https://www.ipernity.com/doc/296949/home/doc https://cdn.ipernity.com/p/101/F5/87/296949.buddy.jpg https://www.ipernity.com/doc/296949/home/doc Sat, 11 Apr 2026 06:05:31 +0000 Sat, 11 Apr 2026 06:05:31 +0000 https://www.ipernity.com https://www.ipernity.com/doc/296949/53294716 tag:ipernity.com,2026-04-10,doc-53294716 Fri, 10 Apr 2026 16:48:17 +0000 2026-03-16T11:02:00-07:00 nobody@ipernity.com (Scott Holcomb) <p class="who"><a href="https://www.ipernity.com/home/296949">Scott Holcomb</a> has posted:</p><p class="preview"><a href="https://www.ipernity.com/doc/296949/53294716"><img src="https://cdn.ipernity.com/200/47/16/53294716.b257e59c.240.jpg?r2" width="240" height="230" alt=""/></a></p><div class="description">With my super duper Minolta box spy camera I have located and photographed the SS Jeremiah O’Brien Liberty ship. Now, I must use all my cunning to get over the obstacles blocking me from the boarding ramp.<br /> <br /> This photo was taken by a Minolta Autocord Seikosha-MX (Chiyoko) TLR medium format film camera with Chiyoko Rokkor 75mm f/3.2 & 3.5 lenses and a HOYA HMC 49mm Y[K2] filter attached to a 30mm to 49mm Bayonet TLR adapter using Bergger Pancro 400 film, the negative scanned by an Epson Perfection V600 and digitalized by Photoshop.</div> Open? <p class="who"><a href="https://www.ipernity.com/home/296949">Scott Holcomb</a> has posted:</p><p class="preview"><a href="https://www.ipernity.com/doc/296949/53294716"><img src="https://cdn.ipernity.com/200/47/16/53294716.b257e59c.240.jpg?r2" width="240" height="230" alt=""/></a></p><div class="description">With my super duper Minolta box spy camera I have located and photographed the SS Jeremiah O’Brien Liberty ship. Now, I must use all my cunning to get over the obstacles blocking me from the boarding ramp.<br /> <br /> This photo was taken by a Minolta Autocord Seikosha-MX (Chiyoko) TLR medium format film camera with Chiyoko Rokkor 75mm f/3.2 & 3.5 lenses and a HOYA HMC 49mm Y[K2] filter attached to a 30mm to 49mm Bayonet TLR adapter using Bergger Pancro 400 film, the negative scanned by an Epson Perfection V600 and digitalized by Photoshop.</div> Scott Holcomb https://www.ipernity.com/doc/296949/53292546 tag:ipernity.com,2026-04-08,doc-53292546 Wed, 08 Apr 2026 04:38:52 +0000 2026-03-27T13:11:00-07:00 nobody@ipernity.com (Scott Holcomb) <p class="who"><a href="https://www.ipernity.com/home/296949">Scott Holcomb</a> has posted:</p><p class="preview"><a href="https://www.ipernity.com/doc/296949/53292546"><img src="https://cdn.ipernity.com/200/25/46/53292546.e5a87b1e.240.jpg?r2" width="240" height="240" alt=""/></a></p><div class="description">A floral cascade.<br /> <br /> This photo was taken by a Hasselblad 500C medium format film camera and Carl Zeiss S-Planar 1:5.6 f=120mm lens mounted on a 10mm Extension Tube with a Kowa L1A ø67 filter + adapter using Kodak Portra 160 film, the negative scanned by an Epson Perfection V600 and digitalized with Photoshop.</div> Flowerfall <p class="who"><a href="https://www.ipernity.com/home/296949">Scott Holcomb</a> has posted:</p><p class="preview"><a href="https://www.ipernity.com/doc/296949/53292546"><img src="https://cdn.ipernity.com/200/25/46/53292546.e5a87b1e.240.jpg?r2" width="240" height="240" alt=""/></a></p><div class="description">A floral cascade.<br /> <br /> This photo was taken by a Hasselblad 500C medium format film camera and Carl Zeiss S-Planar 1:5.6 f=120mm lens mounted on a 10mm Extension Tube with a Kowa L1A ø67 filter + adapter using Kodak Portra 160 film, the negative scanned by an Epson Perfection V600 and digitalized with Photoshop.</div> Scott Holcomb https://www.ipernity.com/doc/296949/53290606 tag:ipernity.com,2026-04-06,doc-53290606 Mon, 06 Apr 2026 04:55:03 +0000 2026-03-19T14:43:00-07:00 nobody@ipernity.com (Scott Holcomb) <p class="who"><a href="https://www.ipernity.com/home/296949">Scott Holcomb</a> has posted:</p><p class="preview"><a href="https://www.ipernity.com/doc/296949/53290606"><img src="https://cdn.ipernity.com/200/06/06/53290606.275c68f8.240.jpg?r2" width="240" height="240" alt=""/></a></p><div class="description">Just in time!<br /> <br /> This photo was taken by a Hasselblad 500C medium format film camera and Carl Zeiss Distagon 1:4 f=50mm T* lens with a Zenza Bronica 67mm SY46•2C(Y2) filter using Adox CHS 100II film, the negative scanned by an Epson Perfection V600 and digitally rendered with Photoshop.</div> Rest Stop <p class="who"><a href="https://www.ipernity.com/home/296949">Scott Holcomb</a> has posted:</p><p class="preview"><a href="https://www.ipernity.com/doc/296949/53290606"><img src="https://cdn.ipernity.com/200/06/06/53290606.275c68f8.240.jpg?r2" width="240" height="240" alt=""/></a></p><div class="description">Just in time!<br /> <br /> This photo was taken by a Hasselblad 500C medium format film camera and Carl Zeiss Distagon 1:4 f=50mm T* lens with a Zenza Bronica 67mm SY46•2C(Y2) filter using Adox CHS 100II film, the negative scanned by an Epson Perfection V600 and digitally rendered with Photoshop.</div> Scott Holcomb https://www.ipernity.com/doc/296949/53288904 tag:ipernity.com,2026-04-04,doc-53288904 Sat, 04 Apr 2026 05:53:24 +0000 2026-03-23T14:03:00-07:00 nobody@ipernity.com (Scott Holcomb) <p class="who"><a href="https://www.ipernity.com/home/296949">Scott Holcomb</a> has posted:</p><p class="preview"><a href="https://www.ipernity.com/doc/296949/53288904"><img src="https://cdn.ipernity.com/200/89/04/53288904.fb9597a1.240.jpg?r2" width="240" height="240" alt=""/></a></p><div class="description">In a stare-down who can compete with a fisheye?!<br /> <br /> This photo was taken by a Hasselblad 500C medium format film camera and Carl Zeiss Distagon 1:4 f=50mm T* lens with a Hasselblad/63 1xHz-0 drop in filter using Kodak Portra 800 film, the negative scanned by an Epson Perfection V600 and digitalized with Photoshop.</div> Stare-Down <p class="who"><a href="https://www.ipernity.com/home/296949">Scott Holcomb</a> has posted:</p><p class="preview"><a href="https://www.ipernity.com/doc/296949/53288904"><img src="https://cdn.ipernity.com/200/89/04/53288904.fb9597a1.240.jpg?r2" width="240" height="240" alt=""/></a></p><div class="description">In a stare-down who can compete with a fisheye?!<br /> <br /> This photo was taken by a Hasselblad 500C medium format film camera and Carl Zeiss Distagon 1:4 f=50mm T* lens with a Hasselblad/63 1xHz-0 drop in filter using Kodak Portra 800 film, the negative scanned by an Epson Perfection V600 and digitalized with Photoshop.</div> Scott Holcomb https://www.ipernity.com/doc/296949/53287836 tag:ipernity.com,2026-04-03,doc-53287836 Fri, 03 Apr 2026 04:41:51 +0000 2026-03-23T13:47:00-07:00 nobody@ipernity.com (Scott Holcomb) <p class="who"><a href="https://www.ipernity.com/home/296949">Scott Holcomb</a> has posted:</p><p class="preview"><a href="https://www.ipernity.com/doc/296949/53287836"><img src="https://cdn.ipernity.com/200/78/36/53287836.5a0b33e2.240.jpg?r2" width="240" height="240" alt=""/></a></p><div class="description">If you live in or spend time in San Francisco it is possible to visit a rainforest (within the California Academy of Sciences). For those who wish to act like Tarzan, it is unfortunately forbidden to leave the fenced walkways . . .<br /> <br /> This photo was taken by a Hasselblad 500C medium format film camera and Carl Zeiss Distagon 1:4 f=50mm T* lens with a Hasselblad/63 1xHz-0 drop in filter using Kodak Portra 400 film, the negative scanned by an Epson Perfection V600 and digitalized with Photoshop.</div> Inside a Rainforest <p class="who"><a href="https://www.ipernity.com/home/296949">Scott Holcomb</a> has posted:</p><p class="preview"><a href="https://www.ipernity.com/doc/296949/53287836"><img src="https://cdn.ipernity.com/200/78/36/53287836.5a0b33e2.240.jpg?r2" width="240" height="240" alt=""/></a></p><div class="description">If you live in or spend time in San Francisco it is possible to visit a rainforest (within the California Academy of Sciences). For those who wish to act like Tarzan, it is unfortunately forbidden to leave the fenced walkways . . .<br /> <br /> This photo was taken by a Hasselblad 500C medium format film camera and Carl Zeiss Distagon 1:4 f=50mm T* lens with a Hasselblad/63 1xHz-0 drop in filter using Kodak Portra 400 film, the negative scanned by an Epson Perfection V600 and digitalized with Photoshop.</div> Scott Holcomb https://www.ipernity.com/doc/296949/53286942 tag:ipernity.com,2026-04-01,doc-53286942 Wed, 01 Apr 2026 18:20:31 +0000 2026-03-23T14:24:00-07:00 nobody@ipernity.com (Scott Holcomb) <p class="who"><a href="https://www.ipernity.com/home/296949">Scott Holcomb</a> has posted:</p><p class="preview"><a href="https://www.ipernity.com/doc/296949/53286942"><img src="https://cdn.ipernity.com/200/69/42/53286942.37a8d128.240.jpg?r2" width="239" height="240" alt=""/></a></p><div class="description">Go Green!<br /> <br /> This photo was taken by a Hasselblad 500C medium format film camera and Carl Zeiss Distagon 1:4 f=50mm T* lens with a Hasselblad/63 1xHz-0 drop in filter using Kodak Portra 400 film, the negative scanned by an Epson Perfection V600 and digitalized with Photoshop.</div> Wall of Green <p class="who"><a href="https://www.ipernity.com/home/296949">Scott Holcomb</a> has posted:</p><p class="preview"><a href="https://www.ipernity.com/doc/296949/53286942"><img src="https://cdn.ipernity.com/200/69/42/53286942.37a8d128.240.jpg?r2" width="239" height="240" alt=""/></a></p><div class="description">Go Green!<br /> <br /> This photo was taken by a Hasselblad 500C medium format film camera and Carl Zeiss Distagon 1:4 f=50mm T* lens with a Hasselblad/63 1xHz-0 drop in filter using Kodak Portra 400 film, the negative scanned by an Epson Perfection V600 and digitalized with Photoshop.</div> Scott Holcomb https://www.ipernity.com/doc/296949/53284886 tag:ipernity.com,2026-03-30,doc-53284886 Mon, 30 Mar 2026 05:16:20 +0000 2026-03-19T15:11:00-07:00 nobody@ipernity.com (Scott Holcomb) <p class="who"><a href="https://www.ipernity.com/home/296949">Scott Holcomb</a> has posted:</p><p class="preview"><a href="https://www.ipernity.com/doc/296949/53284886"><img src="https://cdn.ipernity.com/200/48/86/53284886.cd938ccd.240.jpg?r2" width="240" height="240" alt=""/></a></p><div class="description">A standard or point of reference - in this case, the point of reference is a Happy Bench on Monday . . .<br /> <br /> This photo was taken by a Hasselblad 500C medium format film camera and Carl Zeiss Distagon 1:4 f=50mm T* lens with a Zenza Bronica 67mm SY46•2C(Y2) filter using Adox CHS 100II film, the negative scanned by an Epson Perfection V600 and digitally rendered with Photoshop.</div> Benchmark <p class="who"><a href="https://www.ipernity.com/home/296949">Scott Holcomb</a> has posted:</p><p class="preview"><a href="https://www.ipernity.com/doc/296949/53284886"><img src="https://cdn.ipernity.com/200/48/86/53284886.cd938ccd.240.jpg?r2" width="240" height="240" alt=""/></a></p><div class="description">A standard or point of reference - in this case, the point of reference is a Happy Bench on Monday . . .<br /> <br /> This photo was taken by a Hasselblad 500C medium format film camera and Carl Zeiss Distagon 1:4 f=50mm T* lens with a Zenza Bronica 67mm SY46•2C(Y2) filter using Adox CHS 100II film, the negative scanned by an Epson Perfection V600 and digitally rendered with Photoshop.</div> Scott Holcomb https://www.ipernity.com/doc/296949/53283900 tag:ipernity.com,2026-03-28,doc-53283900 Sat, 28 Mar 2026 19:37:33 +0000 2026-03-19T13:36:00-07:00 nobody@ipernity.com (Scott Holcomb) <p class="who"><a href="https://www.ipernity.com/home/296949">Scott Holcomb</a> has posted:</p><p class="preview"><a href="https://www.ipernity.com/doc/296949/53283900"><img src="https://cdn.ipernity.com/200/39/00/53283900.7cd0e651.240.jpg?r2" width="240" height="240" alt=""/></a></p><div class="description">To all aquatic creatures - danger lurks from above . . .<br /> <br /> This photo was taken by a Hasselblad 500C medium format film camera and Carl Zeiss Planar 1:2.8 f=80 lens with a Kowa L39•3C(UV) ø67 filter + adapter using Kodak Portra 160 film, the negative scanned by an Epson Perfection V600 and digitalized with Photoshop.</div> Stealth <p class="who"><a href="https://www.ipernity.com/home/296949">Scott Holcomb</a> has posted:</p><p class="preview"><a href="https://www.ipernity.com/doc/296949/53283900"><img src="https://cdn.ipernity.com/200/39/00/53283900.7cd0e651.240.jpg?r2" width="240" height="240" alt=""/></a></p><div class="description">To all aquatic creatures - danger lurks from above . . .<br /> <br /> This photo was taken by a Hasselblad 500C medium format film camera and Carl Zeiss Planar 1:2.8 f=80 lens with a Kowa L39•3C(UV) ø67 filter + adapter using Kodak Portra 160 film, the negative scanned by an Epson Perfection V600 and digitalized with Photoshop.</div> Scott Holcomb https://www.ipernity.com/doc/296949/53282626 tag:ipernity.com,2026-03-27,doc-53282626 Fri, 27 Mar 2026 06:04:12 +0000 2026-03-19T14:48:00-07:00 nobody@ipernity.com (Scott Holcomb) <p class="who"><a href="https://www.ipernity.com/home/296949">Scott Holcomb</a> has posted:</p><p class="preview"><a href="https://www.ipernity.com/doc/296949/53282626"><img src="https://cdn.ipernity.com/200/26/26/53282626.78b2f412.240.jpg?r2" width="240" height="240" alt=""/></a></p><div class="description">When everyone is seated the HFF meeting will come to order . . .<br /> <br /> This photo was taken by a Hasselblad 500C medium format film camera and Carl Zeiss Distagon 1:4 f=50mm T* lens with a Zenza Bronica 67mm SY46•2C(Y2) filter using Adox CHS 100II film, the negative scanned by an Epson Perfection V600 and digitally rendered with Photoshop.</div> In Front of the Fence <p class="who"><a href="https://www.ipernity.com/home/296949">Scott Holcomb</a> has posted:</p><p class="preview"><a href="https://www.ipernity.com/doc/296949/53282626"><img src="https://cdn.ipernity.com/200/26/26/53282626.78b2f412.240.jpg?r2" width="240" height="240" alt=""/></a></p><div class="description">When everyone is seated the HFF meeting will come to order . . .<br /> <br /> This photo was taken by a Hasselblad 500C medium format film camera and Carl Zeiss Distagon 1:4 f=50mm T* lens with a Zenza Bronica 67mm SY46•2C(Y2) filter using Adox CHS 100II film, the negative scanned by an Epson Perfection V600 and digitally rendered with Photoshop.</div> Scott Holcomb https://www.ipernity.com/doc/296949/53281846 tag:ipernity.com,2026-03-25,doc-53281846 Wed, 25 Mar 2026 18:28:04 +0000 2025-04-18T13:54:00-07:00 nobody@ipernity.com (Scott Holcomb) <p class="who"><a href="https://www.ipernity.com/home/296949">Scott Holcomb</a> has posted:</p><p class="preview"><a href="https://www.ipernity.com/doc/296949/53281846"><img src="https://cdn.ipernity.com/200/18/46/53281846.d06f65e3.240.jpg?r2" width="229" height="240" alt=""/></a></p><div class="description">I have always been interested in fossilized remains of ancient life. That interest also applies to old architectural design elements.<br /> San Francisco still retains some dated architecture in splendid shape. Like ancient life where scaly fish crawled out of the sea to eventually over time become modern creatures, the early Victorian designs evolved from scaly façades to the sleek steel and glass skyscrapers that pierce the horizon today.<br /> <br /> This photo was taken by a Kowa Super 66 medium format film camera with a Kowa 1:4/40mm lens and Fotasy Pro-1-D Wide Band Pro MC UV(W) 95mm Japan filter using CineStill 50D film, the negative scanned by an Epson Perfection V600 and digitally rendered with Photoshop.</div> Scaled Walls <p class="who"><a href="https://www.ipernity.com/home/296949">Scott Holcomb</a> has posted:</p><p class="preview"><a href="https://www.ipernity.com/doc/296949/53281846"><img src="https://cdn.ipernity.com/200/18/46/53281846.d06f65e3.240.jpg?r2" width="229" height="240" alt=""/></a></p><div class="description">I have always been interested in fossilized remains of ancient life. That interest also applies to old architectural design elements.<br /> San Francisco still retains some dated architecture in splendid shape. Like ancient life where scaly fish crawled out of the sea to eventually over time become modern creatures, the early Victorian designs evolved from scaly façades to the sleek steel and glass skyscrapers that pierce the horizon today.<br /> <br /> This photo was taken by a Kowa Super 66 medium format film camera with a Kowa 1:4/40mm lens and Fotasy Pro-1-D Wide Band Pro MC UV(W) 95mm Japan filter using CineStill 50D film, the negative scanned by an Epson Perfection V600 and digitally rendered with Photoshop.</div> Scott Holcomb https://www.ipernity.com/doc/296949/53280278 tag:ipernity.com,2026-03-24,doc-53280278 Tue, 24 Mar 2026 16:08:15 +0000 2026-03-16T11:43:00-07:00 nobody@ipernity.com (Scott Holcomb) <p class="who"><a href="https://www.ipernity.com/home/296949">Scott Holcomb</a> has posted:</p><p class="preview"><a href="https://www.ipernity.com/doc/296949/53280278"><img src="https://cdn.ipernity.com/200/02/78/53280278.99863d77.240.jpg?r2" width="240" height="240" alt=""/></a></p><div class="description">The military officers here are ready for any contingency - locked and loaded!<br /> <br /> This photo was taken by a Minolta Autocord Seikosha-MX (Chiyoko) TLR using Chiyoko Rokkor 75mm f/3.2 & 3.5 lenses with a HOYA HMC 49mm O[G] filter attached to a 30mm to 49mm Bayonet TLR adapter using Bergger Pancro 400 film, the negative scanned by an Epson Perfection V600 and digitalized by Photoshop.</div> Ready for Action <p class="who"><a href="https://www.ipernity.com/home/296949">Scott Holcomb</a> has posted:</p><p class="preview"><a href="https://www.ipernity.com/doc/296949/53280278"><img src="https://cdn.ipernity.com/200/02/78/53280278.99863d77.240.jpg?r2" width="240" height="240" alt=""/></a></p><div class="description">The military officers here are ready for any contingency - locked and loaded!<br /> <br /> This photo was taken by a Minolta Autocord Seikosha-MX (Chiyoko) TLR using Chiyoko Rokkor 75mm f/3.2 & 3.5 lenses with a HOYA HMC 49mm O[G] filter attached to a 30mm to 49mm Bayonet TLR adapter using Bergger Pancro 400 film, the negative scanned by an Epson Perfection V600 and digitalized by Photoshop.</div> Scott Holcomb https://www.ipernity.com/doc/296949/53279170 tag:ipernity.com,2026-03-23,doc-53279170 Mon, 23 Mar 2026 03:45:02 +0000 2026-03-16T09:39:00-07:00 nobody@ipernity.com (Scott Holcomb) <p class="who"><a href="https://www.ipernity.com/home/296949">Scott Holcomb</a> has posted:</p><p class="preview"><a href="https://www.ipernity.com/doc/296949/53279170"><img src="https://cdn.ipernity.com/200/91/70/53279170.382e1b2f.240.jpg?r2" width="240" height="240" alt=""/></a></p><div class="description">A place to sit and rest, and yes, take off your shoes and air them out . . .<br /> <br /> This photo was taken by a Minolta Autocord Seikosha-MX (Chiyoko) TLR using Chiyoko Rokkor 75mm f/3.2 & 3.5 lenses with a HOYA HMC 49mm O[G] filter attached to a 30mm to 49mm Bayonet TLR adapter using Bergger Pancro 400 film, the negative scanned by an Epson Perfection V600 and digitalized by Photoshop.</div> Multi-Use <p class="who"><a href="https://www.ipernity.com/home/296949">Scott Holcomb</a> has posted:</p><p class="preview"><a href="https://www.ipernity.com/doc/296949/53279170"><img src="https://cdn.ipernity.com/200/91/70/53279170.382e1b2f.240.jpg?r2" width="240" height="240" alt=""/></a></p><div class="description">A place to sit and rest, and yes, take off your shoes and air them out . . .<br /> <br /> This photo was taken by a Minolta Autocord Seikosha-MX (Chiyoko) TLR using Chiyoko Rokkor 75mm f/3.2 & 3.5 lenses with a HOYA HMC 49mm O[G] filter attached to a 30mm to 49mm Bayonet TLR adapter using Bergger Pancro 400 film, the negative scanned by an Epson Perfection V600 and digitalized by Photoshop.</div> Scott Holcomb https://www.ipernity.com/doc/296949/53277840 tag:ipernity.com,2026-03-21,doc-53277840 Sat, 21 Mar 2026 02:28:20 +0000 2026-02-21T10:21:00-07:00 nobody@ipernity.com (Scott Holcomb) <p class="who"><a href="https://www.ipernity.com/home/296949">Scott Holcomb</a> has posted:</p><p class="preview"><a href="https://www.ipernity.com/doc/296949/53277840"><img src="https://cdn.ipernity.com/200/78/40/53277840.6ddbccaf.240.jpg?r2" width="240" height="190" alt=""/></a></p><div class="description">Sittin' in the mornin' sun<br /> I'll be sittin' when the evenin' come<br /> Watching the ships roll in<br /> And then I watch 'em roll away again, yeah<br /> <br /> I'm sittin' on the dock of the bay<br /> Watching the tide roll away<br /> I'm just sittin' on the dock of the bay<br /> Wastin' time<br /> <br /> <i>Songwriters: Stephen Lee Cropper / Otis Redding</i><br /> <b>(Sittin’ on) The Dock of the Bay</b><br /> <br /> This photo was taken by an Asahi Pentax 6 X 7 medium format film camera and Super-Takumar/6X7 1:2.4/105mm lens with a Kowa L39•3C ø67 filter using Kodak Portra 400 film, the negative scanned by an Epson Perfection V600 and digitally rendered with Photoshop.</div> Dock of the Bay <p class="who"><a href="https://www.ipernity.com/home/296949">Scott Holcomb</a> has posted:</p><p class="preview"><a href="https://www.ipernity.com/doc/296949/53277840"><img src="https://cdn.ipernity.com/200/78/40/53277840.6ddbccaf.240.jpg?r2" width="240" height="190" alt=""/></a></p><div class="description">Sittin' in the mornin' sun<br /> I'll be sittin' when the evenin' come<br /> Watching the ships roll in<br /> And then I watch 'em roll away again, yeah<br /> <br /> I'm sittin' on the dock of the bay<br /> Watching the tide roll away<br /> I'm just sittin' on the dock of the bay<br /> Wastin' time<br /> <br /> <i>Songwriters: Stephen Lee Cropper / Otis Redding</i><br /> <b>(Sittin’ on) The Dock of the Bay</b><br /> <br /> This photo was taken by an Asahi Pentax 6 X 7 medium format film camera and Super-Takumar/6X7 1:2.4/105mm lens with a Kowa L39•3C ø67 filter using Kodak Portra 400 film, the negative scanned by an Epson Perfection V600 and digitally rendered with Photoshop.</div> Scott Holcomb https://www.ipernity.com/doc/296949/53277050 tag:ipernity.com,2026-03-20,doc-53277050 Fri, 20 Mar 2026 04:08:17 +0000 2026-02-04T10:14:00-07:00 nobody@ipernity.com (Scott Holcomb) <p class="who"><a href="https://www.ipernity.com/home/296949">Scott Holcomb</a> has posted:</p><p class="preview"><a href="https://www.ipernity.com/doc/296949/53277050"><img src="https://cdn.ipernity.com/200/70/50/53277050.b19f7cda.240.jpg?r2" width="191" height="240" alt=""/></a></p><div class="description">Since the 1920s Kezar Stadium has hosted sports events.<br /> <br /> This photo was taken by an Asahi Pentax 6 X 7 medium format film camera with a Super-Multi-Coated Macro-Takumar/6X7 1:4/135mm lens and Asahi Pentax 6 X 7 67ø L39(UV) SMC filter using Harman Phoenix 200 film, the negative scanned by an Epson Perfection V600 and digitally rendered with Photoshop.</div> Kezar Stadium <p class="who"><a href="https://www.ipernity.com/home/296949">Scott Holcomb</a> has posted:</p><p class="preview"><a href="https://www.ipernity.com/doc/296949/53277050"><img src="https://cdn.ipernity.com/200/70/50/53277050.b19f7cda.240.jpg?r2" width="191" height="240" alt=""/></a></p><div class="description">Since the 1920s Kezar Stadium has hosted sports events.<br /> <br /> This photo was taken by an Asahi Pentax 6 X 7 medium format film camera with a Super-Multi-Coated Macro-Takumar/6X7 1:4/135mm lens and Asahi Pentax 6 X 7 67ø L39(UV) SMC filter using Harman Phoenix 200 film, the negative scanned by an Epson Perfection V600 and digitally rendered with Photoshop.</div> Scott Holcomb https://www.ipernity.com/doc/296949/53276264 tag:ipernity.com,2026-03-18,doc-53276264 Wed, 18 Mar 2026 19:47:07 +0000 2026-02-19T15:44:00-07:00 nobody@ipernity.com (Scott Holcomb) <p class="who"><a href="https://www.ipernity.com/home/296949">Scott Holcomb</a> has posted:</p><p class="preview"><a href="https://www.ipernity.com/doc/296949/53276264"><img src="https://cdn.ipernity.com/200/62/64/53276264.1f1dc7fa.240.jpg?r2" width="240" height="192" alt=""/></a></p><div class="description"><b>DEVOTED TO OUR MASONIC BRETHREN WHO DIED IN THE CAUSE OF FREEDOM</b><br /> - <i> sculpted by Emile Norman 1957</i><br /> <br /> <b>The Masonic Auditorium</b><br /> <br /> This photo was taken by an Asahi Pentax 6 X 7 medium format film camera and Super-Takumar/6X7 1:2.4/105mm lens with a Asahi Pentax 6 X 7 67ø L39(UV) SMC filter using Kodak Portra 400 film, the negative scanned by an Epson Perfection V600 and digitally rendered with Photoshop.</div> The Masonic <p class="who"><a href="https://www.ipernity.com/home/296949">Scott Holcomb</a> has posted:</p><p class="preview"><a href="https://www.ipernity.com/doc/296949/53276264"><img src="https://cdn.ipernity.com/200/62/64/53276264.1f1dc7fa.240.jpg?r2" width="240" height="192" alt=""/></a></p><div class="description"><b>DEVOTED TO OUR MASONIC BRETHREN WHO DIED IN THE CAUSE OF FREEDOM</b><br /> - <i> sculpted by Emile Norman 1957</i><br /> <br /> <b>The Masonic Auditorium</b><br /> <br /> This photo was taken by an Asahi Pentax 6 X 7 medium format film camera and Super-Takumar/6X7 1:2.4/105mm lens with a Asahi Pentax 6 X 7 67ø L39(UV) SMC filter using Kodak Portra 400 film, the negative scanned by an Epson Perfection V600 and digitally rendered with Photoshop.</div> Scott Holcomb https://www.ipernity.com/doc/296949/53274186 tag:ipernity.com,2026-03-16,doc-53274186 Mon, 16 Mar 2026 03:18:40 +0000 2026-02-04T10:36:00-07:00 nobody@ipernity.com (Scott Holcomb) <p class="who"><a href="https://www.ipernity.com/home/296949">Scott Holcomb</a> has posted:</p><p class="preview"><a href="https://www.ipernity.com/doc/296949/53274186"><img src="https://cdn.ipernity.com/200/41/86/53274186.026f1310.240.jpg?r2" width="240" height="192" alt=""/></a></p><div class="description">Hurry before seating runs out!<br /> <br /> This photo was taken by an Asahi Pentax 6 X 7 medium format film camera with a Super-Takumar/6X7 1:2.4/105mm lens and Asahi Pentax 6 X 7 67ø L39(UV) SMC filter using Harman Phoenix 200 film, the negative scanned by an Epson Perfection V600 and digitally rendered with Photoshop.</div> Bench Seating Still Available <p class="who"><a href="https://www.ipernity.com/home/296949">Scott Holcomb</a> has posted:</p><p class="preview"><a href="https://www.ipernity.com/doc/296949/53274186"><img src="https://cdn.ipernity.com/200/41/86/53274186.026f1310.240.jpg?r2" width="240" height="192" alt=""/></a></p><div class="description">Hurry before seating runs out!<br /> <br /> This photo was taken by an Asahi Pentax 6 X 7 medium format film camera with a Super-Takumar/6X7 1:2.4/105mm lens and Asahi Pentax 6 X 7 67ø L39(UV) SMC filter using Harman Phoenix 200 film, the negative scanned by an Epson Perfection V600 and digitally rendered with Photoshop.</div> Scott Holcomb https://www.ipernity.com/doc/296949/53273218 tag:ipernity.com,2026-03-14,doc-53273218 Sat, 14 Mar 2026 21:31:42 +0000 2013-06-24T10:07:00-07:00 nobody@ipernity.com (Scott Holcomb) <p class="who"><a href="https://www.ipernity.com/home/296949">Scott Holcomb</a> has posted:</p><p class="preview"><a href="https://www.ipernity.com/doc/296949/53273218"><img src="https://cdn.ipernity.com/200/32/18/53273218.c63bd2e4.240.jpg?r2" width="240" height="240" alt=""/></a></p><div class="description">A stylish two-unit flat in San Francisco.<br /> <br /> This photo was taken by a KИEB-60 medium format film camera with a Carl Zeiss Jena DDR Flektogon 4/50 lens using Fuji Pro 400-H film, the negative scanned by an Epson Perfection V600 and digitally rendered with Photoshop.</div> Blue Flat <p class="who"><a href="https://www.ipernity.com/home/296949">Scott Holcomb</a> has posted:</p><p class="preview"><a href="https://www.ipernity.com/doc/296949/53273218"><img src="https://cdn.ipernity.com/200/32/18/53273218.c63bd2e4.240.jpg?r2" width="240" height="240" alt=""/></a></p><div class="description">A stylish two-unit flat in San Francisco.<br /> <br /> This photo was taken by a KИEB-60 medium format film camera with a Carl Zeiss Jena DDR Flektogon 4/50 lens using Fuji Pro 400-H film, the negative scanned by an Epson Perfection V600 and digitally rendered with Photoshop.</div> Scott Holcomb https://www.ipernity.com/doc/296949/53272174 tag:ipernity.com,2026-03-13,doc-53272174 Fri, 13 Mar 2026 17:57:49 +0000 2026-02-04T10:34:00-07:00 nobody@ipernity.com (Scott Holcomb) <p class="who"><a href="https://www.ipernity.com/home/296949">Scott Holcomb</a> has posted:</p><p class="preview"><a href="https://www.ipernity.com/doc/296949/53272174"><img src="https://cdn.ipernity.com/200/21/74/53272174.7703bde8.240.jpg?r2" width="240" height="192" alt=""/></a></p><div class="description">Enter into the hallowed domaine.<br /> <br /> This photo was taken by an Asahi Pentax 6 X 7 medium format film camera with a Super-Takumar/6X7 1:2.4/105mm lens and Asahi Pentax 6 X 7 67ø L39(UV) SMC filter using Harman Phoenix 200 film, the negative scanned by an Epson Perfection V600 and digitally rendered with Photoshop.</div> Sanctified Entrance <p class="who"><a href="https://www.ipernity.com/home/296949">Scott Holcomb</a> has posted:</p><p class="preview"><a href="https://www.ipernity.com/doc/296949/53272174"><img src="https://cdn.ipernity.com/200/21/74/53272174.7703bde8.240.jpg?r2" width="240" height="192" alt=""/></a></p><div class="description">Enter into the hallowed domaine.<br /> <br /> This photo was taken by an Asahi Pentax 6 X 7 medium format film camera with a Super-Takumar/6X7 1:2.4/105mm lens and Asahi Pentax 6 X 7 67ø L39(UV) SMC filter using Harman Phoenix 200 film, the negative scanned by an Epson Perfection V600 and digitally rendered with Photoshop.</div> Scott Holcomb https://www.ipernity.com/doc/296949/53271568 tag:ipernity.com,2026-03-12,doc-53271568 Thu, 12 Mar 2026 19:09:31 +0000 2026-02-04T10:14:00-07:00 nobody@ipernity.com (Scott Holcomb) <p class="who"><a href="https://www.ipernity.com/home/296949">Scott Holcomb</a> has posted:</p><p class="preview"><a href="https://www.ipernity.com/doc/296949/53271568"><img src="https://cdn.ipernity.com/200/15/68/53271568.b0097abe.240.jpg?r2" width="240" height="192" alt=""/></a></p><div class="description">Groovy!<br /> <br /> This photo was taken by an Asahi Pentax 6 X 7 medium format film camera and Super-Mult-Coated Takumar/6X7 1:4.5/75mm lens with a Asahi Pentax 6 X 7 82ø L39(UV) filter using Kodak Portra 160 film, the negative scanned by an Epson Perfection V600 and digitally rendered with Photoshop.</div> Living in the 60&#039;s <p class="who"><a href="https://www.ipernity.com/home/296949">Scott Holcomb</a> has posted:</p><p class="preview"><a href="https://www.ipernity.com/doc/296949/53271568"><img src="https://cdn.ipernity.com/200/15/68/53271568.b0097abe.240.jpg?r2" width="240" height="192" alt=""/></a></p><div class="description">Groovy!<br /> <br /> This photo was taken by an Asahi Pentax 6 X 7 medium format film camera and Super-Mult-Coated Takumar/6X7 1:4.5/75mm lens with a Asahi Pentax 6 X 7 82ø L39(UV) filter using Kodak Portra 160 film, the negative scanned by an Epson Perfection V600 and digitally rendered with Photoshop.</div> Scott Holcomb https://www.ipernity.com/doc/296949/53270920 tag:ipernity.com,2026-03-11,doc-53270920 Wed, 11 Mar 2026 17:16:10 +0000 2013-06-24T12:39:00-07:00 nobody@ipernity.com (Scott Holcomb) <p class="who"><a href="https://www.ipernity.com/home/296949">Scott Holcomb</a> has posted:</p><p class="preview"><a href="https://www.ipernity.com/doc/296949/53270920"><img src="https://cdn.ipernity.com/200/09/20/53270920.8ac7c818.240.jpg?r2" width="240" height="240" alt=""/></a></p><div class="description">Classic Victorian design elements grace this elegant San Francisco duplex.<br /> <br /> This photo was taken by a KИEB-60 medium format film camera with a Carl Zeiss Jena DDR Flektogon 4/50 lens using Fuji Pro 400-H film, the negative scanned by an Epson Perfection V600 and digitally rendered with Photoshop.</div> Corner Flat <p class="who"><a href="https://www.ipernity.com/home/296949">Scott Holcomb</a> has posted:</p><p class="preview"><a href="https://www.ipernity.com/doc/296949/53270920"><img src="https://cdn.ipernity.com/200/09/20/53270920.8ac7c818.240.jpg?r2" width="240" height="240" alt=""/></a></p><div class="description">Classic Victorian design elements grace this elegant San Francisco duplex.<br /> <br /> This photo was taken by a KИEB-60 medium format film camera with a Carl Zeiss Jena DDR Flektogon 4/50 lens using Fuji Pro 400-H film, the negative scanned by an Epson Perfection V600 and digitally rendered with Photoshop.</div> Scott Holcomb