https://www.ipernity.com/doc/296949/home/doc https://cdn.ipernity.com/p/101/F5/87/296949.buddy.jpg https://www.ipernity.com/doc/296949/home/doc Sun, 05 Jul 2026 18:21:03 +0000 Sun, 05 Jul 2026 18:21:03 +0000 https://www.ipernity.com https://www.ipernity.com/doc/296949/53367568 tag:ipernity.com,2026-07-03,doc-53367568 Fri, 03 Jul 2026 04:58:49 +0000 2012-07-18T14:12:00-07:00 nobody@ipernity.com (Scott Holcomb) <p class="who"><a href="https://www.ipernity.com/home/296949">Scott Holcomb</a> has posted:</p><p class="preview"><a href="https://www.ipernity.com/doc/296949/53367568"><img src="https://cdn.ipernity.com/200/75/68/53367568.fb20cd10.240.jpg?r2" width="240" height="240" alt=""/></a></p><div class="description">The San Francisco Civic Center was rebuilt in a neoclassical theme after it's destruction in the 1906 earthquake. The detail is exquisite.<br /> <br /> This photo was taken by a KИEB-88C medium format film camera with a MC BOЛHA-3 2.8/80mm lens and Чф-1x 62x0.75 filter using Fuji 160NS film, the negative scanned by an HP Scanjet G4050 and digitalized with Photoshop.</div> Gated Entry <p class="who"><a href="https://www.ipernity.com/home/296949">Scott Holcomb</a> has posted:</p><p class="preview"><a href="https://www.ipernity.com/doc/296949/53367568"><img src="https://cdn.ipernity.com/200/75/68/53367568.fb20cd10.240.jpg?r2" width="240" height="240" alt=""/></a></p><div class="description">The San Francisco Civic Center was rebuilt in a neoclassical theme after it's destruction in the 1906 earthquake. The detail is exquisite.<br /> <br /> This photo was taken by a KИEB-88C medium format film camera with a MC BOЛHA-3 2.8/80mm lens and Чф-1x 62x0.75 filter using Fuji 160NS film, the negative scanned by an HP Scanjet G4050 and digitalized with Photoshop.</div> Scott Holcomb https://www.ipernity.com/doc/296949/53365554 tag:ipernity.com,2026-07-01,doc-53365554 Wed, 01 Jul 2026 05:01:44 +0000 1988-07-12T10:21:00-07:00 nobody@ipernity.com (Scott Holcomb) <p class="who"><a href="https://www.ipernity.com/home/296949">Scott Holcomb</a> has posted:</p><p class="preview"><a href="https://www.ipernity.com/doc/296949/53365554"><img src="https://cdn.ipernity.com/200/55/54/53365554.4157b869.240.jpg?r2" width="160" height="240" alt=""/></a></p><div class="description">Beautiful carved stone detail adorns the walls of Klungkung Kertha Gosa Water Palace.<br /> <br /> This photo was taken by a Yashica Electro 35CC film camera and COLOR-YASHINON DX 1:1.8 f=35mm lens with a Pro 52mm (UV) Japan filter using Kodak Daylight 135 negative film, the negative scanned by an HP Scanjet G4050 and digitally rendered with Photoshop.</div> Klung Kung-Kertha Gosa Wall Detail <p class="who"><a href="https://www.ipernity.com/home/296949">Scott Holcomb</a> has posted:</p><p class="preview"><a href="https://www.ipernity.com/doc/296949/53365554"><img src="https://cdn.ipernity.com/200/55/54/53365554.4157b869.240.jpg?r2" width="160" height="240" alt=""/></a></p><div class="description">Beautiful carved stone detail adorns the walls of Klungkung Kertha Gosa Water Palace.<br /> <br /> This photo was taken by a Yashica Electro 35CC film camera and COLOR-YASHINON DX 1:1.8 f=35mm lens with a Pro 52mm (UV) Japan filter using Kodak Daylight 135 negative film, the negative scanned by an HP Scanjet G4050 and digitally rendered with Photoshop.</div> Scott Holcomb https://www.ipernity.com/doc/296949/53363380 tag:ipernity.com,2026-06-29,doc-53363380 Mon, 29 Jun 2026 05:03:38 +0000 1988-07-12T10:21:00-07:00 nobody@ipernity.com (Scott Holcomb) <p class="who"><a href="https://www.ipernity.com/home/296949">Scott Holcomb</a> has posted:</p><p class="preview"><a href="https://www.ipernity.com/doc/296949/53363380"><img src="https://cdn.ipernity.com/200/33/80/53363380.1978944c.240.jpg?r2" width="162" height="240" alt=""/></a></p><div class="description">A likeness of the Dutch colonial rulers was captured in this interesting sculpture found on the grounds of the Kertha Gosa Palace in Klungkung, Bali.<br /> <br /> This photo was taken by a Yashica Electro 35CC film camera and COLOR-YASHINON DX 1:1.8 f=35mm lens with a Pro 52mm (UV) Japan filter using Kodak Daylight 135 negative film, the negative scanned by an HP Scanjet G4050 and digitally rendered with Photoshop.</div> Seated Dutchman <p class="who"><a href="https://www.ipernity.com/home/296949">Scott Holcomb</a> has posted:</p><p class="preview"><a href="https://www.ipernity.com/doc/296949/53363380"><img src="https://cdn.ipernity.com/200/33/80/53363380.1978944c.240.jpg?r2" width="162" height="240" alt=""/></a></p><div class="description">A likeness of the Dutch colonial rulers was captured in this interesting sculpture found on the grounds of the Kertha Gosa Palace in Klungkung, Bali.<br /> <br /> This photo was taken by a Yashica Electro 35CC film camera and COLOR-YASHINON DX 1:1.8 f=35mm lens with a Pro 52mm (UV) Japan filter using Kodak Daylight 135 negative film, the negative scanned by an HP Scanjet G4050 and digitally rendered with Photoshop.</div> Scott Holcomb https://www.ipernity.com/doc/296949/53360484 tag:ipernity.com,2026-06-26,doc-53360484 Fri, 26 Jun 2026 05:52:27 +0000 2026-03-27T00:00:00-07:00 nobody@ipernity.com (Scott Holcomb) <p class="who"><a href="https://www.ipernity.com/home/296949">Scott Holcomb</a> has posted:</p><p class="preview"><a href="https://www.ipernity.com/doc/296949/53360484"><img src="https://cdn.ipernity.com/200/04/84/53360484.7e9c5e4b.240.jpg?r2" width="240" height="240" alt=""/></a></p><div class="description">Stay on the designated path.<br /> <br /> This photo was taken by a Hasselblad 500C medium format film camera and Carl Zeiss Distagon 1:4 f=50mm T* lens with a Hasselblad/63 1xHz-0 drop in filter using Fuji Pro 400-H film, the negative scanned by an Epson Perfection V600 and digitalized with Photoshop.</div> Fancy <p class="who"><a href="https://www.ipernity.com/home/296949">Scott Holcomb</a> has posted:</p><p class="preview"><a href="https://www.ipernity.com/doc/296949/53360484"><img src="https://cdn.ipernity.com/200/04/84/53360484.7e9c5e4b.240.jpg?r2" width="240" height="240" alt=""/></a></p><div class="description">Stay on the designated path.<br /> <br /> This photo was taken by a Hasselblad 500C medium format film camera and Carl Zeiss Distagon 1:4 f=50mm T* lens with a Hasselblad/63 1xHz-0 drop in filter using Fuji Pro 400-H film, the negative scanned by an Epson Perfection V600 and digitalized with Photoshop.</div> Scott Holcomb https://www.ipernity.com/doc/296949/53360050 tag:ipernity.com,2026-06-25,doc-53360050 Thu, 25 Jun 2026 16:41:22 +0000 2026-03-23T13:52:00-07:00 nobody@ipernity.com (Scott Holcomb) <p class="who"><a href="https://www.ipernity.com/home/296949">Scott Holcomb</a> has posted:</p><p class="preview"><a href="https://www.ipernity.com/doc/296949/53360050"><img src="https://cdn.ipernity.com/200/00/50/53360050.14f92e9b.240.jpg?r2" width="240" height="240" alt=""/></a></p><div class="description">A 1998 patinated bronze sculpture of a Galapagos Tortoise by Eric Berg.<br /> <br /> This photo was taken by a Hasselblad 500C medium format film camera and Carl Zeiss Distagon 1:4 f=50mm T* lens with a Hasselblad/63 1xHz-0 drop in filter using Kodak Portra 800 film, the negative scanned by an Epson Perfection V600 and digitalized with Photoshop.</div> Tortoise <p class="who"><a href="https://www.ipernity.com/home/296949">Scott Holcomb</a> has posted:</p><p class="preview"><a href="https://www.ipernity.com/doc/296949/53360050"><img src="https://cdn.ipernity.com/200/00/50/53360050.14f92e9b.240.jpg?r2" width="240" height="240" alt=""/></a></p><div class="description">A 1998 patinated bronze sculpture of a Galapagos Tortoise by Eric Berg.<br /> <br /> This photo was taken by a Hasselblad 500C medium format film camera and Carl Zeiss Distagon 1:4 f=50mm T* lens with a Hasselblad/63 1xHz-0 drop in filter using Kodak Portra 800 film, the negative scanned by an Epson Perfection V600 and digitalized with Photoshop.</div> Scott Holcomb https://www.ipernity.com/doc/296949/53358318 tag:ipernity.com,2026-06-24,doc-53358318 Wed, 24 Jun 2026 04:38:06 +0000 2026-03-23T12:04:00-07:00 nobody@ipernity.com (Scott Holcomb) <p class="who"><a href="https://www.ipernity.com/home/296949">Scott Holcomb</a> has posted:</p><p class="preview"><a href="https://www.ipernity.com/doc/296949/53358318"><img src="https://cdn.ipernity.com/200/83/18/53358318.1a199156.240.jpg?r2" width="240" height="240" alt=""/></a></p><div class="description">How could they refuse . . .<br /> <br /> This photo was taken by a Hasselblad 500C medium format film camera and Carl Zeiss Planar 1:2.8 f=80 lens with a Kowa L39•3C(UV) ø67 filter + adapter using Kodak Portra 800 film, the negative scanned by an Epson Perfection V600 and digitalized with Photoshop.</div> Last Dance <p class="who"><a href="https://www.ipernity.com/home/296949">Scott Holcomb</a> has posted:</p><p class="preview"><a href="https://www.ipernity.com/doc/296949/53358318"><img src="https://cdn.ipernity.com/200/83/18/53358318.1a199156.240.jpg?r2" width="240" height="240" alt=""/></a></p><div class="description">How could they refuse . . .<br /> <br /> This photo was taken by a Hasselblad 500C medium format film camera and Carl Zeiss Planar 1:2.8 f=80 lens with a Kowa L39•3C(UV) ø67 filter + adapter using Kodak Portra 800 film, the negative scanned by an Epson Perfection V600 and digitalized with Photoshop.</div> Scott Holcomb https://www.ipernity.com/doc/296949/53356744 tag:ipernity.com,2026-06-22,doc-53356744 Mon, 22 Jun 2026 05:25:28 +0000 2012-08-21T14:11:00-07:00 nobody@ipernity.com (Scott Holcomb) <p class="who"><a href="https://www.ipernity.com/home/296949">Scott Holcomb</a> has posted:</p><p class="preview"><a href="https://www.ipernity.com/doc/296949/53356744"><img src="https://cdn.ipernity.com/200/67/44/53356744.040dc53c.240.jpg?r2" width="240" height="153" alt=""/></a></p><div class="description">Take a seat on one of the benches to view this F-15 Eagle Fighter jet.<br /> <br /> This photo was taken by a Yashica FR-1 SLR 35mm film camera with a Yashica ML1:2.8 f=28mm lens using Kodak Portra 400 135 film, the negative scanned by an HP Scanjet G4050 and digitally rendered in Photoshop.</div> Best Viewing <p class="who"><a href="https://www.ipernity.com/home/296949">Scott Holcomb</a> has posted:</p><p class="preview"><a href="https://www.ipernity.com/doc/296949/53356744"><img src="https://cdn.ipernity.com/200/67/44/53356744.040dc53c.240.jpg?r2" width="240" height="153" alt=""/></a></p><div class="description">Take a seat on one of the benches to view this F-15 Eagle Fighter jet.<br /> <br /> This photo was taken by a Yashica FR-1 SLR 35mm film camera with a Yashica ML1:2.8 f=28mm lens using Kodak Portra 400 135 film, the negative scanned by an HP Scanjet G4050 and digitally rendered in Photoshop.</div> Scott Holcomb https://www.ipernity.com/doc/296949/53356574 tag:ipernity.com,2026-06-21,doc-53356574 Sun, 21 Jun 2026 19:02:04 +0000 2026-03-19T14:36:00-07:00 nobody@ipernity.com (Scott Holcomb) <p class="who"><a href="https://www.ipernity.com/home/296949">Scott Holcomb</a> has posted:</p><p class="preview"><a href="https://www.ipernity.com/doc/296949/53356574"><img src="https://cdn.ipernity.com/200/65/74/53356574.2d96ac3a.240.jpg?r2" width="240" height="240" alt=""/></a></p><div class="description">Ahhhh . . .<br /> I thought you didn’t care!<br /> <br /> This photo was taken by a Hasselblad 500C medium format film camera and Carl Zeiss Distagon 1:4 f=50mm T* lens with a Hasselblad/63 1xHz-0 drop in filter using Kodak Ektar 100 film, the negative scanned by an Epson Perfection V600 and digitalized with Photoshop.</div> Spring Bouquet <p class="who"><a href="https://www.ipernity.com/home/296949">Scott Holcomb</a> has posted:</p><p class="preview"><a href="https://www.ipernity.com/doc/296949/53356574"><img src="https://cdn.ipernity.com/200/65/74/53356574.2d96ac3a.240.jpg?r2" width="240" height="240" alt=""/></a></p><div class="description">Ahhhh . . .<br /> I thought you didn’t care!<br /> <br /> This photo was taken by a Hasselblad 500C medium format film camera and Carl Zeiss Distagon 1:4 f=50mm T* lens with a Hasselblad/63 1xHz-0 drop in filter using Kodak Ektar 100 film, the negative scanned by an Epson Perfection V600 and digitalized with Photoshop.</div> Scott Holcomb https://www.ipernity.com/doc/296949/53354010 tag:ipernity.com,2026-06-19,doc-53354010 Fri, 19 Jun 2026 06:14:47 +0000 2021-07-29T11:21:00-07:00 nobody@ipernity.com (Scott Holcomb) <p class="who"><a href="https://www.ipernity.com/home/296949">Scott Holcomb</a> has posted:</p><p class="preview"><a href="https://www.ipernity.com/doc/296949/53354010"><img src="https://cdn.ipernity.com/200/40/10/53354010.37a94248.240.jpg?r2" width="240" height="240" alt=""/></a></p><div class="description">Blessed be thine fence . . .<br /> <br /> This photo was taken by a Kowa/SIX medium format film camera and a KOWA 1:3.5/55mm lens with a Kowa L1A ø67 filter using Kodak Portra 160 film, the negative scanned by an Epson Perfection V600 and digitally rendered with Photoshop.</div> Sacred Fence <p class="who"><a href="https://www.ipernity.com/home/296949">Scott Holcomb</a> has posted:</p><p class="preview"><a href="https://www.ipernity.com/doc/296949/53354010"><img src="https://cdn.ipernity.com/200/40/10/53354010.37a94248.240.jpg?r2" width="240" height="240" alt=""/></a></p><div class="description">Blessed be thine fence . . .<br /> <br /> This photo was taken by a Kowa/SIX medium format film camera and a KOWA 1:3.5/55mm lens with a Kowa L1A ø67 filter using Kodak Portra 160 film, the negative scanned by an Epson Perfection V600 and digitally rendered with Photoshop.</div> Scott Holcomb https://www.ipernity.com/doc/296949/53353870 tag:ipernity.com,2026-06-18,doc-53353870 Thu, 18 Jun 2026 18:49:57 +0000 2026-03-27T13:18:00-07:00 nobody@ipernity.com (Scott Holcomb) <p class="who"><a href="https://www.ipernity.com/home/296949">Scott Holcomb</a> has posted:</p><p class="preview"><a href="https://www.ipernity.com/doc/296949/53353870"><img src="https://cdn.ipernity.com/200/38/70/53353870.972b2308.240.jpg?r2" width="240" height="240" alt=""/></a></p><div class="description">Come not between the dragon, and his wrath.”<br /> <i>― William Shakespeare, King Lear</i><br /> <br /> This photo was taken by a Hasselblad 500C medium format film camera and Carl Zeiss S-Planar 1:5.6 f=120mm lens mounted on a 10mm Extension Tube with a Kowa L1A ø67 filter + adapter using Kodak Portra 160 film, the negative scanned by an Epson Perfection V600 and digitalized with Photoshop.</div> Dragon&#039;s Lair <p class="who"><a href="https://www.ipernity.com/home/296949">Scott Holcomb</a> has posted:</p><p class="preview"><a href="https://www.ipernity.com/doc/296949/53353870"><img src="https://cdn.ipernity.com/200/38/70/53353870.972b2308.240.jpg?r2" width="240" height="240" alt=""/></a></p><div class="description">Come not between the dragon, and his wrath.”<br /> <i>― William Shakespeare, King Lear</i><br /> <br /> This photo was taken by a Hasselblad 500C medium format film camera and Carl Zeiss S-Planar 1:5.6 f=120mm lens mounted on a 10mm Extension Tube with a Kowa L1A ø67 filter + adapter using Kodak Portra 160 film, the negative scanned by an Epson Perfection V600 and digitalized with Photoshop.</div> Scott Holcomb https://www.ipernity.com/doc/296949/53352598 tag:ipernity.com,2026-06-17,doc-53352598 Wed, 17 Jun 2026 05:17:44 +0000 2017-05-04T13:29:00-07:00 nobody@ipernity.com (Scott Holcomb) <p class="who"><a href="https://www.ipernity.com/home/296949">Scott Holcomb</a> has posted:</p><p class="preview"><a href="https://www.ipernity.com/doc/296949/53352598"><img src="https://cdn.ipernity.com/200/25/98/53352598.8804ca62.240.jpg?r2" width="240" height="240" alt=""/></a></p><div class="description">Ansel Adams earned a modest living as a stage performer in the Ahwahnee Hotel in the late 1920s before he became famous for his photography. Ansel was a man of many talents although I am grateful that he found his true calling - photography. His photos of the natural beauty of the West served to garner public support for the preservation of such areas within the National Parks system.<br /> <br /> This photo was taken by a Kowa/SIX medium format film camera and KOWA 1:3.5/55 lens with a Kowa L39•3C(UV) ø67 filter using Kodak Portra 800 film, the negative scanned by an Epson Perfection V600 and digitally rendered in Photoshop.</div> Ahwahnee Dining Room <p class="who"><a href="https://www.ipernity.com/home/296949">Scott Holcomb</a> has posted:</p><p class="preview"><a href="https://www.ipernity.com/doc/296949/53352598"><img src="https://cdn.ipernity.com/200/25/98/53352598.8804ca62.240.jpg?r2" width="240" height="240" alt=""/></a></p><div class="description">Ansel Adams earned a modest living as a stage performer in the Ahwahnee Hotel in the late 1920s before he became famous for his photography. Ansel was a man of many talents although I am grateful that he found his true calling - photography. His photos of the natural beauty of the West served to garner public support for the preservation of such areas within the National Parks system.<br /> <br /> This photo was taken by a Kowa/SIX medium format film camera and KOWA 1:3.5/55 lens with a Kowa L39•3C(UV) ø67 filter using Kodak Portra 800 film, the negative scanned by an Epson Perfection V600 and digitally rendered in Photoshop.</div> Scott Holcomb https://www.ipernity.com/doc/296949/53351442 tag:ipernity.com,2026-06-15,doc-53351442 Mon, 15 Jun 2026 19:29:15 +0000 2026-03-16T14:49:00-07:00 nobody@ipernity.com (Scott Holcomb) <p class="who"><a href="https://www.ipernity.com/home/296949">Scott Holcomb</a> has posted:</p><p class="preview"><a href="https://www.ipernity.com/doc/296949/53351442"><img src="https://cdn.ipernity.com/200/14/42/53351442.727103e7.240.jpg?r2" width="240" height="240" alt=""/></a></p><div class="description">One of the added safety measures for picnickers to ensure peace and tranquility at the Presidio Parade Grounds is an effective defense against all intruders such as dogs, birds, insects and noisy children.<br /> <br /> This photo was taken by a Minolta Autocord Seikosha-MX (Chiyoko) TLR using Chiyoko Rokkor 75mm f/3.2 & 3.5 lenses with a HOYA HMC 49mm O[G] filter attached to a 30mm to 49mm bayonet TLR adapter using Bergger Pancro 400 film, the negative scanned by an Epson Perfection V600 and digitalized by Photoshop.</div> Defense <p class="who"><a href="https://www.ipernity.com/home/296949">Scott Holcomb</a> has posted:</p><p class="preview"><a href="https://www.ipernity.com/doc/296949/53351442"><img src="https://cdn.ipernity.com/200/14/42/53351442.727103e7.240.jpg?r2" width="240" height="240" alt=""/></a></p><div class="description">One of the added safety measures for picnickers to ensure peace and tranquility at the Presidio Parade Grounds is an effective defense against all intruders such as dogs, birds, insects and noisy children.<br /> <br /> This photo was taken by a Minolta Autocord Seikosha-MX (Chiyoko) TLR using Chiyoko Rokkor 75mm f/3.2 & 3.5 lenses with a HOYA HMC 49mm O[G] filter attached to a 30mm to 49mm bayonet TLR adapter using Bergger Pancro 400 film, the negative scanned by an Epson Perfection V600 and digitalized by Photoshop.</div> Scott Holcomb https://www.ipernity.com/doc/296949/53349444 tag:ipernity.com,2026-06-13,doc-53349444 Sat, 13 Jun 2026 15:44:40 +0000 2026-06-01T13:28:00-07:00 nobody@ipernity.com (Scott Holcomb) <p class="who"><a href="https://www.ipernity.com/home/296949">Scott Holcomb</a> has posted:</p><p class="preview"><a href="https://www.ipernity.com/doc/296949/53349444"><img src="https://cdn.ipernity.com/200/94/44/53349444.ca523213.240.jpg?r2" width="240" height="240" alt=""/></a></p><div class="description"><b>My Precious . . .</b><br /> Sauron will never get you back.<br /> <br /> This photo was taken by a Kowa Super 66 medium format film camera with a KOWA 1:2.8/85mm lens mounted on a T/3 (16mm) extension tube using Kodak Portra 160 film, the negative scanned by an Epson Perfection V600 and digitally rendered with Photoshop.</div> The Ring <p class="who"><a href="https://www.ipernity.com/home/296949">Scott Holcomb</a> has posted:</p><p class="preview"><a href="https://www.ipernity.com/doc/296949/53349444"><img src="https://cdn.ipernity.com/200/94/44/53349444.ca523213.240.jpg?r2" width="240" height="240" alt=""/></a></p><div class="description"><b>My Precious . . .</b><br /> Sauron will never get you back.<br /> <br /> This photo was taken by a Kowa Super 66 medium format film camera with a KOWA 1:2.8/85mm lens mounted on a T/3 (16mm) extension tube using Kodak Portra 160 film, the negative scanned by an Epson Perfection V600 and digitally rendered with Photoshop.</div> Scott Holcomb https://www.ipernity.com/doc/296949/53349056 tag:ipernity.com,2026-06-13,doc-53349056 Sat, 13 Jun 2026 05:06:04 +0000 2026-05-26T13:25:00-07:00 nobody@ipernity.com (Scott Holcomb) <p class="who"><a href="https://www.ipernity.com/home/296949">Scott Holcomb</a> has posted:</p><p class="preview"><a href="https://www.ipernity.com/doc/296949/53349056"><img src="https://cdn.ipernity.com/200/90/56/53349056.12dd83ab.240.jpg?r2" width="240" height="240" alt=""/></a></p><div class="description">Occasionally, in the most ordinary circumstances, you find a real gem.<br /> <br /> This photo was taken by a Hasselblad 500C medium format film camera and Carl Zeiss S-Planar 1:5.6 f=120mm lens mounted on a 10mm extension tube using Kodak Ektar 100 film, the negative scanned by an Epson Perfection V600 and digitalized with Photoshop.</div> Diamond in the Rough <p class="who"><a href="https://www.ipernity.com/home/296949">Scott Holcomb</a> has posted:</p><p class="preview"><a href="https://www.ipernity.com/doc/296949/53349056"><img src="https://cdn.ipernity.com/200/90/56/53349056.12dd83ab.240.jpg?r2" width="240" height="240" alt=""/></a></p><div class="description">Occasionally, in the most ordinary circumstances, you find a real gem.<br /> <br /> This photo was taken by a Hasselblad 500C medium format film camera and Carl Zeiss S-Planar 1:5.6 f=120mm lens mounted on a 10mm extension tube using Kodak Ektar 100 film, the negative scanned by an Epson Perfection V600 and digitalized with Photoshop.</div> Scott Holcomb https://www.ipernity.com/doc/296949/53347342 tag:ipernity.com,2026-06-10,doc-53347342 Wed, 10 Jun 2026 16:04:59 +0000 2017-05-06T11:44:00-07:00 nobody@ipernity.com (Scott Holcomb) <p class="who"><a href="https://www.ipernity.com/home/296949">Scott Holcomb</a> has posted:</p><p class="preview"><a href="https://www.ipernity.com/doc/296949/53347342"><img src="https://cdn.ipernity.com/200/73/42/53347342.3a3983a3.240.jpg?r2" width="240" height="240" alt=""/></a></p><div class="description">The Monolith of Mojave has stood here silently for millennia, it's origins cloaked in mystery.<br /> Theories of who erected this stone monument vary - from an unknown ancient civilization to extraterrestrial beings.<br /> Ideas of it's purpose also differ - from religious purposes to a celestial marker.<br /> Naysayers, such as geologists and academics, dismiss this as a mere natural rock formation.<br /> <br /> This photo was taken by a Kowa/SIX medium format film camera and KOWA 1:3.5/55mm lens using Fuji 160NS film, the negative scanned by an Epson Perfection V600 and digitalized using Photoshop.</div> Monolith of Mojave <p class="who"><a href="https://www.ipernity.com/home/296949">Scott Holcomb</a> has posted:</p><p class="preview"><a href="https://www.ipernity.com/doc/296949/53347342"><img src="https://cdn.ipernity.com/200/73/42/53347342.3a3983a3.240.jpg?r2" width="240" height="240" alt=""/></a></p><div class="description">The Monolith of Mojave has stood here silently for millennia, it's origins cloaked in mystery.<br /> Theories of who erected this stone monument vary - from an unknown ancient civilization to extraterrestrial beings.<br /> Ideas of it's purpose also differ - from religious purposes to a celestial marker.<br /> Naysayers, such as geologists and academics, dismiss this as a mere natural rock formation.<br /> <br /> This photo was taken by a Kowa/SIX medium format film camera and KOWA 1:3.5/55mm lens using Fuji 160NS film, the negative scanned by an Epson Perfection V600 and digitalized using Photoshop.</div> Scott Holcomb https://www.ipernity.com/doc/296949/53346896 tag:ipernity.com,2026-06-10,doc-53346896 Wed, 10 Jun 2026 02:50:43 +0000 2017-05-03T10:47:00-07:00 nobody@ipernity.com (Scott Holcomb) <p class="who"><a href="https://www.ipernity.com/home/296949">Scott Holcomb</a> has posted:</p><p class="preview"><a href="https://www.ipernity.com/doc/296949/53346896"><img src="https://cdn.ipernity.com/200/68/96/53346896.452ad921.240.jpg?r2" width="240" height="240" alt=""/></a></p><div class="description">For high class accommodation in Columbia, California I recommend this ritzy joint.<br /> <br /> This photo was taken by a Kowa/SIX medium format film camera and KOWA 1:2.8/85 lens with a Zenza Bronica 67mm SY48•2C(Y2) filter using Ilford Delta 4000 film, the negative scanned by an Epson Perfection V600.</div> Five Star Hospitality <p class="who"><a href="https://www.ipernity.com/home/296949">Scott Holcomb</a> has posted:</p><p class="preview"><a href="https://www.ipernity.com/doc/296949/53346896"><img src="https://cdn.ipernity.com/200/68/96/53346896.452ad921.240.jpg?r2" width="240" height="240" alt=""/></a></p><div class="description">For high class accommodation in Columbia, California I recommend this ritzy joint.<br /> <br /> This photo was taken by a Kowa/SIX medium format film camera and KOWA 1:2.8/85 lens with a Zenza Bronica 67mm SY48•2C(Y2) filter using Ilford Delta 4000 film, the negative scanned by an Epson Perfection V600.</div> Scott Holcomb https://www.ipernity.com/doc/296949/53344258 tag:ipernity.com,2026-06-06,doc-53344258 Sat, 06 Jun 2026 18:00:54 +0000 2014-02-17T12:22:00-07:00 nobody@ipernity.com (Scott Holcomb) <p class="who"><a href="https://www.ipernity.com/home/296949">Scott Holcomb</a> has posted:</p><p class="preview"><a href="https://www.ipernity.com/doc/296949/53344258"><img src="https://cdn.ipernity.com/200/42/58/53344258.97b87167.240.jpg?r2" width="240" height="240" alt=""/></a></p><div class="description">Pre-flight check<br /> <br /> This photo was taken by a Hasselblad 500C medium format film camera and Carl Zeiss Distagon 1:4 f=50mm lens using Rollei Retro 400S film, the negative scanned by an Epson Perfection V600 and digitalized with Photoshop.</div> Control Panel <p class="who"><a href="https://www.ipernity.com/home/296949">Scott Holcomb</a> has posted:</p><p class="preview"><a href="https://www.ipernity.com/doc/296949/53344258"><img src="https://cdn.ipernity.com/200/42/58/53344258.97b87167.240.jpg?r2" width="240" height="240" alt=""/></a></p><div class="description">Pre-flight check<br /> <br /> This photo was taken by a Hasselblad 500C medium format film camera and Carl Zeiss Distagon 1:4 f=50mm lens using Rollei Retro 400S film, the negative scanned by an Epson Perfection V600 and digitalized with Photoshop.</div> Scott Holcomb https://www.ipernity.com/doc/296949/53344256 tag:ipernity.com,2026-06-06,doc-53344256 Sat, 06 Jun 2026 18:00:46 +0000 2014-02-17T12:29:00-07:00 nobody@ipernity.com (Scott Holcomb) <p class="who"><a href="https://www.ipernity.com/home/296949">Scott Holcomb</a> has posted:</p><p class="preview"><a href="https://www.ipernity.com/doc/296949/53344256"><img src="https://cdn.ipernity.com/200/42/56/53344256.f493bb4a.240.jpg?r2" width="240" height="240" alt=""/></a></p><div class="description">Pre-flight check<br /> <br /> This photo was taken by a Hasselblad 500C medium format film camera and Carl Zeiss Distagon 1:4 f=50mm lens using Rollei Retro 400S film, the negative scanned by an Epson Perfection V600 and digitalized with Photoshop.</div> Overhead Controls <p class="who"><a href="https://www.ipernity.com/home/296949">Scott Holcomb</a> has posted:</p><p class="preview"><a href="https://www.ipernity.com/doc/296949/53344256"><img src="https://cdn.ipernity.com/200/42/56/53344256.f493bb4a.240.jpg?r2" width="240" height="240" alt=""/></a></p><div class="description">Pre-flight check<br /> <br /> This photo was taken by a Hasselblad 500C medium format film camera and Carl Zeiss Distagon 1:4 f=50mm lens using Rollei Retro 400S film, the negative scanned by an Epson Perfection V600 and digitalized with Photoshop.</div> Scott Holcomb https://www.ipernity.com/doc/296949/53342584 tag:ipernity.com,2026-06-05,doc-53342584 Fri, 05 Jun 2026 05:20:29 +0000 2025-02-10T14:11:00-07:00 nobody@ipernity.com (Scott Holcomb) <p class="who"><a href="https://www.ipernity.com/home/296949">Scott Holcomb</a> has posted:</p><p class="preview"><a href="https://www.ipernity.com/doc/296949/53342584"><img src="https://cdn.ipernity.com/200/25/84/53342584.61193cad.240.jpg?r2" width="240" height="175" alt=""/></a></p><div class="description">My Mangave Lavender Lady is in labor! Soon there will be lots of agave little ones to care for.<br /> <br /> This photo was taken by a Kowa Super 66 medium format film camera with a Kowa 1:2.8/85 lens and Zenza Bronica 67mm SL39•3C(UV) filter using Kodak Portra 160 film, the negative scanned by an Epson Perfection V600 and digitally rendered with Photoshop.</div> Giving Birth <p class="who"><a href="https://www.ipernity.com/home/296949">Scott Holcomb</a> has posted:</p><p class="preview"><a href="https://www.ipernity.com/doc/296949/53342584"><img src="https://cdn.ipernity.com/200/25/84/53342584.61193cad.240.jpg?r2" width="240" height="175" alt=""/></a></p><div class="description">My Mangave Lavender Lady is in labor! Soon there will be lots of agave little ones to care for.<br /> <br /> This photo was taken by a Kowa Super 66 medium format film camera with a Kowa 1:2.8/85 lens and Zenza Bronica 67mm SL39•3C(UV) filter using Kodak Portra 160 film, the negative scanned by an Epson Perfection V600 and digitally rendered with Photoshop.</div> Scott Holcomb https://www.ipernity.com/doc/296949/53342276 tag:ipernity.com,2026-06-04,doc-53342276 Thu, 04 Jun 2026 16:20:25 +0000 2026-03-23T13:19:00-07:00 nobody@ipernity.com (Scott Holcomb) <p class="who"><a href="https://www.ipernity.com/home/296949">Scott Holcomb</a> has posted:</p><p class="preview"><a href="https://www.ipernity.com/doc/296949/53342276"><img src="https://cdn.ipernity.com/200/22/76/53342276.30449a83.240.jpg?r2" width="240" height="240" alt=""/></a></p><div class="description">Life beneath the waves.<br /> <br /> This photo was taken by a Hasselblad 500C medium format film camera and Carl Zeiss Distagon 1:4 f=50mm T* lens with a Hasselblad/63 1xHz-0 drop in filter using Kodak Portra 800 film, the negative scanned by an Epson Perfection V600 and digitalized with Photoshop.</div> Colorful Life on the Reef <p class="who"><a href="https://www.ipernity.com/home/296949">Scott Holcomb</a> has posted:</p><p class="preview"><a href="https://www.ipernity.com/doc/296949/53342276"><img src="https://cdn.ipernity.com/200/22/76/53342276.30449a83.240.jpg?r2" width="240" height="240" alt=""/></a></p><div class="description">Life beneath the waves.<br /> <br /> This photo was taken by a Hasselblad 500C medium format film camera and Carl Zeiss Distagon 1:4 f=50mm T* lens with a Hasselblad/63 1xHz-0 drop in filter using Kodak Portra 800 film, the negative scanned by an Epson Perfection V600 and digitalized with Photoshop.</div> Scott Holcomb