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  <title>Photos, videos and docs of Mikeinlagardette, with the keywords: "voigtlander"</title>
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    <title>Photos, videos and docs of Mikeinlagardette, with the keywords: "voigtlander"</title>
    <link>https://www.ipernity.com/tag/297375/keyword/50771</link>
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  <description></description>
  <pubDate>Tue, 02 Jun 2026 01:29:25 +0000</pubDate>
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    <title>Roadside Ferns</title>
    <link>https://www.ipernity.com/doc/297375/43996956</link>
    <guid isPermaLink="false">tag:ipernity.com,2016-12-13,doc-43996956</guid>
    <pubDate>Tue, 13 Dec 2016 14:21:41 +0000</pubDate>
    <dc:date.created>2016-11-19T21:42:10+01:00</dc:date.created>
    <author>nobody@ipernity.com (Mikeinlagardette)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/297375"&gt;Mikeinlagardette&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/297375/43996956"&gt;&lt;img src="https://cdn.ipernity.com/200/69/56/43996956.687881c2.240.jpg?r2" width="240" height="240" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Another picture taken before winter closed in! These deciduous ferns are prolific here, and in autumn turn to a golden yellow before returning to the earth. Hard to do with an old folder without a rangefinder - I didn't quite nail the focus, and at full aperture the DoF is tiny, and a slow shutter speed didn't help!&lt;br /&gt;
&lt;br /&gt;
1942 Voigtlander Bessa 66, f3.5/75mm Heliar, X2 yellow filter. Foma Ultra 100 in PC-Glycol, 10 mins@21C Scanned@1200dpi on Epson500.&lt;/div&gt;</description>
    <media:title>Roadside Ferns</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/297375"&gt;Mikeinlagardette&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/297375/43996956"&gt;&lt;img src="https://cdn.ipernity.com/200/69/56/43996956.687881c2.240.jpg?r2" width="240" height="240" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Another picture taken before winter closed in! These deciduous ferns are prolific here, and in autumn turn to a golden yellow before returning to the earth. Hard to do with an old folder without a rangefinder - I didn't quite nail the focus, and at full aperture the DoF is tiny, and a slow shutter speed didn't help!&lt;br /&gt;
&lt;br /&gt;
1942 Voigtlander Bessa 66, f3.5/75mm Heliar, X2 yellow filter. Foma Ultra 100 in PC-Glycol, 10 mins@21C Scanned@1200dpi on Epson500.&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/200/69/56/43996956.4c86df84.1024.jpg?r2" type="image/jpeg" width="1023" height="1024" duration="0" isDefault="true"  />
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    <title>Hedge Oaks</title>
    <link>https://www.ipernity.com/doc/297375/43838636</link>
    <guid isPermaLink="false">tag:ipernity.com,2016-11-22,doc-43838636</guid>
    <pubDate>Tue, 22 Nov 2016 10:19:20 +0000</pubDate>
    <dc:date.created>2016-11-19T21:31:30+01:00</dc:date.created>
    <author>nobody@ipernity.com (Mikeinlagardette)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/297375"&gt;Mikeinlagardette&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/297375/43838636"&gt;&lt;img src="https://cdn.ipernity.com/200/86/36/43838636.79ba227e.240.jpg?r2" width="240" height="240" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;A mild autumn has left many trees in leaf far later than usual, and these  oaks are an example. The terrain in this part of Creuse is not suitable for large scale cereal growing - it is mainly beef farming country, so most of the fields are quite small, and many are still separated by hedgerows that are often hundreds of years old.&lt;br /&gt;
&lt;br /&gt;
My first efforts with PC-Glycol and medium format, - I was careless about the exposures, and the film was also over developed, but worth going on with!&lt;br /&gt;
&lt;br /&gt;
1942 Voigtlander Bessa 66, f3.5/75mm Heliar lens, X2 yellow filter. Foma Ultra 100 in PC-Glycol, 10 mins@21C Scanned@1200dpi on Epson500.&lt;/div&gt;</description>
    <media:title>Hedge Oaks</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/297375"&gt;Mikeinlagardette&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/297375/43838636"&gt;&lt;img src="https://cdn.ipernity.com/200/86/36/43838636.79ba227e.240.jpg?r2" width="240" height="240" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;A mild autumn has left many trees in leaf far later than usual, and these  oaks are an example. The terrain in this part of Creuse is not suitable for large scale cereal growing - it is mainly beef farming country, so most of the fields are quite small, and many are still separated by hedgerows that are often hundreds of years old.&lt;br /&gt;
&lt;br /&gt;
My first efforts with PC-Glycol and medium format, - I was careless about the exposures, and the film was also over developed, but worth going on with!&lt;br /&gt;
&lt;br /&gt;
1942 Voigtlander Bessa 66, f3.5/75mm Heliar lens, X2 yellow filter. Foma Ultra 100 in PC-Glycol, 10 mins@21C Scanned@1200dpi on Epson500.&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/200/86/36/43838636.bd5abf4d.1024.jpg?r2" type="image/jpeg" width="1024" height="1024" duration="0" isDefault="true"  />
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    <title>Tomb of Émile Zola, Cimetière de Montmartre, Paris</title>
    <link>https://www.ipernity.com/doc/297375/43780380</link>
    <guid isPermaLink="false">tag:ipernity.com,2016-11-16,doc-43780380</guid>
    <pubDate>Wed, 16 Nov 2016 09:35:22 +0000</pubDate>
    <dc:date.created>2011-04-13T11:39:44+01:00</dc:date.created>
    <author>nobody@ipernity.com (Mikeinlagardette)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/297375"&gt;Mikeinlagardette&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/297375/43780380"&gt;&lt;img src="https://cdn.ipernity.com/200/03/80/43780380.beabed15.240.jpg?r2" width="240" height="240" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;This superb art-deco monument is an appropriate celebration of one of the giants of French literature. The main structure, of polished red granite, is by Franz Jourdain, and the bust of Zola is by the sculptor Phillippe Solari. In fact, Émile's body was re-interred in the Panthéon in 1908!&lt;br /&gt;
&lt;br /&gt;
It's still the family vault though, and shares this cemetery with many other famous names from the world of arts - Degas, Alexander Dumas, Hector Berlioz, Offenbach, Stendahl, the dancer Nijinski, Adolphe Sax, the inventor of the saxophone - to mention just a few! A fascinating, if slightly macabre, diversion in Paris !!&lt;br /&gt;
&lt;br /&gt;
1940's Voigtlander Bessa 66, f3.5/75mm Heliar, X2 yellow filter. Shanghai GP3 100 @200 in Diafine 3.5 + 3.5mins @ 21C Scanned @1200dpi on Epson V500&lt;/div&gt;</description>
    <media:title>Tomb of Émile Zola, Cimetière de Montmartre, Paris</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/297375"&gt;Mikeinlagardette&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/297375/43780380"&gt;&lt;img src="https://cdn.ipernity.com/200/03/80/43780380.beabed15.240.jpg?r2" width="240" height="240" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;This superb art-deco monument is an appropriate celebration of one of the giants of French literature. The main structure, of polished red granite, is by Franz Jourdain, and the bust of Zola is by the sculptor Phillippe Solari. In fact, Émile's body was re-interred in the Panthéon in 1908!&lt;br /&gt;
&lt;br /&gt;
It's still the family vault though, and shares this cemetery with many other famous names from the world of arts - Degas, Alexander Dumas, Hector Berlioz, Offenbach, Stendahl, the dancer Nijinski, Adolphe Sax, the inventor of the saxophone - to mention just a few! A fascinating, if slightly macabre, diversion in Paris !!&lt;br /&gt;
&lt;br /&gt;
1940's Voigtlander Bessa 66, f3.5/75mm Heliar, X2 yellow filter. Shanghai GP3 100 @200 in Diafine 3.5 + 3.5mins @ 21C Scanned @1200dpi on Epson V500&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/200/03/80/43780380.0eb49bb3.1024.jpg?r2" type="image/jpeg" width="1024" height="1024" duration="0" isDefault="true"  />
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    <title>Vintage 120 Camera.  Bénévent-l&amp;#039;Abbaye, 23210, Creuse</title>
    <link>https://www.ipernity.com/doc/297375/43739388</link>
    <guid isPermaLink="false">tag:ipernity.com,2016-11-12,doc-43739388</guid>
    <pubDate>Sat, 12 Nov 2016 22:26:23 +0000</pubDate>
    <dc:date.created>2016-11-11T22:45:42+01:00</dc:date.created>
    <author>nobody@ipernity.com (Mikeinlagardette)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/297375"&gt;Mikeinlagardette&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/297375/43739388"&gt;&lt;img src="https://cdn.ipernity.com/200/93/88/43739388.ea4057da.240.jpg?r2" width="167" height="240" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;For my sins, I have been made administrator of the group Vintage 120 Camera - not an onerous task, since the group has currently less than ten members !! Which is a pity, because there are a lot of lovely old 120 cameras, most of which are capable of making wonderful pictures.&lt;br /&gt;
&lt;br /&gt;
I haven't done too much photography recently, so here are three pics taken a while back, with some of the vintage cameras I have owned, all 120 format.&lt;br /&gt;
&lt;br /&gt;
This beautiful doorway which dates from the late 15th century, is in the former presbytery at Bénévent-l'Abbaye, and the little Voigtlander Bessa 46 which I used has captured much of the lovely workmanship, and the careful restoration of this feature of the building.&lt;br /&gt;
&lt;br /&gt;
The lens was an uncoated f4.5/75mm Skopar, a real jewel of a lens - I bitterly regret selling this camera !!&lt;br /&gt;
&lt;br /&gt;
1940's Voigtlander Bessa 46, f4.5/75mm Skopar lens, Moment yellow filter. Foma Ultra 200 developed in Diafine 4+4 mins A&amp;B. Scanned @1200dpi on Epson V500&lt;/div&gt;</description>
    <media:title>Vintage 120 Camera.  Bénévent-l&amp;#039;Abbaye, 23210, Creuse</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/297375"&gt;Mikeinlagardette&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/297375/43739388"&gt;&lt;img src="https://cdn.ipernity.com/200/93/88/43739388.ea4057da.240.jpg?r2" width="167" height="240" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;For my sins, I have been made administrator of the group Vintage 120 Camera - not an onerous task, since the group has currently less than ten members !! Which is a pity, because there are a lot of lovely old 120 cameras, most of which are capable of making wonderful pictures.&lt;br /&gt;
&lt;br /&gt;
I haven't done too much photography recently, so here are three pics taken a while back, with some of the vintage cameras I have owned, all 120 format.&lt;br /&gt;
&lt;br /&gt;
This beautiful doorway which dates from the late 15th century, is in the former presbytery at Bénévent-l'Abbaye, and the little Voigtlander Bessa 46 which I used has captured much of the lovely workmanship, and the careful restoration of this feature of the building.&lt;br /&gt;
&lt;br /&gt;
The lens was an uncoated f4.5/75mm Skopar, a real jewel of a lens - I bitterly regret selling this camera !!&lt;br /&gt;
&lt;br /&gt;
1940's Voigtlander Bessa 46, f4.5/75mm Skopar lens, Moment yellow filter. Foma Ultra 200 developed in Diafine 4+4 mins A&amp;B. Scanned @1200dpi on Epson V500&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/200/93/88/43739388.0d96a30e.1024.jpg?r2" type="image/jpeg" width="712" height="1024" duration="0" isDefault="true"  />
    <media:thumbnail url="https://cdn.ipernity.com/200/93/88/43739388.ea4057da.240.jpg?r2" width="167" height="240"/>
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    <title>Saint-Germain-Beaupré, 23160 Fr.</title>
    <link>https://www.ipernity.com/doc/297375/41337524</link>
    <guid isPermaLink="false">tag:ipernity.com,2016-03-11,doc-41337524</guid>
    <pubDate>Fri, 11 Mar 2016 10:17:42 +0000</pubDate>
    <dc:date.created>2011-03-08T10:26:17+01:00</dc:date.created>
    <author>nobody@ipernity.com (Mikeinlagardette)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/297375"&gt;Mikeinlagardette&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/297375/41337524"&gt;&lt;img src="https://cdn.ipernity.com/200/75/24/41337524.667d6c00.240.jpg?r2" width="240" height="182" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Chateau de La Roche. The Department of Creuse is not famous for it's chateaux - you need to go to the Loire to see the most beautiful examples, - but there are a few here, and this is an impressive building, by any standards&lt;br /&gt;
&lt;br /&gt;
Here is a view of the front facade of the  chateau, which is surrounded by a very formal, strangely five-sided moat, ornamental, rather than defensive. The original building was built for Gabriel Foucauld, between 1533 and 1588, but only a little of this remains, and we are looking at a largely late 18thC rebuild, by the architect Pierre Berthomier, and the result of further restoration during the 19thC.&lt;br /&gt;
&lt;br /&gt;
Taken with a 1942 Voigtlander Bessa 66 some years ago, in fact the very first roll of film I exposed in the camera, which came from the late Robbe Keppens, in exchange for a very strange 35mm Agfa Flexilette!&lt;br /&gt;
&lt;br /&gt;
1942 Voigtlander Bessa 66, f3.5/75mm Heliar lens, X2 yellow filter. Fomapan 100 @200 in Diafine, 4+4 mins @21C&lt;/div&gt;</description>
    <media:title>Saint-Germain-Beaupré, 23160 Fr.</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/297375"&gt;Mikeinlagardette&lt;/a&gt; has posted:&lt;/p&gt;&lt;p class="preview"&gt;&lt;a href="https://www.ipernity.com/doc/297375/41337524"&gt;&lt;img src="https://cdn.ipernity.com/200/75/24/41337524.667d6c00.240.jpg?r2" width="240" height="182" alt=""/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="description"&gt;Chateau de La Roche. The Department of Creuse is not famous for it's chateaux - you need to go to the Loire to see the most beautiful examples, - but there are a few here, and this is an impressive building, by any standards&lt;br /&gt;
&lt;br /&gt;
Here is a view of the front facade of the  chateau, which is surrounded by a very formal, strangely five-sided moat, ornamental, rather than defensive. The original building was built for Gabriel Foucauld, between 1533 and 1588, but only a little of this remains, and we are looking at a largely late 18thC rebuild, by the architect Pierre Berthomier, and the result of further restoration during the 19thC.&lt;br /&gt;
&lt;br /&gt;
Taken with a 1942 Voigtlander Bessa 66 some years ago, in fact the very first roll of film I exposed in the camera, which came from the late Robbe Keppens, in exchange for a very strange 35mm Agfa Flexilette!&lt;br /&gt;
&lt;br /&gt;
1942 Voigtlander Bessa 66, f3.5/75mm Heliar lens, X2 yellow filter. Fomapan 100 @200 in Diafine, 4+4 mins @21C&lt;/div&gt;</media:text>
    <media:content url="https://cdn.ipernity.com/200/75/24/41337524.b13d28a0.1024.jpg?r2" type="image/jpeg" width="1024" height="774" duration="0" isDefault="true"  />
    <media:thumbnail url="https://cdn.ipernity.com/200/75/24/41337524.667d6c00.240.jpg?r2" width="240" height="182"/>
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