refusés, where it won him immediate notoriety. The broad strokes and seemingly quick application of paint in the version he exhibited belie the fact that the artist worked on the composition for a good year before showing it. This work may have been part of that preparatory process. <br /> <br /> <br /> Text from: <a href="https://www.metmuseum.org/art/collection/search/845746" target="_blank" rel="nofollow">www.metmuseum.org/art/collection/search/845746</a></div> LaurieAnnie https://www.ipernity.com/doc/laurieannie/52359072 tag:ipernity.com,2024-03-03,doc-52359072 Sun, 03 Mar 2024 08:04:03 +0000 2023-12-01T18:07:33-04:00 nobody@ipernity.com (LaurieAnnie) <p class="who"><a href="https://www.ipernity.com/home/laurieannie">LaurieAnnie</a> has posted:</p><p class="preview"><a href="https://www.ipernity.com/doc/laurieannie/52359072"><img src="https://cdn.ipernity.com/200/90/72/52359072.dd0be870.240.jpg?r2" width="240" height="185" alt=""/></a></p><div class="description">Title: Study for "Déjeuner sur l'herbe"<br /> <br /> Artist: Edouard Manet (French, Paris 1832–1883 Paris)<br /> <br /> Date: ca. 1863–68<br /> <br /> Geography: Country of Origin France<br /> <br /> Culture: French<br /> <br /> Medium: Oil on canvas<br /> <br /> Dimensions: 35 1/4 × 45 7/8 in. (89.5 × 116.5 cm)<br /> Framed: 44 13/16 × 55 11/16 × 5 1/8 in., 63.9 lb. (113.8 × 141.5 × 13 cm, 29 kg)<br /> <br /> Classification: Paintings<br /> <br /> Credit Line: The Courtauld, London (Samuel Courtauld Trust) (P.1932.SC.232)<br /> <br /> <br /> This work is a version of Manet’s Déjeuner sur l’herbe, the startling depiction of a picnic scene with two nearly naked women in the company of fully clothed men that became the artist’s first succès de scandale in 1863. The painting draws on his study of famed Italian Renaissance artworks, yet reframes those references into an entirely new style and context. Rejected by the official French Salon in 1863, it was hung instead at the Salon des Refusés, where it won him immediate notoriety. The broad strokes and seemingly quick application of paint in the version he exhibited belie the fact that the artist worked on the composition for a good year before showing it. This work may have been part of that preparatory process. <br /> <br /> <br /> Text from: <a href="https://www.metmuseum.org/art/collection/search/845746" target="_blank" rel="nofollow">www.metmuseum.org/art/collection/search/845746</a></div> Detail of the Study for Luncheon on the Grass by Manet in the Metropolitan Museum of Art, December 2023 <p class="who"><a href="https://www.ipernity.com/home/laurieannie">LaurieAnnie</a> has posted:</p><p class="preview"><a href="https://www.ipernity.com/doc/laurieannie/52359072"><img src="https://cdn.ipernity.com/200/90/72/52359072.dd0be870.240.jpg?r2" width="240" height="185" alt=""/></a></p><div class="description">Title: Study for "Déjeuner sur l'herbe"<br /> <br /> Artist: Edouard Manet (French, Paris 1832–1883 Paris)<br /> <br /> Date: ca. 1863–68<br /> <br /> Geography: Country of Origin France<br /> <br /> Culture: French<br /> <br /> Medium: Oil on canvas<br /> <br /> Dimensions: 35 1/4 × 45 7/8 in. (89.5 × 116.5 cm)<br /> Framed: 44 13/16 × 55 11/16 × 5 1/8 in., 63.9 lb. (113.8 × 141.5 × 13 cm, 29 kg)<br /> <br /> Classification: Paintings<br /> <br /> Credit Line: The Courtauld, London (Samuel Courtauld Trust) (P.1932.SC.232)<br /> <br /> <br /> This work is a version of Manet’s Déjeuner sur l’herbe, the startling depiction of a picnic scene with two nearly naked women in the company of fully clothed men that became the artist’s first succès de scandale in 1863. The painting draws on his study of famed Italian Renaissance artworks, yet reframes those references into an entirely new style and context. Rejected by the official French Salon in 1863, it was hung instead at the Salon des Refusés, where it won him immediate notoriety. The broad strokes and seemingly quick application of paint in the version he exhibited belie the fact that the artist worked on the composition for a good year before showing it. This work may have been part of that preparatory process. <br /> <br /> <br /> Text from: <a href="https://www.metmuseum.org/art/collection/search/845746" target="_blank" rel="nofollow">www.metmuseum.org/art/collection/search/845746</a></div> LaurieAnnie https://www.ipernity.com/doc/laurieannie/52359074 tag:ipernity.com,2024-03-03,doc-52359074 Sun, 03 Mar 2024 08:04:03 +0000 2023-12-01T18:07:35-04:00 nobody@ipernity.com (LaurieAnnie) <p class="who"><a href="https://www.ipernity.com/home/laurieannie">LaurieAnnie</a> has posted:</p><p class="preview"><a href="https://www.ipernity.com/doc/laurieannie/52359074"><img src="https://cdn.ipernity.com/200/90/74/52359074.d0fce802.240.jpg?r2" width="240" height="183" alt=""/></a></p><div class="description">Title: Study for "Déjeuner sur l'herbe"<br /> <br /> Artist: Edouard Manet (French, Paris 1832–1883 Paris)<br /> <br /> Date: ca. 1863–68<br /> <br /> Geography: Country of Origin France<br /> <br /> Culture: French<br /> <br /> Medium: Oil on canvas<br /> <br /> Dimensions: 35 1/4 × 45 7/8 in. (89.5 × 116.5 cm)<br /> Framed: 44 13/16 × 55 11/16 × 5 1/8 in., 63.9 lb. (113.8 × 141.5 × 13 cm, 29 kg)<br /> <br /> Classification: Paintings<br /> <br /> Credit Line: The Courtauld, London (Samuel Courtauld Trust) (P.1932.SC.232)<br /> <br /> <br /> This work is a version of Manet’s Déjeuner sur l’herbe, the startling depiction of a picnic scene with two nearly naked women in the company of fully clothed men that became the artist’s first succès de scandale in 1863. The painting draws on his study of famed Italian Renaissance artworks, yet reframes those references into an entirely new style and context. Rejected by the official French Salon in 1863, it was hung instead at the Salon des Refusés, where it won him immediate notoriety. The broad strokes and seemingly quick application of paint in the version he exhibited belie the fact that the artist worked on the composition for a good year before showing it. This work may have been part of that preparatory process. <br /> <br /> <br /> Text from: <a href="https://www.metmuseum.org/art/collection/search/845746" target="_blank" rel="nofollow">www.metmuseum.org/art/collection/search/845746</a></div> Detail of the Study for Luncheon on the Grass by Manet in the Metropolitan Museum of Art, December 2023 <p class="who"><a href="https://www.ipernity.com/home/laurieannie">LaurieAnnie</a> has posted:</p><p class="preview"><a href="https://www.ipernity.com/doc/laurieannie/52359074"><img src="https://cdn.ipernity.com/200/90/74/52359074.d0fce802.240.jpg?r2" width="240" height="183" alt=""/></a></p><div class="description">Title: Study for "Déjeuner sur l'herbe"<br /> <br /> Artist: Edouard Manet (French, Paris 1832–1883 Paris)<br /> <br /> Date: ca. 1863–68<br /> <br /> Geography: Country of Origin France<br /> <br /> Culture: French<br /> <br /> Medium: Oil on canvas<br /> <br /> Dimensions: 35 1/4 × 45 7/8 in. (89.5 × 116.5 cm)<br /> Framed: 44 13/16 × 55 11/16 × 5 1/8 in., 63.9 lb. (113.8 × 141.5 × 13 cm, 29 kg)<br /> <br /> Classification: Paintings<br /> <br /> Credit Line: The Courtauld, London (Samuel Courtauld Trust) (P.1932.SC.232)<br /> <br /> <br /> This work is a version of Manet’s Déjeuner sur l’herbe, the startling depiction of a picnic scene with two nearly naked women in the company of fully clothed men that became the artist’s first succès de scandale in 1863. The painting draws on his study of famed Italian Renaissance artworks, yet reframes those references into an entirely new style and context. Rejected by the official French Salon in 1863, it was hung instead at the Salon des Refusés, where it won him immediate notoriety. The broad strokes and seemingly quick application of paint in the version he exhibited belie the fact that the artist worked on the composition for a good year before showing it. This work may have been part of that preparatory process. <br /> <br /> <br /> Text from: <a href="https://www.metmuseum.org/art/collection/search/845746" target="_blank" rel="nofollow">www.metmuseum.org/art/collection/search/845746</a></div> LaurieAnnie https://www.ipernity.com/doc/laurieannie/52359066 tag:ipernity.com,2024-03-03,doc-52359066 Sun, 03 Mar 2024 08:04:52 +0000 2023-12-01T18:07:10-04:00 nobody@ipernity.com (LaurieAnnie) <p class="who"><a href="https://www.ipernity.com/home/laurieannie">LaurieAnnie</a> has posted:</p><p class="preview"><a href="https://www.ipernity.com/doc/laurieannie/52359066"><img src="https://cdn.ipernity.com/200/90/66/52359066.d63ea141.240.jpg?r2" width="187" height="240" alt=""/></a></p><div class="description">Title: Study for "Déjeuner sur l'herbe"<br /> <br /> Artist: Edouard Manet (French, Paris 1832–1883 Paris)<br /> <br /> Date: ca. 1863–68<br /> <br /> Geography: Country of Origin France<br /> <br /> Culture: French<br /> <br /> Medium: Oil on canvas<br /> <br /> Dimensions: 35 1/4 × 45 7/8 in. (89.5 × 116.5 cm)<br /> Framed: 44 13/16 × 55 11/16 × 5 1/8 in., 63.9 lb. (113.8 × 141.5 × 13 cm, 29 kg)<br /> <br /> Classification: Paintings<br /> <br /> Credit Line: The Courtauld, London (Samuel Courtauld Trust) (P.1932.SC.232)<br /> <br /> <br /> This work is a version of Manet’s Déjeuner sur l’herbe, the startling depiction of a picnic scene with two nearly naked women in the company of fully clothed men that became the artist’s first succès de scandale in 1863. The painting draws on his study of famed Italian Renaissance artworks, yet reframes those references into an entirely new style and context. Rejected by the official French Salon in 1863, it was hung instead at the Salon des Refusés, where it won him immediate notoriety. The broad strokes and seemingly quick application of paint in the version he exhibited belie the fact that the artist worked on the composition for a good year before showing it. This work may have been part of that preparatory process. <br /> <br /> <br /> Text from: <a href="https://www.metmuseum.org/art/collection/search/845746" target="_blank" rel="nofollow">www.metmuseum.org/art/collection/search/845746</a></div> Detail of the Study for Luncheon on the Grass by Manet in the Metropolitan Museum of Art, December 2023 <p class="who"><a href="https://www.ipernity.com/home/laurieannie">LaurieAnnie</a> has posted:</p><p class="preview"><a href="https://www.ipernity.com/doc/laurieannie/52359066"><img src="https://cdn.ipernity.com/200/90/66/52359066.d63ea141.240.jpg?r2" width="187" height="240" alt=""/></a></p><div class="description">Title: Study for "Déjeuner sur l'herbe"<br /> <br /> Artist: Edouard Manet (French, Paris 1832–1883 Paris)<br /> <br /> Date: ca. 1863–68<br /> <br /> Geography: Country of Origin France<br /> <br /> Culture: French<br /> <br /> Medium: Oil on canvas<br /> <br /> Dimensions: 35 1/4 × 45 7/8 in. (89.5 × 116.5 cm)<br /> Framed: 44 13/16 × 55 11/16 × 5 1/8 in., 63.9 lb. (113.8 × 141.5 × 13 cm, 29 kg)<br /> <br /> Classification: Paintings<br /> <br /> Credit Line: The Courtauld, London (Samuel Courtauld Trust) (P.1932.SC.232)<br /> <br /> <br /> This work is a version of Manet’s Déjeuner sur l’herbe, the startling depiction of a picnic scene with two nearly naked women in the company of fully clothed men that became the artist’s first succès de scandale in 1863. The painting draws on his study of famed Italian Renaissance artworks, yet reframes those references into an entirely new style and context. Rejected by the official French Salon in 1863, it was hung instead at the Salon des Refusés, where it won him immediate notoriety. The broad strokes and seemingly quick application of paint in the version he exhibited belie the fact that the artist worked on the composition for a good year before showing it. This work may have been part of that preparatory process. <br /> <br /> <br /> Text from: <a href="https://www.metmuseum.org/art/collection/search/845746" target="_blank" rel="nofollow">www.metmuseum.org/art/collection/search/845746</a></div> LaurieAnnie https://www.ipernity.com/doc/laurieannie/52359068 tag:ipernity.com,2024-03-03,doc-52359068 Sun, 03 Mar 2024 08:04:51 +0000 2023-12-01T18:07:13-04:00 nobody@ipernity.com (LaurieAnnie) <p class="who"><a href="https://www.ipernity.com/home/laurieannie">LaurieAnnie</a> has posted:</p><p class="preview"><a href="https://www.ipernity.com/doc/laurieannie/52359068"><img src="https://cdn.ipernity.com/200/90/68/52359068.10305308.240.jpg?r2" width="197" height="240" alt=""/></a></p><div class="description">Title: Study for "Déjeuner sur l'herbe"<br /> <br /> Artist: Edouard Manet (French, Paris 1832–1883 Paris)<br /> <br /> Date: ca. 1863–68<br /> <br /> Geography: Country of Origin France<br /> <br /> Culture: French<br /> <br /> Medium: Oil on canvas<br /> <br /> Dimensions: 35 1/4 × 45 7/8 in. (89.5 × 116.5 cm)<br /> Framed: 44 13/16 × 55 11/16 × 5 1/8 in., 63.9 lb. (113.8 × 141.5 × 13 cm, 29 kg)<br /> <br /> Classification: Paintings<br /> <br /> Credit Line: The Courtauld, London (Samuel Courtauld Trust) (P.1932.SC.232)<br /> <br /> <br /> This work is a version of Manet’s Déjeuner sur l’herbe, the startling depiction of a picnic scene with two nearly naked women in the company of fully clothed men that became the artist’s first succès de scandale in 1863. The painting draws on his study of famed Italian Renaissance artworks, yet reframes those references into an entirely new style and context. Rejected by the official French Salon in 1863, it was hung instead at the Salon des Refusés, where it won him immediate notoriety. The broad strokes and seemingly quick application of paint in the version he exhibited belie the fact that the artist worked on the composition for a good year before showing it. This work may have been part of that preparatory process. <br /> <br /> <br /> Text from: <a href="https://www.metmuseum.org/art/collection/search/845746" target="_blank" rel="nofollow">www.metmuseum.org/art/collection/search/845746</a></div> Detail of the Study for Luncheon on the Grass by Manet in the Metropolitan Museum of Art, December 2023 <p class="who"><a href="https://www.ipernity.com/home/laurieannie">LaurieAnnie</a> has posted:</p><p class="preview"><a href="https://www.ipernity.com/doc/laurieannie/52359068"><img src="https://cdn.ipernity.com/200/90/68/52359068.10305308.240.jpg?r2" width="197" height="240" alt=""/></a></p><div class="description">Title: Study for "Déjeuner sur l'herbe"<br /> <br /> Artist: Edouard Manet (French, Paris 1832–1883 Paris)<br /> <br /> Date: ca. 1863–68<br /> <br /> Geography: Country of Origin France<br /> <br /> Culture: French<br /> <br /> Medium: Oil on canvas<br /> <br /> Dimensions: 35 1/4 × 45 7/8 in. (89.5 × 116.5 cm)<br /> Framed: 44 13/16 × 55 11/16 × 5 1/8 in., 63.9 lb. (113.8 × 141.5 × 13 cm, 29 kg)<br /> <br /> Classification: Paintings<br /> <br /> Credit Line: The Courtauld, London (Samuel Courtauld Trust) (P.1932.SC.232)<br /> <br /> <br /> This work is a version of Manet’s Déjeuner sur l’herbe, the startling depiction of a picnic scene with two nearly naked women in the company of fully clothed men that became the artist’s first succès de scandale in 1863. The painting draws on his study of famed Italian Renaissance artworks, yet reframes those references into an entirely new style and context. Rejected by the official French Salon in 1863, it was hung instead at the Salon des Refusés, where it won him immediate notoriety. The broad strokes and seemingly quick application of paint in the version he exhibited belie the fact that the artist worked on the composition for a good year before showing it. This work may have been part of that preparatory process. <br /> <br /> <br /> Text from: <a href="https://www.metmuseum.org/art/collection/search/845746" target="_blank" rel="nofollow">www.metmuseum.org/art/collection/search/845746</a></div> LaurieAnnie https://www.ipernity.com/doc/laurieannie/52359064 tag:ipernity.com,2024-03-03,doc-52359064 Sun, 03 Mar 2024 08:04:41 +0000 2023-12-01T18:06:59-04:00 nobody@ipernity.com (LaurieAnnie) <p class="who"><a href="https://www.ipernity.com/home/laurieannie">LaurieAnnie</a> has posted:</p><p class="preview"><a href="https://www.ipernity.com/doc/laurieannie/52359064"><img src="https://cdn.ipernity.com/200/90/64/52359064.4b3dc240.240.jpg?r2" width="240" height="182" alt=""/></a></p><div class="description">Title: Study for "Déjeuner sur l'herbe"<br /> <br /> Artist: Edouard Manet (French, Paris 1832–1883 Paris)<br /> <br /> Date: ca. 1863–68<br /> <br /> Geography: Country of Origin France<br /> <br /> Culture: French<br /> <br /> Medium: Oil on canvas<br /> <br /> Dimensions: 35 1/4 × 45 7/8 in. (89.5 × 116.5 cm)<br /> Framed: 44 13/16 × 55 11/16 × 5 1/8 in., 63.9 lb. (113.8 × 141.5 × 13 cm, 29 kg)<br /> <br /> Classification: Paintings<br /> <br /> Credit Line: The Courtauld, London (Samuel Courtauld Trust) (P.1932.SC.232)<br /> <br /> <br /> This work is a version of Manet’s Déjeuner sur l’herbe, the startling depiction of a picnic scene with two nearly naked women in the company of fully clothed men that became the artist’s first succès de scandale in 1863. The painting draws on his study of famed Italian Renaissance artworks, yet reframes those references into an entirely new style and context. Rejected by the official French Salon in 1863, it was hung instead at the Salon des Refusés, where it won him immediate notoriety. The broad strokes and seemingly quick application of paint in the version he exhibited belie the fact that the artist worked on the composition for a good year before showing it. This work may have been part of that preparatory process. <br /> <br /> <br /> Text from: <a href="https://www.metmuseum.org/art/collection/search/845746" target="_blank" rel="nofollow">www.metmuseum.org/art/collection/search/845746</a></div> Detail of the Study for Luncheon on the Grass by Manet in the Metropolitan Museum of Art, December 2023 <p class="who"><a href="https://www.ipernity.com/home/laurieannie">LaurieAnnie</a> has posted:</p><p class="preview"><a href="https://www.ipernity.com/doc/laurieannie/52359064"><img src="https://cdn.ipernity.com/200/90/64/52359064.4b3dc240.240.jpg?r2" width="240" height="182" alt=""/></a></p><div class="description">Title: Study for "Déjeuner sur l'herbe"<br /> <br /> Artist: Edouard Manet (French, Paris 1832–1883 Paris)<br /> <br /> Date: ca. 1863–68<br /> <br /> Geography: Country of Origin France<br /> <br /> Culture: French<br /> <br /> Medium: Oil on canvas<br /> <br /> Dimensions: 35 1/4 × 45 7/8 in. (89.5 × 116.5 cm)<br /> Framed: 44 13/16 × 55 11/16 × 5 1/8 in., 63.9 lb. (113.8 × 141.5 × 13 cm, 29 kg)<br /> <br /> Classification: Paintings<br /> <br /> Credit Line: The Courtauld, London (Samuel Courtauld Trust) (P.1932.SC.232)<br /> <br /> <br /> This work is a version of Manet’s Déjeuner sur l’herbe, the startling depiction of a picnic scene with two nearly naked women in the company of fully clothed men that became the artist’s first succès de scandale in 1863. The painting draws on his study of famed Italian Renaissance artworks, yet reframes those references into an entirely new style and context. Rejected by the official French Salon in 1863, it was hung instead at the Salon des Refusés, where it won him immediate notoriety. The broad strokes and seemingly quick application of paint in the version he exhibited belie the fact that the artist worked on the composition for a good year before showing it. This work may have been part of that preparatory process. <br /> <br /> <br /> Text from: <a href="https://www.metmuseum.org/art/collection/search/845746" target="_blank" rel="nofollow">www.metmuseum.org/art/collection/search/845746</a></div> LaurieAnnie https://www.ipernity.com/doc/laurieannie/52359062 tag:ipernity.com,2024-03-03,doc-52359062 Sun, 03 Mar 2024 08:04:39 +0000 2023-12-01T18:06:59-04:00 nobody@ipernity.com (LaurieAnnie) <p class="who"><a href="https://www.ipernity.com/home/laurieannie">LaurieAnnie</a> has posted:</p><p class="preview"><a href="https://www.ipernity.com/doc/laurieannie/52359062"><img src="https://cdn.ipernity.com/200/90/62/52359062.7798e8e2.240.jpg?r2" width="240" height="182" alt=""/></a></p><div class="description">Title: Study for "Déjeuner sur l'herbe"<br /> <br /> Artist: Edouard Manet (French, Paris 1832–1883 Paris)<br /> <br /> Date: ca. 1863–68<br /> <br /> Geography: Country of Origin France<br /> <br /> Culture: French<br /> <br /> Medium: Oil on canvas<br /> <br /> Dimensions: 35 1/4 × 45 7/8 in. (89.5 × 116.5 cm)<br /> Framed: 44 13/16 × 55 11/16 × 5 1/8 in., 63.9 lb. (113.8 × 141.5 × 13 cm, 29 kg)<br /> <br /> Classification: Paintings<br /> <br /> Credit Line: The Courtauld, London (Samuel Courtauld Trust) (P.1932.SC.232)<br /> <br /> <br /> This work is a version of Manet’s Déjeuner sur l’herbe, the startling depiction of a picnic scene with two nearly naked women in the company of fully clothed men that became the artist’s first succès de scandale in 1863. The painting draws on his study of famed Italian Renaissance artworks, yet reframes those references into an entirely new style and context. Rejected by the official French Salon in 1863, it was hung instead at the Salon des Refusés, where it won him immediate notoriety. The broad strokes and seemingly quick application of paint in the version he exhibited belie the fact that the artist worked on the composition for a good year before showing it. This work may have been part of that preparatory process. <br /> <br /> <br /> Text from: <a href="https://www.metmuseum.org/art/collection/search/845746" target="_blank" rel="nofollow">www.metmuseum.org/art/collection/search/845746</a></div> Detail of the Study for Luncheon on the Grass by Manet in the Metropolitan Museum of Art, December 2023 <p class="who"><a href="https://www.ipernity.com/home/laurieannie">LaurieAnnie</a> has posted:</p><p class="preview"><a href="https://www.ipernity.com/doc/laurieannie/52359062"><img src="https://cdn.ipernity.com/200/90/62/52359062.7798e8e2.240.jpg?r2" width="240" height="182" alt=""/></a></p><div class="description">Title: Study for "Déjeuner sur l'herbe"<br /> <br /> Artist: Edouard Manet (French, Paris 1832–1883 Paris)<br /> <br /> Date: ca. 1863–68<br /> <br /> Geography: Country of Origin France<br /> <br /> Culture: French<br /> <br /> Medium: Oil on canvas<br /> <br /> Dimensions: 35 1/4 × 45 7/8 in. (89.5 × 116.5 cm)<br /> Framed: 44 13/16 × 55 11/16 × 5 1/8 in., 63.9 lb. (113.8 × 141.5 × 13 cm, 29 kg)<br /> <br /> Classification: Paintings<br /> <br /> Credit Line: The Courtauld, London (Samuel Courtauld Trust) (P.1932.SC.232)<br /> <br /> <br /> This work is a version of Manet’s Déjeuner sur l’herbe, the startling depiction of a picnic scene with two nearly naked women in the company of fully clothed men that became the artist’s first succès de scandale in 1863. The painting draws on his study of famed Italian Renaissance artworks, yet reframes those references into an entirely new style and context. Rejected by the official French Salon in 1863, it was hung instead at the Salon des Refusés, where it won him immediate notoriety. The broad strokes and seemingly quick application of paint in the version he exhibited belie the fact that the artist worked on the composition for a good year before showing it. This work may have been part of that preparatory process. <br /> <br /> <br /> Text from: <a href="https://www.metmuseum.org/art/collection/search/845746" target="_blank" rel="nofollow">www.metmuseum.org/art/collection/search/845746</a></div> LaurieAnnie https://www.ipernity.com/doc/laurieannie/52359060 tag:ipernity.com,2024-03-03,doc-52359060 Sun, 03 Mar 2024 08:04:31 +0000 2023-12-01T18:06:57-04:00 nobody@ipernity.com (LaurieAnnie) <p class="who"><a href="https://www.ipernity.com/home/laurieannie">LaurieAnnie</a> has posted:</p><p class="preview"><a href="https://www.ipernity.com/doc/laurieannie/52359060"><img src="https://cdn.ipernity.com/200/90/60/52359060.c5f6e918.240.jpg?r2" width="240" height="179" alt=""/></a></p><div class="description">Title: Study for "Déjeuner sur l'herbe"<br /> <br /> Artist: Edouard Manet (French, Paris 1832–1883 Paris)<br /> <br /> Date: ca. 1863–68<br /> <br /> Geography: Country of Origin France<br /> <br /> Culture: French<br /> <br /> Medium: Oil on canvas<br /> <br /> Dimensions: 35 1/4 × 45 7/8 in. (89.5 × 116.5 cm)<br /> Framed: 44 13/16 × 55 11/16 × 5 1/8 in., 63.9 lb. (113.8 × 141.5 × 13 cm, 29 kg)<br /> <br /> Classification: Paintings<br /> <br /> Credit Line: The Courtauld, London (Samuel Courtauld Trust) (P.1932.SC.232)<br /> <br /> <br /> This work is a version of Manet’s Déjeuner sur l’herbe, the startling depiction of a picnic scene with two nearly naked women in the company of fully clothed men that became the artist’s first succès de scandale in 1863. The painting draws on his study of famed Italian Renaissance artworks, yet reframes those references into an entirely new style and context. Rejected by the official French Salon in 1863, it was hung instead at the Salon des Refusés, where it won him immediate notoriety. The broad strokes and seemingly quick application of paint in the version he exhibited belie the fact that the artist worked on the composition for a good year before showing it. This work may have been part of that preparatory process. <br /> <br /> <br /> Text from: <a href="https://www.metmuseum.org/art/collection/search/845746" target="_blank" rel="nofollow">www.metmuseum.org/art/collection/search/845746</a></div> Detail of the Study for Luncheon on the Grass by Manet in the Metropolitan Museum of Art, December 2023 <p class="who"><a href="https://www.ipernity.com/home/laurieannie">LaurieAnnie</a> has posted:</p><p class="preview"><a href="https://www.ipernity.com/doc/laurieannie/52359060"><img src="https://cdn.ipernity.com/200/90/60/52359060.c5f6e918.240.jpg?r2" width="240" height="179" alt=""/></a></p><div class="description">Title: Study for "Déjeuner sur l'herbe"<br /> <br /> Artist: Edouard Manet (French, Paris 1832–1883 Paris)<br /> <br /> Date: ca. 1863–68<br /> <br /> Geography: Country of Origin France<br /> <br /> Culture: French<br /> <br /> Medium: Oil on canvas<br /> <br /> Dimensions: 35 1/4 × 45 7/8 in. (89.5 × 116.5 cm)<br /> Framed: 44 13/16 × 55 11/16 × 5 1/8 in., 63.9 lb. (113.8 × 141.5 × 13 cm, 29 kg)<br /> <br /> Classification: Paintings<br /> <br /> Credit Line: The Courtauld, London (Samuel Courtauld Trust) (P.1932.SC.232)<br /> <br /> <br /> This work is a version of Manet’s Déjeuner sur l’herbe, the startling depiction of a picnic scene with two nearly naked women in the company of fully clothed men that became the artist’s first succès de scandale in 1863. The painting draws on his study of famed Italian Renaissance artworks, yet reframes those references into an entirely new style and context. Rejected by the official French Salon in 1863, it was hung instead at the Salon des Refusés, where it won him immediate notoriety. The broad strokes and seemingly quick application of paint in the version he exhibited belie the fact that the artist worked on the composition for a good year before showing it. This work may have been part of that preparatory process. <br /> <br /> <br /> Text from: <a href="https://www.metmuseum.org/art/collection/search/845746" target="_blank" rel="nofollow">www.metmuseum.org/art/collection/search/845746</a></div> LaurieAnnie