<?xml version="1.0" encoding="utf-8"?>
<rss version="2.0" xmlns:media="http://search.yahoo.com/mrss/" xmlns:dc="http://purl.org/dc/elements/1.1/">
<channel>
  <title>Articles from Armando Taborda</title>
  <link>https://www.ipernity.com/blog/armando.taborda</link>
  <image>
    <url>https://cdn.ipernity.com/p/102/94/61/24980.buddy.jpg</url>
    <title>Articles from Armando Taborda</title>
    <link>https://www.ipernity.com/blog/armando.taborda</link>
  </image>
  <description></description>
  <pubDate>Fri, 25 Sep 2026 15:01:58 +0000</pubDate>
  <lastBuildDate>Fri, 25 Sep 2026 15:01:58 +0000</lastBuildDate>
  <generator>https://www.ipernity.com</generator>
  <item>
    <title>ODE TO THE 25th OF APRIL - ODE AO 25 DE ABRIL</title>
    <link>https://www.ipernity.com/blog/armando.taborda/4739184</link>
    <guid isPermaLink="false">tag:ipernity.com,2026-09-22,post-4739184</guid>
    <pubDate>Tue, 22 Sep 2026 08:50:52 +0000</pubDate>
    <author>nobody@ipernity.com (Armando Taborda)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/armando.taborda"&gt;Armando Taborda&lt;/a&gt; has posted an article:&lt;/p&gt;&lt;div class="description"&gt;#&lt;br /&gt;&lt;br /&gt;
the Lords of Cabral and Magellan&lt;br /&gt;&lt;br /&gt;
of my youth&lt;br /&gt;&lt;br /&gt;
didn't need caravels and galleons&lt;br /&gt;&lt;br /&gt;
to sail&lt;br /&gt;&lt;br /&gt;
but just some wind&lt;br /&gt;&lt;br /&gt;
to fill their life&lt;br /&gt;&lt;br /&gt;
and misery&lt;br /&gt;&lt;br /&gt;
#&lt;br /&gt;&lt;br /&gt;
then there were the dictatorship's prisons&lt;br /&gt;&lt;br /&gt;
that frighten the sailors&lt;br /&gt;&lt;br /&gt;
but there were just a few for so much hunger&lt;br /&gt;&lt;br /&gt;
#&lt;br /&gt;&lt;br /&gt;
we&lt;br /&gt;&lt;br /&gt;
the motherland volunteers&lt;br /&gt;&lt;br /&gt;
in our academies&lt;br /&gt;&lt;br /&gt;
were already aware of the empires independence post-world war II&lt;br /&gt;&lt;br /&gt;
and the surrender or the combatants at goa daman and diu&lt;br /&gt;&lt;br /&gt;
on the ankylosed back of the dictator&lt;br /&gt;&lt;br /&gt;
who ended falling out his chair&lt;br /&gt;&lt;br /&gt;
without no pushing&lt;br /&gt;&lt;br /&gt;
#&lt;br /&gt;&lt;br /&gt;
there was nothing to do&lt;br /&gt;&lt;br /&gt;
#&lt;br /&gt;&lt;br /&gt;
there is no fight against the history's stream&lt;br /&gt;&lt;br /&gt;
#&lt;br /&gt;&lt;br /&gt;
post-dictatorship single-party politicians&lt;br /&gt;&lt;br /&gt;
continued&lt;br /&gt;&lt;br /&gt;
as if the portuguese empire&lt;br /&gt;&lt;br /&gt;
was paradigmatic for the world&lt;br /&gt;&lt;br /&gt;
#&lt;br /&gt;&lt;br /&gt;
professional officers sergeants and enlisted soldiers&lt;br /&gt;&lt;br /&gt;
and those from compulsory military service&lt;br /&gt;&lt;br /&gt;
followed silently with their marching orders in the pocket&lt;br /&gt;&lt;br /&gt;
of the crumpled uniforms&lt;br /&gt;&lt;br /&gt;
in the holds of the ships&lt;br /&gt;&lt;br /&gt;
from the national shipping company&lt;br /&gt;&lt;br /&gt;
towards the immense overseas&lt;br /&gt;&lt;br /&gt;
ungovernable space by western european politics&lt;br /&gt;&lt;br /&gt;
#&lt;br /&gt;&lt;br /&gt;
meanwhile we were dying of&lt;br /&gt;&lt;br /&gt;
loneliness&lt;br /&gt;&lt;br /&gt;
frustration&lt;br /&gt;&lt;br /&gt;
hunger&lt;br /&gt;&lt;br /&gt;
malaria&lt;br /&gt;&lt;br /&gt;
and guerrilla warfare&lt;br /&gt;&lt;br /&gt;
at our heroic dimension of luso-package&lt;br /&gt;&lt;br /&gt;
#&lt;br /&gt;&lt;br /&gt;
the 25th of April was inevitable&lt;br /&gt;&lt;br /&gt;
#&lt;br /&gt;&lt;br /&gt;
it happened&lt;br /&gt;&lt;br /&gt;
#&lt;br /&gt;&lt;br /&gt;
now there is no national shipping company&lt;br /&gt;&lt;br /&gt;
neither compulsory military service&lt;br /&gt;&lt;br /&gt;
nor national defence politics&lt;br /&gt;&lt;br /&gt;
or even armed forces&lt;br /&gt;&lt;br /&gt;
international politics require that we at least prepare the forces to meet the allies commitments&lt;br /&gt;&lt;br /&gt;
if it were not so they would never be necessary&lt;br /&gt;&lt;br /&gt;
ask to the supreme commander of the portuguese armed forces&lt;br /&gt;&lt;br /&gt;
what to do with them&lt;br /&gt;&lt;br /&gt;
#&lt;br /&gt;&lt;br /&gt;
and if you get some doubt&lt;br /&gt;&lt;br /&gt;
or safety problems no matter how small&lt;br /&gt;&lt;br /&gt;
call the police&lt;br /&gt;&lt;br /&gt;
or republican guard&lt;br /&gt;&lt;br /&gt;
#&lt;br /&gt;&lt;br /&gt;
we are free&lt;br /&gt;&lt;br /&gt;
it seems we live in democracy&lt;br /&gt;&lt;br /&gt;
we are entittled to the national health sercice&lt;br /&gt;&lt;br /&gt;
that lets us die&lt;br /&gt;&lt;br /&gt;
and to the educational system&lt;br /&gt;&lt;br /&gt;
that leaves us on the europe's tail&lt;br /&gt;&lt;br /&gt;
we are entittled to vacations and to the 13th month&lt;br /&gt;&lt;br /&gt;
#&lt;br /&gt;&lt;br /&gt;
we take refuge on the internet&lt;br /&gt;&lt;br /&gt;
to keep all the world's problems&lt;br /&gt;&lt;br /&gt;
at bay&lt;br /&gt;&lt;br /&gt;
#&lt;br /&gt;&lt;br /&gt;
we are very good and supportive&lt;br /&gt;&lt;br /&gt;
of receiving refuges&lt;br /&gt;&lt;br /&gt;
#&lt;br /&gt;&lt;br /&gt;
the portuguese sardines&lt;br /&gt;&lt;br /&gt;
and summer festivals&lt;br /&gt;&lt;br /&gt;
are much appreciated indoors&lt;br /&gt;&lt;br /&gt;
and outdoors&lt;br /&gt;
&lt;div&gt;&lt;br /&gt;
&lt;div&gt;&lt;br /&gt;
&lt;div&gt;&lt;br /&gt;
&lt;div&gt;&lt;br /&gt;
&lt;div&gt;&lt;br /&gt;
&lt;div&gt;&lt;br /&gt;
&lt;div&gt;&lt;br /&gt;
&lt;div&gt;&lt;br /&gt;
&lt;div&gt;&lt;/div&gt;&lt;br /&gt;
&lt;/div&gt;&lt;br /&gt;
&lt;/div&gt;&lt;br /&gt;
&lt;/div&gt;&lt;br /&gt;
&lt;/div&gt;&lt;br /&gt;
&lt;/div&gt;&lt;br /&gt;
&lt;/div&gt;&lt;br /&gt;
&lt;/div&gt;&lt;br /&gt;
#&lt;br /&gt;&lt;br /&gt;
os Senhores de Cabral e de Magalhães&lt;br /&gt;&lt;br /&gt;
da minha juventude&lt;br /&gt;&lt;br /&gt;
não precisaram de caravelas e galeões&lt;br /&gt;&lt;br /&gt;
para navegarem&lt;br /&gt;&lt;br /&gt;
mas apenas de algum vento&lt;br /&gt;&lt;br /&gt;
que lhes enfunasse a vida&lt;br /&gt;&lt;br /&gt;
e a miséria&lt;br /&gt;&lt;br /&gt;
#&lt;br /&gt;&lt;br /&gt;
depois eram as prisões da ditadura&lt;br /&gt;&lt;br /&gt;
que amedrontavam os mareantes&lt;br /&gt;&lt;br /&gt;
mas eram muito poucas para tanta fome&lt;br /&gt;&lt;br /&gt;
#&lt;br /&gt;&lt;br /&gt;
nós&lt;br /&gt;&lt;br /&gt;
os voluntários da pátria&lt;br /&gt;&lt;br /&gt;
em nossa academias&lt;br /&gt;&lt;br /&gt;
já sabíamos da independência dos impérios após a II guerra mundial&lt;br /&gt;&lt;br /&gt;
e da rendição dos cambatentes de goa damão e diu&lt;br /&gt;&lt;br /&gt;
nas costas anquilosadas do ditador&lt;br /&gt;&lt;br /&gt;
que acabou por cair da cadeira&lt;br /&gt;&lt;br /&gt;
sem ser empurrado&lt;br /&gt;&lt;br /&gt;
#&lt;br /&gt;&lt;br /&gt;
nada havia a fazer&lt;br /&gt;&lt;br /&gt;
#&lt;br /&gt;&lt;br /&gt;
não se luta contra a corrente da história&lt;br /&gt;&lt;br /&gt;
#&lt;br /&gt;&lt;br /&gt;
os políticos do partido único pós-ditadura&lt;br /&gt;&lt;br /&gt;
continuaram&lt;br /&gt;&lt;br /&gt;
como se o império português&lt;br /&gt;&lt;br /&gt;
pudesse ser paradigmático para o mundo&lt;br /&gt;&lt;br /&gt;
#&lt;br /&gt;&lt;br /&gt;
os oficiais sargentos e praças profissionais&lt;br /&gt;&lt;br /&gt;
e os do serviço militar obrigatório&lt;br /&gt;&lt;br /&gt;
seguiam silenciosos com as suas guias de marcha no bolso&lt;br /&gt;&lt;br /&gt;
das fardas amarrotadas&lt;br /&gt;&lt;br /&gt;
nos porões dos navios&lt;br /&gt;&lt;br /&gt;
da companhia nacional de navegação&lt;br /&gt;&lt;br /&gt;
para o imenso ultramar&lt;br /&gt;&lt;br /&gt;
espaço ingovernável pela política europeia ocidental&lt;br /&gt;&lt;br /&gt;
#&lt;br /&gt;&lt;br /&gt;
entretanto estávamos a morrer de &lt;br /&gt;&lt;br /&gt;
solidão&lt;br /&gt;&lt;br /&gt;
frustraçao&lt;br /&gt;&lt;br /&gt;
fome&lt;br /&gt;&lt;br /&gt;
paludismo&lt;br /&gt;&lt;br /&gt;
e guerra de guerrilhas&lt;br /&gt;&lt;br /&gt;
à nossa dimensão de lusíadas de pacotilha&lt;br /&gt;&lt;br /&gt;
#&lt;br /&gt;&lt;br /&gt;
o 25 de Abril era inevitável&lt;br /&gt;&lt;br /&gt;
#&lt;br /&gt;&lt;br /&gt;
aconteceu&lt;br /&gt;&lt;br /&gt;
#&lt;br /&gt;&lt;br /&gt;
agora não há companhia naional de navegação&lt;br /&gt;&lt;br /&gt;
nem serviço militar obrigatório&lt;br /&gt;&lt;br /&gt;
nem política de defesa nacional&lt;br /&gt;&lt;br /&gt;
nem sequer forças armadas&lt;br /&gt;&lt;br /&gt;
a política internacional exige que minimamente preparemos as forças para satisfazer os compromissos das alianças&lt;br /&gt;&lt;br /&gt;
se assim não fosse jamais seriam necessárias&lt;br /&gt;&lt;br /&gt;
perguntem ao comandante supremo das forças armadas portuguesas&lt;br /&gt;&lt;br /&gt;
o que fazer delas&lt;br /&gt;&lt;br /&gt;
#&lt;br /&gt;&lt;br /&gt;
e se tiverem dúvidas&lt;br /&gt;&lt;br /&gt;
ou problemas de segurança por menores que sejam&lt;br /&gt;&lt;br /&gt;
chamem a polícia&lt;br /&gt;&lt;br /&gt;
ou a guarda republicana&lt;br /&gt;&lt;br /&gt;
#&lt;br /&gt;&lt;br /&gt;
somos livres&lt;br /&gt;&lt;br /&gt;
até parece que vivemos em democracia&lt;br /&gt;&lt;br /&gt;
temos direito ao serviço nacional de saúde&lt;br /&gt;&lt;br /&gt;
que nos deixa morrer&lt;br /&gt;&lt;br /&gt;
e ao sistema educativo&lt;br /&gt;&lt;br /&gt;
que nos posiciona na cauda da europa&lt;br /&gt;&lt;br /&gt;
temos direito a férias e ao 13º mês&lt;br /&gt;&lt;br /&gt;
#&lt;br /&gt;&lt;br /&gt;
refugiamo-nos na internet&lt;br /&gt;&lt;br /&gt;
para manter à distância&lt;br /&gt;&lt;br /&gt;
todos os problemas do mundo&lt;br /&gt;&lt;br /&gt;
#&lt;br /&gt;&lt;br /&gt;
somos muito bons e solidários&lt;br /&gt;&lt;br /&gt;
a receber os refugiados&lt;br /&gt;&lt;br /&gt;
#&lt;br /&gt;&lt;br /&gt;
as sardinhas portuguesas&lt;br /&gt;&lt;br /&gt;
e as romarias de verão&lt;br /&gt;&lt;br /&gt;
são muito apreciadas dentro&lt;br /&gt;&lt;br /&gt;
e fora de portas&lt;/div&gt;&lt;br /&gt;
&lt;br /&gt;&lt;br /&gt;
by Armando TABORDA, 2022&lt;br /&gt;&lt;br /&gt;
&lt;br /&gt;&lt;br /&gt;
(post 1st edition, 2023; 2nd edition, 2026)&lt;br /&gt;&lt;br /&gt;
&lt;br /&gt;&lt;br /&gt;
&lt;br /&gt;&lt;br /&gt;
&lt;br /&gt;&lt;br /&gt;
&lt;br /&gt;&lt;/div&gt;</description>
    <media:title>ODE TO THE 25th OF APRIL - ODE AO 25 DE ABRIL</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/armando.taborda"&gt;Armando Taborda&lt;/a&gt; has posted an article:&lt;/p&gt;&lt;div class="description"&gt;#&lt;br /&gt;&lt;br /&gt;
the Lords of Cabral and Magellan&lt;br /&gt;&lt;br /&gt;
of my youth&lt;br /&gt;&lt;br /&gt;
didn't need caravels and galleons&lt;br /&gt;&lt;br /&gt;
to sail&lt;br /&gt;&lt;br /&gt;
but just some wind&lt;br /&gt;&lt;br /&gt;
to fill their life&lt;br /&gt;&lt;br /&gt;
and misery&lt;br /&gt;&lt;br /&gt;
#&lt;br /&gt;&lt;br /&gt;
then there were the dictatorship's prisons&lt;br /&gt;&lt;br /&gt;
that frighten the sailors&lt;br /&gt;&lt;br /&gt;
but there were just a few for so much hunger&lt;br /&gt;&lt;br /&gt;
#&lt;br /&gt;&lt;br /&gt;
we&lt;br /&gt;&lt;br /&gt;
the motherland volunteers&lt;br /&gt;&lt;br /&gt;
in our academies&lt;br /&gt;&lt;br /&gt;
were already aware of the empires independence post-world war II&lt;br /&gt;&lt;br /&gt;
and the surrender or the combatants at goa daman and diu&lt;br /&gt;&lt;br /&gt;
on the ankylosed back of the dictator&lt;br /&gt;&lt;br /&gt;
who ended falling out his chair&lt;br /&gt;&lt;br /&gt;
without no pushing&lt;br /&gt;&lt;br /&gt;
#&lt;br /&gt;&lt;br /&gt;
there was nothing to do&lt;br /&gt;&lt;br /&gt;
#&lt;br /&gt;&lt;br /&gt;
there is no fight against the history's stream&lt;br /&gt;&lt;br /&gt;
#&lt;br /&gt;&lt;br /&gt;
post-dictatorship single-party politicians&lt;br /&gt;&lt;br /&gt;
continued&lt;br /&gt;&lt;br /&gt;
as if the portuguese empire&lt;br /&gt;&lt;br /&gt;
was paradigmatic for the world&lt;br /&gt;&lt;br /&gt;
#&lt;br /&gt;&lt;br /&gt;
professional officers sergeants and enlisted soldiers&lt;br /&gt;&lt;br /&gt;
and those from compulsory military service&lt;br /&gt;&lt;br /&gt;
followed silently with their marching orders in the pocket&lt;br /&gt;&lt;br /&gt;
of the crumpled uniforms&lt;br /&gt;&lt;br /&gt;
in the holds of the ships&lt;br /&gt;&lt;br /&gt;
from the national shipping company&lt;br /&gt;&lt;br /&gt;
towards the immense overseas&lt;br /&gt;&lt;br /&gt;
ungovernable space by western european politics&lt;br /&gt;&lt;br /&gt;
#&lt;br /&gt;&lt;br /&gt;
meanwhile we were dying of&lt;br /&gt;&lt;br /&gt;
loneliness&lt;br /&gt;&lt;br /&gt;
frustration&lt;br /&gt;&lt;br /&gt;
hunger&lt;br /&gt;&lt;br /&gt;
malaria&lt;br /&gt;&lt;br /&gt;
and guerrilla warfare&lt;br /&gt;&lt;br /&gt;
at our heroic dimension of luso-package&lt;br /&gt;&lt;br /&gt;
#&lt;br /&gt;&lt;br /&gt;
the 25th of April was inevitable&lt;br /&gt;&lt;br /&gt;
#&lt;br /&gt;&lt;br /&gt;
it happened&lt;br /&gt;&lt;br /&gt;
#&lt;br /&gt;&lt;br /&gt;
now there is no national shipping company&lt;br /&gt;&lt;br /&gt;
neither compulsory military service&lt;br /&gt;&lt;br /&gt;
nor national defence politics&lt;br /&gt;&lt;br /&gt;
or even armed forces&lt;br /&gt;&lt;br /&gt;
international politics require that we at least prepare the forces to meet the allies commitments&lt;br /&gt;&lt;br /&gt;
if it were not so they would never be necessary&lt;br /&gt;&lt;br /&gt;
ask to the supreme commander of the portuguese armed forces&lt;br /&gt;&lt;br /&gt;
what to do with them&lt;br /&gt;&lt;br /&gt;
#&lt;br /&gt;&lt;br /&gt;
and if you get some doubt&lt;br /&gt;&lt;br /&gt;
or safety problems no matter how small&lt;br /&gt;&lt;br /&gt;
call the police&lt;br /&gt;&lt;br /&gt;
or republican guard&lt;br /&gt;&lt;br /&gt;
#&lt;br /&gt;&lt;br /&gt;
we are free&lt;br /&gt;&lt;br /&gt;
it seems we live in democracy&lt;br /&gt;&lt;br /&gt;
we are entittled to the national health sercice&lt;br /&gt;&lt;br /&gt;
that lets us die&lt;br /&gt;&lt;br /&gt;
and to the educational system&lt;br /&gt;&lt;br /&gt;
that leaves us on the europe's tail&lt;br /&gt;&lt;br /&gt;
we are entittled to vacations and to the 13th month&lt;br /&gt;&lt;br /&gt;
#&lt;br /&gt;&lt;br /&gt;
we take refuge on the internet&lt;br /&gt;&lt;br /&gt;
to keep all the world's problems&lt;br /&gt;&lt;br /&gt;
at bay&lt;br /&gt;&lt;br /&gt;
#&lt;br /&gt;&lt;br /&gt;
we are very good and supportive&lt;br /&gt;&lt;br /&gt;
of receiving refuges&lt;br /&gt;&lt;br /&gt;
#&lt;br /&gt;&lt;br /&gt;
the portuguese sardines&lt;br /&gt;&lt;br /&gt;
and summer festivals&lt;br /&gt;&lt;br /&gt;
are much appreciated indoors&lt;br /&gt;&lt;br /&gt;
and outdoors&lt;br /&gt;
&lt;div&gt;&lt;br /&gt;
&lt;div&gt;&lt;br /&gt;
&lt;div&gt;&lt;br /&gt;
&lt;div&gt;&lt;br /&gt;
&lt;div&gt;&lt;br /&gt;
&lt;div&gt;&lt;br /&gt;
&lt;div&gt;&lt;br /&gt;
&lt;div&gt;&lt;br /&gt;
&lt;div&gt;&lt;/div&gt;&lt;br /&gt;
&lt;/div&gt;&lt;br /&gt;
&lt;/div&gt;&lt;br /&gt;
&lt;/div&gt;&lt;br /&gt;
&lt;/div&gt;&lt;br /&gt;
&lt;/div&gt;&lt;br /&gt;
&lt;/div&gt;&lt;br /&gt;
&lt;/div&gt;&lt;br /&gt;
#&lt;br /&gt;&lt;br /&gt;
os Senhores de Cabral e de Magalhães&lt;br /&gt;&lt;br /&gt;
da minha juventude&lt;br /&gt;&lt;br /&gt;
não precisaram de caravelas e galeões&lt;br /&gt;&lt;br /&gt;
para navegarem&lt;br /&gt;&lt;br /&gt;
mas apenas de algum vento&lt;br /&gt;&lt;br /&gt;
que lhes enfunasse a vida&lt;br /&gt;&lt;br /&gt;
e a miséria&lt;br /&gt;&lt;br /&gt;
#&lt;br /&gt;&lt;br /&gt;
depois eram as prisões da ditadura&lt;br /&gt;&lt;br /&gt;
que amedrontavam os mareantes&lt;br /&gt;&lt;br /&gt;
mas eram muito poucas para tanta fome&lt;br /&gt;&lt;br /&gt;
#&lt;br /&gt;&lt;br /&gt;
nós&lt;br /&gt;&lt;br /&gt;
os voluntários da pátria&lt;br /&gt;&lt;br /&gt;
em nossa academias&lt;br /&gt;&lt;br /&gt;
já sabíamos da independência dos impérios após a II guerra mundial&lt;br /&gt;&lt;br /&gt;
e da rendição dos cambatentes de goa damão e diu&lt;br /&gt;&lt;br /&gt;
nas costas anquilosadas do ditador&lt;br /&gt;&lt;br /&gt;
que acabou por cair da cadeira&lt;br /&gt;&lt;br /&gt;
sem ser empurrado&lt;br /&gt;&lt;br /&gt;
#&lt;br /&gt;&lt;br /&gt;
nada havia a fazer&lt;br /&gt;&lt;br /&gt;
#&lt;br /&gt;&lt;br /&gt;
não se luta contra a corrente da história&lt;br /&gt;&lt;br /&gt;
#&lt;br /&gt;&lt;br /&gt;
os políticos do partido único pós-ditadura&lt;br /&gt;&lt;br /&gt;
continuaram&lt;br /&gt;&lt;br /&gt;
como se o império português&lt;br /&gt;&lt;br /&gt;
pudesse ser paradigmático para o mundo&lt;br /&gt;&lt;br /&gt;
#&lt;br /&gt;&lt;br /&gt;
os oficiais sargentos e praças profissionais&lt;br /&gt;&lt;br /&gt;
e os do serviço militar obrigatório&lt;br /&gt;&lt;br /&gt;
seguiam silenciosos com as suas guias de marcha no bolso&lt;br /&gt;&lt;br /&gt;
das fardas amarrotadas&lt;br /&gt;&lt;br /&gt;
nos porões dos navios&lt;br /&gt;&lt;br /&gt;
da companhia nacional de navegação&lt;br /&gt;&lt;br /&gt;
para o imenso ultramar&lt;br /&gt;&lt;br /&gt;
espaço ingovernável pela política europeia ocidental&lt;br /&gt;&lt;br /&gt;
#&lt;br /&gt;&lt;br /&gt;
entretanto estávamos a morrer de &lt;br /&gt;&lt;br /&gt;
solidão&lt;br /&gt;&lt;br /&gt;
frustraçao&lt;br /&gt;&lt;br /&gt;
fome&lt;br /&gt;&lt;br /&gt;
paludismo&lt;br /&gt;&lt;br /&gt;
e guerra de guerrilhas&lt;br /&gt;&lt;br /&gt;
à nossa dimensão de lusíadas de pacotilha&lt;br /&gt;&lt;br /&gt;
#&lt;br /&gt;&lt;br /&gt;
o 25 de Abril era inevitável&lt;br /&gt;&lt;br /&gt;
#&lt;br /&gt;&lt;br /&gt;
aconteceu&lt;br /&gt;&lt;br /&gt;
#&lt;br /&gt;&lt;br /&gt;
agora não há companhia naional de navegação&lt;br /&gt;&lt;br /&gt;
nem serviço militar obrigatório&lt;br /&gt;&lt;br /&gt;
nem política de defesa nacional&lt;br /&gt;&lt;br /&gt;
nem sequer forças armadas&lt;br /&gt;&lt;br /&gt;
a política internacional exige que minimamente preparemos as forças para satisfazer os compromissos das alianças&lt;br /&gt;&lt;br /&gt;
se assim não fosse jamais seriam necessárias&lt;br /&gt;&lt;br /&gt;
perguntem ao comandante supremo das forças armadas portuguesas&lt;br /&gt;&lt;br /&gt;
o que fazer delas&lt;br /&gt;&lt;br /&gt;
#&lt;br /&gt;&lt;br /&gt;
e se tiverem dúvidas&lt;br /&gt;&lt;br /&gt;
ou problemas de segurança por menores que sejam&lt;br /&gt;&lt;br /&gt;
chamem a polícia&lt;br /&gt;&lt;br /&gt;
ou a guarda republicana&lt;br /&gt;&lt;br /&gt;
#&lt;br /&gt;&lt;br /&gt;
somos livres&lt;br /&gt;&lt;br /&gt;
até parece que vivemos em democracia&lt;br /&gt;&lt;br /&gt;
temos direito ao serviço nacional de saúde&lt;br /&gt;&lt;br /&gt;
que nos deixa morrer&lt;br /&gt;&lt;br /&gt;
e ao sistema educativo&lt;br /&gt;&lt;br /&gt;
que nos posiciona na cauda da europa&lt;br /&gt;&lt;br /&gt;
temos direito a férias e ao 13º mês&lt;br /&gt;&lt;br /&gt;
#&lt;br /&gt;&lt;br /&gt;
refugiamo-nos na internet&lt;br /&gt;&lt;br /&gt;
para manter à distância&lt;br /&gt;&lt;br /&gt;
todos os problemas do mundo&lt;br /&gt;&lt;br /&gt;
#&lt;br /&gt;&lt;br /&gt;
somos muito bons e solidários&lt;br /&gt;&lt;br /&gt;
a receber os refugiados&lt;br /&gt;&lt;br /&gt;
#&lt;br /&gt;&lt;br /&gt;
as sardinhas portuguesas&lt;br /&gt;&lt;br /&gt;
e as romarias de verão&lt;br /&gt;&lt;br /&gt;
são muito apreciadas dentro&lt;br /&gt;&lt;br /&gt;
e fora de portas&lt;/div&gt;&lt;br /&gt;
&lt;br /&gt;&lt;br /&gt;
by Armando TABORDA, 2022&lt;br /&gt;&lt;br /&gt;
&lt;br /&gt;&lt;br /&gt;
(post 1st edition, 2023; 2nd edition, 2026)&lt;br /&gt;&lt;br /&gt;
&lt;br /&gt;&lt;br /&gt;
&lt;br /&gt;&lt;br /&gt;
&lt;br /&gt;&lt;br /&gt;
&lt;br /&gt;&lt;/div&gt;</media:text>
    <media:credit role="author">Armando Taborda</media:credit>
  </item>
  <item>
    <title>Absolute Silence - Silêncio Absoluto</title>
    <link>https://www.ipernity.com/blog/armando.taborda/4707790</link>
    <guid isPermaLink="false">tag:ipernity.com,2026-09-14,post-4707790</guid>
    <pubDate>Mon, 14 Sep 2026 10:27:44 +0000</pubDate>
    <author>nobody@ipernity.com (Armando Taborda)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/armando.taborda"&gt;Armando Taborda&lt;/a&gt; has posted an article:&lt;/p&gt;&lt;div class="description"&gt;The silence I'm talking about&lt;br /&gt;&lt;br /&gt;
is so hard to conceive as the nothing&lt;br /&gt;&lt;br /&gt;
&lt;br /&gt;&lt;br /&gt;
if from silence comes the sound's propagation until it stops to be listen&lt;br /&gt;&lt;br /&gt;
out of nothing may have been born the Universe that amazes us&lt;br /&gt;&lt;br /&gt;
until we die&lt;br /&gt;&lt;br /&gt;
&lt;br /&gt;&lt;br /&gt;
then we are an inaudible sound that will extinguish in the space&lt;br /&gt;&lt;br /&gt;
&lt;div&gt;&lt;/div&gt;&lt;br /&gt;
O silêncio de que falo&lt;br /&gt;&lt;br /&gt;
é tão difícil de conceber como o nada&lt;br /&gt;&lt;br /&gt;
&lt;br /&gt;&lt;br /&gt;
se do silêncio vem o som que se propaga até deixar de se ouvir&lt;br /&gt;&lt;br /&gt;
do nada pode ter nascido o Universo que nos espanta&lt;br /&gt;&lt;br /&gt;
até morrermos&lt;br /&gt;&lt;br /&gt;
&lt;br /&gt;&lt;br /&gt;
depois somos um inaudível som a extinguir-se no espaço&lt;br /&gt;&lt;br /&gt;
&lt;br /&gt;&lt;br /&gt;
by Armando TABORDA, 2018&lt;br /&gt;&lt;br /&gt;
&lt;br /&gt;&lt;br /&gt;
(photo taken from Internet; published under the fair use doctrine for non-commercial cultural purposes)&lt;br /&gt;&lt;br /&gt;
&lt;br /&gt;&lt;br /&gt;
(post 1st edition, 2018; 2nd edition, 2026)&lt;br /&gt;&lt;br /&gt;
&lt;br /&gt;&lt;/div&gt;</description>
    <media:title>Absolute Silence - Silêncio Absoluto</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/armando.taborda"&gt;Armando Taborda&lt;/a&gt; has posted an article:&lt;/p&gt;&lt;div class="description"&gt;The silence I'm talking about&lt;br /&gt;&lt;br /&gt;
is so hard to conceive as the nothing&lt;br /&gt;&lt;br /&gt;
&lt;br /&gt;&lt;br /&gt;
if from silence comes the sound's propagation until it stops to be listen&lt;br /&gt;&lt;br /&gt;
out of nothing may have been born the Universe that amazes us&lt;br /&gt;&lt;br /&gt;
until we die&lt;br /&gt;&lt;br /&gt;
&lt;br /&gt;&lt;br /&gt;
then we are an inaudible sound that will extinguish in the space&lt;br /&gt;&lt;br /&gt;
&lt;div&gt;&lt;/div&gt;&lt;br /&gt;
O silêncio de que falo&lt;br /&gt;&lt;br /&gt;
é tão difícil de conceber como o nada&lt;br /&gt;&lt;br /&gt;
&lt;br /&gt;&lt;br /&gt;
se do silêncio vem o som que se propaga até deixar de se ouvir&lt;br /&gt;&lt;br /&gt;
do nada pode ter nascido o Universo que nos espanta&lt;br /&gt;&lt;br /&gt;
até morrermos&lt;br /&gt;&lt;br /&gt;
&lt;br /&gt;&lt;br /&gt;
depois somos um inaudível som a extinguir-se no espaço&lt;br /&gt;&lt;br /&gt;
&lt;br /&gt;&lt;br /&gt;
by Armando TABORDA, 2018&lt;br /&gt;&lt;br /&gt;
&lt;br /&gt;&lt;br /&gt;
(photo taken from Internet; published under the fair use doctrine for non-commercial cultural purposes)&lt;br /&gt;&lt;br /&gt;
&lt;br /&gt;&lt;br /&gt;
(post 1st edition, 2018; 2nd edition, 2026)&lt;br /&gt;&lt;br /&gt;
&lt;br /&gt;&lt;/div&gt;</media:text>
    <media:credit role="author">Armando Taborda</media:credit>
  </item>
  <item>
    <title>Persistent Light - Lumière Persistant - Luz Persistente</title>
    <link>https://www.ipernity.com/blog/armando.taborda/771641</link>
    <guid isPermaLink="false">tag:ipernity.com,2026-09-06,post-771641</guid>
    <pubDate>Sun, 06 Sep 2026 11:56:51 +0000</pubDate>
    <author>nobody@ipernity.com (Armando Taborda)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/armando.taborda"&gt;Armando Taborda&lt;/a&gt; has posted an article:&lt;/p&gt;&lt;div class="description"&gt;&lt;div style="text-align:justify;"&gt;&lt;strong&gt;Surrounded by shadows the light persists even though shadows are what the night brings to our circumstance&lt;/strong&gt;&lt;/div&gt;&lt;br /&gt;
&lt;div&gt;&lt;br /&gt;
&lt;div&gt;&lt;br /&gt;
&lt;div&gt;&lt;br /&gt;
&lt;div&gt;&lt;br /&gt;
&lt;div&gt;&lt;br /&gt;
&lt;div&gt;&lt;br /&gt;
&lt;div&gt;&lt;br /&gt;
&lt;div&gt;&lt;br /&gt;
&lt;div&gt;&lt;/div&gt;&lt;br /&gt;
&lt;/div&gt;&lt;br /&gt;
&lt;/div&gt;&lt;br /&gt;
&lt;strong&gt;Entouré par les ombres la lumière persiste même si les ombres sont ce que la nuit apporte à notre situation&lt;br /&gt;&lt;br /&gt;
&lt;/strong&gt;&lt;/div&gt;&lt;br /&gt;
&lt;/div&gt;&lt;br /&gt;
&lt;/div&gt;&lt;br /&gt;
&lt;/div&gt;&lt;br /&gt;
&lt;/div&gt;&lt;br /&gt;
&lt;/div&gt;&lt;br /&gt;
&lt;strong&gt;&lt;br /&gt;&lt;br /&gt;
///&lt;br /&gt;&lt;br /&gt;
&lt;br /&gt;&lt;br /&gt;
&lt;/strong&gt;&lt;br /&gt;
&lt;div style="text-align:justify;"&gt;&lt;strong&gt;Rodeada de sombras a luz persiste mesmo que as sombras sejam o que a noite traz à nossa circunstância&lt;br /&gt;&lt;br /&gt;
&lt;/strong&gt;&lt;/div&gt;&lt;br /&gt;
&lt;span style="font-size:small;"&gt;&lt;em&gt;&lt;br /&gt;&lt;br /&gt;
&lt;/em&gt;&lt;span style="font-size:x-small;"&gt;&lt;em&gt;by Armando TABORDA, 2014&lt;br /&gt;&lt;br /&gt;
&lt;br /&gt;&lt;br /&gt;
(post 1st edition, 2014; 2nd edition, 2026)&lt;/em&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;</description>
    <media:title>Persistent Light - Lumière Persistant - Luz Persistente</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/armando.taborda"&gt;Armando Taborda&lt;/a&gt; has posted an article:&lt;/p&gt;&lt;div class="description"&gt;&lt;div style="text-align:justify;"&gt;&lt;strong&gt;Surrounded by shadows the light persists even though shadows are what the night brings to our circumstance&lt;/strong&gt;&lt;/div&gt;&lt;br /&gt;
&lt;div&gt;&lt;br /&gt;
&lt;div&gt;&lt;br /&gt;
&lt;div&gt;&lt;br /&gt;
&lt;div&gt;&lt;br /&gt;
&lt;div&gt;&lt;br /&gt;
&lt;div&gt;&lt;br /&gt;
&lt;div&gt;&lt;br /&gt;
&lt;div&gt;&lt;br /&gt;
&lt;div&gt;&lt;/div&gt;&lt;br /&gt;
&lt;/div&gt;&lt;br /&gt;
&lt;/div&gt;&lt;br /&gt;
&lt;strong&gt;Entouré par les ombres la lumière persiste même si les ombres sont ce que la nuit apporte à notre situation&lt;br /&gt;&lt;br /&gt;
&lt;/strong&gt;&lt;/div&gt;&lt;br /&gt;
&lt;/div&gt;&lt;br /&gt;
&lt;/div&gt;&lt;br /&gt;
&lt;/div&gt;&lt;br /&gt;
&lt;/div&gt;&lt;br /&gt;
&lt;/div&gt;&lt;br /&gt;
&lt;strong&gt;&lt;br /&gt;&lt;br /&gt;
///&lt;br /&gt;&lt;br /&gt;
&lt;br /&gt;&lt;br /&gt;
&lt;/strong&gt;&lt;br /&gt;
&lt;div style="text-align:justify;"&gt;&lt;strong&gt;Rodeada de sombras a luz persiste mesmo que as sombras sejam o que a noite traz à nossa circunstância&lt;br /&gt;&lt;br /&gt;
&lt;/strong&gt;&lt;/div&gt;&lt;br /&gt;
&lt;span style="font-size:small;"&gt;&lt;em&gt;&lt;br /&gt;&lt;br /&gt;
&lt;/em&gt;&lt;span style="font-size:x-small;"&gt;&lt;em&gt;by Armando TABORDA, 2014&lt;br /&gt;&lt;br /&gt;
&lt;br /&gt;&lt;br /&gt;
(post 1st edition, 2014; 2nd edition, 2026)&lt;/em&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;</media:text>
    <media:credit role="author">Armando Taborda</media:credit>
  </item>
  <item>
    <title>Destiny of shadows - Destino de sombras</title>
    <link>https://www.ipernity.com/blog/armando.taborda/170201</link>
    <guid isPermaLink="false">tag:ipernity.com,2026-08-29,post-170201</guid>
    <pubDate>Sat, 29 Aug 2026 09:39:56 +0000</pubDate>
    <author>nobody@ipernity.com (Armando Taborda)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/armando.taborda"&gt;Armando Taborda&lt;/a&gt; has posted an article:&lt;/p&gt;&lt;div class="description"&gt;&lt;p style="text-align:left;"&gt;&lt;span style="color:rgb(255,0,0);"&gt;&lt;span style="font-size:medium;"&gt;&lt;span style="font-family:Tahoma;"&gt;&lt;strong&gt;Nothing justifies our destiny of shadows&lt;/strong&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;&lt;br /&gt;
&lt;br /&gt;&lt;br /&gt;
&lt;p style="text-align:left;"&gt;&lt;span style="color:rgb(255,0,0);"&gt;&lt;span style="font-size:medium;"&gt;&lt;span style="font-family:Tahoma;"&gt;&lt;strong&gt;neither fire&lt;/strong&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;p style="text-align:left;"&gt;&lt;span style="color:rgb(255,0,0);"&gt;&lt;span style="font-size:medium;"&gt;&lt;span style="font-family:Tahoma;"&gt;&lt;strong&gt;nor flame&lt;/strong&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;p style="text-align:left;"&gt;&lt;span style="color:rgb(255,0,0);"&gt;&lt;span style="font-size:medium;"&gt;&lt;span style="font-family:Tahoma;"&gt;&lt;strong&gt;or ember&lt;/strong&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;&lt;br /&gt;
&lt;br /&gt;&lt;br /&gt;
&lt;p style="text-align:left;"&gt;&lt;span style="color:rgb(255,0,0);"&gt;&lt;span style="font-size:medium;"&gt;&lt;strong&gt;we just burn&lt;/strong&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;&lt;br /&gt;
&lt;br /&gt;&lt;br /&gt;
&lt;p style="text-align:left;"&gt;&lt;span style="color:rgb(255,0,0);"&gt;&lt;span style="font-size:medium;"&gt;&lt;strong&gt;sparks jumping out the fire crackle for instants&lt;/strong&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;p style="text-align:left;"&gt;&lt;span style="color:rgb(255,0,0);"&gt;&lt;span style="font-size:medium;"&gt;&lt;strong&gt;and scintillate&lt;/strong&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;p style="text-align:left;"&gt;&lt;span style="color:rgb(255,0,0);"&gt;&lt;span style="font-size:medium;"&gt;&lt;strong&gt;in the smoke&lt;/strong&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;p style="text-align:left;"&gt;&lt;span style="color:rgb(255,0,0);"&gt;&lt;span style="font-size:medium;"&gt;&lt;span&gt;&lt;strong&gt;that extinguishes them.&lt;/strong&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;div&gt;&lt;br /&gt;
&lt;div&gt;&lt;br /&gt;
&lt;div&gt;&lt;br /&gt;
&lt;div&gt;&lt;br /&gt;
&lt;div&gt;&lt;/div&gt;&lt;br /&gt;
&lt;/div&gt;&lt;br /&gt;
&lt;/div&gt;&lt;br /&gt;
&lt;/div&gt;&lt;br /&gt;
&lt;/div&gt;&lt;br /&gt;
&lt;br /&gt;&lt;br /&gt;
&lt;p style="text-align:center;"&gt;&lt;span style="font-family:Arial Black;"&gt;&lt;span style="color:rgb(0,0,128);"&gt;&lt;em&gt;&lt;span style="font-size:xx-small;"&gt;(to read the original Portuguese version please click on the figure)&lt;/span&gt;&lt;/em&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;p style="text-align:left;"&gt;&lt;em&gt;&lt;span style="font-family:Arial Black;"&gt;&lt;span style="color:rgb(0,0,128);"&gt;&lt;span style="font-size:xx-small;"&gt;&lt;span style="color:rgb(0,0,0);"&gt;by Armando TABORDA, in "SINFONIA EM DOR MENOR", Edição Escola de Mar, 2007&lt;br /&gt;&lt;br /&gt;
&lt;br /&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/em&gt;&lt;span style="font-family:Arial Black;"&gt;&lt;span style="color:rgb(0,0,128);"&gt;&lt;span style="font-size:xx-small;"&gt;&lt;span style="color:rgb(0,0,0);"&gt;(1st edition, 2015; 2ne edition, 2017)&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;em&gt;&lt;span style="font-family:Arial Black;"&gt;&lt;span style="color:rgb(0,0,128);"&gt;&lt;span style="font-size:xx-small;"&gt;&lt;span style="color:rgb(0,0,0);"&gt;&lt;br /&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/em&gt;&lt;/p&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;p style="text-align:right;"&gt;&lt;span style="font-family:Arial Black;"&gt;&lt;span style="color:rgb(0,0,128);"&gt;&lt;span style="font-size:xx-small;"&gt;&lt;span style="color:rgb(0,0,0);"&gt;&lt;strong&gt;&lt;span style="color:rgb(0,51,102);"&gt;This text has also been published at: &lt;/span&gt;&lt;/strong&gt;&lt;em&gt;&lt;span style="color:rgb(0,51,102);"&gt;&lt;a href="https://www.ipernity.com/blog/armando.taborda/33052" target="_blank" rel="nofollow"&gt;www.ipernity.com/blog/armando.taborda/33052&lt;/a&gt;&lt;/span&gt;&lt;/em&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;p style="text-align:right;"&gt;&lt;span style="font-family:Arial Black;"&gt;&lt;span style="color:rgb(0,0,128);"&gt;&lt;span style="font-size:xx-small;"&gt;&lt;span style="color:rgb(0,0,0);"&gt;&lt;span style="color:rgb(0,51,102);"&gt;&lt;strong&gt;Carlos Alexandre: &lt;/strong&gt;&lt;em&gt;&lt;a href="https://www.ipernity.com/blog/armando.taborda/98691" target="_blank" rel="nofollow"&gt;www.ipernity.com/blog/armando.taborda/98691&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;
&lt;br /&gt;&lt;br /&gt;
&lt;br /&gt;&lt;br /&gt;
&lt;br /&gt;&lt;br /&gt;
&lt;br /&gt;&lt;br /&gt;
    (post 1st edition, 2017; 2nd edition, 2026)&lt;/em&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;&lt;br /&gt;
&lt;br /&gt;&lt;/div&gt;</description>
    <media:title>Destiny of shadows - Destino de sombras</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/armando.taborda"&gt;Armando Taborda&lt;/a&gt; has posted an article:&lt;/p&gt;&lt;div class="description"&gt;&lt;p style="text-align:left;"&gt;&lt;span style="color:rgb(255,0,0);"&gt;&lt;span style="font-size:medium;"&gt;&lt;span style="font-family:Tahoma;"&gt;&lt;strong&gt;Nothing justifies our destiny of shadows&lt;/strong&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;&lt;br /&gt;
&lt;br /&gt;&lt;br /&gt;
&lt;p style="text-align:left;"&gt;&lt;span style="color:rgb(255,0,0);"&gt;&lt;span style="font-size:medium;"&gt;&lt;span style="font-family:Tahoma;"&gt;&lt;strong&gt;neither fire&lt;/strong&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;p style="text-align:left;"&gt;&lt;span style="color:rgb(255,0,0);"&gt;&lt;span style="font-size:medium;"&gt;&lt;span style="font-family:Tahoma;"&gt;&lt;strong&gt;nor flame&lt;/strong&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;p style="text-align:left;"&gt;&lt;span style="color:rgb(255,0,0);"&gt;&lt;span style="font-size:medium;"&gt;&lt;span style="font-family:Tahoma;"&gt;&lt;strong&gt;or ember&lt;/strong&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;&lt;br /&gt;
&lt;br /&gt;&lt;br /&gt;
&lt;p style="text-align:left;"&gt;&lt;span style="color:rgb(255,0,0);"&gt;&lt;span style="font-size:medium;"&gt;&lt;strong&gt;we just burn&lt;/strong&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;&lt;br /&gt;
&lt;br /&gt;&lt;br /&gt;
&lt;p style="text-align:left;"&gt;&lt;span style="color:rgb(255,0,0);"&gt;&lt;span style="font-size:medium;"&gt;&lt;strong&gt;sparks jumping out the fire crackle for instants&lt;/strong&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;p style="text-align:left;"&gt;&lt;span style="color:rgb(255,0,0);"&gt;&lt;span style="font-size:medium;"&gt;&lt;strong&gt;and scintillate&lt;/strong&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;p style="text-align:left;"&gt;&lt;span style="color:rgb(255,0,0);"&gt;&lt;span style="font-size:medium;"&gt;&lt;strong&gt;in the smoke&lt;/strong&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;p style="text-align:left;"&gt;&lt;span style="color:rgb(255,0,0);"&gt;&lt;span style="font-size:medium;"&gt;&lt;span&gt;&lt;strong&gt;that extinguishes them.&lt;/strong&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;div&gt;&lt;br /&gt;
&lt;div&gt;&lt;br /&gt;
&lt;div&gt;&lt;br /&gt;
&lt;div&gt;&lt;br /&gt;
&lt;div&gt;&lt;/div&gt;&lt;br /&gt;
&lt;/div&gt;&lt;br /&gt;
&lt;/div&gt;&lt;br /&gt;
&lt;/div&gt;&lt;br /&gt;
&lt;/div&gt;&lt;br /&gt;
&lt;br /&gt;&lt;br /&gt;
&lt;p style="text-align:center;"&gt;&lt;span style="font-family:Arial Black;"&gt;&lt;span style="color:rgb(0,0,128);"&gt;&lt;em&gt;&lt;span style="font-size:xx-small;"&gt;(to read the original Portuguese version please click on the figure)&lt;/span&gt;&lt;/em&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;p style="text-align:left;"&gt;&lt;em&gt;&lt;span style="font-family:Arial Black;"&gt;&lt;span style="color:rgb(0,0,128);"&gt;&lt;span style="font-size:xx-small;"&gt;&lt;span style="color:rgb(0,0,0);"&gt;by Armando TABORDA, in "SINFONIA EM DOR MENOR", Edição Escola de Mar, 2007&lt;br /&gt;&lt;br /&gt;
&lt;br /&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/em&gt;&lt;span style="font-family:Arial Black;"&gt;&lt;span style="color:rgb(0,0,128);"&gt;&lt;span style="font-size:xx-small;"&gt;&lt;span style="color:rgb(0,0,0);"&gt;(1st edition, 2015; 2ne edition, 2017)&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;em&gt;&lt;span style="font-family:Arial Black;"&gt;&lt;span style="color:rgb(0,0,128);"&gt;&lt;span style="font-size:xx-small;"&gt;&lt;span style="color:rgb(0,0,0);"&gt;&lt;br /&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/em&gt;&lt;/p&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;p style="text-align:right;"&gt;&lt;span style="font-family:Arial Black;"&gt;&lt;span style="color:rgb(0,0,128);"&gt;&lt;span style="font-size:xx-small;"&gt;&lt;span style="color:rgb(0,0,0);"&gt;&lt;strong&gt;&lt;span style="color:rgb(0,51,102);"&gt;This text has also been published at: &lt;/span&gt;&lt;/strong&gt;&lt;em&gt;&lt;span style="color:rgb(0,51,102);"&gt;&lt;a href="https://www.ipernity.com/blog/armando.taborda/33052" target="_blank" rel="nofollow"&gt;www.ipernity.com/blog/armando.taborda/33052&lt;/a&gt;&lt;/span&gt;&lt;/em&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;p style="text-align:right;"&gt;&lt;span style="font-family:Arial Black;"&gt;&lt;span style="color:rgb(0,0,128);"&gt;&lt;span style="font-size:xx-small;"&gt;&lt;span style="color:rgb(0,0,0);"&gt;&lt;span style="color:rgb(0,51,102);"&gt;&lt;strong&gt;Carlos Alexandre: &lt;/strong&gt;&lt;em&gt;&lt;a href="https://www.ipernity.com/blog/armando.taborda/98691" target="_blank" rel="nofollow"&gt;www.ipernity.com/blog/armando.taborda/98691&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;
&lt;br /&gt;&lt;br /&gt;
&lt;br /&gt;&lt;br /&gt;
&lt;br /&gt;&lt;br /&gt;
&lt;br /&gt;&lt;br /&gt;
    (post 1st edition, 2017; 2nd edition, 2026)&lt;/em&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;&lt;br /&gt;
&lt;br /&gt;&lt;/div&gt;</media:text>
    <media:credit role="author">Armando Taborda</media:credit>
  </item>
  <item>
    <title>Suicide - Suicídio</title>
    <link>https://www.ipernity.com/blog/armando.taborda/4618874</link>
    <guid isPermaLink="false">tag:ipernity.com,2026-08-22,post-4618874</guid>
    <pubDate>Sat, 22 Aug 2026 17:08:47 +0000</pubDate>
    <author>nobody@ipernity.com (Armando Taborda)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/armando.taborda"&gt;Armando Taborda&lt;/a&gt; has posted an article:&lt;/p&gt;&lt;div class="description"&gt;Isn't a bird who wants to be&lt;br /&gt;&lt;br /&gt;
&lt;br /&gt;&lt;br /&gt;
inflate the lungs with air&lt;br /&gt;&lt;br /&gt;
roll the arms and legs as a ship hull&lt;br /&gt;&lt;br /&gt;
pack the pneumatic bones of thought&lt;br /&gt;&lt;br /&gt;
climb to the top of the Clérigos Tower and throw yourself&lt;br /&gt;&lt;br /&gt;
&lt;br /&gt;&lt;br /&gt;
by the flight's end you will have no return&lt;br /&gt;
&lt;div&gt;&lt;br /&gt;
&lt;div&gt;&lt;br /&gt;
&lt;div&gt;&lt;br /&gt;
&lt;div&gt;&lt;br /&gt;
&lt;div&gt;&lt;br /&gt;
&lt;div&gt;&lt;br /&gt;
&lt;div&gt;&lt;/div&gt;&lt;br /&gt;
Não é pássaro quem quer&lt;/div&gt;&lt;br /&gt;
&lt;/div&gt;&lt;br /&gt;
&lt;/div&gt;&lt;br /&gt;
&lt;/div&gt;&lt;br /&gt;
&lt;/div&gt;&lt;br /&gt;
&lt;/div&gt;&lt;br /&gt;
&lt;br /&gt;&lt;br /&gt;
enfuna os pulmões de ar&lt;br /&gt;&lt;br /&gt;
enrola os braços e pernas como casco de navio&lt;br /&gt;&lt;br /&gt;
arruma os ossos pneumáticos do pensamento&lt;br /&gt;&lt;br /&gt;
sobe à Torre dos Clérigos e atira-te&lt;br /&gt;&lt;br /&gt;
&lt;br /&gt;&lt;br /&gt;
no fim do voo não terás regresso&lt;br /&gt;&lt;br /&gt;
&lt;br /&gt;&lt;br /&gt;
&lt;span style="font-size:x-small;"&gt;&lt;em&gt;by Armando TABORDA, 2016&lt;br /&gt;&lt;br /&gt;
&lt;br /&gt;&lt;br /&gt;
(post 1st edition, 2016, 2nd edition, 2026)&lt;br /&gt;&lt;br /&gt;
&lt;/em&gt;&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;</description>
    <media:title>Suicide - Suicídio</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/armando.taborda"&gt;Armando Taborda&lt;/a&gt; has posted an article:&lt;/p&gt;&lt;div class="description"&gt;Isn't a bird who wants to be&lt;br /&gt;&lt;br /&gt;
&lt;br /&gt;&lt;br /&gt;
inflate the lungs with air&lt;br /&gt;&lt;br /&gt;
roll the arms and legs as a ship hull&lt;br /&gt;&lt;br /&gt;
pack the pneumatic bones of thought&lt;br /&gt;&lt;br /&gt;
climb to the top of the Clérigos Tower and throw yourself&lt;br /&gt;&lt;br /&gt;
&lt;br /&gt;&lt;br /&gt;
by the flight's end you will have no return&lt;br /&gt;
&lt;div&gt;&lt;br /&gt;
&lt;div&gt;&lt;br /&gt;
&lt;div&gt;&lt;br /&gt;
&lt;div&gt;&lt;br /&gt;
&lt;div&gt;&lt;br /&gt;
&lt;div&gt;&lt;br /&gt;
&lt;div&gt;&lt;/div&gt;&lt;br /&gt;
Não é pássaro quem quer&lt;/div&gt;&lt;br /&gt;
&lt;/div&gt;&lt;br /&gt;
&lt;/div&gt;&lt;br /&gt;
&lt;/div&gt;&lt;br /&gt;
&lt;/div&gt;&lt;br /&gt;
&lt;/div&gt;&lt;br /&gt;
&lt;br /&gt;&lt;br /&gt;
enfuna os pulmões de ar&lt;br /&gt;&lt;br /&gt;
enrola os braços e pernas como casco de navio&lt;br /&gt;&lt;br /&gt;
arruma os ossos pneumáticos do pensamento&lt;br /&gt;&lt;br /&gt;
sobe à Torre dos Clérigos e atira-te&lt;br /&gt;&lt;br /&gt;
&lt;br /&gt;&lt;br /&gt;
no fim do voo não terás regresso&lt;br /&gt;&lt;br /&gt;
&lt;br /&gt;&lt;br /&gt;
&lt;span style="font-size:x-small;"&gt;&lt;em&gt;by Armando TABORDA, 2016&lt;br /&gt;&lt;br /&gt;
&lt;br /&gt;&lt;br /&gt;
(post 1st edition, 2016, 2nd edition, 2026)&lt;br /&gt;&lt;br /&gt;
&lt;/em&gt;&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;</media:text>
    <media:credit role="author">Armando Taborda</media:credit>
  </item>
  <item>
    <title>For Fernando Pinto Ribeiro - Para Fernando Pinto Ribeiro</title>
    <link>https://www.ipernity.com/blog/armando.taborda/386819</link>
    <guid isPermaLink="false">tag:ipernity.com,2026-08-10,post-386819</guid>
    <pubDate>Mon, 10 Aug 2026 18:39:49 +0000</pubDate>
    <author>nobody@ipernity.com (Armando Taborda)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/armando.taborda"&gt;Armando Taborda&lt;/a&gt; has posted an article:&lt;/p&gt;&lt;div class="description"&gt;&lt;br /&gt;&lt;br /&gt;
&lt;br /&gt;&lt;br /&gt;
&lt;div style="text-align:right;"&gt;&lt;span style="font-size:large;"&gt;&lt;span style="color:rgb(0, 0, 255);"&gt;&lt;span style="font-size:medium;"&gt;&lt;em&gt;&lt;span&gt;For / Para Fernando Pinto RIBEIRO (a)&lt;/span&gt;&lt;/em&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;
&lt;span style="font-size:large;"&gt;&lt;span style="font-family:Impact;"&gt;&lt;br /&gt;&lt;br /&gt;
&lt;br /&gt;&lt;br /&gt;
Life is all&lt;br /&gt;&lt;br /&gt;
and death&lt;br /&gt;&lt;br /&gt;
nothing&lt;br /&gt;&lt;br /&gt;
so you live in the music&lt;br /&gt;&lt;br /&gt;
of your sung&lt;br /&gt;&lt;br /&gt;
fados&lt;br /&gt;&lt;br /&gt;
and in the murmur of crystalline words&lt;br /&gt;&lt;br /&gt;
purified&lt;br /&gt;&lt;br /&gt;
fair&lt;br /&gt;&lt;br /&gt;
in your poems&lt;br /&gt;&lt;br /&gt;
fragmented echoes&lt;br /&gt;&lt;br /&gt;
at the far away abyss&lt;br /&gt;&lt;br /&gt;
viable time&lt;br /&gt;&lt;br /&gt;
of our collective&lt;br /&gt;&lt;br /&gt;
memory.&lt;br /&gt;&lt;br /&gt;
&lt;div&gt;&lt;/div&gt;&lt;br /&gt;
&lt;br /&gt;&lt;br /&gt;
A vida é tudo&lt;br /&gt;&lt;br /&gt;
e a morte&lt;br /&gt;&lt;br /&gt;
nada&lt;br /&gt;&lt;br /&gt;
assim vives na música&lt;br /&gt;&lt;br /&gt;
de teus fados&lt;br /&gt;&lt;br /&gt;
cantados&lt;br /&gt;&lt;br /&gt;
e no murmúrio das palavras cristalinas&lt;br /&gt;&lt;br /&gt;
depuradas&lt;br /&gt;&lt;br /&gt;
justas&lt;br /&gt;&lt;br /&gt;
em teus poemas&lt;br /&gt;&lt;br /&gt;
fragmentados ecos&lt;br /&gt;&lt;br /&gt;
no distante abismo&lt;br /&gt;&lt;br /&gt;
viável tempo&lt;br /&gt;&lt;br /&gt;
da nossa colectiva &lt;br /&gt;&lt;br /&gt;
memória.&lt;br /&gt;&lt;br /&gt;
&lt;br /&gt;&lt;br /&gt;
&lt;div style="text-align:left;"&gt;&lt;span style="font-size:small;"&gt;&lt;span style="color:rgb(0, 0, 255);"&gt;&lt;em&gt;(a) 1928-2009&lt;/em&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="color:rgb(0, 0, 255);"&gt;&lt;em&gt;&lt;span style="font-size:medium;"&gt;&lt;span&gt;&lt;br /&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/span&gt;&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;
&lt;span style="color:rgb(0, 0, 255);"&gt;&lt;em&gt;&lt;span style="font-size:medium;"&gt;&lt;span&gt; &lt;br /&gt;&lt;br /&gt;
&lt;span style="color:rgb(255, 102, 0);"&gt;&lt;span style="font-size:small;"&gt;by Armando TABORDA, 2012&lt;br /&gt;&lt;br /&gt;
&lt;br /&gt;&lt;br /&gt;
(post 1st edition, 2012, 2nd edition, 2026)&lt;br /&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/em&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;</description>
    <media:title>For Fernando Pinto Ribeiro - Para Fernando Pinto Ribeiro</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/armando.taborda"&gt;Armando Taborda&lt;/a&gt; has posted an article:&lt;/p&gt;&lt;div class="description"&gt;&lt;br /&gt;&lt;br /&gt;
&lt;br /&gt;&lt;br /&gt;
&lt;div style="text-align:right;"&gt;&lt;span style="font-size:large;"&gt;&lt;span style="color:rgb(0, 0, 255);"&gt;&lt;span style="font-size:medium;"&gt;&lt;em&gt;&lt;span&gt;For / Para Fernando Pinto RIBEIRO (a)&lt;/span&gt;&lt;/em&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;
&lt;span style="font-size:large;"&gt;&lt;span style="font-family:Impact;"&gt;&lt;br /&gt;&lt;br /&gt;
&lt;br /&gt;&lt;br /&gt;
Life is all&lt;br /&gt;&lt;br /&gt;
and death&lt;br /&gt;&lt;br /&gt;
nothing&lt;br /&gt;&lt;br /&gt;
so you live in the music&lt;br /&gt;&lt;br /&gt;
of your sung&lt;br /&gt;&lt;br /&gt;
fados&lt;br /&gt;&lt;br /&gt;
and in the murmur of crystalline words&lt;br /&gt;&lt;br /&gt;
purified&lt;br /&gt;&lt;br /&gt;
fair&lt;br /&gt;&lt;br /&gt;
in your poems&lt;br /&gt;&lt;br /&gt;
fragmented echoes&lt;br /&gt;&lt;br /&gt;
at the far away abyss&lt;br /&gt;&lt;br /&gt;
viable time&lt;br /&gt;&lt;br /&gt;
of our collective&lt;br /&gt;&lt;br /&gt;
memory.&lt;br /&gt;&lt;br /&gt;
&lt;div&gt;&lt;/div&gt;&lt;br /&gt;
&lt;br /&gt;&lt;br /&gt;
A vida é tudo&lt;br /&gt;&lt;br /&gt;
e a morte&lt;br /&gt;&lt;br /&gt;
nada&lt;br /&gt;&lt;br /&gt;
assim vives na música&lt;br /&gt;&lt;br /&gt;
de teus fados&lt;br /&gt;&lt;br /&gt;
cantados&lt;br /&gt;&lt;br /&gt;
e no murmúrio das palavras cristalinas&lt;br /&gt;&lt;br /&gt;
depuradas&lt;br /&gt;&lt;br /&gt;
justas&lt;br /&gt;&lt;br /&gt;
em teus poemas&lt;br /&gt;&lt;br /&gt;
fragmentados ecos&lt;br /&gt;&lt;br /&gt;
no distante abismo&lt;br /&gt;&lt;br /&gt;
viável tempo&lt;br /&gt;&lt;br /&gt;
da nossa colectiva &lt;br /&gt;&lt;br /&gt;
memória.&lt;br /&gt;&lt;br /&gt;
&lt;br /&gt;&lt;br /&gt;
&lt;div style="text-align:left;"&gt;&lt;span style="font-size:small;"&gt;&lt;span style="color:rgb(0, 0, 255);"&gt;&lt;em&gt;(a) 1928-2009&lt;/em&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="color:rgb(0, 0, 255);"&gt;&lt;em&gt;&lt;span style="font-size:medium;"&gt;&lt;span&gt;&lt;br /&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/span&gt;&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;
&lt;span style="color:rgb(0, 0, 255);"&gt;&lt;em&gt;&lt;span style="font-size:medium;"&gt;&lt;span&gt; &lt;br /&gt;&lt;br /&gt;
&lt;span style="color:rgb(255, 102, 0);"&gt;&lt;span style="font-size:small;"&gt;by Armando TABORDA, 2012&lt;br /&gt;&lt;br /&gt;
&lt;br /&gt;&lt;br /&gt;
(post 1st edition, 2012, 2nd edition, 2026)&lt;br /&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/em&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;</media:text>
    <media:credit role="author">Armando Taborda</media:credit>
  </item>
  <item>
    <title>My residential neighborhood - O meu bairro residencial</title>
    <link>https://www.ipernity.com/blog/armando.taborda/4700154</link>
    <guid isPermaLink="false">tag:ipernity.com,2026-08-03,post-4700154</guid>
    <pubDate>Mon, 03 Aug 2026 11:56:09 +0000</pubDate>
    <author>nobody@ipernity.com (Armando Taborda)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/armando.taborda"&gt;Armando Taborda&lt;/a&gt; has posted an article:&lt;/p&gt;&lt;div class="description"&gt;Internet&lt;br /&gt;&lt;br /&gt;
Social Networks&lt;br /&gt;&lt;br /&gt;
and walks around my residential neighborhood blocks&lt;br /&gt;&lt;br /&gt;
are my dominant accupation.&lt;br /&gt;&lt;br /&gt;
&lt;br /&gt;&lt;br /&gt;
Some days I have an increased responsability:&lt;br /&gt;&lt;br /&gt;
take my granddaughter to school;&lt;br /&gt;&lt;br /&gt;
take her back home;&lt;br /&gt;&lt;br /&gt;
give her food-bed-hygiene-cuddles;&lt;br /&gt;&lt;br /&gt;
all in partenership with grandma.&lt;br /&gt;&lt;br /&gt;
&lt;br /&gt;&lt;br /&gt;
Turn on the Disney Channel and give up watching TV news.&lt;br /&gt;&lt;br /&gt;
&lt;br /&gt;&lt;br /&gt;
Fall asleep just when I could change the channel.&lt;br /&gt;&lt;br /&gt;
&lt;div&gt;&lt;br /&gt;
&lt;div&gt;&lt;br /&gt;
&lt;div&gt;&lt;br /&gt;
&lt;div&gt;&lt;br /&gt;
&lt;div&gt;&lt;br /&gt;
&lt;div&gt;&lt;br /&gt;
&lt;div&gt;&lt;br /&gt;
&lt;div&gt;&lt;br /&gt;
&lt;div&gt;&lt;br /&gt;
&lt;div&gt;&lt;br /&gt;
&lt;div&gt;&lt;br /&gt;
&lt;div&gt;&lt;/div&gt;&lt;br /&gt;
&lt;/div&gt;&lt;br /&gt;
Internet&lt;/div&gt;&lt;br /&gt;
&lt;/div&gt;&lt;br /&gt;
&lt;/div&gt;&lt;br /&gt;
&lt;/div&gt;&lt;br /&gt;
&lt;/div&gt;&lt;br /&gt;
&lt;/div&gt;&lt;br /&gt;
&lt;/div&gt;&lt;br /&gt;
&lt;/div&gt;&lt;br /&gt;
&lt;/div&gt;&lt;br /&gt;
&lt;/div&gt;&lt;br /&gt;
Redes Sociais&lt;br /&gt;&lt;br /&gt;
e caminhadas à volta dos quarteirões do meu bairro&lt;br /&gt;&lt;br /&gt;
são a minha ocupação dominante.&lt;br /&gt;&lt;br /&gt;
&lt;br /&gt;&lt;br /&gt;
Há dias em que tenho uma responsabilidade acrescida:&lt;br /&gt;&lt;br /&gt;
levar a neta ao colégio;&lt;br /&gt;&lt;br /&gt;
ir buscá-la;&lt;br /&gt;&lt;br /&gt;
dar-lhe comida-cama-higiene-mimos;&lt;br /&gt;&lt;br /&gt;
tudo em parceria com a avó.&lt;br /&gt;&lt;br /&gt;
&lt;br /&gt;&lt;br /&gt;
Ligar o Canal Disney e desistir de ver o Tele Jornal.&lt;br /&gt;&lt;br /&gt;
&lt;br /&gt;&lt;br /&gt;
Adormecer justamente quando podia mudar de canal.&lt;br /&gt;&lt;br /&gt;
&lt;br /&gt;&lt;br /&gt;
&lt;span style="font-size:small;"&gt;&lt;em&gt;by Armando TABORDA, 2018&lt;br /&gt;&lt;br /&gt;
&lt;br /&gt;&lt;br /&gt;
&lt;/em&gt;&lt;/span&gt;(post 1st edition, 2018; 2nd edition, 2026)&lt;br /&gt;&lt;br /&gt;
&lt;br /&gt;&lt;/div&gt;</description>
    <media:title>My residential neighborhood - O meu bairro residencial</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/armando.taborda"&gt;Armando Taborda&lt;/a&gt; has posted an article:&lt;/p&gt;&lt;div class="description"&gt;Internet&lt;br /&gt;&lt;br /&gt;
Social Networks&lt;br /&gt;&lt;br /&gt;
and walks around my residential neighborhood blocks&lt;br /&gt;&lt;br /&gt;
are my dominant accupation.&lt;br /&gt;&lt;br /&gt;
&lt;br /&gt;&lt;br /&gt;
Some days I have an increased responsability:&lt;br /&gt;&lt;br /&gt;
take my granddaughter to school;&lt;br /&gt;&lt;br /&gt;
take her back home;&lt;br /&gt;&lt;br /&gt;
give her food-bed-hygiene-cuddles;&lt;br /&gt;&lt;br /&gt;
all in partenership with grandma.&lt;br /&gt;&lt;br /&gt;
&lt;br /&gt;&lt;br /&gt;
Turn on the Disney Channel and give up watching TV news.&lt;br /&gt;&lt;br /&gt;
&lt;br /&gt;&lt;br /&gt;
Fall asleep just when I could change the channel.&lt;br /&gt;&lt;br /&gt;
&lt;div&gt;&lt;br /&gt;
&lt;div&gt;&lt;br /&gt;
&lt;div&gt;&lt;br /&gt;
&lt;div&gt;&lt;br /&gt;
&lt;div&gt;&lt;br /&gt;
&lt;div&gt;&lt;br /&gt;
&lt;div&gt;&lt;br /&gt;
&lt;div&gt;&lt;br /&gt;
&lt;div&gt;&lt;br /&gt;
&lt;div&gt;&lt;br /&gt;
&lt;div&gt;&lt;br /&gt;
&lt;div&gt;&lt;/div&gt;&lt;br /&gt;
&lt;/div&gt;&lt;br /&gt;
Internet&lt;/div&gt;&lt;br /&gt;
&lt;/div&gt;&lt;br /&gt;
&lt;/div&gt;&lt;br /&gt;
&lt;/div&gt;&lt;br /&gt;
&lt;/div&gt;&lt;br /&gt;
&lt;/div&gt;&lt;br /&gt;
&lt;/div&gt;&lt;br /&gt;
&lt;/div&gt;&lt;br /&gt;
&lt;/div&gt;&lt;br /&gt;
&lt;/div&gt;&lt;br /&gt;
Redes Sociais&lt;br /&gt;&lt;br /&gt;
e caminhadas à volta dos quarteirões do meu bairro&lt;br /&gt;&lt;br /&gt;
são a minha ocupação dominante.&lt;br /&gt;&lt;br /&gt;
&lt;br /&gt;&lt;br /&gt;
Há dias em que tenho uma responsabilidade acrescida:&lt;br /&gt;&lt;br /&gt;
levar a neta ao colégio;&lt;br /&gt;&lt;br /&gt;
ir buscá-la;&lt;br /&gt;&lt;br /&gt;
dar-lhe comida-cama-higiene-mimos;&lt;br /&gt;&lt;br /&gt;
tudo em parceria com a avó.&lt;br /&gt;&lt;br /&gt;
&lt;br /&gt;&lt;br /&gt;
Ligar o Canal Disney e desistir de ver o Tele Jornal.&lt;br /&gt;&lt;br /&gt;
&lt;br /&gt;&lt;br /&gt;
Adormecer justamente quando podia mudar de canal.&lt;br /&gt;&lt;br /&gt;
&lt;br /&gt;&lt;br /&gt;
&lt;span style="font-size:small;"&gt;&lt;em&gt;by Armando TABORDA, 2018&lt;br /&gt;&lt;br /&gt;
&lt;br /&gt;&lt;br /&gt;
&lt;/em&gt;&lt;/span&gt;(post 1st edition, 2018; 2nd edition, 2026)&lt;br /&gt;&lt;br /&gt;
&lt;br /&gt;&lt;/div&gt;</media:text>
    <media:credit role="author">Armando Taborda</media:credit>
  </item>
  <item>
    <title>Vortex - Vórtice</title>
    <link>https://www.ipernity.com/blog/armando.taborda/480179</link>
    <guid isPermaLink="false">tag:ipernity.com,2026-07-24,post-480179</guid>
    <pubDate>Fri, 24 Jul 2026 21:58:33 +0000</pubDate>
    <author>nobody@ipernity.com (Armando Taborda)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/armando.taborda"&gt;Armando Taborda&lt;/a&gt; has posted an article:&lt;/p&gt;&lt;div class="description"&gt;&lt;div&gt;&lt;br /&gt;
&lt;div&gt;Wind buzz into the library&lt;br /&gt;&lt;br /&gt;
deaf eardrums of tense skin to the writing downfall from bookcases&lt;br /&gt;&lt;br /&gt;
if the words move around orderly&lt;br /&gt;&lt;br /&gt;
the whirl could be believable&lt;br /&gt;&lt;br /&gt;
&lt;br /&gt;&lt;br /&gt;
but they don't&lt;br /&gt;&lt;br /&gt;
&lt;br /&gt;&lt;br /&gt;
rotating letters fall on a piece of paper without nexus&lt;br /&gt;&lt;br /&gt;
and it levitates&lt;br /&gt;&lt;br /&gt;
as well&lt;br /&gt;&lt;br /&gt;
through the mild heat of May navigates a dry flower&lt;br /&gt;&lt;br /&gt;
slight and senseless&lt;br /&gt;&lt;br /&gt;
in the vortex&lt;br /&gt;&lt;br /&gt;
centre.&lt;br /&gt;&lt;br /&gt;
&lt;div&gt;&lt;br /&gt;
&lt;div&gt;&lt;br /&gt;
&lt;div&gt;&lt;br /&gt;
&lt;div&gt;&lt;br /&gt;
&lt;div&gt;&lt;br /&gt;
&lt;div&gt;&lt;br /&gt;
&lt;div&gt;&lt;br /&gt;
&lt;div&gt;&lt;br /&gt;
&lt;div&gt;&lt;br /&gt;
&lt;div&gt;&lt;br /&gt;
&lt;div&gt;&lt;br /&gt;
&lt;div&gt;&lt;br /&gt;
&lt;div&gt;&lt;br /&gt;
&lt;div&gt;&lt;/div&gt;&lt;br /&gt;
Zumbem ventos na biblioteca&lt;/div&gt;&lt;br /&gt;
&lt;/div&gt;&lt;br /&gt;
tímpanos tensa pele de tambor ensurdecem à escrita que tomba das estantes&lt;br /&gt;&lt;br /&gt;
se circulasse ordeiramente&lt;br /&gt;&lt;br /&gt;
o turbilhão de palavras poderia ser credível&lt;br /&gt;&lt;br /&gt;
&lt;br /&gt;&lt;br /&gt;
mas não&lt;br /&gt;&lt;br /&gt;
&lt;br /&gt;&lt;br /&gt;
rodopiam letras que caem sem nexo no papel&lt;br /&gt;&lt;br /&gt;
e também ele&lt;br /&gt;&lt;br /&gt;
levita&lt;br /&gt;&lt;br /&gt;
flor seca a navegar no ameno calor de Maio&lt;br /&gt;&lt;br /&gt;
leve e sem sentido&lt;br /&gt;&lt;br /&gt;
no centro&lt;br /&gt;&lt;br /&gt;
do vórtice.&lt;br /&gt;&lt;br /&gt;
&lt;br /&gt;&lt;br /&gt;
&lt;span style="font-size:small;"&gt;&lt;em&gt;by Armando TABORDA, 2013&lt;br /&gt;&lt;br /&gt;
&lt;br /&gt;&lt;br /&gt;
(post 1st edition, 2015; 2nd edition, 2026)&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;
&lt;/div&gt;&lt;br /&gt;
&lt;/div&gt;&lt;br /&gt;
&lt;/div&gt;&lt;br /&gt;
&lt;/div&gt;&lt;br /&gt;
&lt;/div&gt;&lt;br /&gt;
&lt;/div&gt;&lt;br /&gt;
&lt;/div&gt;&lt;br /&gt;
&lt;/div&gt;&lt;br /&gt;
&lt;/div&gt;&lt;br /&gt;
&lt;/div&gt;&lt;br /&gt;
&lt;/div&gt;&lt;br /&gt;
&lt;/div&gt;&lt;/div&gt;</description>
    <media:title>Vortex - Vórtice</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/armando.taborda"&gt;Armando Taborda&lt;/a&gt; has posted an article:&lt;/p&gt;&lt;div class="description"&gt;&lt;div&gt;&lt;br /&gt;
&lt;div&gt;Wind buzz into the library&lt;br /&gt;&lt;br /&gt;
deaf eardrums of tense skin to the writing downfall from bookcases&lt;br /&gt;&lt;br /&gt;
if the words move around orderly&lt;br /&gt;&lt;br /&gt;
the whirl could be believable&lt;br /&gt;&lt;br /&gt;
&lt;br /&gt;&lt;br /&gt;
but they don't&lt;br /&gt;&lt;br /&gt;
&lt;br /&gt;&lt;br /&gt;
rotating letters fall on a piece of paper without nexus&lt;br /&gt;&lt;br /&gt;
and it levitates&lt;br /&gt;&lt;br /&gt;
as well&lt;br /&gt;&lt;br /&gt;
through the mild heat of May navigates a dry flower&lt;br /&gt;&lt;br /&gt;
slight and senseless&lt;br /&gt;&lt;br /&gt;
in the vortex&lt;br /&gt;&lt;br /&gt;
centre.&lt;br /&gt;&lt;br /&gt;
&lt;div&gt;&lt;br /&gt;
&lt;div&gt;&lt;br /&gt;
&lt;div&gt;&lt;br /&gt;
&lt;div&gt;&lt;br /&gt;
&lt;div&gt;&lt;br /&gt;
&lt;div&gt;&lt;br /&gt;
&lt;div&gt;&lt;br /&gt;
&lt;div&gt;&lt;br /&gt;
&lt;div&gt;&lt;br /&gt;
&lt;div&gt;&lt;br /&gt;
&lt;div&gt;&lt;br /&gt;
&lt;div&gt;&lt;br /&gt;
&lt;div&gt;&lt;br /&gt;
&lt;div&gt;&lt;/div&gt;&lt;br /&gt;
Zumbem ventos na biblioteca&lt;/div&gt;&lt;br /&gt;
&lt;/div&gt;&lt;br /&gt;
tímpanos tensa pele de tambor ensurdecem à escrita que tomba das estantes&lt;br /&gt;&lt;br /&gt;
se circulasse ordeiramente&lt;br /&gt;&lt;br /&gt;
o turbilhão de palavras poderia ser credível&lt;br /&gt;&lt;br /&gt;
&lt;br /&gt;&lt;br /&gt;
mas não&lt;br /&gt;&lt;br /&gt;
&lt;br /&gt;&lt;br /&gt;
rodopiam letras que caem sem nexo no papel&lt;br /&gt;&lt;br /&gt;
e também ele&lt;br /&gt;&lt;br /&gt;
levita&lt;br /&gt;&lt;br /&gt;
flor seca a navegar no ameno calor de Maio&lt;br /&gt;&lt;br /&gt;
leve e sem sentido&lt;br /&gt;&lt;br /&gt;
no centro&lt;br /&gt;&lt;br /&gt;
do vórtice.&lt;br /&gt;&lt;br /&gt;
&lt;br /&gt;&lt;br /&gt;
&lt;span style="font-size:small;"&gt;&lt;em&gt;by Armando TABORDA, 2013&lt;br /&gt;&lt;br /&gt;
&lt;br /&gt;&lt;br /&gt;
(post 1st edition, 2015; 2nd edition, 2026)&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;
&lt;/div&gt;&lt;br /&gt;
&lt;/div&gt;&lt;br /&gt;
&lt;/div&gt;&lt;br /&gt;
&lt;/div&gt;&lt;br /&gt;
&lt;/div&gt;&lt;br /&gt;
&lt;/div&gt;&lt;br /&gt;
&lt;/div&gt;&lt;br /&gt;
&lt;/div&gt;&lt;br /&gt;
&lt;/div&gt;&lt;br /&gt;
&lt;/div&gt;&lt;br /&gt;
&lt;/div&gt;&lt;br /&gt;
&lt;/div&gt;&lt;/div&gt;</media:text>
    <media:credit role="author">Armando Taborda</media:credit>
  </item>
  <item>
    <title>Mahatma Gandhi</title>
    <link>https://www.ipernity.com/blog/armando.taborda/286758</link>
    <guid isPermaLink="false">tag:ipernity.com,2026-07-16,post-286758</guid>
    <pubDate>Thu, 16 Jul 2026 09:03:57 +0000</pubDate>
    <author>nobody@ipernity.com (Armando Taborda)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/armando.taborda"&gt;Armando Taborda&lt;/a&gt; has posted an article:&lt;/p&gt;&lt;div class="description"&gt;&lt;p&gt;&lt;span style="font-family:Impact;"&gt;&lt;span style="font-size:larger;"&gt;I learned the resistance's technique with Mahatma Gandhi&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;p&gt;&lt;span style="font-family:Impact;"&gt;&lt;span style="font-size:larger;"&gt;at the sacred river banks where famine swells bodies of cadavers&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;p&gt;&lt;span style="font-family:Impact;"&gt;&lt;span style="font-size:larger;"&gt;and divine cows pasture &lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;p&gt;&lt;span style="font-family:Impact;"&gt;&lt;span style="font-size:larger;"&gt;shiny&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;p&gt;&lt;span style="font-family:Impact;"&gt;&lt;span style="font-size:larger;"&gt;fats&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;p&gt;&lt;span style="font-family:Impact;"&gt;&lt;span style="font-size:larger;"&gt;with big horns of knowledge.&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;div&gt;&lt;br /&gt;
&lt;div&gt;&lt;br /&gt;
&lt;div&gt;&lt;br /&gt;
&lt;div&gt;&lt;br /&gt;
&lt;div&gt;&lt;/div&gt;&lt;br /&gt;
&lt;/div&gt;&lt;br /&gt;
&lt;/div&gt;&lt;br /&gt;
&lt;/div&gt;&lt;br /&gt;
&lt;span&gt;&lt;span&gt;&lt;span style="font-family:Impact;"&gt;A técnica da resistência aprendi-a com o Mahatma Gandhi&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;
&lt;p style="text-align:left;"&gt;&lt;span&gt;&lt;span&gt;&lt;span style="font-family:Impact;"&gt;nas margens do rio sagrado onde a fome incha os corpos dos cadáveres&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;p style="text-align:left;"&gt;&lt;span&gt;&lt;span&gt;&lt;span style="font-family:Impact;"&gt;e as vacas pastam divinas&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;p style="text-align:left;"&gt;&lt;span&gt;&lt;span&gt;&lt;span style="font-family:Impact;"&gt;luzidias&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;p style="text-align:left;"&gt;&lt;span&gt;&lt;span&gt;&lt;span style="font-family:Impact;"&gt;anafadas&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;p style="text-align:left;"&gt;&lt;span&gt;&lt;span&gt;&lt;span style="font-family:Impact;"&gt;e com grandes cornos de sabedoria.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;p style="text-align:left;"&gt;&lt;span style="font-family:Impact;"&gt;&lt;span style="font-family:Arial Black;"&gt;&lt;span style="font-size:xx-small;"&gt;&lt;span style="color:rgb(255,0,0);"&gt;&lt;i&gt;by Armando TABORDA, in "MANUAL DO DESPERDÍCIO", Ceres Editora, 1994&lt;br /&gt;&lt;br /&gt;
&lt;br /&gt;&lt;br /&gt;
&lt;/i&gt;(post 1st edition, 2015; 2nd edition, 2018; 3rd edition, 2026)&lt;br /&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;</description>
    <media:title>Mahatma Gandhi</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/armando.taborda"&gt;Armando Taborda&lt;/a&gt; has posted an article:&lt;/p&gt;&lt;div class="description"&gt;&lt;p&gt;&lt;span style="font-family:Impact;"&gt;&lt;span style="font-size:larger;"&gt;I learned the resistance's technique with Mahatma Gandhi&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;p&gt;&lt;span style="font-family:Impact;"&gt;&lt;span style="font-size:larger;"&gt;at the sacred river banks where famine swells bodies of cadavers&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;p&gt;&lt;span style="font-family:Impact;"&gt;&lt;span style="font-size:larger;"&gt;and divine cows pasture &lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;p&gt;&lt;span style="font-family:Impact;"&gt;&lt;span style="font-size:larger;"&gt;shiny&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;p&gt;&lt;span style="font-family:Impact;"&gt;&lt;span style="font-size:larger;"&gt;fats&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;p&gt;&lt;span style="font-family:Impact;"&gt;&lt;span style="font-size:larger;"&gt;with big horns of knowledge.&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;div&gt;&lt;br /&gt;
&lt;div&gt;&lt;br /&gt;
&lt;div&gt;&lt;br /&gt;
&lt;div&gt;&lt;br /&gt;
&lt;div&gt;&lt;/div&gt;&lt;br /&gt;
&lt;/div&gt;&lt;br /&gt;
&lt;/div&gt;&lt;br /&gt;
&lt;/div&gt;&lt;br /&gt;
&lt;span&gt;&lt;span&gt;&lt;span style="font-family:Impact;"&gt;A técnica da resistência aprendi-a com o Mahatma Gandhi&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;
&lt;p style="text-align:left;"&gt;&lt;span&gt;&lt;span&gt;&lt;span style="font-family:Impact;"&gt;nas margens do rio sagrado onde a fome incha os corpos dos cadáveres&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;p style="text-align:left;"&gt;&lt;span&gt;&lt;span&gt;&lt;span style="font-family:Impact;"&gt;e as vacas pastam divinas&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;p style="text-align:left;"&gt;&lt;span&gt;&lt;span&gt;&lt;span style="font-family:Impact;"&gt;luzidias&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;p style="text-align:left;"&gt;&lt;span&gt;&lt;span&gt;&lt;span style="font-family:Impact;"&gt;anafadas&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;p style="text-align:left;"&gt;&lt;span&gt;&lt;span&gt;&lt;span style="font-family:Impact;"&gt;e com grandes cornos de sabedoria.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;p style="text-align:left;"&gt;&lt;span style="font-family:Impact;"&gt;&lt;span style="font-family:Arial Black;"&gt;&lt;span style="font-size:xx-small;"&gt;&lt;span style="color:rgb(255,0,0);"&gt;&lt;i&gt;by Armando TABORDA, in "MANUAL DO DESPERDÍCIO", Ceres Editora, 1994&lt;br /&gt;&lt;br /&gt;
&lt;br /&gt;&lt;br /&gt;
&lt;/i&gt;(post 1st edition, 2015; 2nd edition, 2018; 3rd edition, 2026)&lt;br /&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;</media:text>
    <media:credit role="author">Armando Taborda</media:credit>
  </item>
  <item>
    <title>I Sink Into The Couch - Enterro-me No Sofá</title>
    <link>https://www.ipernity.com/blog/armando.taborda/370383</link>
    <guid isPermaLink="false">tag:ipernity.com,2026-07-08,post-370383</guid>
    <pubDate>Wed, 08 Jul 2026 10:25:34 +0000</pubDate>
    <author>nobody@ipernity.com (Armando Taborda)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/armando.taborda"&gt;Armando Taborda&lt;/a&gt; has posted an article:&lt;/p&gt;&lt;div class="description"&gt;&lt;div style="text-align:center;"&gt;&lt;strong&gt;&lt;span style="color:rgb(51, 153, 102);"&gt;&lt;span style="font-size:medium;"&gt;&lt;em&gt;&lt;span&gt;I Sink Into The Couch&lt;/span&gt;&lt;/em&gt;&lt;/span&gt;&lt;/span&gt;&lt;/strong&gt;&lt;span style="color:rgb(51, 153, 102);"&gt;&lt;span style="font-size:medium;"&gt;&lt;em&gt;&lt;span&gt;&lt;br /&gt;&lt;br /&gt;
&lt;br /&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/em&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;
&lt;div style="text-align:justify;"&gt;&lt;span style="font-size:small;"&gt;&lt;em&gt;&lt;span&gt;With an enormous effort I rise from my seat only to find that I still seem to be carrying it around with me, only now it's even heavier because it's become the seat of my own subjectivity.&lt;br /&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/em&gt;&lt;/span&gt;&lt;span style="text-align:right;"&gt;&lt;br /&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;
&lt;div style="text-align:right;"&gt;&lt;strong&gt;&lt;span style="text-align:right;"&gt;Bernardo Soares&lt;br /&gt;&lt;br /&gt;
&lt;br /&gt;&lt;br /&gt;
&lt;br /&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/strong&gt;&lt;/div&gt;&lt;br /&gt;
&lt;div style="text-align:justify;"&gt;&lt;strong&gt;&lt;span style="color:rgb(51, 153, 102);"&gt;&lt;span style="font-size:medium;"&gt;&lt;span&gt;I sink into the couch&lt;br /&gt;&lt;br /&gt;
pliable connoisseur of the body in my weight's gravity&lt;br /&gt;&lt;br /&gt;
at the concave without  elasticity due to the repeated movement&lt;br /&gt;&lt;br /&gt;
&lt;br /&gt;&lt;br /&gt;
and because writing has no weight&lt;br /&gt;&lt;br /&gt;
the couch doesn't know that besides the body&lt;br /&gt;&lt;br /&gt;
there is the lightness of thought&lt;br /&gt;&lt;br /&gt;
which doesn't accommodate itself&lt;br /&gt;&lt;br /&gt;
&lt;br /&gt;&lt;br /&gt;
either I stand up&lt;br /&gt;&lt;br /&gt;
or sit down.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/strong&gt;&lt;span style="color:rgb(51, 153, 102);"&gt;&lt;span style="font-size:medium;"&gt;&lt;span&gt;&lt;br /&gt;&lt;br /&gt;
&lt;br /&gt;&lt;br /&gt;
&lt;div&gt;&lt;br /&gt;
&lt;div&gt;&lt;br /&gt;
&lt;div&gt;&lt;br /&gt;
&lt;div&gt;&lt;br /&gt;
&lt;div&gt;&lt;/div&gt;&lt;br /&gt;
&lt;/div&gt;&lt;br /&gt;
&lt;/div&gt;&lt;br /&gt;
&lt;/div&gt;&lt;br /&gt;
&lt;/div&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:xx-small;"&gt;&lt;em&gt;&lt;font color="#339966" face="'Arial Black'"&gt;(to read the Portuguese version click on the picture)&lt;/font&gt;&lt;/em&gt;&lt;/span&gt;&lt;font color="#339966" face="'Arial Black'" size="3"&gt;&lt;br /&gt;&lt;br /&gt;
&lt;br /&gt;&lt;br /&gt;
&lt;span style="color:rgb(255, 0, 0);"&gt;&lt;span style="font-size:x-small;"&gt;Illustration by Fernando Grade&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;
&lt;br /&gt;&lt;br /&gt;
&lt;span style="font-size:x-small;"&gt;this text was previously edited at &lt;a href="https://www.ipernity.com/blog/armando.taborda/259756" target="_blank" rel="nofollow"&gt;www.ipernity.com/blog/armando.taborda/259756&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;
&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;
&lt;/font&gt;&lt;span style="font-size:x-small;"&gt;&lt;span style="color:rgb(0, 0, 0);"&gt;&lt;em&gt;&lt;span&gt;In VIOLA DELTA, Volume XLVIII, 2011 and "Sinfonia Em Dor Menor", 2007&lt;br /&gt;&lt;br /&gt;
&lt;br /&gt;&lt;br /&gt;
(&lt;/span&gt;&lt;/em&gt;&lt;span&gt;1st edition, 2012; 2nd edition, 2017, 3rd edition, 2026)&lt;br /&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;font color="#339966" face="'Arial Black'" size="3"&gt;&lt;br /&gt;&lt;br /&gt;
&lt;/font&gt;&lt;/div&gt;&lt;/div&gt;</description>
    <media:title>I Sink Into The Couch - Enterro-me No Sofá</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/armando.taborda"&gt;Armando Taborda&lt;/a&gt; has posted an article:&lt;/p&gt;&lt;div class="description"&gt;&lt;div style="text-align:center;"&gt;&lt;strong&gt;&lt;span style="color:rgb(51, 153, 102);"&gt;&lt;span style="font-size:medium;"&gt;&lt;em&gt;&lt;span&gt;I Sink Into The Couch&lt;/span&gt;&lt;/em&gt;&lt;/span&gt;&lt;/span&gt;&lt;/strong&gt;&lt;span style="color:rgb(51, 153, 102);"&gt;&lt;span style="font-size:medium;"&gt;&lt;em&gt;&lt;span&gt;&lt;br /&gt;&lt;br /&gt;
&lt;br /&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/em&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;
&lt;div style="text-align:justify;"&gt;&lt;span style="font-size:small;"&gt;&lt;em&gt;&lt;span&gt;With an enormous effort I rise from my seat only to find that I still seem to be carrying it around with me, only now it's even heavier because it's become the seat of my own subjectivity.&lt;br /&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/em&gt;&lt;/span&gt;&lt;span style="text-align:right;"&gt;&lt;br /&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;
&lt;div style="text-align:right;"&gt;&lt;strong&gt;&lt;span style="text-align:right;"&gt;Bernardo Soares&lt;br /&gt;&lt;br /&gt;
&lt;br /&gt;&lt;br /&gt;
&lt;br /&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/strong&gt;&lt;/div&gt;&lt;br /&gt;
&lt;div style="text-align:justify;"&gt;&lt;strong&gt;&lt;span style="color:rgb(51, 153, 102);"&gt;&lt;span style="font-size:medium;"&gt;&lt;span&gt;I sink into the couch&lt;br /&gt;&lt;br /&gt;
pliable connoisseur of the body in my weight's gravity&lt;br /&gt;&lt;br /&gt;
at the concave without  elasticity due to the repeated movement&lt;br /&gt;&lt;br /&gt;
&lt;br /&gt;&lt;br /&gt;
and because writing has no weight&lt;br /&gt;&lt;br /&gt;
the couch doesn't know that besides the body&lt;br /&gt;&lt;br /&gt;
there is the lightness of thought&lt;br /&gt;&lt;br /&gt;
which doesn't accommodate itself&lt;br /&gt;&lt;br /&gt;
&lt;br /&gt;&lt;br /&gt;
either I stand up&lt;br /&gt;&lt;br /&gt;
or sit down.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/strong&gt;&lt;span style="color:rgb(51, 153, 102);"&gt;&lt;span style="font-size:medium;"&gt;&lt;span&gt;&lt;br /&gt;&lt;br /&gt;
&lt;br /&gt;&lt;br /&gt;
&lt;div&gt;&lt;br /&gt;
&lt;div&gt;&lt;br /&gt;
&lt;div&gt;&lt;br /&gt;
&lt;div&gt;&lt;br /&gt;
&lt;div&gt;&lt;/div&gt;&lt;br /&gt;
&lt;/div&gt;&lt;br /&gt;
&lt;/div&gt;&lt;br /&gt;
&lt;/div&gt;&lt;br /&gt;
&lt;/div&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:xx-small;"&gt;&lt;em&gt;&lt;font color="#339966" face="'Arial Black'"&gt;(to read the Portuguese version click on the picture)&lt;/font&gt;&lt;/em&gt;&lt;/span&gt;&lt;font color="#339966" face="'Arial Black'" size="3"&gt;&lt;br /&gt;&lt;br /&gt;
&lt;br /&gt;&lt;br /&gt;
&lt;span style="color:rgb(255, 0, 0);"&gt;&lt;span style="font-size:x-small;"&gt;Illustration by Fernando Grade&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;
&lt;br /&gt;&lt;br /&gt;
&lt;span style="font-size:x-small;"&gt;this text was previously edited at &lt;a href="https://www.ipernity.com/blog/armando.taborda/259756" target="_blank" rel="nofollow"&gt;www.ipernity.com/blog/armando.taborda/259756&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;
&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;
&lt;/font&gt;&lt;span style="font-size:x-small;"&gt;&lt;span style="color:rgb(0, 0, 0);"&gt;&lt;em&gt;&lt;span&gt;In VIOLA DELTA, Volume XLVIII, 2011 and "Sinfonia Em Dor Menor", 2007&lt;br /&gt;&lt;br /&gt;
&lt;br /&gt;&lt;br /&gt;
(&lt;/span&gt;&lt;/em&gt;&lt;span&gt;1st edition, 2012; 2nd edition, 2017, 3rd edition, 2026)&lt;br /&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;font color="#339966" face="'Arial Black'" size="3"&gt;&lt;br /&gt;&lt;br /&gt;
&lt;/font&gt;&lt;/div&gt;&lt;/div&gt;</media:text>
    <media:credit role="author">Armando Taborda</media:credit>
  </item>
  <item>
    <title>Entropy - Entropia</title>
    <link>https://www.ipernity.com/blog/armando.taborda/621931</link>
    <guid isPermaLink="false">tag:ipernity.com,2026-06-30,post-621931</guid>
    <pubDate>Tue, 30 Jun 2026 10:04:18 +0000</pubDate>
    <author>nobody@ipernity.com (Armando Taborda)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/armando.taborda"&gt;Armando Taborda&lt;/a&gt; has posted an article:&lt;/p&gt;&lt;div class="description"&gt;&lt;div&gt;&lt;br /&gt;
&lt;div&gt;&lt;br /&gt;
&lt;div&gt;&lt;br /&gt;
&lt;div&gt;&lt;br /&gt;
&lt;div&gt;&lt;br /&gt;
&lt;div&gt;&lt;br /&gt;
&lt;div&gt;&lt;br /&gt;
&lt;div&gt;&lt;br /&gt;
&lt;div&gt;&lt;br /&gt;
&lt;div&gt;&lt;br /&gt;
&lt;div&gt;&lt;br /&gt;
&lt;div&gt;&lt;/div&gt;&lt;br /&gt;
&lt;/div&gt;&lt;br /&gt;
I fight against the entropy of life and world but sooner or later all collapses inside and outside me - from each piece of rubble I dream and through it I continue my aimless trip into nothing&lt;/div&gt;&lt;br /&gt;
&lt;/div&gt;&lt;br /&gt;
&lt;/div&gt;&lt;br /&gt;
&lt;/div&gt;&lt;br /&gt;
&lt;br /&gt;&lt;br /&gt;
/// &lt;br /&gt;&lt;br /&gt;
&lt;br /&gt;&lt;br /&gt;
Combato a entropia da vida e do mundo mas cedo ou tarde tudo colapsa dentro e fora de mim - faço de cada escombro um sonho e nele continuo minha viagem sem rumo pelo nada &lt;br /&gt;&lt;br /&gt;
&lt;br /&gt;&lt;br /&gt;
&lt;span style="font-size:smaller;"&gt;&lt;em&gt;by Armando TABORDA, 2013&lt;/em&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;
&lt;br /&gt;&lt;br /&gt;
&lt;span style="font-size:x-small;"&gt;(post 1st edition, 2015; 2nd edition, 2017; 3rd edition, 2020; 4th edition, 2026)&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;
&lt;/div&gt;&lt;br /&gt;
&lt;/div&gt;&lt;br /&gt;
&lt;/div&gt;&lt;br /&gt;
&lt;/div&gt;&lt;br /&gt;
&lt;/div&gt;&lt;/div&gt;</description>
    <media:title>Entropy - Entropia</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/armando.taborda"&gt;Armando Taborda&lt;/a&gt; has posted an article:&lt;/p&gt;&lt;div class="description"&gt;&lt;div&gt;&lt;br /&gt;
&lt;div&gt;&lt;br /&gt;
&lt;div&gt;&lt;br /&gt;
&lt;div&gt;&lt;br /&gt;
&lt;div&gt;&lt;br /&gt;
&lt;div&gt;&lt;br /&gt;
&lt;div&gt;&lt;br /&gt;
&lt;div&gt;&lt;br /&gt;
&lt;div&gt;&lt;br /&gt;
&lt;div&gt;&lt;br /&gt;
&lt;div&gt;&lt;br /&gt;
&lt;div&gt;&lt;/div&gt;&lt;br /&gt;
&lt;/div&gt;&lt;br /&gt;
I fight against the entropy of life and world but sooner or later all collapses inside and outside me - from each piece of rubble I dream and through it I continue my aimless trip into nothing&lt;/div&gt;&lt;br /&gt;
&lt;/div&gt;&lt;br /&gt;
&lt;/div&gt;&lt;br /&gt;
&lt;/div&gt;&lt;br /&gt;
&lt;br /&gt;&lt;br /&gt;
/// &lt;br /&gt;&lt;br /&gt;
&lt;br /&gt;&lt;br /&gt;
Combato a entropia da vida e do mundo mas cedo ou tarde tudo colapsa dentro e fora de mim - faço de cada escombro um sonho e nele continuo minha viagem sem rumo pelo nada &lt;br /&gt;&lt;br /&gt;
&lt;br /&gt;&lt;br /&gt;
&lt;span style="font-size:smaller;"&gt;&lt;em&gt;by Armando TABORDA, 2013&lt;/em&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;
&lt;br /&gt;&lt;br /&gt;
&lt;span style="font-size:x-small;"&gt;(post 1st edition, 2015; 2nd edition, 2017; 3rd edition, 2020; 4th edition, 2026)&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;
&lt;/div&gt;&lt;br /&gt;
&lt;/div&gt;&lt;br /&gt;
&lt;/div&gt;&lt;br /&gt;
&lt;/div&gt;&lt;br /&gt;
&lt;/div&gt;&lt;/div&gt;</media:text>
    <media:credit role="author">Armando Taborda</media:credit>
  </item>
  <item>
    <title>Anguish - Angústia</title>
    <link>https://www.ipernity.com/blog/armando.taborda/379627</link>
    <guid isPermaLink="false">tag:ipernity.com,2026-06-19,post-379627</guid>
    <pubDate>Fri, 19 Jun 2026 18:57:29 +0000</pubDate>
    <author>nobody@ipernity.com (Armando Taborda)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/armando.taborda"&gt;Armando Taborda&lt;/a&gt; has posted an article:&lt;/p&gt;&lt;div class="description"&gt;&lt;span style="color:rgb(51, 102, 255);"&gt;&lt;span style="font-size:larger;"&gt;Suddenly the anguish of not having you dominates me&lt;br /&gt;&lt;br /&gt;
my eyes look at the illuminated mountain's outline&lt;br /&gt;&lt;br /&gt;
far away&lt;br /&gt;&lt;br /&gt;
till the limit of liquid and mineral reflections where goes my thought towards dream&lt;br /&gt;&lt;br /&gt;
while I smoke my pipe&lt;br /&gt;&lt;br /&gt;
that reminds me many rooms where we made love&lt;br /&gt;&lt;br /&gt;
till the resting bodies clearness &lt;br /&gt;&lt;br /&gt;
in the sky&lt;br /&gt;&lt;br /&gt;
blue fascination where I dive&lt;br /&gt;&lt;br /&gt;
when I should carry on my work.&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;
&lt;div style="color:rgb(0, 0, 255);font-size:larger;"&gt;&lt;br /&gt;
&lt;div&gt;&lt;br /&gt;
&lt;div&gt;&lt;br /&gt;
&lt;div&gt;&lt;br /&gt;
&lt;div&gt;&lt;/div&gt;&lt;br /&gt;
&lt;/div&gt;&lt;br /&gt;
&lt;/div&gt;&lt;br /&gt;
&lt;/div&gt;&lt;br /&gt;
&lt;/div&gt;&lt;br /&gt;
&lt;font color="#0000ff"&gt;&lt;span style="font-size:larger;"&gt;Súbito a aflição de não te ter domina-me por intantes&lt;/span&gt;&lt;/font&gt;&lt;br /&gt;&lt;br /&gt;
&lt;font color="#0000ff"&gt;&lt;span style="font-size:larger;"&gt; meus olhos fitam o contorno da montanha iluminada&lt;/span&gt;&lt;/font&gt;&lt;br /&gt;&lt;br /&gt;
&lt;font color="#0000ff"&gt;&lt;span style="font-size:larger;"&gt; ao longe&lt;/span&gt;&lt;/font&gt;&lt;br /&gt;&lt;br /&gt;
&lt;font color="#0000ff"&gt;&lt;span style="font-size:larger;"&gt; até ao limite dos reflexos minerais e líquidos onde voa meu pensamento em direcção ao sonho&lt;/span&gt;&lt;/font&gt;&lt;br /&gt;&lt;br /&gt;
&lt;font color="#0000ff"&gt;&lt;span style="font-size:larger;"&gt; enquanto fumo meu cachimbo&lt;/span&gt;&lt;/font&gt;&lt;br /&gt;&lt;br /&gt;
&lt;font color="#0000ff"&gt;&lt;span style="font-size:larger;"&gt; que me recorda odores de quantos quartos onde nos amámos&lt;/span&gt;&lt;/font&gt;&lt;br /&gt;&lt;br /&gt;
&lt;font color="#0000ff"&gt;&lt;span style="font-size:larger;"&gt; até à limpidez dos corpos em repouso&lt;/span&gt;&lt;/font&gt;&lt;br /&gt;&lt;br /&gt;
&lt;font color="#0000ff"&gt;&lt;span style="font-size:larger;"&gt; no céu&lt;/span&gt;&lt;/font&gt;&lt;br /&gt;&lt;br /&gt;
&lt;font color="#0000ff"&gt;&lt;span style="font-size:larger;"&gt; fascínio azul onde mergulho&lt;/span&gt;&lt;/font&gt;&lt;br /&gt;&lt;br /&gt;
&lt;font color="#0000ff"&gt;&lt;span style="font-size:larger;"&gt; quando queria continuar a trabalhar.&lt;/span&gt;&lt;/font&gt;&lt;br /&gt;&lt;br /&gt;
&lt;br /&gt;&lt;br /&gt;
&lt;i style="color:rgb(255, 102, 0);font-size:x-small;"&gt;by Armando TABORDA, in "MANUAL DO DESPERDÍCIO",&lt;/i&gt;&lt;span style="color:rgb(0, 0, 255);"&gt;&lt;span style="font-size:larger;"&gt;&lt;span&gt;&lt;span style="color:rgb(255, 102, 0);"&gt;&lt;span style="font-size:x-small;"&gt;&lt;em&gt;&lt;span&gt; Ceres Editora, 1994&lt;br /&gt;&lt;br /&gt;
&lt;br /&gt;&lt;br /&gt;
(post 1st edition, 2012; 2nd edition, 2020; 3rd edition, 2023; 4th edition, 2026)&lt;br /&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/em&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;</description>
    <media:title>Anguish - Angústia</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/armando.taborda"&gt;Armando Taborda&lt;/a&gt; has posted an article:&lt;/p&gt;&lt;div class="description"&gt;&lt;span style="color:rgb(51, 102, 255);"&gt;&lt;span style="font-size:larger;"&gt;Suddenly the anguish of not having you dominates me&lt;br /&gt;&lt;br /&gt;
my eyes look at the illuminated mountain's outline&lt;br /&gt;&lt;br /&gt;
far away&lt;br /&gt;&lt;br /&gt;
till the limit of liquid and mineral reflections where goes my thought towards dream&lt;br /&gt;&lt;br /&gt;
while I smoke my pipe&lt;br /&gt;&lt;br /&gt;
that reminds me many rooms where we made love&lt;br /&gt;&lt;br /&gt;
till the resting bodies clearness &lt;br /&gt;&lt;br /&gt;
in the sky&lt;br /&gt;&lt;br /&gt;
blue fascination where I dive&lt;br /&gt;&lt;br /&gt;
when I should carry on my work.&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;
&lt;div style="color:rgb(0, 0, 255);font-size:larger;"&gt;&lt;br /&gt;
&lt;div&gt;&lt;br /&gt;
&lt;div&gt;&lt;br /&gt;
&lt;div&gt;&lt;br /&gt;
&lt;div&gt;&lt;/div&gt;&lt;br /&gt;
&lt;/div&gt;&lt;br /&gt;
&lt;/div&gt;&lt;br /&gt;
&lt;/div&gt;&lt;br /&gt;
&lt;/div&gt;&lt;br /&gt;
&lt;font color="#0000ff"&gt;&lt;span style="font-size:larger;"&gt;Súbito a aflição de não te ter domina-me por intantes&lt;/span&gt;&lt;/font&gt;&lt;br /&gt;&lt;br /&gt;
&lt;font color="#0000ff"&gt;&lt;span style="font-size:larger;"&gt; meus olhos fitam o contorno da montanha iluminada&lt;/span&gt;&lt;/font&gt;&lt;br /&gt;&lt;br /&gt;
&lt;font color="#0000ff"&gt;&lt;span style="font-size:larger;"&gt; ao longe&lt;/span&gt;&lt;/font&gt;&lt;br /&gt;&lt;br /&gt;
&lt;font color="#0000ff"&gt;&lt;span style="font-size:larger;"&gt; até ao limite dos reflexos minerais e líquidos onde voa meu pensamento em direcção ao sonho&lt;/span&gt;&lt;/font&gt;&lt;br /&gt;&lt;br /&gt;
&lt;font color="#0000ff"&gt;&lt;span style="font-size:larger;"&gt; enquanto fumo meu cachimbo&lt;/span&gt;&lt;/font&gt;&lt;br /&gt;&lt;br /&gt;
&lt;font color="#0000ff"&gt;&lt;span style="font-size:larger;"&gt; que me recorda odores de quantos quartos onde nos amámos&lt;/span&gt;&lt;/font&gt;&lt;br /&gt;&lt;br /&gt;
&lt;font color="#0000ff"&gt;&lt;span style="font-size:larger;"&gt; até à limpidez dos corpos em repouso&lt;/span&gt;&lt;/font&gt;&lt;br /&gt;&lt;br /&gt;
&lt;font color="#0000ff"&gt;&lt;span style="font-size:larger;"&gt; no céu&lt;/span&gt;&lt;/font&gt;&lt;br /&gt;&lt;br /&gt;
&lt;font color="#0000ff"&gt;&lt;span style="font-size:larger;"&gt; fascínio azul onde mergulho&lt;/span&gt;&lt;/font&gt;&lt;br /&gt;&lt;br /&gt;
&lt;font color="#0000ff"&gt;&lt;span style="font-size:larger;"&gt; quando queria continuar a trabalhar.&lt;/span&gt;&lt;/font&gt;&lt;br /&gt;&lt;br /&gt;
&lt;br /&gt;&lt;br /&gt;
&lt;i style="color:rgb(255, 102, 0);font-size:x-small;"&gt;by Armando TABORDA, in "MANUAL DO DESPERDÍCIO",&lt;/i&gt;&lt;span style="color:rgb(0, 0, 255);"&gt;&lt;span style="font-size:larger;"&gt;&lt;span&gt;&lt;span style="color:rgb(255, 102, 0);"&gt;&lt;span style="font-size:x-small;"&gt;&lt;em&gt;&lt;span&gt; Ceres Editora, 1994&lt;br /&gt;&lt;br /&gt;
&lt;br /&gt;&lt;br /&gt;
(post 1st edition, 2012; 2nd edition, 2020; 3rd edition, 2023; 4th edition, 2026)&lt;br /&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/em&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;</media:text>
    <media:credit role="author">Armando Taborda</media:credit>
  </item>
  <item>
    <title>Wrinkles - Rugas</title>
    <link>https://www.ipernity.com/blog/armando.taborda/59512</link>
    <guid isPermaLink="false">tag:ipernity.com,2026-06-09,post-59512</guid>
    <pubDate>Tue, 09 Jun 2026 09:02:54 +0000</pubDate>
    <author>nobody@ipernity.com (Armando Taborda)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/armando.taborda"&gt;Armando Taborda&lt;/a&gt; has posted an article:&lt;/p&gt;&lt;div class="description"&gt;&lt;p style="text-align:center;"&gt;&lt;strong&gt;&lt;em&gt;&lt;span style="font-family:Courier New;"&gt;&lt;span style="font-size:medium;"&gt;&lt;span style="color:rgb(0,0,128);"&gt;I feel the sun&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/em&gt;&lt;/strong&gt;&lt;/p&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;p style="text-align:center;"&gt;&lt;strong&gt;&lt;em&gt;&lt;span style="font-family:Courier New;"&gt;&lt;span style="font-size:medium;"&gt;&lt;span style="color:rgb(0,0,128);"&gt;in the wrinkles of my hands&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/em&gt;&lt;/strong&gt;&lt;/p&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;p style="text-align:center;"&gt;&lt;strong&gt;&lt;em&gt;&lt;span style="font-family:Courier New;"&gt;&lt;span style="font-size:medium;"&gt;&lt;span style="color:rgb(0,0,128);"&gt;empty of light&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/em&gt;&lt;/strong&gt;&lt;/p&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;p style="text-align:center;"&gt;&lt;strong&gt;&lt;em&gt;&lt;span style="font-family:Courier New;"&gt;&lt;span style="font-size:medium;"&gt;&lt;span style="color:rgb(0,0,128);"&gt;the shadows are&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/em&gt;&lt;/strong&gt;&lt;/p&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;p style="text-align:center;"&gt;&lt;strong&gt;&lt;em&gt;&lt;span style="font-family:Courier New;"&gt;&lt;span style="font-size:medium;"&gt;&lt;span style="color:rgb(0,0,128);"&gt;on the fingers&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/em&gt;&lt;/strong&gt;&lt;/p&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;p style="text-align:center;"&gt;&lt;strong&gt;&lt;em&gt;&lt;span style="font-family:Courier New;"&gt;&lt;span style="font-size:medium;"&gt;&lt;span style="color:rgb(0,0,128);"&gt;rings sparkling&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/em&gt;&lt;/strong&gt;&lt;/p&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;p style="text-align:center;"&gt;&lt;strong&gt;&lt;em&gt;&lt;span style="font-family:Courier New;"&gt;&lt;span style="font-size:medium;"&gt;&lt;span style="color:rgb(0,0,128);"&gt;the morning.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/em&gt;&lt;/strong&gt;&lt;/p&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;div&gt;&lt;br /&gt;
&lt;div&gt;&lt;br /&gt;
&lt;div&gt;&lt;br /&gt;
&lt;div&gt;&lt;br /&gt;
&lt;div&gt;&lt;br /&gt;
&lt;div&gt;&lt;br /&gt;
&lt;div&gt;&lt;br /&gt;
&lt;div&gt;&lt;br /&gt;
&lt;div&gt;&lt;br /&gt;
&lt;div&gt;&lt;/div&gt;&lt;br /&gt;
&lt;/div&gt;&lt;br /&gt;
&lt;/div&gt;&lt;br /&gt;
&lt;/div&gt;&lt;br /&gt;
&lt;/div&gt;&lt;br /&gt;
&lt;/div&gt;&lt;br /&gt;
&lt;/div&gt;&lt;br /&gt;
&lt;/div&gt;&lt;br /&gt;
&lt;/div&gt;&lt;br /&gt;
&lt;div style="text-align:center;"&gt;&lt;span style="color:rgb(0,0,128);"&gt;&lt;em&gt;&lt;strong&gt;&lt;span style="font-size:medium;"&gt;&lt;span style="font-family:Courier New;"&gt;Sinto o sol&lt;/span&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;
&lt;/div&gt;&lt;br /&gt;
&lt;p style="text-align:center;"&gt;&lt;span style="color:rgb(0,0,128);"&gt;&lt;em&gt;&lt;strong&gt;&lt;span style="font-size:medium;"&gt;&lt;span style="font-family:Courier New;"&gt;nas rugas de minhas mãos&lt;/span&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/em&gt;&lt;/span&gt;&lt;/p&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;p style="text-align:center;"&gt;&lt;span style="color:rgb(0,0,128);"&gt;&lt;em&gt;&lt;strong&gt;&lt;span style="font-size:medium;"&gt;&lt;span style="font-family:Courier New;"&gt;vazias de luz&lt;/span&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/em&gt;&lt;/span&gt;&lt;/p&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;p style="text-align:center;"&gt;&lt;span style="color:rgb(0,0,128);"&gt;&lt;em&gt;&lt;strong&gt;&lt;span style="font-size:medium;"&gt;&lt;span style="font-family:Courier New;"&gt;as sombras são &lt;/span&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/em&gt;&lt;/span&gt;&lt;/p&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;p style="text-align:center;"&gt;&lt;span style="color:rgb(0,0,128);"&gt;&lt;em&gt;&lt;strong&gt;&lt;span style="font-size:medium;"&gt;&lt;span style="font-family:Courier New;"&gt;nos dedos&lt;/span&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/em&gt;&lt;/span&gt;&lt;/p&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;p style="text-align:center;"&gt;&lt;span style="color:rgb(0,0,128);"&gt;&lt;em&gt;&lt;strong&gt;&lt;span style="font-size:medium;"&gt;&lt;span style="font-family:Courier New;"&gt;anéis que refulgem&lt;/span&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/em&gt;&lt;/span&gt;&lt;/p&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;p style="text-align:center;"&gt;&lt;span style="color:rgb(0,0,128);"&gt;&lt;em&gt;&lt;strong&gt;&lt;span style="font-size:medium;"&gt;&lt;span style="font-family:Courier New;"&gt;manhã.&lt;/span&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/em&gt;&lt;/span&gt;&lt;/p&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;p style="text-align:justify;"&gt;&lt;span style="font-family:Arial Black;"&gt;&lt;em&gt;&lt;span style="font-size:xx-small;"&gt;by Armado TABORDA, in "PALAVRAS, MÚSICAS E BLASFÉMIAS QUE ENVELHEÇO NA CIDADE", Ulmeiro Editores,1996&lt;br /&gt;&lt;br /&gt;
&lt;br /&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/em&gt;&lt;span style="font-size:xx-small;"&gt;(post 1st edition, 2015; 2nd edition, 2017; 3rd edition, 2021; 4th edition, 2024; 5th edition, 2026)&lt;/span&gt;&lt;em&gt;&lt;span style="font-size:xx-small;"&gt;&lt;br /&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/em&gt;&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;</description>
    <media:title>Wrinkles - Rugas</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/armando.taborda"&gt;Armando Taborda&lt;/a&gt; has posted an article:&lt;/p&gt;&lt;div class="description"&gt;&lt;p style="text-align:center;"&gt;&lt;strong&gt;&lt;em&gt;&lt;span style="font-family:Courier New;"&gt;&lt;span style="font-size:medium;"&gt;&lt;span style="color:rgb(0,0,128);"&gt;I feel the sun&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/em&gt;&lt;/strong&gt;&lt;/p&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;p style="text-align:center;"&gt;&lt;strong&gt;&lt;em&gt;&lt;span style="font-family:Courier New;"&gt;&lt;span style="font-size:medium;"&gt;&lt;span style="color:rgb(0,0,128);"&gt;in the wrinkles of my hands&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/em&gt;&lt;/strong&gt;&lt;/p&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;p style="text-align:center;"&gt;&lt;strong&gt;&lt;em&gt;&lt;span style="font-family:Courier New;"&gt;&lt;span style="font-size:medium;"&gt;&lt;span style="color:rgb(0,0,128);"&gt;empty of light&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/em&gt;&lt;/strong&gt;&lt;/p&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;p style="text-align:center;"&gt;&lt;strong&gt;&lt;em&gt;&lt;span style="font-family:Courier New;"&gt;&lt;span style="font-size:medium;"&gt;&lt;span style="color:rgb(0,0,128);"&gt;the shadows are&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/em&gt;&lt;/strong&gt;&lt;/p&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;p style="text-align:center;"&gt;&lt;strong&gt;&lt;em&gt;&lt;span style="font-family:Courier New;"&gt;&lt;span style="font-size:medium;"&gt;&lt;span style="color:rgb(0,0,128);"&gt;on the fingers&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/em&gt;&lt;/strong&gt;&lt;/p&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;p style="text-align:center;"&gt;&lt;strong&gt;&lt;em&gt;&lt;span style="font-family:Courier New;"&gt;&lt;span style="font-size:medium;"&gt;&lt;span style="color:rgb(0,0,128);"&gt;rings sparkling&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/em&gt;&lt;/strong&gt;&lt;/p&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;p style="text-align:center;"&gt;&lt;strong&gt;&lt;em&gt;&lt;span style="font-family:Courier New;"&gt;&lt;span style="font-size:medium;"&gt;&lt;span style="color:rgb(0,0,128);"&gt;the morning.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/em&gt;&lt;/strong&gt;&lt;/p&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;div&gt;&lt;br /&gt;
&lt;div&gt;&lt;br /&gt;
&lt;div&gt;&lt;br /&gt;
&lt;div&gt;&lt;br /&gt;
&lt;div&gt;&lt;br /&gt;
&lt;div&gt;&lt;br /&gt;
&lt;div&gt;&lt;br /&gt;
&lt;div&gt;&lt;br /&gt;
&lt;div&gt;&lt;br /&gt;
&lt;div&gt;&lt;/div&gt;&lt;br /&gt;
&lt;/div&gt;&lt;br /&gt;
&lt;/div&gt;&lt;br /&gt;
&lt;/div&gt;&lt;br /&gt;
&lt;/div&gt;&lt;br /&gt;
&lt;/div&gt;&lt;br /&gt;
&lt;/div&gt;&lt;br /&gt;
&lt;/div&gt;&lt;br /&gt;
&lt;/div&gt;&lt;br /&gt;
&lt;div style="text-align:center;"&gt;&lt;span style="color:rgb(0,0,128);"&gt;&lt;em&gt;&lt;strong&gt;&lt;span style="font-size:medium;"&gt;&lt;span style="font-family:Courier New;"&gt;Sinto o sol&lt;/span&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;
&lt;/div&gt;&lt;br /&gt;
&lt;p style="text-align:center;"&gt;&lt;span style="color:rgb(0,0,128);"&gt;&lt;em&gt;&lt;strong&gt;&lt;span style="font-size:medium;"&gt;&lt;span style="font-family:Courier New;"&gt;nas rugas de minhas mãos&lt;/span&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/em&gt;&lt;/span&gt;&lt;/p&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;p style="text-align:center;"&gt;&lt;span style="color:rgb(0,0,128);"&gt;&lt;em&gt;&lt;strong&gt;&lt;span style="font-size:medium;"&gt;&lt;span style="font-family:Courier New;"&gt;vazias de luz&lt;/span&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/em&gt;&lt;/span&gt;&lt;/p&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;p style="text-align:center;"&gt;&lt;span style="color:rgb(0,0,128);"&gt;&lt;em&gt;&lt;strong&gt;&lt;span style="font-size:medium;"&gt;&lt;span style="font-family:Courier New;"&gt;as sombras são &lt;/span&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/em&gt;&lt;/span&gt;&lt;/p&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;p style="text-align:center;"&gt;&lt;span style="color:rgb(0,0,128);"&gt;&lt;em&gt;&lt;strong&gt;&lt;span style="font-size:medium;"&gt;&lt;span style="font-family:Courier New;"&gt;nos dedos&lt;/span&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/em&gt;&lt;/span&gt;&lt;/p&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;p style="text-align:center;"&gt;&lt;span style="color:rgb(0,0,128);"&gt;&lt;em&gt;&lt;strong&gt;&lt;span style="font-size:medium;"&gt;&lt;span style="font-family:Courier New;"&gt;anéis que refulgem&lt;/span&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/em&gt;&lt;/span&gt;&lt;/p&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;p style="text-align:center;"&gt;&lt;span style="color:rgb(0,0,128);"&gt;&lt;em&gt;&lt;strong&gt;&lt;span style="font-size:medium;"&gt;&lt;span style="font-family:Courier New;"&gt;manhã.&lt;/span&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/em&gt;&lt;/span&gt;&lt;/p&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;p style="text-align:justify;"&gt;&lt;span style="font-family:Arial Black;"&gt;&lt;em&gt;&lt;span style="font-size:xx-small;"&gt;by Armado TABORDA, in "PALAVRAS, MÚSICAS E BLASFÉMIAS QUE ENVELHEÇO NA CIDADE", Ulmeiro Editores,1996&lt;br /&gt;&lt;br /&gt;
&lt;br /&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/em&gt;&lt;span style="font-size:xx-small;"&gt;(post 1st edition, 2015; 2nd edition, 2017; 3rd edition, 2021; 4th edition, 2024; 5th edition, 2026)&lt;/span&gt;&lt;em&gt;&lt;span style="font-size:xx-small;"&gt;&lt;br /&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/em&gt;&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;</media:text>
    <media:credit role="author">Armando Taborda</media:credit>
  </item>
  <item>
    <title>Manuscript - Manuscrito</title>
    <link>https://www.ipernity.com/blog/armando.taborda/4740168</link>
    <guid isPermaLink="false">tag:ipernity.com,2026-05-28,post-4740168</guid>
    <pubDate>Thu, 28 May 2026 09:28:55 +0000</pubDate>
    <author>nobody@ipernity.com (Armando Taborda)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/armando.taborda"&gt;Armando Taborda&lt;/a&gt; has posted an article:&lt;/p&gt;&lt;div class="description"&gt;&lt;div style="text-align:justify;"&gt;A few days ago, my step daughter Cristina Brito went to the beach but forgot her Moleskine Notebook. The only similar thing she had on hand was an old Círculo de Leitores novel, in the handag, for travelling reading. It was there in the margins and blank spaces she wrote.&lt;br /&gt;&lt;br /&gt;
&lt;br /&gt;&lt;br /&gt;
The precision of her manuscript is also incredible, without amendments or scibbles, as if it were the text final version; so clean, smooth and elegant as the hands that wrote it.&lt;br /&gt;&lt;br /&gt;
&lt;div&gt;&lt;br /&gt;
&lt;div&gt;&lt;/div&gt;&lt;br /&gt;
&lt;/div&gt;&lt;br /&gt;
Há dias a minha enteada Cristina Brito foi à praia mas esqueceu-se do Caderno Moleskine. A única coisa parecida que tinha à mão era um antigo romance do Círculo de Leitores, no saco, para leitura itinerante. Foi aí, nas margens e espaços em branco do livro que escreveu.&lt;br /&gt;&lt;br /&gt;
&lt;br /&gt;&lt;br /&gt;
Incrível ainda a precisão do seu manuscrito, sem emendas nem rabiscos, como se fosse a versão final do texto; limpo, escorreito e elegante como as mãos que o escreveram.&lt;br /&gt;&lt;br /&gt;
&lt;br /&gt;&lt;br /&gt;
by Armando TABORDA, 2022&lt;br /&gt;&lt;br /&gt;
&lt;br /&gt;&lt;br /&gt;
(post 1st edition, 2022; 2nd edition, 2026)&lt;/div&gt;&lt;/div&gt;</description>
    <media:title>Manuscript - Manuscrito</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/armando.taborda"&gt;Armando Taborda&lt;/a&gt; has posted an article:&lt;/p&gt;&lt;div class="description"&gt;&lt;div style="text-align:justify;"&gt;A few days ago, my step daughter Cristina Brito went to the beach but forgot her Moleskine Notebook. The only similar thing she had on hand was an old Círculo de Leitores novel, in the handag, for travelling reading. It was there in the margins and blank spaces she wrote.&lt;br /&gt;&lt;br /&gt;
&lt;br /&gt;&lt;br /&gt;
The precision of her manuscript is also incredible, without amendments or scibbles, as if it were the text final version; so clean, smooth and elegant as the hands that wrote it.&lt;br /&gt;&lt;br /&gt;
&lt;div&gt;&lt;br /&gt;
&lt;div&gt;&lt;/div&gt;&lt;br /&gt;
&lt;/div&gt;&lt;br /&gt;
Há dias a minha enteada Cristina Brito foi à praia mas esqueceu-se do Caderno Moleskine. A única coisa parecida que tinha à mão era um antigo romance do Círculo de Leitores, no saco, para leitura itinerante. Foi aí, nas margens e espaços em branco do livro que escreveu.&lt;br /&gt;&lt;br /&gt;
&lt;br /&gt;&lt;br /&gt;
Incrível ainda a precisão do seu manuscrito, sem emendas nem rabiscos, como se fosse a versão final do texto; limpo, escorreito e elegante como as mãos que o escreveram.&lt;br /&gt;&lt;br /&gt;
&lt;br /&gt;&lt;br /&gt;
by Armando TABORDA, 2022&lt;br /&gt;&lt;br /&gt;
&lt;br /&gt;&lt;br /&gt;
(post 1st edition, 2022; 2nd edition, 2026)&lt;/div&gt;&lt;/div&gt;</media:text>
    <media:credit role="author">Armando Taborda</media:credit>
  </item>
  <item>
    <title>Stream of Words - Torrente de Palavras</title>
    <link>https://www.ipernity.com/blog/armando.taborda/402851</link>
    <guid isPermaLink="false">tag:ipernity.com,2026-05-19,post-402851</guid>
    <pubDate>Tue, 19 May 2026 09:45:30 +0000</pubDate>
    <author>nobody@ipernity.com (Armando Taborda)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/armando.taborda"&gt;Armando Taborda&lt;/a&gt; has posted an article:&lt;/p&gt;&lt;div class="description"&gt;&lt;div style="text-align:justify;"&gt;My high school colleague, friend and great writer &lt;strong&gt;Antóno Lobo Antunes&lt;/strong&gt;, several times designated as candidate to the Nobel Prize of Literature, frequently says isn't him the writer: he only gives home to the stream of falling words on the paper which self-generate the text. The plot should be re-interpreted by each reader.&lt;br /&gt;&lt;br /&gt;
&lt;br /&gt;&lt;br /&gt;
So do I. From the words of my semantic exercise too much written and repeated the recurrent poet' speech shows through.&lt;br /&gt;&lt;br /&gt;
&lt;div&gt;&lt;br /&gt;
&lt;div&gt;&lt;/div&gt;&lt;br /&gt;
&lt;/div&gt;&lt;br /&gt;
O meu colega de liceu, amigo e grande escritor &lt;strong&gt;António Lobo Antunes&lt;/strong&gt;, diversas vezes nomeado candidato ao Prémio Nobel da Literartura, diz frequentemente não ser ele o escritor: sòmente dá corpo à torrente de palavras que caem no papel auto-gerando o texto. Cada leitor deverá reinterpretar a história escrita.&lt;br /&gt;&lt;br /&gt;
&lt;br /&gt;&lt;br /&gt;
Também eu. Das palavras do meu semântico exercício tantas vezes escritas e repetidas transparece o recorrente discurso do poeta. &lt;br /&gt;&lt;br /&gt;
&lt;br /&gt;&lt;br /&gt;
&lt;span style="color:rgb(0, 0, 255);"&gt;&lt;em&gt;&lt;span style="font-size:small;"&gt;&lt;span&gt;by Armando TABORDA, 2012&lt;br /&gt;&lt;br /&gt;
&lt;br /&gt;&lt;br /&gt;
(post 1st edition, 2012; 2nd edition, 2026)&lt;br /&gt;&lt;br /&gt;
&lt;br /&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/span&gt;&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;</description>
    <media:title>Stream of Words - Torrente de Palavras</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/armando.taborda"&gt;Armando Taborda&lt;/a&gt; has posted an article:&lt;/p&gt;&lt;div class="description"&gt;&lt;div style="text-align:justify;"&gt;My high school colleague, friend and great writer &lt;strong&gt;Antóno Lobo Antunes&lt;/strong&gt;, several times designated as candidate to the Nobel Prize of Literature, frequently says isn't him the writer: he only gives home to the stream of falling words on the paper which self-generate the text. The plot should be re-interpreted by each reader.&lt;br /&gt;&lt;br /&gt;
&lt;br /&gt;&lt;br /&gt;
So do I. From the words of my semantic exercise too much written and repeated the recurrent poet' speech shows through.&lt;br /&gt;&lt;br /&gt;
&lt;div&gt;&lt;br /&gt;
&lt;div&gt;&lt;/div&gt;&lt;br /&gt;
&lt;/div&gt;&lt;br /&gt;
O meu colega de liceu, amigo e grande escritor &lt;strong&gt;António Lobo Antunes&lt;/strong&gt;, diversas vezes nomeado candidato ao Prémio Nobel da Literartura, diz frequentemente não ser ele o escritor: sòmente dá corpo à torrente de palavras que caem no papel auto-gerando o texto. Cada leitor deverá reinterpretar a história escrita.&lt;br /&gt;&lt;br /&gt;
&lt;br /&gt;&lt;br /&gt;
Também eu. Das palavras do meu semântico exercício tantas vezes escritas e repetidas transparece o recorrente discurso do poeta. &lt;br /&gt;&lt;br /&gt;
&lt;br /&gt;&lt;br /&gt;
&lt;span style="color:rgb(0, 0, 255);"&gt;&lt;em&gt;&lt;span style="font-size:small;"&gt;&lt;span&gt;by Armando TABORDA, 2012&lt;br /&gt;&lt;br /&gt;
&lt;br /&gt;&lt;br /&gt;
(post 1st edition, 2012; 2nd edition, 2026)&lt;br /&gt;&lt;br /&gt;
&lt;br /&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/span&gt;&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;</media:text>
    <media:credit role="author">Armando Taborda</media:credit>
  </item>
  <item>
    <title>TWILIGHT - CREPÚSCULO</title>
    <link>https://www.ipernity.com/blog/armando.taborda/4704024</link>
    <guid isPermaLink="false">tag:ipernity.com,2026-05-11,post-4704024</guid>
    <pubDate>Mon, 11 May 2026 09:09:13 +0000</pubDate>
    <author>nobody@ipernity.com (Armando Taborda)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/armando.taborda"&gt;Armando Taborda&lt;/a&gt; has posted an article:&lt;/p&gt;&lt;div class="description"&gt;There is&lt;br /&gt;&lt;br /&gt;
something indelible in late afternoon&lt;br /&gt;&lt;br /&gt;
almost night&lt;br /&gt;&lt;br /&gt;
as if the tenderness that falls on the warm &lt;br /&gt;&lt;br /&gt;
and humid city&lt;br /&gt;&lt;br /&gt;
was a sensual curtain that hides you from me&lt;br /&gt;&lt;br /&gt;
&lt;br /&gt;&lt;br /&gt;
behind the window&lt;br /&gt;&lt;br /&gt;
I look on the treetops at the avenue&lt;br /&gt;&lt;br /&gt;
they drip varnishes on parked cars&lt;br /&gt;&lt;br /&gt;
scars on bodies recently returned home&lt;br /&gt;&lt;br /&gt;
&lt;br /&gt;&lt;br /&gt;
look behind windows&lt;br /&gt;&lt;br /&gt;
over the treetops&lt;br /&gt;&lt;br /&gt;
looking for someting indelible&lt;br /&gt;&lt;br /&gt;
early evening&lt;br /&gt;&lt;br /&gt;
&lt;div&gt;&lt;br /&gt;
&lt;div&gt;&lt;br /&gt;
&lt;div&gt;&lt;br /&gt;
&lt;div&gt;&lt;/div&gt;&lt;br /&gt;
&lt;/div&gt;&lt;br /&gt;
Há&lt;/div&gt;&lt;br /&gt;
&lt;/div&gt;&lt;br /&gt;
qualquer coisa indelével no fim da tarde&lt;br /&gt;&lt;br /&gt;
quase noite&lt;br /&gt;&lt;br /&gt;
como se a ternura que cai na cidade cálida&lt;br /&gt;&lt;br /&gt;
e húmida&lt;br /&gt;&lt;br /&gt;
fosse uma cortina sensual a esconder-te de mim&lt;br /&gt;&lt;br /&gt;
&lt;br /&gt;&lt;br /&gt;
por detrás da janela&lt;br /&gt;&lt;br /&gt;
olho para as copas das árvores na avenida&lt;br /&gt;&lt;br /&gt;
pingam vernizes sobre os carros estacionados&lt;br /&gt;&lt;br /&gt;
cicatrizes nos corpos recém regressados a casa&lt;br /&gt;&lt;br /&gt;
&lt;br /&gt;&lt;br /&gt;
olham por detrás das janelas&lt;br /&gt;&lt;br /&gt;
sobre as copas das árvores&lt;br /&gt;&lt;br /&gt;
à procura de algo indelével&lt;br /&gt;&lt;br /&gt;
no começo da noite&lt;br /&gt;&lt;br /&gt;
&lt;br /&gt;&lt;br /&gt;
by Armando TABORDA, 2018&lt;br /&gt;&lt;br /&gt;
&lt;br /&gt;&lt;br /&gt;
(post 1st edition, 2018; 2nd edition, 2022; 3rd edition, 2026)&lt;br /&gt;&lt;br /&gt;
&lt;br /&gt;&lt;/div&gt;</description>
    <media:title>TWILIGHT - CREPÚSCULO</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/armando.taborda"&gt;Armando Taborda&lt;/a&gt; has posted an article:&lt;/p&gt;&lt;div class="description"&gt;There is&lt;br /&gt;&lt;br /&gt;
something indelible in late afternoon&lt;br /&gt;&lt;br /&gt;
almost night&lt;br /&gt;&lt;br /&gt;
as if the tenderness that falls on the warm &lt;br /&gt;&lt;br /&gt;
and humid city&lt;br /&gt;&lt;br /&gt;
was a sensual curtain that hides you from me&lt;br /&gt;&lt;br /&gt;
&lt;br /&gt;&lt;br /&gt;
behind the window&lt;br /&gt;&lt;br /&gt;
I look on the treetops at the avenue&lt;br /&gt;&lt;br /&gt;
they drip varnishes on parked cars&lt;br /&gt;&lt;br /&gt;
scars on bodies recently returned home&lt;br /&gt;&lt;br /&gt;
&lt;br /&gt;&lt;br /&gt;
look behind windows&lt;br /&gt;&lt;br /&gt;
over the treetops&lt;br /&gt;&lt;br /&gt;
looking for someting indelible&lt;br /&gt;&lt;br /&gt;
early evening&lt;br /&gt;&lt;br /&gt;
&lt;div&gt;&lt;br /&gt;
&lt;div&gt;&lt;br /&gt;
&lt;div&gt;&lt;br /&gt;
&lt;div&gt;&lt;/div&gt;&lt;br /&gt;
&lt;/div&gt;&lt;br /&gt;
Há&lt;/div&gt;&lt;br /&gt;
&lt;/div&gt;&lt;br /&gt;
qualquer coisa indelével no fim da tarde&lt;br /&gt;&lt;br /&gt;
quase noite&lt;br /&gt;&lt;br /&gt;
como se a ternura que cai na cidade cálida&lt;br /&gt;&lt;br /&gt;
e húmida&lt;br /&gt;&lt;br /&gt;
fosse uma cortina sensual a esconder-te de mim&lt;br /&gt;&lt;br /&gt;
&lt;br /&gt;&lt;br /&gt;
por detrás da janela&lt;br /&gt;&lt;br /&gt;
olho para as copas das árvores na avenida&lt;br /&gt;&lt;br /&gt;
pingam vernizes sobre os carros estacionados&lt;br /&gt;&lt;br /&gt;
cicatrizes nos corpos recém regressados a casa&lt;br /&gt;&lt;br /&gt;
&lt;br /&gt;&lt;br /&gt;
olham por detrás das janelas&lt;br /&gt;&lt;br /&gt;
sobre as copas das árvores&lt;br /&gt;&lt;br /&gt;
à procura de algo indelével&lt;br /&gt;&lt;br /&gt;
no começo da noite&lt;br /&gt;&lt;br /&gt;
&lt;br /&gt;&lt;br /&gt;
by Armando TABORDA, 2018&lt;br /&gt;&lt;br /&gt;
&lt;br /&gt;&lt;br /&gt;
(post 1st edition, 2018; 2nd edition, 2022; 3rd edition, 2026)&lt;br /&gt;&lt;br /&gt;
&lt;br /&gt;&lt;/div&gt;</media:text>
    <media:credit role="author">Armando Taborda</media:credit>
  </item>
  <item>
    <title>Nude Body - Corpo Nú</title>
    <link>https://www.ipernity.com/blog/armando.taborda/135727</link>
    <guid isPermaLink="false">tag:ipernity.com,2026-05-02,post-135727</guid>
    <pubDate>Sat, 02 May 2026 17:27:54 +0000</pubDate>
    <author>nobody@ipernity.com (Armando Taborda)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/armando.taborda"&gt;Armando Taborda&lt;/a&gt; has posted an article:&lt;/p&gt;&lt;div class="description"&gt;&lt;p style="text-align:center;"&gt;&lt;span style="font-family:Arial Black;"&gt;&lt;strong&gt;&lt;em&gt;&lt;span style="font-size:medium;"&gt;&lt;span style="color:rgb(0, 0, 255);"&gt;Breathing is light&lt;/span&gt;&lt;/span&gt;&lt;/em&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;p style="text-align:center;"&gt;&lt;span style="font-family:Arial Black;"&gt;&lt;strong&gt;&lt;em&gt;&lt;span style="font-size:medium;"&gt;&lt;span style="color:rgb(0, 0, 255);"&gt;and serene&lt;/span&gt;&lt;/span&gt;&lt;/em&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;p style="text-align:center;"&gt;&lt;span style="font-family:Arial Black;"&gt;&lt;strong&gt;&lt;em&gt;&lt;span style="font-size:medium;"&gt;&lt;span style="color:rgb(0, 0, 255);"&gt;morning grows up warm&lt;/span&gt;&lt;/span&gt;&lt;/em&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;p style="text-align:center;"&gt;&lt;span style="font-family:Arial Black;"&gt;&lt;strong&gt;&lt;em&gt;&lt;span style="font-size:medium;"&gt;&lt;span style="color:rgb(0, 0, 255);"&gt;and bright&lt;/span&gt;&lt;/span&gt;&lt;/em&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;&lt;br /&gt;
&lt;br /&gt;&lt;br /&gt;
&lt;p style="text-align:center;"&gt;&lt;span style="font-family:Arial Black;"&gt;&lt;strong&gt;&lt;em&gt;&lt;span style="font-size:medium;"&gt;&lt;span style="color:rgb(0, 0, 255);"&gt;in the skin&lt;/span&gt;&lt;/span&gt;&lt;/em&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;&lt;br /&gt;
&lt;br /&gt;&lt;br /&gt;
&lt;p style="text-align:center;"&gt;&lt;span style="font-family:Arial Black;"&gt;&lt;strong&gt;&lt;em&gt;&lt;span style="font-size:medium;"&gt;&lt;span style="color:rgb(0, 0, 255);"&gt;the body&lt;/span&gt;&lt;/span&gt;&lt;/em&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;p style="text-align:center;"&gt;&lt;span style="font-family:Arial Black;"&gt;&lt;strong&gt;&lt;em&gt;&lt;span style="font-size:medium;"&gt;&lt;span style="color:rgb(0, 0, 255);"&gt;doesn't desire&lt;/span&gt;&lt;/span&gt;&lt;/em&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;p style="text-align:center;"&gt;&lt;span style="font-family:Arial Black;"&gt;&lt;strong&gt;&lt;em&gt;&lt;span style="font-size:medium;"&gt;&lt;span style="color:rgb(0, 0, 255);"&gt;to get dressed.&lt;/span&gt;&lt;/span&gt;&lt;/em&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;div&gt;&lt;strong&gt;&lt;em&gt;&lt;br /&gt;
&lt;div&gt;&lt;br /&gt;
&lt;div&gt;&lt;br /&gt;
&lt;div&gt;&lt;br /&gt;
&lt;div&gt;&lt;/div&gt;&lt;br /&gt;
&lt;/div&gt;&lt;br /&gt;
&lt;/div&gt;&lt;br /&gt;
&lt;/div&gt;&lt;br /&gt;
&lt;/em&gt;&lt;/strong&gt;&lt;/div&gt;&lt;br /&gt;
&lt;p style="text-align:center;"&gt;&lt;strong&gt;&lt;em&gt;&lt;span style="font-family:Arial Black;"&gt;&lt;span style="font-size:medium;"&gt;&lt;span style="color:rgb(0, 0, 255);"&gt;A respiração é leve&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/em&gt;&lt;/strong&gt;&lt;/p&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;p style="text-align:center;"&gt;&lt;strong&gt;&lt;em&gt;&lt;span style="font-family:Arial Black;"&gt;&lt;span style="font-size:medium;"&gt;&lt;span style="color:rgb(0, 0, 255);"&gt;e serena&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/em&gt;&lt;/strong&gt;&lt;/p&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;p style="text-align:center;"&gt;&lt;strong&gt;&lt;em&gt;&lt;span style="font-family:Arial Black;"&gt;&lt;span style="font-size:medium;"&gt;&lt;span style="color:rgb(0, 0, 255);"&gt;a manhã cresce cálida&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/em&gt;&lt;/strong&gt;&lt;/p&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;p style="text-align:center;"&gt;&lt;strong&gt;&lt;em&gt;&lt;span style="font-family:Arial Black;"&gt;&lt;span style="font-size:medium;"&gt;&lt;span style="color:rgb(0, 0, 255);"&gt;e rútila&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/em&gt;&lt;/strong&gt;&lt;/p&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;&lt;br /&gt;
&lt;br /&gt;&lt;br /&gt;
&lt;p style="text-align:center;"&gt;&lt;strong&gt;&lt;em&gt;&lt;span style="font-family:Arial Black;"&gt;&lt;span style="font-size:medium;"&gt;&lt;span style="color:rgb(0, 0, 255);"&gt;na pele&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/em&gt;&lt;/strong&gt;&lt;/p&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;&lt;br /&gt;
&lt;br /&gt;&lt;br /&gt;
&lt;p style="text-align:center;"&gt;&lt;strong&gt;&lt;em&gt;&lt;span style="font-family:Arial Black;"&gt;&lt;span style="font-size:medium;"&gt;&lt;span style="color:rgb(0, 0, 255);"&gt;o corpo&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/em&gt;&lt;/strong&gt;&lt;/p&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;p style="text-align:center;"&gt;&lt;strong&gt;&lt;em&gt;&lt;span style="font-family:Arial Black;"&gt;&lt;span style="font-size:medium;"&gt;&lt;span style="color:rgb(0, 0, 255);"&gt;não deseja &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/em&gt;&lt;/strong&gt;&lt;/p&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;p style="text-align:center;"&gt;&lt;strong&gt;&lt;em&gt;&lt;span style="font-family:Arial Black;"&gt;&lt;span style="font-size:medium;"&gt;&lt;span style="color:rgb(0, 0, 255);"&gt;vestir-se.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/em&gt;&lt;/strong&gt;&lt;/p&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;p style="text-align:left;"&gt;&lt;span style="font-family:Arial Black;"&gt;&lt;span style="font-size:medium;"&gt;&lt;span style="color:rgb(0, 0, 255);"&gt;&lt;span style="font-size:xx-small;"&gt;&lt;em&gt;&lt;span style="color:rgb(0, 0, 0);"&gt;by Armando TABORDA, in "SonhoGrafias", Universitária Editora, 2000&lt;br /&gt;&lt;br /&gt;
&lt;br /&gt;&lt;br /&gt;
(post 1st edition, 2006; 2nd edition, 2023; 3rd edition, 2026)&lt;/span&gt;&lt;/em&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;</description>
    <media:title>Nude Body - Corpo Nú</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/armando.taborda"&gt;Armando Taborda&lt;/a&gt; has posted an article:&lt;/p&gt;&lt;div class="description"&gt;&lt;p style="text-align:center;"&gt;&lt;span style="font-family:Arial Black;"&gt;&lt;strong&gt;&lt;em&gt;&lt;span style="font-size:medium;"&gt;&lt;span style="color:rgb(0, 0, 255);"&gt;Breathing is light&lt;/span&gt;&lt;/span&gt;&lt;/em&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;p style="text-align:center;"&gt;&lt;span style="font-family:Arial Black;"&gt;&lt;strong&gt;&lt;em&gt;&lt;span style="font-size:medium;"&gt;&lt;span style="color:rgb(0, 0, 255);"&gt;and serene&lt;/span&gt;&lt;/span&gt;&lt;/em&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;p style="text-align:center;"&gt;&lt;span style="font-family:Arial Black;"&gt;&lt;strong&gt;&lt;em&gt;&lt;span style="font-size:medium;"&gt;&lt;span style="color:rgb(0, 0, 255);"&gt;morning grows up warm&lt;/span&gt;&lt;/span&gt;&lt;/em&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;p style="text-align:center;"&gt;&lt;span style="font-family:Arial Black;"&gt;&lt;strong&gt;&lt;em&gt;&lt;span style="font-size:medium;"&gt;&lt;span style="color:rgb(0, 0, 255);"&gt;and bright&lt;/span&gt;&lt;/span&gt;&lt;/em&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;&lt;br /&gt;
&lt;br /&gt;&lt;br /&gt;
&lt;p style="text-align:center;"&gt;&lt;span style="font-family:Arial Black;"&gt;&lt;strong&gt;&lt;em&gt;&lt;span style="font-size:medium;"&gt;&lt;span style="color:rgb(0, 0, 255);"&gt;in the skin&lt;/span&gt;&lt;/span&gt;&lt;/em&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;&lt;br /&gt;
&lt;br /&gt;&lt;br /&gt;
&lt;p style="text-align:center;"&gt;&lt;span style="font-family:Arial Black;"&gt;&lt;strong&gt;&lt;em&gt;&lt;span style="font-size:medium;"&gt;&lt;span style="color:rgb(0, 0, 255);"&gt;the body&lt;/span&gt;&lt;/span&gt;&lt;/em&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;p style="text-align:center;"&gt;&lt;span style="font-family:Arial Black;"&gt;&lt;strong&gt;&lt;em&gt;&lt;span style="font-size:medium;"&gt;&lt;span style="color:rgb(0, 0, 255);"&gt;doesn't desire&lt;/span&gt;&lt;/span&gt;&lt;/em&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;p style="text-align:center;"&gt;&lt;span style="font-family:Arial Black;"&gt;&lt;strong&gt;&lt;em&gt;&lt;span style="font-size:medium;"&gt;&lt;span style="color:rgb(0, 0, 255);"&gt;to get dressed.&lt;/span&gt;&lt;/span&gt;&lt;/em&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;div&gt;&lt;strong&gt;&lt;em&gt;&lt;br /&gt;
&lt;div&gt;&lt;br /&gt;
&lt;div&gt;&lt;br /&gt;
&lt;div&gt;&lt;br /&gt;
&lt;div&gt;&lt;/div&gt;&lt;br /&gt;
&lt;/div&gt;&lt;br /&gt;
&lt;/div&gt;&lt;br /&gt;
&lt;/div&gt;&lt;br /&gt;
&lt;/em&gt;&lt;/strong&gt;&lt;/div&gt;&lt;br /&gt;
&lt;p style="text-align:center;"&gt;&lt;strong&gt;&lt;em&gt;&lt;span style="font-family:Arial Black;"&gt;&lt;span style="font-size:medium;"&gt;&lt;span style="color:rgb(0, 0, 255);"&gt;A respiração é leve&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/em&gt;&lt;/strong&gt;&lt;/p&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;p style="text-align:center;"&gt;&lt;strong&gt;&lt;em&gt;&lt;span style="font-family:Arial Black;"&gt;&lt;span style="font-size:medium;"&gt;&lt;span style="color:rgb(0, 0, 255);"&gt;e serena&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/em&gt;&lt;/strong&gt;&lt;/p&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;p style="text-align:center;"&gt;&lt;strong&gt;&lt;em&gt;&lt;span style="font-family:Arial Black;"&gt;&lt;span style="font-size:medium;"&gt;&lt;span style="color:rgb(0, 0, 255);"&gt;a manhã cresce cálida&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/em&gt;&lt;/strong&gt;&lt;/p&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;p style="text-align:center;"&gt;&lt;strong&gt;&lt;em&gt;&lt;span style="font-family:Arial Black;"&gt;&lt;span style="font-size:medium;"&gt;&lt;span style="color:rgb(0, 0, 255);"&gt;e rútila&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/em&gt;&lt;/strong&gt;&lt;/p&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;&lt;br /&gt;
&lt;br /&gt;&lt;br /&gt;
&lt;p style="text-align:center;"&gt;&lt;strong&gt;&lt;em&gt;&lt;span style="font-family:Arial Black;"&gt;&lt;span style="font-size:medium;"&gt;&lt;span style="color:rgb(0, 0, 255);"&gt;na pele&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/em&gt;&lt;/strong&gt;&lt;/p&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;&lt;br /&gt;
&lt;br /&gt;&lt;br /&gt;
&lt;p style="text-align:center;"&gt;&lt;strong&gt;&lt;em&gt;&lt;span style="font-family:Arial Black;"&gt;&lt;span style="font-size:medium;"&gt;&lt;span style="color:rgb(0, 0, 255);"&gt;o corpo&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/em&gt;&lt;/strong&gt;&lt;/p&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;p style="text-align:center;"&gt;&lt;strong&gt;&lt;em&gt;&lt;span style="font-family:Arial Black;"&gt;&lt;span style="font-size:medium;"&gt;&lt;span style="color:rgb(0, 0, 255);"&gt;não deseja &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/em&gt;&lt;/strong&gt;&lt;/p&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;p style="text-align:center;"&gt;&lt;strong&gt;&lt;em&gt;&lt;span style="font-family:Arial Black;"&gt;&lt;span style="font-size:medium;"&gt;&lt;span style="color:rgb(0, 0, 255);"&gt;vestir-se.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/em&gt;&lt;/strong&gt;&lt;/p&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;p style="text-align:left;"&gt;&lt;span style="font-family:Arial Black;"&gt;&lt;span style="font-size:medium;"&gt;&lt;span style="color:rgb(0, 0, 255);"&gt;&lt;span style="font-size:xx-small;"&gt;&lt;em&gt;&lt;span style="color:rgb(0, 0, 0);"&gt;by Armando TABORDA, in "SonhoGrafias", Universitária Editora, 2000&lt;br /&gt;&lt;br /&gt;
&lt;br /&gt;&lt;br /&gt;
(post 1st edition, 2006; 2nd edition, 2023; 3rd edition, 2026)&lt;/span&gt;&lt;/em&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;</media:text>
    <media:credit role="author">Armando Taborda</media:credit>
  </item>
  <item>
    <title>Cumeré</title>
    <link>https://www.ipernity.com/blog/armando.taborda/342147</link>
    <guid isPermaLink="false">tag:ipernity.com,2026-04-23,post-342147</guid>
    <pubDate>Thu, 23 Apr 2026 09:05:33 +0000</pubDate>
    <author>nobody@ipernity.com (Armando Taborda)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/armando.taborda"&gt;Armando Taborda&lt;/a&gt; has posted an article:&lt;/p&gt;&lt;div class="description"&gt;&lt;p&gt;&lt;span style="font-family:Impact;"&gt;&lt;span style="font-size:small;"&gt;I assume the responsibility of watching a dreams' parade&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;p&gt;&lt;span style="font-family:Impact;"&gt;&lt;span style="font-size:small;"&gt;just now that the whole conquested liberties guarantee to me the right of indifference&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;p&gt;&lt;span style="font-family:Impact;"&gt;&lt;span style="font-size:small;"&gt;and the nocturnal breeze over the quay-bridge on River Geba&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;p&gt;&lt;span style="font-family:Impact;"&gt;&lt;span style="font-size:small;"&gt;provides me comfort enough.&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;&lt;br /&gt;
&lt;br /&gt;&lt;br /&gt;
&lt;p&gt;&lt;span style="font-family:Impact;"&gt;&lt;span style="font-size:small;"&gt;There are lights in the Ilhéu do Rei&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;p&gt;&lt;span style="font-family:Impact;"&gt;&lt;span style="font-size:small;"&gt;and Cumeré&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;p&gt;&lt;span style="font-family:Impact;"&gt;&lt;span style="font-size:small;"&gt;and in the boats navigating far away giving significance to the obscure space&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;p&gt;&lt;span style="font-family:Impact;"&gt;&lt;span style="font-size:small;"&gt;where I find myself illuminated&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;p&gt;&lt;span style="font-family:Impact;"&gt;&lt;span style="font-size:small;"&gt;on the cement breakwater that whispering boats at the moorings&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;p&gt;&lt;span style="font-family:Impact;"&gt;&lt;span style="font-size:small;"&gt;are loving.&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;&lt;br /&gt;
&lt;br /&gt;&lt;br /&gt;
&lt;p&gt;&lt;span style="font-family:Impact;"&gt;&lt;span style="font-size:small;"&gt;I write this text of furtive light&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;p&gt;&lt;span style="font-family:Impact;"&gt;&lt;span style="font-size:small;"&gt;while the shadows of my steps bring me into the night&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;p&gt;&lt;span style="font-family:Impact;"&gt;&lt;span style="font-size:small;"&gt;in town.&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;p style="text-align:center;"&gt;&lt;span style="font-family:Impact;"&gt;&lt;span style="font-size:small;"&gt;&lt;span style="font-family:Arial Black;"&gt;&lt;span style="color:rgb(51, 102, 255);"&gt;&lt;span style="font-size:xx-small;"&gt;(written in Bissau, soon after the April 25th, 1974)&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;&lt;br /&gt;
&lt;div&gt;&lt;br /&gt;
&lt;div&gt;&lt;br /&gt;
&lt;div&gt;&lt;br /&gt;
&lt;div&gt;&lt;br /&gt;
&lt;div&gt;&lt;br /&gt;
&lt;div&gt;&lt;/div&gt;&lt;br /&gt;
&lt;/div&gt;&lt;br /&gt;
&lt;/div&gt;&lt;br /&gt;
&lt;span style="font-family:Impact;"&gt;&lt;span style="font-size:small;"&gt;Assumo a responsabilidade de ver desfilar os sonhos&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;
&lt;/div&gt;&lt;br /&gt;
&lt;/div&gt;&lt;br /&gt;
&lt;p&gt;&lt;span style="font-family:Impact;"&gt;&lt;span style="font-size:small;"&gt;agora que as amplas liberdades conquistadas me garantem o direito à indiferença&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;p&gt;&lt;span style="font-family:Impact;"&gt;&lt;span style="font-size:small;"&gt;e a brisa nocturna na ponte-cais do Rio Geba&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;p&gt;&lt;span style="font-family:Impact;"&gt;&lt;span style="font-size:small;"&gt;me oferece o conforto necessário.&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;&lt;br /&gt;
&lt;br /&gt;&lt;br /&gt;
&lt;p&gt;&lt;span style="font-family:Impact;"&gt;&lt;span style="font-size:small;"&gt;Há luzes no Ilhéu do Rei&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;p&gt;&lt;span style="font-family:Impact;"&gt;&lt;span style="font-size:small;"&gt;e no Cumeré&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;p&gt;&lt;span style="font-family:Impact;"&gt;&lt;span style="font-size:small;"&gt;e nas embarcações que navegam ao longe e dão sentido ao espaço obscuro&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;p&gt;&lt;span style="font-family:Impact;"&gt;&lt;span style="font-size:small;"&gt;onde me descubro iluminado&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;p&gt;&lt;span style="font-family:Impact;"&gt;&lt;span style="font-size:small;"&gt;no molhe de cimento que barcos sussurrantes nas amarras&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;p&gt;&lt;span style="font-family:Impact;"&gt;&lt;span style="font-size:small;"&gt;amam.&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;&lt;br /&gt;
&lt;br /&gt;&lt;br /&gt;
&lt;p&gt;&lt;span style="font-family:Impact;"&gt;&lt;span style="font-size:small;"&gt;Construo este texto de luz furtiva&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;p&gt;&lt;span style="font-family:Impact;"&gt;&lt;span style="font-size:small;"&gt;enquanto a sombra de meus passos me leva para o interior da noite&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;p&gt;&lt;span style="font-family:Impact;"&gt;&lt;span style="font-size:small;"&gt;na cidade.&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;p style="text-align:center;"&gt;&lt;span style="font-family:Impact;"&gt;&lt;span style="font-size:small;"&gt;&lt;span style="font-family:Arial Black;"&gt;&lt;span style="font-size:xx-small;"&gt;&lt;span style="color:rgb(0, 0, 255);"&gt;(escrito em Bissau, após o 25 Abril 1974)&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;p style="text-align:left;"&gt;&lt;em&gt;&lt;span style="font-family:Impact;"&gt;&lt;span style="font-size:small;"&gt;&lt;span style="font-family:Arial Black;"&gt;&lt;span style="font-size:xx-small;"&gt;&lt;span style="color:rgb(0, 0, 255);"&gt;&lt;span style="color:rgb(255, 0, 0);"&gt;by Armando TABORDA, in "MANUAL DO DESPERDÍCIO", Ceres Editora, 1994&lt;br /&gt;&lt;br /&gt;
&lt;br /&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/em&gt;&lt;span style="font-family:Impact;"&gt;&lt;span style="font-size:small;"&gt;&lt;span style="font-family:Arial Black;"&gt;&lt;span style="font-size:xx-small;"&gt;&lt;span style="color:rgb(0, 0, 255);"&gt;&lt;span style="color:rgb(255, 0, 0);"&gt;(post 1st edition, 2011; 2nd edition, 2017; 3rd edition, 2019; 4th edition, 2022; 5th edition, 2026)&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;em&gt;&lt;span style="font-family:Impact;"&gt;&lt;span style="font-size:small;"&gt;&lt;span style="font-family:Arial Black;"&gt;&lt;span style="font-size:xx-small;"&gt;&lt;span style="color:rgb(0, 0, 255);"&gt;&lt;span style="color:rgb(255, 0, 0);"&gt;&lt;br /&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/em&gt;&lt;/p&gt;&lt;/div&gt;</description>
    <media:title>Cumeré</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/armando.taborda"&gt;Armando Taborda&lt;/a&gt; has posted an article:&lt;/p&gt;&lt;div class="description"&gt;&lt;p&gt;&lt;span style="font-family:Impact;"&gt;&lt;span style="font-size:small;"&gt;I assume the responsibility of watching a dreams' parade&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;p&gt;&lt;span style="font-family:Impact;"&gt;&lt;span style="font-size:small;"&gt;just now that the whole conquested liberties guarantee to me the right of indifference&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;p&gt;&lt;span style="font-family:Impact;"&gt;&lt;span style="font-size:small;"&gt;and the nocturnal breeze over the quay-bridge on River Geba&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;p&gt;&lt;span style="font-family:Impact;"&gt;&lt;span style="font-size:small;"&gt;provides me comfort enough.&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;&lt;br /&gt;
&lt;br /&gt;&lt;br /&gt;
&lt;p&gt;&lt;span style="font-family:Impact;"&gt;&lt;span style="font-size:small;"&gt;There are lights in the Ilhéu do Rei&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;p&gt;&lt;span style="font-family:Impact;"&gt;&lt;span style="font-size:small;"&gt;and Cumeré&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;p&gt;&lt;span style="font-family:Impact;"&gt;&lt;span style="font-size:small;"&gt;and in the boats navigating far away giving significance to the obscure space&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;p&gt;&lt;span style="font-family:Impact;"&gt;&lt;span style="font-size:small;"&gt;where I find myself illuminated&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;p&gt;&lt;span style="font-family:Impact;"&gt;&lt;span style="font-size:small;"&gt;on the cement breakwater that whispering boats at the moorings&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;p&gt;&lt;span style="font-family:Impact;"&gt;&lt;span style="font-size:small;"&gt;are loving.&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;&lt;br /&gt;
&lt;br /&gt;&lt;br /&gt;
&lt;p&gt;&lt;span style="font-family:Impact;"&gt;&lt;span style="font-size:small;"&gt;I write this text of furtive light&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;p&gt;&lt;span style="font-family:Impact;"&gt;&lt;span style="font-size:small;"&gt;while the shadows of my steps bring me into the night&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;p&gt;&lt;span style="font-family:Impact;"&gt;&lt;span style="font-size:small;"&gt;in town.&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;p style="text-align:center;"&gt;&lt;span style="font-family:Impact;"&gt;&lt;span style="font-size:small;"&gt;&lt;span style="font-family:Arial Black;"&gt;&lt;span style="color:rgb(51, 102, 255);"&gt;&lt;span style="font-size:xx-small;"&gt;(written in Bissau, soon after the April 25th, 1974)&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;&lt;br /&gt;
&lt;div&gt;&lt;br /&gt;
&lt;div&gt;&lt;br /&gt;
&lt;div&gt;&lt;br /&gt;
&lt;div&gt;&lt;br /&gt;
&lt;div&gt;&lt;br /&gt;
&lt;div&gt;&lt;/div&gt;&lt;br /&gt;
&lt;/div&gt;&lt;br /&gt;
&lt;/div&gt;&lt;br /&gt;
&lt;span style="font-family:Impact;"&gt;&lt;span style="font-size:small;"&gt;Assumo a responsabilidade de ver desfilar os sonhos&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;
&lt;/div&gt;&lt;br /&gt;
&lt;/div&gt;&lt;br /&gt;
&lt;p&gt;&lt;span style="font-family:Impact;"&gt;&lt;span style="font-size:small;"&gt;agora que as amplas liberdades conquistadas me garantem o direito à indiferença&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;p&gt;&lt;span style="font-family:Impact;"&gt;&lt;span style="font-size:small;"&gt;e a brisa nocturna na ponte-cais do Rio Geba&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;p&gt;&lt;span style="font-family:Impact;"&gt;&lt;span style="font-size:small;"&gt;me oferece o conforto necessário.&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;&lt;br /&gt;
&lt;br /&gt;&lt;br /&gt;
&lt;p&gt;&lt;span style="font-family:Impact;"&gt;&lt;span style="font-size:small;"&gt;Há luzes no Ilhéu do Rei&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;p&gt;&lt;span style="font-family:Impact;"&gt;&lt;span style="font-size:small;"&gt;e no Cumeré&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;p&gt;&lt;span style="font-family:Impact;"&gt;&lt;span style="font-size:small;"&gt;e nas embarcações que navegam ao longe e dão sentido ao espaço obscuro&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;p&gt;&lt;span style="font-family:Impact;"&gt;&lt;span style="font-size:small;"&gt;onde me descubro iluminado&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;p&gt;&lt;span style="font-family:Impact;"&gt;&lt;span style="font-size:small;"&gt;no molhe de cimento que barcos sussurrantes nas amarras&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;p&gt;&lt;span style="font-family:Impact;"&gt;&lt;span style="font-size:small;"&gt;amam.&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;&lt;br /&gt;
&lt;br /&gt;&lt;br /&gt;
&lt;p&gt;&lt;span style="font-family:Impact;"&gt;&lt;span style="font-size:small;"&gt;Construo este texto de luz furtiva&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;p&gt;&lt;span style="font-family:Impact;"&gt;&lt;span style="font-size:small;"&gt;enquanto a sombra de meus passos me leva para o interior da noite&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;p&gt;&lt;span style="font-family:Impact;"&gt;&lt;span style="font-size:small;"&gt;na cidade.&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;p style="text-align:center;"&gt;&lt;span style="font-family:Impact;"&gt;&lt;span style="font-size:small;"&gt;&lt;span style="font-family:Arial Black;"&gt;&lt;span style="font-size:xx-small;"&gt;&lt;span style="color:rgb(0, 0, 255);"&gt;(escrito em Bissau, após o 25 Abril 1974)&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;p style="text-align:left;"&gt;&lt;em&gt;&lt;span style="font-family:Impact;"&gt;&lt;span style="font-size:small;"&gt;&lt;span style="font-family:Arial Black;"&gt;&lt;span style="font-size:xx-small;"&gt;&lt;span style="color:rgb(0, 0, 255);"&gt;&lt;span style="color:rgb(255, 0, 0);"&gt;by Armando TABORDA, in "MANUAL DO DESPERDÍCIO", Ceres Editora, 1994&lt;br /&gt;&lt;br /&gt;
&lt;br /&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/em&gt;&lt;span style="font-family:Impact;"&gt;&lt;span style="font-size:small;"&gt;&lt;span style="font-family:Arial Black;"&gt;&lt;span style="font-size:xx-small;"&gt;&lt;span style="color:rgb(0, 0, 255);"&gt;&lt;span style="color:rgb(255, 0, 0);"&gt;(post 1st edition, 2011; 2nd edition, 2017; 3rd edition, 2019; 4th edition, 2022; 5th edition, 2026)&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;em&gt;&lt;span style="font-family:Impact;"&gt;&lt;span style="font-size:small;"&gt;&lt;span style="font-family:Arial Black;"&gt;&lt;span style="font-size:xx-small;"&gt;&lt;span style="color:rgb(0, 0, 255);"&gt;&lt;span style="color:rgb(255, 0, 0);"&gt;&lt;br /&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/em&gt;&lt;/p&gt;&lt;/div&gt;</media:text>
    <media:credit role="author">Armando Taborda</media:credit>
  </item>
  <item>
    <title>Looking for the night - À procura da noite</title>
    <link>https://www.ipernity.com/blog/armando.taborda/25240</link>
    <guid isPermaLink="false">tag:ipernity.com,2026-04-15,post-25240</guid>
    <pubDate>Wed, 15 Apr 2026 23:05:39 +0000</pubDate>
    <author>nobody@ipernity.com (Armando Taborda)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/armando.taborda"&gt;Armando Taborda&lt;/a&gt; has posted an article:&lt;/p&gt;&lt;div class="description"&gt;&lt;p&gt;&lt;font size="2"&gt;The window panes make the refraction of the flying light towards the horizon&lt;/font&gt;&lt;/p&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;p&gt;&lt;font size="2"&gt;looking for the night&lt;/font&gt;&lt;/p&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;p&gt;&lt;font size="2"&gt;and the illuminated windows of the empty buildings.&lt;/font&gt;&lt;/p&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;&lt;br /&gt;
&lt;p&gt;&lt;font size="2"&gt;The purple light&lt;/font&gt;&lt;/p&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;p&gt;&lt;font size="2"&gt;watched from far away&lt;/font&gt;&lt;/p&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;p&gt;&lt;font size="2"&gt;is from the spilled blood&lt;/font&gt;&lt;/p&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;p&gt;&lt;font size="2"&gt;in the buildings' facades&lt;/font&gt;&lt;/p&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;p&gt;&lt;font size="2"&gt;gently&lt;/font&gt;&lt;/p&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;p&gt;&lt;font size="2"&gt;right now &lt;/font&gt;&lt;font size="2"&gt;yes&lt;/font&gt;&lt;/p&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;p&gt;&lt;font size="2"&gt;inhabited by shadows.&lt;br /&gt;&lt;br /&gt;
&lt;/font&gt;&lt;/p&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;div&gt;&lt;br /&gt;
&lt;div&gt;&lt;br /&gt;
&lt;div&gt;&lt;br /&gt;
&lt;div&gt;&lt;font size="2"&gt;&lt;br /&gt;
&lt;div&gt;&lt;br /&gt;
&lt;div&gt;&lt;/div&gt;&lt;br /&gt;
&lt;/div&gt;&lt;br /&gt;
&lt;/font&gt;&lt;font size="2"&gt;&lt;font size="2"&gt;A vidraça refracta a luz que voa em direcção ao horizonte&lt;/font&gt; &lt;br /&gt;&lt;br /&gt;
&lt;/font&gt;&lt;/div&gt;&lt;br /&gt;
&lt;/div&gt;&lt;br /&gt;
&lt;/div&gt;&lt;br /&gt;
&lt;/div&gt;&lt;br /&gt;
&lt;font size="2"&gt;&lt;font size="2"&gt;&lt;br /&gt;&lt;br /&gt;
à procura da noite&lt;/font&gt;&lt;br /&gt;&lt;br /&gt;
&lt;font size="2"&gt;&lt;br /&gt;&lt;br /&gt;
e das janelas iluminadas dos prédios vazios.&lt;/font&gt;&lt;/font&gt; &lt;br /&gt;&lt;br /&gt;
&lt;br /&gt;&lt;br /&gt;
&lt;br /&gt;&lt;br /&gt;
&lt;p&gt;&lt;font size="2"&gt;A luz púrpura&lt;/font&gt;&lt;/p&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;p&gt;&lt;font size="2"&gt;para quem a vê à distância&lt;/font&gt;&lt;/p&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;p&gt;&lt;font size="2"&gt;é do sangue vertido&lt;/font&gt;&lt;/p&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;p&gt;&lt;font size="2"&gt;docemente&lt;/font&gt;&lt;/p&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;p&gt;&lt;font size="2"&gt;nas fachadas dos prédios&lt;/font&gt;&lt;/p&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;p&gt;&lt;font size="2"&gt;agora sim&lt;/font&gt;&lt;/p&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;p&gt;&lt;font size="2"&gt;habitados por sombras.&lt;br /&gt;&lt;br /&gt;
&lt;br /&gt;&lt;br /&gt;
&lt;em&gt;by Armando TABORDA, in "SINFONIA EM DOR MENOR", Edição Escola de Mar, 2007&lt;br /&gt;&lt;br /&gt;
&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;
&lt;/font&gt;&lt;span style="font-size:x-small;"&gt;(post 1st edition, 2007; 2nd edition, 2017: 3rd edition, 2018; 4th edition, 2022; 5th edition, 2026)&lt;br /&gt;&lt;br /&gt;
&lt;br /&gt;&lt;br /&gt;
(photo taken from Internet - published under the fair use doctrine for noncommercial educational puroses)&lt;br /&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;</description>
    <media:title>Looking for the night - À procura da noite</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/armando.taborda"&gt;Armando Taborda&lt;/a&gt; has posted an article:&lt;/p&gt;&lt;div class="description"&gt;&lt;p&gt;&lt;font size="2"&gt;The window panes make the refraction of the flying light towards the horizon&lt;/font&gt;&lt;/p&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;p&gt;&lt;font size="2"&gt;looking for the night&lt;/font&gt;&lt;/p&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;p&gt;&lt;font size="2"&gt;and the illuminated windows of the empty buildings.&lt;/font&gt;&lt;/p&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;&lt;br /&gt;
&lt;p&gt;&lt;font size="2"&gt;The purple light&lt;/font&gt;&lt;/p&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;p&gt;&lt;font size="2"&gt;watched from far away&lt;/font&gt;&lt;/p&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;p&gt;&lt;font size="2"&gt;is from the spilled blood&lt;/font&gt;&lt;/p&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;p&gt;&lt;font size="2"&gt;in the buildings' facades&lt;/font&gt;&lt;/p&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;p&gt;&lt;font size="2"&gt;gently&lt;/font&gt;&lt;/p&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;p&gt;&lt;font size="2"&gt;right now &lt;/font&gt;&lt;font size="2"&gt;yes&lt;/font&gt;&lt;/p&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;p&gt;&lt;font size="2"&gt;inhabited by shadows.&lt;br /&gt;&lt;br /&gt;
&lt;/font&gt;&lt;/p&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;div&gt;&lt;br /&gt;
&lt;div&gt;&lt;br /&gt;
&lt;div&gt;&lt;br /&gt;
&lt;div&gt;&lt;font size="2"&gt;&lt;br /&gt;
&lt;div&gt;&lt;br /&gt;
&lt;div&gt;&lt;/div&gt;&lt;br /&gt;
&lt;/div&gt;&lt;br /&gt;
&lt;/font&gt;&lt;font size="2"&gt;&lt;font size="2"&gt;A vidraça refracta a luz que voa em direcção ao horizonte&lt;/font&gt; &lt;br /&gt;&lt;br /&gt;
&lt;/font&gt;&lt;/div&gt;&lt;br /&gt;
&lt;/div&gt;&lt;br /&gt;
&lt;/div&gt;&lt;br /&gt;
&lt;/div&gt;&lt;br /&gt;
&lt;font size="2"&gt;&lt;font size="2"&gt;&lt;br /&gt;&lt;br /&gt;
à procura da noite&lt;/font&gt;&lt;br /&gt;&lt;br /&gt;
&lt;font size="2"&gt;&lt;br /&gt;&lt;br /&gt;
e das janelas iluminadas dos prédios vazios.&lt;/font&gt;&lt;/font&gt; &lt;br /&gt;&lt;br /&gt;
&lt;br /&gt;&lt;br /&gt;
&lt;br /&gt;&lt;br /&gt;
&lt;p&gt;&lt;font size="2"&gt;A luz púrpura&lt;/font&gt;&lt;/p&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;p&gt;&lt;font size="2"&gt;para quem a vê à distância&lt;/font&gt;&lt;/p&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;p&gt;&lt;font size="2"&gt;é do sangue vertido&lt;/font&gt;&lt;/p&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;p&gt;&lt;font size="2"&gt;docemente&lt;/font&gt;&lt;/p&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;p&gt;&lt;font size="2"&gt;nas fachadas dos prédios&lt;/font&gt;&lt;/p&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;p&gt;&lt;font size="2"&gt;agora sim&lt;/font&gt;&lt;/p&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;p&gt;&lt;font size="2"&gt;habitados por sombras.&lt;br /&gt;&lt;br /&gt;
&lt;br /&gt;&lt;br /&gt;
&lt;em&gt;by Armando TABORDA, in "SINFONIA EM DOR MENOR", Edição Escola de Mar, 2007&lt;br /&gt;&lt;br /&gt;
&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;
&lt;/font&gt;&lt;span style="font-size:x-small;"&gt;(post 1st edition, 2007; 2nd edition, 2017: 3rd edition, 2018; 4th edition, 2022; 5th edition, 2026)&lt;br /&gt;&lt;br /&gt;
&lt;br /&gt;&lt;br /&gt;
(photo taken from Internet - published under the fair use doctrine for noncommercial educational puroses)&lt;br /&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;</media:text>
    <media:credit role="author">Armando Taborda</media:credit>
  </item>
  <item>
    <title>The navigation starts by nightfall - A navegação começa ao fim do dia</title>
    <link>https://www.ipernity.com/blog/armando.taborda/107224</link>
    <guid isPermaLink="false">tag:ipernity.com,2026-04-07,post-107224</guid>
    <pubDate>Tue, 07 Apr 2026 09:37:34 +0000</pubDate>
    <author>nobody@ipernity.com (Armando Taborda)</author>
    <description>&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/armando.taborda"&gt;Armando Taborda&lt;/a&gt; has posted an article:&lt;/p&gt;&lt;div class="description"&gt;&lt;p&gt;&lt;span style="color:rgb(0, 0, 128);"&gt;&lt;span style="font-family:Arial Black;"&gt;&lt;span style="font-size:x-small;"&gt;The navigation starts by nightfall&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;p&gt;&lt;span style="color:rgb(0, 0, 128);"&gt;&lt;span style="font-family:Arial Black;"&gt;&lt;span style="font-size:x-small;"&gt;and slows down at night&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;p&gt;&lt;span style="color:rgb(0, 0, 128);"&gt;&lt;span style="font-family:Arial Black;"&gt;&lt;span style="font-size:x-small;"&gt;magnificent of solitude&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;p&gt;&lt;span style="color:rgb(0, 0, 128);"&gt;&lt;span style="font-family:Arial Black;"&gt;&lt;span style="font-size:x-small;"&gt;global nothing at the empty sockets even from blue eyes&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;&lt;br /&gt;
&lt;br /&gt;&lt;br /&gt;
&lt;p&gt;&lt;span style="color:rgb(0, 0, 128);"&gt;&lt;span style="font-family:Arial Black;"&gt;&lt;span style="font-size:x-small;"&gt;the sky&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;&lt;br /&gt;
&lt;br /&gt;&lt;br /&gt;
&lt;p&gt;&lt;span style="color:rgb(0, 0, 128);"&gt;&lt;span style="font-family:Arial Black;"&gt;&lt;span style="font-size:x-small;"&gt;also uncoloured once the optical illusion sees&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;p&gt;&lt;span style="color:rgb(0, 0, 128);"&gt;&lt;span style="font-family:Arial Black;"&gt;&lt;span style="font-size:x-small;"&gt;blue everywhere&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;p&gt;&lt;span style="color:rgb(0, 0, 128);"&gt;&lt;span style="font-family:Arial Black;"&gt;&lt;span style="font-size:x-small;"&gt;or maybe green&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;p&gt;&lt;span style="color:rgb(0, 0, 128);"&gt;&lt;span style="font-family:Arial Black;"&gt;&lt;span style="font-size:x-small;"&gt;upon my word this is certainly the sea's colour&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;p&gt;&lt;span style="color:rgb(0, 0, 128);"&gt;&lt;span style="font-family:Arial Black;"&gt;&lt;span style="font-size:x-small;"&gt;navigation's abyss&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;&lt;br /&gt;
&lt;br /&gt;&lt;br /&gt;
&lt;p&gt;&lt;span style="color:rgb(0, 0, 128);"&gt;&lt;span style="font-family:Arial Black;"&gt;&lt;span style="font-size:x-small;"&gt;and from salvages&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;&lt;br /&gt;
&lt;br /&gt;&lt;br /&gt;
&lt;p&gt;&lt;span style="color:rgb(0, 0, 128);"&gt;&lt;span style="font-family:Arial Black;"&gt;&lt;span style="font-size:x-small;"&gt;one can only hear the surf's&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;p&gt;&lt;span style="color:rgb(0, 0, 128);"&gt;&lt;span style="font-family:Arial Black;"&gt;&lt;span style="font-size:x-small;"&gt;whisper.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;div&gt;&lt;br /&gt;
&lt;div&gt;&lt;br /&gt;
&lt;div&gt;&lt;br /&gt;
&lt;div&gt;&lt;br /&gt;
&lt;div&gt;&lt;br /&gt;
&lt;div&gt;&lt;br /&gt;
&lt;div&gt;&lt;/div&gt;&lt;br /&gt;
&lt;/div&gt;&lt;br /&gt;
&lt;/div&gt;&lt;br /&gt;
&lt;/div&gt;&lt;br /&gt;
&lt;/div&gt;&lt;br /&gt;
&lt;/div&gt;&lt;br /&gt;
&lt;/div&gt;&lt;br /&gt;
&lt;p style="text-align:center;"&gt;&lt;span style="font-family:Arial Black;"&gt;&lt;span style="font-size:xx-small;"&gt;&lt;span style="color:rgb(0, 51, 102);"&gt;&lt;em&gt;(to read the original Portuguese version please click on the figure)&lt;/em&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;p style="text-align:left;"&gt;&lt;em&gt;&lt;span style="font-family:Arial Black;"&gt;&lt;span style="font-size:xx-small;"&gt;&lt;span style="color:rgb(0, 51, 102);"&gt;&lt;span style="color:rgb(0, 0, 0);"&gt;by Armando TABORDA, in "SINFONIA EM DOR MENOR", Edição Escola de Mar, 2007&lt;br /&gt;&lt;br /&gt;
&lt;br /&gt;&lt;br /&gt;
Illustration by Carlos ALEXANDRE&lt;br /&gt;&lt;br /&gt;
&lt;br /&gt;&lt;br /&gt;
(post 1st edition, 2008; 2nd edition, 2017; 3rd editio, 2019 4th edition, 2026)&lt;br /&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/em&gt;&lt;/p&gt;&lt;/div&gt;</description>
    <media:title>The navigation starts by nightfall - A navegação começa ao fim do dia</media:title>
    <media:text type="html">&lt;p class="who"&gt;&lt;a href="https://www.ipernity.com/home/armando.taborda"&gt;Armando Taborda&lt;/a&gt; has posted an article:&lt;/p&gt;&lt;div class="description"&gt;&lt;p&gt;&lt;span style="color:rgb(0, 0, 128);"&gt;&lt;span style="font-family:Arial Black;"&gt;&lt;span style="font-size:x-small;"&gt;The navigation starts by nightfall&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;p&gt;&lt;span style="color:rgb(0, 0, 128);"&gt;&lt;span style="font-family:Arial Black;"&gt;&lt;span style="font-size:x-small;"&gt;and slows down at night&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;p&gt;&lt;span style="color:rgb(0, 0, 128);"&gt;&lt;span style="font-family:Arial Black;"&gt;&lt;span style="font-size:x-small;"&gt;magnificent of solitude&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;p&gt;&lt;span style="color:rgb(0, 0, 128);"&gt;&lt;span style="font-family:Arial Black;"&gt;&lt;span style="font-size:x-small;"&gt;global nothing at the empty sockets even from blue eyes&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;&lt;br /&gt;
&lt;br /&gt;&lt;br /&gt;
&lt;p&gt;&lt;span style="color:rgb(0, 0, 128);"&gt;&lt;span style="font-family:Arial Black;"&gt;&lt;span style="font-size:x-small;"&gt;the sky&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;&lt;br /&gt;
&lt;br /&gt;&lt;br /&gt;
&lt;p&gt;&lt;span style="color:rgb(0, 0, 128);"&gt;&lt;span style="font-family:Arial Black;"&gt;&lt;span style="font-size:x-small;"&gt;also uncoloured once the optical illusion sees&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;p&gt;&lt;span style="color:rgb(0, 0, 128);"&gt;&lt;span style="font-family:Arial Black;"&gt;&lt;span style="font-size:x-small;"&gt;blue everywhere&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;p&gt;&lt;span style="color:rgb(0, 0, 128);"&gt;&lt;span style="font-family:Arial Black;"&gt;&lt;span style="font-size:x-small;"&gt;or maybe green&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;p&gt;&lt;span style="color:rgb(0, 0, 128);"&gt;&lt;span style="font-family:Arial Black;"&gt;&lt;span style="font-size:x-small;"&gt;upon my word this is certainly the sea's colour&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;p&gt;&lt;span style="color:rgb(0, 0, 128);"&gt;&lt;span style="font-family:Arial Black;"&gt;&lt;span style="font-size:x-small;"&gt;navigation's abyss&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;&lt;br /&gt;
&lt;br /&gt;&lt;br /&gt;
&lt;p&gt;&lt;span style="color:rgb(0, 0, 128);"&gt;&lt;span style="font-family:Arial Black;"&gt;&lt;span style="font-size:x-small;"&gt;and from salvages&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;&lt;br /&gt;
&lt;br /&gt;&lt;br /&gt;
&lt;p&gt;&lt;span style="color:rgb(0, 0, 128);"&gt;&lt;span style="font-family:Arial Black;"&gt;&lt;span style="font-size:x-small;"&gt;one can only hear the surf's&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;p&gt;&lt;span style="color:rgb(0, 0, 128);"&gt;&lt;span style="font-family:Arial Black;"&gt;&lt;span style="font-size:x-small;"&gt;whisper.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;div&gt;&lt;br /&gt;
&lt;div&gt;&lt;br /&gt;
&lt;div&gt;&lt;br /&gt;
&lt;div&gt;&lt;br /&gt;
&lt;div&gt;&lt;br /&gt;
&lt;div&gt;&lt;br /&gt;
&lt;div&gt;&lt;/div&gt;&lt;br /&gt;
&lt;/div&gt;&lt;br /&gt;
&lt;/div&gt;&lt;br /&gt;
&lt;/div&gt;&lt;br /&gt;
&lt;/div&gt;&lt;br /&gt;
&lt;/div&gt;&lt;br /&gt;
&lt;/div&gt;&lt;br /&gt;
&lt;p style="text-align:center;"&gt;&lt;span style="font-family:Arial Black;"&gt;&lt;span style="font-size:xx-small;"&gt;&lt;span style="color:rgb(0, 51, 102);"&gt;&lt;em&gt;(to read the original Portuguese version please click on the figure)&lt;/em&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;p style="text-align:left;"&gt;&lt;em&gt;&lt;span style="font-family:Arial Black;"&gt;&lt;span style="font-size:xx-small;"&gt;&lt;span style="color:rgb(0, 51, 102);"&gt;&lt;span style="color:rgb(0, 0, 0);"&gt;by Armando TABORDA, in "SINFONIA EM DOR MENOR", Edição Escola de Mar, 2007&lt;br /&gt;&lt;br /&gt;
&lt;br /&gt;&lt;br /&gt;
Illustration by Carlos ALEXANDRE&lt;br /&gt;&lt;br /&gt;
&lt;br /&gt;&lt;br /&gt;
(post 1st edition, 2008; 2nd edition, 2017; 3rd editio, 2019 4th edition, 2026)&lt;br /&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/em&gt;&lt;/p&gt;&lt;/div&gt;</media:text>
    <media:credit role="author">Armando Taborda</media:credit>
  </item>
</channel>
</rss>